Browse content similar to Daleks in Manhattan. Check below for episodes and series from the same categories and more!
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BIG BAND MUSIC PLAYS | 0:00:00 | 0:00:03 | |
Two minutes to curtain up, c'mon! | 0:00:08 | 0:00:11 | |
Two minutes to curtain up. | 0:00:11 | 0:00:13 | |
-Where's Tallulah? -Where do you think? | 0:00:13 | 0:00:15 | |
Hey, Tallulah, leave him alone! | 0:00:15 | 0:00:18 | |
It's nearly showtime, Laszlo - I gotta go. | 0:00:24 | 0:00:26 | |
Promise you'll come on Sunday. My mother will kill me if she doesn't get to meet you. | 0:00:26 | 0:00:30 | |
What if she doesn't like me? | 0:00:30 | 0:00:32 | |
Tallulah, she'll love you just as much as I do. | 0:00:32 | 0:00:36 | |
Aw, you say the sweetest things! | 0:00:36 | 0:00:40 | |
But it's true. Now promise me, Sunday - you'll come? | 0:00:40 | 0:00:43 | |
I promise. Cross my heart. | 0:00:43 | 0:00:46 | |
Here - take this, sweetheart. | 0:00:48 | 0:00:50 | |
Wear it on stage and think of me. | 0:00:50 | 0:00:52 | |
-< -TALLULAH! -I'm coming! Quit YELLING! | 0:00:52 | 0:00:56 | |
How do I look? | 0:00:58 | 0:01:00 | |
Like an angel. | 0:01:03 | 0:01:06 | |
Wish me luck, Laszlo! | 0:01:16 | 0:01:18 | |
Break a leg, sweetheart. | 0:01:18 | 0:01:21 | |
Tallulah? | 0:01:27 | 0:01:28 | |
Who's there? | 0:01:40 | 0:01:41 | |
Hello? | 0:01:51 | 0:01:52 | |
Hello? | 0:01:54 | 0:01:55 | |
LOW GRUNTING | 0:01:57 | 0:02:00 | |
DOOR SLAMS | 0:02:10 | 0:02:13 | |
Who's there? | 0:02:15 | 0:02:17 | |
Who are you? | 0:02:17 | 0:02:18 | |
GRUNTING AND SQUEALING | 0:02:32 | 0:02:34 | |
-Where are we? -Ahh, smell that Atlantic breeze. | 0:03:22 | 0:03:26 | |
Nice and cold, lovely! | 0:03:26 | 0:03:27 | |
Martha, have you met my friend? | 0:03:27 | 0:03:30 | |
Is that...? | 0:03:30 | 0:03:31 | |
Oh, my God, that's the Statue of Liberty! | 0:03:31 | 0:03:34 | |
Gateway to the New World. | 0:03:34 | 0:03:36 | |
"Give me your tired, your poor, your huddled masses yearning to breathe free." | 0:03:36 | 0:03:42 | |
That's so brilliant. I've always wanted to go to New York... | 0:03:42 | 0:03:46 | |
I mean, the real New York, not the New New New New New one. | 0:03:46 | 0:03:49 | |
Well, there's the genuine article. | 0:03:49 | 0:03:51 | |
So good they named it twice. Mind you, it was New Amsterdam, originally. | 0:03:51 | 0:03:55 | |
Harder to say twice - no wonder it didn't catch on... | 0:03:55 | 0:03:58 | |
Newamsterdam, newamsterdam. | 0:03:58 | 0:03:59 | |
-Wonder what year it is? Cos look, the Empire State Building, it's not even finished yet. -Work in progress. | 0:03:59 | 0:04:04 | |
They've still got a couple of floors to go, and if I know my history that makes the date somewhere around... | 0:04:04 | 0:04:10 | |
November 1st 1930. | 0:04:10 | 0:04:12 | |
You're getting good at this. | 0:04:12 | 0:04:14 | |
Nearly 80 years ago. | 0:04:14 | 0:04:16 | |
It's funny, cos you see those old newsreels, all in black and white, like it's so far away. | 0:04:16 | 0:04:21 | |
But here we are. | 0:04:21 | 0:04:23 | |
It's real. It's now. | 0:04:23 | 0:04:25 | |
C'mon then, you! Where do you wanna go first? | 0:04:25 | 0:04:29 | |
