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Kathy? | 0:02:59 | 0:03:00 | |
Your life could depend on this. Don't blink! | 0:03:02 | 0:03:05 | |
Don't even blink. Blink and you're dead. | 0:03:05 | 0:03:07 | |
They are fast, faster than you can believe. | 0:03:09 | 0:03:11 | |
Don't turn your back, | 0:03:11 | 0:03:13 | |
don't look away, and don't blink. | 0:03:13 | 0:03:15 | |
Good luck. | 0:03:17 | 0:03:18 | |
PHONE RINGS | 0:03:30 | 0:03:33 | |
Hello? | 0:03:39 | 0:03:41 | |
Bit freaked. Need to talk. Making you a coffee. | 0:03:41 | 0:03:44 | |
'Sally Sparrow, it's one in the morning. | 0:03:44 | 0:03:47 | |
-'You think I'm coming round at one in the morning?' -No. | 0:03:47 | 0:03:50 | |
'I'm in the kitchen. | 0:03:50 | 0:03:52 | |
'What's that on all those screens in your front room?' | 0:03:52 | 0:03:55 | |
Oh, God! | 0:03:55 | 0:03:57 | |
Oh, God! Sally, you've met my brother Larry, haven't you? | 0:03:57 | 0:04:01 | |
-No. -'You're about to.' | 0:04:01 | 0:04:03 | |
OK. | 0:04:05 | 0:04:06 | |
Not sure, but really, really hoping. | 0:04:06 | 0:04:12 | |
-Pants? -No. | 0:04:13 | 0:04:16 | |
Put them on! Put them on! | 0:04:19 | 0:04:22 | |
I hate you! What were you thinking?! | 0:04:22 | 0:04:26 | |
Sorry. | 0:04:27 | 0:04:28 | |
My useless brother. | 0:04:28 | 0:04:32 | |
Sally! What's wrong? | 0:04:32 | 0:04:37 | |
What's happened? | 0:04:37 | 0:04:38 | |
OK! Let's investigate! | 0:04:42 | 0:04:45 | |
You and me, girl investigators. Love it! | 0:04:45 | 0:04:50 | |
Hey! Sparrow and Nightingale! | 0:04:50 | 0:04:52 | |
-That SO works! -Bit ITV. | 0:04:52 | 0:04:54 | |
I know! | 0:04:54 | 0:04:56 | |
What did you come here for, anyway? | 0:04:59 | 0:05:02 | |
I love old things. | 0:05:02 | 0:05:04 | |
They make me feel sad. | 0:05:04 | 0:05:06 | |
What's good about sad? | 0:05:06 | 0:05:10 | |
It's happy for deep people. | 0:05:10 | 0:05:12 | |
The weeping angel. | 0:05:28 | 0:05:29 | |
Wouldn't have that in my garden. | 0:05:29 | 0:05:32 | |
It's moved. | 0:05:32 | 0:05:34 | |
It's what? | 0:05:34 | 0:05:36 | |
Since yesterday. | 0:05:36 | 0:05:38 | |
I'm sure of it. It's closer. | 0:05:38 | 0:05:40 | |
It's got closer to the house. | 0:05:40 | 0:05:42 | |
How can my name be written here? | 0:05:52 | 0:05:55 | |
How is that possible? | 0:05:57 | 0:05:59 | |
DOORBELL RINGS | 0:05:59 | 0:06:01 | |
Who'd come here? | 0:06:02 | 0:06:06 | |
What are you doing?! It could be a burglar! | 0:06:06 | 0:06:09 | |
A burglar who rings the doorbell(?) | 0:06:09 | 0:06:11 | |
OK. I'll stay here in case of... | 0:06:12 | 0:06:14 | |
-In case of...? -..incidents? | 0:06:14 | 0:06:18 | |
I'm looking for Sally Sparrow. | 0:06:31 | 0:06:33 | |
How did you know I'd be here? | 0:06:34 | 0:06:36 | |
I was told to bring this letter | 0:06:37 | 0:06:39 | |
on this date at this exact time | 0:06:39 | 0:06:43 | |
to Sally Sparrow. | 0:06:43 | 0:06:46 | |
-It looks old. -It is old. | 0:06:46 | 0:06:49 | |
I'm sorry, do you have anything with a photograph on it, like a driving licence? | 0:06:49 | 0:06:53 | |
How did he know I was coming here? | 0:06:56 | 0:06:58 | |
I didn't tell anyone. | 0:06:58 | 0:07:00 | |
How could anyone know? | 0:07:00 | 0:07:02 | |
It's all a bit complicated. I'm not sure I understand it myself. | 0:07:02 | 0:07:07 | |
I'm sorry, I feel really stupid, but I was told to make absolutely sure. | 0:07:18 | 0:07:22 | |
-It's so hard to tell with these little photographs, isn't it? -Apparently. | 0:07:22 | 0:07:26 | |
Well, here goes, I suppose. | 0:07:31 | 0:07:34 | |
Funny feeling, after all these years. | 0:07:36 | 0:07:38 | |
Who's it from? | 0:07:38 | 0:07:40 | |
Well, that's a long story, actually. | 0:07:40 | 0:07:42 | |
Gimme a name. | 0:07:42 | 0:07:44 | |
Katherine Wainwright. | 0:07:44 | 0:07:47 | |
But she specified I should tell you that prior to marriage she was called Kathy Nightingale. | 0:07:47 | 0:07:53 | |
-Kathy? -Kathy, yes. | 0:07:56 | 0:08:03 | |
-Katherine Costello Nightingale. -Is this a joke? | 0:08:03 | 0:08:07 | |
A joke?! | 0:08:07 | 0:08:08 | |
Kathy, is this you? Very funny(!) | 0:08:09 | 0:08:13 | |
Kathy? | 0:08:13 | 0:08:15 | |
COWS MOO | 0:08:22 | 0:08:24 | |
Kathy? Kathy! | 0:08:25 | 0:08:28 | |
Please, you need to take this. | 0:08:28 | 0:08:31 | |
I promised. | 0:08:31 | 0:08:33 | |
