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'People of Earth, you stand alone.' | 0:00:25 | 0:00:28 | |
KLAXON BLARES | 0:00:28 | 0:00:30 | |
'Intruder alert, intruder alert. | 0:00:30 | 0:00:33 | |
'Intruder alert.' | 0:00:33 | 0:00:35 | |
Ah! | 0:00:35 | 0:00:37 | |
Oh! | 0:00:37 | 0:00:39 | |
Who-o-o-oa! | 0:00:41 | 0:00:43 | |
Whoa! | 0:00:54 | 0:00:56 | |
HE STRAINS | 0:01:09 | 0:01:11 | |
Whoa! | 0:01:16 | 0:01:17 | |
Ahh! Ah! | 0:01:22 | 0:01:24 | |
Come here, spacesuit, come to Doctor. | 0:01:24 | 0:01:26 | |
Arrrrgh! | 0:01:29 | 0:01:33 | |
Who-o-o-o-oa! | 0:01:33 | 0:01:34 | |
Argh! | 0:01:37 | 0:01:39 | |
Got it! Ha-ha, ha-ha-ha! | 0:01:42 | 0:01:46 | |
Argh! Argh! | 0:01:47 | 0:01:50 | |
BICYCLE WHEELS SQUEAK | 0:02:29 | 0:02:31 | |
-WHISTLING -Whoa! | 0:02:34 | 0:02:37 | |
LOUD CRASH | 0:02:37 | 0:02:39 | |
Ooh! | 0:02:39 | 0:02:40 | |
Ooh! | 0:02:58 | 0:03:00 | |
Hello? | 0:03:00 | 0:03:01 | |
Hello? | 0:03:03 | 0:03:05 | |
Hello? Are you all right? | 0:03:05 | 0:03:07 | |
HE GROANS | 0:03:07 | 0:03:08 | |
Are you hurt? | 0:03:08 | 0:03:10 | |
Did you fall? | 0:03:11 | 0:03:13 | |
Where did you fall FROM? | 0:03:14 | 0:03:15 | |
HE GROANS | 0:03:15 | 0:03:17 | |
The helmet... | 0:03:17 | 0:03:18 | |
All right. Just... | 0:03:18 | 0:03:19 | |
Just let me, er... | 0:03:19 | 0:03:21 | |
I don't want to hurt you. | 0:03:21 | 0:03:24 | |
-Oh! -I can't see! I'm blind! | 0:03:26 | 0:03:29 | |
Oh, no, love. No. | 0:03:29 | 0:03:30 | |
I think you've just got your helmet on backwards. | 0:03:30 | 0:03:33 | |
How did you manage that? | 0:03:33 | 0:03:35 | |
I got dressed in a hurry. | 0:03:35 | 0:03:37 | |
Cyril, what are you doing awake? | 0:03:44 | 0:03:46 | |
It's the moon's fault, apparently. It's too interesting. | 0:03:46 | 0:03:49 | |
-It's astronomy. -Don't make up words. | 0:03:49 | 0:03:52 | |
He's always making up things and breathing. | 0:03:52 | 0:03:54 | |
-Where's your father? -In the garden. | 0:03:54 | 0:03:56 | |
-What's he doing in the garden? -Agriculture. | 0:03:56 | 0:03:59 | |
You're not fooling anyone! | 0:03:59 | 0:04:00 | |
Listen, Cyril. Tell him that I've borrowed Mr Goldsmith's car, | 0:04:00 | 0:04:04 | |
that I found a spaceman in a field - possibly an angel - | 0:04:04 | 0:04:08 | |
but he's injured, and I can't get his helmet off, | 0:04:08 | 0:04:10 | |
so I'm taking him into town to find a police telephone box. All right? | 0:04:10 | 0:04:14 | |
-All right. -Good boy! | 0:04:14 | 0:04:16 | |
Was that your mother? Where's she going? | 0:04:20 | 0:04:24 | |
Out. | 0:04:24 | 0:04:26 | |
-CRASH! -Ow! | 0:04:34 | 0:04:36 | |
DOG BARKS | 0:04:36 | 0:04:38 | |
HE GROANS | 0:04:38 | 0:04:39 | |
HR COUGHS | 0:04:39 | 0:04:41 | |
Did we just...bump into something? | 0:04:41 | 0:04:44 | |
No, no. | 0:04:44 | 0:04:46 | |
-We seemed to bump into quite a lot of things. -Well, a lot of things get in the way. It's hardly my fault. | 0:04:46 | 0:04:51 | |
You need to take that silly thing off. | 0:04:51 | 0:04:54 | |
Can't. Impact suit. It's still repairing me. | 0:04:54 | 0:04:58 | |
Repairing you? | 0:04:58 | 0:04:59 | |
Yeah. Well, I mean, that's the idea. | 0:04:59 | 0:05:02 | |
Won't it repair you all back to front? | 0:05:02 | 0:05:05 | |
-No, no. -Well, that's good! | 0:05:05 | 0:05:08 | |
-Oooh... -Oh! -..there's a streetlamp. | 0:05:08 | 0:05:11 | |
-Yes. I got that impression. -Round this way. | 0:05:11 | 0:05:15 | |
Don't you want me to take you to hospital or something? | 0:05:15 | 0:05:17 | |
Or you're welcome to come to our house. | 0:05:17 | 0:05:20 | |
No, no, no. I'm fine. I just need to find the...er... | 0:05:20 | 0:05:25 | |
-the key... -Oooh, do you want me to do it with a pin? | 0:05:25 | 0:05:29 | |
I'm good with a pin. | 0:05:29 | 0:05:30 | |
Multi-dimensional, triple-encoded temporal interface. | 0:05:30 | 0:05:34 | |
Not really susceptible to pointy things. | 0:05:34 | 0:05:37 | |
Ooh! Ah! | 0:05:37 | 0:05:39 | |
Got it! | 0:05:39 | 0:05:40 | |
OK. Suddenly the last 900 years of time travel seem that bit less secure. | 0:05:40 | 0:05:45 | |
Thank you for taking care of me. | 0:05:45 | 0:05:47 | |
You didn't have to, you know. You've been very kind. | 0:05:47 | 0:05:49 | |
Don't be silly. It's Christmas Eve. No-one should be alone at Christmas. | 0:05:49 | 0:05:54 | |
-What did you say your name was? -Madge. Madge Arwell. | 0:05:54 | 0:05:58 | |
-If there's ever anything that I can do for you, let me know. -How? | 0:05:58 | 0:06:01 | |
-I don't know. Make a wish, that usually works. -Does it? | 0:06:01 | 0:06:05 | |
-Well, it did for me. You're here, aren't you? -Oh! | 0:06:05 | 0:06:09 | |
Oh! Well, don't wait around here. Just...off you go home. | 0:06:09 | 0:06:13 | |
I'll just go and, er, and wait inside here. | 0:06:13 | 0:06:16 | |
-BUMP -Ow! | 0:06:18 | 0:06:20 | |
Wrong one. Do you think we could try again? | 0:06:20 | 0:06:23 | |
DOOR OPENS | 0:06:25 | 0:06:27 | |
You were a long time. Been taking home strays, as usual? | 0:06:27 | 0:06:31 | |
Just the one. What have you been reading? | 0:06:31 | 0:06:35 | |
Not the war again! | 0:06:35 | 0:06:37 | |
People keep reading about the war, then it will actually happen. | 0:06:37 | 0:06:42 | |
And then where will you be? | 0:06:42 | 0:06:43 | |
Sir, Anderson's in a bad way. Where are we? | 0:06:53 | 0:06:57 | |
I don't know. Somewhere over the Channel. | 0:06:57 | 0:07:00 | |
-What do I tell Anderson? -Tell him... | 0:07:00 | 0:07:02 | |
Tell him... Tell him we're going home for Christmas. | 0:07:02 | 0:07:05 | |
Yes, sir. | 0:07:05 | 0:07:06 | |
I'm sorry, my love. | 0:07:13 | 0:07:16 | |
HE SNIFFS | 0:07:18 | 0:07:19 | |
-When's Father coming back? -For Christmas, like he always does. | 0:07:49 | 0:07:52 | |
Now, hurry up and think of something. | 0:07:52 | 0:07:54 | |
But we're going to Uncle Digby's house. Will he be there? | 0:07:54 | 0:07:58 | |
