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ORIGINAL THEME TUNE | 0:00:02 | 0:00:05 | |
BELL TOLLS | 0:00:19 | 0:00:21 | |
SHIPPING FORECAST ON RADIO: '..Wind southwest. Rain at times...' | 0:00:21 | 0:00:24 | |
CLARA: "Waste no more time arguing about what a good man should be. | 0:00:27 | 0:00:31 | |
"Be one." Marcus Aurelius. | 0:00:31 | 0:00:34 | |
BELL RINGS | 0:00:34 | 0:00:37 | |
Have you been running? | 0:00:43 | 0:00:44 | |
Are you OK? There was a call for you, at the office. | 0:00:44 | 0:00:49 | |
From your doctor. | 0:00:49 | 0:00:50 | |
Did he leave an address? | 0:00:53 | 0:00:55 | |
HORN HONKS | 0:01:20 | 0:01:22 | |
Draught! | 0:01:36 | 0:01:37 | |
Fancy a week in Ancient Mesopotamia... | 0:01:40 | 0:01:43 | |
followed by future Mars? | 0:01:43 | 0:01:45 | |
Will there be cocktails? | 0:01:45 | 0:01:47 | |
On the moon. | 0:01:47 | 0:01:49 | |
The moon'll do! | 0:01:49 | 0:01:50 | |
Ha-ha! | 0:01:50 | 0:01:52 | |
How's the new job? Teach anything good? | 0:01:56 | 0:01:58 | |
No. Learn anything? | 0:01:58 | 0:01:59 | |
Not a thing. | 0:01:59 | 0:02:01 | |
CLUNKING | 0:02:01 | 0:02:03 | |
-What's happening? -Whoa, whoa. We're taking off. | 0:02:04 | 0:02:07 | |
But the engines aren't going! | 0:02:07 | 0:02:09 | |
-PILOT: -'Windmill 11 to Greyhound Leader. | 0:02:12 | 0:02:14 | |
'Blue Eagle is airborne. Ready to receive. | 0:02:14 | 0:02:17 | |
'We're on our way.' | 0:02:17 | 0:02:19 | |
METALLIC THRUMMING | 0:02:25 | 0:02:28 | |
Hello, Kate Stewart's phone? | 0:02:28 | 0:02:30 | |
Oh, hold on. | 0:02:30 | 0:02:31 | |
Excuse me...sorry! | 0:02:31 | 0:02:33 | |
Ma'am! Ma'am! | 0:02:33 | 0:02:36 | |
The ravens are looking a bit sluggish. | 0:02:36 | 0:02:38 | |
-Tell Malcolm they need new batteries. -It's him! | 0:02:38 | 0:02:40 | |
Sorry, it's your personal phone, but, well, | 0:02:40 | 0:02:42 | |
I recognised the ringtone. It's him, isn't it? | 0:02:42 | 0:02:45 | |
Inhaler. | 0:02:45 | 0:02:46 | |
Doctor, hello. We found the TARDIS in a field. | 0:02:46 | 0:02:48 | |
-'I'm having it brought in.' -No kidding! | 0:02:48 | 0:02:51 | |
'Where are you?' | 0:02:52 | 0:02:54 | |
Oh, my God! | 0:02:57 | 0:02:59 | |
'Oh, Doctor, I'm so sorry, we had no idea you were still in there.' | 0:02:59 | 0:03:03 | |
Come on. | 0:03:04 | 0:03:06 | |
'Roger. New heading - 207. Changing course.' | 0:03:06 | 0:03:08 | |
Argh...! | 0:03:08 | 0:03:10 | |
-Doctor?! -Clara! | 0:03:10 | 0:03:12 | |
Doctor, can you hear me? | 0:03:13 | 0:03:15 | |
Ow! | 0:03:15 | 0:03:17 | |
-'I don't think he can hear me.' -Next time, | 0:03:17 | 0:03:18 | |
would it kill you to knock(?) | 0:03:18 | 0:03:20 | |
I'm having you taken directly to the scene. | 0:03:20 | 0:03:23 | |
'Doctor, hello, are you OK?' | 0:03:28 | 0:03:30 | |
Whoa...! I'm just going to pop you on hold. | 0:03:30 | 0:03:33 | |
-'Doctor?' -Ah! Doctor! | 0:03:33 | 0:03:36 | |
Atten...tion! | 0:04:05 | 0:04:07 | |
Why am I saluting? | 0:04:09 | 0:04:10 | |
Doctor, as Chief Scientific Officer, | 0:04:10 | 0:04:13 | |
may I extend the official apologies of UNIT...? | 0:04:13 | 0:04:16 | |
Kate Lethbridge-Stewart, a word to the wise. | 0:04:16 | 0:04:19 | |
As I'm sure your father would've told you, | 0:04:19 | 0:04:21 | |
I don't like being picked up. | 0:04:21 | 0:04:24 | |
That probably sounded better in his head. | 0:04:24 | 0:04:26 | |
I'm acting on instructions direct from the throne. | 0:04:26 | 0:04:30 | |
Sealed orders from Her Majesty, Queen Elizabeth the First. | 0:04:30 | 0:04:33 | |
The Queen? The First? Sorry, Elizabeth the First? | 0:04:36 | 0:04:39 | |
Her credentials are inside. | 0:04:39 | 0:04:41 | |
No. Inside... | 0:04:41 | 0:04:43 | |
Nice scarf. | 0:04:46 | 0:04:47 | |
What's our cover story for this? | 0:04:47 | 0:04:49 | |
-Um, Derren Brown. -Again? | 0:04:49 | 0:04:51 | |
Oh, we've sent him flowers. | 0:04:51 | 0:04:53 | |
Atten...tion! | 0:04:53 | 0:04:55 | |
Right, I want a secure perimeter around the gallery. | 0:04:55 | 0:04:57 | |
Did you know her? Elizabeth the First? | 0:04:59 | 0:05:00 | |
-Unified Intelligence Task Force. -Sorry? | 0:05:00 | 0:05:03 | |
This lot. UNIT. They investigate alien stuff, anything alien. | 0:05:03 | 0:05:05 | |
-What, like you? -I work for them. | 0:05:05 | 0:05:07 | |
-You have a job?! -Why shouldn't I have a job? | 0:05:07 | 0:05:09 | |
I'd be brilliant at having a job. | 0:05:09 | 0:05:11 | |
You don't have a job! | 0:05:11 | 0:05:12 | |
I do. This is my job, I'm doing it now. | 0:05:12 | 0:05:14 | |
-You never have a job. -I do! I do. | 0:05:14 | 0:05:16 | |
Elizabeth's credentials, Doctor. | 0:05:19 | 0:05:22 | |
But... | 0:05:22 | 0:05:24 | |
but that's not possible. | 0:05:24 | 0:05:26 | |
No more. | 0:05:26 | 0:05:28 | |
No more. | 0:05:28 | 0:05:29 | |
-That's the title. -I know the title! | 0:05:29 | 0:05:32 | |
Also known as Gallifrey Falls. | 0:05:32 | 0:05:33 | |
This painting doesn't belong here - | 0:05:33 | 0:05:35 | |
-not in this time or place. -Obviously. | 0:05:35 | 0:05:38 | |
It's the fall of Arcadia, | 0:05:38 | 0:05:40 | |
Gallifrey's second city. | 0:05:40 | 0:05:42 | |
But how is it doing that? How is that possible? | 0:05:42 | 0:05:44 | |
It's an oil painting... | 0:05:46 | 0:05:47 | |
..in 3D. | 0:05:50 | 0:05:52 | |
Time Lord art. | 0:05:52 | 0:05:54 | |
Bigger on the inside. A slice of real time... | 0:05:54 | 0:05:57 | |
..frozen. | 0:05:58 | 0:05:59 | |
Elizabeth told us where to find it...and its significance. | 0:06:00 | 0:06:04 | |
You OK? | 0:06:08 | 0:06:09 | |
He was there. | 0:06:09 | 0:06:11 | |
-Who was? -Me. | 0:06:11 | 0:06:13 | |
The other me. | 0:06:15 | 0:06:16 | |
The one I don't talk about. | 0:06:16 | 0:06:18 | |
I don't understand. | 0:06:18 | 0:06:19 | |
I've had many faces, many lives. | 0:06:21 | 0:06:24 | |
I don't admit to all of them. | 0:06:24 | 0:06:25 | |
There's one life I've tried very hard to forget. | 0:06:25 | 0:06:29 | |
No more. | 0:06:29 | 0:06:30 | |
He was the Doctor who fought in the Time War, | 0:06:30 | 0:06:33 | |
-and that was the day he did it - the day -I -did it. | 0:06:33 | 0:06:36 | |
The day he killed them all. | 0:06:36 | 0:06:38 | |
The last day of the Time War. | 0:06:40 | 0:06:42 | |
The war to end all wars between my people and the Daleks. | 0:06:42 | 0:06:47 | |
And in that battle, there was a man with more blood on his hands | 0:06:47 | 0:06:50 | |
than any other. | 0:06:50 | 0:06:52 | |
A man who would commit a crime that would silence the universe, | 0:06:52 | 0:06:56 | |
and that man...was me. | 0:06:56 | 0:06:58 | |
MUSIC: "First There Were Daleks" | 0:06:58 | 0:07:01 | |
Exterminate! | 0:07:52 | 0:07:54 | |
Argh! | 0:07:54 | 0:07:56 | |
Exterminate! | 0:07:56 | 0:07:58 | |
Message for the High Council, Priority Omega. | 0:08:04 | 0:08:08 | |
Arcadia has fallen. I repeat, Arcadia has fallen. | 0:08:08 | 0:08:12 | |
Soldier... | 0:08:21 | 0:08:23 | |
I'm going to need your gun. | 0:08:23 | 0:08:25 | |
SCREAMING | 0:08:32 | 0:08:34 | |
Exterminate! | 0:08:36 | 0:08:38 | |
Exterminate! | 0:08:38 | 0:08:41 | |
Exterminate! | 0:08:41 | 0:08:43 | |
Please! Please, just don't! | 0:08:47 | 0:08:50 | |
Alert! Alert! | 0:08:53 | 0:08:55 | |
The Doctor is detected! | 0:08:55 | 0:08:58 | |
The Doctor is surrounded! | 0:08:58 | 0:09:01 | |
Inform High Command, we have the Doctor! | 0:09:01 | 0:09:04 | |
Seek, locate, destroy! | 0:09:04 | 0:09:07 | |
The Doctor is surrounded... | 0:09:07 | 0:09:10 | |
Seek, locate, destroy! Seek... | 0:09:13 | 0:09:16 | |
METALLIC THRUMMING | 0:09:16 | 0:09:19 | |
The...Doctor...is...escaping. | 0:09:25 | 0:09:31 | |
What...are...these...words? | 0:09:31 | 0:09:36 | |
Explain! | 0:09:36 | 0:09:38 | |
Explain! | 0:09:38 | 0:09:40 | |
The High Council is in emergency session - | 0:09:52 | 0:09:54 | |
-they have plans of their own. -To hell with the High Council - | 0:09:54 | 0:09:57 | |
their plans have already failed. | 0:09:57 | 0:09:58 | |
Gallifrey's still in the line of fire. | 0:09:58 | 0:10:00 | |
So he was there, then? | 0:10:00 | 0:10:02 | |
He left a message, a written warning for the Daleks. | 0:10:05 | 0:10:09 | |
He's a fool. | 0:10:09 | 0:10:10 | |
No. He's a madman. | 0:10:10 | 0:10:12 | |
As you can see, sir, all Dalek fleets surrounding the planet, | 0:10:12 | 0:10:15 | |
now converging on the capital, but the Sky Trenches are holding. | 0:10:15 | 0:10:19 | |
CRASHING AND RUMBLING | 0:10:19 | 0:10:23 | |
Where did he go next? | 0:10:23 | 0:10:25 | |
What does it matter? This is their biggest ever attack, sir - | 0:10:25 | 0:10:29 | |
-they're throwing everything at us... -Sir, | 0:10:29 | 0:10:31 | |
we have a security breach to the Time Vaults. | 0:10:31 | 0:10:34 | |
The Omega Arsenal, | 0:10:39 | 0:10:41 | |
where all the forbidden weapons are locked away. | 0:10:41 | 0:10:43 | |
They're not forbidden any more - | 0:10:43 | 0:10:44 | |
we've used them all against the Daleks. | 0:10:44 | 0:10:46 | |
No. | 0:10:46 | 0:10:48 | |
No, we haven't. | 0:10:48 | 0:10:50 | |
The Moment is gone. | 0:10:55 | 0:10:56 | |
I don't understand. What is the Moment? I've never heard of it. | 0:10:56 | 0:10:59 | |
The galaxy eater. | 0:11:01 | 0:11:02 | |
The final work of the ancients of Gallifrey, | 0:11:03 | 0:11:06 | |
