Browse content similar to The Sound of Drums. Check below for episodes and series from the same categories and more!
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Oh, my head. | 0:00:08 | 0:00:10 | |
Time travel without a capsule, that's a killer. | 0:00:10 | 0:00:13 | |
Oh... | 0:00:13 | 0:00:15 | |
Still, at least we made it. | 0:00:16 | 0:00:19 | |
Earth, 21st century by the looks of it. | 0:00:19 | 0:00:22 | |
-Talk about lucky. -That wasn't luck. That was me. | 0:00:22 | 0:00:25 | |
Hold it still, don't move. | 0:00:27 | 0:00:29 | |
-Hold it still. -I'm telling you, it's broken. It hasn't worked for years. | 0:00:29 | 0:00:33 | |
-That's because you didn't have me. Martha, grab hold. -Now! | 0:00:33 | 0:00:37 | |
The moral is, if you're gonna get stuck at the end of the universe, | 0:00:39 | 0:00:42 | |
get stuck with an ex time agent and his vortex manipulator. | 0:00:42 | 0:00:45 | |
But this Master bloke, he's got the TARDIS. | 0:00:45 | 0:00:47 | |
-He could be anywhere in time and space. -No, he's here. | 0:00:47 | 0:00:50 | |
-Trust me. -Who is he, anyway? | 0:00:50 | 0:00:51 | |
That voice at the end, that wasn't the Professor. | 0:00:51 | 0:00:53 | |
If the Master's a Time Lord, he must have regenerated. | 0:00:53 | 0:00:56 | |
What does that mean? | 0:00:56 | 0:00:57 | |
It means he's changed his face, voice, body - everything. A new man. | 0:00:57 | 0:01:01 | |
Then how are we gonna find him? | 0:01:04 | 0:01:06 | |
I'll know him, the moment I see him. | 0:01:08 | 0:01:11 | |
-Time Lords always do. -But hold on... If he could be anyone... | 0:01:11 | 0:01:16 | |
We missed the election. | 0:01:16 | 0:01:19 | |
But it can't be. | 0:01:19 | 0:01:20 | |
Mr Saxon has returned from the Palace, | 0:01:21 | 0:01:23 | |
and is greeting the crowds inside Saxon Headquarters. | 0:01:23 | 0:01:27 | |
I said I knew that voice when he spoke inside the TARDIS. | 0:01:27 | 0:01:31 | |
I've heard that voice hundreds of times! We've all seen him! | 0:01:31 | 0:01:35 | |
That was the voice of Harold Saxon. | 0:01:35 | 0:01:37 | |
That's him. | 0:01:37 | 0:01:38 | |
He's Prime Minister. | 0:01:38 | 0:01:40 | |
The Master is Prime Minister of Great Britain. | 0:01:42 | 0:01:45 | |
The Master and his wife! | 0:01:47 | 0:01:49 | |
This country has been sick. | 0:01:50 | 0:01:52 | |
This country needs healing. | 0:01:52 | 0:01:54 | |
This country needs medicine. | 0:01:54 | 0:01:56 | |
In fact, I'd go so far as to say | 0:01:56 | 0:01:59 | |
that what this country really needs right now... | 0:01:59 | 0:02:03 | |
is a Doctor. | 0:02:03 | 0:02:06 | |
-Finance report, sir. -Military protocol, sir. -EC directive, sir. | 0:02:43 | 0:02:47 | |
-Annual budget, sir. -Policy recommendations. | 0:02:47 | 0:02:50 | |
I'm so proud of you, Harry. | 0:02:52 | 0:02:54 | |
Bless. | 0:02:57 | 0:02:59 | |
Sir, if you don't mind me asking... I'm sorry, but it's all a bit new. | 0:02:59 | 0:03:04 | |
What exactly d'you want me to do? | 0:03:04 | 0:03:06 | |
-Oh, yes, what was it? -Tish... | 0:03:06 | 0:03:07 | |
-Letitia Jones... Sir. -Tish! | 0:03:07 | 0:03:09 | |
Well, then, Tish. | 0:03:09 | 0:03:12 | |
You just stand there and look gorgeous. | 0:03:13 | 0:03:16 | |
A glorious day. Downing Street, rebuilt. | 0:03:18 | 0:03:22 | |
The Cabinet in session. | 0:03:22 | 0:03:26 | |
Let the work of government begin. | 0:03:26 | 0:03:29 | |
Oh, go on, crack a smile. | 0:03:34 | 0:03:36 | |
It's funny, isn't it? Albert? | 0:03:36 | 0:03:39 | |
Funny? No? Little bit? | 0:03:39 | 0:03:41 | |
Very funny, sir. | 0:03:41 | 0:03:44 | |
But if we could get down to business, | 0:03:44 | 0:03:46 | |
there is the matter of policy, of which we have very little. | 0:03:46 | 0:03:49 | |
No, no, no, no. Before we start all that, I just want to say... | 0:03:49 | 0:03:54 | |
Thank you. Thank you, one and all, | 0:03:56 | 0:04:00 | |
you ugly fat-faced bunch of wet, snivelling traitors. | 0:04:00 | 0:04:04 | |
-Yes, quite... Very funny. But I... -No! | 0:04:04 | 0:04:08 | |
No, that wasn't funny. | 0:04:08 | 0:04:11 | |
Hm... | 0:04:11 | 0:04:13 | |
You see, I'm not making myself very clear. Funny is like this... | 0:04:13 | 0:04:19 | |
Not funny is like this... | 0:04:19 | 0:04:22 | |
And right now I'm not like... | 0:04:22 | 0:04:25 | |
I'm like... | 0:04:25 | 0:04:27 | |
Because you are traitors. | 0:04:27 | 0:04:29 | |
Yes, you are! As soon as you saw the vote swinging my way, | 0:04:29 | 0:04:34 | |
you abandoned your parties and you jumped on the Saxon bandwagon. So! | 0:04:34 | 0:04:39 | |
This is your reward. | 0:04:42 | 0:04:44 | |
Excuse me, Prime Minister, do you mind my asking - what is that? | 0:04:46 | 0:04:51 | |
-MUFFLED: A gas mask. -I beg your pardon? | 0:04:51 | 0:04:53 | |
It's a gas mask. | 0:04:55 | 0:04:57 | |
Yes, but, um... why are you wearing it? | 0:04:57 | 0:05:00 | |
MUFFLED SPEECH | 0:05:00 | 0:05:02 | |
I'm sorry? | 0:05:02 | 0:05:04 | |
-Because of the gas. -What gas? | 0:05:04 | 0:05:07 | |
MUFFLED: This gas. | 0:05:07 | 0:05:08 | |
You're insane! | 0:05:22 | 0:05:23 | |
RHYTHMIC TAPPING | 0:05:29 | 0:05:32 | |
-Home... -What have you got, computer, laptop, anything? | 0:05:36 | 0:05:39 | |
Jack, who are you phoning? You can't tell anyone we're here! | 0:05:39 | 0:05:41 | |
-Just some friends, but there's no reply. -Any good? | 0:05:41 | 0:05:44 | |
I can show you the Saxon websites. He's been around for ages... | 0:05:44 | 0:05:47 | |
That's so weird. It's the day after the election. | 0:05:47 | 0:05:49 | |
