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STREET BUSTLE | 0:00:30 | 0:00:32 | |
CHURCH BELLS PEAL | 0:00:41 | 0:00:44 | |
HE GASPS | 0:00:44 | 0:00:46 | |
HE GULPS | 0:00:54 | 0:00:57 | |
Oh... | 0:01:06 | 0:01:08 | |
Morning, ladies. | 0:01:13 | 0:01:15 | |
-Ain't you never wanted to get married, Fan? -Whatever for? | 0:01:19 | 0:01:23 | |
To have a man about the house. | 0:01:23 | 0:01:24 | |
There's nothing a man can do I can't. | 0:01:24 | 0:01:26 | |
Oh, what about someone to smuggle up to at night, eh? Warm your feet on? | 0:01:26 | 0:01:30 | |
I got a blanket for that. | 0:01:30 | 0:01:32 | |
You can't get romantic with a blanket. | 0:01:32 | 0:01:35 | |
I don't want someone slobbering all over me if that's what you mean. | 0:01:35 | 0:01:38 | |
They don't all slobber. | 0:01:38 | 0:01:41 | |
Oh, never met one yet that didn't. | 0:01:41 | 0:01:43 | |
Breathing all over you, reeking of ale, making you red raw, | 0:01:43 | 0:01:47 | |
scraping their beards all over you, and pulling you about. | 0:01:47 | 0:01:49 | |
And all the time, making out like they're doing you some favour! | 0:01:49 | 0:01:53 | |
Well, it don't sound very appetising when you put it like that. | 0:01:53 | 0:01:56 | |
There's only thing men are good for | 0:01:56 | 0:01:58 | |
and that's fighting, | 0:01:58 | 0:02:00 | |
if there's a war on. | 0:02:00 | 0:02:02 | |
Thins 'em out, as well, so you don't get pestered so much. | 0:02:03 | 0:02:06 | |
Do you get pestered a lot, then, Fanny? | 0:02:07 | 0:02:10 | |
I've never been so mortified! | 0:02:11 | 0:02:13 | |
He was like a wild animal, | 0:02:13 | 0:02:16 | |
standing there with his bowl! | 0:02:16 | 0:02:18 | |
It's simply a testament | 0:02:18 | 0:02:20 | |
to the excellent nature of your stew, my love. | 0:02:20 | 0:02:22 | |
I should never have given them them dumplings. | 0:02:22 | 0:02:25 | |
It was a step too far, Bumble! | 0:02:25 | 0:02:27 | |
We have been thwarted by an act of kindness! | 0:02:27 | 0:02:30 | |
CHATTERING | 0:02:30 | 0:02:32 | |
Yes, my cherry biscuit, | 0:02:32 | 0:02:34 | |
though perhaps your reward shall be in Heaven. | 0:02:34 | 0:02:37 | |
-SHE SLURPS No, it will not, Bumble. -Oh... | 0:02:37 | 0:02:39 | |
I have no intention of waiting that long. | 0:02:39 | 0:02:43 | |
I will have you back at the business in hand. | 0:02:43 | 0:02:45 | |
Today, sir! | 0:02:45 | 0:02:46 | |
Raise me up, Bumble, do you hear me? | 0:02:46 | 0:02:49 | |
Raise me up! | 0:02:49 | 0:02:51 | |
SHELL CLATTERS | 0:02:51 | 0:02:52 | |
SHE SLURPS | 0:02:53 | 0:02:56 | |
Raise me up! | 0:02:56 | 0:02:57 | |
BUSTLE, DOG BARKS NEARBY | 0:02:57 | 0:03:00 | |
Come straight home tonight. | 0:03:01 | 0:03:03 | |
-Martha and John are coming for tea. -Ah, that'll be a treat. | 0:03:03 | 0:03:06 | |
They're bringing a chicken, so I'll get some vegetables on the way home. | 0:03:06 | 0:03:09 | |
What's the occasion? | 0:03:09 | 0:03:10 | |
Nothing. | 0:03:10 | 0:03:12 | |
Oh, right. | 0:03:12 | 0:03:13 | |
See you this evening. | 0:03:13 | 0:03:14 | |
Just our anniversary... | 0:03:14 | 0:03:16 | |
-< SCROOGE: -Cratchit! | 0:03:19 | 0:03:20 | |
DOOR CLANKS | 0:03:21 | 0:03:23 | |
KNOCK AT DOOR | 0:03:36 | 0:03:38 | |
Go away. | 0:03:40 | 0:03:42 | |
DOOR OPENS | 0:03:42 | 0:03:43 | |
Didn't you hear me? | 0:03:44 | 0:03:46 | |
It's your sister's wedding day, Arthur. | 0:03:46 | 0:03:48 | |
You think I don't know that? | 0:03:48 | 0:03:50 | |
Despite your reservations about her choice of husband, | 0:03:52 | 0:03:55 | |
this is still a Havisham wedding. | 0:03:55 | 0:03:58 | |
Your father would expect you to walk Amelia into church. | 0:03:58 | 0:04:01 | |
An honour that now falls to an uncle she hasn't seen in ten years. | 0:04:01 | 0:04:03 | |
If she's stupid enough to marry that man, | 0:04:03 | 0:04:05 | |
then she has exactly what she deserves. | 0:04:05 | 0:04:07 | |
I'm not here to scold you, or to hold you to account. | 0:04:07 | 0:04:11 | |
What, then? | 0:04:11 | 0:04:12 | |
I'd simply hoped to persuade you to be at your sister's side, | 0:04:14 | 0:04:17 | |
as your father would have wanted and for the good of the Havisham name. | 0:04:17 | 0:04:20 | |
I can see I am wasting my time. | 0:04:23 | 0:04:24 | |
You know, Arthur, I've never thought to discuss this with you before, | 0:04:27 | 0:04:31 | |
simply because... | 0:04:31 | 0:04:33 | |
to do so would somehow defeat the object. | 0:04:33 | 0:04:36 | |
But don't you see? | 0:04:37 | 0:04:38 | |
What your father did, the provision he made for you in his will... | 0:04:39 | 0:04:43 | |
It wasn't a reflection of his feeling for you. | 0:04:45 | 0:04:47 | |
It wasn't a punishment. | 0:04:48 | 0:04:51 | |
It was a call to arms. | 0:04:51 | 0:04:52 | |
A call to his only son to go on and follow in his footsteps, | 0:04:52 | 0:04:56 | |
to become the man he knew that you could be. | 0:04:56 | 0:04:59 | |
He himself was a...a self-made man, | 0:05:00 | 0:05:04 | |
he took great pride in being so. | 0:05:04 | 0:05:06 | |
He simply wanted you to share that same feeling. | 0:05:08 | 0:05:11 | |
He did what he did because he thought | 0:05:14 | 0:05:16 | |