a weapon so powerful, the operating system became sentient. | 0:11:06 | 0:11:10 | |
According to legend... | 0:11:11 | 0:11:13 | |
it developed a conscience. | 0:11:13 | 0:11:15 | |
And we've never used it? | 0:11:15 | 0:11:17 | |
How do you use a weapon of ultimate mass destruction | 0:11:17 | 0:11:20 | |
when it can stand in judgment on you? | 0:11:20 | 0:11:22 | |
There is only one man who would even try. | 0:11:24 | 0:11:26 | |
-THE OTHER DOCTOR: -Time Lords of Gallifrey, Daleks of Skaro... | 0:11:35 | 0:11:39 | |
..I serve notice on you all. | 0:11:40 | 0:11:42 | |
Too long I have stayed my hand. No more. | 0:11:43 | 0:11:47 | |
Today, you leave me no choice. | 0:11:48 | 0:11:51 | |
Today, this war will end. | 0:11:51 | 0:11:54 | |
No more. | 0:11:56 | 0:11:57 | |
No more. | 0:11:58 | 0:12:00 | |
How... | 0:12:46 | 0:12:48 | |
..how do you work? | 0:12:50 | 0:12:52 | |
Why is there never a big red button? | 0:12:53 | 0:12:57 | |
SCUFFLING | 0:12:58 | 0:13:02 | |
Hello? | 0:13:07 | 0:13:09 | |
Is somebody there? | 0:13:10 | 0:13:12 | |
It's nothing. | 0:13:12 | 0:13:13 | |
It's just a wolf. | 0:13:13 | 0:13:15 | |
-Don't sit on that! -Why not? | 0:13:15 | 0:13:16 | |
Because it's not a chair - | 0:13:16 | 0:13:18 | |
it's the most dangerous weapon in the universe. | 0:13:18 | 0:13:20 | |
Why can't it be both? | 0:13:25 | 0:13:26 | |
Why did you park so far away? | 0:13:29 | 0:13:31 | |
Didn't you want her to see it? | 0:13:32 | 0:13:35 | |
Want who to see? | 0:13:35 | 0:13:36 | |
The TAR...DIS. | 0:13:36 | 0:13:39 | |
You walked for miles. | 0:13:39 | 0:13:41 | |
And miles and miles and miles and miles. | 0:13:41 | 0:13:43 | |
-I was thinking! -I heard you. | 0:13:43 | 0:13:46 | |
You heard me? | 0:13:46 | 0:13:47 | |
"No...more." | 0:13:48 | 0:13:51 | |
"No more." | 0:13:52 | 0:13:53 | |
'No more.' | 0:13:53 | 0:13:55 | |
-"No more." -No more. | 0:13:55 | 0:13:56 | |
-"No more!" -Stop it! -"No more!" | 0:13:56 | 0:13:59 | |
-"No more." -Who are you? | 0:13:59 | 0:14:02 | |
CLICKING | 0:14:02 | 0:14:04 | |
It's activating. Get out of here! | 0:14:04 | 0:14:07 | |
-Ow! -What's wrong? | 0:14:07 | 0:14:09 | |
The interface is hot. | 0:14:09 | 0:14:11 | |
Well, I do my best. | 0:14:11 | 0:14:13 | |
There's a power source inside... | 0:14:14 | 0:14:17 | |
You're the Interface? | 0:14:22 | 0:14:24 | |
They must have told you the Moment had a conscience. | 0:14:24 | 0:14:27 | |
Hello! | 0:14:28 | 0:14:30 | |
Oh, look at you. | 0:14:31 | 0:14:33 | |
Stuck between a girl and a box. | 0:14:33 | 0:14:35 | |
Story of your life, eh, Doctor? | 0:14:35 | 0:14:37 | |
You know me? | 0:14:37 | 0:14:39 | |
I hear you. | 0:14:40 | 0:14:42 | |
All of you, jangling around in that dusty old head of yours. | 0:14:42 | 0:14:47 | |
I chose this face and form especially for you. | 0:14:47 | 0:14:50 | |
It's from your past. | 0:14:50 | 0:14:52 | |
Or possibly your future - I always get those two mixed up. | 0:14:52 | 0:14:55 | |
I don't have a future. | 0:14:55 | 0:14:56 | |
I think I'm called... | 0:14:56 | 0:14:59 | |
Rose Tyler. | 0:14:59 | 0:15:01 | |
No, yes, no, sorry. | 0:15:01 | 0:15:03 | |
No, no, in this form, I'm called... | 0:15:03 | 0:15:06 | |
..Bad Wolf. | 0:15:09 | 0:15:10 | |
Are you afraid of the big bad wolf, Doctor? | 0:15:12 | 0:15:15 | |
-Stop calling me Doctor. -That's the name in your head. | 0:15:15 | 0:15:18 | |
It shouldn't be. | 0:15:18 | 0:15:19 | |
I've been fighting this war for a very long time - | 0:15:19 | 0:15:22 | |
I've lost the right to be the Doctor. | 0:15:22 | 0:15:25 | |
Then you're the one to save us all. | 0:15:25 | 0:15:28 | |
Yes. | 0:15:28 | 0:15:30 | |
If I ever develop an ego, you've got the job. | 0:15:30 | 0:15:33 | |
If you have been inside my head... | 0:15:40 | 0:15:43 | |
..then you know what I've seen. | 0:15:44 | 0:15:46 | |
The suffering. | 0:15:48 | 0:15:49 | |
Every moment in time and space is burning. | 0:15:50 | 0:15:53 | |
It must end. | 0:15:53 | 0:15:56 | |
And I intend to end it the only way I can. | 0:15:56 | 0:16:00 | |
And you're going to use me to end it by killing them all, | 0:16:00 | 0:16:04 | |
Daleks and Time Lords alike. | 0:16:04 | 0:16:07 | |
I could, but there will be consequences for you. | 0:16:07 | 0:16:12 | |
I have no desire to survive this. | 0:16:12 | 0:16:15 | |
Then that's your punishment. | 0:16:24 | 0:16:26 | |
If you do this - if you kill them all - then that's the consequence. | 0:16:26 | 0:16:31 | |
You...live. | 0:16:35 | 0:16:38 | |
Gallifrey... | 0:16:40 | 0:16:42 | |
you're going to burn it... | 0:16:42 | 0:16:46 | |
and all those Daleks with it but all those children too. | 0:16:46 | 0:16:49 | |
How many children on Gallifrey right now? | 0:16:52 | 0:16:54 | |
CHILDREN LAUGH | 0:16:56 | 0:16:59 | |
I don't know. | 0:16:59 | 0:17:01 | |
One day you will count them. | 0:17:03 | 0:17:05 | |
One terrible night. | 0:17:07 | 0:17:09 | |
Do you want to see what that will turn you into? | 0:17:13 | 0:17:16 | |
Come on! Aren't you curious? | 0:17:18 | 0:17:20 | |
I'm opening windows on your future. | 0:17:23 | 0:17:26 | |
A tangle in time through the days to come, | 0:17:29 | 0:17:31 | |
to the man today will make of you. | 0:17:31 | 0:17:34 | |
OK, I wasn't expecting that. | 0:17:39 | 0:17:41 | |
But the Time War's over. | 0:17:44 | 0:17:46 | |
Why have you brought us here to look at a painting? | 0:17:46 | 0:17:48 | |
-KATE: -The painting only serves as Elizabeth's credentials, | 0:17:48 | 0:17:51 | |
proof that the letter is from her. | 0:17:51 | 0:17:53 | |
It's not why you're here. | 0:17:53 | 0:17:55 | |
'My dearest love, I hope the painting known as Gallifrey Falls | 0:18:00 | 0:18:03 | |
'will serve as proof that it is your Elizabeth who writes to you now. | 0:18:03 | 0:18:08 | |
'You will recall that you pledged yourself | 0:18:08 | 0:18:10 | |
'to the safety of my kingdom. | 0:18:10 | 0:18:11 | |
'In this capacity, I have appointed you as curator | 0:18:11 | 0:18:14 | |
'of the Under Gallery where deadly danger to England is locked away. | 0:18:14 | 0:18:18 | |
'Should any disturbance occur within its walls, | 0:18:18 | 0:18:21 | |
'it is my wish that you be summoned. God speed, gentle husband.' | 0:18:21 | 0:18:25 | |
What happened? | 0:18:29 | 0:18:30 | |
Easier to show you. | 0:18:30 | 0:18:31 | |
PHONE RINGS | 0:18:39 | 0:18:40 | |
McGillop. | 0:18:42 | 0:18:44 | |
But that's not possible. I was just... | 0:18:51 | 0:18:53 | |
Understood, sir. But...why would I take it there? | 0:18:53 | 0:18:58 | |
Elizabeth the First? You knew her, then? | 0:19:09 | 0:19:11 | |
A long time ago. | 0:19:14 | 0:19:17 | |
GALLOPING HOOVES | 0:19:29 | 0:19:30 | |
-Allons-y! -ELIZABETH LAUGHS | 0:19:30 | 0:19:33 | |
HORSE WHINNIES | 0:19:33 | 0:19:35 | |
There you go, Your Majesty, what did I tell you? | 0:19:35 | 0:19:38 | |
Bigger on the inside! | 0:19:38 | 0:19:40 | |
The door isn't - you nearly took my head off. | 0:19:40 | 0:19:42 | |
It's normally me who does that. | 0:19:42 | 0:19:44 | |
SHE GIGGLES | 0:19:44 | 0:19:46 | |
Tell me, Doctor, why I'm wasting my time on you. I have wars to plan. | 0:19:46 | 0:19:51 | |
You have a picnic to eat. | 0:19:51 | 0:19:53 | |
You could help me. | 0:19:53 | 0:19:55 | |
Well... | 0:19:55 | 0:19:57 | |
I'm helping you eat the picnic. | 0:19:57 | 0:19:59 | |
But you have a stomach for war. | 0:20:01 | 0:20:03 | |
This face has seen conflict - | 0:20:05 | 0:20:07 | |
it's clear as day. | 0:20:07 | 0:20:08 | |
Oh, I've seen conflict like you wouldn't believe. | 0:20:08 | 0:20:11 | |
But it wasn't this face. | 0:20:12 | 0:20:14 | |
But never mind that, Your Majesty - up on your feet! Up, up! | 0:20:15 | 0:20:18 | |
How dare you?! | 0:20:18 | 0:20:19 | |
I'm the Queen of England! | 0:20:19 | 0:20:21 | |
I'm not English. | 0:20:21 | 0:20:22 | |
Elizabeth, | 0:20:22 | 0:20:24 | |
will you marry me? | 0:20:24 | 0:20:26 | |
Oh, my dear, sweet love. Of course I will! | 0:20:26 | 0:20:29 | |
-Ah! Gotcha! -My love? | 0:20:29 | 0:20:30 | |
One! The real Elizabeth would never have accepted my marriage proposal. | 0:20:30 | 0:20:34 | |
Two! The real Elizabeth would notice | 0:20:34 | 0:20:36 | |
when I just casually mention having a different face. | 0:20:36 | 0:20:38 | |
But then the real Elizabeth | 0:20:38 | 0:20:40 | |
isn't an alien shape-shifting from outer space! | 0:20:40 | 0:20:43 | |
And... | 0:20:43 | 0:20:45 | |
-DING! -..ding. | 0:20:45 | 0:20:47 | |
What's that? | 0:20:47 | 0:20:48 | |
It's a machine that goes...ding! | 0:20:48 | 0:20:50 | |
-DING! -Made it myself. | 0:20:50 | 0:20:52 | |
It lights up in the presence of shape-shifter DNA. Ooh. | 0:20:52 | 0:20:54 | |
Also it can microwave frozen dinners from up to 20 feet | 0:20:54 | 0:20:57 | |
and download comics from the future. | 0:20:57 | 0:20:58 | |
-I never know when to stop. -My love, I do not understand. | 0:20:58 | 0:21:00 | |
I'm not your love. And yes, you do! | 0:21:00 | 0:21:02 | |
You're a Zygon. | 0:21:04 | 0:21:06 | |
A Zygon? | 0:21:06 | 0:21:07 | |
Oh, stop it, it's over! A Zygon, yes. | 0:21:07 | 0:21:10 | |
A big red rubbery thing, covered in suckers. | 0:21:10 | 0:21:12 | |
Surprisingly good kisser. | 0:21:12 | 0:21:13 | |
Think the real Queen of England would just decide | 0:21:13 | 0:21:15 | |
