Browse content similar to Episode 16. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
MOANING AND GASPING | 0:00:30 | 0:00:31 | |
You can't come now... You can't come now, | 0:00:36 | 0:00:40 | |
it's not ready, it's not ready, it's not time. | 0:00:40 | 0:00:43 | |
What on earth are you doing? | 0:00:58 | 0:01:00 | |
This is not the time to be rearranging ornaments. | 0:01:00 | 0:01:02 | |
Look at the rug! It's soaked! And it's Persian! | 0:01:02 | 0:01:04 | |
Oh, God. Oh... | 0:01:04 | 0:01:07 | |
SHE COUGHS AND SPLUTTERS | 0:01:07 | 0:01:08 | |
You must have eaten something bad. | 0:01:12 | 0:01:14 | |
I'm having the baby, Frances. It's coming now. | 0:01:16 | 0:01:19 | |
I have to get upstairs. | 0:01:19 | 0:01:21 | |
I have to get everything off, everything... | 0:01:21 | 0:01:23 | |
I'll fetch help! | 0:01:23 | 0:01:25 | |
I can't get upstairs! Frances! | 0:01:25 | 0:01:28 | |
SHE GROANS | 0:01:38 | 0:01:39 | |
I'm sure it isn't coming now. | 0:01:41 | 0:01:43 | |
I'm thirsty. I'm so thirsty. | 0:01:43 | 0:01:45 | |
I'm sure this is just a false alarm. | 0:01:45 | 0:01:47 | |
I'm sure this is quite normal. | 0:01:47 | 0:01:49 | |
Everything off, everything off! | 0:01:49 | 0:01:51 | |
The buttons, Frances! The buttons! | 0:01:53 | 0:01:56 | |
The corset, Frances, the corset! | 0:01:58 | 0:02:00 | |
I'm trying, I'm going as fast as I can - stop shouting at me. | 0:02:00 | 0:02:02 | |
SHE GASPS | 0:02:02 | 0:02:04 | |
It's stopped, it's stopped. | 0:02:09 | 0:02:12 | |
There. What did I tell you? Quite normal. | 0:02:12 | 0:02:17 | |
Your corset was just too tight. "I'm having the baby." | 0:02:17 | 0:02:21 | |
Always so melodramatic, Honoria. It was just your corset. | 0:02:21 | 0:02:25 | |
You can't even look at it. | 0:02:27 | 0:02:29 | |
That's your niece or nephew in here. Part of you. | 0:02:29 | 0:02:32 | |
It is no part of me. | 0:02:32 | 0:02:35 | |
Your appearance is of someone quite mad, you know. | 0:02:35 | 0:02:38 | |
I don't care. | 0:02:38 | 0:02:40 | |
Well, YOU might not, but I do. | 0:02:41 | 0:02:43 | |
Please can you help me with my boots? | 0:02:44 | 0:02:46 | |
I can't bend down. If I could, I wouldn't ask you. | 0:02:48 | 0:02:51 | |
That's quite enough nonsense for one night. | 0:02:54 | 0:02:57 | |
I'm only relieved Papa isn't here. | 0:02:57 | 0:02:59 | |
I assume you can manage on your own now. | 0:03:03 | 0:03:06 | |
I am so very thirsty. | 0:03:06 | 0:03:08 | |
I'll fetch you some milk. | 0:03:08 | 0:03:10 | |
And then I suppose I had better clear up after you. | 0:03:10 | 0:03:13 | |
Of course, the one day Rose is away | 0:03:13 | 0:03:15 | |
is the day you choose to wreak havoc. The hallway is a disgrace. | 0:03:15 | 0:03:18 | |
-I'm sorry. -Yes! You're always sorry after. | 0:03:18 | 0:03:22 | |
Well, that is the point of sorry, Frances. | 0:03:22 | 0:03:24 | |
Who would be sorry before? | 0:03:24 | 0:03:26 | |
And you've done plenty to be sorry about. | 0:03:26 | 0:03:29 | |
Do you want this milk? | 0:03:29 | 0:03:31 | |
Because if you speak to me like that, | 0:03:32 | 0:03:34 | |
I shan't fetch it for you and you'll be thirsty. | 0:03:34 | 0:03:37 | |