you were capable of emulating him. | 0:05:16 | 0:05:18 | |
There's no greater compliment he could have paid you. | 0:05:21 | 0:05:24 | |
No greater love... | 0:05:28 | 0:05:30 | |
..he could have shown. | 0:05:32 | 0:05:34 | |
DOOR OPENS AND CLOSES | 0:05:47 | 0:05:49 | |
HE INHALES | 0:06:02 | 0:06:04 | |
HE SOBS | 0:06:08 | 0:06:11 | |
BUSTLE | 0:06:18 | 0:06:21 | |
-Oh, come here, darling. > -WOMAN GIGGLES > | 0:06:23 | 0:06:26 | |
THEY MURMUR | 0:06:27 | 0:06:29 | |
It's not raining, is it? | 0:06:35 | 0:06:38 | |
Please, tell me it's not raining. | 0:06:38 | 0:06:40 | |
-No, Miss. -You're sure? | 0:06:40 | 0:06:42 | |
As I came in, the sun was peering through the clouds. | 0:06:42 | 0:06:45 | |
SHE SIGHS Of course it was. | 0:06:46 | 0:06:48 | |
Thank you, Sarah. | 0:06:50 | 0:06:51 | |
Miss Barbary. | 0:06:54 | 0:06:56 | |
-You're here! -How could I not be? | 0:06:57 | 0:06:59 | |
AMELIA CHUCKLES | 0:06:59 | 0:07:02 | |
Thank you. | 0:07:09 | 0:07:11 | |
HOOVES CLOP, BELLS JINGLE | 0:07:11 | 0:07:13 | |
But do you love him? | 0:07:28 | 0:07:30 | |
I'm fond of him. | 0:07:30 | 0:07:32 | |
And as Lady Dedlock, I can do much to help the family, | 0:07:33 | 0:07:36 | |
restore Father's standing, help Frances's social position. | 0:07:36 | 0:07:40 | |
And James Hawdon? | 0:07:40 | 0:07:42 | |
Captain Hawdon was a few months of madness, | 0:07:42 | 0:07:46 | |
nothing more. | 0:07:46 | 0:07:47 | |
The impetuousness of youth. | 0:07:47 | 0:07:50 | |
You seem different. | 0:07:51 | 0:07:52 | |
Do I? | 0:07:52 | 0:07:54 | |
You're my best friend in the world. | 0:07:57 | 0:07:59 | |
I want you to be as happy as I am. | 0:07:59 | 0:08:01 | |
-Sir Leicester and I will build a good life. -I hope so. | 0:08:02 | 0:08:05 | |
And are you happy? | 0:08:05 | 0:08:07 | |
I have never known a feeling like it, | 0:08:07 | 0:08:10 | |
to know I am to be Meriwether's wife. | 0:08:10 | 0:08:13 | |
That I will be loved, cherished. | 0:08:13 | 0:08:15 | |
It's no less than you deserve. | 0:08:15 | 0:08:16 | |
SHE CHUCKLES | 0:08:16 | 0:08:18 | |
My mother's. | 0:08:20 | 0:08:21 | |
I've thought about her a lot since Father died, | 0:08:23 | 0:08:26 | |
it's been such a worry, doing everything on my own. | 0:08:26 | 0:08:29 | |
Dealing with the brewery, Satis House... | 0:08:29 | 0:08:33 | |
and Arthur. | 0:08:33 | 0:08:34 | |
But now I'll have a husband. | 0:08:36 | 0:08:38 | |
To wake up every morning and know that I'm not alone, | 0:08:39 | 0:08:43 | |
that whatever the day brings, good or bad, will be shared. | 0:08:43 | 0:08:46 | |
Begging your pardon, miss, but we should start dressing you. | 0:08:48 | 0:08:51 | |
Yes, we should! | 0:08:51 | 0:08:52 | |
NANCY: 'Fagin!' | 0:08:53 | 0:08:55 | |
You and me ain't got no cause for hard feelings. | 0:08:55 | 0:08:57 | |
Bill paid you off fair and square. As for where he got the money, | 0:08:57 | 0:09:00 | |
well, that's between you and him, it ain't nothing to do with me. | 0:09:00 | 0:09:03 | |
He paid me with my own money, Nancy! | 0:09:03 | 0:09:05 | |
There are lines that shouldn't be crossed. | 0:09:05 | 0:09:07 | |
Bill Sikes, I can understand, | 0:09:07 | 0:09:09 | |
I wouldn't have expected any different, | 0:09:09 | 0:09:11 | |
when the cat's away the mice will play! But... | 0:09:11 | 0:09:13 | |
HE SIGHS | 0:09:13 | 0:09:15 | |
..Dodger. | 0:09:17 | 0:09:18 | |
You think it was him what told Bill where you kept your stash, don't ya? | 0:09:18 | 0:09:21 | |
Only you and Dodger knew where it was. | 0:09:21 | 0:09:24 | |
Yeah, well, a wild goose never laid a tame egg, | 0:09:24 | 0:09:26 | |
HE is what YOU made him. | 0:09:26 | 0:09:28 | |
But I've sent word for him to come back now he ain't wanted | 0:09:31 | 0:09:33 | |
by the coppers any more. And I want him to be safe. | 0:09:33 | 0:09:35 | |
I mean it, I will not have him hurt. | 0:09:35 | 0:09:37 | |
So, when he's back, I'll bring him here | 0:09:37 | 0:09:39 | |
-and you make your peace with him. -As though nothing ever happened?! | 0:09:39 | 0:09:42 | |
HE SIGHS | 0:09:46 | 0:09:47 | |
HE CHUCKLES | 0:09:47 | 0:09:49 | |
Come here. | 0:09:50 | 0:09:52 | |
You're an old rogue, Fagin, | 0:09:57 | 0:09:59 | |
but there's a heart in there somewhere. I know there is. | 0:09:59 | 0:10:01 | |
Well, keep it to yourself, my dear. | 0:10:01 | 0:10:04 | |
A heart is very bad for business. | 0:10:05 | 0:10:09 | |
HE TAPS | 0:10:11 | 0:10:14 | |
Go, go! | 0:10:17 | 0:10:18 | |
Mr Havisham and I are old friends. | 0:10:18 | 0:10:21 | |
So, you found my humble abode, my dear? | 0:10:21 | 0:10:25 | |
How can I help you? Do you have more items to sell, perhaps? | 0:10:25 | 0:10:29 | |
Oh, no. I'm not here to sell, | 0:10:29 | 0:10:31 | |
I'm here to buy. | 0:10:31 | 0:10:32 | |
Keep going! Keep going. | 0:10:34 | 0:10:36 | |
That's it. Lovely! | 0:10:36 | 0:10:38 | |
Boy! | 0:10:40 | 0:10:42 | |
You know Mr Compeyson? You've seen him with me in The Three Cripples? | 0:10:44 | 0:10:48 | |
-Yes, sir. -He'll be at the tailor's. Find him and give him this. | 0:10:48 | 0:10:50 | |
Tell him it's urgent, that it's vital he reads it immediately. Go! | 0:10:50 | 0:10:54 | |
