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Fetch me a warm coat, I wish to go out. | 0:00:49 | 0:00:51 | |
I don't think you understand my predicament. | 0:00:59 | 0:01:01 | |
I should, you find it necessary to remind me of it often enough. | 0:01:01 | 0:01:04 | |
I am drowning in debt, | 0:01:04 | 0:01:06 | |
having borrowed money to support this endeavour, | 0:01:06 | 0:01:08 | |
but if there is no progress and my credit fails, then I am lost. | 0:01:08 | 0:01:11 | |
There will be progress and perhaps sooner now than you think. | 0:01:11 | 0:01:14 | |
Now, release my arm, before people draw the wrong conclusion. | 0:01:14 | 0:01:18 | |
Thank you. | 0:01:19 | 0:01:21 | |
You said there would be progress. | 0:01:21 | 0:01:23 | |
-Am I at least permitted to ask when I might see it? -Soon. | 0:01:23 | 0:01:25 | |
There has been some development? | 0:01:25 | 0:01:27 | |
This partnership will only thrive if we both stick to what we're best at. | 0:01:27 | 0:01:31 | |
I will bring your sister to heel, while you, my dear Havisham, | 0:01:31 | 0:01:34 | |
will call on Mr Jaggers | 0:01:34 | 0:01:36 | |
and see if he can't extend you an advance of some kind. | 0:01:36 | 0:01:39 | |
You're too sick to eat, is that it? | 0:01:43 | 0:01:46 | |
I doubt I would be very good company. | 0:01:46 | 0:01:48 | |
Sir Leicester is not a man to be kept waiting. | 0:01:48 | 0:01:51 | |
Do you think there are not 100 women in London | 0:01:51 | 0:01:53 | |
who would trade places with you, given the opportunity? | 0:01:53 | 0:01:55 | |
Well, then, let them do so! | 0:01:55 | 0:01:57 | |
And have our father be sent back to prison? | 0:01:57 | 0:02:00 | |
No. | 0:02:00 | 0:02:01 | |
Then you must act to prevent it. | 0:02:01 | 0:02:03 | |
You must know I have your best interests at heart. | 0:02:06 | 0:02:09 | |
I know. | 0:02:09 | 0:02:11 | |
Things will not happen on their own, Honoria. | 0:02:11 | 0:02:14 | |
Sir Leicester will not wait for ever. | 0:02:14 | 0:02:16 | |
DOOR OPENS | 0:02:20 | 0:02:22 | |
DOOR SHUTS | 0:02:22 | 0:02:23 | |
HE RINGS BELL | 0:02:31 | 0:02:33 | |
Good morning, Mary. Please let your mistress know I'm here. | 0:02:38 | 0:02:41 | |
I'm afraid Miss has gone out, sir. | 0:02:41 | 0:02:43 | |
Out? Out where? | 0:02:43 | 0:02:45 | |
She didn't say. | 0:02:45 | 0:02:47 | |
-Thank you, Mary. -Let her know I called, will you? | 0:02:49 | 0:02:52 | |
-A customer, Miss. -Thank you, Martha. Do you have a card? | 0:03:08 | 0:03:11 | |
It's Miss Havisham. | 0:03:11 | 0:03:12 | |
I just saw Frances. It seems her humour's not improved. | 0:03:16 | 0:03:19 | |
Which makes it all the better to see a friendly face. | 0:03:19 | 0:03:21 | |
How are you? | 0:03:21 | 0:03:23 | |
I think I can honestly say, I have rarely felt better. | 0:03:23 | 0:03:25 | |
Oh, so you've decided to treat yourself to a new dress? | 0:03:25 | 0:03:28 | |
Exactly. | 0:03:28 | 0:03:29 | |
Well, magenta is all the rage in Paris... | 0:03:29 | 0:03:32 | |
I was thinking... something a little lighter. | 0:03:32 | 0:03:34 | |
Lighter? | 0:03:34 | 0:03:35 | |
More white. | 0:03:35 | 0:03:37 | |
White? | 0:03:37 | 0:03:39 | |
SHE GASPS | 0:03:42 | 0:03:43 | |
I must say, I thought you'd be happier for me. | 0:03:46 | 0:03:49 | |
I am. Of course I am. | 0:03:49 | 0:03:52 | |
It just seems rather sudden. | 0:03:52 | 0:03:53 | |
Oh. And how often have I had to stand by | 0:03:55 | 0:03:57 | |
and watch the breakneck speed | 0:03:57 | 0:03:59 | |