to share the throne with any old handsome bloke in a tight suit... | 0:21:15 | 0:21:18 | |
-HORSE WHINNIES -..just cos he's got amazing hair | 0:21:18 | 0:21:20 | |
and a nice horse? | 0:21:20 | 0:21:21 | |
-GURGLING -Oh. | 0:21:22 | 0:21:25 | |
It was the horse! | 0:21:25 | 0:21:27 | |
I'm going to be King! | 0:21:27 | 0:21:29 | |
-Run! -What's happening? -We're being attacked | 0:21:29 | 0:21:31 | |
by a shape-shifting alien from outer space, | 0:21:31 | 0:21:33 | |
-formerly disguised as my horse. -What does that mean? | 0:21:33 | 0:21:35 | |
It means... we're going to need a new horse. | 0:21:35 | 0:21:37 | |
Where's it going? | 0:21:40 | 0:21:41 | |
I'll hold it off, you run. Your people need you. | 0:21:41 | 0:21:44 | |
And I need you alive for our wedding day. | 0:21:44 | 0:21:46 | |
Oh, good work, Doctor, nice one! | 0:21:53 | 0:21:55 | |
The Virgin Queen? So much for history! | 0:21:55 | 0:21:57 | |
Come on! | 0:22:01 | 0:22:03 | |
-Know you're there! -DING! | 0:22:03 | 0:22:05 | |
SHE PANTS | 0:22:05 | 0:22:07 | |
SHE SCREAMS | 0:22:13 | 0:22:15 | |
Whoa, whoa, whoa, whoa... | 0:22:15 | 0:22:19 | |
Oh, very clever. | 0:22:19 | 0:22:21 | |
Whatever you've got planned, forget it. | 0:22:21 | 0:22:24 | |
I'm the Doctor. | 0:22:24 | 0:22:26 | |
I'm 904 years old. | 0:22:26 | 0:22:28 | |
I'm from the planet Gallifrey in the constellation of Kasterborous. | 0:22:28 | 0:22:31 | |
I am the oncoming storm, the bringer of darkness, | 0:22:31 | 0:22:33 | |
and you are basically just a rabbit, aren't you? | 0:22:33 | 0:22:36 | |
OK, carry on - just a...general... | 0:22:37 | 0:22:40 | |
warning. | 0:22:40 | 0:22:41 | |
-DING! -Doctor! -> | 0:22:41 | 0:22:45 | |
Elizabeth! | 0:22:50 | 0:22:52 | |
That thing...explain what it is! | 0:22:52 | 0:22:55 | |
What does it want of us? | 0:22:55 | 0:22:56 | |
That's what I'm trying to find out. Probably just your planet. | 0:22:56 | 0:23:00 | |
-Doctor? -> | 0:23:00 | 0:23:01 | |
Step away from her, Doctor. That's not me, that's the creature. | 0:23:01 | 0:23:06 | |
How is that possible? She's me. | 0:23:06 | 0:23:09 | |
Doctor, she's me! | 0:23:09 | 0:23:10 | |
I am, indeed, me. A compliment that cannot be extended to yourself. | 0:23:10 | 0:23:14 | |
Extraordinary! | 0:23:14 | 0:23:16 | |
The creature has captured my exact likeness - | 0:23:16 | 0:23:18 | |
this is exceptional. | 0:23:18 | 0:23:20 | |
Exceptional? A Queen would call it impertinent. | 0:23:20 | 0:23:23 | |
A Queen would feel compelled to admire | 0:23:23 | 0:23:25 | |
the skill of the execution - | 0:23:25 | 0:23:26 | |
before arranging one. | 0:23:26 | 0:23:28 | |
Ah! It's not working! | 0:23:28 | 0:23:29 | |
One might surmise the creature would learn quickly | 0:23:29 | 0:23:32 | |
to protect itself from any simple means of detection. | 0:23:32 | 0:23:34 | |
-DING! -Clearly you understand the creature better than I. | 0:23:34 | 0:23:37 | |
But then you have the advantage. | 0:23:37 | 0:23:38 | |
Back, both of you, now! | 0:23:38 | 0:23:41 | |
That's a time fissure, a tear in the fabric of reality. | 0:23:41 | 0:23:44 | |
Anything could happen! | 0:23:44 | 0:23:46 | |
For instance... | 0:23:48 | 0:23:50 | |
a fez. | 0:23:50 | 0:23:52 | |
This way. | 0:23:56 | 0:23:58 | |
Welcome to the Under Gallery. | 0:24:00 | 0:24:02 | |
This is where Elizabeth the First kept all art | 0:24:04 | 0:24:07 | |
deemed too dangerous for public consumption. | 0:24:07 | 0:24:09 | |
Stone dust. | 0:24:22 | 0:24:23 | |
Is it important? | 0:24:23 | 0:24:24 | |
In 1,200 years, I've never stepped in anything that wasn't. | 0:24:24 | 0:24:29 | |
Oi, you! Are you sciencey? | 0:24:29 | 0:24:32 | |
Oh, erm. Well, erm...yes. | 0:24:32 | 0:24:36 | |
-Got a name? -Yes. | 0:24:36 | 0:24:38 | |
Good, I've always wanted to meet someone called Yes. | 0:24:38 | 0:24:40 | |
Now, I want this stone dust analysed. | 0:24:40 | 0:24:42 | |
And I want a report in triplicate, | 0:24:42 | 0:24:45 | |
with lots of graphs and diagrams and complicated sums, | 0:24:45 | 0:24:48 | |
on my desk, tomorrow morning, ASAP, pronto, LOL. | 0:24:48 | 0:24:53 | |
See? Job. | 0:24:53 | 0:24:54 | |
-Do I have a desk? -No. -And I want a desk! | 0:24:54 | 0:24:57 | |
Get a team, analyse the stone dust. | 0:24:57 | 0:25:00 | |
-SHE WHEEZES -Inhaler! | 0:25:03 | 0:25:05 | |
Someday, you could just walk past a fez. | 0:25:22 | 0:25:24 | |
Never going to happen. | 0:25:24 | 0:25:26 | |
As you instructed, nothing has been touched. | 0:25:27 | 0:25:29 | |
This is why we called you in. | 0:25:34 | 0:25:36 | |
3D again. | 0:25:37 | 0:25:40 | |
-Interesting. -The broken glass? | 0:25:40 | 0:25:42 | |
No... | 0:25:42 | 0:25:43 | |
where it's broken from. | 0:25:43 | 0:25:45 | |
Look at the shatter pattern. | 0:25:47 | 0:25:50 | |
The glass on all these paintings has been broken from the inside. | 0:25:50 | 0:25:54 | |
As you can see, all the paintings are landscapes - | 0:25:55 | 0:25:58 | |
-no figures of any kind. -So? | 0:25:58 | 0:26:00 | |
There used to be. | 0:26:00 | 0:26:02 | |
-Something's got out of the paintings? -Lots of somethings. | 0:26:08 | 0:26:12 | |
Dangerous. | 0:26:12 | 0:26:13 | |
This whole place has been searched. | 0:26:13 | 0:26:15 | |
There's nothing here that shouldn't be, and nothing's got out. | 0:26:15 | 0:26:18 | |
Oh, no! Not now! | 0:26:20 | 0:26:22 | |
-Doctor, what is it? -No, not now - I'm busy! | 0:26:22 | 0:26:24 | |
Is it to do with the paintings? | 0:26:24 | 0:26:26 | |
No, no. This is different. I remember this. | 0:26:26 | 0:26:29 | |
Almost remember... | 0:26:29 | 0:26:31 | |
Oh, of course! | 0:26:36 | 0:26:37 | |
-This is where -I -come in. | 0:26:39 | 0:26:41 | |
Geronimo-o... | 0:26:45 | 0:26:46 | |
-Doctor! -Wait. | 0:26:46 | 0:26:47 | |
..o-o-o! | 0:26:47 | 0:26:50 | |
HE GROANS | 0:26:52 | 0:26:54 | |
Who is this man? | 0:26:59 | 0:27:00 | |
-That's just what -I -was wondering. | 0:27:00 | 0:27:01 | |
Oh, that is skinny. | 0:27:01 | 0:27:03 | |
That is proper skinny. | 0:27:03 | 0:27:05 | |
I've never seen it from the outside. | 0:27:05 | 0:27:07 | |
It's like a special effect. Oi! Ha! Matchstick man! | 0:27:07 | 0:27:11 | |
You're not... | 0:27:13 | 0:27:14 | |
-Compensating? -For what? -Regeneration - it's a lottery. | 0:27:29 | 0:27:33 | |
Oh, he's cool. Isn't he cool? | 0:27:33 | 0:27:35 | |
"I'm the Doctor and I'm all cool - oops, I'm wearing sandshoes!" | 0:27:35 | 0:27:38 | |
What are you doing here? I'm busy. | 0:27:38 | 0:27:40 | |
Oh, busy? I see, is that what we're calling it, eh? Eh? | 0:27:40 | 0:27:43 | |
-Hello, ladies. -Don't start. -Listen, what you get up to | 0:27:43 | 0:27:46 | |
in the privacy of your own regeneration is your business. | 0:27:46 | 0:27:49 | |
One of them is a Zygon. | 0:27:49 | 0:27:50 | |
Urgh... | 0:27:50 | 0:27:51 | |
I'm not judging you. | 0:27:51 | 0:27:53 | |
WHOOSHING | 0:27:53 | 0:27:56 | |
-BOTH: -Oh, lovely! | 0:27:59 | 0:28:01 | |
Your Majesties...probably a good time to run. | 0:28:01 | 0:28:04 | |
-BOTH: -But what about the creature? -Elizabeth, whichever one of you | 0:28:04 | 0:28:07 | |
is the real one, turn and run in the opposite direction to the other one. | 0:28:07 | 0:28:10 | |
-BOTH: -Of course, my love! | 0:28:10 | 0:28:11 | |
Stay alive, my love. | 0:28:11 | 0:28:12 | |
I am not done with you yet. | 0:28:12 | 0:28:13 | |
Thanks. Lovely. | 0:28:16 | 0:28:17 | |
I understand. Live for me, my darling. | 0:28:17 | 0:28:20 | |
We shall be together again. | 0:28:20 | 0:28:21 | |
Well, won't that be nice? | 0:28:25 | 0:28:27 | |
-One of those was a Zygon. -Yeah. | 0:28:28 | 0:28:30 | |
-Big red rubbery thing. Covered in suckers. -Yeah. | 0:28:30 | 0:28:32 | |
-Venom sacs in the tongue. -Yeah, I'm getting the point, thanks. -Nice. | 0:28:32 | 0:28:34 | |
-CLARA: Doctor? Is that you? -Ah! Hello, Clara! Can you hear me? | 0:28:34 | 0:28:38 | |
Yeah, it's me, we can hear you. Where are you? | 0:28:38 | 0:28:40 | |
-Where are we? -England...1562. | 0:28:40 | 0:28:43 | |
Who are you talking to? | 0:28:43 | 0:28:44 | |
-BOTH: -Myself. | 0:28:44 | 0:28:45 | |
-KATE: -Can you come back through? | 0:28:45 | 0:28:47 | |
Physical passage may not be possible in both directions. | 0:28:47 | 0:28:50 | |
It's... Ah! | 0:28:50 | 0:28:51 | |
Hang on! Fez incoming! | 0:28:51 | 0:28:54 | |
Nothing here. | 0:29:00 | 0:29:01 | |
So where did it go? | 0:29:02 | 0:29:04 | |
-CLARA: 'Who's he talking to?' KATE: -'He said - himself.' | 0:29:13 | 0:29:17 | |
Keep him talking. Malcolm? Malcolm, I need you to send me | 0:29:18 | 0:29:21 | |
one of my father's incident files - codenamed Cromer. | 0:29:21 | 0:29:25 | |
'70s or '80s, depending on the dating protocol. | 0:29:25 | 0:29:28 | |
GURGLING | 0:29:28 | 0:29:30 | |
OK, you used to be me, you've done all this before - what happens next? | 0:29:30 | 0:29:34 | |
I don't remember. | 0:29:34 | 0:29:36 | |
How can you forget this?! | 0:29:36 | 0:29:38 | |
Hey, hang on, it's not MY fault. | 0:29:38 | 0:29:40 | |
You're obviously not paying enough attention. Reverse the polarity! | 0:29:40 | 0:29:43 | |
-It's not working. -We're both reversing the polarity! | 0:29:49 | 0:29:51 | |
-Yes, I know that. -There's two of us - I'm reversing it, | 0:29:51 | 0:29:54 | |