Excuse me? | 0:08:35 | 0:08:38 | |
Where am I? | 0:08:38 | 0:08:39 | |
I was in London. | 0:08:39 | 0:08:41 | |
-I was in the middle of London. -You're in Hull. | 0:08:41 | 0:08:44 | |
No, I'm not. | 0:08:44 | 0:08:46 | |
-This is Hull. -No, it isn't. | 0:08:46 | 0:08:48 | |
You're in Hull. | 0:08:48 | 0:08:50 | |
I'm not in Hull. Stop saying Hull. | 0:08:50 | 0:08:53 | |
Who are you? | 0:08:53 | 0:08:54 | |
Why are you here? | 0:08:54 | 0:08:56 | |
-I made a promise. -Who to? | 0:08:56 | 0:08:58 | |
My grandmother. Katherine Costello Nightingale. | 0:08:58 | 0:09:02 | |
Don't have that in London. There's no call for it. It's all Hull. | 0:09:02 | 0:09:06 | |
1920? | 0:09:09 | 0:09:11 | |
-Your grandmother? -Yes. | 0:09:13 | 0:09:15 | |
She died 20 years ago. | 0:09:15 | 0:09:17 | |
-So they're related? -I'm sorry? | 0:09:25 | 0:09:28 | |
My Kathy, your grandmother - they're practically identical. | 0:09:28 | 0:09:31 | |
Where are you going? | 0:09:33 | 0:09:35 | |
"My dearest Sally Sparrow, | 0:09:39 | 0:09:41 | |
"if my grandson has done as he promises he will, | 0:09:41 | 0:09:44 | |
"then as you read these words it has been mere minutes since we last spoke. For you. | 0:09:44 | 0:09:50 | |
"For me, it has been over 60 years. | 0:09:50 | 0:09:52 | |
"The third of the photographs is of my children. | 0:09:52 | 0:09:56 | |
"The youngest is Sally. | 0:09:56 | 0:09:59 | |
"I named her after you, of course." | 0:09:59 | 0:10:01 | |
This is sick! | 0:10:04 | 0:10:07 | |
This is totally sick! | 0:10:07 | 0:10:10 | |
Kathy? Kathy! | 0:10:10 | 0:10:13 | |
Kathy? | 0:10:15 | 0:10:16 | |
No, wait! Hang on! | 0:11:19 | 0:11:22 | |
"I suppose, unless I live to a really exceptional old age, | 0:11:53 | 0:11:58 | |
"I will be long gone as you read this. | 0:11:58 | 0:12:01 | |
"Don't feel sorry for me. I have led a good and full life. | 0:12:01 | 0:12:05 | |
"I've loved a good man and been well loved in return. | 0:12:05 | 0:12:09 | |
"You would have liked Ben. | 0:12:11 | 0:12:13 | |
"He was the very first person I met in 1920." | 0:12:13 | 0:12:17 | |
Are you following me? | 0:12:17 | 0:12:19 | |
Yeah. | 0:12:19 | 0:12:21 | |
Are you going to stop following me? | 0:12:21 | 0:12:24 | |
No, I don't think so. | 0:12:24 | 0:12:25 | |
"To take one breath in 2007 and the next in 1920 | 0:12:27 | 0:12:32 | |
"is a strange way to start a new life, | 0:12:32 | 0:12:35 | |
"but a new life is exactly what I've always wanted." | 0:12:35 | 0:12:38 | |
1902? | 0:12:38 | 0:12:40 | |
You told him you were 18? | 0:12:42 | 0:12:44 | |
You lying cow! | 0:12:44 | 0:12:46 | |
"My mum and dad are gone by your time, so really there's only Lawrence to tell. | 0:12:47 | 0:12:52 | |
"He works at the DVD store on Queen Street. | 0:12:52 | 0:12:56 | |
"I don't know what you're going to say to him, but I know you'll think of something. | 0:12:56 | 0:13:00 | |
"Just tell him I love him." | 0:13:01 | 0:13:04 | |
Excuse me, I'm looking for Lawrence Nightingale. | 0:13:20 | 0:13:23 | |
Through the back. | 0:13:23 | 0:13:24 | |
Hello? | 0:13:34 | 0:13:36 | |
-Martha! -Sorry. | 0:13:40 | 0:13:43 | |
Quite possibly. | 0:13:44 | 0:13:46 | |
'Fraid so. | 0:13:48 | 0:13:50 | |
Oh. Hello. | 0:13:51 | 0:13:54 | |
Can I help you? | 0:13:54 | 0:13:55 | |
-Hi. -38. -Er, just a mo. | 0:13:55 | 0:13:59 | |
Hang on. We've met, haven't we? | 0:14:05 | 0:14:08 | |
It'll come to you. | 0:14:08 | 0:14:10 | |
Oh, my God! | 0:14:11 | 0:14:13 | |
-There it is. -Sorry. Sorry again about the whole... | 0:14:13 | 0:14:17 | |
-Message from your sister. -Oh! OK! | 0:14:17 | 0:14:20 | |
What? What is it? What's the message? | 0:14:22 | 0:14:26 | |
She's had to go away for a bit. | 0:14:26 | 0:14:28 | |
-Where? -Just a work thing. | 0:14:28 | 0:14:30 | |
Nothing to worry about. | 0:14:30 | 0:14:31 | |
-OK. -And... | 0:14:31 | 0:14:34 | |
And what? | 0:14:35 | 0:14:36 | |
She loves you. | 0:14:36 | 0:14:38 | |
She what?! | 0:14:38 | 0:14:40 | |
She said to say. She just sort of mentioned it. | 0:14:40 | 0:14:42 | |
She loves you. There, that's nice, isn't it? | 0:14:42 | 0:14:46 | |
-Is she ill? -No! No. | 0:14:46 | 0:14:49 | |
-Am I ill? -No! | 0:14:49 | 0:14:51 | |
-Is this a trick? -No. She loves you. | 0:14:51 | 0:14:55 | |
People don't understand time. | 0:14:55 | 0:14:58 | |