Well? | 0:03:37 | 0:03:38 | |
Yes! I want the milk. | 0:03:38 | 0:03:40 | |
DOOR CLOSES | 0:03:46 | 0:03:48 | |
HUBBUB OF CONVERSATION AND LAUGHTER | 0:03:53 | 0:03:55 | |
Bring me the bottle! | 0:03:56 | 0:03:58 | |
Daisy! | 0:03:58 | 0:04:00 | |
There's some good news for you, Bill. | 0:04:02 | 0:04:04 | |
Inspector Bucket's to be sent home. | 0:04:05 | 0:04:08 | |
Won't be breathing down your neck no more. | 0:04:08 | 0:04:11 | |
So much for the new detective, eh? | 0:04:11 | 0:04:14 | |
Er, Mr Wegg? | 0:04:15 | 0:04:16 | |
We're not pals. | 0:04:22 | 0:04:24 | |
Don't talk to me like we're pals. | 0:04:25 | 0:04:27 | |
Course not, Mr Sikes. Begging your pardon, sir. | 0:04:27 | 0:04:32 | |
See? Don't have to be all punching and kicking, does it? | 0:04:37 | 0:04:40 | |
Come 'ere. I'm proud of ya. | 0:04:40 | 0:04:43 | |
SHE LAUGHS | 0:04:45 | 0:04:46 | |
Tomorrow, when Mr Compeyson calls, | 0:04:49 | 0:04:50 | |
he is not to be allowed into the house. | 0:04:50 | 0:04:52 | |
Tell him he can go back to his lady friend. | 0:04:52 | 0:04:55 | |
He has lied to me, Mary. Lied. | 0:04:55 | 0:04:59 | |
Say nothing to the others. | 0:05:01 | 0:05:03 | |
Leave me. | 0:05:03 | 0:05:05 | |
WAILING | 0:05:35 | 0:05:37 | |
SHE SCREAMS | 0:05:37 | 0:05:38 | |
Honoria? | 0:05:43 | 0:05:44 | |
I've got your milk. | 0:05:46 | 0:05:47 | |
You said no more nonsense. | 0:05:47 | 0:05:48 | |
It's coming, it's coming, it wasn't the corset, it really is the baby. | 0:05:48 | 0:05:51 | |
-But it can't come now. -I know! | 0:05:51 | 0:05:53 | |
Why is it coming now? | 0:05:53 | 0:05:54 | |
I don't know, I don't know, but something is wrong, | 0:05:54 | 0:05:56 | |
something is so wrong. | 0:05:56 | 0:05:58 | |
I will fetch Mrs Gamp. | 0:05:58 | 0:05:59 | |
No, no, not her, I hate her, she stinks, she's drunk, not her. | 0:05:59 | 0:06:03 | |
Well, who, then? We don't have enough money for a doctor, | 0:06:03 | 0:06:05 | |
not until Father is home - Mrs Gamp is all we can afford. | 0:06:05 | 0:06:08 | |
James. Send for James. | 0:06:08 | 0:06:09 | |
-Oh, good God, no! -This is his baby. His baby. He will come. | 0:06:09 | 0:06:13 | |
He will have enough money for a doctor. | 0:06:13 | 0:06:16 | |
Send for James, please. | 0:06:16 | 0:06:18 | |
SHE SCREAMS | 0:06:18 | 0:06:19 | |
Yes, I will send for him, he will bring a doctor, | 0:06:19 | 0:06:23 | |
all will be well. I'll go now, stay where you are! | 0:06:23 | 0:06:26 | |
SHE GROANS | 0:06:30 | 0:06:31 | |
Hurry! Hurry. | 0:06:47 | 0:06:50 | |
Boy! Boy! | 0:07:06 | 0:07:07 | |
Take this note to Captain Hawdon. | 0:07:09 | 0:07:11 | |
I'm away to my bed. | 0:07:11 | 0:07:13 | |
No, no, you can't. I mean, you can, of course you can, | 0:07:13 | 0:07:16 | |
but after you've taken this note! | 0:07:16 | 0:07:18 | |
Go to the barracks. No. No, not the barracks. | 0:07:18 | 0:07:20 | |
He'll be drinking. He'll be drinking, of that I'm certain. | 0:07:20 | 0:07:22 | |
Like a petulant boy. The Three Cripples. | 0:07:22 | 0:07:25 | |
Go to the Three Cripples first, and if he isn't there, | 0:07:25 | 0:07:27 | |