at which you and your Captain Hawdon conducted your affair? | 0:03:59 | 0:04:02 | |
I'm sorry, I wasn't thinking. | 0:04:04 | 0:04:06 | |
Do you miss him? | 0:04:07 | 0:04:08 | |
A little. | 0:04:10 | 0:04:11 | |
I was surprised to hear it from someone else. | 0:04:12 | 0:04:15 | |
Well, it was a very difficult time. | 0:04:15 | 0:04:17 | |
With your father, of course - | 0:04:17 | 0:04:19 | |
but that's all resolved now, is it not? | 0:04:19 | 0:04:22 | |
And I hear you are being courted by Sir Leicester Dedlock. | 0:04:23 | 0:04:26 | |
Surely that lifts the spirits? | 0:04:26 | 0:04:28 | |
He's a good man, with much influence - | 0:04:30 | 0:04:32 | |
and not to mention a rather large estate. | 0:04:32 | 0:04:35 | |
I'm happy for you. | 0:04:35 | 0:04:36 | |
As I hoped you'd be for me. | 0:04:36 | 0:04:38 | |
Please don't think I'm not. I simply advise caution. | 0:04:38 | 0:04:42 | |
-Caution? -Well, I knew you liked him, but...marriage? | 0:04:42 | 0:04:46 | |
You'll understand when you get to know him better. | 0:04:47 | 0:04:50 | |
-When we're alone, he's so different. -I'd just hate to see you let down. | 0:04:50 | 0:04:54 | |
You think he considers the Havisham fortune the real prize and not me? | 0:04:56 | 0:05:00 | |
No, I never said that. | 0:05:00 | 0:05:01 | |
I'm not a child, Honoria. I know my own mind. | 0:05:01 | 0:05:04 | |
Be happy for me. | 0:05:05 | 0:05:07 | |
I am. Truly. | 0:05:09 | 0:05:11 | |
Now, let's choose a wedding dress! | 0:05:13 | 0:05:15 | |
Will it taste nice? | 0:05:23 | 0:05:24 | |
Medicine always tastes nice, | 0:05:24 | 0:05:26 | |
as long as you remember it's going to make you better. | 0:05:26 | 0:05:29 | |
But the brown stuff I had when my belly was bad didn't. | 0:05:29 | 0:05:33 | |
-The trick is to close your eyes and pretend it's honey. -SHOP DOOR OPENS | 0:05:34 | 0:05:37 | |
Did you get it? | 0:05:37 | 0:05:40 | |
A real tonic, they said. | 0:05:40 | 0:05:41 | |
Have him swinging from the chandelier, if we had one. | 0:05:41 | 0:05:44 | |
As long as it does the trick. God bless Peter. | 0:05:44 | 0:05:47 | |
Yes, indeed. | 0:05:47 | 0:05:49 | |
Hadn't you better get off to work? | 0:05:49 | 0:05:51 | |
No, I'd rather see Tim home and settled first. | 0:05:51 | 0:05:53 | |
I'll explain to Mr Scrooge. | 0:05:53 | 0:05:55 | |
He's not as bad as people think. | 0:05:55 | 0:05:57 | |
Right, come on, little fella, let's get you home in the warm. | 0:05:59 | 0:06:02 | |
-On you get. -One, two, three... | 0:06:02 | 0:06:04 | |
A nice warm fire and a spoonful of what will do you good. | 0:06:06 | 0:06:10 | |
It's going to taste like honey! | 0:06:10 | 0:06:12 | |
We're to be raised up, Miss Biggetywitch - | 0:06:12 | 0:06:14 | |
-raised up to our proper place. -How so? | 0:06:14 | 0:06:18 | |
Mr Bumble has been told that his interview with the board | 0:06:18 | 0:06:21 | |
will take place this week. | 0:06:21 | 0:06:23 | |
We shall purchase a new suit. | 0:06:23 | 0:06:25 | |
Oh, the way you've been talking about it, | 0:06:25 | 0:06:26 | |
I thought this promotion of his was already agreed. | 0:06:26 | 0:06:29 | |
It's merely a formality, nothing more. | 0:06:29 | 0:06:30 | |
A formality that requires a new suit? | 0:06:30 | 0:06:32 | |
I thought I'd made myself very clear. | 0:06:32 | 0:06:34 | |
What I'm still not clear on | 0:06:34 | 0:06:36 | |
is whether or not this job you keep talking about is actually a job, | 0:06:36 | 0:06:39 | |