It's not what you think it is. | 0:14:58 | 0:15:00 | |
-Who is this guy? -Sorry, the pause thing keeps slipping. Stupid thing. | 0:15:00 | 0:15:04 | |
Last night at Kathy's, you had him on those screens. That same guy. | 0:15:04 | 0:15:07 | |
Talking about, I dunno, blinking or something. | 0:15:07 | 0:15:10 | |
Yeah, the bit about the blinking's great! | 0:15:10 | 0:15:12 | |
I was checking to see if they were all the same. | 0:15:12 | 0:15:15 | |
-What were the same? What is this? Who is he? -An Easter egg. | 0:15:15 | 0:15:18 | |
-Excuse me? -Like a DVD extra, yeah? | 0:15:18 | 0:15:21 | |
You know how on DVDs they put extras on, documentaries and stuff? | 0:15:21 | 0:15:25 | |
Sometimes they put on hidden ones, and they call them Easter eggs. | 0:15:25 | 0:15:28 | |
You have to look for them, follow clues in the menu screen. | 0:15:28 | 0:15:31 | |
-Complicated. -Sorry. | 0:15:31 | 0:15:34 | |
It's interesting, actually. | 0:15:34 | 0:15:36 | |
He is on 17 different DVDs. | 0:15:36 | 0:15:39 | |
There are 17 totally unrelated DVDs, all with him on, | 0:15:39 | 0:15:43 | |
always hidden away, always a secret. | 0:15:43 | 0:15:45 | |
Not even the publishers know how he got there. | 0:15:45 | 0:15:47 | |
I've talked to the manufacturers, right? They don't even know. | 0:15:47 | 0:15:51 | |
It's like he's a ghost DVD extra. | 0:15:51 | 0:15:53 | |
Just shows up where he's not supposed to be. But only on those. Those 17. | 0:15:53 | 0:15:57 | |
Well, what does he do? | 0:15:57 | 0:15:59 | |
Just sits there making random remarks. | 0:15:59 | 0:16:01 | |
It's like we're hearing half a conversation. | 0:16:01 | 0:16:03 | |
Me and the guys are always trying to work out the other half. | 0:16:03 | 0:16:06 | |
When you say you and the guys, you mean the internet, don't you? | 0:16:06 | 0:16:10 | |
-How do you know? -Spooky, isn't it? | 0:16:10 | 0:16:13 | |
Very complicated. | 0:16:14 | 0:16:16 | |
Florence? Need you! | 0:16:16 | 0:16:19 | |
'Scuse me a sec. | 0:16:19 | 0:16:20 | |
People assume that time is a strict progression of cause to effect, | 0:16:22 | 0:16:25 | |
but actually from a non-linear, non-subjective viewpoint, | 0:16:25 | 0:16:28 | |
it's more like a big ball of wibbly-wobbly, timey-wimey stuff. | 0:16:28 | 0:16:34 | |
Started well, that sentence. | 0:16:34 | 0:16:35 | |
It got away from me, yeah. | 0:16:35 | 0:16:38 | |
OK, that was weird. | 0:16:38 | 0:16:40 | |
-Like you can hear me. -Well, I CAN hear you. | 0:16:40 | 0:16:42 | |
OK, that's enough. | 0:16:42 | 0:16:44 | |
I've had enough now. I've had a long day and I've had bloody enough! | 0:16:44 | 0:16:48 | |
Sorry. | 0:16:48 | 0:16:49 | |
Bad day. | 0:16:49 | 0:16:52 | |
Got you the list. | 0:16:52 | 0:16:54 | |
What? | 0:16:54 | 0:16:56 | |
The 17 DVDs. I thought you might be interested. | 0:16:56 | 0:16:59 | |
Yeah, great, thanks! | 0:16:59 | 0:17:02 | |
Go to the police, you stupid woman! | 0:17:04 | 0:17:07 | |
Why does nobody ever just go to the police? | 0:17:07 | 0:17:10 | |
Look, I know how mad I'm sounding. | 0:17:21 | 0:17:23 | |
Shall we try it from the beginning? | 0:17:24 | 0:17:26 | |
OK. There's this house, a big old house, been empty for years, falling apart. | 0:17:26 | 0:17:30 | |
Wester Drumlins, out by the estate. You've probably seen it. | 0:17:30 | 0:17:33 | |
-Wester Drumlins? -Yes. | 0:17:33 | 0:17:35 | |
Could you just wait here for a minute? | 0:17:35 | 0:17:38 | |
SHE SIGHS | 0:17:38 | 0:17:39 | |
THUNDER RUMBLES | 0:17:40 | 0:17:42 | |
OK, cracking up now. | 0:18:09 | 0:18:12 | |
Hi. DI Billy Shipton. | 0:18:14 | 0:18:16 | |
Wester Drumlins, that's mine. | 0:18:16 | 0:18:18 | |
Can't talk to you now, got a thing I can't be late for, so if you could just... | 0:18:18 | 0:18:23 | |
Hello! | 0:18:23 | 0:18:25 | |
Hello. | 0:18:25 | 0:18:27 | |
Er, Marcie, can you tell them I'm gonna be late for that thing? | 0:18:27 | 0:18:32 | |
-All of them? -Over the last two years, yeah. | 0:18:36 | 0:18:40 | |
They all still had personal items in them and a couple still had the motor running. | 0:18:40 | 0:18:45 | |
So over the last two years the owners of all of these vehicles have | 0:18:45 | 0:18:48 | |
driven up to Wester Drumlins House, parked outside and just disappeared. | 0:18:48 | 0:18:53 | |
What's that? | 0:18:56 | 0:18:58 | |
