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Tell me you're not an archaeologist. | 0:00:21 | 0:00:22 | |
Got a problem with archaeologists? | 0:00:22 | 0:00:24 | |
I'm a time-traveller. I point and laugh at archaeologists. | 0:00:24 | 0:00:27 | |
-The Doctor. The hero... -Hold on, hold on! | 0:00:27 | 0:00:30 | |
-..who's humorous... -Who are you? | 0:00:30 | 0:00:32 | |
I am...Spartacus. | 0:00:32 | 0:00:35 | |
-..humble... -Bit of a legend, if I say so myself. | 0:00:35 | 0:00:37 | |
He's a maverick time-traveller, who has selflessly saved the universe for over 900 years. | 0:00:37 | 0:00:43 | |
-Join Doctor Who's Greatest Moments as we find out what makes this Time Lord tick. -Isn't that brilliant? | 0:00:43 | 0:00:49 | |
So hold on to your seats as we journey through time and space to take a closer look at the Doctor. | 0:00:49 | 0:00:55 | |
-The one, the only, the best. -Are we sitting comfortably? | 0:00:55 | 0:00:58 | |
The Doctor is a character that anyone would adore being around. | 0:01:05 | 0:01:11 | |
I'm the Doctor. I'm a Time Lord. | 0:01:11 | 0:01:13 | |
I'm from the planet Gallifrey in the constellation of Kasterborous. | 0:01:13 | 0:01:18 | |
I'm 903 years old. | 0:01:18 | 0:01:21 | |
I'm the man who'll save your lives and all 6 billion people on the planet below. Come with me! | 0:01:21 | 0:01:26 | |
Got a problem with that? Allons-y. | 0:01:26 | 0:01:28 | |
-Aghhhh! -Hold on! | 0:01:28 | 0:01:30 | |
It's the end of the universe. Get out! | 0:01:30 | 0:01:33 | |
Don't I know you? | 0:01:35 | 0:01:37 | |
He has many human qualities for someone who's not a human, and that's interesting. | 0:01:37 | 0:01:42 | |
He makes life fun. | 0:01:43 | 0:01:45 | |
He certainly does. | 0:01:45 | 0:01:47 | |
And being with the Doctor is never dull. | 0:01:47 | 0:01:50 | |
It's a rollercoaster of emotion. | 0:01:50 | 0:01:52 | |
Let me in! | 0:01:52 | 0:01:54 | |
Oh! I'm thick! | 0:01:54 | 0:01:56 | |
Look at me! I'm old and thick! Head's too full of stuff. I need a bigger head! | 0:01:56 | 0:02:01 | |
Run! | 0:02:07 | 0:02:08 | |
This country has been sick. | 0:02:17 | 0:02:20 | |
This country needs healing. | 0:02:20 | 0:02:22 | |
This country needs medicine. | 0:02:22 | 0:02:25 | |
In fact, I'd go so far as to say that what this country really needs...right now... | 0:02:25 | 0:02:31 | |
is a doctor. | 0:02:31 | 0:02:32 | |
Come with me. | 0:02:34 | 0:02:37 | |
The Doctor, whatever he looks like, is not one of us, | 0:02:37 | 0:02:40 | |
and I find that | 0:02:40 | 0:02:42 | |
a fascinating area. | 0:02:42 | 0:02:43 | |
He has very human qualities, and they're very conflicting qualities, | 0:02:43 | 0:02:47 | |
exactly because he isn't human. | 0:02:47 | 0:02:50 | |
My planet's gone. | 0:02:50 | 0:02:52 | |
It's dead. | 0:02:52 | 0:02:54 | |
It burnt, like the Earth. | 0:02:56 | 0:02:58 | |
There was a sense with the ninth Doctor that he was | 0:02:58 | 0:03:01 | |
still feeling the after-effects of war, | 0:03:01 | 0:03:05 | |
and he found life quite hard work, and things cost him quite a lot. | 0:03:05 | 0:03:10 | |
I know where you're from. | 0:03:10 | 0:03:12 | |
It's remarkable that you even exist. | 0:03:12 | 0:03:15 | |
I just wanted to say how sorry I am. | 0:03:15 | 0:03:18 | |
There was a sense that with the regeneration, he was reborn and he could leave some of that behind. | 0:03:18 | 0:03:23 | |
It's a bit dodgy, this process. | 0:03:23 | 0:03:26 | |
You never know what you're gonna end up with. | 0:03:27 | 0:03:30 | |
Possibly more than we expected. | 0:03:30 | 0:03:32 | |
The regeneration from the ninth Doctor to the tenth Doctor, | 0:03:32 | 0:03:36 | |
was a huge risk... | 0:03:36 | 0:03:37 | |
-What's going on? -I absorbed all the energy of the time vortex, and no-one's meant to do that. | 0:03:37 | 0:03:42 | |
Every cell in my body's dying. | 0:03:46 | 0:03:48 | |
..because, although we, as more adults, know what regeneration is, | 0:03:48 | 0:03:54 | |
you had a whole generation who knew nothing about regeneration. | 0:03:54 | 0:03:58 | |
That was a weird sentence. | 0:03:58 | 0:04:00 | |
Time Lords have this little trick. It's sort of a way of cheating death. | 0:04:00 | 0:04:05 | |
It means I'm going to change. | 0:04:05 | 0:04:07 | |
And I'm not going to see you again. | 0:04:09 | 0:04:12 | |
Not like this, not with this daft old face. | 0:04:12 | 0:04:16 | |
It's interesting, cos people say there's no room for development in the character, but clearly there is. | 0:04:16 | 0:04:21 | |
Before I go, I just want to tell you, you were fantastic. | 0:04:21 | 0:04:25 | |
Absolutely fantastic. | 0:04:26 | 0:04:29 | |
And you know what? | 0:04:31 | 0:04:33 | |
So was I. | 0:04:36 | 0:04:38 | |
It's not just between incarnations, where each Doctor has a different personality, | 0:04:38 | 0:04:43 | |
but the idea that the sort of wounded ninth Doctor | 0:04:43 | 0:04:47 | |
has absolutely recovered by the next regeneration. | 0:04:47 | 0:04:51 | |
Talk about making an entrance. | 0:04:53 | 0:04:57 | |
The freshly regenerated Doctor is quite literally a new man. | 0:04:57 | 0:05:01 | |
He was reborn, and he could leave some of that behind, | 0:05:01 | 0:05:04 | |
and he could enjoy being with Rose. | 0:05:04 | 0:05:06 | |
He could enjoy running through the universe and having a laugh. | 0:05:10 | 0:05:13 | |
Travelling with you, I love it. | 0:05:13 | 0:05:16 | |
Me too. Come on! | 0:05:16 | 0:05:19 | |
It was a cacophony of colour, a cacophony of sound. | 0:05:21 | 0:05:25 | |
Oh! They're thick! They're so completely thick, they wiped the records! Oh, that's clever(!) | 0:05:25 | 0:05:32 | |
-There is a great humour to him. -Kill him! | 0:05:32 | 0:05:34 | |
Wait! You can't, not now. | 0:05:34 | 0:05:36 | |
Come on, Max. | 0:05:36 | 0:05:38 | |
You're giving me so much good material, like... how to get AHEAD in business. | 0:05:38 | 0:05:43 | |
Oh, the office joker! | 0:05:43 | 0:05:46 | |
He always needs to question what it is he has to do, and why. | 0:05:46 | 0:05:50 | |
I don't understand. I was expected down here. | 0:05:50 | 0:05:53 | |
You need me for something. What for? | 0:05:53 | 0:05:55 | |
His wonder at the world and wonder at people's stupidity, in a way. | 0:05:55 | 0:06:00 | |
Human beings. You are amazing! Ha! | 0:06:01 | 0:06:07 | |
-Thank you. -Not at all. -Apart from that, you're completely mad. | 0:06:07 | 0:06:13 | |
He's smart, that's the thing. | 0:06:13 | 0:06:16 | |
He's hyper-intelligent, hyper-smart, but never smug, and that's what I like about him. | 0:06:16 | 0:06:21 | |
Preferring to use his brains over brawn... | 0:06:24 | 0:06:28 | |
Sontaran! Hey, fascinating, isn't it? Isn't that worth keeping me alive? | 0:06:28 | 0:06:32 | |
..our time-travelling hero never carries a gun. | 0:06:32 | 0:06:35 | |
I warn you, I'm armed! | 0:06:35 | 0:06:37 | |
-Well, almost never. -Drop your weapons. -We're unarmed. Look, no weapons, never any weapons. | 0:06:37 | 0:06:42 | |
The Doctor avoids violence with wit and charm. | 0:06:42 | 0:06:45 | |
We stare into the face of death. | 0:06:45 | 0:06:48 | |
Yeah? Well, stare at this. | 0:06:48 | 0:06:50 | |
So just like the TARDIS, his brain must be bigger on the inside. | 0:06:50 | 0:06:54 | |
-No, wait! -Oi! Hands! | 0:06:59 | 0:07:03 | |
-Shadow. Look. -What about it? -What's casting it? | 0:07:03 | 0:07:06 | |
The whole of London's been sealed off and the population's been taken inside that place, to be converted. | 0:07:06 | 0:07:14 | |