That's only four days after I met you. | 0:05:49 | 0:05:51 | |
We went flying all round the universe. | 0:05:51 | 0:05:53 | |
While he was here all the time. | 0:05:53 | 0:05:55 | |
-You gonna tell us who he is? -He's a Time Lord. | 0:05:55 | 0:05:58 | |
-What about the rest of it? I mean, who'd call himself "The Master"? -That's all you need to know. | 0:05:58 | 0:06:03 | |
Come on, show me Harold Saxon. | 0:06:03 | 0:06:05 | |
'Martha, where are you? I've got this new job! | 0:06:05 | 0:06:07 | |
You won't believe it, they phoned me out of the blue, I'm working for... | 0:06:07 | 0:06:11 | |
-Oh, like it matters! -I'm sorry, but you're not allowed in. | 0:06:11 | 0:06:14 | |
Harold Saxon, a modern Churchill... | 0:06:14 | 0:06:16 | |
It's the definitive think-piece on the great man himself. | 0:06:16 | 0:06:19 | |
Oh, come on, sweetheart, you must've read it! | 0:06:19 | 0:06:21 | |
-Um, not really, sorry, I'm new. -Mr Saxon does like a pretty face. | 0:06:21 | 0:06:24 | |
-But I'm here to see Mrs Saxon. -You can't just go barging in. | 0:06:24 | 0:06:27 | |
Mrs Saxon, Vivien Rook, Sunday Mirror. | 0:06:27 | 0:06:30 | |
-You've heard of me. -Can't I just have an hour to myself? | 0:06:30 | 0:06:32 | |
It's been a hell of a day. | 0:06:32 | 0:06:33 | |
Oh, strike while the iron's hot, that's what I say, Lucy... | 0:06:33 | 0:06:36 | |
I can call you Lucy, can't I? | 0:06:36 | 0:06:37 | |
Now everyone's talking about Harold Saxon, but I thought... | 0:06:37 | 0:06:41 | |
what about the wife? All I need is 20 minutes. | 0:06:41 | 0:06:45 | |
I think maybe we should wait. | 0:06:45 | 0:06:46 | |
Oh, the headline's waiting to print... | 0:06:46 | 0:06:48 | |
The Power Behind The Throne. | 0:06:48 | 0:06:50 | |
-Really? -Britain's First Lady. | 0:06:50 | 0:06:52 | |
-Gosh! -Front page. -Oh. Well. | 0:06:52 | 0:06:57 | |
I suppose... Ohh, go on then, 20 minutes! | 0:06:57 | 0:06:59 | |
Excellent! Thank you! Oh, oh, what was it... Oh, Tish... | 0:06:59 | 0:07:04 | |
Now you can leave us alone. | 0:07:04 | 0:07:07 | |
No, but... I'm supposed to sit in. | 0:07:07 | 0:07:09 | |
No no... it's only a profile piece, | 0:07:09 | 0:07:11 | |
you know, hair and clothes and nonsense. | 0:07:11 | 0:07:14 | |
There's a good girl, out you go, that's it. | 0:07:14 | 0:07:19 | |
Mrs Saxon, I have reason to believe | 0:07:20 | 0:07:25 | |
that you're in very great danger. | 0:07:25 | 0:07:26 | |
All of us, in fact... not just the country, but the whole world. | 0:07:26 | 0:07:30 | |
-No, I beg of you. Hear me out. -What are you talking about? | 0:07:30 | 0:07:34 | |
Your husband is not who he says he is. I'm sorry. | 0:07:34 | 0:07:38 | |
But it's a lie. | 0:07:38 | 0:07:39 | |
Everything's a lie. | 0:07:39 | 0:07:41 | |
I'm voting Saxon. | 0:07:44 | 0:07:46 | |
He can tick my box, any day! | 0:07:46 | 0:07:49 | |
Vote Saxon! Go Harry! | 0:07:49 | 0:07:52 | |
I think Mr Saxon is exactly what this country needs. | 0:07:52 | 0:07:55 | |
He's a very fine man... | 0:07:55 | 0:07:58 | |
and he's handsome, too. | 0:07:58 | 0:07:59 | |
Former Minister of Defence, first came to prominence when he shot down the Racnoss on Christmas Eve... | 0:07:59 | 0:08:04 | |
-Nice work, by the way. -Oh, thanks. | 0:08:04 | 0:08:07 | |
But he goes back years. He's famous. Everyone knows the story. | 0:08:07 | 0:08:11 | |
Look. | 0:08:11 | 0:08:12 | |
Cambridge University, rugby blue, won the athletics thing, | 0:08:12 | 0:08:16 | |
wrote a novel, went into business, marriage, everything, | 0:08:16 | 0:08:19 | |
he's got a whole life. | 0:08:19 | 0:08:21 | |
All of it, the school days, his degree, even his mother and father, | 0:08:22 | 0:08:26 | |
it's all invented. | 0:08:26 | 0:08:27 | |
Look, Harold Saxon never went to Cambridge, | 0:08:27 | 0:08:31 | |
there was no Harold Saxon! | 0:08:31 | 0:08:32 | |
The thing is, it's obvious. | 0:08:32 | 0:08:35 | |
The forgery is screaming out, and yet no-one can see it! | 0:08:35 | 0:08:38 | |
It's as if he's mesmerised the entire world. | 0:08:38 | 0:08:40 | |
I think perhaps you should leave now. | 0:08:40 | 0:08:42 | |
18 months ago, he became real. | 0:08:42 | 0:08:45 | |
This is his first honest to God appearance, | 0:08:45 | 0:08:48 | |
just after the downfall of Harriet Jones. | 0:08:48 | 0:08:52 | |
And at the exact same time, they launched the Archangel network. | 0:08:52 | 0:08:59 | |
-Mrs Rook, now stop it. -Even now, they've said that the... | 0:08:59 | 0:09:02 | |
the Cabinet's gone into seclusion. | 0:09:02 | 0:09:04 | |
-What does that mean, seclusion? -How should I know? | 0:09:04 | 0:09:06 | |
But I've got plenty of research on you. | 0:09:06 | 0:09:09 | |
Yes, good family, Roedean, not especially bright, | 0:09:09 | 0:09:14 | |
but essentially harmless, | 0:09:14 | 0:09:16 | |
and that's why I'm asking you, Lucy, I am begging you, | 0:09:16 | 0:09:21 | |
if you have seen anything, heard anything, | 0:09:21 | 0:09:25 | |
-even the slightest thing, that would give you cause to doubt him. -I think... | 0:09:25 | 0:09:29 | |
Yes? | 0:09:29 | 0:09:31 | |
There was a time, when we first met, I wondered... | 0:09:31 | 0:09:36 | |
But he was so good to my father, and he said... | 0:09:36 | 0:09:38 | |
-What? Just tell me, sweetheart. -The thing is... | 0:09:38 | 0:09:41 | |
-I made my choice. -I'm sorry? | 0:09:44 | 0:09:47 | |
For better or for worse. | 0:09:48 | 0:09:50 | |
Isn't that right, Harry? | 0:09:50 | 0:09:52 | |