HUM OF CONVERSATION | 0:10:56 | 0:10:58 | |
A tonic. | 0:11:00 | 0:11:02 | |
Something for the head, sir? | 0:11:02 | 0:11:05 | |
Yes. | 0:11:05 | 0:11:06 | |
This will shift it. | 0:11:06 | 0:11:08 | |
HE SPLUTTERS | 0:11:12 | 0:11:13 | |
Best to follow it with a drop of whisky. | 0:11:13 | 0:11:15 | |
Burn off the taste. | 0:11:15 | 0:11:17 | |
Sir? | 0:11:30 | 0:11:32 | |
From Mr Havisham, sir, said it was urgent. | 0:11:33 | 0:11:36 | |
HUM OF CONVERSATION | 0:11:46 | 0:11:48 | |
I couldn't get to you yesterday, we were rushed off our feet. | 0:11:53 | 0:11:56 | |
An entirely unwelcome predicament for a one-legged man, I imagine(!) | 0:11:56 | 0:12:00 | |
You're most understanding, Mr Scrooge(!) | 0:12:00 | 0:12:03 | |
Please don't mention it. | 0:12:03 | 0:12:04 | |
I have simply added a further tuppence to the debt. | 0:12:04 | 0:12:07 | |
An extra day's interest. | 0:12:07 | 0:12:08 | |
You old skinflint. | 0:12:08 | 0:12:10 | |
Tuppence is tuppence! | 0:12:10 | 0:12:12 | |
I asked for two. | 0:12:28 | 0:12:30 | |
Trust me, Bill here is all you'll need. | 0:12:31 | 0:12:34 | |
Mr Ebenezer Scrooge. | 0:12:52 | 0:12:53 | |
Mr Fagin. | 0:12:53 | 0:12:54 | |
You know me? | 0:12:54 | 0:12:56 | |
By reputation, sir. | 0:12:56 | 0:12:58 | |
State your purpose. | 0:12:58 | 0:12:59 | |
I was very sad to hear of the demise of your partner, Jacob Marley - | 0:13:04 | 0:13:09 | |
-it must have been very difficult for you, my dear. -Must it? | 0:13:09 | 0:13:14 | |
It doubled your burden, did it not? | 0:13:14 | 0:13:16 | |
Jacob's death was an inconvenience. | 0:13:16 | 0:13:18 | |
Ah, an inconvenience... | 0:13:18 | 0:13:21 | |
But, as men of commerce, | 0:13:21 | 0:13:23 | |
we should know that adversity sometimes offers opportunity. | 0:13:23 | 0:13:28 | |
You speak in riddles, sir. I have business to attend to. | 0:13:28 | 0:13:30 | |
Then I will come to the point. | 0:13:30 | 0:13:32 | |
You are now left to manage your business, alone. | 0:13:36 | 0:13:39 | |
What of it? | 0:13:39 | 0:13:41 | |
I have recently lost some of my capital | 0:13:41 | 0:13:44 | |
and am pondering the wisdom of having all my eggs in one basket, | 0:13:44 | 0:13:48 | |
as I'm sure you will understand. | 0:13:48 | 0:13:50 | |
So, I have been thinking, | 0:13:50 | 0:13:52 | |
perhaps I could be persuaded | 0:13:52 | 0:13:54 | |
to invest in a new business. | 0:13:54 | 0:13:56 | |
And if it was something already established, all the better. | 0:13:57 | 0:14:02 | |
You're proposing a partnership? | 0:14:02 | 0:14:04 | |
Scrooge and Fagin. | 0:14:04 | 0:14:07 | |
It has a certain warmth to it, does it not, my dear? | 0:14:07 | 0:14:10 | |
May I speak plainly? | 0:14:12 | 0:14:13 | |
Please do. | 0:14:13 | 0:14:15 | |
I have recently been relieved of one partner | 0:14:15 | 0:14:18 | |
and I feel all the better for it. | 0:14:18 | 0:14:20 | |
Now, if I had a desire to take on another, which I do not, | 0:14:20 | 0:14:25 | |
I doubt that my first choice | 0:14:25 | 0:14:26 | |
would be someone that I met in an ale house. | 0:14:26 | 0:14:28 | |
Neither would it be someone | 0:14:28 | 0:14:30 | |
who conducts his business from a sewer, | 0:14:30 | 0:14:33 | |
with a reputation for purchasing stolen items | 0:14:33 | 0:14:35 | |
from the criminal world. | 0:14:35 | 0:14:36 | |
Is there any part of that which is unclear, sir? | 0:14:38 | 0:14:41 | |
I'm sensing you need a little more time to think about it, hmm? | 0:14:42 | 0:14:46 | |
Good day, sir. | 0:14:46 | 0:14:47 | |
-COMPEYSON: -Where's Arthur Havisham? | 0:14:53 | 0:14:55 | |
DOOR OPENS | 0:15:01 | 0:15:03 | |
What are you playing at, Arthur? I'm in no mood for games. | 0:15:04 | 0:15:07 | |
-Nor I. -So, what's so damn important you drag me here on my wedding day? | 0:15:07 | 0:15:10 | |
I want you to leave my sister... | 0:15:10 | 0:15:12 | |
-..my family, alone. -Damn your eyes, I've no time to listen to this. | 0:15:14 | 0:15:17 | |
Yet listen, you will. | 0:15:25 | 0:15:28 | |
It's too late, Arthur, there's nothing you can do. | 0:15:30 | 0:15:33 | |
And if I need to fight my way out of here, I will. | 0:15:33 | 0:15:36 | |
Have Mr Compeyson sit down, would you, Bill? | 0:15:36 | 0:15:38 | |
SCUFFLING | 0:15:38 | 0:15:39 | |
GRUNTING | 0:15:39 | 0:15:41 | |
COMPEYSON GROANS | 0:15:41 | 0:15:42 | |
HE GROANS AND COUGHS | 0:15:45 | 0:15:47 | |
HE PANTS | 0:15:49 | 0:15:52 | |
You see, Compeyson, you forgot something very important. | 0:15:52 | 0:15:55 | |
That the only thing that kept me from exposing you was self interest. | 0:15:55 | 0:15:59 | |
A simple equation - if I exposed you for what you are, | 0:15:59 | 0:16:02 | |
then everyone would understand my part in it. | 0:16:02 | 0:16:04 | |
But your mistake was taking away everything I had. | 0:16:04 | 0:16:07 | |
Including hope. | 0:16:08 | 0:16:10 | |
HE PANTS | 0:16:10 | 0:16:12 | |
Mr Sikes, you are a regular here at The Three Cripples, are you not? | 0:16:12 | 0:16:16 | |
-I am. -Enjoy exchanging stories over an ale or two, no doubt? | 0:16:16 | 0:16:21 | |
It's been known. | 0:16:21 | 0:16:22 | |
