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It's not written down, of course. | 0:00:02 | 0:00:03 | |
-It's in here. -And that is what I'm going to unlock. | 0:00:03 | 0:00:06 | |
I don't know who you are, but you have influence. | 0:00:06 | 0:00:09 | |
So she scares you too, does she? | 0:00:09 | 0:00:11 | |
I will have something for you in the next 24 hours | 0:00:11 | 0:00:14 | |
that would mean us working together. | 0:00:14 | 0:00:17 | |
I know you understand the cost of ministerial incompetence | 0:00:17 | 0:00:20 | |
and official deceit, but I know some things very few other people do - | 0:00:20 | 0:00:25 | |
how we could have won the war before it had even started. | 0:00:25 | 0:00:27 | |
I'm so envious of you being in that hotel, Cal. | 0:00:27 | 0:00:30 | |
What I really want to do is come and be there too. | 0:00:30 | 0:00:33 | |
You've done nothing but lie to me ever since I met you. | 0:00:33 | 0:00:36 | |
My daughter has gone! Lotte has vanished! | 0:00:36 | 0:00:38 | |
They say this madman was in the hotel and he has taken my daughter! | 0:00:38 | 0:00:41 | |
That man was your brother! | 0:00:41 | 0:00:42 | |
I will get her back. | 0:00:42 | 0:00:44 | |
INDISTINCT CONVERSATION | 0:00:53 | 0:00:56 | |
-MAN: -Do you know what's going on? | 0:00:57 | 0:00:59 | |
-WOMAN: -What's happened? | 0:01:01 | 0:01:03 | |
-MAN: -What's going on? | 0:01:07 | 0:01:08 | |
Excuse me! | 0:01:21 | 0:01:23 | |
I must tell you what I know. | 0:01:24 | 0:01:26 | |
Just a moment. | 0:01:26 | 0:01:29 | |
I was reading a story and she disappeared. | 0:01:29 | 0:01:32 | |
She just vanished. | 0:01:32 | 0:01:34 | |
That is what happened. | 0:01:34 | 0:01:35 | |
Please! I must tell you what I know. | 0:01:35 | 0:01:39 | |
I was reading her a story and she just vanished... | 0:01:41 | 0:01:44 | |
INDISTINCT CONVERSATION | 0:01:50 | 0:01:53 | |
We'll do better on our own. Come. | 0:01:58 | 0:02:00 | |
So what happened with the little man? | 0:02:02 | 0:02:04 | |
I mean, what was he doing with Lotte? | 0:02:04 | 0:02:06 | |
He was telling her a story. | 0:02:06 | 0:02:08 | |
I was right in the room next door, I could hear him reading to her, | 0:02:08 | 0:02:11 | |
-his voice... -No, that's not all he was doing. | 0:02:11 | 0:02:13 | |
Oh, Christ! | 0:02:14 | 0:02:16 | |
What? | 0:02:16 | 0:02:17 | |
We don't want them having anything to do with this. | 0:02:18 | 0:02:20 | |
Why did somebody call them? | 0:02:20 | 0:02:22 | |
Because they think you're important, that's why. | 0:02:22 | 0:02:24 | |
What's that? What's that? | 0:02:29 | 0:02:31 | |
Come on, come on, come on! | 0:02:35 | 0:02:36 | |
You should think where your brother might be, where he likes to visit, | 0:02:36 | 0:02:40 | |
what are his favourite places in the city... | 0:02:40 | 0:02:42 | |
There's a lot of those. He likes to roam around a lot. | 0:02:42 | 0:02:44 | |
What does he do when he roams? | 0:02:44 | 0:02:46 | |
He collects things. He picks things up, | 0:02:46 | 0:02:48 | |
off the pavement, off bombsites, | 0:02:48 | 0:02:49 | |
-anything that catches his eye. -His room, what's he got in his room? | 0:02:49 | 0:02:52 | |
-Should we go there? -No, the police have been there already. | 0:02:52 | 0:02:54 | |
-There is no trace of him. -No, no! | 0:02:54 | 0:02:56 | |
Of course, but maybe, if we look at what he's collected, | 0:02:56 | 0:02:58 | |
-that might tell us something. -There's a lot of stained glass. | 0:02:58 | 0:03:01 | |
Then we need a church. Does he have a favourite church? | 0:03:01 | 0:03:04 | |
TRAIN WHISTLE | 0:03:05 | 0:03:07 | |
Has anyone seen a man with a young girl? | 0:03:11 | 0:03:13 | |
With a child? Does anyone here know Victor? | 0:03:13 | 0:03:17 | |
I know Victor. | 0:03:17 | 0:03:18 | |
He is often here. | 0:03:19 | 0:03:21 | |
Sometimes, he sleeps here. | 0:03:21 | 0:03:22 | |
Not seen him tonight, though. | 0:03:22 | 0:03:24 | |
So, this is one of his churches. | 0:03:24 | 0:03:26 | |
Then we have to do every church we can! | 0:03:26 | 0:03:28 | |
So, Lotte, | 0:03:34 | 0:03:36 | |
if we manage this right, we really will reach the countryside. | 0:03:36 | 0:03:40 | |
LAUGHTER | 0:03:41 | 0:03:44 | |
Hello, gentlemen. I need some petrol coupons | 0:03:47 | 0:03:49 | |
and will pay handsomely for them. | 0:03:49 | 0:03:51 | |
So who's going to be the lucky one, then? | 0:03:51 | 0:03:53 | |
Women aren't allowed in here, love! | 0:03:53 | 0:03:55 | |
It's not a good idea to go out dressed like that, love! | 0:03:55 | 0:03:57 | |
Our house just collapsed. | 0:03:57 | 0:03:59 | |
The whole ceiling came down. | 0:03:59 | 0:04:01 | |
Bang! Just like that. | 0:04:01 | 0:04:02 | |
So, we must be on our travels. | 0:04:02 | 0:04:04 | |
Who's going to help us? | 0:04:04 | 0:04:05 | |
-Any news? Any news at all? -No, no, not yet. | 0:04:05 | 0:04:09 | |
-Where have you been, sir? -We've been in church. | 0:04:09 | 0:04:11 | |
Just get them out of the hotel! | 0:04:11 | 0:04:12 | |
-Just get rid of them! -I don't know how to do that. | 0:04:12 | 0:04:14 | |
OK, well, keep them away from me, at least. | 0:04:14 | 0:04:16 | |
Oh, what are they doing here? | 0:04:18 | 0:04:20 | |
Nothing. No. | 0:04:20 | 0:04:22 | |
We came to see if we could help. Of course we can't help. | 0:04:22 | 0:04:25 | |
I mean, you will have thought of absolutely everything. | 0:04:25 | 0:04:27 | |
-But we wanted to be here. -You really didn't need to do that. | 0:04:27 | 0:04:29 | |
Well, the party was well and truly over. We had to come. | 0:04:29 | 0:04:33 | |
This is more like it, isn't it, Lotte? | 0:04:37 | 0:04:40 | |
Countryside, bit of clean air. | 0:04:40 | 0:04:42 | |
It's so beautiful. | 0:04:44 | 0:04:45 | |
It's like the Blitz all over again. | 0:04:47 | 0:04:49 | |
Everybody's staying close in case they're needed. | 0:04:50 | 0:04:52 | |
Sorry it took so long, sir. | 0:04:55 | 0:04:57 | |
They will find your daughter, sir, I'm sure. | 0:05:00 | 0:05:03 | |
Thank you. | 0:05:03 | 0:05:05 | |
He's doing everything he can. | 0:05:05 | 0:05:07 | |
No, thank you. Now it's light, we stand a much better chance. | 0:05:12 | 0:05:15 | |
I managed to get it on the radio, on the first bulletins. | 0:05:15 | 0:05:18 | |
My brother stand out a mile wherever he goes. | 0:05:20 | 0:05:22 | |
And with a little girl in tow... | 0:05:22 | 0:05:24 | |
Why is everybody so worried about your brother? | 0:05:24 | 0:05:27 | |
Well, that's simple. | 0:05:29 | 0:05:30 | |
They think he's mad. | 0:05:32 | 0:05:34 | |
OK. Here we are, Lotte, so get on the back seat and just lie down, | 0:05:41 | 0:05:44 | |
as if you were asleep. Don't say anything. | 0:05:44 | 0:05:47 | |
SWING MUSIC PLAYS ON RADIO | 0:05:49 | 0:05:52 | |
Fill her up, please. As much as I can get for these. | 0:05:53 | 0:05:57 | |
You know, you shouldn't be smoking while you're doing that. | 0:06:04 | 0:06:07 | |
Are you telling me what to do, are you? | 0:06:07 | 0:06:08 | |
Get your daughter out the car if you don't like it. | 0:06:08 | 0:06:11 | |
I've only been doing this six weeks. | 0:06:14 | 0:06:16 | |
Do you think this, this is what I want to do with the rest of my life? | 0:06:16 | 0:06:18 | |
Leave somewhere suddenly, did you? | 0:06:20 | 0:06:22 | |
Sir! There's been a sighting of them, sir, | 0:06:27 | 0:06:30 | |
at a petrol station in Sussex. | 0:06:30 | 0:06:31 | |
-They've seen them? -Yes. | 0:06:31 | 0:06:33 | |
There's an army base very close by. They are sending out a patrol now. | 0:06:33 | 0:06:36 | |
No, no, no! That is not the right move at all! | 0:06:36 | 0:06:38 | |
They must use the local police, all right? | 0:06:38 | 0:06:40 | |
Get me the commanding officer on the phone now! | 0:06:40 | 0:06:42 | |
If they go in, they're going to start shooting. | 0:06:42 | 0:06:44 | |
Is there anyone following us, Lotte? | 0:06:45 | 0:06:47 | |
Let's go. | 0:06:50 | 0:06:51 | |
Come on! | 0:06:53 | 0:06:55 | |
OK, Lotte, you are not safe with me, OK? | 0:07:19 | 0:07:22 | |
You've got to go. Get over that way, OK, as far as you can. | 0:07:22 | 0:07:26 | |
Go, quick, quick! Keep going. SOLDIERS SHOUT | 0:07:26 | 0:07:28 | |
Go, go! | 0:07:28 | 0:07:29 | |
We know you are here. Stand up with your arms up and walk towards us. | 0:07:29 | 0:07:34 | |
OK? | 0:07:40 | 0:07:42 | |
Here I am. A nice target. | 0:07:42 | 0:07:44 | |
Why don't you have a go? I don't think you can really miss, can you? | 0:07:44 | 0:07:47 | |
Lotte! | 0:08:11 | 0:08:13 | |
HE SPEAKS GERMAN | 0:08:13 | 0:08:14 | |
Get out of the car. Get out of the car, now! | 0:08:17 | 0:08:20 | |
What the hell were you thinking?! | 0:08:20 | 0:08:21 | |
-What on earth possessed you to do that? -Don't yell at me. | 0:08:21 | 0:08:25 | |
