Browse content similar to 2 - The Weeping Angels: Blink. Check below for episodes and series from the same categories and more!
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Hello it's Joel again and welcome to Doctor Who's greatest Monsters and | :00:16. | :00:22. | |
Villains as voted for by you. This next entry will have you scared | :00:23. | :00:27. | |
stiff. Literally. But who could it be? Shall I put you out of your | :00:28. | :00:37. | |
misery? It's been two days, what are you waiting for. OK chill. | :00:38. | :00:42. | |
Seriously. The monsters that are responsible for a whole generation | :00:43. | :00:45. | |
of children, and indeed adults, being terrified of statues and | :00:46. | :00:48. | |
developing dry eyeballs from a lack of blinking. Your second placed | :00:49. | :00:51. | |
greatest monster and villain is of course? The Weeping Angels. They are | :00:52. | :01:00. | |
coming. The angels are coming for you. But listen, don't blink, don't | :01:01. | :01:04. | |
even blink. Blink and you are dead. They are faster than you could | :01:05. | :01:08. | |
believe. Don't turn your back, don't look away and don't blink. The shear | :01:09. | :01:20. | |
simplicity of their menace is what makes them so terrifying. Based on | :01:21. | :01:22. | |
the children's game, Grandmas Footsteps - which basically trains | :01:23. | :01:26. | |
kids to sneak up on the elderly. The idea that an everyday object that we | :01:27. | :01:29. | |
take for granted like a statue, could actually be a deadly alien | :01:30. | :01:32. | |
assassin, poised for attack. And much like someone who picks their | :01:33. | :01:36. | |
nose in public, they will only do this when they think they aren't | :01:37. | :01:44. | |
being watched. That's a cut guys. So now we have a reason for disliking | :01:45. | :01:48. | |
those creepy performers in the town centre. It is believed that the | :01:49. | :01:51. | |
Weeping Angels have been around since the start of the universe, | :01:52. | :01:57. | |
along with dark matter and Brucie. They are an alien species that feed | :01:58. | :02:01. | |
off the energy produced from sending people back through time and space. | :02:02. | :02:04. | |
Which they do by simply touching you. The only way to ensure they | :02:05. | :02:11. | |
don't get you, is to look at them. This puts them in a quantum locked | :02:12. | :02:15. | |
state. Which is a science wiencey way of saying they turn to stone. | :02:16. | :02:19. | |
That's why they cover their eyes. They are not weeping. They can't | :02:20. | :02:24. | |
risk looking at each other. Their greatest asset is their greatest | :02:25. | :02:31. | |
curse. And as if all this wasn't terrifying enough, even being in the | :02:32. | :02:34. | |
presence of an Angel's image, be that a photo or on a tv screen, | :02:35. | :02:38. | |
means they can manifest and still get you. As they say, "That which | :02:39. | :02:42. | |
takes the image of an Angel, becomes itself an Angel." Coming in this | :02:43. | :02:45. | |
next episode we see the Angels for the very first time when they | :02:46. | :02:48. | |
terrorise, a yet to be really famous, Carey Mulligan. What does | :02:49. | :02:51. | |
that mean? An image of an angel becomes itself an angel. For force | :02:52. | :03:07. | |
clr She stumbles across the Angels and a Doctorless Tardis, which she | :03:08. | :03:12. | |
must protect in his absence. Oh, need to put some money on the meter. | :03:13. | :03:16. | |
And it also sees the first victim of the Angels being transported back to | :03:17. | :03:20. | |
Hull in the 1920s. And if you are wondering what that must have been | :03:21. | :03:23. | |
like, just visit Hull now. Seriously. What's going on? So here | :03:24. | :03:29. | |