I think our detour just got longer. | 0:04:29 | 0:04:31 | |
"Hooverville Mystery Deepens". What's Hooverville? | 0:04:31 | 0:04:35 | |
# If you're blue and you don't know where to go to... # | 0:04:35 | 0:04:38 | |
Herbert Hoover, 31st President of the USA, came to power a year ago. | 0:04:38 | 0:04:42 | |
Up till then, New York was a boomtown, the Roaring Twenties. | 0:04:42 | 0:04:44 | |
-And then... -The Wall Street Crash, yeah? | 0:04:44 | 0:04:46 | |
-When was that, 1929? -Yup. The whole economy wiped out overnight. | 0:04:46 | 0:04:49 | |
Thousands of people unemployed. | 0:04:49 | 0:04:51 | |
All of a sudden, the huddled masses doubled in number, with nowhere to go. | 0:04:51 | 0:04:54 | |
So they ended up here in Central Park. | 0:04:54 | 0:04:57 | |
What, they actually live in the Park? | 0:04:57 | 0:04:59 | |
In the middle of the city? | 0:04:59 | 0:05:01 | |
Ordinary people... | 0:05:10 | 0:05:12 | |
lost their jobs, | 0:05:12 | 0:05:14 | |
couldn't pay the rent... they lost everything. | 0:05:14 | 0:05:16 | |
There are places like this all over America, and no-one's helping them. | 0:05:18 | 0:05:24 | |
You only come to Hooverville when there's nowhere else to go. | 0:05:25 | 0:05:28 | |
You thieving low life! | 0:05:28 | 0:05:30 | |
-All morning I wait in the bread line for a single loaf. -I didn't touch it. | 0:05:30 | 0:05:36 | |
Cut that out! Cut it out, right now! | 0:05:36 | 0:05:41 | |
-He stole my bread! -That's enough! | 0:05:42 | 0:05:45 | |
Did you take it? | 0:05:45 | 0:05:47 | |
I don't know what happened. He just went crazy. | 0:05:47 | 0:05:49 | |
That's enough! | 0:05:51 | 0:05:53 | |
Now, think real careful before you lie to me. | 0:05:53 | 0:05:59 | |
I'm starving, Solomon. | 0:05:59 | 0:06:01 | |
We all starving. | 0:06:08 | 0:06:10 | |
And we all got family somewhere. | 0:06:10 | 0:06:13 | |
No stealing and no fighting. You know the rules. | 0:06:16 | 0:06:19 | |
Thirteen years ago, I fought in the Great War, a lot of us did. | 0:06:19 | 0:06:25 | |
And the only reason we got through was because we stuck together. | 0:06:25 | 0:06:30 | |
No matter how bad things get, we still act like human beings. | 0:06:30 | 0:06:36 | |
It's all we've got. | 0:06:36 | 0:06:39 | |
Come on. | 0:06:41 | 0:06:43 | |
I suppose that makes you the boss around here? | 0:06:43 | 0:06:47 | |
-And, er, who might you be? -He's the Doctor, I'm Martha. | 0:06:48 | 0:06:53 | |
A doctor? | 0:06:53 | 0:06:55 | |
Well, we got stockbrokers, | 0:06:55 | 0:07:00 | |
we've got a lawyer, but you're the first doctor. | 0:07:00 | 0:07:03 | |
The neighbourhood gets classier by the day. | 0:07:03 | 0:07:06 | |
-How many people live here? -Any one time...hundreds. | 0:07:06 | 0:07:11 | |
No place else to go. But I will say this about Hooverville - we're a truly equal society. | 0:07:11 | 0:07:16 | |
Black, white, all the same, all starving. | 0:07:16 | 0:07:20 | |
So you're welcome, both of you. | 0:07:20 | 0:07:24 | |
But tell me, Doctor, you're a man of learning, right? Explain this to me, | 0:07:24 | 0:07:30 | |
that there is going to be the tallest building in the world. | 0:07:32 | 0:07:35 | |