Well, then, I have a tale for you. | 0:16:22 | 0:16:24 | |
When my late father died | 0:16:24 | 0:16:26 | |
and left the Havisham fortune to my sister and not to me. | 0:16:26 | 0:16:29 | |
I hired Mr Compeyson here to seduce her, | 0:16:30 | 0:16:33 | |
and in doing so, to bend her will to mine. | 0:16:33 | 0:16:35 | |
In order that she would renounce the will | 0:16:35 | 0:16:38 | |
and I be reinstated as Master of Satis House. | 0:16:38 | 0:16:40 | |
Please feel free to share this with anyone who will listen. | 0:16:40 | 0:16:43 | |
And so, the secret is no more... | 0:16:44 | 0:16:46 | |
..and our destinies no longer aligned. | 0:16:48 | 0:16:50 | |
HE CHUCKLES | 0:16:51 | 0:16:53 | |
You can't scare me off, Arthur. | 0:16:56 | 0:16:58 | |
Oh, I assure you, that's the very last thing on my mind. | 0:16:58 | 0:17:01 | |
Then, what do you want? | 0:17:02 | 0:17:04 | |
The only thing I have left of any value - the love of my sister. | 0:17:04 | 0:17:08 | |
And so, to that end, I intend to go to Satis House. | 0:17:09 | 0:17:12 | |
Amelia will hear everything. | 0:17:14 | 0:17:16 | |
I will sob at her feet | 0:17:16 | 0:17:18 | |
and beg her forgiveness. | 0:17:18 | 0:17:21 | |
And she WILL believe me. | 0:17:21 | 0:17:22 | |
CHURCH BELLS PEAL | 0:17:22 | 0:17:25 | |
I guarantee you, once I'm done, | 0:17:25 | 0:17:26 | |
you'll never set foot in Satis House again. | 0:17:26 | 0:17:29 | |
-All done. -Hm? | 0:17:30 | 0:17:32 | |
You look wonderful. | 0:17:34 | 0:17:36 | |
-He won't be disappointed? -Only if he's a fool. | 0:17:36 | 0:17:39 | |
I don't think I've ever seen anything so beautiful, | 0:17:39 | 0:17:42 | |
Miss Havisham, not even in the newspapers. | 0:17:42 | 0:17:45 | |
ALL GIGGLE | 0:17:45 | 0:17:47 | |
Don't do this...Arthur. | 0:17:48 | 0:17:50 | |
Maybe...it was wrong of me, cutting you out of things like I did. | 0:17:51 | 0:17:55 | |
It was selfish of me, I see that now. | 0:17:56 | 0:17:58 | |
But we can go back to how it was. | 0:18:00 | 0:18:02 | |
Just let the wedding go ahead and we can make a new plan. | 0:18:02 | 0:18:04 | |
You cannot do this to me! | 0:18:04 | 0:18:06 | |
Just think how close you got. | 0:18:06 | 0:18:08 | |
Close enough to smell the money. | 0:18:08 | 0:18:11 | |
It's not just the money... | 0:18:11 | 0:18:13 | |
ARTHUR CHUCKLES | 0:18:17 | 0:18:19 | |
HE LAUGHS | 0:18:19 | 0:18:20 | |
It's her! | 0:18:23 | 0:18:24 | |
You... You love her, don't you?! | 0:18:26 | 0:18:28 | |
HE LAUGHS | 0:18:28 | 0:18:29 | |
The hunter caught in his own trap! | 0:18:30 | 0:18:32 | |
SCUFFLING | 0:18:32 | 0:18:33 | |
HE GROANS | 0:18:33 | 0:18:35 | |
In this bag are my 30 pieces of silver. | 0:18:38 | 0:18:42 | |
Every penny we stole from my sister, | 0:18:42 | 0:18:44 | |
I won't have the stench of it near me a second longer. | 0:18:44 | 0:18:47 | |
I intend to follow in my father's footsteps, | 0:18:47 | 0:18:50 | |
to begin with nothing. | 0:18:50 | 0:18:52 | |
So, it's yours. | 0:18:53 | 0:18:55 | |
£10,000. | 0:18:55 | 0:18:57 | |
Ah! | 0:19:00 | 0:19:02 | |
How predictable you are. | 0:19:02 | 0:19:04 | |
There's a condition. | 0:19:06 | 0:19:07 | |
-What? -Well, I knew that to win back my sister's respect, | 0:19:09 | 0:19:12 | |
she will need to know the truth. | 0:19:12 | 0:19:14 | |
But then, I thought how much better it would be, coming from you? | 0:19:14 | 0:19:18 | |
No. | 0:19:18 | 0:19:19 | |
Oh, I think you might want to reconsider. My lawyer will explain. | 0:19:19 | 0:19:23 | |
You have two very clear choices, Mr Compeyson. | 0:19:23 | 0:19:26 | |
To accept Mr Havisham's very generous offer | 0:19:26 | 0:19:29 | |
and leave here unharmed with £10,000. | 0:19:29 | 0:19:32 | |
Or you can reject his offer and be handed in to the authorities, | 0:19:32 | 0:19:35 | |
where I will use my not inconsiderable influence | 0:19:35 | 0:19:38 | |
to ensure you are charged with your crimes and imprisoned for them. | 0:19:38 | 0:19:41 | |
You will write a full confession to Miss Havisham, | 0:19:51 | 0:19:53 | |
setting out the truth - | 0:19:53 | 0:19:55 | |
the entire truth, the facts. | 0:19:55 | 0:19:58 | |
As cold and as heartless as they are. | 0:19:58 | 0:20:00 | |
Miss out one word or try to court her favour or forgiveness in any way | 0:20:00 | 0:20:04 | |
and you will not receive a penny | 0:20:04 | 0:20:05 | |
and I will have you arrested. | 0:20:05 | 0:20:07 | |
Do you understand? | 0:20:08 | 0:20:10 | |
You will then deliver it to her in person. | 0:20:16 | 0:20:19 | |
What?! | 0:20:19 | 0:20:20 | |
Why would you ask me to do that? Why would you do that to her? | 0:20:22 | 0:20:25 | |
If I write it all down, you'll have what you need. | 0:20:25 | 0:20:27 | |
No, we will not have it said that it was written under duress, | 0:20:27 | 0:20:30 | |
that you were coerced, that this was somehow false. | 0:20:30 | 0:20:32 | |
She will read it and see the truth of it in your eyes. | 0:20:32 | 0:20:35 | |
This is not a matter for negotiation. | 0:20:35 | 0:20:38 | |
CHATTERING | 0:20:48 | 0:20:51 | |
-Is the carriage here? -Yes, miss. | 0:21:00 | 0:21:02 | |
SHE SIGHS I feel sick. | 0:21:02 | 0:21:04 | |