-We've got to get in and shut it down. -How do we do that? | 0:07:14 | 0:07:16 | |
I'll think of something. | 0:07:16 | 0:07:18 | |
After all these years, you knew who you were. | 0:07:18 | 0:07:21 | |
And then it all kicks off, because this isn't just a duel. | 0:07:21 | 0:07:24 | |
It's a Vespiform telepathic recorder. | 0:07:24 | 0:07:27 | |
I still don't understand where that thing came from. | 0:07:27 | 0:07:30 | |
From dormant genes in Lazarus's DNA. The energy field reactivated them. Nice shoes, by the way. | 0:07:30 | 0:07:35 | |
The Skasis Paradigm. Crack that, you've got control of the building blocks of the universe. | 0:07:35 | 0:07:40 | |
The Wire's got big plans. It's going to harvest half the population. | 0:07:40 | 0:07:44 | |
-Millions and millions of people. Where are we? -Muswell Hill. -Muswell Hill... Muswell Hill! | 0:07:44 | 0:07:49 | |
Which means...Alexandra Palace! Biggest TV transmitter in north London. Oh! | 0:07:49 | 0:07:54 | |
That's why it chose this place. All these things, they're not separate, they're connected! My head! | 0:07:54 | 0:07:59 | |
-What if this house is a trap for you? Is that right, ma'am? -Obviously. | 0:07:59 | 0:08:03 | |
-That's what the wolf intended. What if there's a trap inside the trap? -Enlighten me. | 0:08:03 | 0:08:07 | |
-What, the soothsayer doesn't know? -A seed may float on the breeze in any direction. | 0:08:07 | 0:08:12 | |
-I knew you'd say that. -Explain yourself. | 0:08:12 | 0:08:14 | |
What if his father and your husband weren't telling each other stories? | 0:08:14 | 0:08:18 | |
They dared to imagine all this was true, and they planned against it, laying the real trap not for you, | 0:08:18 | 0:08:23 | |
but for the wolf. | 0:08:23 | 0:08:26 | |
-It's an energy converter. -An energy converter of what? -I don't know. | 0:08:29 | 0:08:33 | |
I love not knowing. Keeps me on my toes. | 0:08:33 | 0:08:36 | |
-Hold on. There are three important, brilliant, complicated reasons why you should listen to me. One. -Doctor! | 0:08:36 | 0:08:43 | |
He's not a soldier, and yet in his own...almost passive way, | 0:08:43 | 0:08:48 | |
he is constantly trying to rid the universe of evil. | 0:08:48 | 0:08:52 | |
Next ghost shift's in two minutes. | 0:08:52 | 0:08:54 | |
-Cancel it. -I don't think so. -I'm warning you, cancel it! | 0:08:54 | 0:08:58 | |
Exactly as the legends would have it - the Doctor lording it over us! | 0:08:58 | 0:09:01 | |
I thought there was a lovely moment there. Dave and I both said it. | 0:09:01 | 0:09:05 | |
It was a moment of... There was an intellectual face-off. | 0:09:05 | 0:09:08 | |
Positions. Ghost shift in one minute. | 0:09:08 | 0:09:10 | |
-Miss Hartman, please don't do it. -We have done this a thousand times. | 0:09:10 | 0:09:14 | |
-Then stop at a thousand! -We're in control of the ghosts. | 0:09:14 | 0:09:17 | |
"You will not order me." "You will not order me." | 0:09:17 | 0:09:20 | |
The levers can open the bridge, but equally, they can close it. | 0:09:20 | 0:09:24 | |
-OK. -Is that it? -No. Fair enough. Don't mind me. Any chance of a cup of tea? | 0:09:26 | 0:09:32 | |
-He almost bends her down with his will... -Can't wait to see it. | 0:09:32 | 0:09:36 | |
-..but she's not going to give in easily. You can't stop us, Doctor. -Watch the fireworks. | 0:09:36 | 0:09:40 | |
-Five, four, three, two... -Stop the shift. | 0:09:40 | 0:09:46 | |
I said, stop. | 0:09:46 | 0:09:48 | |
I thought that was quite a nice little frisson moment of two minds | 0:09:48 | 0:09:53 | |
-really battling it out for supremacy. -Thank you. | 0:09:53 | 0:09:57 | |
Is it PE? Wouldn't mind a kick-around. I've got me daps on. | 0:09:57 | 0:10:01 | |
-I suppose you're the Doctor. -Hello. | 0:10:01 | 0:10:04 | |
What I like about the writing of the first meeting | 0:10:04 | 0:10:06 | |
between the Doctor and Luke | 0:10:06 | 0:10:08 | |
is that Luke doesn't clock on for quite a while | 0:10:08 | 0:10:12 | |
that this guy's equal, of equal intelligence, to him. | 0:10:12 | 0:10:17 | |
Your commanding officer phoned ahead. | 0:10:17 | 0:10:19 | |
I haven't got a commanding officer. | 0:10:19 | 0:10:21 | |
-Have you? -He realises there's something going on here. | 0:10:21 | 0:10:24 | |
Ooh! Gravity simulators. | 0:10:24 | 0:10:27 | |
And this man's quite an intellect. | 0:10:27 | 0:10:30 | |
Terraforming, biospheres, nanotech steel construction. | 0:10:30 | 0:10:35 | |
This is brilliant! | 0:10:35 | 0:10:37 | |
I also quite like the idea that they have this sort of quite catty, queeny fight between them. | 0:10:37 | 0:10:42 | |
Do you know, with equipment like this, you could...ooh, I don't know, move to another planet, or something. | 0:10:42 | 0:10:48 | |
This sort of intellectual... A genius-off between them. | 0:10:48 | 0:10:52 | |
If only that was possible. | 0:10:52 | 0:10:54 | |
I love the conditional clause line. | 0:10:54 | 0:10:56 | |
If only that WERE possible. Conditional clause. | 0:10:56 | 0:10:59 | |
That's brilliant, because it's that sort of pernickety pedantry. | 0:10:59 | 0:11:03 | |
That's who Luke always was at school. The grammar pedant, maybe. | 0:11:03 | 0:11:07 | |
I do that myself! | 0:11:07 | 0:11:09 | |
I was thinking, what a responsible 18-year-old. | 0:11:09 | 0:11:12 | |
Inventing zero-carbon cars... saving the world. | 0:11:12 | 0:11:17 | |
-Takes a man with vision. -Mmm. Blinkered vision. | 0:11:18 | 0:11:21 | |
ATMOS means more people driving. More cars, more petrol. The oil's going to run out faster than ever. | 0:11:21 | 0:11:27 | |
-The ATMOS system could make things worse. -That's a tautology. You can't say "ATMOS system". | 0:11:27 | 0:11:32 | |
Atmospheric Omissions System - so "Atmospheric omissions system system." | 0:11:32 | 0:11:35 | |
Do you see, Mr Conditional Clause? | 0:11:35 | 0:11:36 | |
What a brilliant putdown. I like that, because it shows him reduced to this quite pathetic individual... | 0:11:36 | 0:11:43 | |
It's been a long time since anyone said no to you, isn't it? | 0:11:43 | 0:11:46 | |
..who'll quibble over these tiny, trivial details. | 0:11:46 | 0:11:50 | |
-I'm still right, though. -Not easy, is it, being clever? | 0:11:50 | 0:11:55 | |
But you know, the Doctor doesn't always talk his way out of danger. | 0:12:00 | 0:12:04 | |
There are times when he has no choice but to stand and fight, | 0:12:04 | 0:12:07 | |
and then there are other times when it's best to just run. | 0:12:07 | 0:12:11 | |
SCREAMING | 0:12:16 | 0:12:18 | |
There is a lot of running and jumping and diving around. Run! Run! | 0:12:18 | 0:12:24 | |
There's sword fights... | 0:12:24 | 0:12:26 | |
things exploding... diving down shafts. | 0:12:26 | 0:12:30 | |
Going down. | 0:12:30 | 0:12:31 | |
BOTH SCREAM | 0:12:31 | 0:12:34 | |
I quite enjoy all that. | 0:12:38 | 0:12:39 | |
I'd done quite a lot of sword fighting before. | 0:12:42 | 0:12:44 | |
Classical theatre tends to have a sword fight in it somewhere, so I'd done a few of them. | 0:12:44 | 0:12:49 | |
I challenge you! | 0:12:49 | 0:12:51 | |
LAUGHS | 0:12:51 | 0:12:53 | |
I had endless sword fight rehearsals for those first few weeks, for this huge sword fight, | 0:12:53 | 0:12:58 | |
which in the end was cut down to a couple of minutes on screen. | 0:12:58 | 0:13:02 | |
Look out! | 0:13:02 | 0:13:03 | |
You often fight with little fencing foils, but those big broadswords, that's a different thing. | 0:13:03 | 0:13:10 | |