They are going to lock you up now and I'm not going to be able to do | 0:08:25 | 0:08:27 | |
a single thing about it. That's a brilliant result, isn't it, Victor? | 0:08:27 | 0:08:31 | |
You might find this surprising, but if they don't lock him up, | 0:08:34 | 0:08:37 | |
I may be able to help you with your brother. | 0:08:37 | 0:08:40 | |
Well, they will lock him up. | 0:08:40 | 0:08:41 | |
You've been very lucky, Ferguson, amazingly lucky. | 0:08:54 | 0:08:57 | |
Lucky? I've been lucky? | 0:08:57 | 0:08:59 | |
The German is very grateful to you | 0:09:03 | 0:09:05 | |
for the way you behaved over his daughter. | 0:09:05 | 0:09:08 | |
That's why you've been lucky. | 0:09:08 | 0:09:09 | |
We're finally making progress. | 0:09:09 | 0:09:11 | |
I want you to stay with him now until he delivers. | 0:09:11 | 0:09:13 | |
Until he delivers? That could be months. | 0:09:13 | 0:09:15 | |
Supersonic speed is the only thing that matters at the moment. | 0:09:15 | 0:09:17 | |
Breaking the sound barrier. Boom! | 0:09:17 | 0:09:20 | |
We have to do that before the Americans, | 0:09:20 | 0:09:22 | |
or the Russians, of course. | 0:09:22 | 0:09:23 | |
-Your German... -My German? | 0:09:23 | 0:09:25 | |
Yes, your German can really help us do that, can't he? | 0:09:25 | 0:09:28 | |
He trusts you now. | 0:09:28 | 0:09:29 | |
We need you to build on this new friendship | 0:09:29 | 0:09:31 | |
until he's done it for us. | 0:09:31 | 0:09:33 | |
That's all you have to do. | 0:09:33 | 0:09:35 | |
Most people would kill for such a job. | 0:09:35 | 0:09:37 | |
I'm not going to do it. | 0:09:37 | 0:09:38 | |
Oh, yes, you are. | 0:09:38 | 0:09:40 | |
-Shall I tell you why? -VICTOR RANTS OUTSIDE | 0:09:40 | 0:09:43 | |
Because your brother has committed a series of criminal offences - | 0:09:43 | 0:09:46 | |
abducting a child, stealing a car. | 0:09:46 | 0:09:48 | |
He will go to prison unless I stop it happening. | 0:09:48 | 0:09:51 | |
So you're blackmailing me? | 0:09:51 | 0:09:53 | |
What are you going to do with your life now if you refuse? | 0:09:53 | 0:09:56 | |
This way, you've got the run of a hotel, | 0:09:56 | 0:09:58 | |
lots of free time to do what you want, work out your future. | 0:09:58 | 0:10:01 | |
You are doubly, maybe trebly, lucky. | 0:10:01 | 0:10:03 | |
Well, I'm certainly not if I have got MI5 or MI19 | 0:10:03 | 0:10:06 | |
-or any other bloody outfit on my back. -That's over. | 0:10:06 | 0:10:09 | |
That's all stopped. If you do this, Ferguson, | 0:10:09 | 0:10:12 | |
we'll get your brother good treatment in a hospital. | 0:10:12 | 0:10:14 | |
Absolutely not! | 0:10:14 | 0:10:16 | |
No, I'm not having him locked up in one of your asylums. | 0:10:16 | 0:10:20 | |
I will take care of my brother. | 0:10:20 | 0:10:22 | |
So, what have you arranged with them, then? | 0:10:22 | 0:10:24 | |
They're going to strap me down, are they, put wires all over my head, | 0:10:24 | 0:10:27 | |
give me electric shocks? | 0:10:27 | 0:10:28 | |
-Come with me. -Mind you, | 0:10:28 | 0:10:30 | |
you probably get incredible dreams when they fry you like that. | 0:10:30 | 0:10:33 | |
Come with me. I just need to have a word with my brother in private. | 0:10:33 | 0:10:37 | |
LAMBS BLEAT What a beautiful place. | 0:10:37 | 0:10:40 | |
The army won't want to give any of these houses back, will they? | 0:10:40 | 0:10:43 | |
I wonder where all the aristos have moved to. | 0:10:43 | 0:10:45 | |
They'll pop up again soon, I expect. | 0:10:45 | 0:10:47 | |
Victor, you're not going to prison, all right? | 0:10:47 | 0:10:49 | |
They're not going to press charges. | 0:10:49 | 0:10:51 | |
Why not? Are they going to lock me away in hospital? | 0:10:51 | 0:10:53 | |
No, you are to go back to Mrs Tooley. | 0:10:53 | 0:10:55 | |
You did a deal, didn't you? | 0:10:55 | 0:10:57 | |
They want you to go on working with the German. | 0:10:57 | 0:10:59 | |
Well, why not? You've always loved that, haven't you? | 0:10:59 | 0:11:02 | |
Flight and speed, building the fastest plane in the world. | 0:11:02 | 0:11:05 | |
-Why shouldn't you do it? -There is one condition, though, | 0:11:05 | 0:11:08 | |
and that's that you don't go anywhere near the little girl | 0:11:08 | 0:11:11 | |
-or back to the hotel again. -No! -If you do, | 0:11:11 | 0:11:13 | |
you will be locked up, Victor! | 0:11:13 | 0:11:15 | |
Do you promise you won't try and see Lotte or go back to the hotel? | 0:11:15 | 0:11:17 | |
I didn't abduct her and you know that. | 0:11:17 | 0:11:19 | |
She was running away from a horrible man. | 0:11:19 | 0:11:21 | |
Do you promise? | 0:11:21 | 0:11:22 | |
-Of course. -Well, you'd better bloody mean it! | 0:11:24 | 0:11:28 | |
I still have to live, don't I? | 0:11:28 | 0:11:29 | |
And I was really hoping to just get a job at the hotel, | 0:11:29 | 0:11:32 | |
just being a porter or something. Nobody else will give me a job. | 0:11:32 | 0:11:35 | |
Well, it is possible I may be able to do something about that. | 0:11:35 | 0:11:39 | |
So, they've got a whole floor up there, have they? | 0:11:43 | 0:11:46 | |
Yes, with a lot of files, it looks like. | 0:11:46 | 0:11:50 | |
And they absolutely deny it exists. | 0:11:50 | 0:11:53 | |
Official priorities have become even clearer, apparently. | 0:11:53 | 0:11:55 | |
They are now going to get hold of every German | 0:11:55 | 0:11:57 | |
who might be useful to them before it's too late, | 0:11:57 | 0:11:59 | |
and it doesn't matter what they've done. | 0:11:59 | 0:12:01 | |
But surely that can change, something can change that. | 0:12:01 | 0:12:04 | |
There you are, the two brothers. | 0:12:18 | 0:12:20 | |
We haven't been formally introduced, Victor. | 0:12:21 | 0:12:23 | |
My name's Harold Lindsay-Jones. | 0:12:23 | 0:12:25 | |
-So pleased to meet you. -Are you? | 0:12:25 | 0:12:26 | |
Well, seen up close, Victor, you don't look mad to me, | 0:12:26 | 0:12:30 | |
not mad at all. Please, be seated. | 0:12:30 | 0:12:32 | |
So, Mr Lindsay-Jones... | 0:12:35 | 0:12:37 | |
-Harold, please. -Harold. | 0:12:37 | 0:12:39 | |
You were saying you might have some things for Victor to do. | 0:12:39 | 0:12:42 | |
Some odd jobs around the house. | 0:12:42 | 0:12:43 | |
I'm not terrific at cleaning. | 0:12:43 | 0:12:46 | |
I thought I'd better make that clear right away. | 0:12:46 | 0:12:48 | |
Cleaning is not what I had in mind, no. | 0:12:48 | 0:12:51 | |
This library was a passion, both for my wife and myself. | 0:12:51 | 0:12:54 | |
We love books. | 0:12:54 | 0:12:56 | |
Since she died, it hasn't been quite the same. | 0:12:56 | 0:12:59 | |
What do you notice, Victor, about this library? | 0:12:59 | 0:13:01 | |
-What do you see? -What do I see? | 0:13:01 | 0:13:03 | |
The books are not in the right order. | 0:13:06 | 0:13:07 | |
They're in no order at all, in fact. | 0:13:09 | 0:13:10 | |
Neither alphabetically, by author or by title. | 0:13:10 | 0:13:13 | |
-Or by subject. -Exactly. | 0:13:13 | 0:13:16 | |
You've spotted it at once. | 0:13:16 | 0:13:18 | |
During the Blitz, I had all the books removed at great expense | 0:13:18 | 0:13:21 | |
to the country. When they returned, | 0:13:21 | 0:13:23 | |
the removal men put them back in any order. | 0:13:23 | 0:13:25 | |
I didn't have the heart to do anything about it. | 0:13:25 | 0:13:27 | |
I will pay you, Victor, | 0:13:27 | 0:13:29 | |
to arrange the books alphabetically by author | 0:13:29 | 0:13:32 | |
and when you've done that, to arrange this overflow | 0:13:32 | 0:13:35 | |
on some new shelves in the room next door. Can you do that? | 0:13:35 | 0:13:39 | |
I can do that, yes. | 0:13:39 | 0:13:40 | |
That's terrific. | 0:13:40 | 0:13:42 | |
By the way, I'm not just doing this out of the kindness of my heart, | 0:13:42 | 0:13:45 | |
as I'm sure you will have guessed. | 0:13:45 | 0:13:47 | |
There is something that I may need your brother's help with | 0:13:48 | 0:13:51 | |
in due course. | 0:13:51 | 0:13:53 | |
Something that interests me intensely. | 0:13:53 | 0:13:56 | |
So, until Monday morning. | 0:13:56 | 0:13:58 | |
Ah, this is Lucy , my ward. | 0:13:58 | 0:14:00 | |
This is Victor Ferguson. | 0:14:00 | 0:14:02 | |
-Hello, Victor. -Lucy's about to go back to Oxford. | 0:14:02 | 0:14:04 | |
So I won't see much of you, Victor. | 0:14:04 | 0:14:05 | |
Ah. Well, then, you won't have to worry | 0:14:05 | 0:14:07 | |
about me being alone in the house with her. | 0:14:07 | 0:14:09 | |
-Victor! -I wasn't worried about that, no. | 0:14:09 | 0:14:11 | |
Quite right. In fact, despite appearances to the contrary, | 0:14:11 | 0:14:14 | |
it's my brother you really have to worry about... | 0:14:14 | 0:14:16 | |