You'll be fine. ..Martha, a glass of water? | 0:21:04 | 0:21:07 | |
I don't want to be late. Or do I? | 0:21:10 | 0:21:12 | |
You'll be there at the exact moment you're supposed to be. | 0:21:12 | 0:21:14 | |
-I'll see to it. -What would I do without you? | 0:21:14 | 0:21:17 | |
You're done. | 0:21:25 | 0:21:26 | |
Ready? | 0:21:26 | 0:21:28 | |
Wait! My shoe... | 0:21:41 | 0:21:43 | |
My stocking's tied and it's pinching. | 0:21:43 | 0:21:45 | |
DOOR OPENS | 0:21:46 | 0:21:48 | |
Meriwether?! | 0:22:00 | 0:22:01 | |
I'm sorry. | 0:22:03 | 0:22:05 | |
-HE CLAPS -Staff dismissed. | 0:22:08 | 0:22:10 | |
Give it to her. | 0:22:18 | 0:22:19 | |
You must read it now, Sister. | 0:22:30 | 0:22:32 | |
Amelia? | 0:23:28 | 0:23:29 | |
All a lie. | 0:23:35 | 0:23:36 | |
For my money? | 0:23:39 | 0:23:41 | |
Leave us, please! | 0:23:41 | 0:23:42 | |
-I will never leave you alone with my sister again. -I don't believe it! | 0:23:42 | 0:23:46 | |
You've made him say these things! | 0:23:46 | 0:23:47 | |
-You forced him. -Tell her. | 0:23:47 | 0:23:49 | |
Yes, they forced me to come here... | 0:23:52 | 0:23:56 | |
..to write what you hold in your hand. | 0:23:57 | 0:23:59 | |
But what I've written is the truth. | 0:24:02 | 0:24:04 | |
Sorry. | 0:24:06 | 0:24:07 | |
I've done what you asked, damn you. Now can I go? | 0:24:10 | 0:24:13 | |
What's that? | 0:24:15 | 0:24:16 | |
The money from the sale of the brewery shares, I won't take it. | 0:24:16 | 0:24:20 | |
I said he could have it, if he came here and told you the truth. | 0:24:21 | 0:24:25 | |
-You said you were sorry. -I am. -Then show me. | 0:24:26 | 0:24:29 | |
-Leave without the money. -I will burn the money if I can stay - | 0:24:31 | 0:24:34 | |
-for an hour alone with you. -No. | 0:24:34 | 0:24:37 | |
I will hear her speak! | 0:24:37 | 0:24:38 | |
I am not to be bought! | 0:24:38 | 0:24:40 | |
SHE SOBS AND GRUNTS | 0:24:51 | 0:24:55 | |
SHE SOBS | 0:24:56 | 0:24:58 | |
Get out. | 0:25:02 | 0:25:03 | |
SHE WEEPS QUIETLY | 0:25:03 | 0:25:05 | |
Everything in that letter is true, | 0:25:09 | 0:25:11 | |
it was as cold and as spiteful as you believe it to be. | 0:25:11 | 0:25:15 | |
Every moment, every second was contrived, bent to one purpose. | 0:25:15 | 0:25:19 | |
To relieve you of the Havisham fortune. | 0:25:20 | 0:25:23 | |
I didn't care about you. | 0:25:27 | 0:25:28 | |
Or once think beyond the money. | 0:25:29 | 0:25:31 | |
But these last few weeks, as I neared what I thought I wanted, | 0:25:33 | 0:25:36 | |
I saw an even greater prize before me. | 0:25:36 | 0:25:38 | |
-I saw you. -HE SIGHS | 0:25:40 | 0:25:42 | |
And I loved what I saw. | 0:25:42 | 0:25:44 | |
As I stand here now I...I love you still, I swear it. | 0:25:45 | 0:25:49 | |
You're already married. | 0:25:49 | 0:25:50 | |
It was a marriage of convenience, nothing more. | 0:25:50 | 0:25:52 | |
I would have freed myself from it. | 0:25:54 | 0:25:55 | |
Fate throws people together in different ways. | 0:25:59 | 0:26:01 | |
No-one is given a choice of how that first meeting will be. | 0:26:01 | 0:26:04 | |
A sibling's fury and desire for vengeance | 0:26:04 | 0:26:06 | |
may not be as palatable as a chance meeting in the park | 0:26:06 | 0:26:09 | |
or an introduction through mutual friends. | 0:26:09 | 0:26:11 | |
But until I knew you, I didn't know you. | 0:26:15 | 0:26:17 | |
Every lie I have ever told you has become true, | 0:26:19 | 0:26:23 | |
every falsehood is undone, | 0:26:23 | 0:26:25 | |
every promise remade. | 0:26:25 | 0:26:26 | |
Because although it was never part of my plan, | 0:26:26 | 0:26:29 | |
you have stolen my heart. | 0:26:29 | 0:26:31 | |
And you have broken mine. | 0:26:33 | 0:26:35 | |
Then give me the slightest glimmer of hope, | 0:26:35 | 0:26:38 | |
and I will stay and I will repair it. | 0:26:38 | 0:26:40 | |
I love you, Amelia. | 0:26:41 | 0:26:43 | |
And I loved you. | 0:26:44 | 0:26:45 | |
Oh, my sweet Meriwether... | 0:26:48 | 0:26:51 | |
..there are things that can never be undone. | 0:26:53 | 0:26:56 | |
You have taken all the secret things about me and tainted them. | 0:27:00 | 0:27:04 | |
You have made them dirty... | 0:27:06 | 0:27:07 | |
..and now, the joy of them has turned to shame. | 0:27:09 | 0:27:11 | |
You held my head to your chest... | 0:27:14 | 0:27:17 | |
..as I sobbed like a child because I missed my father. | 0:27:18 | 0:27:21 | |
I cried so hard I could hardly breathe... | 0:27:21 | 0:27:24 | |
And the rise and fall of your chest comforted me. | 0:27:26 | 0:27:28 | |
You made me feel an equal. | 0:27:31 | 0:27:33 | |
That we could face this cruel world together. | 0:27:35 | 0:27:38 | |
You made me trust you. | 0:27:41 | 0:27:43 | |
Made me feel safe in your arms... | 0:27:45 | 0:27:47 | |
..as if nothing bad could ever happen to me again. | 0:27:49 | 0:27:51 | |
And I gave myself to you. | 0:27:56 | 0:27:57 | |
Which of these can be undone? | 0:28:01 | 0:28:03 | |
All of this, I swear. | 0:28:03 | 0:28:05 | |
You cut too deep. | 0:28:07 | 0:28:09 | |
To think that every moment I lost myself in you was false. | 0:28:12 | 0:28:15 | |