My faithful companion. | 0:09:53 | 0:09:56 | |
Mr Saxon. | 0:09:56 | 0:09:58 | |
Prime Minister. I was just... | 0:09:58 | 0:10:00 | |
having a little joke with poor little Lucy, I didn't mean... | 0:10:00 | 0:10:06 | |
Oh, but you're absolutely right. | 0:10:06 | 0:10:09 | |
Harold Saxon doesn't exist. | 0:10:09 | 0:10:12 | |
Then tell me. | 0:10:13 | 0:10:15 | |
-Who are you? -I am the Master. | 0:10:17 | 0:10:20 | |
And these are my friends. | 0:10:21 | 0:10:24 | |
I'm sorry. | 0:10:29 | 0:10:30 | |
Can't you hear it, Mrs Rook? | 0:10:33 | 0:10:36 | |
What d'you mean? | 0:10:36 | 0:10:37 | |
The drumbeat. | 0:10:37 | 0:10:39 | |
The drums are coming closer | 0:10:39 | 0:10:42 | |
and closer... | 0:10:42 | 0:10:43 | |
-The lady doesn't like us. -No... | 0:10:44 | 0:10:48 | |
-Silly lady. -No... | 0:10:48 | 0:10:51 | |
Dead lady. | 0:10:51 | 0:10:53 | |
SCREAMING CONTINUES | 0:10:59 | 0:11:02 | |
SCREAMING CONTINUES | 0:11:04 | 0:11:06 | |
But she knew! | 0:11:06 | 0:11:08 | |
Harry, she knew everything! | 0:11:08 | 0:11:09 | |
You promised, you said Archangel was 100%. | 0:11:09 | 0:11:13 | |
Um. 99. 98? | 0:11:13 | 0:11:15 | |
But if she's asking questions, then who else? | 0:11:15 | 0:11:18 | |
How much time have we got? | 0:11:18 | 0:11:19 | |
Tomorrow morning, I promise. | 0:11:26 | 0:11:29 | |
That's when everything ends. | 0:11:31 | 0:11:33 | |
But he's got the TARDIS... | 0:11:35 | 0:11:37 | |
Maybe the Master went back in time, and has been living here for decades. | 0:11:37 | 0:11:41 | |
-No. -Why not? Worked for me. | 0:11:41 | 0:11:43 | |
When he was stealing the TARDIS, all I could do was fuse the coordinates. | 0:11:43 | 0:11:46 | |
I locked them, permanently. | 0:11:46 | 0:11:48 | |
He can only travel between the year 100,000,000,000, and the last place the TARDIS landed. | 0:11:51 | 0:11:55 | |
-Which is right here, right now. -Yeah, but... a little leeway? | 0:11:55 | 0:11:58 | |
Well, 18 months. | 0:11:58 | 0:12:00 | |
Tops. The most he could have been here is 18 months. | 0:12:00 | 0:12:03 | |
So how's he managed all this? | 0:12:03 | 0:12:05 | |
The Master was always sort of hypnotic, | 0:12:05 | 0:12:08 | |
but this is on a massive scale. | 0:12:08 | 0:12:09 | |
-I was gonna vote for him. -Really? -Well, it was before I even met you. | 0:12:09 | 0:12:14 | |
-And I liked him. -Me, too. | 0:12:14 | 0:12:17 | |
Why d'you say that? | 0:12:17 | 0:12:18 | |
What was his policy, what did he stand for? | 0:12:18 | 0:12:21 | |
I dunno, he always sounded... good. | 0:12:21 | 0:12:25 | |
Like you could trust him. | 0:12:25 | 0:12:26 | |
Just nice. | 0:12:27 | 0:12:29 | |
He spoke about... | 0:12:29 | 0:12:31 | |
I can't really remember, but it was good. | 0:12:31 | 0:12:34 | |
-Just the sound of his voice... -What's that? -What? | 0:12:36 | 0:12:39 | |
That! That tapping. What are you doing? | 0:12:39 | 0:12:41 | |
I don't know, it's nothing, it's just... I don't know! | 0:12:41 | 0:12:44 | |
INTRO MUSIC BLARES | 0:12:44 | 0:12:46 | |
Our Lord and Master is speaking to his kingdom. | 0:12:47 | 0:12:50 | |
Britain, Britain, Britain. | 0:12:50 | 0:12:52 | |
What extraordinary times we've had. | 0:12:52 | 0:12:55 | |
Just a few years ago, this world was so small. | 0:12:55 | 0:12:58 | |
And then they came. Out of the unknown. | 0:12:58 | 0:13:01 | |
Falling from the skies. You've seen it happen... | 0:13:01 | 0:13:03 | |
Big Ben, destroyed. | 0:13:03 | 0:13:05 | |
A spaceship over London. | 0:13:05 | 0:13:07 | |
All those ghosts and metal men, the Christmas Star... | 0:13:07 | 0:13:11 | |
that came to kill. | 0:13:11 | 0:13:13 | |
Time and time again, and the Government told you nothing. | 0:13:13 | 0:13:17 | |
Well, not me! Not Harold Saxon! | 0:13:17 | 0:13:19 | |
Because my purpose here today is to tell you this. | 0:13:19 | 0:13:22 | |
Citizens of Great Britain... | 0:13:22 | 0:13:24 | |
I have been contacted. | 0:13:27 | 0:13:28 | |
A message, for humanity, from beyond the stars. | 0:13:28 | 0:13:31 | |
People of the Earth. We come in peace. | 0:13:33 | 0:13:37 | |
We bring you great gifts! | 0:13:37 | 0:13:39 | |
We bring technology and wisdom and protection. | 0:13:39 | 0:13:42 | |
And all we ask in return is your friendship. | 0:13:42 | 0:13:45 | |
Aw! Sweet. | 0:13:45 | 0:13:47 | |
And this species has identified itself. | 0:13:47 | 0:13:50 | |
-They're called the Toclafane. -What?! | 0:13:50 | 0:13:53 | |
And tomorrow morning, they will appear. Not in secret! | 0:13:53 | 0:13:57 | |
But to all of you. | 0:13:57 | 0:13:58 | |
Diplomatic relations with a new species will begin. | 0:13:58 | 0:14:02 | |
Tomorrow, we take our place in the universe. | 0:14:02 | 0:14:08 | |
Every man, woman and child, every teacher and chemist | 0:14:08 | 0:14:12 | |
and lorry driver and farmer and, oh, I don't know, every... | 0:14:12 | 0:14:17 | |
Medical student? | 0:14:17 | 0:14:19 | |
Out! | 0:14:22 | 0:14:24 | |
BEEPING | 0:14:24 | 0:14:26 | |
BEEPING QUICKENS | 0:14:29 | 0:14:31 | |
-All right? -Fine, yeah, fine... -Martha? | 0:14:38 | 0:14:40 | |
-What are you doing? -He knows about me, what about my family?! | 0:14:40 | 0:14:43 | |
-Don't tell them anything. -I'll do what I like! | 0:14:43 | 0:14:45 | |
Mum! Oh, my God, you're there. | 0:14:47 | 0:14:49 | |
Course I'm here, sweetheart. You all right? | 0:14:49 | 0:14:51 | |
I'm fine, I'm fine... Mum, has there been anyone asking about me? | 0:14:51 | 0:14:55 | |
-Martha, I think, perhaps you should come round. -I can't, not now. | 0:14:55 | 0:15:00 | |