Ah! The pride of the Wester Drumlins collection. | 0:18:58 | 0:19:01 | |
We found that there, too. Somebody's idea of a joke, I suppose. | 0:19:01 | 0:19:06 | |
But what is it? What's a police box? | 0:19:06 | 0:19:07 | |
Well, it's a special kind of phone box for policemen. | 0:19:07 | 0:19:10 | |
They used to have them all over. But this isn't a real one. | 0:19:10 | 0:19:13 | |
The phone's just a dummy, and the windows are the wrong size. | 0:19:13 | 0:19:16 | |
We can't even get in it. | 0:19:16 | 0:19:18 | |
Ordinary Yale lock, but nothing fits. | 0:19:18 | 0:19:21 | |
But that's not the big question. | 0:19:21 | 0:19:24 | |
See, you're missing the big question. | 0:19:24 | 0:19:27 | |
OK, what's the big question? | 0:19:27 | 0:19:29 | |
Will you have a drink with me? | 0:19:29 | 0:19:31 | |
I'm sorry? | 0:19:31 | 0:19:33 | |
Drink, you, me, now? | 0:19:33 | 0:19:36 | |
Aren't you on duty, Detective Inspector Shipton? | 0:19:36 | 0:19:40 | |
Nope. Knocked off before I left. | 0:19:40 | 0:19:42 | |
Told 'em I had a family crisis. | 0:19:42 | 0:19:45 | |
-Why? -Because life is short and you are hot. | 0:19:45 | 0:19:47 | |
-Drink? -No. | 0:19:47 | 0:19:50 | |
-Ever? -Maybe. | 0:19:50 | 0:19:52 | |
Phone number? | 0:19:52 | 0:19:54 | |
Moving kind of fast, DI Shipton. | 0:19:54 | 0:19:55 | |
Billy. I'm off duty. | 0:19:55 | 0:19:57 | |
Aren't you just! | 0:19:57 | 0:19:59 | |
-Is that your phone number? -Just my phone number. | 0:20:00 | 0:20:04 | |
Not a promise, not a guarantee, not an IOU, just a phone number. | 0:20:04 | 0:20:09 | |
-And that's Sally...? -Sally Shipton. Sparrow. | 0:20:09 | 0:20:13 | |
Sally Sparrow. | 0:20:13 | 0:20:14 | |
-I'm going now. Don't look at me. -I'll phone you! -Don't look at me. | 0:20:16 | 0:20:19 | |
-Phone you tomorrow. -Don't look at me! | 0:20:19 | 0:20:21 | |
-Might even phone you tonight. -Don't look at me! -Definitely gonna phone you, gorgeous girl! | 0:20:21 | 0:20:26 | |
You definitely better! | 0:20:26 | 0:20:27 | |
Ordinary Yale lock, but nothing fits. | 0:21:39 | 0:21:42 | |
Welcome. | 0:22:06 | 0:22:08 | |
-Where am I? -1969. Not bad, as it goes. You've got the moon landing to look forward to. | 0:22:08 | 0:22:13 | |
Oh, the moon landing's brilliant. We went four times. | 0:22:13 | 0:22:16 | |
-Back when we had transport... -Working on it! | 0:22:16 | 0:22:19 | |
-How did I get here? -The same way we did. The touch of an angel. | 0:22:19 | 0:22:22 | |
Same one, probably, since you ended up in the same year. No, don't get up. | 0:22:22 | 0:22:26 | |
Time travel without a capsule, nasty. Catch your breath, don't go swimming for half an hour. | 0:22:26 | 0:22:31 | |
I don't. I can't. | 0:22:31 | 0:22:32 | |
Fascinating race, the weeping angels. | 0:22:32 | 0:22:34 | |
The only psychopaths in the universe to kill you nicely. | 0:22:34 | 0:22:37 | |
No mess, no fuss, they just zap you into the past and let you live to death. | 0:22:37 | 0:22:41 | |
The rest of your life used up and blown away in the blink of an eye. | 0:22:41 | 0:22:45 | |
You die in the past, and in the present they consume the energy of all the days you might have had, | 0:22:45 | 0:22:49 | |
all your stolen moments. They're creatures of the abstract. They live off potential energy. | 0:22:49 | 0:22:55 | |
What in God's name are you talking about? | 0:22:55 | 0:22:57 | |
Trust me. Just nod when he stops for breath. | 0:22:57 | 0:23:00 | |
Tracked you down with this. This is my timey-wimey detector. | 0:23:00 | 0:23:04 | |
It goes ding when there's stuff. | 0:23:04 | 0:23:06 | |
Also, it can boil an egg at 30 paces, | 0:23:06 | 0:23:08 | |
whether you want it to or not, so I've learned to stay away from hens. | 0:23:08 | 0:23:12 | |
It's not pretty when they blow. | 0:23:12 | 0:23:14 | |
I don't understand. Where am I? | 0:23:15 | 0:23:17 | |
1969, like he says. | 0:23:17 | 0:23:19 | |
Normally, I'd offer you a lift home, but somebody nicked my motor. | 0:23:19 | 0:23:23 | |
So I need you to take a message to Sally Sparrow. | 0:23:23 | 0:23:27 | |
And I'm sorry, Billy, I am very, very sorry. | 0:23:27 | 0:23:33 | |
It's going to take you a while. | 0:23:33 | 0:23:35 | |
PHONE RINGS | 0:23:36 | 0:23:38 | |
Hello? | 0:23:38 | 0:23:40 | |
Billy, where are you? | 0:23:40 | 0:23:42 | |
Where? | 0:23:44 | 0:23:45 | |