or just a figment of your imagination. | 0:06:39 | 0:06:41 | |
His position will be moved up. | 0:06:41 | 0:06:43 | |
We will be mingling with our betters. | 0:06:43 | 0:06:45 | |
He will need to dress accordingly. | 0:06:45 | 0:06:46 | |
By wearing a new suit at his interview, | 0:06:46 | 0:06:49 | |
he will simply be showing the trustees | 0:06:49 | 0:06:51 | |
that he understands his bespoke responsibilities. | 0:06:51 | 0:06:53 | |
-Oh, so we know where we stand now? -Yes. | 0:06:53 | 0:06:56 | |
He ain't got the job yet. | 0:06:56 | 0:06:57 | |
Good morning, Mr Scrooge. | 0:06:59 | 0:07:01 | |
Is it? | 0:07:01 | 0:07:02 | |
Well? | 0:07:33 | 0:07:35 | |
Just like honey. | 0:07:35 | 0:07:36 | |
Be back to your old self in no time. | 0:07:38 | 0:07:40 | |
FLOORBOARDS CREAK | 0:08:03 | 0:08:05 | |
You're late. | 0:08:05 | 0:08:06 | |
Apologies, Mr Scrooge. I had to visit the pharmacist, you see. | 0:08:09 | 0:08:12 | |
Young Timothy hasn't been so well. | 0:08:12 | 0:08:15 | |
Oh, dear. | 0:08:15 | 0:08:16 | |
And he chooses an ailment which needs to be tended on my time, | 0:08:18 | 0:08:21 | |
rather than yours? | 0:08:21 | 0:08:22 | |
Well, I had to wait for the pharmacist to open, you see - | 0:08:23 | 0:08:26 | |
and, well, I can't be in two places at once, can I? | 0:08:26 | 0:08:29 | |
I should think not. | 0:08:29 | 0:08:31 | |
As it seems you insist on taking your wages | 0:08:31 | 0:08:33 | |
whether you are actually here or not, | 0:08:33 | 0:08:35 | |
then if you were indeed in two places at once, | 0:08:35 | 0:08:38 | |
I don't doubt you'd insist that I paid you twice. | 0:08:38 | 0:08:40 | |
I can stay late, make up the time. | 0:08:42 | 0:08:44 | |
Hmm? | 0:08:44 | 0:08:46 | |
Yes. | 0:08:46 | 0:08:47 | |
Yes, you will, but not from the goodness of your heart, | 0:08:49 | 0:08:51 | |
as your manner would have me believe, | 0:08:51 | 0:08:53 | |
but because you owe it to me | 0:08:53 | 0:08:55 | |
and I am not in the habit of paying for things I have not received. | 0:08:55 | 0:08:59 | |
No. | 0:08:59 | 0:09:00 | |
No. | 0:09:00 | 0:09:02 | |
The time that you owe shall start | 0:09:02 | 0:09:04 | |
when you are sat at your desk with pen in hand, not a second before. | 0:09:04 | 0:09:08 | |
No, sir. Thank you, sir. | 0:09:08 | 0:09:10 | |
Dodger, my dear. | 0:09:18 | 0:09:20 | |
Ain't lost any of your guile, I see. | 0:09:23 | 0:09:26 | |
Friend of yours? | 0:09:26 | 0:09:27 | |
Once I'd given him ten bob and a new silk handkerchief for his wife. | 0:09:27 | 0:09:31 | |
Good boy. So, what news? | 0:09:31 | 0:09:33 | |
-I'm keeping the boys in line till you get out. -What about Bill? | 0:09:33 | 0:09:37 | |
-Ain't seen him. -You will, my dear - and when you do, | 0:09:37 | 0:09:39 | |
don't let him throw his weight about. | 0:09:39 | 0:09:41 | |
Make it clear that you're taking care of the business with my blessing - | 0:09:41 | 0:09:45 | |
that crossing you is the same as crossing me. | 0:09:45 | 0:09:47 | |
Treat him like the wild dog he is, tight on a leash, | 0:09:47 | 0:09:50 | |
or he'll sink his teeth in you. | 0:09:50 | 0:09:53 | |
-I can handle Bill. -Course you can, my dear. | 0:09:53 | 0:09:55 | |
So, how long are you going to be stuck in here? | 0:09:55 | 0:09:58 | |
Bucket wants it to be me that killed Jacob Marley, | 0:09:58 | 0:10:00 | |
but he can't prove anything. | 0:10:00 | 0:10:02 | |
It's only his malice keeping me in here | 0:10:02 | 0:10:04 | |
and that ain't enough for the law. | 0:10:04 | 0:10:06 | |