then go to the barracks. | 0:07:27 | 0:07:29 | |
I'll need a penny, Miss. | 0:07:29 | 0:07:30 | |
I don't have a penny. | 0:07:33 | 0:07:34 | |
But Captain Hawdon will pay you. | 0:07:36 | 0:07:37 | |
He'll give you a sixpence. A shiny, silver sixpence. | 0:07:37 | 0:07:41 | |
It's SO important. | 0:07:41 | 0:07:43 | |
Go! Run! | 0:07:43 | 0:07:45 | |
Run! | 0:07:45 | 0:07:46 | |
Just a minute! | 0:07:53 | 0:07:55 | |
One minute! | 0:07:55 | 0:07:56 | |
I'm coming! | 0:08:09 | 0:08:10 | |
One minute! | 0:08:12 | 0:08:13 | |
Did you send for him? | 0:08:30 | 0:08:32 | |
Yes. What are you doing? | 0:08:32 | 0:08:34 | |
I don't know. It just feels right. | 0:08:34 | 0:08:36 | |
What's all that? | 0:08:36 | 0:08:37 | |
There are always cloths and water. | 0:08:37 | 0:08:39 | |
That much I know. | 0:08:39 | 0:08:40 | |
There are always cloths and water. | 0:08:40 | 0:08:43 | |
So I got some, and an encyclopaedia. | 0:08:43 | 0:08:47 | |
M for Midwifery. | 0:08:47 | 0:08:50 | |
The doctor will need a sensible woman to assist him. | 0:08:52 | 0:08:55 | |
I am she. | 0:08:55 | 0:08:56 | |
Do you promise you sent for James? | 0:08:56 | 0:08:58 | |
I promise. | 0:08:58 | 0:08:59 | |
I want a doctor to come, even if I do not want Captain Hawdon. | 0:08:59 | 0:09:02 | |
Do you think he'll come? After the...the disagreement? | 0:09:04 | 0:09:08 | |
The "disagreement". | 0:09:10 | 0:09:11 | |
Oh, oh, Frances. | 0:09:11 | 0:09:14 | |
The "disagreement"? | 0:09:14 | 0:09:16 | |
He'll come. | 0:09:16 | 0:09:17 | |
Despite the disagreement, despite you and everything you've done, | 0:09:17 | 0:09:21 | |
he will come. | 0:09:21 | 0:09:23 | |
He loves me, you see. | 0:09:23 | 0:09:25 | |
This is his baby. | 0:09:25 | 0:09:27 | |
He loves me so much. | 0:09:27 | 0:09:30 | |
I'm sure you should be in bed. | 0:09:30 | 0:09:31 | |
Oh, what would you know? | 0:09:31 | 0:09:33 | |
If you aren't in bed when Captain Hawdon and the doctor come, | 0:09:33 | 0:09:35 | |
they'll see your legs. | 0:09:35 | 0:09:37 | |
Captain Hawdon has seen more than my legs. | 0:09:38 | 0:09:40 | |
-SHE TUTS Must you? -And the doctor will see MUCH more than my legs. | 0:09:40 | 0:09:45 | |
Or do you think he'll magically discover the baby under | 0:09:45 | 0:09:47 | |
a gooseberry bush? | 0:09:47 | 0:09:49 | |
We don't even have a gooseberry bush. | 0:09:49 | 0:09:51 | |
SHE LAUGHS | 0:09:51 | 0:09:52 | |
I don't know why I'm laughing, it hurts so much. | 0:09:54 | 0:10:00 | |
Oh, it hurts so much. | 0:10:00 | 0:10:02 | |
Then get to bed! | 0:10:02 | 0:10:03 | |
No. I don't want to be in bed. This helps. | 0:10:03 | 0:10:07 | |
It helps just to stay like this. | 0:10:08 | 0:10:10 | |
For a little while at least. | 0:10:10 | 0:10:12 | |
-Shall I leave you? -No. No. No. No. | 0:10:12 | 0:10:15 | |
You have a rose petal in your hair. | 0:10:18 | 0:10:20 | |
No, don't. Don't. It's pretty. | 0:10:20 | 0:10:23 | |
Let it stay. | 0:10:27 | 0:10:28 | |
MUSICIANS PLAY | 0:10:54 | 0:10:55 | |
Do you want the same again? | 0:10:55 | 0:10:57 | |
Yeah. | 0:10:57 | 0:10:58 | |
Oi, Daise, can I have the same again? | 0:10:59 | 0:11:01 | |