He will, won't he, Mother? Daddy WILL be there? | 0:07:58 | 0:08:02 | |
Of course he will. | 0:08:02 | 0:08:04 | |
See? Now, have you thought of anything? | 0:08:04 | 0:08:07 | |
Erm...yep. | 0:08:07 | 0:08:10 | |
Count of three, then. Make a wish. | 0:08:11 | 0:08:13 | |
One, two, three. | 0:08:13 | 0:08:15 | |
SNAP! | 0:08:15 | 0:08:17 | |
Is it haunted? | 0:08:26 | 0:08:28 | |
Is it draughty? | 0:08:28 | 0:08:30 | |
Oh, this is no good. | 0:08:30 | 0:08:31 | |
Where's Mr Cardew? He was supposed to be here. | 0:08:31 | 0:08:35 | |
SHE KNOCKS ON DOOR | 0:08:35 | 0:08:36 | |
Maybe it's haunted by the ghost of Uncle Digby. | 0:08:36 | 0:08:39 | |
-Uncle Digby is still alive. He's in a home in Battersea. -MADGE CONTINUES KNOCKING | 0:08:39 | 0:08:43 | |
-Mr Cardew! -But why do we have to come here? | 0:08:43 | 0:08:46 | |
-Because of the bombing, stupid. -I like the bombing. It's exciting. | 0:08:46 | 0:08:50 | |
Will Father be here? | 0:08:52 | 0:08:53 | |
He will, won't he? You said he'd meet us at the house. | 0:08:53 | 0:08:56 | |
He'll be here, of course he will. You don't need to keep asking about it. | 0:08:56 | 0:09:00 | |
DOOR UNLOCKS | 0:09:00 | 0:09:01 | |
Father! | 0:09:01 | 0:09:02 | |
Sorry! It's the door, it's developed a fault. | 0:09:02 | 0:09:06 | |
Oh, hello? Mr Cardew? | 0:09:06 | 0:09:08 | |
There we go! | 0:09:12 | 0:09:14 | |
Well, come in, in you come. | 0:09:14 | 0:09:17 | |
Mind your step. | 0:09:18 | 0:09:20 | |
Now, don't worry, the back door is still, | 0:09:20 | 0:09:23 | |
broadly speaking, operational. | 0:09:23 | 0:09:25 | |
Right, then, may I take your cases? | 0:09:28 | 0:09:30 | |
-Thank you. -Thank you. -Thank you. -Lovely. | 0:09:30 | 0:09:33 | |
-Would you mind carrying them for me? I need to show you round. -Oh, no, wait! Who are you? | 0:09:33 | 0:09:38 | |
-I'm the caretaker. -But you're not Mr Cardew. | 0:09:38 | 0:09:42 | |
-I agree. -But I don't understand. Are you the new caretaker? | 0:09:42 | 0:09:45 | |
Usually called the Doctor. Or the Caretaker. Or Get Off This Planet. | 0:09:45 | 0:09:49 | |
Though, strictly speaking, that probably isn't a name. | 0:09:49 | 0:09:52 | |
Hello, Madge Arwell. | 0:09:52 | 0:09:53 | |
-Hello. -And Cyril Arwell. | 0:09:53 | 0:09:56 | |
And Lily Arwell. | 0:09:56 | 0:09:59 | |
Now, come on, come on, lots to see. Whistle-stop tour. | 0:09:59 | 0:10:02 | |
Take notes, there will be questions. | 0:10:02 | 0:10:04 | |
Smaller sitting room. Just chairs. | 0:10:04 | 0:10:07 | |
Bit pointless without a television, so I made some repairs. | 0:10:07 | 0:10:11 | |
I know! | 0:10:19 | 0:10:21 | |
Kitchen! That's a cooker, probably. | 0:10:21 | 0:10:23 | |
And these are taps. | 0:10:23 | 0:10:25 | |
Hot, cold... | 0:10:25 | 0:10:27 | |
-lemonade. -Lemonade? | 0:10:27 | 0:10:29 | |
I know! | 0:10:29 | 0:10:32 | |
Staircase. | 0:10:32 | 0:10:33 | |
Seems to have broken down. | 0:10:35 | 0:10:37 | |
We'll have to walk up. | 0:10:39 | 0:10:40 | |
I sleep up there, stay away, beware of panthers. | 0:10:40 | 0:10:43 | |
Panthers?? | 0:10:43 | 0:10:44 | |
They're terrifying! Have you never seen panthers? | 0:10:44 | 0:10:47 | |
Cyril! | 0:10:47 | 0:10:49 | |
Mum's bedroom, grown-up, your basic boring. | 0:10:49 | 0:10:54 | |
Lily and Cyril's room! I'm going to be honest... | 0:10:56 | 0:10:59 | |
masterpiece. The ultimate bedroom. | 0:10:59 | 0:11:02 | |
A sciencey-wiencey workbench. A jungle! A maze! | 0:11:02 | 0:11:05 | |
A window disguised as a mirror. A mirror disguised as a window! | 0:11:05 | 0:11:08 | |
Torches for midnight feasts and secret reading. | 0:11:08 | 0:11:10 | |
Zen garden, mysterious cupboard, zone of tranquility, | 0:11:10 | 0:11:14 | |
rubber wall, dream tank, exact model of the rest of the house - | 0:11:14 | 0:11:18 | |
not QUITE to scale, apologies - | 0:11:18 | 0:11:19 | |
dolls with comical expressions, the Magna Carta, a foot spa, | 0:11:19 | 0:11:23 | |
Cluedo, a yellow fort. | 0:11:23 | 0:11:25 | |
-Where are the beds? -I couldn't fit everything in. There had to be sacrifices. | 0:11:26 | 0:11:30 | |
Anyway, who needs beds when you've got... | 0:11:30 | 0:11:33 | |
..hammocks?! | 0:11:36 | 0:11:38 | |
(I know!) | 0:11:38 | 0:11:40 | |
-But how do you get on? -Watch and learn, kid. | 0:11:41 | 0:11:43 | |
For God's sake! | 0:11:47 | 0:11:48 | |
This hammock has developed a fault! | 0:11:50 | 0:11:52 | |
Can you please stop talking? Can you please just stop? | 0:11:52 | 0:11:55 | |
-Sorry. -Children, go downstairs. -Why? -Are we leaving? | 0:11:56 | 0:12:01 | |
Yes! No! I don't know. Just, please, go downstairs! | 0:12:01 | 0:12:05 | |
You don't need to shout. | 0:12:05 | 0:12:07 | |
Why are you doing all this? | 0:12:12 | 0:12:14 | |
I'm just...trying to take care of things. I'm the caretaker. | 0:12:14 | 0:12:18 | |
That's not what caretakers do. | 0:12:18 | 0:12:20 | |
Then why are they called caretakers? | 0:12:20 | 0:12:23 | |
Their father's dead. | 0:12:23 | 0:12:24 | |
I'm sorry. | 0:12:26 | 0:12:27 | |
Lily and Cyril's father - my husband - is dead, and they don't know yet. | 0:12:27 | 0:12:31 | |
Because if I tell them now, then Christmas will always be what took their father away from them, | 0:12:31 | 0:12:35 | |
and no-one should have to live like that. | 0:12:35 | 0:12:38 | |
Of course, when the Christmas period is over, I shall... | 0:12:39 | 0:12:42 | |
I don't know why I keep shouting at them. | 0:12:49 | 0:12:52 | |
Because every time you see them happy, | 0:12:52 | 0:12:54 | |
you remember how sad they're going to be, | 0:12:54 | 0:12:57 | |
and it breaks your heart. | 0:12:57 | 0:13:00 | |
Mother, come and see! | 0:13:01 | 0:13:03 | |
Mother, you've got to see this. Come on! | 0:13:03 | 0:13:06 | |
Because what's the point in them being happy now | 0:13:06 | 0:13:08 | |
if they're going to be sad later? | 0:13:08 | 0:13:10 | |
-Mother! -Mother? Are you coming? | 0:13:10 | 0:13:13 | |