I'll be home by teatime. | 0:10:07 | 0:10:09 | |
Good morning, Inspector. | 0:10:20 | 0:10:21 | |
Mr Jaggers. | 0:10:24 | 0:10:26 | |
I understand the pies are rather good. | 0:10:26 | 0:10:28 | |
A weakness. | 0:10:30 | 0:10:31 | |
Is there something I can do for you, perhaps? | 0:10:35 | 0:10:38 | |
Yes, there is. | 0:10:39 | 0:10:41 | |
It appears you have one of my clients in your cells. | 0:10:41 | 0:10:44 | |
None of the cut-throats and thieves we have down there | 0:10:44 | 0:10:47 | |
are likely to have the funds to afford YOUR services, Mr Jaggers. | 0:10:47 | 0:10:52 | |
My client's name is Mr Fagin. | 0:10:52 | 0:10:55 | |
You are holding him, are you not? | 0:10:57 | 0:10:59 | |
We are. | 0:10:59 | 0:11:01 | |
In the case of Mr Marley's murder? | 0:11:01 | 0:11:03 | |
He had dealings with Mr Marley, of a nefarious nature. | 0:11:05 | 0:11:08 | |
What's more, he has no credible witness | 0:11:08 | 0:11:11 | |
as to his movements on the night of the murder. | 0:11:11 | 0:11:13 | |
So, you'll be charging him? | 0:11:13 | 0:11:15 | |
Presenting your evidence to the magistrates in the morning? | 0:11:15 | 0:11:19 | |
See, if Mr Fagin is guilty and you have proof, | 0:11:19 | 0:11:22 | |
then like any other law-abiding citizen, | 0:11:22 | 0:11:24 | |
I will be happy to stand beside you and watch him hang. | 0:11:24 | 0:11:27 | |
But if you have no such proof, | 0:11:27 | 0:11:29 | |
if his detention owes more to some kind | 0:11:29 | 0:11:31 | |
of personal vendetta against him, | 0:11:31 | 0:11:33 | |
then I will use all my influence to bring that injustice into the light. | 0:11:33 | 0:11:37 | |
And my influence, as I'm sure you know, is not inconsiderable. | 0:11:38 | 0:11:42 | |
Might I ask if you're threatening me, Mr Jaggers? | 0:11:45 | 0:11:48 | |
It's not a threat. | 0:11:50 | 0:11:52 | |
It's merely a fair representation of my intended actions, | 0:11:52 | 0:11:55 | |
should you not release my client... | 0:11:55 | 0:11:57 | |
..today. | 0:11:59 | 0:12:00 | |
-I'll be off now. -Right. | 0:12:09 | 0:12:11 | |
Since it seems I'm not needed any more. | 0:12:11 | 0:12:14 | |
-And not being disposed to overstaying my welcome. -Nah. | 0:12:14 | 0:12:17 | |
Fanny has offered me a bed. Well, I say a bed. | 0:12:17 | 0:12:20 | |
It's more of a wooden board, really. | 0:12:20 | 0:12:22 | |
Not the best thing for my constitution, | 0:12:22 | 0:12:24 | |
from a medical perplexity, | 0:12:24 | 0:12:25 | |
but beggars can't be choosers, eh? That's what they say. | 0:12:25 | 0:12:29 | |
Mayhaps we could have a little drop of gin? A farewell toast? | 0:12:29 | 0:12:32 | |
Send me on my way? | 0:12:32 | 0:12:34 | |
Or not. | 0:12:37 | 0:12:39 | |
Well, I bid you farewell, Mr Wegg, and I hope I've served you well | 0:12:39 | 0:12:43 | |
and that you will think of me kindly, from time to time. | 0:12:43 | 0:12:47 | |
HE SCOFFS | 0:12:47 | 0:12:48 | |
THUD, MR WEGG SCREAMS | 0:12:54 | 0:12:56 | |
Well, get it off him, someone! | 0:13:00 | 0:13:02 | |
Oh, stand back! I'm a nurse. Let me through. | 0:13:02 | 0:13:04 | |
Oh, give him some air! Move. | 0:13:04 | 0:13:06 | |
Now, it's probably broke, someone go to the pharmacy. | 0:13:06 | 0:13:09 | |
Get some splints, bandages, morphine for the pain! | 0:13:09 | 0:13:12 | |
-And someone get me a gin. -Wait! | 0:13:12 | 0:13:14 | |
I am well-documented in emergency situations. | 0:13:14 | 0:13:17 | |
You just lay back and let me tend to your appendage. | 0:13:17 | 0:13:21 | |