and you're reversing it back again! We're confusing the polarity. | 0:29:54 | 0:29:57 | |
Anyone lose a fez? | 0:29:59 | 0:30:02 | |
You. | 0:30:02 | 0:30:04 | |
How can you be here? | 0:30:04 | 0:30:05 | |
More to the point, WHY are you here? | 0:30:05 | 0:30:08 | |
Good afternoon. | 0:30:08 | 0:30:09 | |
I'm...looking for the Doctor. | 0:30:09 | 0:30:13 | |
Well...you've certainly come to the right place. | 0:30:14 | 0:30:17 | |
Good! Right! | 0:30:17 | 0:30:18 | |
Well, who are you boys? | 0:30:18 | 0:30:20 | |
Oh, of course! Are you his companions? | 0:30:20 | 0:30:24 | |
His companions? | 0:30:24 | 0:30:26 | |
They get younger all the time! | 0:30:26 | 0:30:28 | |
Well, if you could point me in the general direction of the Doctor... | 0:30:28 | 0:30:31 | |
SONIC SCREWDRIVER WHIRRS | 0:30:34 | 0:30:36 | |
BOTH SONIC SCREWDRIVERS WHIRR | 0:30:36 | 0:30:40 | |
Really? | 0:30:40 | 0:30:41 | |
Yeah. | 0:30:41 | 0:30:42 | |
-Really. -You're me? Both of you? | 0:30:42 | 0:30:45 | |
-Yep. -Even that one? | 0:30:45 | 0:30:48 | |
Yes! | 0:30:48 | 0:30:50 | |
You're my future selves. | 0:30:50 | 0:30:52 | |
-Yes! -Yes! | 0:30:52 | 0:30:54 | |
Am I having a mid-life crisis? | 0:30:54 | 0:30:56 | |
Why are you pointing your screwdrivers like that? | 0:30:56 | 0:30:59 | |
They're scientific instruments, not water pistols. | 0:30:59 | 0:31:02 | |
Look like you've seen a ghost! | 0:31:02 | 0:31:05 | |
Still...loving the posh, gravelly thing. It's very convincing. | 0:31:06 | 0:31:09 | |
Brave words, Dick Van Dyke. | 0:31:09 | 0:31:11 | |
Encircle them! | 0:31:11 | 0:31:13 | |
Which of you is the Doctor? | 0:31:13 | 0:31:15 | |
The Queen of England is bewitched. I would have the Doctor's head. | 0:31:16 | 0:31:20 | |
Well, this has all the makings of your lucky day. | 0:31:20 | 0:31:24 | |
I think there's three of them now. | 0:31:26 | 0:31:27 | |
-KATE: -'There's a precedent for that.' | 0:31:27 | 0:31:29 | |
What is that? | 0:31:29 | 0:31:31 | |
Oh, the pointing again. They're screwdrivers! | 0:31:32 | 0:31:35 | |
What are you going to do, assemble a cabinet at them(?) | 0:31:35 | 0:31:38 | |
That thing...what witchcraft is it? | 0:31:38 | 0:31:40 | |
Ah, yes! | 0:31:40 | 0:31:42 | |
Now that you mention it, that is witchcraft, yes, yes, yes. | 0:31:42 | 0:31:45 | |
Witchy-witchcraft. Hello? Hello in there? Excuse me. Hello! | 0:31:45 | 0:31:50 | |
Am I talking to the wicked witch of the well? | 0:31:50 | 0:31:53 | |
He means you. | 0:31:53 | 0:31:54 | |
-Why am -I -the witch? | 0:31:54 | 0:31:56 | |
-'Clara?' -Hello? | 0:31:56 | 0:31:59 | |
Clara, hi, hello. | 0:31:59 | 0:32:00 | |
Hello. Would you mind telling these prattling mortals | 0:32:00 | 0:32:03 | |
to get themselves begone? | 0:32:03 | 0:32:05 | |
What...he said. | 0:32:05 | 0:32:06 | |
Yes, tiny bit more colour. | 0:32:06 | 0:32:08 | |
Right. | 0:32:08 | 0:32:10 | |
Prattling mortals, off you pop, | 0:32:10 | 0:32:13 | |
or I'll turn you all into frogs. | 0:32:13 | 0:32:15 | |
Oh, frogs, nice. You heard her. | 0:32:15 | 0:32:18 | |
Doctor, what's going on? | 0:32:18 | 0:32:20 | |
It's a...timey-wimey thing. | 0:32:20 | 0:32:23 | |
Timey...what? Timey-wimey? | 0:32:23 | 0:32:26 | |
I've no idea where he picks that stuff up. | 0:32:26 | 0:32:28 | |
SOLDIERS: The Queen! | 0:32:28 | 0:32:31 | |
You don't seem to be kneeling. How tremendously brave of you. | 0:32:31 | 0:32:35 | |
-Which one are you? What happened to the other one? -Indisposed. | 0:32:35 | 0:32:38 | |
-Long live the Queen! -SOLDIERS: Long live the Queen! | 0:32:38 | 0:32:41 | |
Arrest these men. Take them to the Tower. | 0:32:41 | 0:32:44 | |
That is not the Queen of England - that's an alien duplicate! | 0:32:44 | 0:32:46 | |
-And you can take it from him, cos he's really checked. -Oh, shut up! | 0:32:46 | 0:32:49 | |
-Venom sacs in the tongue. -Seriously, stop it! | 0:32:49 | 0:32:51 | |
No, hang on, the Tower! Did you say the Tower? | 0:32:51 | 0:32:53 | |
Ah, yes, brilliant, love the Tower. Breakfast at eight, please. | 0:32:53 | 0:32:56 | |
Will there Wi-Fi? | 0:32:56 | 0:32:57 | |
Are you capable of speaking without flapping your hands about? | 0:32:57 | 0:33:01 | |
Yes! No! | 0:33:01 | 0:33:02 | |
I demand to be incarcerated in the Tower immediately | 0:33:02 | 0:33:04 | |
-with my co-conspirators, Sandshoes and Grandad! -Grandad? | 0:33:04 | 0:33:07 | |
-They're not sandshoes. -Yes, they are! | 0:33:07 | 0:33:09 | |
Silence! The tower is not to be taken lightly. | 0:33:09 | 0:33:12 | |
'Very few emerge again.' | 0:33:12 | 0:33:14 | |
-Dear God, that man's clever. Come on! -Where are we going? | 0:33:14 | 0:33:17 | |
My office. Otherwise known as the Tower of London. | 0:33:17 | 0:33:20 | |
JAILER: Oi, you lot, get in there! | 0:33:23 | 0:33:25 | |
Ow! | 0:33:26 | 0:33:28 | |
TING! | 0:33:32 | 0:33:34 | |
Three of us in one cell - | 0:33:34 | 0:33:35 | |
that's going to cause some nasty anomalies if we don't get out soon. | 0:33:35 | 0:33:38 | |
What are you doing? | 0:33:38 | 0:33:40 | |
-Getting us out! -The sonic won't work on that - it's too primitive. | 0:33:41 | 0:33:46 | |
Shall we ask for a better quality of door so we can escape(?) | 0:33:46 | 0:33:49 | |
OK, so the Queen of England is now a Zygon, | 0:33:49 | 0:33:52 | |
but never mind that, why are we all together? | 0:33:52 | 0:33:55 | |
Why are we all here? | 0:33:55 | 0:33:57 | |
Well, me and...Chinny, we were surprised. | 0:33:58 | 0:34:01 | |
But you came looking for us - | 0:34:01 | 0:34:03 | |
you knew it was going to happen. Who told you? | 0:34:03 | 0:34:05 | |
-Oi! -"Chinny"? | 0:34:05 | 0:34:07 | |
Yeah, you do have a chin. | 0:34:07 | 0:34:09 | |
Marble, granite... a lot of different stone, | 0:34:11 | 0:34:16 | |
but none of it from the fabric of the building. | 0:34:16 | 0:34:19 | |
It's like somebody smashed up a lot of old statues. | 0:34:19 | 0:34:22 | |
Are there any missing? | 0:34:22 | 0:34:24 | |
Don't think so. | 0:34:24 | 0:34:26 | |
Why would anyone do that anyway? | 0:34:26 | 0:34:28 | |
I mean, I know we're meant to keep an open mind, | 0:34:29 | 0:34:31 | |
but are we supposed to believe in creatures | 0:34:31 | 0:34:34 | |
that can hide in oil paintings | 0:34:34 | 0:34:35 | |
and have some sort of a grudge against statues? | 0:34:35 | 0:34:38 | |
You all right? | 0:34:39 | 0:34:41 | |
-We have to go - right now, this minute. -What's wrong? | 0:34:42 | 0:34:45 | |
The things from the paintings... | 0:34:45 | 0:34:47 | |
I know why they smashed the statues. | 0:34:47 | 0:34:49 | |
-Why? -Because they needed somewhere to hide. | 0:34:51 | 0:34:53 | |
GURGLING | 0:34:58 | 0:35:01 | |
SHE SCREAMS | 0:35:01 | 0:35:03 | |
Oh! | 0:35:12 | 0:35:14 | |
ALARM | 0:35:18 | 0:35:21 | |
The Doctor will save me, the Doctor will save me, | 0:35:27 | 0:35:30 | |
the Doctor will save me, the Doctor will save me, | 0:35:30 | 0:35:33 | |
the Doctor will save me, the Doctor will save me... | 0:35:33 | 0:35:36 | |
Excuse me - I'm going to need my inhaler. | 0:35:36 | 0:35:38 | |
I so hate it when I get one with a defect! | 0:35:40 | 0:35:43 | |
Oh, you've got some perfectly horrible memories in here, | 0:35:43 | 0:35:46 | |
haven't you? | 0:35:46 | 0:35:47 | |
So jealous of your pretty sister. | 0:35:49 | 0:35:51 | |
I don't blame you, I wish I'd copied HER. | 0:35:51 | 0:35:54 | |
So do I! | 0:35:56 | 0:35:57 | |
Oh, for goodness' sake...! | 0:35:59 | 0:36:00 | |
-KATE: -The Doctor will be trying to send us a message. | 0:36:04 | 0:36:06 | |
We're looking for a string of numerals | 0:36:06 | 0:36:08 | |
from around 1550, approximately - priority one. | 0:36:08 | 0:36:12 | |
I'm going to need access to the Black Archive. | 0:36:12 | 0:36:15 | |
The Black Archive. | 0:36:17 | 0:36:19 | |
Highest security rating on the planet. | 0:36:19 | 0:36:21 | |
The entire staff have their memories wiped at the end of every shift. | 0:36:21 | 0:36:24 | |
Automated memory filters in the ceiling. | 0:36:24 | 0:36:26 | |
-Access, please. -Ma'am. | 0:36:26 | 0:36:29 | |
Atkins, isn't it? | 0:36:34 | 0:36:35 | |
Yes, ma'am. First day here. | 0:36:35 | 0:36:37 | |
(Been here ten years.) | 0:36:37 | 0:36:39 | |
Lock and key - bit basic, isn't it? | 0:36:46 | 0:36:48 | |
Can't afford electronic security down here - | 0:36:48 | 0:36:50 | |
got to keep the Doctor out. | 0:36:50 | 0:36:51 | |
The whole of the Tower is TARDIS-proofed. | 0:36:51 | 0:36:54 | |
-He really wouldn't approve of the collection. -But you let me in? | 0:36:54 | 0:36:57 | |
You have a top-level security rating from your last visit. | 0:36:57 | 0:37:00 | |
Sorry, my what? | 0:37:00 | 0:37:02 | |
Apologies. We have to screen all of his known associates - | 0:37:02 | 0:37:05 | |
we can't have information about the Doctor and the TARDIS | 0:37:05 | 0:37:07 | |
falling into the wrong hands. | 0:37:07 | 0:37:09 | |
The consequences could be disastrous. | 0:37:09 | 0:37:12 | |
What is that? | 0:37:14 | 0:37:16 | |
Time travel. | 0:37:17 | 0:37:18 | |
A vortex manipulator, bequeathed to the UNIT archive | 0:37:18 | 0:37:21 | |
by Captain Jack Harkness, on the occasion of his death. | 0:37:21 | 0:37:24 | |
Well, one of them. | 0:37:24 | 0:37:26 | |
-No-one can know we have this, not even our allies. -Why not? | 0:37:26 | 0:37:29 | |