I'm going to get him out of here before you withdraw your offer. | 0:14:16 | 0:14:18 | |
-My brother needs looking after, too. You ought to believe me. -Come on. | 0:14:18 | 0:14:21 | |
KNOCK AT DOOR | 0:14:29 | 0:14:31 | |
-Come in. -Ah, I don't want to disturb you, | 0:14:31 | 0:14:34 | |
especially in the middle of a chess lesson. | 0:14:34 | 0:14:36 | |
I just came to say that we are off in the morning. | 0:14:36 | 0:14:38 | |
Show you your new office. | 0:14:38 | 0:14:40 | |
Good. I'll be very interested to see what they've given to me. | 0:14:40 | 0:14:43 | |
And you're coming too, Lotte. | 0:14:43 | 0:14:44 | |
I've been looking for you. | 0:14:55 | 0:14:57 | |
We need to have a word. | 0:14:57 | 0:14:59 | |
No, no, please! HE GASPS | 0:14:59 | 0:15:01 | |
What were you doing to that little girl? | 0:15:08 | 0:15:10 | |
I was just reading her a story. | 0:15:10 | 0:15:13 | |
That is all it was. | 0:15:13 | 0:15:14 | |
HE GRUNTS | 0:15:14 | 0:15:16 | |
What were you doing to that little girl? | 0:15:18 | 0:15:21 | |
Nothing! Nothing! | 0:15:21 | 0:15:23 | |
Please, please, I can tell you something if you stop. | 0:15:25 | 0:15:29 | |
Something that will interest you about room 602. | 0:15:29 | 0:15:32 | |
-Tell me some other time. -Captain Ferguson? | 0:15:32 | 0:15:35 | |
-Captain Ferguson? -You're going to pack your bags. | 0:15:36 | 0:15:38 | |
-You're going to book yourself out of the hotel tonight. -Captain Ferguson? | 0:15:38 | 0:15:41 | |
And you're never, ever going to come back. | 0:15:41 | 0:15:43 | |
HE YELPS | 0:15:43 | 0:15:45 | |
WHIMPERING | 0:15:46 | 0:15:48 | |
-You all right? -Absolutely. | 0:15:50 | 0:15:52 | |
Mr Lombard is waiting for you in the conservatory bar, sir. | 0:15:52 | 0:15:55 | |
He sad you had an appointment. | 0:15:55 | 0:15:57 | |
SLOW-PACED PIANO MUSIC PLAYS | 0:15:57 | 0:15:59 | |
There you are. At last. | 0:16:08 | 0:16:10 | |
I've had to listen to this bloody music for at least half an hour. | 0:16:10 | 0:16:13 | |
-Are you all right? -Yes, I'm fine. | 0:16:13 | 0:16:16 | |
-I just had a little matter to attend to. -Ooh! | 0:16:16 | 0:16:19 | |
I hear you really are running the hotel now. | 0:16:19 | 0:16:21 | |
THEY CHUCKLE | 0:16:21 | 0:16:23 | |
Ah, he's gon' be here a little while, | 0:16:23 | 0:16:25 | |
so maybe we will get to hear him play the piano. | 0:16:25 | 0:16:28 | |
He'll be up there next week. | 0:16:28 | 0:16:29 | |
So, you're staying here for a bit? | 0:16:31 | 0:16:33 | |
Seems that way, yes. | 0:16:33 | 0:16:35 | |
Looking after my German. | 0:16:35 | 0:16:38 | |
You know, I can't really work out our friend, Mr Ferguson. | 0:16:38 | 0:16:42 | |
Never gives me a straight answer. | 0:16:42 | 0:16:45 | |
Oh, he doing something very hush-hush, obviously. | 0:16:45 | 0:16:48 | |
Keeping us all in this hotel is part of it. | 0:16:48 | 0:16:52 | |
I don't know what the hell it is, though, what he up to. | 0:16:52 | 0:16:55 | |
You know, I envy you. | 0:16:57 | 0:16:59 | |
You envy me, Alex? | 0:16:59 | 0:17:01 | |
Well, that's a mistake, I promise. | 0:17:01 | 0:17:02 | |
I'm going to be unemployed quite soon. | 0:17:02 | 0:17:04 | |
Yes, but for now, you control how you spend your day. | 0:17:04 | 0:17:08 | |
I have to work so hard at the moment at the Foreign Office. | 0:17:08 | 0:17:10 | |
So bloody competitive, and the hours are unbelievably long. | 0:17:10 | 0:17:14 | |
And I feel I have to stay later than anybody else | 0:17:14 | 0:17:16 | |
because I had such a cushy time during the war in Washington. | 0:17:16 | 0:17:18 | |
I have to be seen to be working the hardest. | 0:17:18 | 0:17:21 | |
I need to ask you a favour, Callum. | 0:17:22 | 0:17:24 | |
A favour? Of course. | 0:17:24 | 0:17:26 | |
Will you have lunch with Rachel? | 0:17:26 | 0:17:27 | |
You know all about music and everything | 0:17:28 | 0:17:31 | |
and I know nothing about the arts, | 0:17:31 | 0:17:33 | |
and I'm totally tone deaf | 0:17:33 | 0:17:34 | |
and she needs to talk to someone about her ideas. | 0:17:34 | 0:17:36 | |
Will you do it? | 0:17:38 | 0:17:39 | |
Please? | 0:17:40 | 0:17:42 | |
AIRCRAFT ENGINE DRONES OVERHEAD | 0:17:54 | 0:17:57 | |
Right. | 0:18:10 | 0:18:12 | |
I'm going to show you your rather pokey little office now, Dieter. | 0:18:12 | 0:18:15 | |
This is all yours, Dieter. | 0:18:25 | 0:18:27 | |
Looks big enough, do you think? | 0:18:29 | 0:18:31 | |
This may just be big enough, yes. | 0:18:34 | 0:18:36 | |
Naturally, you have a Spitfire here. | 0:18:39 | 0:18:41 | |
Of course. And that is to inspire you. | 0:18:41 | 0:18:45 | |
This place used to be full of hundreds of people during the war. | 0:18:45 | 0:18:48 | |
And now there's only me. | 0:18:48 | 0:18:50 | |
And this is Rita. She's going to be working with you. | 0:18:54 | 0:18:57 | |
I'm very glad to hear this. | 0:18:59 | 0:19:01 | |
I'm Dieter Koehler. | 0:19:01 | 0:19:02 | |
Rita and I used to work together before the war. | 0:19:02 | 0:19:05 | |
She knows a lot about jet engines. | 0:19:05 | 0:19:07 | |
Not as much as you, of course, but I know something. | 0:19:07 | 0:19:11 | |
You see, Lotte, Rita and I used to work for this wonderful man | 0:19:11 | 0:19:16 | |
who invented the jet engine, | 0:19:16 | 0:19:18 | |
Mr Frank Whittle. | 0:19:18 | 0:19:20 | |
We Germans might dispute that, that you were the first. | 0:19:20 | 0:19:23 | |
And then our government refused to give him the money that he needed | 0:19:23 | 0:19:26 | |
to develop his invention, so we lost our lead. | 0:19:26 | 0:19:29 | |
And now your dad is going to help us get it back again... | 0:19:30 | 0:19:33 | |
..by breaking the sound barrier. | 0:19:35 | 0:19:37 | |
A plane that goes really, really fast. | 0:19:37 | 0:19:40 | |
Supersonic fast. | 0:19:40 | 0:19:41 | |
So, do I get my own car now so I can drive myself here every day? | 0:19:55 | 0:19:59 | |
You don't get that yet, no. | 0:19:59 | 0:20:00 | |
You might drive somewhere we don't want you to. | 0:20:01 | 0:20:04 | |
Ah. Thank you for finding that. | 0:20:17 | 0:20:19 | |
There may be various little documents from the Foreign Office | 0:20:20 | 0:20:23 | |
that I should have given back. Some even marked "Secret", | 0:20:23 | 0:20:27 | |
like this one. So, Victor... | 0:20:27 | 0:20:29 | |
-..you've begun, I see. -Yes, I have. | 0:20:31 | 0:20:33 | |
My progress will vary, though. | 0:20:33 | 0:20:35 | |
How quick I am will depend on how often the books interrupt me. | 0:20:35 | 0:20:38 | |
I see. | 0:20:38 | 0:20:39 | |
LANGUID PIANO MUSIC PLAYS | 0:20:41 | 0:20:43 | |
I'm late, I know, and I'm so sorry. | 0:20:51 | 0:20:54 | |
Don't worry, I was expecting it. | 0:20:54 | 0:20:56 | |
I know you're always late. | 0:20:56 | 0:20:57 | |
I'm not always late. | 0:20:57 | 0:20:59 | |
You forget, I'm still in the army. | 0:20:59 | 0:21:01 | |
-Sort of. -So you mean you're only late for me. | 0:21:02 | 0:21:05 | |
I quite understand. | 0:21:05 | 0:21:06 | |
I took the liberty, I hope you don't mind - | 0:21:06 | 0:21:08 | |
I've ordered us some ice cream. | 0:21:08 | 0:21:10 | |
-Some ice cream? -Mm-hm. -Well, that's bold of you. | 0:21:10 | 0:21:12 | |
-Because last time... -It was disgusting, yes, | 0:21:12 | 0:21:15 | |
but today I have a plan. | 0:21:15 | 0:21:16 | |
You asked for these tall glasses, ma'am, is that right? | 0:21:16 | 0:21:19 | |
-I did. -It's just they're rather large for ice cream. | 0:21:19 | 0:21:21 | |
Oh, no, it's perfect. Thank you. | 0:21:21 | 0:21:23 | |
It's really good of you to see me, Cal. | 0:21:24 | 0:21:25 | |
Oh, don't be silly. I was happy to. | 0:21:25 | 0:21:27 | |
Alex said you wanted to talk to me about some of your ideas. | 0:21:28 | 0:21:31 | |
-Mm-hm. -About getting involved in music and theatre? | 0:21:31 | 0:21:36 | |
You know, on the...funding. | 0:21:36 | 0:21:38 | |
I'm sorry, I can't help wondering | 0:21:38 | 0:21:40 | |
-what you're going to be doing with that. -I have come prepared. | 0:21:40 | 0:21:42 | |
This ice cream was a challenge that I was determined to take on. | 0:21:42 | 0:21:45 | |
Last berries of summer. | 0:21:47 | 0:21:48 | |
Cooking in public. Hmm! | 0:21:50 | 0:21:51 | |
It's obscene, isn't it? Probably breaking all the rules. | 0:21:51 | 0:21:55 | |
-Do you want some? -Absolutely. | 0:21:57 | 0:22:00 | |
This... This is my masterstroke. | 0:22:00 | 0:22:02 | |
HE CHUCKLES | 0:22:04 | 0:22:06 | |
A dash of alcohol. | 0:22:06 | 0:22:07 | |
Will we get thrown out, do you think? | 0:22:11 | 0:22:13 | |
No, no, they'll be queueing up at our table in a minute. | 0:22:13 | 0:22:16 | |
Well, one has to make one's own excitement, doesn't one? | 0:22:16 | 0:22:19 | |
Even out of ice cream. | 0:22:19 | 0:22:20 | |