we are with the monsters that are the perfect deterrent to graveyard | :03:30. | :03:34. | |
flower thieves. Don't blink in case you miss it. It is of | :03:35. | :06:35. | |
Your life could depend on this. Don't blink! | :06:36. | :06:41. | |
Don't even blink. Blink and you're dead. | :06:42. | :06:45. | |
They are fast, faster than you can believe. | :06:46. | :06:47. | |
Bit freaked. Need to talk. Making you a coffee. | :06:48. | :07:20. | |
'Sally Sparrow, it's one in the morning. | :07:21. | :07:23. | |
'You think I'm coming round at one in the morning?' No. | :07:24. | :07:26. | |
'What's that on all those screens in your front room?' | :07:27. | :07:31. | |
Oh, God! Sally, you've met my brother Larry, haven't you? | :07:32. | :07:37. | |
You and me, girl investigators. Love it! | :07:38. | :08:25. | |
What are you doing?! It could be a burglar! | :08:26. | :09:44. | |
It's all a bit complicated. I'm not sure I understand it myself. | :09:45. | :10:54. | |
I'm sorry, I feel really stupid, but I was told to make absolutely sure. | :10:55. | :10:58. | |
Funny feeling, after all these years. | :10:59. | :11:14. | |
Katherine Costello Nightingale. Is this a joke? | :11:15. | :11:43. | |
I was in the middle of London. You're in Hull. | :11:44. | :12:20. | |
My grandmother. Katherine Costello Nightingale. | :12:21. | :12:38. | |
Don't have that in London. There's no call for it. It's all Hull. | :12:39. | :12:44. | |
My Kathy, your grandmother - they're practically identical. | :12:45. | :13:09. | |
"if my grandson has done as he promises he will, | :13:10. | :13:20. | |
"The third of the photographs is of my children. | :13:21. | :13:32. | |
"I suppose, unless I live to a really exceptional old age, | :13:33. | :15:33. | |
"I will be long gone as you read this. | :15:34. | :15:37. | |
"Don't feel sorry for me. I have led a good and full life. | :15:38. | :15:41. | |
"I've loved a good man and been well loved in return. | :15:42. | :15:47. | |
"He was the very first person I met in 1920." | :15:48. | :15:53. | |
"To take one breath in 2007 and the next in 1920 | :15:54. | :16:08. | |
"is a strange way to start a new life, | :16:09. | :16:11. | |
"but a new life is exactly what I've always wanted." | :16:12. | :16:14. | |
"He works at the DVD store on Queen Street. | :16:15. | :16:32. | |
Excuse me, I'm looking for Lawrence Nightingale. | :16:33. | :16:59. | |
There it is. Sorry. Sorry again about the whole... | :17:00. | :17:53. | |
What? What is it? What's the message? | :17:54. | :18:02. | |
She said to say. She just sort of mentioned it. | :18:03. | :18:18. | |
She loves you. There, that's nice, isn't it? | :18:19. | :18:22. | |
Who is this guy? Sorry, the pause thing keeps slipping. Stupid thing. | :18:23. | :18:40. | |
Last night at Kathy's, you had him on those screens. That same guy. | :18:41. | :18:43. | |
Talking about, I dunno, blinking or something. | :18:44. | :18:46. | |
Yeah, the bit about the blinking's great! | :18:47. | :18:48. | |
I was checking to see if they were all the same. | :18:49. | :18:51. | |
What were the same? What is this? Who is he? An Easter egg. | :18:52. | :18:54. | |
You know how on DVDs they put extras on, documentaries and stuff? | :18:55. | :19:01. | |
Sometimes they put on hidden ones, and they call them Easter eggs. | :19:02. | :19:04. | |
You have to look for them, follow clues in the menu screen. | :19:05. | :19:07. | |
There are 17 totally unrelated DVDs, all with him on, | :19:08. | :19:19. | |
Not even the publishers know how he got there. | :19:20. | :19:23. | |
I've talked to the manufacturers, right? They don't even know. | :19:24. | :19:27. | |
Just sits there making random remarks. | :19:28. | :19:37. | |