Think about it! Americans with the ability to rewrite history? | 0:37:29 | 0:37:34 | |
You've seen their movies. | 0:37:34 | 0:37:36 | |
OK, so this is how we're going to rescue the Doctor. | 0:37:40 | 0:37:43 | |
I'm not sure there's enough power for a two-way trip. | 0:37:43 | 0:37:47 | |
In any event, we don't know the activation code. | 0:37:47 | 0:37:50 | |
The Doctor knows we have this, | 0:37:50 | 0:37:51 | |
so he's always kept the code from us. | 0:37:51 | 0:37:53 | |
-PHONE RINGS -Let's hope he changes his mind. | 0:37:53 | 0:37:56 | |
Yes. | 0:37:56 | 0:37:57 | |
Well, if you've found it, | 0:37:57 | 0:37:59 | |
photograph it and send it to my phone. | 0:37:59 | 0:38:02 | |
Erm, Kate. Should they be here? | 0:38:08 | 0:38:11 | |
Why have they followed us? | 0:38:11 | 0:38:12 | |
Oh, they've probably just finished disposing of the humans a bit early. | 0:38:12 | 0:38:16 | |
The humans...? | 0:38:16 | 0:38:19 | |
Dear me! I really do get into character, don't I? | 0:38:19 | 0:38:23 | |
The Under Gallery is secured. | 0:38:41 | 0:38:43 | |
Prepare to dispose of one more human. We have acquired the device. | 0:38:43 | 0:38:48 | |
Activation code - right? | 0:38:50 | 0:38:52 | |
In theory, I can trigger an isolated sonic shift | 0:38:57 | 0:39:00 | |
among the molecules, and the door should disintegrate. | 0:39:00 | 0:39:04 | |
We'd have to calculate the exact harmonic resonance | 0:39:04 | 0:39:06 | |
of the entire structure down to a sub-atomic level. | 0:39:06 | 0:39:08 | |
Even the sonic would take years. | 0:39:08 | 0:39:09 | |
No, no. The sonic would take centuries. | 0:39:09 | 0:39:13 | |
Oh, we might as well get started. | 0:39:13 | 0:39:15 | |
Help to pass the "timey-wimey". | 0:39:15 | 0:39:17 | |
Do you have to talk like children? | 0:39:18 | 0:39:20 | |
What is it that makes you so ashamed of being a grown-up? | 0:39:20 | 0:39:23 | |
Oh, the way you both look at me. What is that? | 0:39:25 | 0:39:30 | |
I'm trying to think of a better word than "dread". | 0:39:30 | 0:39:34 | |
It must be really recent for you. | 0:39:35 | 0:39:37 | |
Recent? | 0:39:37 | 0:39:39 | |
The Time War, the last day. The day you killed them all. | 0:39:40 | 0:39:43 | |
-The day WE killed them all. -Same thing. | 0:39:43 | 0:39:46 | |
It's history for them. All decided. | 0:39:50 | 0:39:52 | |
They think their future is real - they don't know | 0:39:52 | 0:39:55 | |
it's still up to you. | 0:39:55 | 0:39:57 | |
I don't talk about it. | 0:39:57 | 0:39:58 | |
-You're not talking about it. There's no-one else here. -Go on. Ask them. | 0:39:58 | 0:40:02 | |
Ask them what you need to know. | 0:40:02 | 0:40:04 | |
Did you ever count? | 0:40:08 | 0:40:09 | |
Count what? | 0:40:09 | 0:40:11 | |
How many children there were on Gallifrey that day. | 0:40:12 | 0:40:14 | |
I have absolutely no idea. | 0:40:19 | 0:40:21 | |
How old are you now? | 0:40:21 | 0:40:23 | |
Ah...I don't know, I lose track. | 0:40:23 | 0:40:27 | |
Twelve hundred and something, I think, unless I'm lying. | 0:40:27 | 0:40:30 | |
I can't remember if I'm lying about my age - that's how old I am. | 0:40:30 | 0:40:33 | |
400 years older than me. | 0:40:33 | 0:40:35 | |
And in all that time, you've never even wondered how many there were? | 0:40:35 | 0:40:38 | |
You never once counted? | 0:40:38 | 0:40:41 | |
Tell me... | 0:40:43 | 0:40:45 | |
what would be the point? | 0:40:45 | 0:40:46 | |
2.47 billion. | 0:40:46 | 0:40:49 | |
You DID count! | 0:40:49 | 0:40:50 | |
You forgot? | 0:40:53 | 0:40:54 | |
400 years? Is that all it takes? | 0:40:54 | 0:40:56 | |
I moved on. | 0:40:56 | 0:40:58 | |
Where?! Where can you be now that you can forget something like that? | 0:40:58 | 0:41:02 | |
-Spoilers. -No. | 0:41:02 | 0:41:03 | |
No, no, no. For once, I would like to know where I'm going. | 0:41:03 | 0:41:06 | |
No. You really wouldn't. | 0:41:06 | 0:41:07 | |
I don't know who you are... either of you. | 0:41:10 | 0:41:14 | |
I haven't got the faintest idea. | 0:41:14 | 0:41:16 | |
They're you. | 0:41:16 | 0:41:18 | |
They're what you become if you destroy Gallifrey. | 0:41:19 | 0:41:21 | |
The man who regrets... | 0:41:23 | 0:41:25 | |
..and the man who forgets. | 0:41:26 | 0:41:28 | |
The moment is coming. | 0:41:28 | 0:41:30 | |
The Moment is me, you have to decide. | 0:41:30 | 0:41:33 | |
No. | 0:41:41 | 0:41:42 | |
No? | 0:41:42 | 0:41:43 | |
Just...no! | 0:41:44 | 0:41:47 | |
HE LAUGHS | 0:41:47 | 0:41:49 | |
Is something funny? Did I miss a funny thing? | 0:41:49 | 0:41:52 | |
Sorry. It just occurred to me. | 0:41:52 | 0:41:54 | |
This is what I'm like when I'm alone. | 0:41:54 | 0:41:56 | |
It's the same screwdriver. | 0:41:58 | 0:42:00 | |
Same software...different case. | 0:42:05 | 0:42:09 | |
400 years! | 0:42:17 | 0:42:19 | |
I'm sorry? | 0:42:19 | 0:42:21 | |
At a software level, they're all the same device, aren't they? | 0:42:21 | 0:42:24 | |
Same software, different case. | 0:42:24 | 0:42:26 | |
-Yeah. -So...? | 0:42:26 | 0:42:28 | |
So, it would take centuries for the screwdriver to calculate | 0:42:28 | 0:42:33 | |
how to disintegrate the door. Scanning the door, | 0:42:33 | 0:42:37 | |
implanting the calculation as a permanent subroutine | 0:42:37 | 0:42:40 | |
in the software architecture | 0:42:40 | 0:42:43 | |
and...if you really are me, | 0:42:43 | 0:42:46 | |
with your sandshoes and your dicky bow, | 0:42:46 | 0:42:50 | |
and that screwdriver is still mine... | 0:42:50 | 0:42:52 | |
..that calculation is still going on. | 0:42:53 | 0:42:55 | |
WHIRRING | 0:42:58 | 0:43:00 | |
Yeah. Still going. | 0:43:00 | 0:43:02 | |
Calculation complete. | 0:43:02 | 0:43:03 | |
Same software. Different face. | 0:43:03 | 0:43:06 | |
Eh, 400 years in four seconds. We may have our differences, | 0:43:06 | 0:43:10 | |
which is frankly odd in the circumstances, | 0:43:10 | 0:43:11 | |
but I tell you what, boys, we are incredibly clever! | 0:43:11 | 0:43:16 | |
How did you that? | 0:43:21 | 0:43:22 | |
-It wasn't locked. -Right. | 0:43:22 | 0:43:25 | |
So they're both you, then, yeah? | 0:43:25 | 0:43:27 | |
Yes. You've met them before, don't you remember? | 0:43:27 | 0:43:30 | |
A bit. Nice suit! | 0:43:30 | 0:43:32 | |
Thanks. | 0:43:32 | 0:43:33 | |
Hang on. | 0:43:33 | 0:43:35 | |
Three of you in one cell, and none of you thought to try the door. | 0:43:35 | 0:43:38 | |
It should have been locked. | 0:43:38 | 0:43:39 | |
Yes, exactly! Why wasn't it locked? | 0:43:39 | 0:43:41 | |
Because I was fascinated to see what you would do upon escaping. | 0:43:41 | 0:43:45 | |
I understand you're rather fond of this world. | 0:43:45 | 0:43:47 | |
It's time I think you saw what's going to happen to it. | 0:43:47 | 0:43:50 | |
GROANING Ah! | 0:44:10 | 0:44:12 | |
Kate? Oh, goodness, you're not actually dead. | 0:44:21 | 0:44:24 | |
Oh, that's tremendous news! | 0:44:24 | 0:44:25 | |
Those creatures, they turn themselves into copies. | 0:44:27 | 0:44:30 | |
And they need to keep the original alive, refresh the image, | 0:44:30 | 0:44:33 | |
so to speak. | 0:44:33 | 0:44:34 | |
-(BREATHLESSLY) -Where...where did they go? | 0:44:34 | 0:44:36 | |
I don't know. Ooh, hang on - yes, I do. The Tower. | 0:44:36 | 0:44:40 | |
If those creatures have got access to the Black Archive, | 0:44:40 | 0:44:43 | |
we may just have lost control of the planet. | 0:44:43 | 0:44:45 | |
The Zygons lost their own world. | 0:44:48 | 0:44:51 | |
It burned in the first days of the Time War. | 0:44:51 | 0:44:54 | |
A new home is required. | 0:44:54 | 0:44:55 | |
So they want this one? | 0:44:58 | 0:44:59 | |
Not yet. Far too primitive. | 0:44:59 | 0:45:02 | |
Zygons are used to a certain level of comfort. | 0:45:02 | 0:45:05 | |
Commander... | 0:45:05 | 0:45:07 | |
..why are these creatures here? | 0:45:08 | 0:45:11 | |
Because I say they should be. | 0:45:11 | 0:45:13 | |
It is time you too were translated. | 0:45:13 | 0:45:16 | |
Observe this. | 0:45:18 | 0:45:20 | |
I believe you will find it fascinating. | 0:45:20 | 0:45:23 | |
WHIRRING | 0:45:23 | 0:45:26 | |
That's him! That's the Zygon in the picture now. | 0:45:32 | 0:45:35 | |
-THE OTHER DOCTOR: -It's not a picture, it's a Stasis Cube. | 0:45:35 | 0:45:37 | |
Time Lord art - | 0:45:37 | 0:45:39 | |
frozen instants in time, bigger on the inside | 0:45:39 | 0:45:43 | |
but could be deployed as... | 0:45:43 | 0:45:45 | |
..Suspended animation. Oh, that's very good. | 0:45:45 | 0:45:49 | |
The Zygons all pop inside the pictures, wait a few centuries | 0:45:49 | 0:45:52 | |
till the planet's a bit more interesting, and then out they come. | 0:45:52 | 0:45:55 | |
You see, Clara, | 0:45:55 | 0:45:56 | |
they're stored in the paintings in the Under Gallery, like Cup-a-Soups. | 0:45:56 | 0:45:59 | |
Except you add time - if you can picture that. | 0:45:59 | 0:46:02 | |
Nobody could picture that. Forget I said Cup-a-Soups. | 0:46:02 | 0:46:04 | |
And now the world is worth conquering. | 0:46:04 | 0:46:07 | |
So the Zygons are invading the future | 0:46:07 | 0:46:09 | |
from the past. | 0:46:09 | 0:46:10 | |
Exactly! | 0:46:10 | 0:46:12 | |
And do you know why I know that you're a fake? | 0:46:13 | 0:46:17 | |
Because you're such a bad copy. | 0:46:17 | 0:46:19 | |