I looked on you as my life and you looked on me as your prey! | 0:28:17 | 0:28:20 | |
You have broken me. | 0:28:24 | 0:28:26 | |
So, I want you to go. | 0:28:30 | 0:28:32 | |
To leave me sitting here amidst my folly, | 0:28:33 | 0:28:36 | |
surrounded by my stupidity for all the world to see. | 0:28:36 | 0:28:39 | |
For my father to look down on. | 0:28:41 | 0:28:43 | |
Do you think he will be proud? | 0:28:48 | 0:28:50 | |
Amelia... | 0:28:50 | 0:28:51 | |
Please make him go. | 0:28:53 | 0:28:55 | |
SHE SOBS | 0:29:14 | 0:29:15 | |
SHE GASPS | 0:29:21 | 0:29:22 | |
Stupid shoe! | 0:29:24 | 0:29:26 | |
I'll have to have it seen to. | 0:29:27 | 0:29:29 | |
Will you look at it for me? | 0:29:29 | 0:29:31 | |
-Yes, of course I will. -We have time... | 0:29:31 | 0:29:33 | |
Only I... | 0:29:37 | 0:29:39 | |
I don't think I will be getting married today after all. | 0:29:39 | 0:29:42 | |
Amelia... | 0:29:42 | 0:29:43 | |
I'm so sorry. | 0:29:46 | 0:29:47 | |
It hurts so much, | 0:29:50 | 0:29:52 | |
I fear I shall go mad. | 0:29:52 | 0:29:54 | |
-Let me help you upstairs, get you out of this dress. -No. | 0:29:55 | 0:29:59 | |
-Amelia, please, come with me. -No! | 0:29:59 | 0:30:00 | |
I don't wish to change! | 0:30:01 | 0:30:03 | |
Don't you see? I must wear it until my heart has healed itself. | 0:30:05 | 0:30:08 | |
Until then, I will wear it to remind me of my foolishness. | 0:30:11 | 0:30:15 | |
He's gone. | 0:30:15 | 0:30:16 | |
HE LAUGHS | 0:30:16 | 0:30:17 | |
Finally. | 0:30:17 | 0:30:19 | |
You hated me that much? | 0:30:23 | 0:30:24 | |
I never meant for it to go this far, | 0:30:31 | 0:30:34 | |
I swear it. | 0:30:34 | 0:30:35 | |
I was just so angry... | 0:30:37 | 0:30:38 | |
..and I wanted to get back at you. | 0:30:39 | 0:30:41 | |
When he came, he just twisted everything. | 0:30:41 | 0:30:44 | |
Ah. | 0:30:44 | 0:30:46 | |
You all knew? | 0:30:48 | 0:30:49 | |
TEARFULLY: Everybody knew. | 0:30:49 | 0:30:51 | |
No. Not until today. | 0:30:51 | 0:30:53 | |
Don't you see? He's gone now. | 0:30:55 | 0:30:58 | |
We can be together again, I can help you. We can do it together. | 0:30:58 | 0:31:01 | |
Everything together. As it should be. Hmm? | 0:31:01 | 0:31:04 | |
I'm your brother. | 0:31:06 | 0:31:08 | |
I don't have a brother. | 0:31:09 | 0:31:11 | |
I want everyone to leave. | 0:31:17 | 0:31:19 | |
-Get them out! -Amelia... -Get him away from me! | 0:31:20 | 0:31:22 | |
-Amelia? -Perhaps we should leave her alone. -Get out! | 0:31:22 | 0:31:24 | |
-Get out! -Arthur. -Get out! -Come on. -Get out! Get out! | 0:31:24 | 0:31:27 | |
Get out! Get out! Get out! | 0:31:27 | 0:31:29 | |
SHE SCREAMS | 0:31:29 | 0:31:33 | |
SHE SOBS LOUDLY | 0:31:33 | 0:31:35 | |
DOOR CLOSES | 0:31:35 | 0:31:37 | |
AMELIA'S SCREAMS ECHO | 0:31:37 | 0:31:41 | |
SEA BIRDS CALL | 0:31:55 | 0:31:58 | |
MEN SHOUT NEARBY | 0:31:58 | 0:32:01 | |
Nance! | 0:32:05 | 0:32:06 | |
Ah, Dodger! | 0:32:06 | 0:32:08 | |
You all right, darlin'? | 0:32:08 | 0:32:10 | |
What's done is done, no doubt with bad on both sides. | 0:32:16 | 0:32:20 | |
People like you and me need to stick together, Dodger, | 0:32:21 | 0:32:24 | |
all we poor have is each other. | 0:32:24 | 0:32:26 | |
We take care of each other because no-one else will do it for us, | 0:32:26 | 0:32:29 | |
-will they, my dear? -I wouldn't have told 'em nothing if you hadn't. | 0:32:29 | 0:32:32 | |
I know, my dear, that's why you're back | 0:32:32 | 0:32:34 | |
in your rightful place at my side. | 0:32:34 | 0:32:36 | |
So, it's done. Hmm? All forgotten? | 0:32:38 | 0:32:40 | |
-It is on my side. -Then we'll shake on it, my dear. | 0:32:43 | 0:32:45 | |
THEY SPIT | 0:32:45 | 0:32:47 | |
Now! There's just a little... | 0:32:48 | 0:32:51 | |
Shoo! Get off! | 0:32:51 | 0:32:52 | |
A little bit of business to deal with while you're here. | 0:32:52 | 0:32:56 | |
What sort of business? | 0:32:56 | 0:32:57 | |
There were others what had their eye on it, but I kept your bunk. | 0:32:57 | 0:33:02 | |
-Trouble is, you're three weeks behind on your rent. -Fagin! | 0:33:02 | 0:33:05 | |
What? You'd rather I'd have given his bunk away? | 0:33:05 | 0:33:07 | |
Better get to work, then. | 0:33:09 | 0:33:11 | |
Dodger! | 0:33:15 | 0:33:16 | |
You're my very best boy, | 0:33:25 | 0:33:27 | |
it's a pleasure to have you back. | 0:33:27 | 0:33:29 | |
HE TAKES DEEP BREATH | 0:33:34 | 0:33:38 | |
What? | 0:33:38 | 0:33:40 | |
TENTATIVE FOOTSTEPS APPROACH | 0:33:46 | 0:33:49 | |
Leave it! | 0:33:54 | 0:33:55 | |
No-one is to touch anything. | 0:33:56 | 0:33:58 | |
Leave me. Close the gates. | 0:34:00 | 0:34:01 | |
Admit no-one. Do you understand? | 0:34:03 | 0:34:04 | |
Pardon me, miss? | 0:34:08 | 0:34:10 | |
DOOR CLOSES > | 0:34:10 | 0:34:11 | |
Are you all right? | 0:34:11 | 0:34:13 | |
CHURCH BELLS TOLL | 0:34:19 | 0:34:21 | |
CLANKING, HINGES SQUEAK | 0:34:25 | 0:34:28 | |
GATES CLANG | 0:34:32 | 0:34:34 | |
Hey! | 0:34:46 | 0:34:47 | |
FIRE CRACKLES | 0:35:19 | 0:35:22 | |
DOOR OPENS | 0:35:25 | 0:35:26 | |
BULL'S-EYE WHINES | 0:35:26 | 0:35:28 | |
-How did it go? -Well, he ain't best pleased with you, | 0:35:31 | 0:35:34 | |