I don't need a nurse. | 0:13:21 | 0:13:22 | |
He's delirious, that's what it is. Where's that morphine? | 0:13:22 | 0:13:26 | |
-Where's my gin? -Stop! | 0:13:26 | 0:13:28 | |
I don't need a nurse, or a splint, just... | 0:13:28 | 0:13:31 | |
..a carpenter! | 0:13:35 | 0:13:37 | |
What's it like at the back? Could you turn? | 0:13:53 | 0:13:55 | |
It's beautiful, Miss. | 0:13:57 | 0:13:58 | |
You look dreadfully pale. Is it too tight? | 0:13:59 | 0:14:01 | |
-Oh, I'm fine. -And the veil? | 0:14:01 | 0:14:04 | |
Excellent. | 0:14:20 | 0:14:23 | |
But I want bigger, at the bottom. More volume. | 0:14:23 | 0:14:26 | |
Could you turn again, please? | 0:14:26 | 0:14:28 | |
Pardon me, Miss, but do you have a date yet - for the wedding? | 0:14:29 | 0:14:32 | |
No, but my fiance insists that it'll be soon. He's very impulsive. | 0:14:32 | 0:14:35 | |
Well, if there's time, we should look through all the illustrations. | 0:14:35 | 0:14:39 | |
Isn't that right, Miss? | 0:14:39 | 0:14:41 | |
Miss Honoria? | 0:14:41 | 0:14:43 | |
Huh? | 0:14:44 | 0:14:46 | |
Oh, erm, of course we should. | 0:14:46 | 0:14:48 | |
Yes, please do. Every detail must be perfect. | 0:14:48 | 0:14:51 | |
Martha, the design book. | 0:14:51 | 0:14:53 | |
Would you excuse me a moment? | 0:14:54 | 0:14:56 | |
SHE WEEPS | 0:15:04 | 0:15:06 | |
MR BUMBLE GRUNTS | 0:15:18 | 0:15:20 | |
Hurry, Bumble! | 0:15:20 | 0:15:22 | |
Almost there, my sweet. | 0:15:22 | 0:15:24 | |
Does it fit? | 0:15:25 | 0:15:27 | |
It's snug, my love. | 0:15:28 | 0:15:30 | |
Well, snug is good - it suggests opulence, authority... | 0:15:30 | 0:15:33 | |
I had the tailor be penurious in his measurements. | 0:15:33 | 0:15:36 | |
There's nothing worse than a suit hanging off a man | 0:15:36 | 0:15:39 | |
as though he were a twig beside a lake upon which the owner | 0:15:39 | 0:15:42 | |
has flung his attire before taking a swim. | 0:15:42 | 0:15:44 | |
A man should have an abundance about him, he should be substantial. | 0:15:44 | 0:15:48 | |
I can't wait, Bumble! | 0:15:49 | 0:15:51 | |
Substantial enough for you, madam? | 0:15:53 | 0:15:56 | |
Oh! | 0:15:56 | 0:15:57 | |
Oh, a suit does something for you, sir. | 0:15:59 | 0:16:02 | |
Oh, I have a flutter. | 0:16:03 | 0:16:05 | |
A flutter? | 0:16:05 | 0:16:07 | |
Oh, there is an awakening. | 0:16:07 | 0:16:09 | |
Oh, something stirs... | 0:16:10 | 0:16:13 | |
..like an itch, inside me. | 0:16:16 | 0:16:18 | |
-Then we must scratch it, my love... -No! Keep it on, Bumble. | 0:16:19 | 0:16:24 | |
But the trousers, my sweet - they are beyond snug, | 0:16:24 | 0:16:26 | |
they have stopped the circulation. | 0:16:26 | 0:16:29 | |
Little Bumble is imprisoned, | 0:16:29 | 0:16:31 | |
deprived of light and movement... | 0:16:31 | 0:16:34 | |
We must free him. | 0:16:34 | 0:16:36 | |
Show some restraint, sir! | 0:16:36 | 0:16:37 | |
There are more important things to worry about than little Bumble. | 0:16:37 | 0:16:40 | |
-There are? -Yes! | 0:16:40 | 0:16:42 | |
You must wear in your suit. | 0:16:42 | 0:16:45 | |
It must not look new when you attend the interview. | 0:16:47 | 0:16:51 | |
It must appear as though it is just one of your many suits. | 0:16:51 | 0:16:55 | |
But it's my only suit. | 0:16:55 | 0:16:57 | |
They must think you a man of means, not a man with only one suit. | 0:16:57 | 0:17:01 | |
Oh. | 0:17:01 | 0:17:03 | |
Wear it in. | 0:17:04 | 0:17:05 | |
RAIN POURS | 0:17:10 | 0:17:12 | |