How come they can do that | 0:07:35 | 0:07:38 | |
and we've got people starving in the heart of Manhattan? | 0:07:38 | 0:07:43 | |
Hoist! | 0:07:53 | 0:07:55 | |
I'm telling ya, the men won't stand for it. | 0:07:55 | 0:07:59 | |
I mean, are you out of your mind? | 0:07:59 | 0:08:01 | |
I got 500 men working seven days a week. They're flat out. And you want us to go faster?! | 0:08:01 | 0:08:06 | |
The new masters demand it. | 0:08:06 | 0:08:09 | |
But we're on schedule, what's the problem? Another month and we'll be done. | 0:08:09 | 0:08:13 | |
The mast on this building needs extra work, completed by tonight. | 0:08:13 | 0:08:18 | |
Tonight? No way! It's impossible. | 0:08:18 | 0:08:20 | |
-That's an order. -Yeah? | 0:08:20 | 0:08:22 | |
Well, one word from me, and every man on this site stops work. | 0:08:22 | 0:08:27 | |
So go on! Tell your masters that! | 0:08:27 | 0:08:30 | |
If that's your attitude, I think you should tell them yourself. | 0:08:30 | 0:08:34 | |
Yeah? Well, I ain't afraid of no man in a suit. | 0:08:34 | 0:08:38 | |
So these new bosses, what's their names? | 0:08:38 | 0:08:41 | |
-I think you could say they're from out of town. -Italians? | 0:08:41 | 0:08:45 | |
Bit further than that. | 0:08:45 | 0:08:47 | |
How much further? | 0:08:47 | 0:08:49 | |
Beyond your imagination. | 0:08:49 | 0:08:51 | |
What's that supposed to mean? Who are they? | 0:08:51 | 0:08:53 | |
Mr Diagoras, who are we working for? | 0:08:53 | 0:08:57 | |
Behold your masters. | 0:09:02 | 0:09:04 | |
What the hell? | 0:09:18 | 0:09:20 | |
I have been summoned. Explain. | 0:09:20 | 0:09:23 | |
Explain! | 0:09:23 | 0:09:25 | |
It can talk. How does it talk?! | 0:09:25 | 0:09:29 | |
And what the hell are they?! You've gotta be kidding me! | 0:09:29 | 0:09:33 | |
I'm sorry, my Lord. But this man is refusing to complete the work. | 0:09:33 | 0:09:37 | |
Then we must replace him. | 0:09:37 | 0:09:39 | |
-Is anybody gonna tell me what the hell is happening here?! -Use him! | 0:09:39 | 0:09:43 | |
Take him for the Final Experiment. | 0:09:43 | 0:09:46 | |
What's going on? Let go! | 0:09:46 | 0:09:48 | |
Let go of me, let go of me! Get off me! | 0:09:48 | 0:09:52 | |
The Empire State Building must be completed in time. | 0:09:56 | 0:10:01 | |
It will be, trust me. | 0:10:01 | 0:10:04 | |
Labour is cheap, and that man can be replaced. | 0:10:04 | 0:10:07 | |
The plan must not fail. | 0:10:07 | 0:10:10 | |
We calculate the Gamma strike has accelerated. | 0:10:10 | 0:10:13 | |
We need more bodies. Immediately! | 0:10:13 | 0:10:16 | |
Yes, master. | 0:10:16 | 0:10:17 | |
So, men going missing. Is this true? | 0:10:24 | 0:10:27 | |
It's true all right. | 0:10:29 | 0:10:31 | |
But what does "missing" mean? | 0:10:35 | 0:10:36 | |
-People must come and go here all the time. It's not like anyone keeps a register. -Come on in. | 0:10:36 | 0:10:42 | |
This is different. | 0:10:44 | 0:10:45 | |
-In what way? -Someone takes them. | 0:10:45 | 0:10:49 | |
At night. | 0:10:49 | 0:10:52 | |
We hear something, someone calls out for help. | 0:10:52 | 0:10:54 | |
By the time we get there, they're gone. | 0:10:54 | 0:10:56 | |
Like they've vanished into thin air. | 0:10:56 | 0:10:58 | |