Billy? | 0:24:01 | 0:24:02 | |
It was raining when we met. | 0:24:20 | 0:24:22 | |
It's the same rain. | 0:24:25 | 0:24:26 | |
-She looks nice. -Her name was Sally too. | 0:24:38 | 0:24:42 | |
Sally Shipton. | 0:24:42 | 0:24:44 | |
Sally Shipton! | 0:24:44 | 0:24:46 | |
I often thought about looking for you before tonight, | 0:24:49 | 0:24:52 | |
but apparently it would've torn a hole in the fabric of space and time | 0:24:52 | 0:24:57 | |
and destroyed two thirds of the universe. | 0:24:57 | 0:25:00 | |
Also I'd lost my hair. | 0:25:01 | 0:25:04 | |
Two thirds of the universe. Where'd you get that? | 0:25:05 | 0:25:07 | |
There's a man in 1969. He sent me with a message for you. | 0:25:07 | 0:25:12 | |
-What man? -The Doctor. | 0:25:12 | 0:25:13 | |
-And what was the message? -Just this. | 0:25:15 | 0:25:18 | |
Look at the list. | 0:25:18 | 0:25:20 | |
What does that mean? Is that it, look at the list? | 0:25:20 | 0:25:22 | |
He said you'd have it by now. | 0:25:22 | 0:25:24 | |
A list of 17 DVDs. | 0:25:24 | 0:25:26 | |
I didn't stay a policeman back then. | 0:25:32 | 0:25:34 | |
Got into publishing. | 0:25:34 | 0:25:36 | |
Then video publishing. | 0:25:36 | 0:25:38 | |
Then DVDs, of course. | 0:25:38 | 0:25:41 | |
You put the Easter Egg on? | 0:25:42 | 0:25:44 | |
Have you noticed what all 17 DVDs have in common yet? | 0:25:47 | 0:25:51 | |
I suppose it's hard for you, in a way. | 0:25:51 | 0:25:55 | |
How could the Doctor have even known I had a list? I only just got this. | 0:25:55 | 0:25:58 | |
I asked him how, but he said he couldn't tell me. | 0:25:58 | 0:26:02 | |
He said you'd understand it one day, | 0:26:02 | 0:26:05 | |
but that I never would. | 0:26:05 | 0:26:09 | |
Soon as I understand it, I'll come and tell you. | 0:26:09 | 0:26:12 | |
No, gorgeous girl, you can't. | 0:26:12 | 0:26:15 | |
There's only tonight. | 0:26:15 | 0:26:18 | |
He told me all those years ago that we'd only meet again this one time. | 0:26:18 | 0:26:24 | |
On the night I die. | 0:26:24 | 0:26:25 | |
Oh, Billy. | 0:26:27 | 0:26:28 | |
It's kept me going. | 0:26:28 | 0:26:30 | |
I'm an old, sick man. | 0:26:30 | 0:26:32 | |
But I've had something to look forward to. | 0:26:32 | 0:26:35 | |
Ah, life is long. | 0:26:39 | 0:26:42 | |
And you are hot. | 0:26:42 | 0:26:44 | |
Oh, look at my hands. | 0:26:49 | 0:26:50 | |
They're old mans' hands. | 0:26:50 | 0:26:54 | |
How did that happen? | 0:26:54 | 0:26:56 | |
I'll stay. | 0:26:59 | 0:27:01 | |
I'm going to stay with you. OK? | 0:27:01 | 0:27:03 | |
Thank you, Sally Sparrow. | 0:27:03 | 0:27:06 | |
I have till the rain stops. | 0:27:09 | 0:27:11 | |
PHONE RINGS | 0:27:43 | 0:27:44 | |
-Banto's. -'They're mine.' -What? | 0:27:44 | 0:27:47 | |
The DVDs on the list. The 17 DVDs. | 0:27:47 | 0:27:49 | |
What they've got in common is me. | 0:27:49 | 0:27:51 | |
They're all the DVDs I own. | 0:27:51 | 0:27:53 | |
The Easter Egg was intended for me! | 0:27:53 | 0:27:55 | |
You've only got 17 DVDs? | 0:27:55 | 0:27:57 | |
Do you have a portable DVD player? | 0:27:57 | 0:28:00 | |
-'Course, why?' -I want you to meet me. | 0:28:00 | 0:28:02 | |
-Where? -Wester Drumlins. | 0:28:02 | 0:28:05 | |
You live in Scooby Doo's house! | 0:28:07 | 0:28:09 | |
For God's sake, I don't live here! | 0:28:11 | 0:28:12 | |
OK, this is the one with the clearest sound. | 0:28:14 | 0:28:17 | |
Slightly better picture quality on this one, but I don't... | 0:28:17 | 0:28:20 | |
Doesn't matter. | 0:28:20 | 0:28:21 | |
OK. | 0:28:21 | 0:28:23 | |
There he is. | 0:28:30 | 0:28:32 | |
The Doctor! | 0:28:37 | 0:28:39 | |
Who's the Doctor? | 0:28:39 | 0:28:40 | |
-He's the Doctor. -Yep. That's me. | 0:28:40 | 0:28:43 | |
OK, that was scary. | 0:28:43 | 0:28:44 | |
No, it sounds like he's replying, but he always says that. | 0:28:44 | 0:28:47 | |
Yes, I do. | 0:28:47 | 0:28:48 | |
-And that. -Yep, and this. | 0:28:48 | 0:28:50 | |
He can hear us. Oh, my God, you can really hear us! | 0:28:50 | 0:28:54 | |
Of course he can't hear us. Look! | 0:28:54 | 0:28:56 | |
I've got a transcript, see, everything he says. | 0:28:59 | 0:29:01 | |
"Yep, that's me". "Yes, I do". "Yep, and this". Next it's... | 0:29:01 | 0:29:05 | |
BOTH: Are you going to read out the whole thing? | 0:29:05 | 0:29:07 | |
-Sorry. -Who are you? | 0:29:07 | 0:29:09 | |