The answer is, of course... | 0:13:13 | 0:13:15 | |
because they are going to be sad later. | 0:13:15 | 0:13:19 | |
Now, we'd better get downstairs. | 0:13:22 | 0:13:25 | |
I think they may have found the main sitting room. | 0:13:25 | 0:13:28 | |
Mother! | 0:13:28 | 0:13:29 | |
(I repaired it.) | 0:13:30 | 0:13:32 | |
Ha. | 0:13:40 | 0:13:41 | |
TRAIN TOOTS | 0:13:41 | 0:13:43 | |
CHILDREN LAUGH PLAYFULLY | 0:13:46 | 0:13:47 | |
I know! | 0:13:55 | 0:13:56 | |
Look at that present! | 0:13:56 | 0:13:58 | |
-It's for me! -It says it's for all of us. | 0:13:58 | 0:14:02 | |
I'm the youngest, I get to open it first! | 0:14:02 | 0:14:05 | |
Doesn't say who it's from. Mother, who left this here? | 0:14:05 | 0:14:08 | |
That man is quite ridiculous. You must stay away from him. | 0:14:12 | 0:14:16 | |
-I like him. -I like him, too. | 0:14:16 | 0:14:18 | |
And it's a nice tree, isn't it? | 0:14:18 | 0:14:21 | |
It's the BEST tree in the world. | 0:14:22 | 0:14:25 | |
Yes. | 0:14:25 | 0:14:28 | |
Yes, I suppose it is. | 0:14:28 | 0:14:29 | |
Say it, mother. Go on, please. | 0:14:31 | 0:14:33 | |
Say the thing you always say. | 0:14:33 | 0:14:35 | |
This Christmas is going to be the best Christmas ever. | 0:14:38 | 0:14:44 | |
SOFT WHISPERING VOICES | 0:14:51 | 0:14:55 | |
Lily! | 0:15:04 | 0:15:05 | |
Lily, can you sleep? | 0:15:06 | 0:15:09 | |
-Lily! -Shut up! | 0:15:09 | 0:15:11 | |
What do you think that present is? | 0:15:11 | 0:15:14 | |
We could just sneak down and have a look. | 0:15:14 | 0:15:16 | |
Go to sleep! | 0:15:16 | 0:15:17 | |
SOFT WHISPERING VOICES | 0:15:21 | 0:15:25 | |
ELECTRONIC SPARKING | 0:15:25 | 0:15:27 | |
ELECTRONIC SPARKING | 0:15:32 | 0:15:33 | |
SOFT WHISPERING VOICES | 0:15:45 | 0:15:48 | |
ELECTRONIC SPARKING | 0:15:50 | 0:15:52 | |
DOOR CREAKS | 0:16:00 | 0:16:01 | |
ELECTRONIC SPARKING | 0:16:09 | 0:16:12 | |
ELECTRONIC SPARKING | 0:16:23 | 0:16:25 | |
SOFT WHISPERING VOICES | 0:16:29 | 0:16:31 | |
ELECTRONIC SPARKING | 0:16:38 | 0:16:40 | |
You were lying about the panthers. | 0:16:43 | 0:16:46 | |
-Famous last words. -Why have you got a phone box in your room? | 0:16:46 | 0:16:50 | |
It's not a phone box, it's my... | 0:16:50 | 0:16:53 | |
wardrobe. I've just painted it to look like a phone box. | 0:16:53 | 0:16:57 | |
-What are you doing? -Rewiring. | 0:16:57 | 0:17:00 | |
-Why would you rewire a wardrobe? -Have you seen the way I dress? | 0:17:00 | 0:17:03 | |
SOFT WHISPERING VOICES | 0:17:05 | 0:17:08 | |
Who are you? | 0:17:10 | 0:17:11 | |
REALLY, who are you? | 0:17:11 | 0:17:13 | |
ELECTRONIC BLEEPING | 0:17:13 | 0:17:16 | |
Your brother, where is he? | 0:17:16 | 0:17:17 | |
SOFT WHISPERING VOICES | 0:17:17 | 0:17:20 | |
SOFT WHISPERING VOICES | 0:17:52 | 0:17:55 | |
DOOR OPENS | 0:18:32 | 0:18:33 | |
Still in bed, asleep. | 0:18:33 | 0:18:36 | |
OK. Faulty, then. | 0:18:36 | 0:18:38 | |
SQUEAK, HE GASPS | 0:19:09 | 0:19:12 | |
SQUEAK | 0:19:12 | 0:19:13 | |
SQUEAK | 0:19:13 | 0:19:14 | |
HE PANTS | 0:19:20 | 0:19:22 | |
ELECTRONIC BLEEPING | 0:19:24 | 0:19:26 | |
You're sure he's still in bed? | 0:19:27 | 0:19:29 | |
SOFT WHISPERING VOICES | 0:19:43 | 0:19:45 | |
-See? -Sh, sh! | 0:20:00 | 0:20:02 | |
OWL HOOTS | 0:20:09 | 0:20:11 | |
Oh, he's good! | 0:20:11 | 0:20:13 | |
The old bear and duvet, eh? | 0:20:13 | 0:20:15 | |
Classic. | 0:20:15 | 0:20:17 | |
Cyril! | 0:20:20 | 0:20:21 | |
What's happening? I don't... | 0:20:23 | 0:20:25 | |
What IS that? | 0:20:25 | 0:20:26 | |
With me, quickly, come on! | 0:20:26 | 0:20:29 | |
That's it. | 0:20:29 | 0:20:30 | |
In you come. Brr! Bit cold. Never mind. Cyril? | 0:20:30 | 0:20:34 | |
-Cyril? -Where are we?? | 0:20:36 | 0:20:39 | |
In a forest in a box in a sitting room. Pay attention! | 0:20:39 | 0:20:43 | |
He's about 20 minutes ahead of us. | 0:20:43 | 0:20:45 | |
-But we just saw him. -Time moves differently across the dimensional planes. | 0:20:45 | 0:20:49 | |
-What do they teach you in schools these days? -But I don't understand where we are! | 0:20:49 | 0:20:53 | |
We've gone through a dimensional portal... | 0:20:53 | 0:20:57 | |
-thingy. -Well, what's that supposed to be? Where did it come from? | 0:20:57 | 0:21:00 | |
It was a present. And it wasn't supposed to be opened till Christmas Day. | 0:21:00 | 0:21:03 | |
Honestly, who opens their Christmas presents early? | 0:21:03 | 0:21:07 | |
OK. Shut up. Everyone. | 0:21:07 | 0:21:11 | |
SOFT WHISPERING VOICES | 0:21:11 | 0:21:13 | |
I don't understand. Is this place real? | 0:21:34 | 0:21:38 | |
-Is it fairyland? -Fairyland?! Oh, grow up, Lily! | 0:21:38 | 0:21:42 | |
Fairyland looks completely different. | 0:21:42 | 0:21:44 | |
Now, these are Cyril's footprints, | 0:21:44 | 0:21:46 | |
and these are the ones he was following. | 0:21:46 | 0:21:50 | |
-Notice anything? -The other footprints are getting bigger. | 0:21:50 | 0:21:54 | |
Yes. Whatever your brother's following... | 0:21:54 | 0:21:59 | |
it's growing. | 0:21:59 | 0:22:00 | |
Well, then we have to get after him! | 0:22:04 | 0:22:07 | |
It's OK, you're fine. Don't worry. | 0:22:11 | 0:22:14 | |
Is that tree...alive? | 0:22:14 | 0:22:16 | |
-Of course it's alive, it's a TREE! -But is it dangerous? | 0:22:16 | 0:22:19 | |
Well, every rose has its thorns. | 0:22:19 | 0:22:21 | |
-They're like Christmas tree decorations. -Yeah. | 0:22:23 | 0:22:26 | |
Naturally occurring Christmas trees. | 0:22:26 | 0:22:28 | |
HE SNIFFS | 0:22:28 | 0:22:30 | |
Oh, how cool is that? | 0:22:30 | 0:22:32 | |
-I don't understand. -It's a big universe. | 0:22:32 | 0:22:34 | |
Everything happens somewhere. | 0:22:34 | 0:22:36 | |
Call it a coincidence, call it an idea echoing among the stars. | 0:22:36 | 0:22:39 | |
Personally, I call it a brilliant idea for a Christmas trip. | 0:22:39 | 0:22:43 | |
Or it should've... | 0:22:43 | 0:22:44 | |
SOFT WHISPERING VOICES | 0:22:44 | 0:22:46 | |