There was a lot more in that sword fight. | 0:13:13 | 0:13:16 | |
It's good fun. It's part of being in the playground, isn't it? Diving around. | 0:13:19 | 0:13:24 | |
I win. | 0:13:31 | 0:13:32 | |
I've been delighted that the Doctor's got to be as physical as he has been. | 0:13:32 | 0:13:38 | |
As a doctor, I recommend a vigorous jog. Good for the health. | 0:13:38 | 0:13:41 | |
Get inside! | 0:13:41 | 0:13:43 | |
Doctor Who is all about running. And I sort of knew that | 0:13:43 | 0:13:47 | |
before I even read the episode, and thought, "I'm going to have to get fit for this." | 0:13:47 | 0:13:52 | |
-Who is she? -She's my daughter. -Hello, Dad. | 0:13:57 | 0:14:01 | |
But I never anticipated how much running there would be in it. | 0:14:01 | 0:14:04 | |
-What were we saying about running? -It is quite absurd, how every single scene, | 0:14:04 | 0:14:09 | |
they're running to somewhere or from someone or away from something. | 0:14:09 | 0:14:13 | |
But it's brilliant, and that's what Doctor Who should be. | 0:14:17 | 0:14:21 | |
Brilliant! You were brilliant! | 0:14:26 | 0:14:29 | |
Doctor! | 0:14:29 | 0:14:32 | |
HE CHUCKLES | 0:14:32 | 0:14:34 | |
David and I have these coats to deal with. | 0:14:34 | 0:14:37 | |
They're extra long, because they're what we call hero coats. | 0:14:37 | 0:14:41 | |
So when you're running, they flow behind you, | 0:14:41 | 0:14:44 | |
Or when you're standing in the wind, they blow in a certain way. They're made specially for us. | 0:14:44 | 0:14:49 | |
David and I have this little competition | 0:14:49 | 0:14:52 | |
to see who can run the fastest, because I'm older than David. | 0:14:52 | 0:14:55 | |
Is it me, or does that look like a hunt? | 0:14:55 | 0:14:59 | |
So I have this thing that I'm not going to let the young 'un beat me. | 0:14:59 | 0:15:04 | |
Oh, I miss this! | 0:15:04 | 0:15:06 | |
But there's a hierarchy. | 0:15:06 | 0:15:07 | |
Doctor must be in front. | 0:15:07 | 0:15:09 | |
The next in line would be Jack, and then you have the female assistant, | 0:15:09 | 0:15:13 | |
and that is partially because the female can't keep up with David and I. | 0:15:13 | 0:15:18 | |
Dave and I are like, "Come on, we're gonna compete!" | 0:15:18 | 0:15:22 | |
And I've got the canister that has the Doctor's hand in a rucksack on my back. | 0:15:22 | 0:15:28 | |
David's just got the coat. | 0:15:28 | 0:15:29 | |
I've got my coat and the rucksack and the hand, and I'm legging it. | 0:15:29 | 0:15:35 | |
-I'm legging it and finally we get to the end and I'm... -HE GASPS | 0:15:35 | 0:15:39 | |
And David turns to me and goes, "Having a bit of trouble, old man?" | 0:15:41 | 0:15:46 | |
And Freema's running behind going, "Can you guys wait up, please?" | 0:15:46 | 0:15:51 | |
So yeah, running is a big thing. | 0:15:51 | 0:15:53 | |
Have pity! Moisturise me! Oh, Doctor! | 0:16:04 | 0:16:09 | |
-Help her. -Everything has its time, and everything dies. | 0:16:09 | 0:16:15 | |
I'm...too...young! | 0:16:15 | 0:16:19 | |
He's a Time Lord with limits, but he'll always give his foes one final chance to quit. | 0:16:21 | 0:16:28 | |
Fascinating. | 0:16:28 | 0:16:30 | |
Your people were peaceful to the point of indolence. | 0:16:30 | 0:16:35 | |
You seem to be something new. | 0:16:35 | 0:16:38 | |
Would you declare war on us, Doctor? | 0:16:38 | 0:16:41 | |
I'm so old now. | 0:16:41 | 0:16:43 | |
I used to have so much mercy. | 0:16:44 | 0:16:47 | |
You get one warning. | 0:16:49 | 0:16:52 | |
That was it. | 0:16:52 | 0:16:53 | |
"No second chances" is one of his earliest lines. "No second chances. I'm that sort of man." | 0:16:58 | 0:17:03 | |
Aaagh! | 0:17:03 | 0:17:07 | |
No second chances. | 0:17:07 | 0:17:09 | |
-I'm that sort of a man. -And what a man. | 0:17:09 | 0:17:11 | |
He single-handedly defeats the savage Sycorax, | 0:17:11 | 0:17:14 | |
and brings the Prime Minister back down to Earth with a bump. | 0:17:14 | 0:17:18 | |
By the ancient rites of combat, I forbid you to scavenge here for the rest of time. | 0:17:18 | 0:17:23 | |
When you talk of the Earth, | 0:17:23 | 0:17:26 | |
it is defended. | 0:17:26 | 0:17:30 | |
The first thing I shot was the scene at the end. | 0:17:31 | 0:17:35 | |
"Don't you think she looks tired?" That scene, where I condemn Harriet Jones to a life on the backbenches. | 0:17:35 | 0:17:41 | |
Harriet Jones, Prime Minister. | 0:17:41 | 0:17:43 | |
HE SPEAKS SYCORAXIC | 0:17:43 | 0:17:45 | |
-Yes, we know who you are. -'90% of the time, we do see this quirky,' | 0:17:45 | 0:17:49 | |
full of energy, happy guy... | 0:17:49 | 0:17:54 | |
Did you miss me? | 0:17:54 | 0:17:56 | |
..who's just up for everything, and it's all perfectly positive. | 0:17:56 | 0:17:59 | |
You left me! I had all the food! | 0:17:59 | 0:18:03 | |
Tell them to fire. | 0:18:05 | 0:18:06 | |
-That was murder. -We forget, sometimes, that he is an alien. | 0:18:17 | 0:18:20 | |
-That was defence. -But they were leaving. | 0:18:20 | 0:18:22 | |
We have to defend ourselves. | 0:18:22 | 0:18:24 | |
I should have told them to run as fast as they can. | 0:18:24 | 0:18:27 | |
Run and hide, because the monsters are coming. The human race. | 0:18:27 | 0:18:31 | |
Those are the people I represent. I did it on their behalf. | 0:18:31 | 0:18:34 | |
-I should've stopped you. -What you see isn't just what you get. | 0:18:34 | 0:18:36 | |
-I could bring down your government with a single word. -I don't think you're capable of that. | 0:18:36 | 0:18:41 | |
You're right. Not a single word. | 0:18:41 | 0:18:43 | |
-Just six. -I don't think so. | 0:18:46 | 0:18:49 | |
Don't you think she looks tired? | 0:18:56 | 0:18:58 | |
When suddenly confronted with a different moral code, | 0:18:58 | 0:19:02 | |
or the sacrifice of someone like Harriet Jones in The Christmas Invasion, | 0:19:02 | 0:19:07 | |
who we have completely loved as an ally, | 0:19:07 | 0:19:10 | |
and suddenly she makes a very human...political, pragmatic decision, | 0:19:10 | 0:19:16 | |
and the Doctor just cuts her dead. | 0:19:16 | 0:19:18 | |
-What did he say? -Nothing, really. -What did he say! -Nothing. I don't know... -Doctor! | 0:19:18 | 0:19:23 | |
Doctor, what did you... What did he say? | 0:19:23 | 0:19:26 | |
I thought that was fantastic, and rather chilling, especially at Christmas! | 0:19:26 | 0:19:30 | |
But how do you travel in time? What makes it go? | 0:19:41 | 0:19:44 | |
Oh, let's take the fun and mystery out of everything. You don't want to know, it just does. Hold on tight! | 0:19:44 | 0:19:50 | |
The TARDIS is a somewhat temperamental time machine, | 0:19:50 | 0:19:53 | |
so the Doctor often has terrible trouble knowing when, or where, he'll end up. | 0:19:53 | 0:19:58 | |
Martha, have you met my friend? | 0:19:58 | 0:20:00 | |
I wonder what year it is. | 0:20:00 | 0:20:02 | |
-The Empire State Building's not finished yet. -Work in progress. Still got a couple of floors to go. | 0:20:02 | 0:20:08 | |
-If I know my history, that makes the date... -November 1st, 1930. | 0:20:08 | 0:20:12 | |
You're good at this. | 0:20:12 | 0:20:14 | |
-I got the flight wrong. -I don't care. | 0:20:16 | 0:20:19 | |
It's not 1860, it's 1869. | 0:20:19 | 0:20:22 | |
-I don't care. -And it's not Naples. -I don't care. | 0:20:22 | 0:20:25 | |
One of the great things about this show is that it can be anywhere and any when. | 0:20:25 | 0:20:30 | |
You don't know what's coming, cos there's time travel, which is this wonderful storytelling device. | 0:20:31 | 0:20:37 | |