It's like we're hearing half a conversation. | :19:38. | :19:39. | |
Me and the guys are always trying to work out the other half. | :19:40. | :19:42. | |
When you say you and the guys, you mean the internet, don't you? | :19:43. | :19:46. | |
People assume that time is a strict progression of cause to effect, | :19:47. | :20:01. | |
but actually from a non-linear, non-subjective viewpoint, | :20:02. | :20:04. | |
it's more like a big ball of wibbly-wobbly, timey-wimey stuff. | :20:05. | :20:09. | |
Like you can hear me. Well, I CAN hear you. | :20:10. | :20:18. | |
I've had enough now. I've had a long day and I've had bloody enough! | :20:19. | :20:24. | |
The 17 DVDs. I thought you might be interested. | :20:25. | :20:35. | |
Why does nobody ever just go to the police? | :20:36. | :20:57. | |
Wester Drumlins, out by the estate. You've probably seen it. | :20:58. | :21:09. | |
Could you just wait here for a minute? | :21:10. | :21:14. | |
Er, Marcie, can you tell them I'm gonna be late for that thing? | :21:15. | :22:12. | |
All of them? Over the last two years, yeah. | :22:13. | :22:16. | |
So over the last two years the owners of all of these vehicles have | :22:17. | :22:24. | |
driven up to Wester Drumlins House, parked outside and just disappeared. | :22:25. | :22:32. | |
Ah! The pride of the Wester Drumlins collection. | :22:33. | :22:37. | |
We found that there, too. Somebody's idea of a joke, I suppose. | :22:38. | :22:41. | |
Well, it's a special kind of phone box for policemen. | :22:42. | :22:46. | |
They used to have them all over. But this isn't a real one. | :22:47. | :22:49. | |
The phone's just a dummy, and the windows are the wrong size. | :22:50. | :22:52. | |
Ordinary Yale lock, but nothing fits. | :22:53. | :22:57. | |
See, you're missing the big question. | :22:58. | :23:03. | |
Aren't you on duty, Detective Inspector Shipton? | :23:04. | :23:16. | |
Why? Because life is short and you are hot. | :23:17. | :23:23. | |
Is that your phone number? Just my phone number. | :23:24. | :23:40. | |
Not a promise, not a guarantee, not an IOU, just a phone number. | :23:41. | :23:45. | |
And that's Sally...? Sally Shipton. Sparrow. | :23:46. | :23:49. | |
I'm going now. Don't look at me. I'll phone you! Don't look at me. | :23:50. | :23:55. | |
Phone you tomorrow. Don't look at me! | :23:56. | :23:57. | |
Ordinary Yale lock, but nothing fits. | :23:58. | :25:42. | |
Oh, the moon landing's brilliant. We went four times. | :25:43. | :25:52. | |
Back when we had transport... Working on it! | :25:53. | :25:55. | |
How did I get here? The same way we did. The touch of an angel. | :25:56. | :25:58. | |
Fascinating race, the weeping angels. | :25:59. | :26:10. | |
The only psychopaths in the universe to kill you nicely. | :26:11. | :26:13. | |
The rest of your life used up and blown away in the blink of an eye. | :26:14. | :26:20. | |
What in God's name are you talking about? | :26:21. | :26:33. | |
Trust me. Just nod when he stops for breath. | :26:34. | :26:36. | |
Tracked you down with this. This is my timey-wimey detector. | :26:37. | :26:40. | |
Also, it can boil an egg at 30 paces, | :26:41. | :26:44. | |
whether you want it to or not, so I've learned to stay away from hens. | :26:45. | :26:48. | |
Normally, I'd offer you a lift home, but somebody nicked my motor. | :26:49. | :26:59. | |
So I need you to take a message to Sally Sparrow. | :27:00. | :27:03. | |
And I'm sorry, Billy, I am very, very sorry. | :27:04. | :27:09. | |
She looks nice. Her name was Sally too. | :27:10. | :28:18. | |
I often thought about looking for you before tonight, | :28:19. | :28:28. | |
but apparently it would've torn a hole in the fabric of space and time | :28:29. | :28:33. | |