..been. | 0:22:46 | 0:22:47 | |
Do you know the difference between wind and trees talking to each other? | 0:22:48 | 0:22:52 | |
What? | 0:22:52 | 0:22:54 | |
No wind. | 0:22:59 | 0:23:01 | |
I've been here many times, but I've never heard the trees so active. | 0:23:01 | 0:23:05 | |
Something's wrong. | 0:23:05 | 0:23:07 | |
What are you doing? | 0:23:12 | 0:23:13 | |
What are you up to? | 0:23:15 | 0:23:17 | |
I'm sorry, Lily. I really am, | 0:23:25 | 0:23:27 | |
but there is something very wrong in this forest, | 0:23:27 | 0:23:31 | |
and your brother's right in the middle of it. | 0:23:31 | 0:23:33 | |
Lily and Cyril Arwell, where are you? | 0:23:33 | 0:23:36 | |
SOFT WHISPERING VOICES | 0:24:04 | 0:24:08 | |
DOOR CREAKS | 0:24:45 | 0:24:46 | |
HE GASPS | 0:25:05 | 0:25:06 | |
WOODEN CREAKING | 0:25:39 | 0:25:40 | |
Why would you bring us to this place? | 0:25:42 | 0:25:44 | |
It was supposed to be a treat. This is one of the safest planets I know. | 0:25:44 | 0:25:47 | |
There's never anything dangerous here. | 0:25:47 | 0:25:49 | |
BANG | 0:25:49 | 0:25:50 | |
There are sentences I should just keep away from. | 0:25:52 | 0:25:55 | |
BANG | 0:25:57 | 0:25:59 | |
BANG | 0:26:04 | 0:26:06 | |
BANG, SHE CRIES OUT | 0:26:09 | 0:26:11 | |
SHE GASPS | 0:26:21 | 0:26:23 | |
'This tree farm is private property. You are trespassing.' | 0:26:27 | 0:26:30 | |
Oh! | 0:26:30 | 0:26:31 | |
SCANNER WHINES | 0:26:37 | 0:26:38 | |
SCANNER WHINES | 0:26:42 | 0:26:44 | |
-Unarmed, sir. -What the hell are you doing here? | 0:26:44 | 0:26:46 | |
No, wait! Armed! No, unarmed. | 0:26:46 | 0:26:48 | |
Sorry, sir. She's wearing wool, sir. It's the natural fabrics, they interfere with... | 0:26:48 | 0:26:54 | |
Please say we can tell the difference between wool and side arms. | 0:26:54 | 0:26:57 | |
We can tell the difference, sir. | 0:26:57 | 0:26:58 | |
Can we? | 0:26:58 | 0:27:00 | |
Not always, sir, no. | 0:27:00 | 0:27:01 | |
What are you doing here, and do you understand what is about to happen in this forest? | 0:27:03 | 0:27:08 | |
-I was just... -Sir, I think she's a time traveller. | 0:27:08 | 0:27:12 | |
-And we're sure it's not her cardigan? -Who are you? | 0:27:12 | 0:27:16 | |
It was Christmas! | 0:27:16 | 0:27:18 | |
SHE SOBS | 0:27:18 | 0:27:20 | |
DOOR SQUEAKS AND CREAKS | 0:27:45 | 0:27:47 | |
It's just irresponsible! How can you do this to my brother? | 0:27:52 | 0:27:55 | |
-It was meant to be a supervised trip. -To the future? -The future, yes. | 0:27:55 | 0:27:58 | |
-On a different planet. -Oh, yes, very different. -Where Christmas trees just happen. | 0:27:58 | 0:28:03 | |
Sort of Christmas trees, they're not REALLY Christmas trees. | 0:28:03 | 0:28:06 | |
WOODEN CREAKING | 0:28:29 | 0:28:30 | |
Oh, look at that! | 0:28:33 | 0:28:37 | |
-What, are we going in? -Well, Cyril did. | 0:28:37 | 0:28:39 | |
Interesting... | 0:28:41 | 0:28:42 | |
What's that? What's that statue? What is it? | 0:28:43 | 0:28:46 | |
-It's like a king. -A king, possibly, but not a statue. | 0:28:46 | 0:28:51 | |
(Look at the floor.) | 0:28:52 | 0:28:54 | |
This is what Cyril was following - the growing thing. | 0:28:54 | 0:28:57 | |
Hatched from a bauble on a tree. | 0:28:57 | 0:28:59 | |
Grew to this size in less than an hour, I'd say. | 0:28:59 | 0:29:01 | |
Oosh! | 0:29:01 | 0:29:03 | |
Impressive. | 0:29:03 | 0:29:04 | |
And so is this building! | 0:29:04 | 0:29:06 | |
Yes. It's grown, see. | 0:29:06 | 0:29:08 | |
This building, it isn't a building, it's a group of trees | 0:29:08 | 0:29:11 | |
grown in the SHAPE of a building, disguised as a building. | 0:29:11 | 0:29:15 | |
Ooh, clever, I love. | 0:29:15 | 0:29:16 | |
Clever, clever old forest. | 0:29:16 | 0:29:19 | |
So, a forest grows a building. Why would it do that, Lily? | 0:29:19 | 0:29:22 | |
-I don't know. -Why's there honey in a honey trap? -Because it's a trap? | 0:29:22 | 0:29:27 | |
Exactly. Thing about people, we can never resist a door. | 0:29:27 | 0:29:30 | |
So, this is a trap? We've just walked straight into a trap? | 0:29:30 | 0:29:34 | |
A people trap. Question is... | 0:29:34 | 0:29:36 | |
(..why does a forest need people?) | 0:29:37 | 0:29:39 | |
-We should go! We have to get out of here. -Except? | 0:29:42 | 0:29:45 | |
Except Cyril's here. | 0:29:45 | 0:29:47 | |
So, let's find Cyril. | 0:29:51 | 0:29:53 | |
Ma'am, please stop crying. I can't interrogate you while you're crying. | 0:29:57 | 0:30:00 | |
This is a military engagement! | 0:30:00 | 0:30:02 | |
There's no crying in military engagements! | 0:30:02 | 0:30:05 | |
Corporal Ven-Garr, are you.... | 0:30:07 | 0:30:09 | |
I'm fine, sir. | 0:30:09 | 0:30:11 | |
What is wrong with you?? | 0:30:11 | 0:30:13 | |
I have...mother issues, sir. It's all on file. | 0:30:13 | 0:30:16 | |
It won't affect the performance of my duties. | 0:30:16 | 0:30:19 | |
Sir, with regret, I'm going to have to lower my gun. | 0:30:19 | 0:30:23 | |
-Why? -She is a crying, unarmed female civilian. | 0:30:23 | 0:30:28 | |
-I'm thinking of the visual. -Nobody's looking. | 0:30:28 | 0:30:31 | |
Doesn't mean there's no visual. | 0:30:31 | 0:30:33 | |
That's exactly what "nobody's looking" means! It means there's no visual. | 0:30:33 | 0:30:37 | |
VEN-GARR SOBS | 0:30:37 | 0:30:39 | |
I'm sorry, sir. it's under control. Do you want me to shoot her, sir? | 0:30:39 | 0:30:42 | |
Oh, this visual's deteriorating, sir. | 0:30:42 | 0:30:44 | |
Shut up! | 0:30:44 | 0:30:46 | |
What are you doing?? | 0:30:48 | 0:30:50 | |
I am respecting her as a woman, sir. | 0:30:50 | 0:30:53 | |
Oh... OK. We're putting our guns on the ground. | 0:30:53 | 0:30:58 | |
OK? Happy now? We're stepping away from our guns. | 0:30:59 | 0:31:04 | |
Now can we interrogate you?? | 0:31:04 | 0:31:06 | |
We're from Androzani Major, the year is 5345, and we mean you no harm. | 0:31:08 | 0:31:13 | |
Where are you from? | 0:31:13 | 0:31:15 | |