Travels in the TARDIS very rarely go smoothly, | 0:20:42 | 0:20:45 | |
and this voyage to Victorian London was no different, except that here the trouble is a double. | 0:20:45 | 0:20:51 | |
-You there, boy, what day is this? -1851, sir. | 0:20:51 | 0:20:54 | |
Right. Nice year. Bit dull. | 0:20:54 | 0:20:57 | |
-Doctor! -> | 0:20:57 | 0:20:58 | |
-Doctor! -> | 0:20:59 | 0:21:01 | |
Who, me? | 0:21:01 | 0:21:04 | |
Don't worry! Stand back. What have we got here? | 0:21:04 | 0:21:07 | |
-Ooh. -Don't worry, stand back! What have we got here? | 0:21:07 | 0:21:11 | |
-Hold on, who are you? -I'm the Doctor. | 0:21:11 | 0:21:13 | |
He arrives in London and meets another Doctor who's lost his partner | 0:21:13 | 0:21:17 | |
in a tragic way. So there's a kindred there. | 0:21:17 | 0:21:20 | |
If you could stand back, sir, this is a job for a Time Lord. | 0:21:20 | 0:21:24 | |
For a what Lord? | 0:21:24 | 0:21:25 | |
There's lots of reasons why it would be quite comforting | 0:21:25 | 0:21:29 | |
to meet someone who can empathise with his experience. | 0:21:29 | 0:21:34 | |
I've heard all about you, Doctor. Bit of a legend, if I say so myself. | 0:21:34 | 0:21:38 | |
Modesty forbids me to agree with you, sir, but yes, I am. | 0:21:38 | 0:21:43 | |
A legend with...certain memories missing, am I right? | 0:21:43 | 0:21:47 | |
-How do you know that? -You've forgotten me. | 0:21:47 | 0:21:50 | |
JL. The watch is Jackson Lake's. | 0:21:59 | 0:22:02 | |
-But I'm the Doctor. -You became the Doctor, | 0:22:02 | 0:22:05 | |
because the infostamp you picked up was a book about one particular man. | 0:22:05 | 0:22:12 | |
That's you. | 0:22:12 | 0:22:14 | |
Time Lord, TARDIS, enemy of the Cybermen. | 0:22:14 | 0:22:18 | |
The one and the only. | 0:22:18 | 0:22:20 | |
'He was a man who'd gone through terrible trauma,' | 0:22:20 | 0:22:24 | |
who'd lost his wife and lost his child, lost his memory. | 0:22:24 | 0:22:29 | |
See, the infostamp streamed all that information about me right inside your head. | 0:22:29 | 0:22:37 | |
He was living in a fusion of pain, really, | 0:22:47 | 0:22:52 | |
that Doctor Who was able to sort of ease him out of. | 0:22:52 | 0:22:56 | |
What you suffered is called a fugue. | 0:22:56 | 0:22:59 | |
A fugue state - | 0:23:00 | 0:23:02 | |
where the mind just runs away because it can't bear to look back. | 0:23:02 | 0:23:06 | |
You wanted to become someone else... | 0:23:09 | 0:23:13 | |
because Jackson Lake had lost so much. | 0:23:13 | 0:23:16 | |
He's slightly a broken person within that episode, | 0:23:16 | 0:23:20 | |
'so it's about them both dealing with their past and their loss.' | 0:23:20 | 0:23:24 | |
I killed her! | 0:23:24 | 0:23:26 | |
'The Doctor's interference with him' | 0:23:26 | 0:23:29 | |
means that he's able to move on and grow and be a father | 0:23:29 | 0:23:32 | |
and possibly have a relationship with his companion. | 0:23:32 | 0:23:36 | |
All those facts and figures I saw of the Doctor's life, you were never alone. | 0:23:36 | 0:23:40 | |
All those bright and shining companions... | 0:23:40 | 0:23:43 | |
But not any more? | 0:23:43 | 0:23:45 | |
No. | 0:23:45 | 0:23:47 | |
Might I ask why not? | 0:23:47 | 0:23:48 | |
They leave. | 0:23:48 | 0:23:50 | |
Because they should, or they find someone else. | 0:23:52 | 0:23:54 | |
And some of them, some of them...forget me. | 0:23:56 | 0:24:01 | |
I suppose in the end... | 0:24:02 | 0:24:04 | |
..they break my heart. | 0:24:10 | 0:24:13 | |
Jackson Lake catches the Doctor, | 0:24:17 | 0:24:20 | |
and he can see that he's slightly bluffing, he's full of bravado, and he has to go. | 0:24:20 | 0:24:25 | |
I take it this is goodbye? | 0:24:25 | 0:24:27 | |
Onwards and upwards. | 0:24:27 | 0:24:29 | |
He sees something in this man that he needs to have, particularly on Christmas Day, | 0:24:29 | 0:24:33 | |
he needs companionship. | 0:24:33 | 0:24:35 | |
That offer of Christmas dinner. | 0:24:35 | 0:24:37 | |
It's no longer a request, it's a demand. | 0:24:37 | 0:24:39 | |
In memory of those we've lost. | 0:24:41 | 0:24:43 | |
Oh, go on, then. | 0:24:46 | 0:24:48 | |
-Really? -Just this once, you've actually gone and changed my mind. | 0:24:48 | 0:24:53 | |
Not many people can do that. | 0:24:53 | 0:24:54 | |
Jackson, if anyone had to be the Doctor, I'm glad it was you. | 0:24:54 | 0:24:59 | |
For me, it's the scene of the show. | 0:24:59 | 0:25:01 | |
The feast awaits. Come with me. | 0:25:01 | 0:25:04 | |
-Walk this way. -I certainly will. | 0:25:04 | 0:25:06 | |
It's a scene about the whole series. | 0:25:06 | 0:25:09 | |
So it was very, very moving, I thought. | 0:25:09 | 0:25:12 | |
People don't understand time. | 0:25:20 | 0:25:22 | |
-It's not what you think it is. -Then what is it? -Complicated. | 0:25:22 | 0:25:26 | |
Now and again, it's interesting to look | 0:25:26 | 0:25:28 | |
more objectively at what being a traveller in time means... | 0:25:28 | 0:25:31 | |
People assume that time is a strict progression of cause to effect, but actually, from a non-linear, | 0:25:31 | 0:25:36 | |
non-subjective viewpoint, it's more like a big ball of wibbly-wobbly, timey-wimey...stuff. | 0:25:36 | 0:25:43 | |
..and why that would make your life very complicated | 0:25:43 | 0:25:46 | |
and why that would give you some very difficult moral decisions. | 0:25:46 | 0:25:51 | |
There's always a problem with any story involving time travel as to establishing what the rules are. | 0:25:54 | 0:26:00 | |
Because if the Doctor can travel back and forth in time, | 0:26:00 | 0:26:03 | |
you know, at will, | 0:26:03 | 0:26:05 | |
then if he does something in 1942, how does that affect things in 2006? | 0:26:05 | 0:26:10 | |
You know, you have to establish some ground rules. | 0:26:10 | 0:26:15 | |
But on a time trip to meet her father, the temptation to save his life proves too much for Rose. | 0:26:15 | 0:26:22 | |
-God, this is it. -This is the last time we can be here. | 0:26:22 | 0:26:25 | |
Rose, no! | 0:26:27 | 0:26:28 | |
ENGINE REVS | 0:26:28 | 0:26:30 | |
-I saved your life! -The Doctor's always said you mustn't interfere with history. | 0:26:36 | 0:26:41 | |
So it's OK when YOU go to other times and you save people's lives, but not me saving my dad? | 0:26:41 | 0:26:46 | |
I know what I'm doing, you don't. | 0:26:46 | 0:26:48 | |
-But he's alive! -My entire planet died. My whole family. | 0:26:48 | 0:26:51 | |
-Do you think it never occurred to me to go back and save them? -It's not like I've changed history. | 0:26:51 | 0:26:56 | |
There's a man alive in the world who wasn't alive before. That's the most important thing in creation. | 0:26:56 | 0:27:01 | |
The whole world's different because he is alive. | 0:27:01 | 0:27:05 | |
As rule-breaking Rose realises, meddling with time has its consequences. | 0:27:05 | 0:27:09 | |
Time's been damaged, and they've come to sterilise the wound... by consuming everything inside. | 0:27:10 | 0:27:17 | |
But going by the book doesn't have to be boring. | 0:27:17 | 0:27:20 | |
There's still time and space for a bit of fun. | 0:27:20 | 0:27:22 | |
-I can travel in time. -Get out of here. -I'll prove it. | 0:27:22 | 0:27:26 | |
I quite like the slight nuancing of that role we've done in recent years | 0:27:31 | 0:27:38 | |
by saying that there are fixed points in time, and there are fluid moments in time. | 0:27:38 | 0:27:41 | |
Like so. | 0:27:41 | 0:27:44 | |
See? | 0:27:44 | 0:27:46 | |