What does it taste like? | 0:22:22 | 0:22:23 | |
Now, that is rather wonderful. | 0:22:25 | 0:22:27 | |
Mm! | 0:22:27 | 0:22:28 | |
It's pretty good. | 0:22:28 | 0:22:30 | |
So, Cal... | 0:22:31 | 0:22:33 | |
..here we go. | 0:22:34 | 0:22:35 | |
-My husband... -Alex? | 0:22:36 | 0:22:38 | |
No, my last husband. | 0:22:38 | 0:22:40 | |
Sorry, I meant to say my late husband. | 0:22:40 | 0:22:42 | |
It's a brilliant start. Sorry. | 0:22:42 | 0:22:44 | |
No, my late husband, he, uh... | 0:22:44 | 0:22:48 | |
he was much older than me and he died very suddenly. | 0:22:48 | 0:22:50 | |
He left me rather a lot of money. | 0:22:50 | 0:22:53 | |
He adored the arts and he taught me a great deal | 0:22:53 | 0:22:55 | |
about how to appreciate them. | 0:22:55 | 0:22:57 | |
He introduced me to all sorts of things in a really wonderful way. | 0:22:57 | 0:23:01 | |
And now I'm here and, uh, | 0:23:01 | 0:23:05 | |
well, I thought that you could be my guide. | 0:23:05 | 0:23:07 | |
A starting point for me about how to go about all this. | 0:23:07 | 0:23:10 | |
Because I don't want to be this wealthy American blundering about | 0:23:11 | 0:23:14 | |
offering people money that they might not even want. | 0:23:14 | 0:23:17 | |
They might run a mile, thinking that I want to interfere. | 0:23:17 | 0:23:20 | |
That again. | 0:23:20 | 0:23:21 | |
You know, you're always so worried about how things might seem. | 0:23:21 | 0:23:24 | |
You know, what people might think. | 0:23:24 | 0:23:25 | |
Well, that's not so foolish. | 0:23:25 | 0:23:27 | |
I want to get this right. | 0:23:27 | 0:23:29 | |
And, anyway, that's not true. | 0:23:29 | 0:23:30 | |
I've just done some very public cooking, haven't I? | 0:23:30 | 0:23:33 | |
Well, there is one problem. | 0:23:34 | 0:23:36 | |
I don't know anybody in the arts. | 0:23:36 | 0:23:38 | |
Yes, but I can discuss things with you, can't I? | 0:23:38 | 0:23:41 | |
As Alex suggested. | 0:23:41 | 0:23:42 | |
Rehearse my plans, who it might be a good idea to approach. | 0:23:42 | 0:23:46 | |
And you have the time, haven't you, Callum? | 0:23:46 | 0:23:48 | |
Yes, I might have. | 0:23:48 | 0:23:51 | |
There's my German to look after and our secret office. | 0:23:51 | 0:23:54 | |
No, no, no, don't tell me. | 0:23:54 | 0:23:57 | |
You've got to keep your secrets. | 0:23:57 | 0:23:59 | |
I don't want you being thrown out of the hotel. | 0:23:59 | 0:24:01 | |
PHONE RINGS | 0:24:01 | 0:24:03 | |
Yes? | 0:24:08 | 0:24:10 | |
Hello, this is Kathy Griffiths. | 0:24:10 | 0:24:11 | |
Can I speak to Captain Ferguson, please? | 0:24:11 | 0:24:13 | |
-Ah, Miss Griffiths! -You remember me, do you? | 0:24:13 | 0:24:15 | |
Of course we remember you, Miss Griffiths. | 0:24:15 | 0:24:17 | |
Glad to hear it. Can you put me through to Captain Ferguson? | 0:24:17 | 0:24:20 | |
You want to speak to Captain Ferguson? | 0:24:20 | 0:24:22 | |
I'm afraid he's not here at the moment. | 0:24:22 | 0:24:24 | |
He's not? May I ask where you are? | 0:24:24 | 0:24:27 | |
I'm in his office. | 0:24:27 | 0:24:29 | |
Ah, that very small office I was shown. | 0:24:29 | 0:24:33 | |
Can you tell him I need to meet him, and maybe he can give me a time? | 0:24:33 | 0:24:37 | |
Yes, I will pass on that message. | 0:24:37 | 0:24:38 | |
Tell him I have something to give him. | 0:24:38 | 0:24:40 | |
There's no getting rid of her, is there? | 0:24:43 | 0:24:44 | |
CHILDREN WHOOP | 0:24:44 | 0:24:46 | |
HE SPEAKS GERMAN | 0:24:53 | 0:24:55 | |
THEY GIGGLE AND WHOOP | 0:25:04 | 0:25:06 | |
Wheee! | 0:25:09 | 0:25:11 | |
HE GRUNTS | 0:25:11 | 0:25:12 | |
Careful, children. You do not run in the passage. | 0:25:12 | 0:25:16 | |
Never run in the passage. | 0:25:16 | 0:25:17 | |
Are you all English? | 0:25:18 | 0:25:20 | |
Moechtest du eine Schokolade? | 0:25:23 | 0:25:25 | |
What did he say? | 0:25:31 | 0:25:33 | |
-Yes? -Do you have any chocolate, please, sir? | 0:25:39 | 0:25:43 | |
Do I have some chocolate? | 0:25:43 | 0:25:45 | |
That depends. It depends on you being good children. | 0:25:45 | 0:25:48 | |
Are you good children? | 0:25:51 | 0:25:53 | |
Are you? | 0:25:53 | 0:25:55 | |
Then you may have the chocolate. | 0:25:55 | 0:25:56 | |
Hello, Victor. | 0:26:03 | 0:26:05 | |
-I just came to say goodbye. I'm off this morning. -What a pity. | 0:26:05 | 0:26:09 | |
We've hardly spoken. | 0:26:09 | 0:26:10 | |
You never know. You might still be here when I get back. | 0:26:10 | 0:26:12 | |
You mean it looks like I'll take forever to do this. | 0:26:12 | 0:26:14 | |
No, it seems you've made a real difference already. | 0:26:14 | 0:26:18 | |
You will look after each other, won't you? | 0:26:18 | 0:26:20 | |
I know he misses me far more than he says. | 0:26:20 | 0:26:22 | |
My specialty, of course, looking after other people. | 0:26:22 | 0:26:25 | |
Ah, there you are, Lucy. | 0:26:25 | 0:26:28 | |
Well, Victor, I see you're making a little progress. | 0:26:28 | 0:26:31 | |
Yes, I'm at a very crucial stage, as it happens. | 0:26:31 | 0:26:33 | |
Good. | 0:26:33 | 0:26:35 | |
And to make things even easier, | 0:26:35 | 0:26:37 | |
I think it's time we dealt with these shutters, don't you? | 0:26:37 | 0:26:39 | |
They're kept closed because the sun is meant to be bad | 0:26:46 | 0:26:48 | |
for some of these valuable books, but to hell with it. | 0:26:48 | 0:26:51 | |
It's raining anyway. Time to ignore these rules, don't you think? | 0:26:51 | 0:26:54 | |
That's so much nicer. | 0:26:54 | 0:26:56 | |
It's always a good idea, ignoring rules. | 0:26:57 | 0:26:59 | |
Miss Griffiths? | 0:27:05 | 0:27:06 | |
Thank you for taking time to see me, Captain Ferguson. | 0:27:07 | 0:27:10 | |
Of course. I didn't think you'd want to see me again. | 0:27:10 | 0:27:14 | |
-What would you like to drink? -I'm not here to have a drink. | 0:27:14 | 0:27:17 | |
I came to show you these. | 0:27:17 | 0:27:18 | |
-Who took these? -I did. | 0:27:27 | 0:27:30 | |
I have to say, I've seen more flattering pictures of myself. | 0:27:30 | 0:27:33 | |
I always knew you were lying to me, | 0:27:36 | 0:27:38 | |
about not having another office here. | 0:27:38 | 0:27:40 | |
I don't know why you simply didn't own up about it. | 0:27:40 | 0:27:43 | |
Tell me I couldn't see it. That way, you might have gotten rid of me. | 0:27:44 | 0:27:47 | |
I could say I had to lie about it. | 0:27:48 | 0:27:50 | |
It's officially secret. | 0:27:50 | 0:27:52 | |
It's illegal to tell people about it. | 0:27:52 | 0:27:54 | |
But I'm not saying that. | 0:27:54 | 0:27:56 | |
Really? So what are you saying? | 0:27:56 | 0:27:58 | |
I'm saying that I'll take you up there. | 0:27:58 | 0:28:01 | |
WOMAN GASPS | 0:28:03 | 0:28:04 | |
It's quite an operation you've got here. | 0:28:06 | 0:28:09 | |
It is, yes. | 0:28:09 | 0:28:10 | |
I'm not going to introduce you to everybody, | 0:28:10 | 0:28:13 | |
as this is an informal visit. | 0:28:13 | 0:28:14 | |
Could we all go to lunch, take a particularly early lunch? | 0:28:17 | 0:28:20 | |
Well, blimey, that normally causes a stampede. | 0:28:21 | 0:28:23 | |
Now, come on, lunch. Please. | 0:28:23 | 0:28:25 | |
I've got some pictures to show you now. | 0:28:33 | 0:28:35 | |
Why have you brought me here? | 0:28:35 | 0:28:36 | |
Because I know you're not going to let me look in all these files, | 0:28:36 | 0:28:39 | |
-are you? -You're quite right, I'm not. -So why do it, then? | 0:28:39 | 0:28:42 | |
I can't see any advantage to you. | 0:28:43 | 0:28:45 | |
Rather an ugly collection, I admit. | 0:28:47 | 0:28:49 | |
These five Germans all have vital information - | 0:28:51 | 0:28:55 | |
some about the workings of Soviet intelligence, | 0:28:55 | 0:28:57 | |
some about the latest development in armaments and technology. | 0:28:57 | 0:29:00 | |
I can't give you all the details, obviously, | 0:29:00 | 0:29:02 | |
and this happened before I was even here. | 0:29:02 | 0:29:04 | |
But they've all been spirited away. | 0:29:05 | 0:29:08 | |
They've been taken to safe houses, been given new identities, and why? | 0:29:08 | 0:29:14 | |
Because they all have knowledge | 0:29:14 | 0:29:16 | |
that is crucial for the defence of this country, | 0:29:16 | 0:29:20 | |
and none of them, none of them... | 0:29:20 | 0:29:23 | |
..are on your wanted list. | 0:29:24 | 0:29:25 | |
Hmm. | 0:29:27 | 0:29:28 | |
You made sure you chose the right file. | 0:29:28 | 0:29:31 | |
Oh, I'm sorry, sir, I beg your pardon! | 0:29:31 | 0:29:33 | |
We thought we'd clean this room now. | 0:29:33 | 0:29:35 | |
We saw everyone leaving for lunch, we thought it was a good moment. | 0:29:35 | 0:29:38 | |
Right, well, let's get out of this place, shall we? | 0:29:38 | 0:29:41 | |