England, 1941. | 0:31:15 | 0:31:18 | |
And there's a war on. | 0:31:18 | 0:31:20 | |
Oh, crying's ever so useful, isn't it? | 0:31:23 | 0:31:26 | |
If you say so. But there's nothing you could say that would convince me you'd ever use that gun. | 0:31:26 | 0:31:31 | |
Oh, really? | 0:31:31 | 0:31:34 | |
Well, I'm looking for my children! | 0:31:34 | 0:31:36 | |
Cyril? | 0:31:37 | 0:31:38 | |
Cyril? Can you hear me? | 0:31:41 | 0:31:43 | |
Cyril? Cyril? | 0:31:44 | 0:31:46 | |
Cyril, can you hear me? | 0:31:47 | 0:31:48 | |
Oh, of course, it's wood! It's rubbish at wood! | 0:31:48 | 0:31:51 | |
-It doesn't LOOK like wood. -It's disguised wood. Have you been listening? | 0:31:51 | 0:31:54 | |
-How can trees grow into a building? -Never underestimate a tree, Lily. | 0:31:54 | 0:31:58 | |
I met the forest of Cheem once. She fancied me. | 0:31:58 | 0:32:00 | |
-Look at that! -Busy, actually. Yes, I know it's wood. Get over it! | 0:32:03 | 0:32:07 | |
-But there are stars. There are stars coming out. -That does happen, Lily. Cyril! | 0:32:07 | 0:32:11 | |
Yes. But out of the trees. | 0:32:11 | 0:32:13 | |
What is that? | 0:32:18 | 0:32:19 | |
Life force. | 0:32:21 | 0:32:24 | |
Pure life force, just... | 0:32:24 | 0:32:27 | |
..singing. | 0:32:29 | 0:32:30 | |
Beautiful. | 0:32:31 | 0:32:34 | |
Doesn't it make you want to cry? | 0:32:34 | 0:32:36 | |
Crying when you're happy. | 0:32:38 | 0:32:40 | |
Ah, good for you. | 0:32:40 | 0:32:42 | |
That's so human. | 0:32:42 | 0:32:44 | |
WHOOSHING | 0:32:44 | 0:32:45 | |
-What's it? What is it? Tell me, what?! -Cyril! | 0:32:45 | 0:32:48 | |
Can you hear me?? | 0:32:48 | 0:32:50 | |
WOODEN CREAKING | 0:32:50 | 0:32:51 | |
WOODEN CREAKING | 0:33:00 | 0:33:02 | |
LOUD BANGING | 0:33:09 | 0:33:11 | |
BANGING ECHOES | 0:33:11 | 0:33:13 | |
(Oh, my god! Oh, my god!) | 0:33:13 | 0:33:16 | |
What is all this? | 0:33:23 | 0:33:25 | |
Is it some kind of cockpit? | 0:33:25 | 0:33:28 | |
My husband's a pilot. | 0:33:28 | 0:33:30 | |
It drives the platform. | 0:33:30 | 0:33:32 | |
I don't understand! How did I get here? | 0:33:32 | 0:33:34 | |
-You tell us, ma'am. -I'm looking for my children. -There can't be anyone else in this forest. | 0:33:34 | 0:33:38 | |
Well, she found her way in. Maybe her kids did, too. | 0:33:38 | 0:33:41 | |
-Then God help them. -Why do you say that? | 0:33:41 | 0:33:44 | |
We can do a scan for life forms. We can detect people, even though they're far away. | 0:33:44 | 0:33:48 | |
-Like RDF? Radar? -Yes. -Then please stop patronising me and get on with it! -Yes, ma'am. | 0:33:48 | 0:33:53 | |
Why did you say, God help my children? | 0:33:53 | 0:33:55 | |
This forest is about to be harvested. | 0:33:55 | 0:33:58 | |
Harvested? | 0:33:58 | 0:33:59 | |
Androzani trees. Greatest fuel source ever. | 0:33:59 | 0:34:03 | |
The entire area is being melted down for battery fluid. | 0:34:03 | 0:34:06 | |
Melted down? How do you melt a forest? | 0:34:06 | 0:34:08 | |
Acid rain. The satellites are in position. | 0:34:08 | 0:34:11 | |
Anyone still out there in five minutes...is going to burn. | 0:34:11 | 0:34:16 | |
Caretaker, it's coming. | 0:34:20 | 0:34:23 | |
-Open it! -I'm trying! -Open it! -I'm trying! | 0:34:23 | 0:34:26 | |
BANG, SCRAPING | 0:34:26 | 0:34:27 | |
-(That wasn't me.) -It doesn't matter! | 0:34:29 | 0:34:31 | |
What's wrong with him, Caretaker? Is he dead? | 0:34:37 | 0:34:40 | |
It's OK, he's just unconscious. | 0:34:40 | 0:34:43 | |
So, what are you, then? | 0:34:43 | 0:34:45 | |
Not a king, a queen! | 0:34:45 | 0:34:47 | |
The Queen Bee of the forest. | 0:34:47 | 0:34:49 | |
Caretaker! | 0:34:49 | 0:34:51 | |
Look! | 0:34:51 | 0:34:53 | |
It's like... | 0:34:55 | 0:34:57 | |
-Like what? -Like the life force is leaving the forest. | 0:34:57 | 0:35:01 | |
THUMPING FOOTSTEPS | 0:35:04 | 0:35:06 | |
What are they doing? Stop him! | 0:35:09 | 0:35:12 | |
Oh, aliens made of wood! This was always going to happen, you know. | 0:35:14 | 0:35:17 | |
Um... | 0:35:18 | 0:35:20 | |
It's OK. I think they just want to talk to us. | 0:35:20 | 0:35:25 | |
They're scared. | 0:35:30 | 0:35:33 | |
Can't you hear them? The trees are screaming. Can't you hear? | 0:35:35 | 0:35:40 | |
No. But you can. | 0:35:40 | 0:35:43 | |
You're connected to them. | 0:35:43 | 0:35:45 | |
OK, picking up life signs about half a mile away. | 0:35:45 | 0:35:48 | |
Can we go to them? Can we move this thing? | 0:35:48 | 0:35:51 | |
I'm not trained, ma'am. Those two are. | 0:35:51 | 0:35:53 | |
-I can't trust them. -I can't drive the platform, ma'am. | 0:35:53 | 0:35:55 | |
It looks a little like a plane. | 0:35:55 | 0:35:58 | |
My husband flies a plane. He took me up once. | 0:35:58 | 0:36:00 | |
It takes years of training! | 0:36:00 | 0:36:02 | |
I'm scanning for an audio connection - we might be able to hear them. | 0:36:02 | 0:36:06 | |
'Acid rain alert, five-minute warning. Prepare for beam-out.' | 0:36:06 | 0:36:11 | |
-I'm so sorry! You have to find a way out! -'Evacuate.' | 0:36:11 | 0:36:14 | |
Acid fall is coming. You won't last two minutes! | 0:36:14 | 0:36:16 | |
-'Evacuate.' -Don't go! No, please wait! No! | 0:36:16 | 0:36:19 | |
What am I going to do? I... | 0:36:19 | 0:36:21 | |
'Evacuate. Evacuate.' | 0:36:21 | 0:36:23 | |
-Where have you gone? -'Acid fall in five minutes. Unauthorised personnel will be incinerated.' | 0:36:23 | 0:36:28 | |
BLEEPING | 0:36:28 | 0:36:31 | |
-LILY: 'Why have the stars left the trees? -CYRIL: I think they're...' | 0:36:31 | 0:36:36 | |
Just concentrate. What are they doing? | 0:36:36 | 0:36:39 | |
Evacuating. They're evacuating. | 0:36:41 | 0:36:43 | |
Why? | 0:36:43 | 0:36:44 | |
They're...frightened of the rain. | 0:36:44 | 0:36:48 | |
The rain that burns. | 0:36:48 | 0:36:50 | |
'Caretaker, please explain. | 0:36:56 | 0:36:58 | |
'I'm frightened.' | 0:36:58 | 0:37:00 | |