Back to work, Inspector? | 0:17:27 | 0:17:29 | |
It seems I must let a certain eel slip the net. | 0:17:29 | 0:17:34 | |
You don't sound very pleased about it. | 0:17:34 | 0:17:36 | |
-I'm not. -Has Arthur Havisham been in? | 0:17:36 | 0:17:39 | |
Ain't seen him since he left with you this morning. | 0:17:39 | 0:17:41 | |
-And he hasn't been back? -Not that I've seen. | 0:17:41 | 0:17:44 | |
Damn. | 0:17:44 | 0:17:45 | |
Then get me a brandy. | 0:17:45 | 0:17:47 | |
Daisy? Get the gentleman a brandy. | 0:17:47 | 0:17:49 | |
Do I know you, sir? | 0:17:54 | 0:17:55 | |
I don't believe so. | 0:17:56 | 0:17:58 | |
I'm normally quite good with faces. | 0:17:58 | 0:18:01 | |
People often mistake me for someone else. | 0:18:01 | 0:18:03 | |
I have that kind of face. | 0:18:03 | 0:18:05 | |
What is this? | 0:18:08 | 0:18:10 | |
That is a most singular wallet. | 0:18:10 | 0:18:14 | |
My wallet? Who the hell are you? | 0:18:14 | 0:18:16 | |
I am Inspector Bucket of the Detective. | 0:18:16 | 0:18:20 | |
May I? | 0:18:20 | 0:18:21 | |
What's this about? | 0:18:25 | 0:18:27 | |
You'll note the stud work here, used to mark out the letter "M"? | 0:18:27 | 0:18:31 | |
-Your initial? -Yes. My forename, Meriweather. | 0:18:33 | 0:18:37 | |
And beside that, traces of another letter. | 0:18:37 | 0:18:41 | |
Well, perhaps. I bought it second hand, un-picked a few studs. | 0:18:42 | 0:18:46 | |
There's no crime in that, is there, Inspector? | 0:18:46 | 0:18:48 | |
That's still to be established. | 0:18:48 | 0:18:50 | |
The letter you removed - | 0:18:51 | 0:18:53 | |
it was a "J". | 0:18:53 | 0:18:56 | |
What of it? | 0:18:56 | 0:18:57 | |
Jacob Marley. | 0:18:59 | 0:19:00 | |
No...wait. I told you, I bought it. | 0:19:00 | 0:19:03 | |
Might I ask where? | 0:19:03 | 0:19:05 | |
-Go, quick as you can. -Honoria! | 0:19:08 | 0:19:10 | |
-Feeling any better? -A little. You seem pleased. | 0:19:13 | 0:19:16 | |
I've just had a rather excellent meeting with a merchant, | 0:19:16 | 0:19:19 | |
an introduction from Sir Leicester. | 0:19:19 | 0:19:22 | |
Could prove very lucrative. | 0:19:22 | 0:19:24 | |
Police business, Miss. | 0:19:29 | 0:19:31 | |
This wallet... | 0:19:33 | 0:19:34 | |
..do you recognise it? | 0:19:36 | 0:19:37 | |
I think so. It's been altered, but... | 0:19:40 | 0:19:43 | |
Do you remember the man who bought it? | 0:19:43 | 0:19:45 | |
I believe it was Mr Compeyson, sir. A week ago. | 0:19:48 | 0:19:51 | |
A shilling, if I recall. | 0:19:51 | 0:19:53 | |
I'm to ask you two more questions. | 0:19:55 | 0:19:58 | |
You must answer both truthfully, or face the consequences. | 0:19:58 | 0:20:01 | |
Do you understand, Miss? | 0:20:01 | 0:20:03 | |
You bought this from someone? | 0:20:06 | 0:20:07 | |
Yes, sir. | 0:20:09 | 0:20:10 | |
Who? | 0:20:12 | 0:20:13 | |
Mr Fagin, sir. | 0:20:16 | 0:20:17 | |
VOICES AND RATTLE OF CARRIAGES IN STREET | 0:20:28 | 0:20:31 | |
CELL DOOR OPENS | 0:20:44 | 0:20:46 | |
Your lawyer came to see me. | 0:20:48 | 0:20:51 | |
Nothing personal, my dear. | 0:20:51 | 0:20:53 | |
As an innocent man, incarcerated like this, | 0:20:53 | 0:20:56 | |
I felt in need of legal advice. | 0:20:56 | 0:20:58 | |
He was very eloquent. | 0:20:58 | 0:21:00 | |
Insisted you be released... | 0:21:00 | 0:21:03 | |
..today. | 0:21:04 | 0:21:06 | |
Now, I want you to know, Inspector, that I bear you no ill will. | 0:21:06 | 0:21:09 | |
You were simply doing your job, that's all. No hard feelings. | 0:21:09 | 0:21:13 | |