A Time Lord or a time-sensitive is aware of when you can fiddle and when you can't. | 0:27:46 | 0:27:52 | |
-Told you. -That was this morning. | 0:27:53 | 0:27:56 | |
But...did you...oh, my God! You can travel in time! | 0:27:56 | 0:28:00 | |
But if you could see me this morning, why didn't you tell me not to go into work? | 0:28:00 | 0:28:05 | |
Crossing into established events is strictly forbidden, | 0:28:05 | 0:28:09 | |
except for cheap tricks. | 0:28:09 | 0:28:10 | |
There are strict guidelines in terms of what you can and can't do, | 0:28:10 | 0:28:15 | |
and I think the Doctor's always aware of that, so he can guide the companion. | 0:28:15 | 0:28:19 | |
Are we safe? I mean, can we move around and stuff? | 0:28:19 | 0:28:22 | |
Course we can. Why do you ask? | 0:28:22 | 0:28:23 | |
It's like in the films. You step on a butterfly, you change the future of the human race. | 0:28:23 | 0:28:27 | |
Don't...step on any butterflies. What have butterflies ever done to you? | 0:28:27 | 0:28:32 | |
You kind of think, OK, maybe you don't have to tiptoe so much around things. | 0:28:32 | 0:28:36 | |
You can go and talk to people and touch people, and you won't spread the flu or whatever. | 0:28:36 | 0:28:41 | |
What if...I don't know, what if I kill my grandfather? | 0:28:41 | 0:28:44 | |
-Are you planning to? -No! -Well, then. | 0:28:44 | 0:28:47 | |
And of course, part of the role of the Doctor's travelling companions | 0:28:47 | 0:28:51 | |
has always been to challenge that. | 0:28:51 | 0:28:54 | |
Where is everything? | 0:28:54 | 0:28:56 | |
Try this way. | 0:28:56 | 0:28:58 | |
'If you can set a story within something that's part of all our cultural historical knowledge,' | 0:28:58 | 0:29:04 | |
something like the Pompeii story... We're in Pompeii. | 0:29:04 | 0:29:07 | |
And it's volcano day. | 0:29:07 | 0:29:09 | |
It's a wonderful, extraordinary story anyway. | 0:29:09 | 0:29:13 | |
The TARDIS has gone. | 0:29:13 | 0:29:14 | |
Excuse me. | 0:29:14 | 0:29:16 | |
There was a box. Big blue wooden box just over there. Where's it gone? | 0:29:16 | 0:29:20 | |
Sold it, didn't I? | 0:29:20 | 0:29:21 | |
It lends itself to the extraordinary world of the Doctor. | 0:29:21 | 0:29:25 | |
Positions! | 0:29:25 | 0:29:27 | |
And it's up Pompeii where the question of time-travelling ethics really erupts. | 0:29:27 | 0:29:33 | |
There you go. | 0:29:33 | 0:29:35 | |
Thank you, kind sir. | 0:29:35 | 0:29:37 | |
-I'm a marble inspector. -By the gods of commerce, an inspection! -Nothing to worry about. | 0:29:37 | 0:29:42 | |
I'm sure you've got nothing to hide although, frankly, | 0:29:42 | 0:29:45 | |
-that object looks like wood to me. -I told you to get rid of it. -I only bought it today. | 0:29:45 | 0:29:51 | |
What do you do in old Pompeii, then, girls your age? You got mates? | 0:29:51 | 0:29:56 | |
Do you hang around the shops? | 0:29:56 | 0:29:58 | |
TK Maxx-imus? | 0:29:58 | 0:30:00 | |
The destruction of Pompeii was a fixed point in time... | 0:30:00 | 0:30:03 | |
..and that allows this wonderful scene where Donna | 0:30:10 | 0:30:14 | |
insists that they save somebody, and the Doctor insists that they can't. | 0:30:14 | 0:30:18 | |
God save us, Doctor! | 0:30:20 | 0:30:22 | |
No! | 0:30:26 | 0:30:28 | |
Doctor, you can't! | 0:30:30 | 0:30:32 | |
You can't just leave them! | 0:30:36 | 0:30:38 | |
History's back in place, and everyone dies. | 0:30:38 | 0:30:41 | |
You've got to go back. Doctor, I'm telling you, take this thing back! | 0:30:41 | 0:30:46 | |
-It's not fair. -No, it's not. | 0:30:50 | 0:30:53 | |
To be fair, the Doctor always warned Donna off. | 0:30:53 | 0:30:56 | |
He always said, "It's not gonna be a barrel of laughs," and she chose to come anyway. | 0:30:56 | 0:31:03 | |
But at the same time, our humanity acts as a check for the Doctor. | 0:31:03 | 0:31:07 | |
But your own planet... | 0:31:07 | 0:31:10 | |
It burnt. | 0:31:10 | 0:31:11 | |
That's just it. Don't you see, Donna? Can't you understand? | 0:31:13 | 0:31:16 | |
If I could go back and save them, I would, but I can't. | 0:31:16 | 0:31:20 | |
I can never go back. | 0:31:22 | 0:31:24 | |
I can't. I just can't. I can't. | 0:31:24 | 0:31:26 | |
Just someone. | 0:31:26 | 0:31:29 | |
Please. | 0:31:29 | 0:31:31 | |
Not the whole town. Just save someone. | 0:31:33 | 0:31:38 | |
Come with me. | 0:31:51 | 0:31:53 | |
That breaks the rules. That's not what a Time Lord's allowed to do, or anyone is allowed to do. | 0:32:10 | 0:32:14 | |
Who are you, Doctor, | 0:32:14 | 0:32:16 | |
with your words, and your temple containing such size within? | 0:32:16 | 0:32:21 | |
Oh, I was never here. | 0:32:21 | 0:32:23 | |
Don't tell anyone. | 0:32:23 | 0:32:25 | |
Of course, you can never accuse the Doctor of being stuck in the past. | 0:32:35 | 0:32:39 | |
Some of his amazing adventures actually mean he's way ahead of his time. | 0:32:39 | 0:32:44 | |
It's the year 5,000,000,023. This is New Earth. | 0:32:51 | 0:32:55 | |
One of the wonderful things about Who is the fact | 0:32:55 | 0:33:01 | |
that you time-travel, | 0:33:01 | 0:33:02 | |
the fact that you have the TARDIS, and you can go to any time period, any planet, any galaxy. | 0:33:02 | 0:33:09 | |
'Shuttles five and six, now docking'. | 0:33:09 | 0:33:12 | |
-Any spaceship. -'51st century.' | 0:33:14 | 0:33:16 | |
Dagmar Cluster - you're a long way from home, Mickey. | 0:33:16 | 0:33:20 | |
50,000 light years from your old world, and we're in NEW New York. | 0:33:20 | 0:33:24 | |
Sapphire waterfall. A waterfall made of sapphires. | 0:33:24 | 0:33:27 | |
This enormous jewel the size of a glacier | 0:33:27 | 0:33:29 | |
reaches the Cliffs of Oblivion and shatters into sapphires. They fall 100,000 feet into a crystal ravine. | 0:33:29 | 0:33:35 | |
-Bet you say that to all the girls. -Come on! They're boarding now. | 0:33:35 | 0:33:39 | |
It's no fun if I see it on my own. | 0:33:39 | 0:33:42 | |
-I'll let the Doctor describe it. -The fourth great and bountiful human empire. | 0:33:42 | 0:33:46 | |
And there it is, Planet Earth at its height. | 0:33:46 | 0:33:49 | |
He's your boyfriend. | 0:33:51 | 0:33:53 | |
Not any more. | 0:33:53 | 0:33:55 | |
'..and the driving should be clear and easy, with 15 extra lanes open for the New New Jersey Expressway'. | 0:34:00 | 0:34:07 | |
That's more like it. | 0:34:07 | 0:34:08 | |
That's the view we had last time. This is the lower levels. | 0:34:08 | 0:34:11 | |
Because it can be anywhere and because of the scope | 0:34:11 | 0:34:15 | |
for storytelling that we're afforded by the show, it's so exciting to come across each new story each time. | 0:34:15 | 0:34:21 | |
But it's by going back in time that gives The Doctor | 0:34:28 | 0:34:32 | |
a chance to meet some of his heroes. | 0:34:32 | 0:34:34 | |
There would be many perks of time travel, but I | 0:34:34 | 0:34:37 | |
dare say that one of them would be, um, meeting people from the past. | 0:34:37 | 0:34:42 | |
It's funny, because when I've been asked "If you had a time machine, | 0:34:47 | 0:34:51 | |
"where would you go?", | 0:34:51 | 0:34:53 | |
I and a lot of people that I've asked tend to say backwards. | 0:34:53 | 0:34:57 | |
Charles II? Henry VIII? I know, what about Agatha Christie? | 0:34:57 | 0:35:00 | |
I'd love to meet Agatha Christie. I bet she's brilliant. | 0:35:00 | 0:35:03 | |
To put the Doctor alongside some of these extraordinary | 0:35:03 | 0:35:06 | |
characters from Earth's own history, it's too good an opportunity to miss. | 0:35:06 | 0:35:11 | |