It's your father, we've been talking, and we thought we might give it a go. | 0:15:00 | 0:15:03 | |
-Don't be so daft, since when? -Just come round. | 0:15:03 | 0:15:06 | |
Come to the house. We can celebrate. | 0:15:06 | 0:15:09 | |
-You'd never get back with him in a million years. -Ask him yourself. | 0:15:09 | 0:15:14 | |
-Martha. It's me. -Dad? What are you doing there? | 0:15:15 | 0:15:18 | |
Like your mother said. Come round, we can explain everything. | 0:15:18 | 0:15:21 | |
Dad. Just say yes, or no. | 0:15:21 | 0:15:23 | |
Is there someone else there? | 0:15:23 | 0:15:26 | |
-Yes! Just run! -Clive! -Listen to me, just run! | 0:15:28 | 0:15:32 | |
You stupid man, we're trying to help her... | 0:15:32 | 0:15:34 | |
Martha, don't listen to him. What's going on, Dad?! | 0:15:34 | 0:15:37 | |
He's dangerous! We've got to get Martha away from him. | 0:15:37 | 0:15:40 | |
I've gotta help them. | 0:15:40 | 0:15:41 | |
-That's exactly what they want, it's a trap! -I don't care! | 0:15:41 | 0:15:45 | |
Get off! | 0:15:47 | 0:15:49 | |
It is your fault! All of you! | 0:15:50 | 0:15:53 | |
You voted Saxon! You did this! | 0:15:53 | 0:15:56 | |
Corner!! | 0:15:59 | 0:16:01 | |
BRAKES SCREECH | 0:16:01 | 0:16:03 | |
Mr Saxon, we have Condition Red on the Jones Plan. | 0:16:03 | 0:16:06 | |
We're taking them in. | 0:16:06 | 0:16:08 | |
-All of them. -But I was helping you! | 0:16:08 | 0:16:11 | |
Come on, Tish, pick up. | 0:16:13 | 0:16:15 | |
Martha, can't talk now, we've just made First Contact, did you see? | 0:16:17 | 0:16:20 | |
What are you doing? Get off! Linda, tell them! | 0:16:20 | 0:16:24 | |
What's happening? Tish?! It's your fault, it's all your fault. | 0:16:24 | 0:16:27 | |
I was helping you! Get off me! | 0:16:27 | 0:16:30 | |
Martha! Get out of here, get out! | 0:16:33 | 0:16:36 | |
-Target identified! -Martha, reverse! | 0:16:36 | 0:16:39 | |
-Take aim! -Get out, now!! -Fire! | 0:16:39 | 0:16:42 | |
Take him away! | 0:16:49 | 0:16:52 | |
-The only place he can go is Planet Earth! Great idea! -Careful! | 0:16:57 | 0:17:00 | |
Martha. Listen to me, do as I say. We've gotta ditch this car. | 0:17:00 | 0:17:03 | |
Pull over. Right now! | 0:17:03 | 0:17:05 | |
-Martha, come on! -Leo! | 0:17:12 | 0:17:15 | |
Thank God. Leo, you've gotta listen to me. Where are you? | 0:17:15 | 0:17:18 | |
I'm in Brighton. Yeah we came down with Boxer. | 0:17:18 | 0:17:21 | |
Did you see that Saxon thing on telly? | 0:17:21 | 0:17:22 | |
Leo, listen to me, don't go home, I'm telling you, | 0:17:22 | 0:17:25 | |
don't phone mum, or dad, or Tish, you've gotta hide. | 0:17:25 | 0:17:29 | |
-Shut up. -On my life, you've gotta trust me. | 0:17:29 | 0:17:32 | |
Go to Boxer's, stay with him, don't tell anyone, just hide. | 0:17:32 | 0:17:35 | |
Ooh, nice little game of hide and seek, I love that! | 0:17:35 | 0:17:39 | |
But I'll find you, Martha Jones. | 0:17:39 | 0:17:42 | |
Been a long time since we saw each other, must be, what... | 0:17:42 | 0:17:45 | |
100 trillion years? | 0:17:45 | 0:17:47 | |
Let them go, Saxon! | 0:17:47 | 0:17:50 | |
Do you hear me?! Let them go!! | 0:17:50 | 0:17:52 | |
I'm here. | 0:17:53 | 0:17:55 | |
Doctor. | 0:18:06 | 0:18:07 | |
Master. | 0:18:07 | 0:18:09 | |
-I like it when you use my name. -You chose it. | 0:18:11 | 0:18:14 | |
Psychiatrist's field day. | 0:18:14 | 0:18:16 | |
As you chose yours. | 0:18:16 | 0:18:18 | |
The man who makes people better. | 0:18:18 | 0:18:21 | |
How sanctimonious is that? | 0:18:21 | 0:18:23 | |
So... | 0:18:23 | 0:18:25 | |
-Prime Minister, then. -I know! It's good, isn't it? | 0:18:25 | 0:18:29 | |
Who are those creatures? | 0:18:29 | 0:18:31 | |
There's no such thing as the Toclafane, that's just a made-up name, like the bogeyman. | 0:18:31 | 0:18:35 | |
Do you remember all those fairytales about the Toclafane when we were kids? | 0:18:35 | 0:18:39 | |
Back home? | 0:18:39 | 0:18:41 | |
Where is it, Doctor? | 0:18:41 | 0:18:43 | |
-Gone. -How can Gallifrey be gone? | 0:18:44 | 0:18:48 | |
It burnt. | 0:18:50 | 0:18:52 | |
And the Time Lords? | 0:18:54 | 0:18:55 | |
Dead. | 0:18:56 | 0:18:57 | |
And the Daleks... | 0:18:58 | 0:19:00 | |
More or less. | 0:19:00 | 0:19:02 | |
What happened to you? | 0:19:02 | 0:19:04 | |
The Time Lords only resurrected me | 0:19:04 | 0:19:06 | |
because they knew I'd be the perfect warrior for a Time War. | 0:19:06 | 0:19:10 | |
I was there when the Dalek Emperor took control of the Cruciform. | 0:19:10 | 0:19:14 | |
I saw it. | 0:19:14 | 0:19:15 | |
I ran. | 0:19:17 | 0:19:19 | |
I ran so far. | 0:19:19 | 0:19:21 | |
Made myself human, so they would never find me, | 0:19:23 | 0:19:28 | |
because... | 0:19:28 | 0:19:31 | |
I was so scared. | 0:19:31 | 0:19:33 | |
I know. | 0:19:33 | 0:19:35 | |
All of them? | 0:19:35 | 0:19:38 | |
But not you. Which must mean... | 0:19:38 | 0:19:40 | |
I was the only one who could end it. | 0:19:40 | 0:19:42 | |
And I tried... I did, I tried everything... | 0:19:45 | 0:19:48 | |
What did it feel like, though? | 0:19:48 | 0:19:49 | |
Two almighty civilisations burning. | 0:19:51 | 0:19:55 | |
Ohh, tell me, how did that feel? | 0:19:56 | 0:19:58 | |
-Stop it! -You must have been like God. | 0:19:58 | 0:20:03 | |
I've been alone ever since. | 0:20:03 | 0:20:05 | |
But not any more. | 0:20:05 | 0:20:07 | |
Don't you see? All we've got is each other. | 0:20:07 | 0:20:10 | |
-Are you asking me out on a date? -You could stop this, right now! | 0:20:10 | 0:20:12 | |