and destroyed two thirds of the universe. | :28:34. | :28:37. | |
Two thirds of the universe. Where'd you get that? | :28:38. | :28:43. | |
There's a man in 1969. He sent me with a message for you. | :28:44. | :28:48. | |
What does that mean? Is that it, look at the list? | :28:49. | :28:58. | |
Have you noticed what all 17 DVDs have in common yet? | :28:59. | :29:27. | |
I suppose it's hard for you, in a way. | :29:28. | :29:31. | |
How could the Doctor have even known I had a list? I only just got this. | :29:32. | :29:34. | |
I asked him how, but he said he couldn't tell me. | :29:35. | :29:38. | |
Soon as I understand it, I'll come and tell you. | :29:39. | :29:48. | |
He told me all those years ago that we'd only meet again this one time. | :29:49. | :29:59. | |
But I've had something to look forward to. | :30:00. | :30:15. | |
'Course, why?' I want you to meet me. | :30:16. | :31:38. | |
OK, this is the one with the clearest sound. | :31:39. | :31:53. | |
Slightly better picture quality on this one, but I don't... | :31:54. | :31:56. | |
No, it sounds like he's replying, but he always says that. | :31:57. | :32:23. | |
He can hear us. Oh, my God, you can really hear us! | :32:24. | :32:30. | |
I've got a transcript, see, everything he says. | :32:31. | :32:37. | |
"Yep, that's me". "Yes, I do". "Yep, and this". Next it's... | :32:38. | :32:41. | |
BOTH: Are you going to read out the whole thing? | :32:42. | :32:43. | |
We're stuck. All of space and time, he promised me. | :32:44. | :32:53. | |
Now I've got a job in a shop, I've got to support him! Martha! Sorry. | :32:54. | :32:57. | |
1969, that's where you're talking from? 'Fraid so. | :32:58. | :33:05. | |
You can't know exactly what I'll say, 40 years before I say it! | :33:06. | :33:11. | |
I'm writing in your bits!! How? How is this possible? | :33:12. | :33:16. | |
It's not what you think it is. Then what is it? | :33:17. | :33:23. | |
And don't patronise me because people have died, and I'm not happy. | :33:24. | :33:32. | |
People assume that time is a strict progression of cause to effect, | :33:33. | :33:39. | |
but actually from a non-linear, non-subjective viewpoint, | :33:40. | :33:42. | |
it's more like a big ball of wibbly-wobbly, timey-wimey stuff. | :33:43. | :33:46. | |
Yeah, I've seen this bit before. You said that sentence got away from you. | :33:47. | :33:49. | |
Next thing you're going to say is, "Well, I CAN hear you". | :33:50. | :33:54. | |
Well, I CAN hear you. This isn't possible! No! | :33:55. | :33:57. | |
Not hear you exactly, but I know everything you'll to say. | :33:58. | :34:02. | |
Always gives me the shivers, that bit. | :34:03. | :34:04. | |
How can you know what I'm going to say? | :34:05. | :34:06. | |
Look to your left. What does he mean by, "Look to your left"? | :34:07. | :34:09. | |
So I've got a complete transcript of the whole conversation. | :34:10. | :34:22. | |
Wait till this hits the net. This will explode the egg forums. | :34:23. | :34:25. | |
I've got a copy of the finished transcript. It's on my autocue. | :34:26. | :34:29. | |
You're reading from a transcript of a conversation you're still having? | :34:30. | :34:41. | |
They've taken the blue box, haven't they? | :34:42. | :34:55. | |
That's my favourite, I have it on a T-shirt! What do you mean, angels? | :34:56. | :35:02. | |
What does that mean? Lonely assassins, they were called. | :35:03. | :35:13. | |
They are quantum-locked. They don't exist when being observed. | :35:14. | :35:24. | |
In the sight of any living thing, they literally turn to stone. | :35:25. | :35:34. | |
Course, a stone can't kill you either. | :35:35. | :35:39. | |
But then you turn your head away, then you blink, and oh, yes, it can! | :35:40. | :35:44. | |