It's not just the smell, or the unconvincing hair, | 0:46:19 | 0:46:22 | |
or the atrocious teeth, or the eyes just a bit too close together, | 0:46:22 | 0:46:26 | |
or the breath that could stun a horse - | 0:46:26 | 0:46:28 | |
it's because my Elizabeth, the real Elizabeth, | 0:46:28 | 0:46:31 | |
would never be stupid enough to reveal her own plan. | 0:46:31 | 0:46:34 | |
Honestly, why would you do that? | 0:46:34 | 0:46:36 | |
Because it's not my plan, | 0:46:36 | 0:46:39 | |
and I AM the real Elizabeth. | 0:46:39 | 0:46:41 | |
OK. So...backtracking a moment, | 0:46:43 | 0:46:45 | |
just to lend some context to my earlier remarks... | 0:46:45 | 0:46:48 | |
My twin is dead in the forest. | 0:46:48 | 0:46:50 | |
I am accustomed to taking precautions. | 0:46:50 | 0:46:52 | |
These Zygon creatures never even considered that it was me | 0:46:52 | 0:46:55 | |
who survived, rather than their own commander. | 0:46:55 | 0:46:58 | |
The arrogance that typifies their kind. | 0:46:58 | 0:47:00 | |
Zygons? | 0:47:00 | 0:47:01 | |
-Men! -And you actually killed one of them? | 0:47:01 | 0:47:04 | |
I may have the body of a weak and feeble woman, | 0:47:04 | 0:47:06 | |
but at the time, so did the Zygon. | 0:47:06 | 0:47:09 | |
The future of my kingdom is imperilled. | 0:47:09 | 0:47:11 | |
Doctor, can I rely on your service? | 0:47:11 | 0:47:14 | |
Well, I'm going to need my TARDIS. | 0:47:14 | 0:47:15 | |
-It has been procured already. -Ah! | 0:47:15 | 0:47:18 | |
But first, my love, you have a promise to keep! | 0:47:18 | 0:47:20 | |
I now pronounce you...man and wife. | 0:47:24 | 0:47:27 | |
CLARA WHOOPS | 0:47:27 | 0:47:28 | |
You may kiss the bride. | 0:47:28 | 0:47:31 | |
Is there a lot of this in the future? | 0:47:35 | 0:47:38 | |
It does start to happen, yeah. | 0:47:38 | 0:47:40 | |
God speed, my love. | 0:47:42 | 0:47:44 | |
I will be right back. | 0:47:44 | 0:47:46 | |
Whoo! | 0:47:51 | 0:47:53 | |
Right, then, back to the future. | 0:47:56 | 0:47:58 | |
You've let this place go a bit! | 0:48:01 | 0:48:03 | |
Ah, it's his grunge phase. He grows out of it. | 0:48:03 | 0:48:05 | |
-Don't you listen to them! -ALARM | 0:48:05 | 0:48:08 | |
Ooh! The desktop is glitching. | 0:48:08 | 0:48:11 | |
Three of us from different time zones, it's trying to compensate. | 0:48:11 | 0:48:15 | |
Hey, look, the round things. | 0:48:15 | 0:48:17 | |
-I love the round things. -What ARE the round things? | 0:48:17 | 0:48:21 | |
-No idea. -BEEPING | 0:48:21 | 0:48:22 | |
Oh, dear, the friction contrafibulator. | 0:48:22 | 0:48:25 | |
Ha! There! Stabilised. | 0:48:25 | 0:48:27 | |
Oh, you've redecorated! | 0:48:29 | 0:48:31 | |
I don't like it. | 0:48:31 | 0:48:32 | |
Oh? Oh, yeah. Oh, | 0:48:32 | 0:48:34 | |
you never do! Listen, we're going to the National Gallery - the Zygons are underneath it. | 0:48:34 | 0:48:38 | |
No, UNIT HQ, they followed us there in the Black Archive. | 0:48:38 | 0:48:41 | |
OK...so you've heard of that, then. | 0:48:44 | 0:48:46 | |
The equipment here is phenomenal. | 0:48:48 | 0:48:51 | |
The humans don't realise what half this stuff does - | 0:48:51 | 0:48:53 | |
we could conquer their world in a day. | 0:48:53 | 0:48:56 | |
We were fortunate, then... | 0:48:56 | 0:48:59 | |
in our choice of duplicate. | 0:48:59 | 0:49:01 | |
If I were human, I'd say it was Christmas. | 0:49:01 | 0:49:04 | |
No. I'm afraid you wouldn't. We're not armed. You may relax. | 0:49:04 | 0:49:08 | |
We are armed. You may not. | 0:49:08 | 0:49:12 | |
Lock the door. | 0:49:12 | 0:49:13 | |
I'm afraid we can't be interrupted. | 0:49:13 | 0:49:15 | |
You don't mind if I get comfortable? | 0:49:16 | 0:49:19 | |
-You don't mind if -I -do? | 0:49:19 | 0:49:22 | |
You'll realise there are protocols protecting this place. | 0:49:29 | 0:49:32 | |
-Osgood... -In the event of alien incursion, | 0:49:32 | 0:49:34 | |
the contents of this room are deemed so dangerous, | 0:49:34 | 0:49:36 | |
-it will self-destruct in... -Five minutes. | 0:49:36 | 0:49:39 | |
ALARM | 0:49:39 | 0:49:41 | |
There's a nuclear warhead 20 feet beneath us. | 0:49:41 | 0:49:44 | |
Are you sitting comfortably? | 0:49:44 | 0:49:45 | |
You would destroy London? | 0:49:45 | 0:49:47 | |
To save the world? Yes, I would. | 0:49:47 | 0:49:49 | |
You're bluffing. | 0:49:49 | 0:49:50 | |
You really think so? | 0:49:50 | 0:49:51 | |
Somewhere in your memory is a man called | 0:49:51 | 0:49:53 | |
Brigadier Alistair Gordon Lethbridge-Stewart. | 0:49:53 | 0:49:56 | |
I'm his daughter. | 0:49:56 | 0:49:58 | |
' "Science leads," Kate. Is that what you meant? | 0:49:58 | 0:50:00 | |
'Is this what your father meant?' | 0:50:00 | 0:50:02 | |
-Doctor? -'Space-Time Telegraph, Kate. | 0:50:02 | 0:50:05 | |
'A gift from me to your father, hotline straight to the TARDIS.' | 0:50:05 | 0:50:07 | |
I know about the Black Archive and I know about the security protocol. | 0:50:07 | 0:50:11 | |
Kate, please, | 0:50:11 | 0:50:13 | |
please, tell me you are not about to do something unbelievably stupid! | 0:50:13 | 0:50:16 | |
'I'm sorry, Doctor. Switch it off.' | 0:50:16 | 0:50:18 | |
-THE TENTH DOCTOR: -'Not as sorry as you will be.' | 0:50:18 | 0:50:20 | |
This is not a decision you will ever be able to live with. | 0:50:20 | 0:50:23 | |
Kate! We're trying to bring the TARDIS in - why can't we land? | 0:50:28 | 0:50:32 | |
-KATE: -I said switch it off! | 0:50:32 | 0:50:33 | |
No, Kate, please, just listen to me... | 0:50:33 | 0:50:35 | |
The Tower of London - totally TARDIS-proof. | 0:50:41 | 0:50:43 | |
How can they do that? | 0:50:43 | 0:50:44 | |
Alien technology plus human stupidity - | 0:50:44 | 0:50:46 | |
trust me, it's unbeatable. | 0:50:46 | 0:50:48 | |
We don't need to land. | 0:50:48 | 0:50:49 | |
Yeah, we do, a tiny bit. Try and keep up. | 0:50:51 | 0:50:54 | |
No, we don't. We don't. There is another way. | 0:50:54 | 0:50:58 | |
Cup-a-Soup! | 0:51:01 | 0:51:02 | |
What is Cup-a-Soup? | 0:51:06 | 0:51:08 | |
What happened? | 0:51:10 | 0:51:12 | |
Easier to show you. | 0:51:12 | 0:51:13 | |
PHONE RINGS | 0:51:17 | 0:51:18 | |
McGillop. | 0:51:21 | 0:51:23 | |
Take a look at your phone and confirm who you're talking to. | 0:51:23 | 0:51:25 | |
But that's not possible. I was just... | 0:51:28 | 0:51:31 | |
'You were just talking to me, I know.' | 0:51:31 | 0:51:32 | |
I'm a time traveller - figure it out. | 0:51:32 | 0:51:34 | |
I need you to send the Gallifrey Falls painting to the Black Archive. | 0:51:34 | 0:51:37 | |
-'Understood?' -Understood, sir. | 0:51:37 | 0:51:39 | |
But why would I take it there? | 0:51:39 | 0:51:42 | |
-KATE 2: -One word from you would cancel the countdown. | 0:51:42 | 0:51:45 | |
-KATE: -Quite so. | 0:51:45 | 0:51:46 | |
It's keyed to your voice print. | 0:51:46 | 0:51:47 | |
And mine alone. | 0:51:47 | 0:51:48 | |
Not any more. Cancel the detonation! | 0:51:48 | 0:51:51 | |
Countermanded! Cancel the detonation! | 0:51:51 | 0:51:53 | |
-KATE: -Countermanded! | 0:51:53 | 0:51:54 | |
We only have to agree, to live. | 0:51:54 | 0:51:56 | |
Sadly, we can only agree to die. | 0:51:56 | 0:51:58 | |
Please, Doctor. Please save us. | 0:51:58 | 0:52:02 | |
Please save us. Please save us. | 0:52:02 | 0:52:04 | |
Please save us... | 0:52:04 | 0:52:06 | |
Exterminate! | 0:52:17 | 0:52:20 | |
SIREN | 0:52:32 | 0:52:34 | |
Hello. | 0:52:47 | 0:52:48 | |
I'm the Doctor. | 0:52:48 | 0:52:49 | |
Sorry about the Dalek. | 0:52:49 | 0:52:50 | |
Also the showing off. | 0:52:52 | 0:52:54 | |
Kate Lethbridge-Stewart, what in the name of sanity are you doing? | 0:52:54 | 0:52:59 | |
The countdown can only be halted at my personal command. | 0:52:59 | 0:53:01 | |
There's nothing you can do. | 0:53:01 | 0:53:03 | |
Except make you both agree to halt it. | 0:53:03 | 0:53:04 | |
-KATE: -Not even for three of you. | 0:53:04 | 0:53:06 | |
You're about to murder millions of people. | 0:53:06 | 0:53:08 | |
To save billions. How many times have you made that calculation? | 0:53:08 | 0:53:12 | |
Once. | 0:53:12 | 0:53:13 | |
Turned me into the man I am now. | 0:53:13 | 0:53:15 | |
I'm not even sure who that is any more. | 0:53:16 | 0:53:18 | |
You tell yourself it's justified, but it's a lie. | 0:53:18 | 0:53:21 | |
Because what I did that day was wrong. Just wrong. | 0:53:21 | 0:53:24 | |
And because I got it wrong... | 0:53:24 | 0:53:27 | |
I'm going to make you... get it right. | 0:53:27 | 0:53:30 | |
How? | 0:53:32 | 0:53:34 | |
Any second now, you're going to stop that countdown. | 0:53:34 | 0:53:37 | |
Both of you. Together. | 0:53:37 | 0:53:38 | |
Then you're going to negotiate the most perfect treaty of all time. | 0:53:38 | 0:53:40 | |
Safeguards all round, fair on both sides. | 0:53:40 | 0:53:42 | |
And the key to perfect negotiation... | 0:53:42 | 0:53:44 | |
Not knowing what side you're on. | 0:53:44 | 0:53:46 | |
So, for the next few hours... | 0:53:46 | 0:53:49 | |
until we decide to let you out... | 0:53:49 | 0:53:50 | |
No-one in this room will be able to remember if they're human... | 0:53:50 | 0:53:53 | |
..Or Zygon. | 0:53:53 | 0:53:54 | |
Whoops-a-daisy! | 0:53:54 | 0:53:56 | |
-BOTH: -Cancel the detonation! | 0:54:06 | 0:54:09 | |
Peace in our time. | 0:54:10 | 0:54:12 | |