-Agatha Christie. -Agatha Christie! | 0:35:11 | 0:35:13 | |
Talking about you the other day. I said "I bet she's brilliant". I'm the Doctor. This is Donna. | 0:35:13 | 0:35:18 | |
I love your stuff. What a mind! | 0:35:18 | 0:35:20 | |
You fool me every time. Well, almost every time. | 0:35:20 | 0:35:23 | |
Well, once or twice. | 0:35:23 | 0:35:25 | |
Well, once. But it was a good one. | 0:35:25 | 0:35:28 | |
If you could go anywhere, not so many people say "I'd go forwards". | 0:35:28 | 0:35:31 | |
You want to go back, cos you kind of want to experience things that you know about, | 0:35:31 | 0:35:37 | |
but first hand. | 0:35:37 | 0:35:38 | |
Might I introduce Her Majesty, Queen Victoria, Empress of India and Defender of the Faith. | 0:35:38 | 0:35:44 | |
It makes sense somehow to put the Doctor into those worlds, and see how he reacts. | 0:35:44 | 0:35:49 | |
I dub thee Sir Doctor of TARDIS. | 0:35:49 | 0:35:52 | |
And because the Doctor's, you might say, an arrogant fellow at times, | 0:35:52 | 0:35:58 | |
there's something thrilling about seeing him meet one of his heroes. | 0:35:58 | 0:36:02 | |
Oi, you! Follow that hearse! | 0:36:02 | 0:36:04 | |
-You can't do that, sir! -Why not? | 0:36:04 | 0:36:07 | |
I'll give you a very good reason why not - because this is my coach! | 0:36:07 | 0:36:10 | |
Get in, then! | 0:36:10 | 0:36:12 | |
Move! | 0:36:12 | 0:36:14 | |
-You're losing them! -Everything in order, Mr Dickens? | 0:36:16 | 0:36:19 | |
-No, it is not. -What did he say? | 0:36:19 | 0:36:21 | |
Let me say, I'm not without a sense of humour... | 0:36:21 | 0:36:24 | |
-Dickens? -Yes. -Charles Dickens? -Yes. -The Charles Dickens? | 0:36:24 | 0:36:28 | |
-Should I remove the gentleman? -Charles Dickens! | 0:36:28 | 0:36:31 | |
You're brilliant, you are! 100% brilliant. I've read 'em all. | 0:36:31 | 0:36:34 | |
-Great Expectations, Oliver Twist, and what's the one with the ghost? -Christmas Carol? | 0:36:34 | 0:36:39 | |
No, the one with the trains. | 0:36:39 | 0:36:41 | |
The Signalman. Terrifying. The best short story ever written. | 0:36:41 | 0:36:44 | |
-You're a genius! -You want me to get rid of him? | 0:36:44 | 0:36:46 | |
No, I think he can stay. | 0:36:46 | 0:36:49 | |
Oh, yes! The Globe Theatre. | 0:36:49 | 0:36:52 | |
-Is Shakespeare in there? -Oh, yes. | 0:36:52 | 0:36:55 | |
Ms Jones, will you accompany me to the theatre? | 0:36:55 | 0:36:57 | |
Mr Smith, I will! | 0:36:57 | 0:36:59 | |
In Elizabethan England, the globe-trotting Doctor | 0:36:59 | 0:37:03 | |
finds out first-hand just how difficult Shakespeare can be. | 0:37:03 | 0:37:06 | |
Hello. Excuse me. | 0:37:06 | 0:37:08 | |
-Not interrupting, am I? Mr Shakespeare, isn't it? -Oh, no. | 0:37:08 | 0:37:11 | |
No, no, who let you in? No autographs. | 0:37:11 | 0:37:14 | |
No, you can't have yourself sketched with me, and please don't ask where I get my ideas from. | 0:37:14 | 0:37:19 | |
Thanks for the interest. Now be a good boy and shove... | 0:37:19 | 0:37:23 | |
Hey, nonny, nonny! | 0:37:23 | 0:37:25 | |
To be or not to be. | 0:37:25 | 0:37:27 | |
Oh. That's quite good. | 0:37:27 | 0:37:29 | |
You should write that down. | 0:37:29 | 0:37:31 | |
I must work. | 0:37:31 | 0:37:32 | |
I have a play to complete. | 0:37:32 | 0:37:34 | |
All the world's a stage. | 0:37:34 | 0:37:36 | |
Hmm. I might use that. | 0:37:36 | 0:37:39 | |
-Rage, rage, against the dying of the light. -I might use that. | 0:37:39 | 0:37:43 | |
You can't, it's someone else's. | 0:37:43 | 0:37:45 | |
-Good luck, Doctor. -Good luck, Shakespeare. | 0:37:45 | 0:37:48 | |
-Once more unto the breach! -I like that! | 0:37:48 | 0:37:50 | |
Wait a minute, that's one of mine. | 0:37:50 | 0:37:52 | |
If you're going to tell a story about a playwright's words being hijacked by an alien species... | 0:37:52 | 0:37:59 | |
Speed the words...to writer's hand. | 0:37:59 | 0:38:05 | |
Then you might as well make that playwright the most famous playwright that's ever lived. | 0:38:05 | 0:38:10 | |
The witches have had their wicked way, and our wordsmith Will is completely under their spell. | 0:38:12 | 0:38:18 | |
Love's Labour's Won. I don't think much of sequels, never as good as the original. | 0:38:18 | 0:38:22 | |
Have you seen this last bit? Must have been dozing off when he wrote that. Dunno what it means. | 0:38:22 | 0:38:27 | |
Love's Labour's Won. | 0:38:27 | 0:38:28 | |
There's evidence to suggest there's a play by Shakespeare called that. | 0:38:28 | 0:38:32 | |
I'm sorry, but stop. | 0:38:32 | 0:38:33 | |
This performance must end immediately. | 0:38:33 | 0:38:37 | |
-Oh, everyone's a critic. -The wordsmith! -Fear not. | 0:38:37 | 0:38:41 | |
I have the doll. | 0:38:41 | 0:38:42 | |
This play must not be performed. | 0:38:42 | 0:38:45 | |
You could argue that that's really Much Ado About Nothing, or it | 0:38:48 | 0:38:53 | |
never really existed or...but you know...you could also argue | 0:38:53 | 0:38:58 | |
that there was a play called Love's Labour's Won, and it got sucked up into the heavens by the Carrionites | 0:38:58 | 0:39:04 | |
-being trapped between dimensions. -They come. | 0:39:04 | 0:39:07 | |
They come! | 0:39:07 | 0:39:09 | |
And here's proof, if needed, that the pen really is mightier. | 0:39:09 | 0:39:13 | |
The shape of the Globe gives words power, but you're the wordsmith, | 0:39:13 | 0:39:17 | |
-the one true genius, the only man clever enough to do it! -What words? I have none ready. -You're Shakespeare! | 0:39:17 | 0:39:22 | |
I think it's more fun to believe that, isn't it? | 0:39:24 | 0:39:26 | |
Words of power! | 0:39:26 | 0:39:28 | |
Foul Carrionite spectres, cease your show! | 0:39:28 | 0:39:31 | |
Between the points... | 0:39:31 | 0:39:34 | |
761390! | 0:39:34 | 0:39:36 | |
761390! | 0:39:36 | 0:39:38 | |
Vanish like a tinker's cuss, I say to thee... | 0:39:38 | 0:39:44 | |
-Expelliarmus! -Expelliarmus! -Expelliarmus! | 0:39:44 | 0:39:47 | |
Good old JK! | 0:39:47 | 0:39:49 | |
Love's Labour's Won. There it goes. | 0:39:55 | 0:39:59 | |
I mean, Shakespeare. | 0:40:09 | 0:40:11 | |
To get to meet him...I would have loved to have done that! | 0:40:11 | 0:40:16 | |
Look sharp, we have guests. | 0:40:16 | 0:40:18 | |
Next, another novel idea. | 0:40:20 | 0:40:22 | |
The Doctor and Donna find themselves at a 1930s dinner party, where they encounter a mystery author. | 0:40:22 | 0:40:30 | |
I say, what are you doing with that lead piping? | 0:40:30 | 0:40:34 | |
But that's impossible. No! | 0:40:34 | 0:40:37 | |
Murder, murder! | 0:40:37 | 0:40:39 | |
Oh, my goodness! | 0:40:43 | 0:40:45 | |
Bashed on the head. Blunt instrument. | 0:40:45 | 0:40:48 | |
Somebody is picking off | 0:40:48 | 0:40:50 | |
all the friends and staff in the mansion, and we don't know who. | 0:40:50 | 0:40:55 | |
Agatha and I will question the suspects. You search the bedrooms. | 0:40:55 | 0:40:58 | |
-Look for clues (any more residue). You'll need this. -Is that for real? | 0:40:58 | 0:41:02 | |
Go on. You're ever so plucky. | 0:41:02 | 0:41:04 | |
Right, then. Solving a murder mystery with Agatha Christie, brilliant! | 0:41:06 | 0:41:10 | |
Aaagh! I've been poisoned. | 0:41:11 | 0:41:14 | |
What do we do? | 0:41:14 | 0:41:16 | |
-What do we do? -Bitter almonds. | 0:41:16 | 0:41:19 | |
It's cyanide. Sparkling cyanide! | 0:41:19 | 0:41:21 | |
My overriding memory is that David had to | 0:41:23 | 0:41:28 | |