And you're sure someone's taking them? | 0:10:58 | 0:11:00 | |
Doctor, when you've got next to nothing, you hold on to the little you got. | 0:11:00 | 0:11:05 | |
A knife, a blanket. You take it with you. | 0:11:05 | 0:11:07 | |
-You don't leave bread uneaten, a fire still burning. -Have you been to the police? | 0:11:07 | 0:11:12 | |
Yeah, we tried that, another deadbeat goes missing, big deal. | 0:11:12 | 0:11:17 | |
So the question is... who's taking them, and what for? | 0:11:17 | 0:11:21 | |
Solomon! Mr Diagoras is here. | 0:11:21 | 0:11:23 | |
I need men. Volunteers. I've got a little work for you. | 0:11:26 | 0:11:31 | |
And you sure look like you could use the money. | 0:11:31 | 0:11:33 | |
-What is the money? -A dollar a day. | 0:11:33 | 0:11:35 | |
What's the work? | 0:11:35 | 0:11:38 | |
A little trip down the sewers. | 0:11:38 | 0:11:40 | |
Got a tunnel collapsed, needs clearing and fixing. Any takers? | 0:11:40 | 0:11:45 | |
A dollar a day is a slave wage. | 0:11:45 | 0:11:48 | |
-And men don't always come back up, do they? -Accidents happen. | 0:11:48 | 0:11:53 | |
What sort of accidents? | 0:11:53 | 0:11:55 | |
You don't need the work, that's fine. Anybody else? | 0:11:55 | 0:11:58 | |
Enough with the questions. | 0:11:58 | 0:12:00 | |
Ah, no, no, no. I'm volunteering. | 0:12:00 | 0:12:02 | |
I'll go. | 0:12:02 | 0:12:04 | |
I'll kill you for this. | 0:12:04 | 0:12:06 | |
Anybody else? | 0:12:06 | 0:12:08 | |
Turn left, go about half a mile, follow tunnel 273. | 0:12:12 | 0:12:17 | |
-The fall's right ahead of you, you can't miss it. -When do we get our dollar? | 0:12:17 | 0:12:21 | |
-When you come back up. -And if we don't come back up? | 0:12:21 | 0:12:24 | |
Then I got no-one to pay. | 0:12:24 | 0:12:26 | |
Don't worry, we'll be back. | 0:12:26 | 0:12:28 | |
Let's hope so. | 0:12:28 | 0:12:30 | |
Just gotta stick together. | 0:12:33 | 0:12:35 | |
Easy to get lost. It's like a huge rabbit warren. | 0:12:35 | 0:12:40 | |
Could hide an army down here. | 0:12:40 | 0:12:41 | |
So what about you, Frank? | 0:12:45 | 0:12:46 | |
-You're not from around these parts, are you? -You can talk! | 0:12:46 | 0:12:50 | |
No, I'm Tennessee born and bred. | 0:12:50 | 0:12:53 | |
So how come you're here? | 0:12:53 | 0:12:54 | |
Oh, my Daddy died... | 0:12:54 | 0:12:57 | |
Momma couldn't afford to feed us all, so I'm the oldest - up to me to feed myself. | 0:12:57 | 0:13:02 | |
So I put on my coat, hitched up here on the railroads. | 0:13:02 | 0:13:05 | |
There's a whole lot of runaways in the camp, | 0:13:05 | 0:13:07 | |
younger than me, from all over - Missouri, Oklahoma, Texas. | 0:13:07 | 0:13:12 | |
Solomon keeps a look out for us. | 0:13:12 | 0:13:16 | |
So, what about you? | 0:13:16 | 0:13:18 | |
You're a long way from home. | 0:13:18 | 0:13:20 | |
Yeah. I'm just a hitcher too. | 0:13:20 | 0:13:23 | |
You stick with me, you'll be all right. | 0:13:23 | 0:13:25 | |
This Diagoras bloke, who is he? | 0:13:25 | 0:13:28 | |
Couple of months ago, he was just another foreman. Now seems like he's running most of Manhattan. | 0:13:28 | 0:13:35 | |
How'd he manage that, then? | 0:13:35 | 0:13:37 | |