but he's taken Dodger back all right. | 0:35:34 | 0:35:37 | |
I ain't worried about Fagin. | 0:35:37 | 0:35:39 | |
What are these for? | 0:35:43 | 0:35:45 | |
They ain't for anything, just to look pretty. | 0:35:45 | 0:35:47 | |
-You spent money on 'em? -Only a farthing. | 0:35:47 | 0:35:49 | |
They'll look nice in a jug on the windowsill. | 0:35:49 | 0:35:52 | |
Yeah, well, I work hard for my money, girl, | 0:35:53 | 0:35:56 | |
I don't want it wasted on no flowers. | 0:35:56 | 0:35:58 | |
Now make me something to eat. | 0:36:00 | 0:36:02 | |
-Can I fetch you some tea? -No, thank you. | 0:36:16 | 0:36:19 | |
You can sit with me though. | 0:36:20 | 0:36:21 | |
You're worried about Amelia Havisham. | 0:36:28 | 0:36:30 | |
It's so sad. | 0:36:32 | 0:36:34 | |
People can be so cruel, can't they? | 0:36:36 | 0:36:38 | |
-Perhaps they don't always mean to be. -Do you think? | 0:36:39 | 0:36:43 | |
Sometimes people can do the wrong thing with the best intentions... | 0:36:44 | 0:36:48 | |
..or the right of something isn't seen straightaway. | 0:36:49 | 0:36:52 | |
Love is so difficult, isn't it? | 0:36:54 | 0:36:56 | |
Brings such pain. | 0:36:57 | 0:36:59 | |
I sometimes think we'd be better off without it. | 0:37:00 | 0:37:03 | |
Though I think it's nice to know you have BEEN loved, isn't it? | 0:37:06 | 0:37:10 | |
Yes. | 0:37:11 | 0:37:13 | |
My baby... | 0:37:15 | 0:37:17 | |
..did you bury her nearby? | 0:37:18 | 0:37:20 | |
In a quiet cemetery. | 0:37:22 | 0:37:23 | |
The location I must keep secret. | 0:37:25 | 0:37:27 | |
-I couldn't bear to see it. -I know. | 0:37:27 | 0:37:29 | |
You've been so kind to me. I'm almost afraid to ask. | 0:37:32 | 0:37:36 | |
Ask what? | 0:37:37 | 0:37:39 | |
I want her to know that she was loved. | 0:37:39 | 0:37:41 | |
She will know. | 0:37:41 | 0:37:43 | |
I'm leaving for Chesney Wold tomorrow, | 0:37:46 | 0:37:50 | |
there is much to arrange. | 0:37:50 | 0:37:51 | |
But... I need you to take this to her for me. | 0:37:54 | 0:37:59 | |
It's a... It's just a silly thing. | 0:38:01 | 0:38:04 | |
But it was given to me by her father. | 0:38:06 | 0:38:08 | |
It's all I have left of him. | 0:38:11 | 0:38:13 | |
-Honoria, I... -Please, just bury it with her. | 0:38:15 | 0:38:18 | |
She must feel so alone. | 0:38:20 | 0:38:22 | |
This will tell her that she was loved. | 0:38:23 | 0:38:27 | |
Promise me. | 0:38:30 | 0:38:31 | |
FLAME ROARS | 0:38:38 | 0:38:41 | |
RAUCOUS DRUNKEN LAUGHTER | 0:38:52 | 0:38:56 | |
The baby's mother wants this to be with the child. | 0:39:12 | 0:39:15 | |
DRINK SLOSHES | 0:39:29 | 0:39:31 | |
AMELIA'S SCREAMS ECHO | 0:39:33 | 0:39:39 | |
HE WHIMPERS | 0:39:45 | 0:39:47 | |
HE SOBS | 0:39:51 | 0:39:53 | |
It was terrible, the sound of her heart breaking. | 0:39:55 | 0:39:58 | |
It just goes to show, | 0:39:58 | 0:40:00 | |
it don't matter how much money you've got, it don't make you happy. | 0:40:00 | 0:40:03 | |
Well said, Mrs C! | 0:40:03 | 0:40:05 | |
Coal, Ma. | 0:40:05 | 0:40:07 | |
Oh, thanks, darlin'. | 0:40:07 | 0:40:09 | |
Oh, something smells good! | 0:40:09 | 0:40:10 | |
It's a chicken, big as a goose! | 0:40:10 | 0:40:12 | |
Not quite, but there's plenty to go round. | 0:40:12 | 0:40:15 | |
Good day? | 0:40:18 | 0:40:20 | |
It is now. | 0:40:20 | 0:40:21 | |
Happy anniversary. | 0:40:24 | 0:40:25 | |
APPLAUSE | 0:40:25 | 0:40:28 | |
Bob, you shouldn't have! | 0:40:28 | 0:40:30 | |
Commit this to memory, boys, when a woman says, | 0:40:30 | 0:40:33 | |
"You shouldn't have!" What she really means is, | 0:40:33 | 0:40:35 | |
"God help you if you didn't!" ALL LAUGH | 0:40:35 | 0:40:38 | |
It's lovely. | 0:40:38 | 0:40:40 | |
It's got a farthing in it, too. For luck. | 0:40:40 | 0:40:43 | |
Here's yours. | 0:40:43 | 0:40:44 | |
Oh...! | 0:40:46 | 0:40:47 | |
Perfect. ALL CHATTER | 0:40:49 | 0:40:51 | |
I hope as perfect as the last 19 years have been. | 0:40:51 | 0:40:55 | |
I know what you're up to, Mrs Emily Cratchit. | 0:40:59 | 0:41:01 | |
And what might that be? | 0:41:01 | 0:41:03 | |
You want me to carve the chicken! | 0:41:04 | 0:41:06 | |
Caught red-handed! Right everybody, round the table, come on, let's eat. | 0:41:06 | 0:41:10 | |
Can you find some space, Tim? | 0:41:13 | 0:41:15 | |
Nice to have you home. | 0:41:19 | 0:41:22 | |
Ready. | 0:41:22 | 0:41:23 | |
ALL EXCLAIM | 0:41:23 | 0:41:26 | |
APPLAUSE | 0:41:26 | 0:41:29 | |
PIANO PLAYS, LOW CONVERSATION | 0:41:29 | 0:41:33 | |
Not at this time of day, not with my disposition! | 0:41:34 | 0:41:37 | |
What's this? What's this? BULL'S-EYE SLOBBERS | 0:41:39 | 0:41:42 | |
Daisy! Up and get the empties from Mr Pickwick! | 0:41:42 | 0:41:45 | |
My tankard's empty, girl. | 0:41:50 | 0:41:51 | |
So's mine. | 0:41:54 | 0:41:56 | |
You heard me. BULL'S-EYE GROWLS | 0:41:59 | 0:42:02 | |
You know you've always got a home to come back to? | 0:42:09 | 0:42:12 | |
Yeah, but I've got a new home now, Fagin. | 0:42:13 | 0:42:16 | |
Bill Sikes is not an easy man to deal with. | 0:42:17 | 0:42:20 | |
I can handle him, don't you worry. | 0:42:21 | 0:42:23 | |
LAUGHTER AND CHATTER | 0:42:25 | 0:42:28 | |
Mr Bucket! | 0:42:30 | 0:42:31 | |