We could leave this planet, we can fight across the constellations, | 0:20:12 | 0:20:15 | |
if that's what you want. But not on Earth! | 0:20:15 | 0:20:17 | |
Too late. | 0:20:18 | 0:20:19 | |
-Why d'you say that? -The drumming. | 0:20:21 | 0:20:24 | |
Can't you hear it? I thought it would stop, but it never does. | 0:20:26 | 0:20:30 | |
It never, ever stops, inside my head. | 0:20:30 | 0:20:34 | |
The drumming, Doctor, the constant drumming. | 0:20:34 | 0:20:38 | |
I could help you, please let me help. | 0:20:38 | 0:20:40 | |
It's everywhere. | 0:20:40 | 0:20:43 | |
Listen, listen, listen! | 0:20:43 | 0:20:45 | |
HE TAPS THE DESK | 0:20:45 | 0:20:48 | |
Here come the drums. | 0:20:48 | 0:20:50 | |
Here come... | 0:20:50 | 0:20:52 | |
the drums. | 0:20:52 | 0:20:54 | |
What have you done? | 0:20:56 | 0:20:58 | |
Tell me how you've done this? What are those creatures? Tell me! | 0:20:59 | 0:21:03 | |
-Ooh look, you're on TV! -Stop it! Answer me! | 0:21:03 | 0:21:05 | |
No, really, you're on telly! | 0:21:05 | 0:21:07 | |
You and your little band, | 0:21:07 | 0:21:10 | |
which, by the way, is ticking every demographic box. | 0:21:10 | 0:21:13 | |
So congratulations on that. | 0:21:13 | 0:21:15 | |
-Look, there you are! -'..also identifies himself as The Captain. | 0:21:15 | 0:21:18 | |
'They are known to be armed and extremely dangerous.' | 0:21:18 | 0:21:21 | |
You're public enemies number one, two and three! | 0:21:21 | 0:21:25 | |
Oh, and you can tell Handsome Jack | 0:21:25 | 0:21:28 | |
that I've sent his little gang off on a wild goose chase to the Himalayas, | 0:21:28 | 0:21:32 | |
so he won't be getting any help from them. | 0:21:32 | 0:21:36 | |
Now go on, off you go. Why not start by turning to the right? | 0:21:36 | 0:21:40 | |
He can see us! | 0:21:42 | 0:21:44 | |
Ooh, you public menace! | 0:21:44 | 0:21:46 | |
Better start running! Go on! Run! | 0:21:46 | 0:21:50 | |
-He's got control of everything. -What do we do? | 0:21:53 | 0:21:56 | |
We've got nowhere to go. | 0:21:56 | 0:21:58 | |
Doctor, what do we do?! | 0:21:58 | 0:22:01 | |
'Run, Doctor!' | 0:22:01 | 0:22:03 | |
Run for your life! | 0:22:03 | 0:22:05 | |
We run. | 0:22:05 | 0:22:06 | |
I said, "RUN!" | 0:22:11 | 0:22:13 | |
Tomorrow morning, Britain will be welcoming an extraterrestrial species... | 0:22:16 | 0:22:21 | |
The President is said to be furious that Great Britain has taken unilateral action... | 0:22:21 | 0:22:25 | |
HE SPEAKS CANTONESE | 0:22:25 | 0:22:28 | |
THE MASTER LAUGHS | 0:22:31 | 0:22:34 | |
Have you seen these things? | 0:22:43 | 0:22:45 | |
This planet's amazing. | 0:22:46 | 0:22:48 | |
Television...in their stomach. | 0:22:49 | 0:22:53 | |
Now that is evolution! | 0:22:53 | 0:22:55 | |
Is the Machine ready? | 0:22:55 | 0:22:57 | |
Tomorrow morning. | 0:22:57 | 0:22:59 | |
It reaches critical at 8.02 precisely. | 0:22:59 | 0:23:03 | |
We have to escape! Because it's coming, sir, the darkness! | 0:23:03 | 0:23:08 | |
The never-ending darkness! | 0:23:08 | 0:23:09 | |
The terrible, terrible cold! We have to run and run and run... | 0:23:09 | 0:23:13 | |
Eight o'clock, tomorrow morning. | 0:23:13 | 0:23:16 | |
Tell your people... the world is waiting. | 0:23:18 | 0:23:22 | |
-How was it? -I don't think anyone saw me. Anything new? | 0:23:37 | 0:23:41 | |
-This is tuned into the government wavelength to see what Saxon's doing. -I meant about my family! | 0:23:41 | 0:23:45 | |
Still says the Jones family taken in for questioning. | 0:23:45 | 0:23:49 | |
Tell you what, though. | 0:23:49 | 0:23:50 | |
-No mention of Leo. -He's not as daft as he looks. | 0:23:50 | 0:23:53 | |
I'm talking about my brother on the run. How did this happen? | 0:23:54 | 0:23:57 | |
-Nice chips. -Actually, they're not bad. | 0:23:57 | 0:24:01 | |
So, Doctor... | 0:24:05 | 0:24:07 | |
Who is he? | 0:24:07 | 0:24:09 | |
How come the Ancient Society of Time Lords created a psychopath? | 0:24:09 | 0:24:13 | |
-And what is he to you? Like a colleague or...? -A friend, at first. | 0:24:13 | 0:24:17 | |
I thought you were gonna say he was your secret brother or something. | 0:24:17 | 0:24:21 | |
You've been watching too much TV. | 0:24:21 | 0:24:24 | |
-All the legends of Gallifrey made it sound so perfect. -Well, perfect to look at, maybe. | 0:24:24 | 0:24:28 | |
And it was. It was beautiful. | 0:24:28 | 0:24:31 | |
They used to call it the Shining World of the Seven Systems... | 0:24:33 | 0:24:37 | |
and on the continent of Wild Endeavour... | 0:24:37 | 0:24:40 | |
in the mountains of Solace and Solitude... | 0:24:40 | 0:24:44 | |
there stood the Citadel of the Time Lords... | 0:24:44 | 0:24:47 | |
..the oldest and most mighty race in the universe... | 0:24:50 | 0:24:53 | |
..looking down on the galaxies below. | 0:24:55 | 0:24:57 | |
Sworn never to interfere. | 0:24:58 | 0:25:01 | |
Only to watch. | 0:25:01 | 0:25:03 | |
Children of Gallifrey, | 0:25:03 | 0:25:06 | |
taken from their families at the age of eight, to enter the Academy. | 0:25:06 | 0:25:10 | |
Some say that's where it all began. | 0:25:10 | 0:25:12 | |
When he was a child. | 0:25:13 | 0:25:15 | |
That's when the Master saw eternity. | 0:25:18 | 0:25:20 | |
As a novice, he was taken for initiation. | 0:25:23 | 0:25:25 | |
He stood in front of the Untempered Schism - | 0:25:25 | 0:25:28 | |
it's a gap in the fabric of reality, | 0:25:28 | 0:25:31 | |
through which could be seen the whole of the Vortex. | 0:25:31 | 0:25:34 | |