These are strange times. | 0:13:37 | 0:13:39 | |
A man can go from being the king of the hill to the lowest of the low overnight. | 0:13:39 | 0:13:45 | |
-Guess for some folks it works the other way round. -Whoa! | 0:13:45 | 0:13:49 | |
Is it radioactive or something? | 0:13:49 | 0:13:51 | |
It's gone off, whatever it is. | 0:13:57 | 0:13:58 | |
And you've got to pick it up. | 0:14:02 | 0:14:04 | |
Shine your torch through it. | 0:14:06 | 0:14:08 | |
Composite organic matter. | 0:14:10 | 0:14:12 | |
Martha, medical opinion? | 0:14:12 | 0:14:16 | |
It's not human, I know that. | 0:14:16 | 0:14:18 | |
No. | 0:14:18 | 0:14:20 | |
It's not. | 0:14:20 | 0:14:22 | |
And I'll tell you something else. | 0:14:22 | 0:14:24 | |
We must be at least half a mile in. I don't see any signs of a collapse, do you? | 0:14:24 | 0:14:29 | |
So why did Mr Diagoras send us down here? | 0:14:29 | 0:14:32 | |
Where are we now, what's up above? | 0:14:32 | 0:14:33 | |
Well, we're right underneath Manhattan. | 0:14:33 | 0:14:37 | |
And here, the crowning glory of the Empire State Building, the mast itself. | 0:14:44 | 0:14:51 | |
1,472 feet above New York. | 0:14:51 | 0:14:54 | |
It's a beautiful thing, sir. | 0:14:54 | 0:14:56 | |
And every single one of us is proud of it. | 0:14:56 | 0:14:58 | |
My wife says it's like a spire reaching into heaven. | 0:14:58 | 0:15:03 | |
Except the gates of heaven need a little decoration. | 0:15:03 | 0:15:06 | |
These plates have gotta be fixed to the mast, right to the base itself. | 0:15:08 | 0:15:14 | |
That's OK. That shouldn't take too long. | 0:15:14 | 0:15:17 | |
But the work has gotta be finished tonight. | 0:15:17 | 0:15:21 | |
Are you trying to kill us?! | 0:15:21 | 0:15:23 | |
Don't argue with me! | 0:15:23 | 0:15:25 | |
But sir, the men can't work up there at night. It's freezing. | 0:15:25 | 0:15:29 | |
Your hands go numb, you lose your grip, you fall. | 0:15:29 | 0:15:31 | |
You don't get it. | 0:15:31 | 0:15:33 | |
If you won't work, | 0:15:36 | 0:15:39 | |
I can replace you like that. | 0:15:39 | 0:15:41 | |
Now, take those panels, | 0:15:46 | 0:15:48 | |
and get going! | 0:15:48 | 0:15:49 | |
What sort of metal is this, anyway? | 0:15:58 | 0:16:01 | |
Don't ask questions. Just go. | 0:16:01 | 0:16:03 | |
I don't care how cold it is, how tired you are, just get out there and finish the job! | 0:16:14 | 0:16:21 | |
The conductor must be complete for our plan to succeed. | 0:16:26 | 0:16:32 | |
Unemployment is such an incentive. | 0:16:32 | 0:16:35 | |
It'll get done, don't worry. | 0:16:35 | 0:16:37 | |
Daleks have no concept of worry. | 0:16:37 | 0:16:41 | |
Yeah? | 0:16:41 | 0:16:43 | |
Well, lucky you. | 0:16:43 | 0:16:45 | |
This day is ending. | 0:16:45 | 0:16:48 | |
Humankind is weak, you shelter from the dark. | 0:16:48 | 0:16:53 | |
And yet, you have built all this. | 0:16:53 | 0:16:59 | |
That's progress. Gotta move with the times or you get left behind. | 0:16:59 | 0:17:04 | |
My planet is gone. | 0:17:04 | 0:17:07 | |
Destroyed in a great war. | 0:17:07 | 0:17:11 | |
Yet versions of this city stand throughout history. | 0:17:11 | 0:17:16 | |