-Get off me. -How are you? | 0:11:04 | 0:11:05 | |
-Leave off. -Oh, don't be like that. | 0:11:05 | 0:11:07 | |
Oi, I said get off me. | 0:11:07 | 0:11:08 | |
Hands off! MY girl! | 0:11:10 | 0:11:12 | |
SHE LAUGHS | 0:11:19 | 0:11:21 | |
Captain Hawdon, from Miss Barbary. | 0:11:32 | 0:11:34 | |
Miss Barbary? | 0:11:36 | 0:11:38 | |
Yes, sir. | 0:11:38 | 0:11:40 | |
Not Miss Honoria? Not the beautiful one. | 0:11:40 | 0:11:43 | |
I know her handwriting. | 0:11:43 | 0:11:44 | |
She said I'd find you here, sir. | 0:11:44 | 0:11:46 | |
She said she'd be certain you'd be drinking, sir. | 0:11:46 | 0:11:48 | |
Like a petulant boy. | 0:11:48 | 0:11:49 | |
I'm not angry with you. What else did she say? | 0:11:52 | 0:11:56 | |
She also said that you'd give us sixpence, sir. | 0:11:58 | 0:12:00 | |
I'm going to give you some advice. Man to man. | 0:12:03 | 0:12:06 | |
I'd rather you give me the sixpence, sir. | 0:12:06 | 0:12:08 | |
When the woman you love, | 0:12:08 | 0:12:10 | |
when the one who has your heart calls for you, you run to her. | 0:12:10 | 0:12:15 | |
Run as fast as you can, through fire, through storms, run. | 0:12:15 | 0:12:19 | |
But when her sister demands your presence...you leave her to sweat. | 0:12:20 | 0:12:25 | |
She did say that was important, sir. | 0:12:29 | 0:12:31 | |
It will be insults and threats | 0:12:31 | 0:12:33 | |
and she'll take herself off to her narrow bed and sleep the sleep | 0:12:33 | 0:12:36 | |
of the righteous as though she hadn't tried to destroy everything. | 0:12:36 | 0:12:39 | |
But she won't. She can't part us. | 0:12:41 | 0:12:45 | |
Nothing can do that, least of all Miss Frances Barbary. | 0:12:45 | 0:12:48 | |
-You have your sixpence. Go. -Yes, sir. | 0:12:53 | 0:12:58 | |
CLOCK CHIMES | 0:13:23 | 0:13:25 | |
You're very hot. | 0:13:33 | 0:13:34 | |
No, I'm cold. | 0:13:34 | 0:13:36 | |
This isn't particularly informative. | 0:13:48 | 0:13:51 | |
It doesn't tell you what to do after the cord is cut. | 0:13:51 | 0:13:53 | |
Just, just swaddle the baby and then hand it to the wet nurse. | 0:13:53 | 0:13:58 | |
We don't have a wet nurse. | 0:13:58 | 0:13:59 | |
We have me. | 0:13:59 | 0:14:01 | |
Captain Hawdon's taking his time. | 0:14:06 | 0:14:08 | |
He'll be fetching a doctor. | 0:14:09 | 0:14:11 | |
I wonder what it is, a little boy or a little girl? | 0:14:13 | 0:14:18 | |
I don't mind, a daughter or a son, as long as it's healthy, | 0:14:20 | 0:14:25 | |
-but I wonder what it is. -It's unwanted. | 0:14:25 | 0:14:28 | |
-I -want it. James wants it. | 0:14:33 | 0:14:36 | |
Are you so blind, Honoria? | 0:14:36 | 0:14:39 | |
This baby is a scandal! | 0:14:39 | 0:14:41 | |
It is shame! It is disgrace! | 0:14:41 | 0:14:43 | |
It will stain our family name forever! | 0:14:43 | 0:14:48 | |
And it is your doing, your wilfulness, | 0:14:48 | 0:14:50 | |
that has dragged us all into the mire! | 0:14:50 | 0:14:52 | |
Why do you hate me so much? | 0:14:57 | 0:14:59 | |
I don't. | 0:15:00 | 0:15:01 | |
Ever since you came home, ever since you came back, you have hated me. | 0:15:01 | 0:15:06 | |
Hated me and hated me. What did I do? | 0:15:07 | 0:15:10 | |