It's funny, isn't it? | 0:54:22 | 0:54:23 | |
If I'm a Zygon, then my clothes must be Zygon too. | 0:54:23 | 0:54:26 | |
So, what happens if I lose a shoe or something? | 0:54:26 | 0:54:29 | |
SHE COUGHS | 0:54:29 | 0:54:30 | |
Oh! | 0:54:30 | 0:54:31 | |
Hello. | 0:54:59 | 0:55:02 | |
-Hello. -I'm Clara. | 0:55:02 | 0:55:04 | |
We haven't really met yet. | 0:55:04 | 0:55:06 | |
I look forward to it. | 0:55:06 | 0:55:08 | |
Is there a problem? | 0:55:12 | 0:55:13 | |
The Doctor - my... | 0:55:13 | 0:55:16 | |
my Doctor - | 0:55:16 | 0:55:18 | |
he's always talking about the day he did it, | 0:55:18 | 0:55:21 | |
the day he wiped out the Time Lords to stop the war... | 0:55:21 | 0:55:24 | |
One would. | 0:55:24 | 0:55:26 | |
You wouldn't. | 0:55:26 | 0:55:28 | |
Because you haven't done it yet. It's still in your future. | 0:55:30 | 0:55:33 | |
You're very sure of yourself. | 0:55:35 | 0:55:37 | |
He regrets it. I see it in his eyes every day. | 0:55:37 | 0:55:41 | |
He'd do anything to change it. | 0:55:41 | 0:55:42 | |
Including saving all these people. | 0:55:42 | 0:55:45 | |
How many worlds has his regret saved, do you think? | 0:55:47 | 0:55:50 | |
Look over there - humans and Zygons working together in peace. | 0:55:50 | 0:55:56 | |
How did you know? | 0:55:58 | 0:55:59 | |
Your eyes. | 0:56:00 | 0:56:02 | |
You're so much younger. | 0:56:03 | 0:56:05 | |
Then, all things considered... | 0:56:07 | 0:56:09 | |
..it's time I grew up. | 0:56:11 | 0:56:13 | |
I've seen all I needed. | 0:56:17 | 0:56:18 | |
The moment has come. | 0:56:20 | 0:56:22 | |
I'm ready. | 0:56:27 | 0:56:28 | |
ROSE: I know you are. > | 0:56:28 | 0:56:30 | |
Who's there? Who were you talking to...? | 0:56:32 | 0:56:36 | |
ROSE: You wanted a big red button. | 0:56:49 | 0:56:52 | |
One big bang - no more Time Lords, | 0:56:52 | 0:56:56 | |
no more Daleks. | 0:56:56 | 0:56:58 | |
Are you sure? | 0:56:58 | 0:56:59 | |
I was sure when I came in here. | 0:57:01 | 0:57:03 | |
There is no other way. | 0:57:04 | 0:57:06 | |
You've seen the men you will become. | 0:57:06 | 0:57:08 | |
Those men... | 0:57:08 | 0:57:10 | |
extraordinary. | 0:57:10 | 0:57:12 | |
They were you. | 0:57:13 | 0:57:14 | |
No. | 0:57:14 | 0:57:16 | |
They were the Doctor. | 0:57:17 | 0:57:19 | |
You're the Doctor too. | 0:57:19 | 0:57:20 | |
No. | 0:57:20 | 0:57:22 | |
Great men are forged in fire. | 0:57:23 | 0:57:26 | |
It is the privilege of lesser men to light the flame... | 0:57:27 | 0:57:31 | |
..whatever the cost. | 0:57:35 | 0:57:38 | |
CHILDREN LAUGH | 0:57:38 | 0:57:40 | |
You know the sound the TARDIS makes? | 0:57:45 | 0:57:47 | |
That wheezing...groaning. | 0:57:47 | 0:57:50 | |
That sound brings hope wherever it goes. | 0:57:52 | 0:57:55 | |
Yes. Yes, I like to think it does. | 0:57:56 | 0:58:00 | |
To anyone who hears it, Doctor. | 0:58:00 | 0:58:03 | |
Anyone, however lost... METALLIC THRUMMING | 0:58:04 | 0:58:07 | |
..even you! | 0:58:10 | 0:58:12 | |
I told you - he hasn't done it yet. | 0:58:34 | 0:58:35 | |
Go away now, all of you. | 0:58:36 | 0:58:39 | |
This is for me. | 0:58:39 | 0:58:40 | |
These events should be time locked - we shouldn't even be here. | 0:58:42 | 0:58:45 | |
So something let us through. | 0:58:45 | 0:58:47 | |
You clever boys! | 0:58:47 | 0:58:49 | |
Go back. | 0:58:49 | 0:58:52 | |
Go back to your lives. | 0:58:52 | 0:58:53 | |
Go and be the Doctor that I could never be. | 0:58:55 | 0:58:58 | |
Make it worthwhile. | 0:58:58 | 0:59:01 | |
All those years, burying you in my memory. | 0:59:04 | 0:59:07 | |
Pretending you didn't exist. | 0:59:09 | 0:59:11 | |
Keeping you a secret, even from myself. | 0:59:11 | 0:59:14 | |
Pretending you weren't the Doctor, | 0:59:16 | 0:59:18 | |
when you were the Doctor more than anybody else. | 0:59:18 | 0:59:20 | |
You were the Doctor on the day it wasn't possible to get it right. | 0:59:20 | 0:59:25 | |
But this time... | 0:59:29 | 0:59:31 | |
..You don't have to do it alone. | 0:59:33 | 0:59:35 | |
Thank you. | 0:59:39 | 0:59:41 | |
What we do today is not out of fear or hatred. | 0:59:44 | 0:59:48 | |
It is done because there is no other way. | 0:59:49 | 0:59:52 | |
And it is done in the name of the many lives we are failing to save. | 0:59:53 | 0:59:58 | |
What? | 1:00:10 | 1:00:11 | |
What is it, what? | 1:00:12 | 1:00:13 | |
-Nothing... -No. | 1:00:13 | 1:00:15 | |
It's something. Tell me! | 1:00:17 | 1:00:18 | |
You told me you wiped out your own people. I just... | 1:00:18 | 1:00:22 | |
I never pictured you doing it, that's all. | 1:00:24 | 1:00:28 | |
Take a closer look. | 1:00:28 | 1:00:29 | |
CLARA: What's happening? | 1:00:35 | 1:00:37 | |
Nothing - it's a projection. | 1:00:37 | 1:00:39 | |
ROSE: It's a reality around you. | 1:00:41 | 1:00:43 | |
These are the people you're going to burn? | 1:00:56 | 1:00:59 | |
There isn't anything we can do. | 1:01:03 | 1:01:06 | |
He's right. | 1:01:06 | 1:01:07 | |
There isn't another way, there never was. | 1:01:07 | 1:01:09 | |
Either I destroy my own people or let the universe burn. | 1:01:09 | 1:01:13 | |
Look at you... | 1:01:13 | 1:01:15 | |
..the three of you. | 1:01:16 | 1:01:18 | |
The warrior. The hero. | 1:01:18 | 1:01:20 | |
And you. | 1:01:20 | 1:01:22 | |
And what am I? | 1:01:27 | 1:01:29 | |
Have you really forgotten? | 1:01:29 | 1:01:30 | |
Yes. Maybe, yes. | 1:01:30 | 1:01:33 | |
We've got enough warriors - | 1:01:33 | 1:01:36 | |
any old idiot can be hero. | 1:01:36 | 1:01:38 | |
Then what do I do? | 1:01:42 | 1:01:44 | |
What you've always done. | 1:01:48 | 1:01:49 | |
Be a doctor! | 1:01:54 | 1:01:55 | |
You told me the name you chose was a promise. | 1:02:04 | 1:02:06 | |
What was the promise? | 1:02:06 | 1:02:08 | |
Never cruel or cowardly. | 1:02:09 | 1:02:12 | |
Never give up, | 1:02:14 | 1:02:16 | |
never give in. | 1:02:16 | 1:02:17 | |
You're not actually suggesting that we change our own personal history? | 1:02:40 | 1:02:44 | |
We change history all the time. | 1:02:44 | 1:02:46 | |
I'm suggesting something far worse. | 1:02:46 | 1:02:48 | |
What, exactly? | 1:02:48 | 1:02:50 | |
Gentleman, I have had 400 years to think about this. | 1:02:53 | 1:02:58 | |
I've changed my mind. | 1:03:00 | 1:03:02 | |
There's still a billion billion Daleks up there, attacking. | 1:03:07 | 1:03:11 | |
Yeah, there is, there is. | 1:03:11 | 1:03:12 | |
But there's something those billion billion Daleks don't know. | 1:03:12 | 1:03:16 | |
Cos if they did, they'd probably send for reinforcements. | 1:03:16 | 1:03:18 | |
What, what don't they know? | 1:03:18 | 1:03:20 | |
This time, there's three of us. | 1:03:20 | 1:03:22 | |
Oh! | 1:03:22 | 1:03:23 | |
Oh! Oh, yes, that is good! | 1:03:23 | 1:03:26 | |
That is brilliant! | 1:03:26 | 1:03:28 | |
Oh, oh, oh! I'm getting that too - that is brilliant! | 1:03:28 | 1:03:32 | |
Ha-ha-ha! I've been thinking about it for centuries! | 1:03:32 | 1:03:36 | |
She didn't just show me any old future - | 1:03:36 | 1:03:38 | |
she showed me exactly the future I needed to see! | 1:03:38 | 1:03:42 | |
-Now you're getting it. -Eh? Who did? | 1:03:42 | 1:03:44 | |
Oh, Bad Wolf Girl, I could kiss you. | 1:03:44 | 1:03:46 | |
-Yep, that's going to happen(!) -Sorry, did you say, "Bad Wolf"? | 1:03:46 | 1:03:50 | |
So what are we doing? What's the plan? | 1:03:50 | 1:03:53 | |
The Dalek fleets are surrounding Gallifrey, firing on it constantly. | 1:03:53 | 1:03:56 | |
The Sky Trench is holding, but what if the whole planet... | 1:03:56 | 1:03:59 | |
-just disappeared? -Tiny bit of an ask. | 1:03:59 | 1:04:01 | |
The Daleks would be firing on each other - | 1:04:01 | 1:04:03 | |
they'd destroy themselves in their own crossfire. | 1:04:03 | 1:04:05 | |
Gallifrey would be gone, the Daleks would be destroyed, | 1:04:05 | 1:04:07 | |
and it would look to the rest of the universe | 1:04:07 | 1:04:09 | |
as if they'd annihilated each other. | 1:04:09 | 1:04:11 | |
-But where would Gallifrey be? -Frozen! | 1:04:11 | 1:04:13 | |
Frozen in an instant of time, | 1:04:14 | 1:04:17 | |
safe and hidden away. | 1:04:17 | 1:04:19 | |
Exactly! | 1:04:19 | 1:04:20 | |
Like a painting. | 1:04:20 | 1:04:21 | |
ANDROGAR: Another one! | 1:04:31 | 1:04:32 | |
-THE GENERAL: -Are you sure the message is from him? | 1:04:32 | 1:04:34 | |
-Oh, yes! -Why would he do that? | 1:04:34 | 1:04:36 | |
What's the mad fool talking about now? | 1:04:38 | 1:04:41 | |
'Hello, hello, Gallifrey High Command, | 1:04:41 | 1:04:44 | |
'this is the Doctor speaking.' | 1:04:44 | 1:04:45 | |
'Hello! Also the Doctor. Can you hear me?' | 1:04:45 | 1:04:48 | |
'Also the Doctor - standing ready.' | 1:04:48 | 1:04:50 | |
Dear God, three of them! All my worse nightmares at once! | 1:04:50 | 1:04:55 | |
-'General, we have a plan.' -We should point out, at this moment, | 1:04:55 | 1:04:57 | |
-it is a fairly terrible plan. -'And almost certainly won't work.' | 1:04:57 | 1:05:00 | |
'I was happy with "fairly terrible".' | 1:05:00 | 1:05:02 | |
'Sorry, just thinking out loud.' | 1:05:02 | 1:05:04 | |
We're flying our three TARDISes into your lower atmosphere. | 1:05:04 | 1:05:07 | |
We're positioned at equidistant intervals round the globe. | 1:05:08 | 1:05:11 | |
"Equidistant" - so grown-up! | 1:05:11 | 1:05:13 | |