You stand there. | 0:25:34 | 0:25:36 | |
Eight years old. | 0:25:37 | 0:25:39 | |
Staring at the raw power of time and space. Just a child. | 0:25:40 | 0:25:44 | |
Some would be inspired. | 0:25:47 | 0:25:49 | |
Some would run away. | 0:25:51 | 0:25:52 | |
And some would go mad. | 0:25:55 | 0:25:57 | |
-Oh, I don't know. -What about you? | 0:26:07 | 0:26:10 | |
Oh, the ones that ran away. | 0:26:10 | 0:26:12 | |
I never stopped. | 0:26:12 | 0:26:14 | |
BEEPING | 0:26:14 | 0:26:16 | |
Encrypted channel, with files attached. | 0:26:17 | 0:26:19 | |
-Don't recognise it... -Patch it through to the laptop. | 0:26:19 | 0:26:23 | |
Um, since we're telling stories, there's something I haven't told you. | 0:26:23 | 0:26:27 | |
-You work for Torchwood? -It's changed. There's only half a dozen of us now... | 0:26:31 | 0:26:36 | |
-Everything Torchwood did and you're part of it?! -The old regime was destroyed at Canary Wharf. | 0:26:36 | 0:26:41 | |
I rebuilt it, I changed it and when I did that, I did it for you. In your honour. | 0:26:41 | 0:26:46 | |
If I haven't returned to my desk by 22.00, this file will be e-mailed to Torchwood, | 0:26:54 | 0:27:00 | |
which means, if you're watching this, then I'm... | 0:27:00 | 0:27:02 | |
Anyway, the Saxon files are attached. | 0:27:03 | 0:27:06 | |
But take a look at the Archangel document. | 0:27:06 | 0:27:09 | |
That's when it all started, when Harry Saxon | 0:27:09 | 0:27:12 | |
became Minister in charge of launching the Archangel Network. | 0:27:12 | 0:27:15 | |
What's the Archangel Network? | 0:27:15 | 0:27:17 | |
-I've got Archangel, everyone does. -The mobile phone network. Look. | 0:27:17 | 0:27:20 | |
It's gone worldwide. 15 satellites in orbit. | 0:27:20 | 0:27:23 | |
Even the other networks, they're all carried by Archangel. | 0:27:23 | 0:27:26 | |
It's in the phones! Oh, I said he was a hypnotist! | 0:27:26 | 0:27:30 | |
Wait, wait, wait, hold on... | 0:27:30 | 0:27:32 | |
-RHYTHMIC BEEPING -There it is. | 0:27:32 | 0:27:36 | |
That rhythm. It's everywhere. | 0:27:36 | 0:27:38 | |
Ticking away in the subconscious. | 0:27:38 | 0:27:41 | |
-What is it, mind control? -No, subtler than that. Any stronger and people would question it. | 0:27:41 | 0:27:46 | |
But contained in that rhythm, in layers of code, "Vote Saxon. Believe in me." | 0:27:46 | 0:27:50 | |
Whispering to the world. Oh! Yes! That's how he hid himself from me! | 0:27:50 | 0:27:55 | |
I should've sensed another Time Lord on Earth, but the signal cancelled him out! | 0:27:55 | 0:27:59 | |
-Any way you can stop it? -Not from down here. | 0:27:59 | 0:28:02 | |
-But now we know how he's doing it... -We can fight back! -Oh, yes! | 0:28:02 | 0:28:06 | |
Three TARDIS keys, with low-level perception properties, because the TARDIS is designed to blend in. | 0:28:25 | 0:28:30 | |
Well, sort of, but now, the Archangel Network's got a second low-level signal. | 0:28:30 | 0:28:35 | |
-Weld the key to the network and... Martha, look at me. You can see me, yes? -Yep! | 0:28:35 | 0:28:40 | |
What about now? | 0:28:40 | 0:28:41 | |
JACK LAUGHS | 0:28:45 | 0:28:48 | |
No, I'm here, look at me. | 0:28:48 | 0:28:51 | |
It's like... I know you're there, but I don't want to know. | 0:28:51 | 0:28:56 | |
Back again! See? It just shifts your perception a tiny bit. | 0:28:56 | 0:28:59 | |
Doesn't make us invisible, just unnoticed. | 0:28:59 | 0:29:01 | |
Oh! I know what it's like! It's like... | 0:29:01 | 0:29:04 | |
It's like when you fancy someone and they don't even know you exist. That's what it's like. Come on! | 0:29:04 | 0:29:10 | |
You too, huh? | 0:29:12 | 0:29:15 | |
Don't run. | 0:29:18 | 0:29:19 | |
Don't shout. Just keep your voice down. | 0:29:20 | 0:29:23 | |
Draw attention to yourself and the spell is broken. | 0:29:23 | 0:29:26 | |
Just keep to the shadows. | 0:29:26 | 0:29:29 | |
-Like ghosts. -Yeah. That's what we are. | 0:29:29 | 0:29:31 | |
Ghosts. | 0:29:31 | 0:29:33 | |
And as the eyes of the world turn towards Great Britain, | 0:29:53 | 0:29:56 | |
sources indicate that Air Force One has landed on British soil tonight. | 0:29:56 | 0:30:01 | |
Mr President, sir! | 0:30:11 | 0:30:13 | |
Mr Saxon, the British Army will stand down. | 0:30:13 | 0:30:16 | |
From now on, UNIT has control of this operation. | 0:30:16 | 0:30:19 | |
You make it sound like an invasion. | 0:30:19 | 0:30:21 | |
The First Contact Policy was decided by the Security Council in 1968 and you've just ignored it! | 0:30:21 | 0:30:26 | |
Well, you know what it's like - new job, all that paperwork. | 0:30:26 | 0:30:30 | |
I think it's down the back of the settee. I had a quick look. | 0:30:30 | 0:30:33 | |
I found a pen, a sweet, a bus ticket and, er... Have you met the wife? | 0:30:33 | 0:30:38 | |
I'm not sure what your game is, but there are provisions at the UN to have you removed from office | 0:30:38 | 0:30:44 | |
unless you are very, very careful! Is that understood? | 0:30:44 | 0:30:47 | |
Are you taking this seriously? | 0:30:50 | 0:30:52 | |
To business. We've accessed your files on these...Toclafane. | 0:30:52 | 0:30:58 | |
But First Contact cannot take place on any sovereign soil. | 0:30:58 | 0:31:01 | |
To that purpose, Aircraft Carrier Valiant is en route. | 0:31:01 | 0:31:04 | |
The rendezvous will take place there, at 8am. | 0:31:04 | 0:31:07 | |
HE MUMBLES | 0:31:07 | 0:31:09 | |
You're trying my patience, sir! | 0:31:09 | 0:31:10 | |
So America is completely in charge? | 0:31:13 | 0:31:16 | |