Their greatest asset is their greatest curse. | :35:45. | :35:54. | |
The loneliest creatures in the universe. | :35:55. | :35:59. | |
And I'm sorry, I am very, very sorry, it's up to you now. | :36:00. | :36:04. | |
What am I supposed to do? The blue box, my time machine. | :36:05. | :36:07. | |
There is a world of time energy in there they could feast on forever. | :36:08. | :36:11. | |
The damage they can do can switch off the sun. | :36:12. | :36:13. | |
There's no more from you on the transcript, that's all I've got. | :36:14. | :36:24. | |
I dunno what stopped you talking, but I can guess. They're coming. | :36:25. | :36:27. | |
I'll rewind him! What good would that do?! | :36:28. | :36:53. | |
Keep looking at it, keep looking at it!! | :36:54. | :37:04. | |
There's just one, right, there's just this one. | :37:05. | :37:08. | |
We're OK if we keep staring at this one statue, everything will be fine. | :37:09. | :37:11. | |
Remember what he said, don't even blink! | :37:12. | :37:23. | |
They've locked it. They've locked us in! Why? | :37:24. | :37:47. | |
A key I took last time I was here. They followed me to get it back. | :37:48. | :37:53. | |
I led them to the blue box! Now they've got that! | :37:54. | :37:55. | |
I'll check the back door, you wait here. | :37:56. | :38:00. | |
Give them the key, give them what they want! | :38:01. | :38:04. | |
Sally, no, what if they come behind me?! | :38:05. | :38:07. | |
Larry! They've blocked off the back door, but there's a cellar. | :38:08. | :38:53. | |
There might be a way out, delivery hatch or something. | :38:54. | :38:56. | |
You can't move so long as I can see you. | :38:57. | :39:31. | |
Whole world in the box, the Doctor says. | :39:32. | :39:33. | |
Hope he's not lying, cos I don't see how else we're getting out. | :39:34. | :39:42. | |
Oh, my God! It's turning out the lights! | :39:43. | :39:59. | |
Quickly! I can't find the lock! Sally, hurry up! | :40:00. | :40:06. | |
They're getting faster, Sally, come on! | :40:07. | :40:09. | |
Please insert the disc and prepare for departure. | :40:10. | :40:49. | |
Looks like a DVD player. There's a slot. | :40:50. | :40:53. | |
They're trying to get in! Well, hurry up! | :40:54. | :41:13. | |
He tricked them, The Doctor tricked them. They're looking at each other. | :41:14. | :41:57. | |
Can you mind the shop? I'm just nipping next door for some milk. | :41:58. | :42:30. | |
It's over. How did the Doctor know where to write the words on the wall? | :42:31. | :42:54. | |
Where did he get all that information from? | :42:55. | :42:58. | |
Look, some things you never find out. And that's OK. | :42:59. | :43:01. | |
Ever think this might be getting in the way of...other things? | :43:02. | :43:15. | |
there's a sort of thing happening, fairly important we stop it. | :43:16. | :43:56. | |
We don't have time for this! Migration's started! | :43:57. | :44:03. | |
Look, sorry, I've got a bit of a complex life. | :44:04. | :44:06. | |
Things don't always happen to me in order. | :44:07. | :44:08. | |
Oh, my God! Of course, you're a time traveller. | :44:09. | :44:15. | |
It hasn't happened yet! None of it, it's still in your future! What? | :44:16. | :44:19. | |
Oh, for God's sake, it was me all along. You got it all from me! | :44:20. | :44:26. | |
One day you're going to get stuck in 1969. | :44:27. | :44:32. | |
Yeah, listen, got to dash...things happening. | :44:33. | :44:38. | |
OK. No worries, on you go. See you around, some day. | :44:39. | :44:45. | |
We're going to the end of the universe. | :44:46. | :45:55. | |
Utopia is? The last of the humans scattered across the night. | :45:56. | :46:18. | |
Not even the Time Lords came this far. We should leave. | :46:19. | :46:24. |