Apart from ruin yourself. | 0:15:10 | 0:15:11 | |
No, before this. You hated me. | 0:15:11 | 0:15:13 | |
There was nothing I could do that was right for you. | 0:15:13 | 0:15:16 | |
Just hating and hating. Why? | 0:15:16 | 0:15:19 | |
You were always preferred. | 0:15:21 | 0:15:23 | |
What are you talking about? | 0:15:25 | 0:15:26 | |
Everyone always preferred you. Loved you most. | 0:15:26 | 0:15:30 | |
Mama. Father. | 0:15:30 | 0:15:32 | |
-But that's not true. -Oh, yes, it is! | 0:15:32 | 0:15:34 | |
Frances, you were engaged. You were going to be married. | 0:15:34 | 0:15:39 | |
You were happy. YOU were preferred. | 0:15:39 | 0:15:41 | |
You broke off your engagement to come back home to hate me? | 0:15:43 | 0:15:46 | |
To hurt me? | 0:15:46 | 0:15:47 | |
It wasn't I who broke off the engagement. HE did. | 0:15:47 | 0:15:50 | |
-But you said that... -I know what I said. | 0:15:52 | 0:15:54 | |
I was too sober for him. | 0:15:57 | 0:15:59 | |
Too serious. | 0:16:00 | 0:16:02 | |
He said, "Why can't you be more like Honoria? | 0:16:02 | 0:16:06 | |
"She's so carefree, so vivacious." | 0:16:06 | 0:16:09 | |
And then just when I thought that someone preferred me, | 0:16:11 | 0:16:15 | |
just when I thought that Sir Leicester Dedlock had an interest... | 0:16:15 | 0:16:18 | |
Sir Leicester? You had hopes there? | 0:16:18 | 0:16:21 | |
Why did you push me to him, if you had hopes? | 0:16:23 | 0:16:26 | |
He didn't want me. He wanted you. | 0:16:26 | 0:16:29 | |
He was captivated. | 0:16:31 | 0:16:32 | |
Entranced. So, you see? | 0:16:34 | 0:16:36 | |
You were always preferred, always loved the most. | 0:16:37 | 0:16:43 | |
I loved YOU most. | 0:16:47 | 0:16:49 | |
No, you didn't. | 0:16:54 | 0:16:55 | |
I did. | 0:16:57 | 0:16:59 | |
My sister. My sister. | 0:17:03 | 0:17:08 | |
I loved you the most. | 0:17:09 | 0:17:11 | |
If it's a boy, Thomas Edward. | 0:17:18 | 0:17:22 | |
If it's a girl, Esther Frances. | 0:17:24 | 0:17:27 | |
You're going to be an aunt, Frances. | 0:17:33 | 0:17:36 | |
This baby is part of you. | 0:17:38 | 0:17:40 | |
Part of us. James and I will marry because this baby is so wanted. | 0:17:40 | 0:17:46 | |
If it's a girl, Esther Frances, and you and I start again. | 0:17:48 | 0:17:55 | |
We start again and we try. | 0:17:57 | 0:18:00 | |
FRANCES SOBS | 0:18:05 | 0:18:06 | |
Can't we try? | 0:18:13 | 0:18:14 | |
SHE GROANS | 0:18:20 | 0:18:21 | |
SHE GASPS | 0:18:26 | 0:18:28 | |
MOANING | 0:18:58 | 0:18:59 | |
SHE SCREAMS | 0:19:06 | 0:19:07 | |
Where is the doctor? Where's James? | 0:19:11 | 0:19:13 | |
They're coming. | 0:19:13 | 0:19:15 | |
Make it stop, we have to wait! | 0:19:15 | 0:19:17 | |
There's no stopping, there's no waiting! | 0:19:17 | 0:19:19 | |
I'm scared, Frances, I'm scared, I'm scared I'm going to die, | 0:19:19 | 0:19:24 | |
I'm scared I'm dying, I'm dying! | 0:19:24 | 0:19:26 | |
No, look at me. Look at me! | 0:19:26 | 0:19:29 | |
Now, listen. | 0:19:29 | 0:19:30 | |
You are not going to die, I won't let it happen. | 0:19:30 | 0:19:34 | |
I simply won't! | 0:19:34 | 0:19:35 | |
SHE SCREAMS | 0:19:39 | 0:19:40 | |