Those stars. They're pure life force. Souls, if you like. | 0:37:00 | 0:37:04 | |
And they're trying to escape because they think their home is going to burn. | 0:37:04 | 0:37:09 | |
Why can't they just float up into the sky? | 0:37:09 | 0:37:11 | |
They need to travel inside a living thing. | 0:37:11 | 0:37:15 | |
Inside Cyril. You see, this... | 0:37:15 | 0:37:18 | |
It's not a crown, it's a relay. | 0:37:21 | 0:37:24 | |
They're turning your brother into a lifeboat! | 0:37:24 | 0:37:28 | |
That's what this place is for, then. | 0:37:28 | 0:37:30 | |
It's an escape plan, is that it? | 0:37:30 | 0:37:33 | |
Don't you harm him. Do not touch that child! | 0:37:33 | 0:37:35 | |
ALIEN VOICE: Your coming was foretold. | 0:37:36 | 0:37:39 | |
-Oh, my god, what is that? Why does he sound like that? -Oh, hello! Are we lip-synching now? | 0:37:39 | 0:37:45 | |
-We had faith. Your coming was foretold. -There's no such thing as foretelling. Trust a time traveller. | 0:37:45 | 0:37:50 | |
We waited, and you came. | 0:37:50 | 0:37:53 | |
So, you've got an escape plan. Why aren't you escaping? | 0:37:53 | 0:37:58 | |
The child is weak. | 0:37:58 | 0:38:00 | |
You mean he's a child. | 0:38:00 | 0:38:01 | |
No, he is weak. The forest cannot live in him. | 0:38:01 | 0:38:04 | |
But there are others. | 0:38:04 | 0:38:07 | |
There certainly are, and the good thing is, I look great in a hat. | 0:38:07 | 0:38:12 | |
-So, let's get this thing off, eh? -You are also weak. | 0:38:12 | 0:38:16 | |
I'm really not. | 0:38:16 | 0:38:18 | |
Let's save a forest, eh, Cyril? | 0:38:18 | 0:38:20 | |
You are not the one. You are weak. | 0:38:20 | 0:38:24 | |
I'm really not! | 0:38:24 | 0:38:25 | |
-Ahh! Ahhhh! -Let go of it, just let go! | 0:38:27 | 0:38:31 | |
Ahh! | 0:38:31 | 0:38:32 | |
Let go of it! Just let go! | 0:38:32 | 0:38:35 | |
-Please, just drop it! -I can't! | 0:38:35 | 0:38:37 | |
Oh. It's funny, isn't it? | 0:38:40 | 0:38:43 | |
It's sort of...tingly. | 0:38:43 | 0:38:46 | |
Tingly?! | 0:38:47 | 0:38:48 | |
ALIEN VOICE: She is strong, but she is young. | 0:38:51 | 0:38:53 | |
LILY GASPS | 0:38:53 | 0:38:55 | |
She's strong, I'm weak. | 0:38:56 | 0:38:59 | |
-Interesting. -Mummy? | 0:38:59 | 0:39:01 | |
Cyril, it's all right. It's me. | 0:39:02 | 0:39:05 | |
Mummy isn't here, but we're going home to her right now. | 0:39:05 | 0:39:11 | |
-Aren't we, Caretaker? -THUNDER RUMBLES | 0:39:11 | 0:39:13 | |
(No.) | 0:39:15 | 0:39:17 | |
I don't think we are. | 0:39:17 | 0:39:19 | |
HEAVY RAINFALL | 0:39:19 | 0:39:22 | |
The rain that burns. | 0:39:22 | 0:39:24 | |
Acid rain. | 0:39:25 | 0:39:27 | |
'We have to get out of this forest, we're in terrible danger. | 0:39:32 | 0:39:35 | |
'This tower won't protect us for long. | 0:39:35 | 0:39:38 | |
-'Where's Mummy? -She's coming. You know she's coming, because...' | 0:39:38 | 0:39:43 | |
because she always comes, doesn't she? | 0:39:43 | 0:39:46 | |
Cyril, the way we came here, that door won't stay open for ever. | 0:39:47 | 0:39:51 | |
Now, I'm not even sure if I can get us through the forest safely, | 0:39:51 | 0:39:55 | |
but if we're going to have any chance at all, | 0:39:55 | 0:39:59 | |
we have to go now. | 0:39:59 | 0:40:01 | |
No. We wait for Mummy. | 0:40:01 | 0:40:04 | |
Mummy always comes. | 0:40:04 | 0:40:06 | |
Not this time, Cyril. I'm sorry, but not this time. | 0:40:06 | 0:40:10 | |
What's that? | 0:40:16 | 0:40:17 | |
-It's an Androzani Harvester, but... -You recognise that thing? | 0:40:17 | 0:40:22 | |
More to the point... | 0:40:22 | 0:40:24 | |
I think I recognise the driving! | 0:40:24 | 0:40:27 | |
Ha ha! Madge has entered the forest! | 0:40:30 | 0:40:33 | |
Come on, Madge, you can do it! You go, girl! | 0:40:35 | 0:40:39 | |
Shut up, you ridiculous oaf! | 0:40:39 | 0:40:41 | |
Come on. This way - whoa! - you can do it, you can do it! | 0:40:41 | 0:40:44 | |
Excellent driving! Hello! | 0:40:44 | 0:40:47 | |
-Caretaker? -Yes! | 0:40:47 | 0:40:49 | |
You're fired! | 0:40:49 | 0:40:51 | |
Oh... | 0:40:51 | 0:40:52 | |
SHE STRAINS | 0:40:54 | 0:40:57 | |
Who-o-o-oa! | 0:40:57 | 0:40:59 | |
CRASH! | 0:41:01 | 0:41:03 | |
It's OK, she's fine, don't worry. | 0:41:03 | 0:41:05 | |
Stay here. Just stay here. | 0:41:05 | 0:41:07 | |
Madge, Madge! | 0:41:07 | 0:41:09 | |
You OK? | 0:41:11 | 0:41:13 | |
Stay inside, the rain is frightful! | 0:41:13 | 0:41:16 | |
Lily? Cyril? | 0:41:16 | 0:41:18 | |
Cyril! | 0:41:23 | 0:41:26 | |
-Mum! -Lily! | 0:41:26 | 0:41:28 | |
Ah! | 0:41:28 | 0:41:30 | |
What are you doing? How dare you leave the house?! | 0:41:30 | 0:41:35 | |
Cyril, what have I told you about opening your presents early? | 0:41:35 | 0:41:38 | |
-Sorry, Mummy. -Something like this was bound to happen. | 0:41:38 | 0:41:41 | |
LILY GASPS | 0:41:41 | 0:41:42 | |
WOODEN CREAKING | 0:41:42 | 0:41:43 | |
Oh, what are those? | 0:41:43 | 0:41:46 | |
Stay away from it. You have to stay back. | 0:41:46 | 0:41:49 | |
-That's beautiful, isn't it? -Mummy? | 0:41:49 | 0:41:52 | |
See how it shines! | 0:41:52 | 0:41:55 | |
Nice one, Madge. A complete write-off! | 0:42:03 | 0:42:05 | |
The stars are going inside her. She's taking the whole forest! | 0:42:21 | 0:42:25 | |
Oh, this is marvellous. | 0:42:25 | 0:42:26 | |
Oh, this is really quite wonderful. | 0:42:26 | 0:42:29 | |
Madge! Are you all right? | 0:42:42 | 0:42:45 | |
Talk to me. Madge, can you hear me? | 0:42:45 | 0:42:50 | |
Yes, I can hear you. I'm perfectly fine, thank you. | 0:42:50 | 0:42:53 | |
Fine?! You've got a whole world inside your head! | 0:42:53 | 0:42:57 | |
I know. It's funny, isn't it? | 0:42:57 | 0:42:59 | |
One can't imagine being a forest, then suddenly one can. | 0:42:59 | 0:43:04 | |
How remarkable! | 0:43:04 | 0:43:06 | |
You're OK? She's OK? | 0:43:06 | 0:43:07 | |
ALIEN VOICE: She is strong. | 0:43:08 | 0:43:10 | |
Ooh! That wasn't me. | 0:43:12 | 0:43:15 | |