What's the matter? Are you expecting somebody to be following us? | 0:29:46 | 0:29:49 | |
Well, maybe. I mean, the cleaners looked shocked | 0:29:49 | 0:29:51 | |
to see me in that room. | 0:29:51 | 0:29:53 | |
They're our secret cleaners, with security passes. | 0:29:53 | 0:29:55 | |
Very few people know about that floor in the hotel. | 0:29:56 | 0:29:59 | |
You must really like that, the secrecy of it all. | 0:29:59 | 0:30:02 | |
Of course, nobody gets to see what's in those files. | 0:30:02 | 0:30:05 | |
So you broke the Official Secrets Act for me? | 0:30:05 | 0:30:08 | |
Why, exactly? | 0:30:08 | 0:30:10 | |
To get rid of you. Well, you just said if I hadn't lied to you, | 0:30:10 | 0:30:12 | |
you would have gone away, so I think there's a very good chance | 0:30:12 | 0:30:17 | |
of that working, don't you? | 0:30:17 | 0:30:19 | |
Or of course it could have exactly the opposite effect. | 0:30:19 | 0:30:21 | |
You know, it's lunchtime, | 0:30:23 | 0:30:24 | |
and I fancy something rather sweet for lunch. | 0:30:24 | 0:30:26 | |
Something with a lot of sugar in it. | 0:30:26 | 0:30:28 | |
And since I've not been able to get rid of you yet, | 0:30:28 | 0:30:30 | |
maybe you'd like to join me. | 0:30:30 | 0:30:32 | |
Something sweet for lunch? | 0:30:32 | 0:30:34 | |
That's crazy. You can't get sugar anywhere, | 0:30:34 | 0:30:36 | |
especially not round here. | 0:30:36 | 0:30:38 | |
This is definitely my first toffee apple since before the war. | 0:30:40 | 0:30:44 | |
I'm not sure eating them here was such a brilliant idea. | 0:30:44 | 0:30:46 | |
-Making people jealous. -Yes, well, however many children gawp at us, | 0:30:48 | 0:30:51 | |
I am not going to feel guilty. | 0:30:51 | 0:30:54 | |
It's difficult to make you feel guilty, isn't it? | 0:30:54 | 0:30:56 | |
I was waiting for you to say something like that. | 0:30:56 | 0:30:58 | |
I'm sorry, but showing me that file and buying me a toffee apple, | 0:30:58 | 0:31:02 | |
it's hardly going to change what I think. | 0:31:02 | 0:31:03 | |
-Which is? -That it's extraordinary | 0:31:03 | 0:31:06 | |
that only a year ago, crimes were being committed, | 0:31:06 | 0:31:09 | |
people were being murdered on an unimaginable scale in camps, | 0:31:09 | 0:31:13 | |
and yet somehow it seems that that's just a side issue... | 0:31:13 | 0:31:16 | |
..for nearly everybody. Not remotely as serious as beating the Russians, | 0:31:17 | 0:31:21 | |
or getting ahead of the Americans. | 0:31:21 | 0:31:24 | |
Those are the only things that count now. | 0:31:24 | 0:31:26 | |
That's shocking, isn't it? | 0:31:26 | 0:31:28 | |
Oh, put like that, yeah, it is shocking, of course. | 0:31:28 | 0:31:31 | |
How else could you put it so it doesn't sound shocking? | 0:31:31 | 0:31:33 | |
Some people might say that if we don't make national security | 0:31:33 | 0:31:36 | |
our first priority, what happens next | 0:31:36 | 0:31:38 | |
may be even more horrific than what happened in those camps. | 0:31:38 | 0:31:41 | |
What does that mean? | 0:31:41 | 0:31:43 | |
The Soviet Union is a real threat right at this moment, | 0:31:43 | 0:31:45 | |
far more than people realise, | 0:31:45 | 0:31:47 | |
and I know from my own personal experience how terrible it is | 0:31:47 | 0:31:50 | |
-if we're not ready for that. -So nothing else matters? | 0:31:50 | 0:31:54 | |
That will always take precedence, being ready for the next war? | 0:31:54 | 0:31:57 | |
Stopping the next war. | 0:31:57 | 0:31:58 | |
Ah, the food is exactly on time. | 0:32:05 | 0:32:08 | |
That's good. | 0:32:09 | 0:32:10 | |
Especially as you're going to start starving me soon. | 0:32:12 | 0:32:15 | |
During the war, I worked at SOE headquarters in Baker Street. | 0:32:21 | 0:32:25 | |
I saw what happened to many of our agents | 0:32:25 | 0:32:27 | |
after they got across the Channel. | 0:32:27 | 0:32:29 | |
They were betrayed... | 0:32:29 | 0:32:30 | |
..brutally tortured, and then executed. | 0:32:32 | 0:32:35 | |
My old boss, Vera Atkins... | 0:32:37 | 0:32:39 | |
..is at this moment crisscrossing Europe | 0:32:40 | 0:32:43 | |
trying to find those responsible | 0:32:43 | 0:32:45 | |
and bring them to justice. | 0:32:45 | 0:32:46 | |
It's what's had such an effect on me, | 0:32:47 | 0:32:49 | |
and made me so committed to catching people who are guilty of war crimes. | 0:32:49 | 0:32:54 | |
And then, of course, finding out that some of these people | 0:32:54 | 0:32:57 | |
are right here, under our nose, being looked after by you. | 0:32:57 | 0:33:03 | |
-It's...really hard. -But you don't know that yet, | 0:33:03 | 0:33:06 | |
that we have anybody really bad. | 0:33:06 | 0:33:08 | |
In fact, right now, there's only one German left in the hotel, | 0:33:09 | 0:33:11 | |
my scientist. | 0:33:11 | 0:33:13 | |
-Nobody else. -I'm not sure I believe that, Captain Ferguson. | 0:33:13 | 0:33:16 | |
Anyway, having just seen your real office, | 0:33:17 | 0:33:20 | |
and how big your operation is in the hotel, | 0:33:20 | 0:33:23 | |
I've realised you are in fact in no position to help me, Mr Ferguson. | 0:33:23 | 0:33:28 | |
I don't follow. | 0:33:28 | 0:33:30 | |
Because they won't let you. | 0:33:30 | 0:33:32 | |
-They'll finish you off if you try to help me. -Finish me off? | 0:33:32 | 0:33:35 | |
-How? -Well, that depends how much you inconvenience them. | 0:33:35 | 0:33:37 | |
If what you did proved a major nuisance - you'll be disappeared, | 0:33:37 | 0:33:41 | |
-most probably. -Nobody's going to lay a finger on me, Kathy, | 0:33:41 | 0:33:44 | |
I can assure you of that. | 0:33:44 | 0:33:45 | |
Especially not at the moment when I've got the German working for me | 0:33:45 | 0:33:48 | |
-really well. -You're almost certainly being watched right now. | 0:33:48 | 0:33:51 | |
Let's see if we can spot them. | 0:33:51 | 0:33:53 | |
-Who do you think it is? -I'm not easy to intimidate, and no... | 0:33:53 | 0:33:57 | |
-..nobody's watching. -Thank you for the toffee apple. | 0:33:58 | 0:34:01 | |
It was a rare treat. | 0:34:02 | 0:34:04 | |
So, this is going to seem doubly ungrateful, | 0:34:05 | 0:34:08 | |
but the only reason I can think of why you might do something for me... | 0:34:08 | 0:34:12 | |
Is what? | 0:34:12 | 0:34:13 | |
..is because you really like taking risks, Mr Ferguson. | 0:34:13 | 0:34:16 | |
It is very kind of you, Mr Lindsay-Jones, | 0:34:28 | 0:34:30 | |
to suggest we have lunch together. | 0:34:30 | 0:34:32 | |
-Thank you so much. -It's quite all right, Victor. | 0:34:32 | 0:34:35 | |
You don't have to eat quite so quickly, we're not in a race. | 0:34:37 | 0:34:41 | |
Not in a race, no, | 0:34:41 | 0:34:42 | |
but I don't want to take too much time away from my work. | 0:34:42 | 0:34:45 | |
I want to get the task done. | 0:34:45 | 0:34:47 | |
-I know you do. -And today I'm doing very well. | 0:34:47 | 0:34:50 | |
Sometimes I do get... | 0:34:50 | 0:34:51 | |
..distracted, I know, and not just by the books... | 0:34:53 | 0:34:57 | |
..but I think about things, things that have happened in the past, | 0:34:58 | 0:35:03 | |
-and I get angry. -It's quite all right to get angry. | 0:35:03 | 0:35:06 | |
You can get as angry as you like here, | 0:35:06 | 0:35:08 | |
although preferably not with me. | 0:35:08 | 0:35:10 | |
Of course not. | 0:35:10 | 0:35:12 | |
Do you ever get angry, Mr Lindsay-Jones? | 0:35:12 | 0:35:15 | |
-I can't really imagine that. -Oh, you'd be surprised, Victor. | 0:35:15 | 0:35:18 | |
There are some things that have happened which have made me angry. | 0:35:18 | 0:35:21 | |
Really angry. | 0:35:21 | 0:35:23 | |
I think about them every day. | 0:35:23 | 0:35:24 | |
-Really? -Yes. Because the truth hasn't been told | 0:35:24 | 0:35:27 | |
about these particular things. | 0:35:27 | 0:35:29 | |
Sorry, darling, I just realised I left my papers in here. | 0:35:34 | 0:35:38 | |
I fell asleep working on them last night. | 0:35:38 | 0:35:41 | |
So much to do. | 0:35:41 | 0:35:42 | |
I didn't mean to wake you. Is everything all right, darling? | 0:35:43 | 0:35:46 | |
Yes. By the way, I don't think I told you, | 0:35:46 | 0:35:49 | |
it went quite well with Callum. | 0:35:49 | 0:35:51 | |
Well, at least he seemed to listen to me rattling on. | 0:35:51 | 0:35:54 | |
I've sort of arranged to meet him again. | 0:35:54 | 0:35:57 | |
-I hope that's OK. -Of course, darling. | 0:35:57 | 0:35:59 | |
I knew he'd be helpful. | 0:36:02 | 0:36:03 | |
Are you all right here, Lotte? | 0:36:06 | 0:36:07 | |
-I won't be gone for long. -Don't worry, Mr Ferguson, | 0:36:07 | 0:36:10 | |
we'll take good care of her. | 0:36:10 | 0:36:12 | |
Well, I don't believe it. | 0:36:21 | 0:36:22 | |
Honestly, I don't believe it. | 0:36:23 | 0:36:25 | |