Oh, it's coming out! | 0:19:47 | 0:19:49 | |
Dear God in heaven, I can see it, I can see it! | 0:19:49 | 0:19:52 | |
SHE SCREAMS | 0:19:52 | 0:19:53 | |
Oh, it's here, it's here, it's born, | 0:20:00 | 0:20:05 | |
it's a girl, a little girl! | 0:20:05 | 0:20:09 | |
Honoria! A little girl! | 0:20:09 | 0:20:10 | |
I want to see her, I want to hold her. | 0:20:25 | 0:20:28 | |
I'm nearly done. | 0:20:29 | 0:20:30 | |
I'll wrap her and I'll give her to you. | 0:20:33 | 0:20:36 | |
You did it, you did it, Honoria! | 0:20:36 | 0:20:38 | |
We did it, and it was simply rather miraculous! | 0:20:38 | 0:20:41 | |
Frances. What is it? What's wrong? | 0:20:50 | 0:20:52 | |
Frances? | 0:20:59 | 0:21:00 | |
No. | 0:21:04 | 0:21:06 | |
No, no, no, no. | 0:21:06 | 0:21:09 | |
Oh, Honoria, don't, don't, don't... | 0:21:09 | 0:21:12 | |
Oh... | 0:21:14 | 0:21:15 | |
She's so tiny. | 0:21:20 | 0:21:22 | |
She's so beautiful. | 0:21:25 | 0:21:27 | |
Oh, she's perfect. | 0:21:30 | 0:21:32 | |
She's cold. | 0:21:37 | 0:21:39 | |
She's cold. She's so cold. | 0:21:41 | 0:21:43 | |
On, no, no, no, don't, you'll make it worse for yourself. | 0:21:43 | 0:21:46 | |
-She's cold. Frances, she's cold... -I'll take her away. -No! | 0:21:46 | 0:21:49 | |
Esther, I'm sorry, | 0:21:49 | 0:21:52 | |
I'm sorry. | 0:21:52 | 0:21:54 | |
I'm sorry, I'm sorry, I'm sorry, | 0:21:56 | 0:22:01 | |
so sorry, I'm sorry... | 0:22:01 | 0:22:05 | |
I'm sorry, I'm sorry... | 0:22:16 | 0:22:18 | |
BELL RINGS | 0:23:15 | 0:23:16 | |
Get to your beds, you 'orrible drunkards! | 0:23:21 | 0:23:24 | |
What are we going to do? | 0:23:49 | 0:23:50 | |
We can't have a funeral. | 0:23:52 | 0:23:54 | |
She won't even have a proper grave. Where will she go? | 0:23:56 | 0:23:59 | |
I'll deal with that. Not now but tomorrow. | 0:24:01 | 0:24:05 | |
I'll make arrangements. | 0:24:06 | 0:24:08 | |
Will you say prayers for her? Can she have flowers? | 0:24:08 | 0:24:11 | |
Yes, of course. | 0:24:13 | 0:24:16 | |
I want her to know she was loved. | 0:24:17 | 0:24:19 | |
Esther Frances. | 0:24:20 | 0:24:22 | |
She was really loved. | 0:24:24 | 0:24:25 | |
I brought this on myself. | 0:24:28 | 0:24:30 | |
This is my ruin. | 0:24:32 | 0:24:33 | |
That's why she died. It's my fault. | 0:24:35 | 0:24:37 | |
It was too soon for her. It was just too early. | 0:24:38 | 0:24:42 | |
You were right. You've always been right. I see that now. | 0:24:43 | 0:24:48 | |
I was dancing through life. | 0:24:49 | 0:24:53 | |
That's stopped now. | 0:24:54 | 0:24:55 | |
Frances? | 0:25:06 | 0:25:07 | |
He didn't come. | 0:25:11 | 0:25:12 | |
He didn't come to us as he always promised he would. | 0:25:15 | 0:25:18 | |
He didn't come. | 0:25:21 | 0:25:23 | |
No. | 0:25:23 | 0:25:24 | |
CLOCK TICKS | 0:25:29 | 0:25:30 | |
TICKING CONTINUES | 0:25:37 | 0:25:38 | |
TICKING STOPS | 0:26:00 | 0:26:02 | |
SHE WEEPS | 0:26:24 | 0:26:26 | |
SHE GASPS | 0:26:32 | 0:26:34 | |
BABY CRIES | 0:26:41 | 0:26:43 | |
SHE SHRIEKS | 0:27:09 | 0:27:10 | |
BABY WHIMPERS | 0:27:44 | 0:27:45 | |
BABY CRIES | 0:28:20 | 0:28:21 | |
Sh. Sh. | 0:28:23 | 0:28:24 | |
Sh, sh, sh, shh. | 0:28:24 | 0:28:26 |