Since Britain elected an ass, yes! See you on board the Valiant! | 0:31:16 | 0:31:20 | |
It still will be televised, though, won't it? Because I promised. | 0:31:20 | 0:31:25 | |
And the whole world is watching. | 0:31:25 | 0:31:27 | |
Since it's too late to pull out, the world will be watching... | 0:31:27 | 0:31:30 | |
Me! | 0:31:30 | 0:31:32 | |
The last President of America. | 0:31:37 | 0:31:40 | |
We have a private plane ready and waiting. | 0:31:42 | 0:31:45 | |
We should reach the Valiant within the hour. | 0:31:45 | 0:31:48 | |
My darling... | 0:31:48 | 0:31:51 | |
SIREN BLARES | 0:32:13 | 0:32:15 | |
THE MASTER LAUGHS Hi, guys! | 0:32:20 | 0:32:24 | |
SHOUTING All... All will be revealed! | 0:32:24 | 0:32:29 | |
-Oh, my God! -Don't move. | 0:32:29 | 0:32:31 | |
-But the... -Don't! | 0:32:31 | 0:32:34 | |
I'm gonna kill him! | 0:32:34 | 0:32:36 | |
What say I use this perception filter to walk up behind him and break his neck? | 0:32:36 | 0:32:42 | |
Now that sounds like Torchwood. | 0:32:42 | 0:32:45 | |
Still a good plan. | 0:32:45 | 0:32:47 | |
He's a Time Lord. | 0:32:47 | 0:32:49 | |
Which makes him my responsibility. I'm not here to kill him. | 0:32:49 | 0:32:53 | |
I'm here to save him. | 0:32:54 | 0:32:56 | |
Aircraft Carrier Valiant. | 0:32:58 | 0:33:01 | |
That's a UNIT ship, at 58.2 North, 10.02 East. | 0:33:01 | 0:33:06 | |
-How do we get on board? -Does that thing work as a teleport? | 0:33:06 | 0:33:10 | |
Since you revamped it, yeah. | 0:33:10 | 0:33:11 | |
Co-ordinates set. | 0:33:11 | 0:33:13 | |
CRIES OF PAIN | 0:33:18 | 0:33:20 | |
-That thing is rough! -Oh, I've had worse nights! Agh! | 0:33:20 | 0:33:25 | |
Welcome to the Valiant. | 0:33:25 | 0:33:28 | |
It's dawn... | 0:33:28 | 0:33:30 | |
-Hold on, I thought this was a ship. Where's the sea?! -A ship for the 21st century. | 0:33:30 | 0:33:35 | |
Protecting the skies of Planet Earth! | 0:33:37 | 0:33:40 | |
ON TANNOY: Europe now online. | 0:33:51 | 0:33:53 | |
Awaiting confirmation from South America. Keep tracking Japan. | 0:33:53 | 0:33:57 | |
I want the whole thing branded with my Seal of Office, not the UN, you got that? | 0:33:59 | 0:34:04 | |
Anything I can do? I could make tea? Or isn't that American enough? | 0:34:07 | 0:34:11 | |
I don't know, I could make grits! What are grits, anyway? | 0:34:11 | 0:34:14 | |
If you could just sit. | 0:34:14 | 0:34:16 | |
Misery guts! | 0:34:17 | 0:34:19 | |
What d'you think? It's good, isn't it? | 0:34:19 | 0:34:22 | |
-It's beautiful. -Some of my best work. | 0:34:22 | 0:34:26 | |
(Ministry of Defence.) | 0:34:26 | 0:34:28 | |
I helped design this place. | 0:34:29 | 0:34:31 | |
Every detail. | 0:34:35 | 0:34:36 | |
-We don't have time for sight-seeing! -No, no, wait, shhh. | 0:34:43 | 0:34:46 | |
-Can't you hear it? -Hear what? | 0:34:46 | 0:34:48 | |
-Doctor, my family's on board. -Brilliant! | 0:34:48 | 0:34:51 | |
This way! | 0:34:52 | 0:34:54 | |
-Oh, at last! -Oh, yes! -What's it doing on the Valiant? | 0:35:06 | 0:35:10 | |
-What the hell has he done? -Don't touch it! -Not going to! | 0:35:15 | 0:35:18 | |
What's he done, though? | 0:35:18 | 0:35:19 | |
-Sounds like it's...sick. -It can't be. | 0:35:19 | 0:35:23 | |
-No, no, no, no, no, no, it can't be. -Doctor, what is it? | 0:35:23 | 0:35:28 | |
-He's cannibalised the TARDIS. -Is this what I think it is? | 0:35:28 | 0:35:31 | |
It's a Paradox Machine. | 0:35:31 | 0:35:33 | |
Two minutes, everyone. | 0:35:35 | 0:35:38 | |
According to the treaty, all armed personnel are requested to leave the Flight Deck immediately, thank you. | 0:35:38 | 0:35:43 | |
-Jelly baby? -Broadcasting at 7.58, | 0:35:46 | 0:35:49 | |
with the arrival timed for 0800 hours exactly. | 0:35:49 | 0:35:53 | |
And good luck to all of us. | 0:35:53 | 0:35:57 | |
Soon as this hits red, it activates. | 0:35:57 | 0:35:59 | |
At this speed, it'll trigger at two minutes past eight. | 0:35:59 | 0:36:03 | |
-First contact is at eight, then two minutes later. -What's it for? | 0:36:03 | 0:36:07 | |
-What does a Paradox Machine do? -Can you stop it? | 0:36:07 | 0:36:09 | |
Not till I know what it's doing.. touch the wrong bit, blow up the solar system. | 0:36:09 | 0:36:13 | |
-Then we've gotta get to the Master! -How we gonna stop him? | 0:36:13 | 0:36:16 | |
Oh, I've got a way. Sorry, didn't I mention it? | 0:36:16 | 0:36:20 | |
And in just 30 seconds' time, we'll be going live to First Contact. | 0:36:21 | 0:36:26 | |
It's been announced that Harold Saxon has invited President Winters to take the address. | 0:36:26 | 0:36:31 | |
It's 3am in the morning on the Eastern Seaboard, | 0:36:31 | 0:36:33 | |
and President Winters has been chosen to lead the world into a new age. | 0:36:33 | 0:36:39 | |
My fellow Americans, patriots, people of the world. | 0:36:39 | 0:36:44 | |
I stand before you today as ambassador for humanity. | 0:36:44 | 0:36:47 | |
A role I will undertake with the utmost solemnity. | 0:36:47 | 0:36:51 | |
Perhaps our Toclafane cousins can offer us much, | 0:36:51 | 0:36:54 | |
but what is important is not that we gain material benefits, | 0:36:54 | 0:36:58 | |
but that we learn to see ourselves anew. | 0:36:58 | 0:37:01 | |
For as long as man has looked to the stars, he has wondered what mysteries they hold. | 0:37:01 | 0:37:07 | |
-Now we know we are not alone. -(This plan, you gonna tell us?) | 0:37:07 | 0:37:11 | |
If I can get this around the Master's neck, | 0:37:11 | 0:37:14 | |