I mean, you're actually saying | 0:36:25 | 0:36:26 | |
that we don't need a sweptback wing to go supersonic? | 0:36:26 | 0:36:29 | |
Of course, they are the future, there's no question of that, | 0:36:29 | 0:36:31 | |
but if your priority is to beat the Americans, | 0:36:31 | 0:36:34 | |
to do the sound barrier before anybody else, | 0:36:34 | 0:36:36 | |
if this is your number one objective, | 0:36:36 | 0:36:37 | |
you can do it with a fixed-wing plane. | 0:36:37 | 0:36:39 | |
We can't present them with it. | 0:36:39 | 0:36:40 | |
We can't say that we went to all this trouble | 0:36:40 | 0:36:42 | |
to get him working for us, and now he is recommending | 0:36:42 | 0:36:44 | |
that we stick to what we've got already. | 0:36:44 | 0:36:46 | |
And the government has just cancelled | 0:36:46 | 0:36:48 | |
the latest fixed-wing fighter. | 0:36:48 | 0:36:49 | |
You're too obsessed with copying what we were doing. | 0:36:49 | 0:36:51 | |
What I'm telling you is if you want to be absolutely certain | 0:36:51 | 0:36:54 | |
of being first, you can do it with a fixed-wing plane, | 0:36:54 | 0:36:56 | |
and with this new engine we're going to build here. | 0:36:56 | 0:36:58 | |
Yeah, well, we ARE going to be the first, | 0:36:58 | 0:37:00 | |
and we ARE going to do it with a sweptback wing. | 0:37:00 | 0:37:03 | |
We just wanted to know, sir, if you have any more chocolate? | 0:37:06 | 0:37:10 | |
What are you three up to? | 0:37:10 | 0:37:11 | |
We...we got the wrong room number, miss. | 0:37:11 | 0:37:14 | |
We were just looking for somebody. | 0:37:14 | 0:37:16 | |
We got the wrong person. | 0:37:16 | 0:37:17 | |
Don't you fib to me. | 0:37:17 | 0:37:18 | |
What were you after? He has got chocolate. | 0:37:18 | 0:37:20 | |
-Yes? -Please do not give these children chocolate. | 0:37:24 | 0:37:27 | |
They shouldn't be asking strangers for sweets, or for anything else. | 0:37:27 | 0:37:30 | |
Are you their sister? Or their mother, even? | 0:37:30 | 0:37:33 | |
I'm just a resident in the hotel. | 0:37:33 | 0:37:34 | |
Come along. | 0:37:38 | 0:37:39 | |
Oh, my God, I completely forgot I had to be | 0:37:43 | 0:37:45 | |
back at the hotel at three o'clock. | 0:37:45 | 0:37:47 | |
Well, that's going to be difficult, it's now ten to four. | 0:37:47 | 0:37:50 | |
Ten to four? No, it can't be! | 0:37:50 | 0:37:52 | |
I promised I'd... | 0:37:53 | 0:37:55 | |
-No. -"They just couldn't stop themselves from opening the door. | 0:37:56 | 0:38:00 | |
"Inside the large kitchen, there was a golden dish, | 0:38:00 | 0:38:03 | |
"sitting on a table with steam rising out of it. | 0:38:03 | 0:38:06 | |
"They weren't able to believe their eyes. They'd found the food at last! | 0:38:06 | 0:38:11 | |
"But as the three of them got closer, | 0:38:11 | 0:38:13 | |
"a terrible voice seemed to come out of the dish. | 0:38:13 | 0:38:15 | |
"A low, hissing voice. | 0:38:17 | 0:38:19 | |
"It said, | 0:38:19 | 0:38:20 | |
"'Eat me and you will die!'." | 0:38:20 | 0:38:23 | |
There you are! | 0:38:26 | 0:38:28 | |
That is a record. Nearly two and a half hours late. | 0:38:28 | 0:38:33 | |
I know, and I'm so very sorry. | 0:38:33 | 0:38:36 | |
Well, you seem to have found a way to spend the time, though, I see. | 0:38:37 | 0:38:40 | |
Well, we had a hunt among the books in the hotel, | 0:38:40 | 0:38:41 | |
found this strange story about three hungry witches. | 0:38:41 | 0:38:45 | |
We'll have to finish this another day, girls. | 0:38:45 | 0:38:47 | |
-Oh! -I promise you we will. | 0:38:47 | 0:38:49 | |
Now, go and play in the yard by the kitchen. | 0:38:49 | 0:38:52 | |
They've been running all over the hotel, apparently. | 0:38:52 | 0:38:54 | |
From the other lady. | 0:38:56 | 0:38:58 | |
Oh, thank you. | 0:38:58 | 0:38:59 | |
I'm impressed - they do everything you say. | 0:39:02 | 0:39:04 | |
Well, today they do. | 0:39:04 | 0:39:06 | |
Now, we're far too late to go to the gallery. | 0:39:07 | 0:39:09 | |
Would it be very wicked if we went to the movies? | 0:39:10 | 0:39:13 | |
INDISTINCT FILM DIALOGUE | 0:39:13 | 0:39:16 | |
-Come on, let's go up here. -Why? | 0:39:20 | 0:39:22 | |
You see a sign and you have to disobey it? | 0:39:24 | 0:39:26 | |
It'll be nice up here, you'll see. | 0:39:26 | 0:39:28 | |
I told you - the best seats in the house. | 0:39:31 | 0:39:33 | |
Yes, except every time the seat creaks, | 0:39:33 | 0:39:35 | |
I'm going to think the ceiling's coming down! | 0:39:35 | 0:39:38 | |
And, look, we are completely alone. | 0:39:38 | 0:39:40 | |
Well, almost alone. | 0:39:41 | 0:39:44 | |
Oh, don't worry. She can't see us, I promise. | 0:39:44 | 0:39:47 | |
GUNFIRE IN FILM | 0:39:48 | 0:39:51 | |
You see, I told you, she can't! | 0:39:51 | 0:39:53 | |
You love this, don't you? | 0:39:54 | 0:39:55 | |
-Love what? -You're just like your brother, | 0:39:55 | 0:39:58 | |
you have to take on authority, | 0:39:58 | 0:39:59 | |
it doesn't matter who it is, you have to try and break the rules. | 0:39:59 | 0:40:02 | |
Well, if the rules are particularly stupid, like now, then, yes, | 0:40:02 | 0:40:05 | |
I'll break them. Anyway, I'm not half as wild as my brother. | 0:40:05 | 0:40:08 | |
You know, he's doing much better at the moment. | 0:40:08 | 0:40:10 | |
I really like that, how much you take care of him, look out for him. | 0:40:10 | 0:40:14 | |
Both of your parents are dead, aren't they? | 0:40:16 | 0:40:19 | |
Oh, how did you know that? | 0:40:21 | 0:40:23 | |
Come on, it's easy. | 0:40:25 | 0:40:26 | |
You're so obviously on your own, you and your brother. | 0:40:27 | 0:40:30 | |
And, of course, you clearly never worry about what they'll think. | 0:40:30 | 0:40:33 | |
-She's going to get us soon. -You know, I think you might be right. | 0:40:37 | 0:40:42 | |
Let's move. Go on. | 0:40:43 | 0:40:44 | |
Go on. | 0:40:46 | 0:40:47 | |
Oh, look at this! | 0:40:50 | 0:40:51 | |
It's like it's waiting for us! | 0:40:51 | 0:40:53 | |
It's all clean! | 0:40:56 | 0:40:58 | |
Like somebody's been polishing it, even though nobody's allowed in. | 0:40:58 | 0:41:01 | |
But did they leave any liquor for us? | 0:41:01 | 0:41:03 | |
I'll have a whisky soda, barman. | 0:41:04 | 0:41:06 | |
Well, sadly, they didn't leave any drink behind. | 0:41:06 | 0:41:09 | |
Oh, hang on, what's this key? | 0:41:09 | 0:41:11 | |
Maybe there's a cupboard full of alcohol. | 0:41:14 | 0:41:17 | |
If only we could find it. | 0:41:19 | 0:41:20 | |
-You know why we're meeting? -No. | 0:41:24 | 0:41:26 | |
Why are we meeting? | 0:41:28 | 0:41:29 | |
-I'm curious to know. -Because Alex is so busy. | 0:41:30 | 0:41:33 | |
He has to work such long hours right now, that's why. | 0:41:35 | 0:41:40 | |
SHE SHRIEKS | 0:41:59 | 0:42:01 | |
She was terrifying, absolutely terrifying. | 0:42:04 | 0:42:08 | |
It was like the murderer coming in. | 0:42:08 | 0:42:10 | |
Her eyes, she seemed so excited to catch us. | 0:42:10 | 0:42:13 | |
Did she? It was only a kiss, after all. | 0:42:13 | 0:42:16 | |
And that's all it was, Cal. | 0:42:18 | 0:42:19 | |
Was it? | 0:42:20 | 0:42:22 | |
-Only a kiss? -Well, that's... | 0:42:22 | 0:42:24 | |
..what I'm calling it, so that's what it was. | 0:42:25 | 0:42:28 | |
It was because you were really late today. | 0:42:28 | 0:42:30 | |
So everything became chaotic. | 0:42:30 | 0:42:33 | |
You brought chaos. | 0:42:33 | 0:42:34 | |
-So it's all my fault? -Entirely. | 0:42:34 | 0:42:37 | |
Of course. | 0:42:37 | 0:42:38 | |
It's never a good idea to be late, I told you. | 0:42:38 | 0:42:40 | |
Anyway, it won't happen again, any of it. | 0:42:43 | 0:42:46 | |
Won't it? | 0:42:46 | 0:42:47 | |
No. | 0:42:48 | 0:42:49 | |
Let's talk about more important things. | 0:42:52 | 0:42:54 | |
Well, what could be more important? | 0:42:54 | 0:42:56 | |
Well, Lotte needs to be found a school, for a start. | 0:42:57 | 0:42:59 | |
Of course. The government will arrange that. | 0:42:59 | 0:43:02 | |
She needs to go to a good school, | 0:43:02 | 0:43:05 | |
and she wants to see her brother again. | 0:43:05 | 0:43:06 | |
No, no, no, that is not a sensible idea at all. | 0:43:06 | 0:43:09 | |
Well, I think it is. | 0:43:09 | 0:43:10 | |
Harold's having a dinner party on Thursday. | 0:43:10 | 0:43:12 | |
We could ask him to invite your brother, Lotte, Dieter, | 0:43:12 | 0:43:15 | |
and you, of course. | 0:43:15 | 0:43:17 | |
You're doubling the size of his dinner party, probably! | 0:43:17 | 0:43:20 | |
We can't ask him to do that! | 0:43:20 | 0:43:21 | |
Of course we can! | 0:43:21 | 0:43:22 | |
LIFT BELL PINGS | 0:43:22 | 0:43:24 | |
I've been waiting for you. Did you get my note? | 0:43:27 | 0:43:29 | |
I did. It was a bit cryptic, wasn't it? | 0:43:29 | 0:43:34 | |