We're just about ready to do it. | 1:05:15 | 1:05:18 | |
-THE GENERAL: -'Ready to do what?' | 1:05:18 | 1:05:20 | |
We're going to freeze Gallifrey. | 1:05:20 | 1:05:22 | |
I'm sorry, what? | 1:05:22 | 1:05:24 | |
Using our TARDISes, | 1:05:24 | 1:05:26 | |
we're going to freeze Gallifrey in a single moment in time. | 1:05:26 | 1:05:28 | |
'You know, like those Stasis Cubes?' | 1:05:28 | 1:05:31 | |
A single moment in time held in a parallel pocket universe. | 1:05:31 | 1:05:35 | |
Except we're going to do it to a whole planet. | 1:05:35 | 1:05:37 | |
And all the people on it. | 1:05:37 | 1:05:38 | |
What? Even if that were possible, | 1:05:38 | 1:05:40 | |
'which it isn't, why would you do such a thing?' | 1:05:40 | 1:05:43 | |
-Because the alternative is burning. -And I've seen that. | 1:05:43 | 1:05:47 | |
And I never want to see it again. | 1:05:47 | 1:05:49 | |
We'd be lost in another universe... | 1:05:50 | 1:05:53 | |
..frozen in a single moment. | 1:05:54 | 1:05:56 | |
We'd have nothing. | 1:05:56 | 1:05:57 | |
You would have hope. | 1:05:57 | 1:05:59 | |
And right now, that is exactly what you don't have. | 1:05:59 | 1:06:02 | |
It's delusional. The calculations alone | 1:06:02 | 1:06:04 | |
would take...hundreds of years. | 1:06:04 | 1:06:08 | |
Oh, hundreds and hundreds. | 1:06:08 | 1:06:09 | |
But don't worry - | 1:06:09 | 1:06:10 | |
I started a very long time ago! | 1:06:10 | 1:06:13 | |
'Calling the War Council of Gallifrey, this is the Doctor.' | 1:06:16 | 1:06:19 | |
You might say, I've been doing this all my lives! | 1:06:19 | 1:06:23 | |
'Good luck!' 'Stand by.' 'Ready?' 'Commencing calculations.' | 1:06:23 | 1:06:26 | |
'Soon be there.' | 1:06:26 | 1:06:28 | |
'Across the boundaries that divide one universe from another. | 1:06:28 | 1:06:30 | |
'Just got to lock on to his coordinates.' | 1:06:30 | 1:06:33 | |
And for my next trick...! | 1:06:33 | 1:06:34 | |
I didn't know when I was well off! All 12 of them! | 1:06:34 | 1:06:38 | |
ANDROGAR: No, sir... | 1:06:38 | 1:06:39 | |
..all 13! | 1:06:40 | 1:06:42 | |
Sir! The Daleks know that something is happening. | 1:06:47 | 1:06:49 | |
They're increasing their fire power. | 1:06:49 | 1:06:52 | |
Do it, Doctor. | 1:06:59 | 1:07:02 | |
Just do it. | 1:07:02 | 1:07:03 | |
METALLIC THRUMMING | 1:07:03 | 1:07:05 | |
'Do it!' | 1:07:05 | 1:07:07 | |
OK. | 1:07:08 | 1:07:09 | |
'Gentleman...we're ready.' | 1:07:09 | 1:07:11 | |
Geronimo...! | 1:07:14 | 1:07:17 | |
Allons-y! | 1:07:17 | 1:07:19 | |
Oh, for God's sake! | 1:07:19 | 1:07:21 | |
Gallifrey stands! | 1:07:21 | 1:07:23 | |
I don't suppose we'll ever know if we actually succeeded. | 1:07:40 | 1:07:43 | |
But at worst, | 1:07:45 | 1:07:46 | |
we failed doing the right thing, | 1:07:46 | 1:07:48 | |
as opposed to succeeding in doing the wrong. | 1:07:48 | 1:07:52 | |
Life and soul, you are(!) | 1:07:53 | 1:07:55 | |
What is it actually called? | 1:07:57 | 1:08:00 | |
Well, there's some debate. | 1:08:01 | 1:08:03 | |
Either No More | 1:08:03 | 1:08:05 | |
or Gallifrey Falls. | 1:08:05 | 1:08:07 | |
Not very encouraging. | 1:08:07 | 1:08:08 | |
How did it get here? | 1:08:08 | 1:08:10 | |
No idea. | 1:08:11 | 1:08:13 | |
There's always something we don't know, isn't there? | 1:08:13 | 1:08:16 | |
One should certainly hope so. | 1:08:16 | 1:08:18 | |
Well, gentlemen... | 1:08:18 | 1:08:20 | |
it has been an honour... | 1:08:20 | 1:08:23 | |
and a privilege. | 1:08:23 | 1:08:24 | |
-Likewise. -Doctor. | 1:08:24 | 1:08:26 | |
And if I grow to be half the man | 1:08:29 | 1:08:31 | |
that you are, Clara Oswald, | 1:08:31 | 1:08:35 | |
I shall be happy indeed. | 1:08:35 | 1:08:37 | |
That's right - aim high! | 1:08:37 | 1:08:38 | |
I won't remember this, will I? | 1:08:44 | 1:08:47 | |
The time streams are out of sync. | 1:08:47 | 1:08:50 | |
You can't retain it, no. | 1:08:50 | 1:08:52 | |
So I won't remember that I tried to save Gallifrey, | 1:08:52 | 1:08:55 | |
rather than burn it. | 1:08:55 | 1:08:56 | |
I'll have to live with that. | 1:08:59 | 1:09:01 | |
But for now, | 1:09:02 | 1:09:04 | |
for this moment... | 1:09:04 | 1:09:05 | |
..I am the Doctor again. | 1:09:06 | 1:09:08 | |
Thank you. | 1:09:10 | 1:09:11 | |
Which one is mine?! | 1:09:16 | 1:09:17 | |
Ha! | 1:09:20 | 1:09:21 | |
METALLIC THRUMMING | 1:09:27 | 1:09:29 | |
Oh, yes... | 1:09:34 | 1:09:37 | |
Course, suppose it makes sense... | 1:09:37 | 1:09:39 | |
Wearing a bit thin. | 1:09:41 | 1:09:43 | |
I hope the ears are bit less conspicuous this time. | 1:09:46 | 1:09:49 | |
I won't remember either, so you might as well tell me. | 1:10:05 | 1:10:08 | |
Tell you what? | 1:10:09 | 1:10:11 | |
Where it is we're going that you don't want to talk about. | 1:10:11 | 1:10:14 | |
I saw Trenzalore... | 1:10:19 | 1:10:22 | |
where we're buried. | 1:10:22 | 1:10:23 | |
We die in battle among millions. | 1:10:25 | 1:10:27 | |
That's not how it's supposed to be. | 1:10:28 | 1:10:30 | |
That's how the story ends - nothing we can do about it. | 1:10:30 | 1:10:33 | |
Trenzalore is where you're going. | 1:10:34 | 1:10:37 | |
Oh, never say nothing. | 1:10:39 | 1:10:40 | |
Anyway... | 1:10:41 | 1:10:43 | |
good to know my future is in safe hands. | 1:10:43 | 1:10:47 | |
Keep a tight hold on it, Clara. | 1:10:48 | 1:10:50 | |
Mm! On it! | 1:10:50 | 1:10:52 | |
Trenzalore. | 1:10:59 | 1:11:00 | |
We need a new destination, because... | 1:11:00 | 1:11:03 | |
..I don't want to go. | 1:11:05 | 1:11:07 | |
METALLIC THRUMMING | 1:11:11 | 1:11:13 | |
He always says that. | 1:11:16 | 1:11:17 | |
Need a moment alone with your painting? | 1:11:27 | 1:11:29 | |
-How did you know? -Those big, sad eyes. -Ah. | 1:11:31 | 1:11:35 | |
I always know. | 1:11:41 | 1:11:42 | |
Oh, by the way, there was an old man looking for you. | 1:11:44 | 1:11:47 | |
I think it was the curator. | 1:11:47 | 1:11:49 | |
I could be a curator. | 1:11:59 | 1:12:01 | |
I'd be great at curating. | 1:12:01 | 1:12:02 | |
I'd be...the great curator. | 1:12:02 | 1:12:05 | |
I could retire and do that. | 1:12:06 | 1:12:08 | |
I could retire and be the curator of this place. | 1:12:09 | 1:12:12 | |
< You know, I really think you might. | 1:12:14 | 1:12:17 | |
I never forget a face. | 1:12:39 | 1:12:41 | |
I know you don't, and in years to come, | 1:12:41 | 1:12:43 | |
you might find yourself revisiting a few | 1:12:43 | 1:12:46 | |
but just...the old favourites, eh? | 1:12:46 | 1:12:49 | |
You were curious about this painting, I think. | 1:12:52 | 1:12:55 | |
I acquired it in remarkable circumstances. | 1:12:55 | 1:12:58 | |
What do you make of the title? | 1:12:58 | 1:13:00 | |
Which title? There's two. | 1:13:00 | 1:13:02 | |
No More... | 1:13:04 | 1:13:05 | |
..or Gallifrey Falls? | 1:13:06 | 1:13:08 | |
Oh, you see, that's where everybody's wrong. | 1:13:08 | 1:13:11 | |
It's all one title. | 1:13:11 | 1:13:12 | |
Gallifrey Falls No More. | 1:13:13 | 1:13:16 | |
Now, what would you think that means, eh? | 1:13:16 | 1:13:20 | |
That Gallifrey didn't fall. | 1:13:23 | 1:13:25 | |
It worked. It's still out there. | 1:13:26 | 1:13:29 | |
I'm only a humble curator - I'm sure I wouldn't know. | 1:13:29 | 1:13:31 | |
-Then where is it? -Where is it indeed? | 1:13:31 | 1:13:33 | |
Lost - shh! - perhaps. | 1:13:33 | 1:13:36 | |
Things do get lost, you know. | 1:13:36 | 1:13:39 | |
Now you must excuse me. | 1:13:39 | 1:13:41 | |
Oh... | 1:13:41 | 1:13:42 | |
you have a lot to do. | 1:13:42 | 1:13:44 | |
-Do I? -Mm. -Is that what I'm supposed to do now? | 1:13:44 | 1:13:47 | |
-Go looking for Gallifrey? -Oh, it's entirely up to you. Your choice. | 1:13:47 | 1:13:51 | |
I can only tell you what I would do, | 1:13:51 | 1:13:53 | |
if I were you... | 1:13:53 | 1:13:55 | |
Oh...! If I were you... | 1:13:55 | 1:13:56 | |
THEY CHUCKLE | 1:13:56 | 1:13:58 | |
Perhaps I WAS you, of course. | 1:13:58 | 1:13:59 | |
THEY CHUCKLE | 1:13:59 | 1:14:00 | |
Or perhaps... | 1:14:00 | 1:14:02 | |
you are me. | 1:14:02 | 1:14:04 | |
-Yeah! -Congratulations. | 1:14:04 | 1:14:05 | |
Thank you very much. | 1:14:05 | 1:14:08 | |
Or perhaps it doesn't matter either way. | 1:14:08 | 1:14:11 | |
Who knows? | 1:14:11 | 1:14:13 | |
Who...knows? | 1:14:13 | 1:14:16 | |
'Clara sometimes asks me if I dream. | 1:14:31 | 1:14:35 | |
' "Course I dream," I tell her. | 1:14:35 | 1:14:37 | |
' "Everybody dreams. | 1:14:37 | 1:14:39 | |
' "But what do you dream about?" she'll ask. | 1:14:39 | 1:14:42 | |
' "The same thing everybody dreams about," I tell her. | 1:14:42 | 1:14:46 | |
' "I dream about where I'm going." | 1:14:46 | 1:14:48 | |
'She always laughs at that. | 1:14:48 | 1:14:51 | |
' "But you're not going anywhere - you're just wandering about." | 1:14:51 | 1:14:54 | |
'That's not true. Not any more. | 1:14:54 | 1:14:57 | |
'I have a new destination. | 1:14:59 | 1:15:01 | |
'My journey is the same as yours, the same as anyone's. | 1:15:01 | 1:15:04 | |
'It's taken me so many years, so many lifetimes, | 1:15:04 | 1:15:07 | |
'but at last I know where I'm going, | 1:15:07 | 1:15:11 | |
'where I've always been going. | 1:15:11 | 1:15:12 | |
'Home...the long way round.' | 1:15:14 | 1:15:18 | |
Subtitles by Red Bee Media Ltd | 1:16:24 | 1:16:27 |