That's very gracious of you. Thank you. | 0:21:13 | 0:21:15 | |
There was something else? | 0:21:19 | 0:21:20 | |
Something else? | 0:21:20 | 0:21:22 | |
Oh, yes. | 0:21:25 | 0:21:26 | |
-Do you know what this is? -Looks like a wallet. | 0:21:29 | 0:21:32 | |
Oh, it's more than that. | 0:21:32 | 0:21:34 | |
This wallet fits the description of the one stolen from Jacob Marley, | 0:21:35 | 0:21:40 | |
the night he was murdered. | 0:21:40 | 0:21:41 | |
You can see his initials there, you see? | 0:21:43 | 0:21:46 | |
"JM." | 0:21:46 | 0:21:47 | |
Jacob Marley. | 0:21:49 | 0:21:50 | |
I don't quite follow you, my dear. What's this got to do with me? | 0:21:50 | 0:21:53 | |
I have a witness that says you sold it to them. | 0:21:53 | 0:21:56 | |
This will see you hanged. | 0:22:00 | 0:22:02 | |
Wait! | 0:22:06 | 0:22:07 | |
We have to do our merry dance, Inspector, I know that. | 0:22:07 | 0:22:11 | |
But we both know who we are. | 0:22:11 | 0:22:14 | |
And it's a very long time since I stole a wallet myself. | 0:22:14 | 0:22:17 | |
Silks and wallets are sold to the Old Curiosity Shop | 0:22:17 | 0:22:20 | |
and I'll wager that's where you'll find your witness. | 0:22:20 | 0:22:23 | |
They're all lifted - not by me, | 0:22:23 | 0:22:24 | |
but by my young associates, as well you know. | 0:22:24 | 0:22:28 | |
And that particular wallet came from the best of the lot of them... | 0:22:28 | 0:22:31 | |
..Dodger. | 0:22:33 | 0:22:34 | |
I am not a bank, Arthur, nor do I have access to your sister's estate. | 0:22:39 | 0:22:43 | |
You are the company lawyer, are you not? | 0:22:43 | 0:22:47 | |
Why then can't you complete the necessary paperwork for an advance against earnings? | 0:22:47 | 0:22:50 | |
-Because any such advance would need the approval of the board first. -It's my money! | 0:22:50 | 0:22:54 | |
Yes, when it is due to you, not before. | 0:22:54 | 0:22:57 | |
Your salary will arrive in your bank every month, as usual. | 0:22:57 | 0:23:00 | |
It's two weeks away. | 0:23:00 | 0:23:02 | |
-I can speak to your sister if you wish... -Damn my sister! | 0:23:02 | 0:23:05 | |
Must she constantly be an obstacle to me? | 0:23:06 | 0:23:09 | |
I am a Havisham too. | 0:23:16 | 0:23:18 | |
-That must count for something. -Yes, it does. | 0:23:18 | 0:23:22 | |
It gives you the privilege of coming in here to berate me, | 0:23:22 | 0:23:24 | |
despite the fact I can do nothing to assist you. | 0:23:24 | 0:23:28 | |
DOOR OPENS | 0:23:28 | 0:23:29 | |
Gentlemen. | 0:23:31 | 0:23:32 | |
I wasn't expecting you. | 0:23:35 | 0:23:37 | |
If it's inconvenient? | 0:23:37 | 0:23:38 | |
No, no, no, no, please. Take a seat. | 0:23:38 | 0:23:41 | |
No need, I come simply with news. | 0:23:42 | 0:23:46 | |
In fact, it's good you're both here, | 0:23:46 | 0:23:48 | |
two names to check off my list in a single visit. | 0:23:48 | 0:23:51 | |
-News? -Yes. | 0:23:51 | 0:23:53 | |
I am to be married... | 0:23:56 | 0:23:58 | |
to Mr Compeyson. | 0:23:58 | 0:23:59 | |
With respect, Miss Havisham, | 0:24:11 | 0:24:13 | |
could you not have consulted me first? | 0:24:13 | 0:24:16 | |
Why? | 0:24:16 | 0:24:18 | |
For counsel. | 0:24:18 | 0:24:19 | |
You do not approve? | 0:24:20 | 0:24:22 | |
Well, I know nothing of this Mr Compeyson's character, | 0:24:22 | 0:24:25 | |
-of his intentions... -His intentions are to marry me. | 0:24:25 | 0:24:28 | |
Did I not make that clear? | 0:24:28 | 0:24:29 | |
Arthur? Have you nothing to say? | 0:24:29 | 0:24:32 | |