Oh, this is all really rather clever, isn't it? | 0:43:15 | 0:43:17 | |
She's strong? She's strong? Ooh! | 0:43:17 | 0:43:20 | |
Ooh! Stupid me! Stupid old Doctor! | 0:43:20 | 0:43:24 | |
-Do you get it, Cyril? -No. -Lily, you do, don't you? -No. | 0:43:24 | 0:43:28 | |
Course you do! Think about it! | 0:43:28 | 0:43:30 | |
Weak and strong, it's a translation. | 0:43:30 | 0:43:32 | |
Translated from the base code of nature itself. | 0:43:32 | 0:43:35 | |
You and I, Cyril, we're weak. | 0:43:35 | 0:43:37 | |
But SHE'S female. | 0:43:37 | 0:43:39 | |
More than female. She's Mum. How else does life ever travel? | 0:43:39 | 0:43:44 | |
The MOTHER ship! | 0:43:44 | 0:43:45 | |
EXPLOSIONS | 0:43:45 | 0:43:47 | |
-What's happening?? -No idea. | 0:43:53 | 0:43:55 | |
Do what I do - hold tight and pretend it's a plan. | 0:43:55 | 0:43:59 | |
This is...amazing. | 0:44:13 | 0:44:15 | |
-Where are we? -Technically, we're not anywhere. | 0:44:15 | 0:44:18 | |
We've flown into the time vortex. You've got what you wanted - | 0:44:18 | 0:44:22 | |
those idiots down there can burn your old home and you'll be safe out here. | 0:44:22 | 0:44:26 | |
But these people helped you, and they're in my protection. | 0:44:26 | 0:44:29 | |
Now help them. How do we get home? | 0:44:29 | 0:44:31 | |
ALIEN VOICE: Think. | 0:44:33 | 0:44:34 | |
Sorry, what? | 0:44:34 | 0:44:36 | |
She must only think. | 0:44:36 | 0:44:38 | |
Madge, did you hear that? You said it, but did you hear it? You've got to think. | 0:44:38 | 0:44:43 | |
Think...what? | 0:44:43 | 0:44:45 | |
Think of home, just picture it. Feel it! | 0:44:45 | 0:44:47 | |
You have to really feel it. Can you do that? | 0:44:47 | 0:44:49 | |
Your mind is controlling this vessel. | 0:44:49 | 0:44:52 | |
You can fly us all back for Christmas! | 0:44:52 | 0:44:54 | |
My head is full of trees, Caretaker. Can't YOU fly us home? | 0:44:54 | 0:44:58 | |
I don't have a home to think of. And, between you and me, I'm older than I look, | 0:44:58 | 0:45:02 | |
and I can't feel the way you do, not any more. And you really need to feel it, Madge. | 0:45:02 | 0:45:08 | |
Everything about home you miss, till you can't bear it, till you almost burst. | 0:45:08 | 0:45:12 | |
Till it hurts? Is that what you mean, Caretaker? | 0:45:12 | 0:45:17 | |
-Till it hurts? -Yes. | 0:45:17 | 0:45:20 | |
Yes. | 0:45:20 | 0:45:21 | |
Well, then... home in time for Christmas! | 0:45:33 | 0:45:38 | |
SHE GASPS AND MOANS | 0:45:38 | 0:45:39 | |
What's happening? Where are we going? | 0:45:46 | 0:45:49 | |
Show them! Show them! | 0:45:49 | 0:45:51 | |
Ha! The time vortex. | 0:45:54 | 0:45:57 | |
Your mother is flying a forest through the time vortex. | 0:45:57 | 0:46:01 | |
Be a little impressed! | 0:46:01 | 0:46:02 | |
What are you going home for? What's pulling you there? | 0:46:02 | 0:46:05 | |
Please, try. Please, think. | 0:46:05 | 0:46:07 | |
-Reg! -Daddy! | 0:46:08 | 0:46:10 | |
My Reg! | 0:46:10 | 0:46:12 | |
That's it. Focus on Reg. Be careful, but focus on him. | 0:46:16 | 0:46:20 | |
I don't know... | 0:46:20 | 0:46:22 | |
How did you meet? You and Reg, tell me how you met. | 0:46:22 | 0:46:25 | |
He followed me home. | 0:46:25 | 0:46:27 | |
I worked in the dairy, he always used to follow me home. | 0:46:28 | 0:46:31 | |
Look at Father. He looks so young! | 0:46:31 | 0:46:34 | |
He said he'd keep on following me till I married him! | 0:46:34 | 0:46:37 | |
-Didn't like to make a scene! -Just stay focused. Think of home. | 0:46:38 | 0:46:42 | |
This thing, it works psychically - it'll find a signal and lock on. | 0:46:42 | 0:46:46 | |
No. No, please, don't show me that! Please, don't show me that! | 0:46:46 | 0:46:50 | |
-Is that Daddy's plane? -Please, I don't want to see that! Please, no! -No, no, no, Madge. | 0:46:50 | 0:46:55 | |
-We can't break the signal now, I'm sorry! -Not the night he died! I don't want to see him die! | 0:46:55 | 0:47:00 | |
SHE SOBS | 0:47:00 | 0:47:02 | |
What do you mean... the night he died? | 0:47:02 | 0:47:06 | |
-Oh, please don't make me watch him die! -Mummy? Is Daddy dead? | 0:47:06 | 0:47:11 | |
Mummy! | 0:47:13 | 0:47:14 | |
Sir, Anderson's in a bad way. Where are we? | 0:47:22 | 0:47:26 | |
I don't know. Somewhere over the Channel. | 0:47:26 | 0:47:28 | |
-What do I tell Anderson? -Tell him... | 0:47:28 | 0:47:31 | |
Tell him... Tell him we're going home for Christmas. | 0:47:31 | 0:47:34 | |
Yes, sir. | 0:47:34 | 0:47:35 | |
I'm sorry, my love. | 0:47:42 | 0:47:44 | |
MADGE: Goodbye, my love. Goodbye! | 0:47:57 | 0:48:00 | |
SHE SOBS | 0:48:00 | 0:48:02 | |
GROANING | 0:48:10 | 0:48:13 | |
Cyril! Lily! Are you all right? | 0:48:13 | 0:48:17 | |
Yeah. | 0:48:17 | 0:48:19 | |
Are they dead? | 0:48:20 | 0:48:22 | |
No. They're just wood now. They've been... | 0:48:22 | 0:48:25 | |
..emptied. | 0:48:26 | 0:48:28 | |
-The forest has gone from your head too, hasn't it? -But where is it now? | 0:48:28 | 0:48:33 | |
The life force of the whole forest has transmuted itself | 0:48:33 | 0:48:36 | |
into a sub-etheric waveband of light, which can exist as a... | 0:48:36 | 0:48:39 | |
The... The... The... | 0:48:40 | 0:48:43 | |
souls of the trees are out among the stars, | 0:48:43 | 0:48:47 | |
and they're shining, very happy. | 0:48:47 | 0:48:50 | |
And you got them there. Well done, Madge. | 0:48:50 | 0:48:54 | |
And where are we? | 0:48:54 | 0:48:56 | |
Home! Christmas morning! We've taken a bit of a short cut. | 0:48:56 | 0:49:01 | |
-Haven't you always wanted to do that? -Mother? | 0:49:01 | 0:49:06 | |
Oh, look at you. You've been so brave. You... | 0:49:06 | 0:49:09 | |
Look, we're home again, see? | 0:49:10 | 0:49:14 | |
What did you mean, watch him die? | 0:49:14 | 0:49:16 | |
Where's Father? Where is he? Where's Daddy? | 0:49:18 | 0:49:21 | |
Why are you holding a telegram? | 0:49:26 | 0:49:28 | |
Well, what does it say? | 0:49:32 | 0:49:34 | |