The human race always continues. | 0:17:16 | 0:17:20 | |
We've had wars. | 0:17:20 | 0:17:22 | |
I've been a soldier myself. | 0:17:22 | 0:17:25 | |
And I swore then I'd survive, no matter what. | 0:17:25 | 0:17:30 | |
You have rare ambition. | 0:17:30 | 0:17:33 | |
Oh, I want to run this city, whatever it takes... | 0:17:35 | 0:17:39 | |
by any means necessary. | 0:17:39 | 0:17:41 | |
You think like a Dalek. | 0:17:41 | 0:17:44 | |
I'll take that as a compliment. | 0:17:44 | 0:17:48 | |
This human is our best option. | 0:17:53 | 0:17:55 | |
Bring him to me. | 0:17:55 | 0:17:58 | |
Your loyalty will be rewarded. Come with me. | 0:17:58 | 0:18:02 | |
Prepare the laboratory. The Final Experiment will begin! | 0:18:07 | 0:18:13 | |
We obey. | 0:18:13 | 0:18:14 | |
-Where are we going? -You have been summoned by our leader. | 0:18:29 | 0:18:33 | |
Oh, and about time too! | 0:18:33 | 0:18:36 | |
-I bring you the human. -I take it...you're in charge? | 0:19:19 | 0:19:26 | |
Correct. I am Dalek Sec. | 0:19:26 | 0:19:30 | |
Leader of the Cult of Skaro. | 0:19:30 | 0:19:33 | |
Then, my lord Sec, I am honoured to meet you. Ever since you first made contact with me... | 0:19:34 | 0:19:42 | |
transmitting your thoughts into the corners of my mind, tempting me with such images, such ideas, | 0:19:42 | 0:19:48 | |
-oh sir, I'd always dreamed that together... -Cease talking. | 0:19:48 | 0:19:53 | |
-I just wanna let you know how grateful I am. -I said cease! | 0:19:53 | 0:19:58 | |
-Slaves! Secure the human. -But... | 0:19:58 | 0:20:01 | |
you don't need to do that, I'm on your side. | 0:20:01 | 0:20:03 | |
I'm working with you. | 0:20:03 | 0:20:05 | |
I'm your partner! I'm your friend! | 0:20:05 | 0:20:08 | |
We're way beyond half a mile. | 0:20:10 | 0:20:12 | |
There's no collapse, nothing. | 0:20:12 | 0:20:13 | |
That Diagoras bloke, was he lying? | 0:20:13 | 0:20:16 | |
-Looks like it. -So why did he want people to come down here? | 0:20:16 | 0:20:19 | |
Solomon, take these two back. I'll be much quicker on my own. | 0:20:19 | 0:20:23 | |
-SQUEALING -What the hell was that? -Hello? | 0:20:23 | 0:20:28 | |
-Ssh! -What if it's one of the folk gone missing? | 0:20:28 | 0:20:30 | |
You'd be scared half mad down here on your own. | 0:20:30 | 0:20:33 | |
-You think they're still alive? -Heck, we ain't seen no bodies down here. Maybe they just got lost. | 0:20:33 | 0:20:38 | |
MORE SQUEALS | 0:20:38 | 0:20:40 | |
-I never heard nobody make a sound like that. -Where's it's coming from? | 0:20:40 | 0:20:44 | |
It sounds like there's more than one of them. | 0:20:47 | 0:20:50 | |
-This way? -No, that way. | 0:20:50 | 0:20:52 | |
Doctor... | 0:20:55 | 0:20:58 | |
-Who are you? -Are you lost? | 0:21:04 | 0:21:08 | |
Can you understand me? | 0:21:08 | 0:21:12 | |
I've been thinking about folk lost down here. | 0:21:12 | 0:21:16 | |
It's all right, Frank, just stay back. Let me have a look. | 0:21:16 | 0:21:21 | |
He's got a point, though, my mate Frank. | 0:21:22 | 0:21:26 | |
I would hate to be stuck down here all on my own. | 0:21:26 | 0:21:30 | |
But we know the way out, | 0:21:30 | 0:21:32 | |
daylight, if you come with us... | 0:21:32 | 0:21:36 | |