eat an awful lot of nuts, and drink an awful lot of flat ginger ale. | 0:41:28 | 0:41:32 | |
Ginger beer. | 0:41:32 | 0:41:34 | |
-I beg your pardon? I need ginger beer! -The gentleman's gone mad! | 0:41:34 | 0:41:38 | |
I'm an expert in poisons, Doctor! | 0:41:38 | 0:41:40 | |
There's no cure. It's fatal! | 0:41:40 | 0:41:42 | |
Not for me! I can stimulate the inhibited enzymes into reverse. | 0:41:42 | 0:41:46 | |
I need protein! | 0:41:46 | 0:41:48 | |
-Walnuts? -Brilliant. | 0:41:48 | 0:41:51 | |
I can't understand! How many words? | 0:41:53 | 0:41:55 | |
One word. | 0:41:55 | 0:41:56 | |
Shake, milk, shake, milk! | 0:41:56 | 0:41:59 | |
No, not milk. Shake, shake, cocktail shaker! | 0:41:59 | 0:42:02 | |
-You want a Harvey Wallbanger? -Harvey Wallbanger! | 0:42:02 | 0:42:05 | |
-Well, I don't know! -How is Harvey Wallbanger one word? | 0:42:05 | 0:42:08 | |
-What do need, Doctor? -Salt! | 0:42:08 | 0:42:10 | |
I was miming salt! I need something salty! | 0:42:10 | 0:42:12 | |
What about this? | 0:42:12 | 0:42:14 | |
-What is it? -Salt. -That's too salty. | 0:42:14 | 0:42:16 | |
-Oh, that's too salty. -What about this? | 0:42:16 | 0:42:18 | |
-What's that? -Anchovies. | 0:42:18 | 0:42:22 | |
What else? | 0:42:22 | 0:42:23 | |
It's a song. Mammy! | 0:42:23 | 0:42:26 | |
I don't know, Camptown Races? | 0:42:26 | 0:42:28 | |
Camptown Races?! | 0:42:28 | 0:42:30 | |
All right, then, Towering Inferno! | 0:42:30 | 0:42:33 | |
It's a shock! I need a shock. | 0:42:33 | 0:42:35 | |
Right, then, big shock, | 0:42:35 | 0:42:37 | |
coming up. | 0:42:37 | 0:42:39 | |
Detox. | 0:42:51 | 0:42:53 | |
I must do that more often...I mean, the detox. | 0:42:55 | 0:42:59 | |
As you'd expect, saving the world is a bit tricky, | 0:43:02 | 0:43:05 | |
and that means that the Doctor often puts himself on the line. | 0:43:05 | 0:43:09 | |
You will die, Doctor. | 0:43:09 | 0:43:11 | |
Yeah, the Doctor is often willing to put his own life before that of others. | 0:43:11 | 0:43:17 | |
All right, so it's my turn! | 0:43:22 | 0:43:24 | |
He offers himself up to the Daleks. | 0:43:24 | 0:43:26 | |
Kill me if it'll stop you attacking these people! | 0:43:26 | 0:43:29 | |
He does the same with the Sontarans. | 0:43:29 | 0:43:31 | |
Sontarans are never defeated. | 0:43:31 | 0:43:34 | |
They'll be getting ready for war. | 0:43:34 | 0:43:36 | |
And well, you know, I've recalibrated this for Sontaran air, so... | 0:43:36 | 0:43:40 | |
You'll kill yourself. | 0:43:40 | 0:43:42 | |
Disappears into the Satan Pit without really knowing what he's off to face. | 0:43:42 | 0:43:46 | |
If they get back in touch, if you talk to Rose, just tell her... | 0:43:46 | 0:43:50 | |
Tell her...oh, she knows. | 0:43:52 | 0:43:57 | |
He's always been willing to put himself first. | 0:44:00 | 0:44:04 | |
Please, I'm begging you, I'll do anything! | 0:44:04 | 0:44:08 | |
Put me in her place. | 0:44:08 | 0:44:09 | |
You can do anything to me, just get her out! | 0:44:09 | 0:44:12 | |
And to allow his own life, er, | 0:44:12 | 0:44:16 | |
for the lives of his companions, or even sometimes for the lives | 0:44:16 | 0:44:20 | |
of people he doesn't know well. | 0:44:20 | 0:44:21 | |
He's got that selflessness. | 0:44:21 | 0:44:24 | |
Go on. Baptise them. | 0:44:24 | 0:44:26 | |
Dalek-humans, take aim. | 0:44:26 | 0:44:29 | |
Which...at times, borders on a recklessness, which I think is perhaps indicative of | 0:44:34 | 0:44:40 | |
where he's been and what he's been through. | 0:44:40 | 0:44:42 | |
I've got my little straw. | 0:44:42 | 0:44:44 | |
-That's nice. -Steady him. | 0:44:44 | 0:44:46 | |
I will be the destroyer of our greatest enemy. | 0:44:48 | 0:44:53 | |
Then do it. Do it! Just do it! | 0:44:53 | 0:44:56 | |
Do it! | 0:44:56 | 0:44:58 | |
What are you waiting for? | 0:45:02 | 0:45:03 | |
Give the command. | 0:45:03 | 0:45:05 | |
Exterminate! | 0:45:05 | 0:45:07 | |
I don't think he has a death wish. | 0:45:10 | 0:45:12 | |
Obey. Dalek-humans will obey. | 0:45:12 | 0:45:15 | |
He's certainly not afraid to... | 0:45:15 | 0:45:18 | |
to confront his own mortality, and look death fairly squarely in the eye. | 0:45:18 | 0:45:23 | |
They're not firing. | 0:45:23 | 0:45:24 | |
What have you done? | 0:45:24 | 0:45:26 | |
You will obey. | 0:45:26 | 0:45:28 | |
-Exterminate! -Why? | 0:45:28 | 0:45:31 | |
Daleks do not question orders. | 0:45:31 | 0:45:33 | |
-But why? -He has a very, | 0:45:33 | 0:45:36 | |
very well-defined sense of morality, | 0:45:36 | 0:45:39 | |
which is immovable for him. | 0:45:39 | 0:45:43 | |
And if that means sacrificing himself to pursue that, then he will | 0:45:43 | 0:45:47 | |
quite readily do that. | 0:45:47 | 0:45:49 | |
You drank his blood, the Doctor's blood? | 0:45:49 | 0:45:52 | |
-Oh, I don't mind. Scan all you like. -Non-human. -What? | 0:45:52 | 0:45:56 | |
-He gave his life so they would find you. -Confirmed. Plasmavore. | 0:45:56 | 0:46:00 | |
No! | 0:46:07 | 0:46:10 | |
He has a habit of getting into hazardous situations, so being | 0:46:10 | 0:46:14 | |
anywhere near The Doctor can be dangerous. | 0:46:14 | 0:46:17 | |
Mickey, Captain, what are you doing? | 0:46:23 | 0:46:25 | |
I've got a warp star wired into the mainframe. I break the shell, the entire Crucible goes up. | 0:46:25 | 0:46:30 | |
-You can't! Where did you get a warp star? -I'll do it. | 0:46:30 | 0:46:33 | |
Don't imagine I wouldn't. | 0:46:33 | 0:46:35 | |
His world seems to be steeped in death and destruction, | 0:46:35 | 0:46:39 | |
and it's an intriguing paradox that the Doctor himself struggles to come to terms with at times. | 0:46:39 | 0:46:45 | |
And the prophecy unfolds. | 0:46:45 | 0:46:48 | |
The Doctor's soul is revealed. | 0:46:48 | 0:46:52 | |
Hee hee! See him. | 0:46:52 | 0:46:53 | |
See the heart of him. | 0:46:53 | 0:46:56 | |
The man who abhors violence, never carrying a gun. | 0:46:56 | 0:47:01 | |
But this is the truth, Doctor. | 0:47:01 | 0:47:03 | |
You take ordinary people and you fashion them into weapons. | 0:47:03 | 0:47:08 | |
Behold your children of time, transformed into murderers. | 0:47:08 | 0:47:14 | |
I made the Daleks, Doctor. | 0:47:14 | 0:47:16 | |
-You made this. -They're trying to help. | 0:47:16 | 0:47:19 | |
Already, I have seen them sacrificed today for their beloved Doctor. | 0:47:19 | 0:47:25 | |
The Earth woman who fell opening the subwave network. | 0:47:25 | 0:47:30 | |
-Who was that? -Harriet Jones. | 0:47:30 | 0:47:31 | |
She gave her life to get you here. | 0:47:33 | 0:47:35 | |
How many more? Just think, how many have died in your name? | 0:47:39 | 0:47:45 | |
It's an interesting area for the character as to quite | 0:47:45 | 0:47:48 | |
what his responsibility for all that is, and it's one that is never really resolved. | 0:47:48 | 0:47:53 | |
The Doctor, the man who keeps running, never looking back because he dare not, out of shame. | 0:47:53 | 0:48:01 | |
This is my final victory, Doctor. | 0:48:01 | 0:48:04 | |
I have shown you...yourself. | 0:48:04 | 0:48:08 | |
Undoubtedly, he carries destruction in his wake. | 0:48:08 | 0:48:12 | |
But it's when the Doctor meets his daughter that everything really hits home. | 0:48:12 | 0:48:16 | |
She's a generated anomaly. | 0:48:16 | 0:48:18 | |
Gen-er-ated. What about that? | 0:48:18 | 0:48:22 | |
Jenny? | 0:48:22 | 0:48:24 | |
Jenny. Yeah, I like that. | 0:48:24 | 0:48:26 | |
What do you think...Dad? | 0:48:26 | 0:48:29 | |
Good as anything, I suppose. | 0:48:29 | 0:48:30 | |