Please, just tell us! | 0:49:34 | 0:49:36 | |
Tell us! | 0:49:38 | 0:49:39 | |
I imagine you'd prefer to be alone. | 0:49:40 | 0:49:43 | |
I don't believe anyone would prefer that. | 0:49:43 | 0:49:47 | |
Stay close, Caretaker. | 0:49:47 | 0:49:49 | |
I'll be right outside. | 0:49:49 | 0:49:50 | |
Lily... | 0:49:57 | 0:49:59 | |
Cyril... | 0:49:59 | 0:50:00 | |
A few nights ago, your father, | 0:50:13 | 0:50:15 | |
who, as you know, was the best of men and the bravest of pilots, | 0:50:15 | 0:50:19 | |
was flying home for Christmas. | 0:50:19 | 0:50:21 | |
His plane was badly damaged, and his instruments failed him. | 0:50:23 | 0:50:29 | |
Unfortunately, he was flying on a night where there was no moon, | 0:50:29 | 0:50:34 | |
and because it was very cloudy, there were no stars... | 0:50:34 | 0:50:38 | |
There were no stars to light his way. | 0:50:41 | 0:50:44 | |
-Did he get lost? -Yes, Cyril. He got so very lost. | 0:50:44 | 0:50:49 | |
Um... Sorry to interrupt. | 0:50:50 | 0:50:52 | |
You might want to pop out here for a moment. | 0:50:52 | 0:50:55 | |
Caretaker, I'm talking to my children! | 0:50:55 | 0:50:57 | |
I know. | 0:50:57 | 0:50:58 | |
And before you go any further, I think you'd better come and look. | 0:50:58 | 0:51:03 | |
No stars to light the way, Madge? | 0:51:10 | 0:51:12 | |
There was one. | 0:51:12 | 0:51:14 | |
There was you! | 0:51:15 | 0:51:17 | |
What is it? | 0:51:22 | 0:51:24 | |
I don't know... but it's all we've got. | 0:51:24 | 0:51:27 | |
We can follow it! | 0:51:27 | 0:51:29 | |
Madge Arwell, who flew a whole forest though the time vortex... | 0:51:35 | 0:51:39 | |
plus one husband! | 0:51:39 | 0:51:41 | |
He did it again, Madge. He followed you home. | 0:51:41 | 0:51:44 | |
Look what you can do! | 0:51:44 | 0:51:47 | |
Mother Christmas! | 0:51:47 | 0:51:48 | |
Madge! | 0:51:48 | 0:51:50 | |
What am I doing here? | 0:51:51 | 0:51:53 | |
It's Christmas Day, my love! Where else would you be? | 0:51:53 | 0:51:56 | |
-Christmas Day? How? -We took a short cut. | 0:51:56 | 0:52:01 | |
-Daddy! -Daddy! | 0:52:06 | 0:52:08 | |
Happy crying. | 0:52:24 | 0:52:27 | |
Humany-wumany. | 0:52:27 | 0:52:29 | |
MUSIC: Silent Night | 0:52:31 | 0:52:34 | |
Ah... | 0:52:54 | 0:52:56 | |
Of course! It's you, isn't it? | 0:52:56 | 0:53:00 | |
My spaceman angel, with his head on backwards! | 0:53:00 | 0:53:02 | |
How do I look the right way round? | 0:53:02 | 0:53:04 | |
-Funnier. -OK. -So, you came back. | 0:53:04 | 0:53:07 | |
Well, you were there for me when I had a bad day. | 0:53:07 | 0:53:10 | |
Always like to return a favour. | 0:53:10 | 0:53:12 | |
Got a bit glitchy in the middle there, but it sort of worked out in the end. | 0:53:12 | 0:53:17 | |
Story of my life. | 0:53:18 | 0:53:20 | |
Thank you. | 0:53:21 | 0:53:23 | |
Oh, you did it all yourself, Madge Arwell. | 0:53:26 | 0:53:31 | |
But thanks for thanking me. | 0:53:31 | 0:53:32 | |
Now, the last time I saw you, I went back the next day, | 0:53:32 | 0:53:35 | |
but the police box had gone. | 0:53:35 | 0:53:37 | |
Yeah. You want to see how it's done? | 0:53:37 | 0:53:39 | |
No. I want you to stay for Christmas, please. | 0:53:39 | 0:53:43 | |
Ah. Well, you see, things to do, people to see. | 0:53:43 | 0:53:46 | |
Of course, yes. Family of your own. | 0:53:46 | 0:53:49 | |
Well... | 0:53:49 | 0:53:50 | |
-..no, actually... -Oh! Yes, yes, you said no family. | 0:53:51 | 0:53:55 | |
But there must be people who love you. Friends... | 0:53:55 | 0:53:58 | |
No. Well, yes. But... | 0:53:58 | 0:54:01 | |
It's a long story... | 0:54:01 | 0:54:04 | |
but they all think I'm dead. | 0:54:04 | 0:54:06 | |
Never mind. Anyway, watch my box do its thing. | 0:54:06 | 0:54:08 | |
It's really cool, you'll love it. | 0:54:08 | 0:54:10 | |
-No, no-one should be alone at Christmas. -I'm fine, I don't mind. I'm really very good at... | 0:54:10 | 0:54:14 | |
I'm talking about your friends! You can't let them think that you're dead! Not at Christmas! | 0:54:14 | 0:54:19 | |
-It's complicated, very complicated, it's far too complicated... -You must tell them. At once. Off you go. | 0:54:19 | 0:54:24 | |
Yes, Mum. I'll think about it. | 0:54:27 | 0:54:30 | |
Now, eyes on the box. | 0:54:37 | 0:54:39 | |
Oh, Caretaker? | 0:54:40 | 0:54:42 | |
What if I require you again? | 0:54:42 | 0:54:44 | |
Make a wish! | 0:54:44 | 0:54:46 | |
What the hell was that? | 0:55:09 | 0:55:11 | |
Oh, it was just the Caretaker returning to the time vortex. | 0:55:11 | 0:55:15 | |
It's a lovely place. I've been there myself! Shall we go downstairs? | 0:55:15 | 0:55:20 | |
AMY: Ughhh! If that is more carol singers, I have a water pistol! | 0:55:27 | 0:55:31 | |
You don't want to be all wet on a night like this. | 0:55:31 | 0:55:34 | |
Not absolutely sure... | 0:55:40 | 0:55:42 | |
how long... | 0:55:42 | 0:55:44 | |
Two years? | 0:55:44 | 0:55:45 | |
OK. | 0:55:48 | 0:55:50 | |
-Fair point. -So... | 0:55:50 | 0:55:53 | |
-You're not dead. -And a happy New Year! | 0:55:53 | 0:55:56 | |
River told us. | 0:55:59 | 0:56:01 | |
-Well, of course she did. -She's a good girl. | 0:56:03 | 0:56:06 | |
Well? I'm not going to hug first. | 0:56:08 | 0:56:10 | |
Nor am I. | 0:56:10 | 0:56:13 | |
THEY LAUGH | 0:56:31 | 0:56:34 | |
Oh! | 0:56:34 | 0:56:36 | |
Ohh! Mr Pond! | 0:56:43 | 0:56:45 | |
Guess who's coming for dinner! | 0:56:45 | 0:56:48 | |
Oooh! Not dead, then. | 0:56:48 | 0:56:51 | |
-We've done that. -Oh. -We're about to have Christmas dinner. Joining us? | 0:56:51 | 0:56:54 | |
-If it's no trouble. -There's a place set for you. -But you didn't know I was coming. | 0:56:54 | 0:56:58 | |
-Why would you set me a place? -Oh, because we always do. | 0:56:58 | 0:57:03 | |
It's Christmas, you moron. | 0:57:03 | 0:57:06 | |
Come on. | 0:57:07 | 0:57:09 | |
Subtitles by Red Bee Media Ltd | 0:57:56 | 0:57:59 | |
E-mail [email protected] | 0:57:59 | 0:58:02 |