I've got to talk to you about what's happening on the floor below. | 0:43:34 | 0:43:37 | |
So go on. | 0:43:41 | 0:43:43 | |
SLOW PIANO MUSIC PLAYS | 0:43:46 | 0:43:48 | |
Are there other people from the Secret Service | 0:43:48 | 0:43:50 | |
operating in this hotel? | 0:43:50 | 0:43:52 | |
-No, no-one. -I think whoever told you that was lying. | 0:43:52 | 0:43:55 | |
You should have a look at room 602. | 0:43:55 | 0:43:57 | |
HE STOPS MUSIC | 0:43:57 | 0:43:58 | |
So what are we going to do? | 0:44:03 | 0:44:05 | |
You are going to go in there on your own. | 0:44:05 | 0:44:08 | |
Me? Why me? | 0:44:08 | 0:44:09 | |
-You're the one in intelligence. -Well, you're the actress. | 0:44:09 | 0:44:12 | |
Well, you've met him already, | 0:44:12 | 0:44:13 | |
you have a better chance of finding something out. | 0:44:13 | 0:44:15 | |
But I also live here, in case you've forgotten. | 0:44:15 | 0:44:18 | |
I've managed to get a very good rate for my room, | 0:44:18 | 0:44:20 | |
maybe with a little help from one of my gentlemen friends, | 0:44:20 | 0:44:22 | |
but I have managed it, and I have a roof over my head, Callum, | 0:44:22 | 0:44:25 | |
and I intend to keep it. | 0:44:25 | 0:44:26 | |
No-one gets thrown out of the hotel, Julia, unless I agree to it. | 0:44:26 | 0:44:29 | |
That's true for the moment. | 0:44:29 | 0:44:31 | |
-But it might not last. -Don't worry, you can do it, Julia. | 0:44:31 | 0:44:35 | |
-Look, I'll be right here. -Oh... | 0:44:36 | 0:44:39 | |
SHE KNOCKS ON DOOR | 0:44:43 | 0:44:45 | |
Hello again. I just wanted to apologise for sounding so bossy | 0:44:49 | 0:44:54 | |
this afternoon, you know, with the children. | 0:44:54 | 0:44:57 | |
No. | 0:44:57 | 0:44:59 | |
What you said was perfectly right. | 0:44:59 | 0:45:00 | |
Yes, but I didn't mean to sound so rude. | 0:45:00 | 0:45:03 | |
I'm staying just on the floor above and I know how horrid it is to feel | 0:45:08 | 0:45:11 | |
you have to avoid people in a hotel. | 0:45:11 | 0:45:13 | |
Hello, Mr Ferguson. | 0:45:14 | 0:45:16 | |
I wondered when you'd be along here. | 0:45:18 | 0:45:19 | |
Sent somebody into the room to nose about for you, have you? | 0:45:20 | 0:45:24 | |
Maybe. Who have you got in there, anyway? | 0:45:24 | 0:45:27 | |
Quite a catch, in fact. | 0:45:27 | 0:45:29 | |
Horst Kleinow. He's a senior German counter-intelligence officer. | 0:45:29 | 0:45:35 | |
Did all sorts of unpleasant things | 0:45:35 | 0:45:37 | |
to our agents when he was interrogating them. | 0:45:37 | 0:45:40 | |
God knows what else besides. | 0:45:40 | 0:45:42 | |
Helped to kill a lot of Jews as well. | 0:45:42 | 0:45:45 | |
But he has astonishing information on the Russians. | 0:45:45 | 0:45:49 | |
-Astonishing? -Astonishingly valuable, yes. | 0:45:49 | 0:45:53 | |
And that little man, Mr Emmanuel? | 0:45:53 | 0:45:56 | |
What about him? | 0:45:56 | 0:45:58 | |
Ah, that tiny man. | 0:45:58 | 0:46:00 | |
He was just a contact. | 0:46:01 | 0:46:02 | |
A go-between to help us get Kleinow here. | 0:46:02 | 0:46:06 | |
Are you staying here long, Mr...? | 0:46:06 | 0:46:08 | |
Schmidt. | 0:46:08 | 0:46:10 | |
Hans Schmidt. No, I will be leaving in a few days, | 0:46:10 | 0:46:14 | |
-but what about you? -I'm an actress, Mr Schmidt. | 0:46:14 | 0:46:16 | |
My career's very much in its early stages, I have to confess. | 0:46:18 | 0:46:22 | |
But I'm quite determined, which is a good thing, | 0:46:22 | 0:46:25 | |
-don't you agree? -Oh, yes. | 0:46:25 | 0:46:27 | |
Maybe we should discuss each other's futures | 0:46:27 | 0:46:29 | |
before you leave, Mr Schmidt. | 0:46:29 | 0:46:31 | |
What do you think? | 0:46:34 | 0:46:35 | |
What are your plans for the invaluable Mr Kleinow? | 0:46:35 | 0:46:39 | |
We're going to disappear him. | 0:46:39 | 0:46:41 | |
We're going to fake his death. | 0:46:41 | 0:46:43 | |
He's going to get pneumonia over the next few days, | 0:46:43 | 0:46:45 | |
right here in the hotel, so plenty of witnesses can see him deteriorate | 0:46:45 | 0:46:49 | |
and then off he goes to hospital to die. | 0:46:49 | 0:46:53 | |
It's one of the old tricks. | 0:46:53 | 0:46:54 | |
Still very reliable, though. | 0:46:54 | 0:46:56 | |
The Americans are doing a lot of this too with their Nazis right now. | 0:46:56 | 0:47:01 | |
Seems the season for it. | 0:47:01 | 0:47:02 | |
Had a nice chat in there? | 0:47:06 | 0:47:08 | |
This is Mr Salter, | 0:47:08 | 0:47:10 | |
a colleague of mine... | 0:47:10 | 0:47:12 | |
-in a way. -Yes. | 0:47:12 | 0:47:14 | |
He's a most charming gentleman. | 0:47:14 | 0:47:16 | |
Of course he is. | 0:47:18 | 0:47:20 | |
SHE PLAYS PIANO | 0:47:20 | 0:47:22 | |
Still up, dear? | 0:47:27 | 0:47:28 | |
PIANO STOPS | 0:47:28 | 0:47:30 | |
Yes. If I don't stay up, I hardly ever see you. | 0:47:30 | 0:47:34 | |
You're still in your coat. | 0:47:35 | 0:47:36 | |
Yes, I just ran straight up the stairs when I heard the noise. | 0:47:36 | 0:47:39 | |
It is a noise, yes, you're right. | 0:47:41 | 0:47:43 | |
It's a lovely surprise you're still up, darling. | 0:47:43 | 0:47:46 | |
You look so beautiful. | 0:47:53 | 0:47:54 | |
HE COUGHS WHEEZILY | 0:47:59 | 0:48:00 | |
HE BREATHES HEAVILY | 0:48:05 | 0:48:06 | |
Are you all right, Mr Schmidt? | 0:48:08 | 0:48:09 | |
It's my lungs. The air is filthy in this city. | 0:48:14 | 0:48:18 | |
PHONE RINGS | 0:48:23 | 0:48:25 | |
-Yes? -Ah, Miss Griffiths, it's Callum Ferguson. | 0:48:27 | 0:48:30 | |
-Yes, Mr Ferguson? -Horst Kleinow, is he on your list? | 0:48:30 | 0:48:33 | |
He most certainly is. | 0:48:33 | 0:48:35 | |
He's staying here at the hotel. | 0:48:35 | 0:48:36 | |
-I just found out. -You've just found out? | 0:48:36 | 0:48:38 | |
No, I have, I've just found out. | 0:48:38 | 0:48:40 | |
COUGHING CONTINUES | 0:48:40 | 0:48:42 | |
I can't use anybody here, obviously. | 0:48:46 | 0:48:48 | |
But since he's on the official wanted list, | 0:48:48 | 0:48:50 | |
you can get a warrant for his arrest using the local police. | 0:48:50 | 0:48:53 | |
They can take him into custody. | 0:48:53 | 0:48:55 | |
-Can you do that? -I will do that, yes. | 0:48:55 | 0:48:57 | |
You don't have long. 48 hours at the most. | 0:48:57 | 0:49:00 | |
I understand that. | 0:49:01 | 0:49:02 | |
# Riding on a choo-choo | 0:49:02 | 0:49:06 | |
# On my choo-choo train | 0:49:06 | 0:49:10 | |
# I didn't want to leave you... # | 0:49:10 | 0:49:13 | |
Oh! | 0:49:15 | 0:49:17 | |
Mr Ferguson! | 0:49:17 | 0:49:18 | |
Well, we haven't seen you for a while. | 0:49:18 | 0:49:21 | |
Well, I've missed being here. | 0:49:21 | 0:49:23 | |
Huh! | 0:49:23 | 0:49:24 | |
I was just rehearsing something. | 0:49:24 | 0:49:27 | |
Anna here makes a good audience. | 0:49:27 | 0:49:29 | |
I hope I'm a good audience. | 0:49:29 | 0:49:31 | |
You, on the other hand, Mr Ferguson, do not make a good audience. | 0:49:31 | 0:49:35 | |
You always seem to come here when there's something on your mind. | 0:49:35 | 0:49:38 | |
It's that obvious again, is it? | 0:49:38 | 0:49:39 | |
SHE CHUCKLES | 0:49:39 | 0:49:40 | |
Certainly is. | 0:49:40 | 0:49:43 | |
I keep telling you, if you some kind of spy, you must be a lousy one. | 0:49:43 | 0:49:46 | |
You just can't hide it. | 0:49:46 | 0:49:48 | |
You think that's amazing, don't you, that I can see that? | 0:49:48 | 0:49:50 | |
Well, let me tell you, there's nothing amazing about it. | 0:49:50 | 0:49:53 | |
-I believe you. -So... | 0:49:53 | 0:49:55 | |
..what is going on right now? | 0:49:56 | 0:49:57 | |
You worried about making a wrong decision? | 0:49:57 | 0:49:59 | |
Mm, I hit the mark there. | 0:50:01 | 0:50:04 | |
HE COUGHS | 0:50:15 | 0:50:17 | |
Ah, there you are, sir. | 0:50:24 | 0:50:26 | |
We need to consult you about the files, sir, | 0:50:26 | 0:50:28 | |
-which sections we're going to try first. -Not now, Ringwood. | 0:50:28 | 0:50:31 | |
Listen to me. You stay right here | 0:50:32 | 0:50:35 | |
and you don't let anybody leave that room. | 0:50:35 | 0:50:39 | |
Ah, there you are. | 0:50:39 | 0:50:40 | |
I didn't know you'd arrived. | 0:50:41 | 0:50:43 | |
They're watching the front of the hotel as well. | 0:50:43 | 0:50:45 | |
Nobody's left the room, sir. | 0:50:48 | 0:50:50 | |
I don't know how they did that. | 0:51:02 | 0:51:04 | |
We were keeping watch the whole time. | 0:51:04 | 0:51:06 | |
Well, that went well, didn't it? | 0:51:13 | 0:51:15 | |
Maybe they left something in the room we missed. | 0:51:16 | 0:51:19 | |
What is it? | 0:51:25 | 0:51:26 | |
I thought there might be one left. | 0:51:37 | 0:51:39 | |
Now, where did they go? | 0:51:39 | 0:51:41 | |
The hospital. They went to the hospital. | 0:51:41 | 0:51:43 | |
The man was very ill. | 0:51:43 | 0:51:45 | |