-You can't. -Oh? | 0:24:32 | 0:24:34 | |
You don't know him. | 0:24:38 | 0:24:40 | |
I know him very well, otherwise I wouldn't have accepted his proposal. | 0:24:40 | 0:24:43 | |
What your brother means is that you've hardly known him long enough | 0:24:43 | 0:24:46 | |
to form an association which would justify marriage. | 0:24:46 | 0:24:49 | |
I urge you to reconsider. | 0:24:50 | 0:24:53 | |
And I urge you to remember your place, Mr Jaggers. | 0:24:53 | 0:24:56 | |
You are my lawyer for as long as it pleases me, | 0:24:57 | 0:25:00 | |
not my father and not my guardian. | 0:25:00 | 0:25:02 | |
Will no-one be happy for me? | 0:25:04 | 0:25:06 | |
It seems there is only one man in my life | 0:25:09 | 0:25:11 | |
who puts my happiness above all else. | 0:25:11 | 0:25:13 | |
I intend to reward that devotion, that loyalty... | 0:25:13 | 0:25:17 | |
by marrying him. | 0:25:17 | 0:25:19 | |
DOOR OPENS | 0:25:24 | 0:25:26 | |
-Have you lost your mind? -Arthur. | 0:25:33 | 0:25:36 | |
You told her that you'd marry her?! | 0:25:36 | 0:25:37 | |
-So, you've seen her? -Are you insane? -Look, not here. -Answer me! | 0:25:37 | 0:25:41 | |
Would you have everyone know our business? | 0:25:41 | 0:25:43 | |
How could you do this? | 0:25:43 | 0:25:45 | |
She had found new confidence after the shareholders' meeting, | 0:25:45 | 0:25:47 | |
-we were losing her. I had to do something. -So, you proposed? | 0:25:47 | 0:25:50 | |
It worked, didn't it? | 0:25:50 | 0:25:52 | |
She is back at heel, hanging on my every word. | 0:25:52 | 0:25:54 | |
But you're already married. Or have you forgotten? | 0:25:54 | 0:25:57 | |
And what if I wasn't? | 0:25:57 | 0:25:59 | |
What?! | 0:25:59 | 0:26:00 | |
We're nearing the end of the game, Arthur. | 0:26:00 | 0:26:02 | |
You must hold your nerve. | 0:26:02 | 0:26:04 | |
Only a few more weeks and we'll both get exactly what we deserve. | 0:26:04 | 0:26:08 | |
Arthur. Arthur! | 0:26:10 | 0:26:11 | |
-Night, Miss. -Night, Martha. | 0:26:16 | 0:26:17 | |
Honoria? | 0:26:21 | 0:26:23 | |
I was just leaving, I'll be home soon. | 0:26:24 | 0:26:27 | |
We can walk home together. | 0:26:27 | 0:26:28 | |
We had word from Sir Leicester, accepting your invitation to dinner. | 0:26:29 | 0:26:34 | |
I sent him a note. | 0:26:34 | 0:26:36 | |
You ready? | 0:26:37 | 0:26:38 | |
Honoria? | 0:26:48 | 0:26:49 | |
Honoria! | 0:26:52 | 0:26:54 | |
Please! | 0:26:54 | 0:26:55 | |
I'll fetch help. | 0:26:56 | 0:26:58 | |
DOOR OPENS | 0:27:26 | 0:27:27 | |
-I'm sorry. -Lucky I was so close, eh? | 0:27:46 | 0:27:49 | |
Getting a doctor out this time of night costs you an arm and a leg. | 0:27:49 | 0:27:53 | |
Whereas me, all I charge you is the price of a couple of gins. | 0:27:53 | 0:27:57 | |
Well, three or four. Certainly no more than five. | 0:27:57 | 0:28:00 | |
Well, I'm very grateful, I feel much better. Thank you. | 0:28:00 | 0:28:03 | |
Healing hands, I got. | 0:28:03 | 0:28:05 | |
I mean, with minor ailments like colds and that, | 0:28:05 | 0:28:09 | |
I don't even have to touch you, | 0:28:09 | 0:28:10 | |
all I do is look at you, see 'em off. | 0:28:10 | 0:28:13 | |
Yes, thank you, Mrs Gamp. | 0:28:13 | 0:28:14 | |
We'd better get you home. Can you walk? | 0:28:14 | 0:28:16 | |
-Of course. It's passed, I don't know what happened. -Well, I do. | 0:28:16 | 0:28:19 | |
-I'm sorry? -Plain as the nose on your face. | 0:28:21 | 0:28:23 | |
You're having a baby. | 0:28:24 | 0:28:26 |