I'm a time traveller. | 0:29:09 | 0:29:10 | |
Or I was. I'm stuck in 1969. | 0:29:10 | 0:29:15 | |
We're stuck. All of space and time, he promised me. | 0:29:15 | 0:29:17 | |
-Now I've got a job in a shop, I've got to support him! -Martha! -Sorry. | 0:29:17 | 0:29:21 | |
I've seen this bit before. | 0:29:21 | 0:29:23 | |
Quite possibly. | 0:29:23 | 0:29:25 | |
-1969, that's where you're talking from? -'Fraid so. | 0:29:25 | 0:29:29 | |
But you're replying to me. | 0:29:29 | 0:29:32 | |
You can't know exactly what I'll say, 40 years before I say it! | 0:29:32 | 0:29:35 | |
-38. -I'm getting this down! | 0:29:35 | 0:29:37 | |
-I'm writing in your bits!! -How? How is this possible? | 0:29:37 | 0:29:40 | |
-Tell me! -Not so fast. | 0:29:40 | 0:29:42 | |
People don't understand time. | 0:29:42 | 0:29:44 | |
-It's not what you think it is. -Then what is it? | 0:29:44 | 0:29:47 | |
-Complicated. -Tell me. | 0:29:47 | 0:29:49 | |
Very complicated. | 0:29:49 | 0:29:51 | |
I'm clever and I'm listening. | 0:29:51 | 0:29:52 | |
And don't patronise me because people have died, and I'm not happy. | 0:29:52 | 0:29:56 | |
Tell me! | 0:29:56 | 0:29:57 | |
People assume that time is a strict progression of cause to effect, | 0:29:59 | 0:30:03 | |
but actually from a non-linear, non-subjective viewpoint, | 0:30:03 | 0:30:06 | |
it's more like a big ball of wibbly-wobbly, timey-wimey stuff. | 0:30:06 | 0:30:10 | |
Yeah, I've seen this bit before. You said that sentence got away from you. | 0:30:10 | 0:30:13 | |
It got away from me, yeah. | 0:30:13 | 0:30:15 | |
Next thing you're going to say is, "Well, I CAN hear you". | 0:30:15 | 0:30:18 | |
-Well, I CAN hear you. -This isn't possible! -No! | 0:30:18 | 0:30:21 | |
It's brilliant! | 0:30:21 | 0:30:23 | |
Not hear you exactly, but I know everything you'll to say. | 0:30:23 | 0:30:26 | |
Always gives me the shivers, that bit. | 0:30:26 | 0:30:28 | |
How can you know what I'm going to say? | 0:30:28 | 0:30:30 | |
-Look to your left. -What does he mean by, "Look to your left"? | 0:30:30 | 0:30:34 | |
I've written tons about that on the forums. I think it's a political statement. | 0:30:34 | 0:30:38 | |
He means you. What are you doing? | 0:30:38 | 0:30:41 | |
Writing in your bits. | 0:30:41 | 0:30:43 | |
So I've got a complete transcript of the whole conversation. | 0:30:43 | 0:30:46 | |
Wait till this hits the net. This will explode the egg forums. | 0:30:46 | 0:30:49 | |
I've got a copy of the finished transcript. It's on my autocue. | 0:30:49 | 0:30:53 | |
How can you have the finished transcript? It's still being written. | 0:30:53 | 0:30:57 | |
-I told you. I'm a time traveller. I got it in the future. -OK, let me get my head round this. | 0:30:57 | 0:31:01 | |
You're reading from a transcript of a conversation you're still having? | 0:31:01 | 0:31:05 | |
Wibbly-wobbly, timey-wimey. | 0:31:05 | 0:31:08 | |
Actually, never mind that. | 0:31:08 | 0:31:09 | |
You can do shorthand? | 0:31:09 | 0:31:11 | |
So? | 0:31:11 | 0:31:13 | |
What matters is we can communicate. | 0:31:13 | 0:31:16 | |
We have got big problems now. | 0:31:16 | 0:31:17 | |
They've taken the blue box, haven't they? | 0:31:17 | 0:31:19 | |
The angels have the phone box. | 0:31:19 | 0:31:21 | |
The angels have the phone box! | 0:31:21 | 0:31:23 | |
-That's my favourite, I have it on a T-shirt! -What do you mean, angels? | 0:31:23 | 0:31:26 | |
You mean those statue things? | 0:31:26 | 0:31:29 | |
-Creatures from another world. -They're just statues. -Only when you see them. | 0:31:29 | 0:31:33 | |
-What does that mean? -Lonely assassins, they were called. | 0:31:33 | 0:31:37 | |
No-one knows where they came from. They're as old as the universe, or nearly. | 0:31:37 | 0:31:41 | |
They've survived this long as they have the most perfect defence system ever evolved. | 0:31:41 | 0:31:45 | |
They are quantum-locked. They don't exist when being observed. | 0:31:45 | 0:31:49 | |
The moment they're seen by any living creature they freeze into rock. | 0:31:49 | 0:31:52 | |
It's a fact of their biology. | 0:31:52 | 0:31:54 | |
In the sight of any living thing, they literally turn to stone. | 0:31:54 | 0:31:58 | |
And you can't kill a stone. | 0:31:58 | 0:32:01 | |
Course, a stone can't kill you either. | 0:32:01 | 0:32:03 | |