cancel out his perception, they'll see him for real. | 0:37:14 | 0:37:17 | |
It's just hard to go unnoticed when everyone is on red alert. | 0:37:17 | 0:37:21 | |
-If they stop me, you've got a key. -Yes, sir. -I'll get him. | 0:37:21 | 0:37:26 | |
And I ask you now, I ask of the Human Race, | 0:37:26 | 0:37:29 | |
to join with me in welcoming our friends. | 0:37:29 | 0:37:33 | |
I give you the Toclafane. | 0:37:33 | 0:37:36 | |
My name is Arthur Coleman Winters, President Elect of the United States of America | 0:37:43 | 0:37:48 | |
and Designated Representative of the United Nations. | 0:37:48 | 0:37:51 | |
I welcome you to the Planet Earth and its associated Moon. | 0:37:51 | 0:37:55 | |
-You're not the Master. -We like the Mr Master. | 0:37:55 | 0:37:58 | |
We don't like you. | 0:37:58 | 0:38:00 | |
I can be master, if you so wish. | 0:38:00 | 0:38:04 | |
I will accept mastery over you, if that is God's will. | 0:38:05 | 0:38:09 | |
Man is stupid. | 0:38:09 | 0:38:10 | |
Master is our friend. | 0:38:10 | 0:38:12 | |
Where's my Master, pretty please? | 0:38:12 | 0:38:15 | |
Ohh, all right, then. It's me! Ta-daa! | 0:38:15 | 0:38:20 | |
Ha-ha! Sorry! | 0:38:20 | 0:38:22 | |
Sorry, I have this effect, people just get obsessed! Is it the smile? | 0:38:22 | 0:38:25 | |
Is it the aftershave? Is it the capacity to laugh at myself? I don't know! It's crazy! | 0:38:25 | 0:38:31 | |
Saxon, what are you talking about? | 0:38:31 | 0:38:33 | |
I'm taking control, Uncle Sam, starting with you. | 0:38:33 | 0:38:39 | |
Kill him! | 0:38:39 | 0:38:40 | |
HE LAUGHS | 0:38:48 | 0:38:50 | |
-Guards! -Nobody move! Nobody move! | 0:38:50 | 0:38:53 | |
Now then! Peoples of the Earth, please attend carefully. | 0:38:53 | 0:38:58 | |
Stop him! | 0:38:58 | 0:39:00 | |
We meet at last, Doctor. O-ho... I love saying that! | 0:39:02 | 0:39:07 | |
-Stop this, stop it now! -As if a perception filter's gonna work on me! | 0:39:07 | 0:39:11 | |
And look, it's the girlie and the freak, although I'm not sure which one's which. | 0:39:11 | 0:39:18 | |
Laser screwdriver, who'd have sonic? | 0:39:21 | 0:39:23 | |
The good thing is, he's not dead for long, I get to kill him again! | 0:39:23 | 0:39:27 | |
Master, just calm down, just look at what you're doing, just stop... If you could see yourself. | 0:39:27 | 0:39:32 | |
Do excuse me, little bit of personal business, back in a minute. Let him go. | 0:39:32 | 0:39:37 | |
It's that sound, the sound in your head, what if I can help? | 0:39:38 | 0:39:42 | |
Oh! How to shut him up? | 0:39:42 | 0:39:44 | |
I know! Memory Lane! | 0:39:44 | 0:39:47 | |
Professor Lazarus, remember him, and his Genetic Manipulation Device? | 0:39:47 | 0:39:53 | |
Did you think little "Tish" got that job by coincidence? | 0:39:56 | 0:39:59 | |
I've been laying traps for you all this time, and if I can concentrate | 0:39:59 | 0:40:03 | |
all that Lazarus technology into one little screwdriver... | 0:40:03 | 0:40:08 | |
..but, ooh, if only I had the Doctor's biological code... | 0:40:09 | 0:40:14 | |
Oh, wait a minute, I do! | 0:40:14 | 0:40:17 | |
I've got his hand! | 0:40:17 | 0:40:20 | |
And if Lazarus made himself younger, what if I reverse it? | 0:40:20 | 0:40:24 | |
Another 100 years? | 0:40:24 | 0:40:28 | |
DOCTOR CRIES AND GASPS | 0:40:28 | 0:40:32 | |
-Teleport. -I can't! | 0:40:34 | 0:40:37 | |
We can't stop him. Get out of here. | 0:40:37 | 0:40:40 | |
Get out! | 0:40:42 | 0:40:44 | |
Doctor, I've got you. | 0:40:54 | 0:40:57 | |
Ah, she's a would be doctor. | 0:40:57 | 0:40:59 | |
But tonight, Martha Jones, | 0:40:59 | 0:41:03 | |
we've flown 'em in, all the way from prison... | 0:41:03 | 0:41:06 | |
-Mum! -I'm sorry. | 0:41:10 | 0:41:13 | |
-THE DOCTOR PANTS -The Toclafane... | 0:41:15 | 0:41:20 | |
What are they? Who are they? | 0:41:20 | 0:41:23 | |
Doctor, if I told you the truth... | 0:41:23 | 0:41:26 | |
your hearts would break. | 0:41:26 | 0:41:30 | |
Is it time? Is it ready? | 0:41:30 | 0:41:32 | |
Is the machine singing? | 0:41:32 | 0:41:34 | |
Two minutes past! | 0:41:37 | 0:41:38 | |
So, earthlings... | 0:41:41 | 0:41:44 | |
Basically, um... | 0:41:46 | 0:41:49 | |
..end of the world! | 0:41:50 | 0:41:52 | |
Here...come...the drums! | 0:41:52 | 0:41:56 | |
MUSIC: "Voodoo Child" by Rogue Traders | 0:41:56 | 0:41:59 | |
-How many d'you think? -I... I don't know! | 0:42:29 | 0:42:33 | |
Six billion. | 0:42:33 | 0:42:36 | |
MUSIC STOPS Down you go, kids! | 0:42:37 | 0:42:39 | |
Shall we decimate them? | 0:43:01 | 0:43:04 | |
That sounds good, nice word - decimate. | 0:43:04 | 0:43:07 | |
Remove one tenth of the population! | 0:43:09 | 0:43:14 | |
SCREAMING | 0:43:15 | 0:43:18 | |
'This is Geneva! We're getting slaughtered down here! | 0:43:18 | 0:43:22 | |
'Help us! Help us!' | 0:43:22 | 0:43:26 | |
'This is London! This is London calling! What do we do?! | 0:43:26 | 0:43:30 | |
'They're killing us! The Toclafane are killing us!' | 0:43:30 | 0:43:33 | |
EXPLOSIONS AND SCREAMING | 0:44:14 | 0:44:17 | |
I'm coming back. | 0:44:22 | 0:44:24 | |
And so it came to pass that the Human Race fell, | 0:44:25 | 0:44:31 | |
and the Earth was no more. | 0:44:31 | 0:44:34 | |
And I looked down upon my new dominion, as Master of all, | 0:44:34 | 0:44:41 | |
and I thought it good. | 0:44:41 | 0:44:45 | |
Ever since I was a child, I looked into the Vortex. | 0:45:44 | 0:45:47 | |
That's when it chose me. | 0:45:47 | 0:45:49 | |
The drumming, the call to war. | 0:45:49 | 0:45:52 | |
Can't you hear it? | 0:46:06 | 0:46:07 |