Now, don't worry, I'm not going to hurt you. | 0:51:46 | 0:51:50 | |
But you are going to tell me. | 0:51:50 | 0:51:53 | |
Now, just nod your head. | 0:51:53 | 0:51:54 | |
Did they go to the airport? | 0:51:54 | 0:51:57 | |
Hmm? | 0:51:57 | 0:51:59 | |
Southampton? | 0:51:59 | 0:52:01 | |
Come on. | 0:52:03 | 0:52:04 | |
Harwich? | 0:52:07 | 0:52:08 | |
We need a car. We need to get a car. | 0:52:11 | 0:52:13 | |
Callum? | 0:52:14 | 0:52:16 | |
You're not ready yet. You're not dressed. | 0:52:19 | 0:52:21 | |
Oh, God, the dinner party! | 0:52:21 | 0:52:22 | |
Look, I hadn't forgotten, Lotte. | 0:52:22 | 0:52:25 | |
Tell them I'll be joining them later. | 0:52:25 | 0:52:27 | |
Please, tell Victor that I'll definitely be there soon. | 0:52:27 | 0:52:29 | |
I'm very early. | 0:52:37 | 0:52:38 | |
I'm the first, probably, aren't I? | 0:52:38 | 0:52:40 | |
Ah, Victor, yes, | 0:52:40 | 0:52:42 | |
you are a little early, but I always like people who are early. | 0:52:42 | 0:52:46 | |
I brought some food. | 0:52:46 | 0:52:48 | |
Just a few tins I had - spam, sardines. | 0:52:48 | 0:52:51 | |
In case we run out of hot food, how sensible. | 0:52:51 | 0:52:54 | |
I ought to say, I haven't eaten with more than one person in a long time | 0:52:55 | 0:52:59 | |
and my brother tends to get a little nervous about me meeting new people, | 0:52:59 | 0:53:03 | |
so I hope I remember how it's done. | 0:53:03 | 0:53:04 | |
Why are they taking him to Harwich, if they really are? | 0:53:09 | 0:53:12 | |
Because he's going back to Germany, I expect. | 0:53:12 | 0:53:15 | |
So he can go through the intelligence that the British have | 0:53:15 | 0:53:18 | |
on the Russians over there. | 0:53:18 | 0:53:19 | |
They needed to stage his death in England | 0:53:19 | 0:53:21 | |
because so many people disappear in Germany. | 0:53:21 | 0:53:23 | |
It's hard to be officially dead and be believed over there. | 0:53:23 | 0:53:28 | |
Why are you suddenly helping me to get Kleinow? | 0:53:28 | 0:53:31 | |
Because I didn't like the way he looked at me. | 0:53:31 | 0:53:33 | |
SHE SCOFFS | 0:53:33 | 0:53:34 | |
Are you going to tell me the real reason? | 0:53:34 | 0:53:37 | |
I can believe totally in what we're doing, | 0:53:42 | 0:53:44 | |
of getting the best German minds working for us, | 0:53:44 | 0:53:47 | |
but I can also believe that there are one or two really nasty people | 0:53:47 | 0:53:50 | |
that deserve to answer for what they've done. | 0:53:50 | 0:53:52 | |
I don't see a contradiction. | 0:53:54 | 0:53:55 | |
Others might. You really think they're going to let you do this, | 0:53:55 | 0:53:59 | |
get away with it, that nothing's going to happen afterwards? | 0:53:59 | 0:54:02 | |
I believe I can get away with it, yes. | 0:54:02 | 0:54:04 | |
Two slices of roast beef for everyone. | 0:54:04 | 0:54:06 | |
The height of luxury, I hope. | 0:54:06 | 0:54:08 | |
I used weeks of meat rationing for this. | 0:54:08 | 0:54:11 | |
Fabulous, what a treat. | 0:54:11 | 0:54:13 | |
Splendid. And unlike everywhere else, it's not overcooked. | 0:54:13 | 0:54:16 | |
Ah, the English way - | 0:54:16 | 0:54:18 | |
let's make it taste as close to old leather as we possibly can. | 0:54:18 | 0:54:21 | |
GUESTS TITTER | 0:54:21 | 0:54:22 | |
Yes, there may not be enough meat to go around | 0:54:22 | 0:54:24 | |
because some of us were added to the guest list. | 0:54:24 | 0:54:26 | |
There's plenty, Victor, don't worry. | 0:54:26 | 0:54:28 | |
I've got some tins here, though, as you can see, if we need some more. | 0:54:28 | 0:54:32 | |
-Feel free to ask when you fancy some. -We will. | 0:54:34 | 0:54:37 | |
Can I ask a stupid question? | 0:54:37 | 0:54:39 | |
Of course. | 0:54:39 | 0:54:41 | |
How are you going to get them to hand Kleinow over? | 0:54:41 | 0:54:43 | |
It shouldn't be too difficult, providing we can find him. | 0:54:43 | 0:54:47 | |
It won't? Are they just going to say, "Take him, by all means. | 0:54:47 | 0:54:52 | |
"He's all yours." That's what's going to happen? | 0:54:52 | 0:54:54 | |
They'll be keeping him in a room somewhere out of the way. | 0:54:54 | 0:54:56 | |
No-one is expecting us to show up. | 0:54:57 | 0:55:01 | |
So I just walk in and say I want an urgent word with him in private. | 0:55:01 | 0:55:05 | |
-You don't believe me? -No. | 0:55:08 | 0:55:10 | |
So, Victor, I hear you've been sorting out Harold's library? | 0:55:15 | 0:55:20 | |
Yes, I think I've been knocking it into some sort of shape. | 0:55:20 | 0:55:23 | |
Victor's brought a sudden energy into the house. | 0:55:23 | 0:55:25 | |
-It's highly contagious. -Which is a very good thing, isn't it? | 0:55:25 | 0:55:27 | |
Absolutely. I think we were all running around with so much energy | 0:55:27 | 0:55:30 | |
during the war, then we tried to turn it off like a tap, | 0:55:30 | 0:55:33 | |
which doesn't work, of course, | 0:55:33 | 0:55:35 | |
because the adrenaline is still there, ticking away all the time. | 0:55:35 | 0:55:37 | |
It's best to do something about it. | 0:55:37 | 0:55:40 | |
-Like what, for example? -Like getting younger, for a start. | 0:55:40 | 0:55:43 | |
GUESTS CHUCKLE | 0:55:43 | 0:55:44 | |
I'm serious. I think we settle for being old far too quickly. | 0:55:44 | 0:55:48 | |
I tried to dress like my father as soon as I could, | 0:55:48 | 0:55:51 | |
which was ridiculous - | 0:55:51 | 0:55:52 | |
at 18, in a bowler. | 0:55:52 | 0:55:54 | |
You go out into the street, | 0:55:54 | 0:55:55 | |
you see young women dressing like their mothers again | 0:55:55 | 0:55:58 | |
as if nothing had happened. | 0:55:58 | 0:55:59 | |
I think we should plan to get younger | 0:55:59 | 0:56:01 | |
and not pretend that this energy has all gone away. | 0:56:01 | 0:56:04 | |
-So true. -Of course, | 0:56:04 | 0:56:05 | |
one has to have done something in the war to have that energy. | 0:56:05 | 0:56:08 | |
He built jet planes, I was in the army. | 0:56:08 | 0:56:11 | |
What did you do? | 0:56:13 | 0:56:15 | |
I was in Washington, stationed at our embassy. | 0:56:16 | 0:56:19 | |
What about you two? Foreign Office as well, no doubt. | 0:56:19 | 0:56:23 | |
As was I, Victor. I'm sure we all worked hard. | 0:56:23 | 0:56:26 | |
I've said the wrong thing, haven't I? | 0:56:27 | 0:56:29 | |
Nobody's offended. It's absolutely fine. | 0:56:29 | 0:56:31 | |
No, I've said the wrong thing because nobody is allowed to talk | 0:56:31 | 0:56:33 | |
about who did what, about what some of us really saw, really did. | 0:56:33 | 0:56:37 | |
It's such bad form. | 0:56:37 | 0:56:39 | |
And I'm sorry I look like this, | 0:56:41 | 0:56:42 | |
I must have just mislaid my dinner jacket, mustn't I? | 0:56:42 | 0:56:45 | |
And I realise that these tins maybe look a bit ridiculous. | 0:56:45 | 0:56:48 | |
You see, I haven't done this sort of thing recently | 0:56:48 | 0:56:51 | |
and so seeing your faces so clearly, | 0:56:51 | 0:56:53 | |
especially your faces, has been difficult. | 0:56:53 | 0:56:56 | |
It was a big mistake, me coming here. | 0:57:00 | 0:57:02 | |
I'm so very... So very sorry. | 0:57:02 | 0:57:03 | |
Victor... | 0:57:03 | 0:57:04 | |
Victor has his own approach to things. | 0:57:14 | 0:57:16 | |
It takes a bit of getting used to. | 0:57:16 | 0:57:18 | |
-HE SOBS -It's all right, Victor. | 0:57:20 | 0:57:23 | |
-Don't be upset. -I'm not upset. | 0:57:23 | 0:57:26 | |
-You're crying. -I'm not upset in that way, not in the way you think. | 0:57:27 | 0:57:31 | |
You don't know what I think. | 0:57:35 | 0:57:36 | |
Nobody cares about whether you're wearing a dinner jacket, | 0:57:40 | 0:57:43 | |
they really don't. | 0:57:43 | 0:57:45 | |
And the tins were a good idea, they were. | 0:57:46 | 0:57:49 | |
I promise. | 0:57:49 | 0:57:50 | |
After all, there were more guests. | 0:57:50 | 0:57:53 | |
I find it so difficult. | 0:57:58 | 0:58:00 | |
I find even the easiest things so difficult. | 0:58:01 | 0:58:03 | |
I can't get them right however hard I try. | 0:58:03 | 0:58:05 | |
I can feel it happening when I'm with people | 0:58:05 | 0:58:08 | |
and I start to do things I shouldn't, | 0:58:08 | 0:58:10 | |
like I'm not able to stop myself, and I hate it. | 0:58:10 | 0:58:13 | |
I hate not being able to. | 0:58:13 | 0:58:15 | |
I know. | 0:58:17 | 0:58:19 | |
I know. | 0:58:20 | 0:58:22 | |
CAR HORN BLARES | 0:58:29 | 0:58:32 | |
Wait, I think I see him. | 0:58:58 | 0:59:00 | |
Excuse me. Thank you. | 0:59:06 | 0:59:09 | |
Coming through. | 0:59:09 | 0:59:11 | |
INDISTINCT CONVERSATION | 0:59:14 | 0:59:16 | |
THEY LAUGH | 0:59:18 | 0:59:22 | |
You said it would be simple. | 0:59:22 | 0:59:24 | |
I was wrong. | 0:59:24 | 0:59:26 | |
LAUGHTER CONTINUES | 0:59:29 | 0:59:32 |