But then you turn your head away, then you blink, and oh, yes, it can! | 0:32:03 | 0:32:08 | |
Don't take your eyes off that! | 0:32:08 | 0:32:10 | |
That's why they cover their eyes. They're not weeping, they can't risk looking at each other. | 0:32:10 | 0:32:15 | |
Their greatest asset is their greatest curse. | 0:32:15 | 0:32:18 | |
They can never be seen. | 0:32:18 | 0:32:20 | |
The loneliest creatures in the universe. | 0:32:20 | 0:32:23 | |
And I'm sorry, I am very, very sorry, it's up to you now. | 0:32:23 | 0:32:28 | |
-What am I supposed to do? -The blue box, my time machine. | 0:32:28 | 0:32:31 | |
There is a world of time energy in there they could feast on forever. | 0:32:31 | 0:32:35 | |
The damage they can do can switch off the sun. | 0:32:35 | 0:32:37 | |
You have got to send it back to me! | 0:32:37 | 0:32:39 | |
How? How?? | 0:32:39 | 0:32:42 | |
And that's it, I'm afraid. | 0:32:42 | 0:32:45 | |
There's no more from you on the transcript, that's all I've got. | 0:32:45 | 0:32:48 | |
I dunno what stopped you talking, but I can guess. They're coming. | 0:32:48 | 0:32:51 | |
The angels are coming for you. | 0:32:51 | 0:32:54 | |
Listen, your life could depend on this. Don't blink! Don't even blink. Blink and you're dead. | 0:32:54 | 0:32:59 | |
They're fast, faster than you can believe. Don't turn your back, don't look away, and don't blink! | 0:32:59 | 0:33:05 | |
Good luck! | 0:33:07 | 0:33:09 | |
No, don't, you can't! | 0:33:10 | 0:33:13 | |
-I'll rewind him! -What good would that do?! | 0:33:13 | 0:33:16 | |
You're not looking at the statue? | 0:33:17 | 0:33:19 | |
Neither are you. | 0:33:19 | 0:33:21 | |
Keep looking at it, keep looking at it!! | 0:33:26 | 0:33:28 | |
There's just one, right, there's just this one. | 0:33:28 | 0:33:32 | |
We're OK if we keep staring at this one statue, everything will be fine. | 0:33:32 | 0:33:35 | |
-There's three more. -Three?! | 0:33:35 | 0:33:37 | |
-They were upstairs, I think I heard them moving. -Where? Three, moving where? | 0:33:37 | 0:33:41 | |
I'll look around, I'm going to check. Keep looking at this one, don't blink. | 0:33:41 | 0:33:45 | |
Remember what he said, don't even blink! | 0:33:45 | 0:33:47 | |
-Who blinks? I'm too scared to blink. -OK. We're going to the door. The front door. | 0:33:47 | 0:33:52 | |
-OK. We can't both get to the door without taking our eyes off that thing. You stay here. -What?! | 0:33:58 | 0:34:02 | |
I'll be round the corner, stay here! | 0:34:02 | 0:34:04 | |
-They've locked it. They've locked us in! -Why? | 0:34:08 | 0:34:11 | |
-I've got something they want. -What? | 0:34:11 | 0:34:13 | |
A key I took last time I was here. They followed me to get it back. | 0:34:13 | 0:34:17 | |
I led them to the blue box! Now they've got that! | 0:34:17 | 0:34:20 | |
Give them the key! | 0:34:20 | 0:34:22 | |
I'll check the back door, you wait here. | 0:34:22 | 0:34:24 | |
Give them the key, give them what they want! | 0:34:24 | 0:34:26 | |
Sally, no, what if they come behind me?! | 0:34:29 | 0:34:31 | |
Hang on! | 0:34:31 | 0:34:33 | |
Oh, God! Oh, God! | 0:34:33 | 0:34:38 | |
It's locked! | 0:34:38 | 0:34:39 | |
Sally! Sally! | 0:34:46 | 0:34:48 | |
It won't open! | 0:34:52 | 0:34:54 | |
Sally, please, I can't do this! | 0:34:59 | 0:35:01 | |
Sally, hurry up! | 0:35:06 | 0:35:07 | |
Where are you?! | 0:35:10 | 0:35:12 | |
Larry! They've blocked off the back door, but there's a cellar. | 0:35:12 | 0:35:17 | |
There might be a way out, delivery hatch or something. | 0:35:17 | 0:35:20 | |
I'm coming, I can't stay here! | 0:35:20 | 0:35:23 | |
OK, boys, I know how this works. | 0:35:43 | 0:35:46 | |
You can't move so long as I can see you. | 0:35:46 | 0:35:50 | |
Whole world in the box, the Doctor says. | 0:35:55 | 0:35:57 | |
Hope he's not lying, cos I don't see how else we're getting out. | 0:35:57 | 0:36:02 | |
Oh, and there's your one. | 0:36:06 | 0:36:08 | |
Why's it pointing at the... | 0:36:14 | 0:36:16 | |
..light? | 0:36:18 | 0:36:19 | |
Oh, my God! It's turning out the lights! | 0:36:21 | 0:36:23 | |
-Quickly! -I can't find the lock! -Sally, hurry up! | 0:36:23 | 0:36:27 | |
They're getting faster, Sally, come on! | 0:36:30 | 0:36:33 | |
It won't turn! | 0:36:33 | 0:36:34 | |
Sally! | 0:36:37 | 0:36:39 | |