-Not a natural parent. -They stole a tissue sample at gunpoint and processed it. | 0:48:30 | 0:48:34 | |
-It's not natural parenting. -Rubbish. My friend fathered twins with a turkey baster. | 0:48:34 | 0:48:39 | |
-Can't extrapolate a relationship from a biological accident. -Child Support Agency can. | 0:48:39 | 0:48:43 | |
Just cos I share physiological traits with simian primates, doesn't make me a monkey's uncle. | 0:48:43 | 0:48:48 | |
I'm not a monkey! | 0:48:48 | 0:48:49 | |
Right at the beginning, he's so | 0:48:49 | 0:48:51 | |
reluctant and puts up massive barriers and will not accept | 0:48:51 | 0:48:55 | |
that she is in any way his child. | 0:48:55 | 0:48:57 | |
Hold your fire! | 0:48:57 | 0:48:59 | |
Eventually, this surprising daughter does win the affections of her Doctor daddy. | 0:48:59 | 0:49:03 | |
But just as Jenny gets to both of his hearts, they are broken by one single bullet. | 0:49:03 | 0:49:07 | |
I'm the Doctor, and I declare this war is over. | 0:49:09 | 0:49:14 | |
-What's happening? -The gases will escape and trigger the terraforming process. | 0:49:20 | 0:49:24 | |
What does that mean? | 0:49:24 | 0:49:26 | |
It means a new world. | 0:49:26 | 0:49:27 | |
No! | 0:49:30 | 0:49:31 | |
'He's not about killing, and the fact that people have' | 0:49:31 | 0:49:34 | |
chosen to die for him is something he's really uncomfortable with. | 0:49:34 | 0:49:38 | |
Jenny, be strong. | 0:49:38 | 0:49:40 | |
You need to hold on, you hear me? | 0:49:40 | 0:49:42 | |
We've got things to do, you and me, eh? | 0:49:42 | 0:49:45 | |
Eh? | 0:49:46 | 0:49:48 | |
We can go anywhere. | 0:49:48 | 0:49:50 | |
Everywhere. You choose. | 0:49:52 | 0:49:54 | |
That sounds good. | 0:49:54 | 0:49:57 | |
You're my daughter, | 0:49:58 | 0:50:01 | |
and we've only just got started. | 0:50:01 | 0:50:04 | |
Sadly, many people have had their lives destroyed because of him, and I think that's one of the | 0:50:13 | 0:50:20 | |
major things, if he starts to think about that it might destroy him, cos he's not about death and violence. | 0:50:20 | 0:50:26 | |
But it's not only the Doctor's friends who lay their lives on the line. | 0:50:26 | 0:50:30 | |
I'm sorry to report, | 0:50:30 | 0:50:33 | |
-Sir, I failed. -A pity. | 0:50:33 | 0:50:36 | |
We've lost our target practice. | 0:50:37 | 0:50:39 | |
-What do you mean? -We only needed you for installation of the ATMOS system. | 0:50:41 | 0:50:45 | |
No, but...I'm on your side. | 0:50:45 | 0:50:48 | |
I did everything you wanted. | 0:50:48 | 0:50:51 | |
And it's not ATMOS system, that's a tautology, it's just ATMOS. | 0:50:51 | 0:50:55 | |
Execute him! | 0:50:55 | 0:50:57 | |
By being betrayed and let down by the people that he thought | 0:50:57 | 0:51:00 | |
he was in league with, his world's crumbled to pieces. | 0:51:00 | 0:51:05 | |
And then this man comes through with this brilliant line, "Do something clever". | 0:51:05 | 0:51:10 | |
Right, so, Donna, thank you. | 0:51:10 | 0:51:13 | |
For everything. | 0:51:13 | 0:51:14 | |
Martha, you too. | 0:51:15 | 0:51:17 | |
Oh...so many times. | 0:51:17 | 0:51:21 | |
Luke, do something clever with your life. | 0:51:23 | 0:51:26 | |
The Doctor says "Yes, I will absolutely step in | 0:51:26 | 0:51:29 | |
"and essentially destroy myself in order to save the world". | 0:51:29 | 0:51:33 | |
And he knows exactly what he has to do. | 0:51:35 | 0:51:37 | |
-What are you doing? -Something clever. | 0:51:37 | 0:51:39 | |
What a classic line. And then he does. | 0:51:39 | 0:51:41 | |
In Luke's final moment, he finds a sense of purpose. | 0:51:46 | 0:51:49 | |
Sontar, ha! | 0:51:49 | 0:51:50 | |
He sees very clearly that he has to stop the Sontarans, and he knows exactly how he can do it. | 0:51:50 | 0:51:57 | |
He's the only person who should do it. | 0:51:57 | 0:51:59 | |
So after over 900 years and nine regenerations, armed | 0:52:12 | 0:52:17 | |
with nothing more than a cheeky grin and his trusty screwdriver, the Doctor is still out there, | 0:52:17 | 0:52:22 | |
saving the universe. | 0:52:22 | 0:52:25 | |
We interrupting you? | 0:52:27 | 0:52:29 | |
He really is the greatest hero of all time. | 0:52:29 | 0:52:32 | |
It's fun travelling with the Doctor, and working on the TARDIS. | 0:52:32 | 0:52:37 | |
He's a man of many worlds, and many words. | 0:52:43 | 0:52:47 | |
Sco po tro no flo jo co fo toto. | 0:52:47 | 0:52:52 | |
No bo ho sho co ro to so. | 0:52:52 | 0:52:55 | |
Bo-ko-do-so-ko-po-fo-po-jo. | 0:52:55 | 0:52:57 | |
Mo ho. | 0:53:01 | 0:53:03 | |
Allons-y! Allons-y! | 0:53:03 | 0:53:06 | |
One, two, three. | 0:53:08 | 0:53:09 | |
Mmm. | 0:53:10 | 0:53:12 | |
Sorry, there's a bit of gravy. No, just there. | 0:53:12 | 0:53:16 | |
-We have an intruder! -How did he get in? "Intruder" window? | 0:53:19 | 0:53:22 | |
With nerves of steel, the Doctor just has a knack of getting out of trouble. | 0:53:24 | 0:53:30 | |
Wait, security protocol one. | 0:53:30 | 0:53:32 | |
You hear me, one! One! That gives me three questions. | 0:53:32 | 0:53:35 | |
Three questions to save my life, am I right? | 0:53:35 | 0:53:38 | |
Information. Correct. | 0:53:38 | 0:53:40 | |
No, that wasn't one of them. | 0:53:40 | 0:53:41 | |
That's not fair! Can I start again? | 0:53:41 | 0:53:44 | |
Here, I got you this. Neck brace. | 0:53:44 | 0:53:47 | |
Wear that for a few days until it's better, although...you might want to keep it. | 0:53:47 | 0:53:52 | |
Suits you. | 0:53:52 | 0:53:53 | |
Take me to your leader. | 0:53:53 | 0:53:54 | |
I've always wanted to say that. | 0:53:56 | 0:53:58 | |
Oh, come here! LIFT BELL RINGS | 0:53:58 | 0:54:00 | |
No, no, no! | 0:54:00 | 0:54:01 | |
See? Never waste time with a hug. | 0:54:01 | 0:54:04 | |
Friend or foe, the Doctor is frankly unforgettable. | 0:54:04 | 0:54:08 | |
Queen Elizabeth I! | 0:54:08 | 0:54:09 | |
Off with his head! | 0:54:09 | 0:54:11 | |
What? | 0:54:11 | 0:54:13 | |
-'Titanic falling'. -What's your first name? -Alonso. | 0:54:13 | 0:54:17 | |
-You're kidding me. -What? | 0:54:19 | 0:54:22 | |
Allons-y, Alonso! | 0:54:22 | 0:54:24 | |
Whoa! | 0:54:24 | 0:54:26 | |
-That was close. -No fun otherwise. | 0:54:28 | 0:54:30 | |
"We are not amused". I bet you five quid I can make her say it. | 0:54:30 | 0:54:35 | |
If I gambled, it'd be an abuse of my privilege as a traveller in time. | 0:54:35 | 0:54:39 | |
-Ten quid? -Done. | 0:54:39 | 0:54:40 | |
Aargh! | 0:54:40 | 0:54:42 | |
He's stone. | 0:54:43 | 0:54:45 | |
"Armless" enough, though. Quintus! | 0:54:45 | 0:54:47 | |
I'm Sir Doctor of TARDIS. | 0:54:51 | 0:54:53 | |
Interesting. That bit of paper is blank. | 0:54:53 | 0:54:57 | |
-I am not amused. -Yes! | 0:54:57 | 0:55:00 | |
If you die here, it'll mean I never met you. | 0:55:00 | 0:55:03 | |
-Time can be rewritten. -Not those times. | 0:55:03 | 0:55:06 | |
Not one line. Don't you dare. | 0:55:06 | 0:55:08 | |
It's OK. | 0:55:09 | 0:55:11 | |
It's OK, it's not over for you. | 0:55:11 | 0:55:12 | |
You'll see me again. | 0:55:12 | 0:55:15 | |
You've got all of that to come. | 0:55:15 | 0:55:17 | |
# And in my dreams it feels like we are 40 storeys tall | 0:55:23 | 0:55:29 | |
# When you're around, ooh, we don't touch the floor | 0:55:30 | 0:55:34 | |
# And in my dreams it feels like we aren't ever gonna fall | 0:55:38 | 0:55:44 | |
# We're safe and sound, and we're untouchable... # | 0:55:45 | 0:55:49 | |
Subtitles by Red Bee Media Ltd | 0:56:00 | 0:56:03 | |
E-mail [email protected] | 0:56:03 | 0:56:06 |