Mr Venus! May I join you? | 0:42:33 | 0:42:36 | |
Please! | 0:42:36 | 0:42:37 | |
Please. | 0:42:38 | 0:42:40 | |
Good to see you, my friend. | 0:42:40 | 0:42:42 | |
Likewise, Mr Venus, likewise. | 0:42:42 | 0:42:44 | |
Are you just, er, passing through? | 0:42:44 | 0:42:46 | |
In a sense. | 0:42:46 | 0:42:48 | |
Though my visit is convivial, | 0:42:48 | 0:42:50 | |
it is also, in part, of a professional nature. | 0:42:50 | 0:42:54 | |
Two budgies slain with but a single missile, as it were. | 0:42:55 | 0:42:59 | |
You are doing more detectiving? | 0:43:00 | 0:43:02 | |
Indeed I am, Mr Venus. | 0:43:03 | 0:43:06 | |
-My superiors have given me a new case. -Oh! | 0:43:07 | 0:43:09 | |
A man found murdered, | 0:43:11 | 0:43:14 | |
stabbed through the heart | 0:43:14 | 0:43:17 | |
in a room with no windows | 0:43:17 | 0:43:20 | |
and the door firmly closed from the inside! | 0:43:20 | 0:43:23 | |
Tell me more. | 0:43:26 | 0:43:28 | |
Well, it would not be ethically appropriate for me to reveal... | 0:43:29 | 0:43:33 | |
APPLAUSE AND CHATTER | 0:43:33 | 0:43:35 | |
INDISTINCT CONVERSATION | 0:43:43 | 0:43:45 | |
Goodnight, Mr Scrooge! | 0:43:51 | 0:43:53 | |
(Humbug!) | 0:43:53 | 0:43:55 | |
Well, it sounds like a right old do of a wedding, by all accounts, | 0:43:55 | 0:43:59 | |
people screaming and shouting, | 0:43:59 | 0:44:01 | |
and she never even got to the carriage. | 0:44:01 | 0:44:03 | |
Oh, I knew he was trouble, | 0:44:03 | 0:44:05 | |
his eyes were too close together. | 0:44:05 | 0:44:07 | |
How come you never mentioned it before? | 0:44:07 | 0:44:09 | |
Well, I may not have said it. But I thought it. | 0:44:09 | 0:44:13 | |
Hmm, how very astute of you Miss Biggetywitch. | 0:44:13 | 0:44:17 | |
Oh, be quiet, Bumble! | 0:44:17 | 0:44:21 | |
Get me another drink. | 0:44:21 | 0:44:22 | |
Yes, my little love pudding. | 0:44:22 | 0:44:25 | |
HE CHUCKLES AND GRUMBLES | 0:44:25 | 0:44:28 | |
FANNY BELCHES | 0:44:28 | 0:44:30 | |
Your sherry, Mr Bucket. | 0:44:35 | 0:44:37 | |
PIANO INTRODUCTION | 0:44:37 | 0:44:40 | |
CHEERING AND APPLAUSE | 0:44:40 | 0:44:43 | |
# I dreamt I dwelt in marble halls | 0:44:45 | 0:44:54 | |
-# With vassals and serfs at my side -At my side... | 0:44:54 | 0:45:00 | |
# And of all who assembled within those walls | 0:45:01 | 0:45:08 | |
# That I was the hope and the pride | 0:45:08 | 0:45:13 | |
# I had riches all too great to count | 0:45:14 | 0:45:21 | |
# And a high ancestral name | 0:45:21 | 0:45:27 | |
# But I also dreamt which pleased me most | 0:45:27 | 0:45:34 | |
# That you loved me still the same | 0:45:34 | 0:45:39 | |
# That you loved me, you love me still the same | 0:45:39 | 0:45:46 | |
-ALL: -# That you love me, you love me still | 0:45:46 | 0:45:53 | |
# The same | 0:45:53 | 0:46:01 | |
# I dreamt that suitors sought my hand | 0:46:03 | 0:46:10 | |
# That knights upon bended knee | 0:46:10 | 0:46:15 | |
# And with vows no maiden heart could withstand | 0:46:15 | 0:46:22 | |
# They pledged their faith to me | 0:46:22 | 0:46:28 | |
# And I dreamt that one of that noble host | 0:46:28 | 0:46:34 | |
# Came forth my hand to claim | 0:46:34 | 0:46:41 | |
# But I also dreamt which charmed me most | 0:46:41 | 0:46:48 | |
# That you loved me still the same | 0:46:48 | 0:46:53 | |
# That you love me, you love me still the same | 0:46:53 | 0:46:59 | |
# That you love me | 0:46:59 | 0:47:01 | |
# You love me still | 0:47:01 | 0:47:08 | |
# The same. # | 0:47:08 | 0:47:15 | |
CHEERING AND APPLAUSE | 0:47:15 | 0:47:23 | |
CROWD: Aw. | 0:47:24 | 0:47:29 | |
APPLAUSE FADES | 0:47:29 | 0:47:31 | |
CLOCK TICKS | 0:47:35 | 0:47:39 | |
WIND WHISTLES, FLAME GUTTERS | 0:47:47 | 0:47:50 | |
FLAME GUTTERS | 0:47:53 | 0:47:55 | |
GROANING | 0:47:55 | 0:47:57 | |
FIZZING | 0:47:57 | 0:47:58 | |
CHAINS JANGLE, HEAVY SCRAPING | 0:47:59 | 0:48:02 | |
-MARLEY: -Ebenezer... | 0:48:02 | 0:48:03 | |
CHAINS JANGLE, HEAVY SCRAPING | 0:48:03 | 0:48:06 | |
Ebenezer... | 0:48:06 | 0:48:08 | |
JANGLING AND SCRAPING GETS LOUDER | 0:48:08 | 0:48:10 | |
Ebenezer... | 0:48:10 | 0:48:12 | |
STREET BUSTLE, CHATTER | 0:48:12 | 0:48:15 | |
DOG BARKS NEARBY | 0:48:15 | 0:48:18 | |
You hungry? | 0:48:25 | 0:48:26 | |
Got any lodgings? | 0:48:29 | 0:48:31 | |
Money? | 0:48:33 | 0:48:35 | |
Then why you been crying? | 0:48:36 | 0:48:38 | |
I saw a ghost...at the window. | 0:48:39 | 0:48:41 | |
A ghost, eh? | 0:48:43 | 0:48:45 | |
-You'll be needing some lodgings tonight? -Yes, please. | 0:48:45 | 0:48:48 | |
Come on, then. | 0:48:48 | 0:48:50 | |
Jack Dawkins is me name, but people call me the Artful Dodger. | 0:48:58 | 0:49:02 | |
-What's yours? -Oliver. | 0:49:02 | 0:49:04 | |
Oliver, eh? | 0:49:04 | 0:49:06 | |
I know a respectable old gentleman | 0:49:06 | 0:49:07 | |
what'll give you lodgings for nothin'. | 0:49:07 | 0:49:09 | |
And won't ask you for the change - | 0:49:09 | 0:49:11 | |
that is, if any gentleman he knows introduces ya. | 0:49:11 | 0:49:13 | |
ACCORDION PLAYS, LAUGHTER, CHATTER | 0:49:13 | 0:49:16 | |
DOOR SLAMS | 0:49:20 | 0:49:22 | |
ACCORDION PLAYS FAINTLY | 0:49:22 | 0:49:25 | |
MUSIC FADES | 0:49:25 | 0:49:27 |