This is security protocol 712. | 0:36:57 | 0:37:00 | |
This time capsule has detected the presence of an authorised control disc, valid one journey. | 0:37:00 | 0:37:05 | |
Please insert the disc and prepare for departure. | 0:37:08 | 0:37:11 | |
Looks like a DVD player. There's a slot. | 0:37:13 | 0:37:15 | |
-They're trying to get in! -Well, hurry up! | 0:37:17 | 0:37:19 | |
What's happening? | 0:37:37 | 0:37:38 | |
Oh, my God! It's leaving us behind! | 0:37:38 | 0:37:40 | |
Doctor, no, you can't! | 0:37:40 | 0:37:42 | |
THEY SCREAM | 0:37:46 | 0:37:49 | |
Doctor! | 0:37:53 | 0:37:55 | |
Look at them. Quick, look at them! | 0:38:08 | 0:38:10 | |
I don't think we need to. | 0:38:13 | 0:38:15 | |
He tricked them, The Doctor tricked them. They're looking at each other. | 0:38:18 | 0:38:22 | |
They're never going to move again. | 0:38:22 | 0:38:24 | |
Can you mind the shop? I'm just nipping next door for some milk. | 0:38:50 | 0:38:54 | |
Yeah, no worries. | 0:38:54 | 0:38:55 | |
What's this? | 0:38:55 | 0:38:57 | |
Nothing. | 0:38:57 | 0:38:58 | |
Oh, Sally! | 0:39:08 | 0:39:11 | |
Can't you let it go? | 0:39:11 | 0:39:12 | |
Of course I can't let it go! | 0:39:12 | 0:39:14 | |
-It's over. -How did the Doctor know where to write the words on the wall? | 0:39:14 | 0:39:18 | |
How could he get the transcript? | 0:39:18 | 0:39:20 | |
Where did he get all that information from? | 0:39:20 | 0:39:22 | |
Look, some things you never find out. And that's OK. | 0:39:22 | 0:39:25 | |
No, it isn't. | 0:39:25 | 0:39:26 | |
Ever think this might be getting in the way of...other things? | 0:39:31 | 0:39:37 | |
We just run a shop together. | 0:39:39 | 0:39:41 | |
That's all it is, just a shop. | 0:39:43 | 0:39:44 | |
Anyway... | 0:39:46 | 0:39:47 | |
..milk. | 0:39:49 | 0:39:50 | |
Back in a mo. | 0:39:51 | 0:39:53 | |
Doctor! Doctor! Doctor! | 0:40:13 | 0:40:15 | |
Hello! Sorry, bit of a rush, | 0:40:15 | 0:40:17 | |
there's a sort of thing happening, fairly important we stop it. | 0:40:17 | 0:40:20 | |
My God, it's you, it really is you. | 0:40:20 | 0:40:23 | |
Oh, you don't remember me, do you? | 0:40:23 | 0:40:25 | |
We don't have time for this! Migration's started! | 0:40:25 | 0:40:28 | |
Look, sorry, I've got a bit of a complex life. | 0:40:28 | 0:40:30 | |
Things don't always happen to me in order. | 0:40:30 | 0:40:32 | |
Gets confusing, especially weddings, I'm rubbish at weddings, especially my own. | 0:40:32 | 0:40:37 | |
Oh, my God! Of course, you're a time traveller. | 0:40:37 | 0:40:40 | |
-It hasn't happened yet! None of it, it's still in your future! -What? | 0:40:40 | 0:40:43 | |
Doctor! 20 minutes to red hatching! | 0:40:43 | 0:40:45 | |
It was me. | 0:40:45 | 0:40:46 | |
Oh, for God's sake, it was me all along. You got it all from me! | 0:40:46 | 0:40:50 | |
-Got what? -OK. Listen. | 0:40:50 | 0:40:53 | |
One day you're going to get stuck in 1969. | 0:40:53 | 0:40:56 | |
Make sure you've got this with you. | 0:40:56 | 0:40:58 | |
-You're going to need it. -Doctor! | 0:40:58 | 0:41:00 | |
Yeah, listen, got to dash...things happening. | 0:41:00 | 0:41:02 | |
Well, four things. | 0:41:02 | 0:41:03 | |
Well, four things and a lizard. | 0:41:03 | 0:41:05 | |
OK. No worries, on you go. See you around, some day. | 0:41:05 | 0:41:10 | |
What was your name? | 0:41:10 | 0:41:11 | |
Sally Sparrow. | 0:41:11 | 0:41:13 | |
Good to meet you, Sally Sparrow. | 0:41:13 | 0:41:16 | |
Goodbye, Doctor. | 0:41:27 | 0:41:28 | |
Don't blink! | 0:41:46 | 0:41:47 | |
Blink and you're dead! | 0:41:52 | 0:41:54 | |
Don't turn your back. | 0:41:55 | 0:41:57 | |
Don't look away. | 0:41:59 | 0:42:00 | |
And don't blink! | 0:42:02 | 0:42:04 | |
Good luck! | 0:42:09 | 0:42:11 | |
We're going to the end of the universe. | 0:42:17 | 0:42:19 | |
The call came from across the stars. | 0:42:19 | 0:42:22 | |
Over and over again, come to Utopia. | 0:42:22 | 0:42:25 | |
Doctor. | 0:42:25 | 0:42:26 | |
Captain. | 0:42:26 | 0:42:27 | |
It's the Futurekind. | 0:42:37 | 0:42:38 | |
-Utopia is? -The last of the humans scattered across the night. | 0:42:38 | 0:42:41 | |
Humans are coming. | 0:42:42 | 0:42:44 | |
Not even the Time Lords came this far. We should leave. | 0:42:44 | 0:42:47 | |
Subtitles by Red Bee Media Ltd | 0:42:51 | 0:42:54 | |
Email [email protected] | 0:42:54 | 0:42:57 |