Oh, but what are you? | 0:21:39 | 0:21:42 | |
Is that... | 0:21:42 | 0:21:44 | |
some kinda carnival mask? | 0:21:44 | 0:21:46 | |
No, it's real. | 0:21:46 | 0:21:48 | |
I'm sorry. But listen to me. | 0:21:51 | 0:21:55 | |
I promise I can help. | 0:21:55 | 0:21:58 | |
Who did this to you? | 0:21:58 | 0:22:00 | |
Doctor... | 0:22:00 | 0:22:03 | |
I think you'd better get back here. | 0:22:03 | 0:22:05 | |
Doctor! | 0:22:05 | 0:22:07 | |
Actually... | 0:22:07 | 0:22:09 | |
good point. | 0:22:09 | 0:22:11 | |
-They're following you... -Yeah, I noticed that, thanks. | 0:22:11 | 0:22:16 | |
Right then... Martha. | 0:22:16 | 0:22:18 | |
-Frank. Solomon. -What? | 0:22:18 | 0:22:20 | |
I think, um... | 0:22:20 | 0:22:23 | |
Basically...RUN! | 0:22:23 | 0:22:26 | |
-Where are we going? -This way! | 0:22:36 | 0:22:38 | |
There's a ladder! Come on! | 0:22:47 | 0:22:49 | |
THEY SQUEAL | 0:22:56 | 0:22:58 | |
Frank! | 0:22:58 | 0:22:59 | |
THEY GRUNT | 0:23:04 | 0:23:05 | |
THEY SQUEAL | 0:23:08 | 0:23:10 | |
-Come on, Frank. -Come on... | 0:23:11 | 0:23:12 | |
-I've got you. Come on! -Come on! -Come on! | 0:23:14 | 0:23:19 | |
Frank! NO-O-O-O! | 0:23:22 | 0:23:24 | |
Come on! | 0:23:24 | 0:23:25 | |
-We can't go after him. -I've got to go back down! We can't leave him! | 0:23:27 | 0:23:30 | |
No! I'm not losing anybody else! Those creatures were from Hell! | 0:23:30 | 0:23:34 | |
From Hell itself! If we go after him, they'll take us all! | 0:23:34 | 0:23:37 | |
There's nothing we can do. | 0:23:37 | 0:23:40 | |
I'm sorry. | 0:23:40 | 0:23:41 | |
All right then, put 'em up! | 0:23:42 | 0:23:44 | |
Hands in the air! And no funny business. | 0:23:46 | 0:23:49 | |
Now tell me, you shmucks. | 0:23:49 | 0:23:53 | |
What have you done with Laszlo? | 0:23:53 | 0:23:56 | |
-Who's Laszlo? -Laszlo's my boyfriend. | 0:23:56 | 0:24:00 | |
WAS my boyfriend. Until he disappeared, two weeks ago. | 0:24:00 | 0:24:03 | |
No letter, no goodbye, no nothing. | 0:24:03 | 0:24:05 | |
And I'm not stupid, I know some guys are just pigs, but not my Laszlo. | 0:24:05 | 0:24:10 | |
I mean, what kind of guy asks you to meet his mom before he vamooses? | 0:24:10 | 0:24:13 | |
It might just help if you put that down... | 0:24:13 | 0:24:16 | |
Huh? | 0:24:16 | 0:24:18 | |
Oh, sure. | 0:24:18 | 0:24:19 | |
Oh, c'mon, it's not real, it's just a prop... | 0:24:21 | 0:24:24 | |
-it was either that or a spear. -What do you think happened to Laszlo? | 0:24:24 | 0:24:27 | |
I wish I knew. | 0:24:27 | 0:24:29 | |
One minute he's there, the next - zip - vanished. | 0:24:29 | 0:24:32 | |
Listen, em, what was your name? | 0:24:32 | 0:24:34 | |
-Tallulah. -Tallulah. -Three l's and an h. -Right. | 0:24:34 | 0:24:37 | |
Um, we can try and find Laszlo... but he's not the only one. | 0:24:37 | 0:24:40 | |
-There are people disappearing every night. -And there are creatures. | 0:24:40 | 0:24:44 | |
Such creatures... | 0:24:44 | 0:24:47 | |
Whaddya mean, creatures? | 0:24:47 | 0:24:49 | |
Look, listen, just trust me. Everyone is in danger. | 0:24:49 | 0:24:52 | |
I need to find out exactly what THIS is. | 0:24:52 | 0:24:55 | |
Because then, I'll know exactly what we're fighting. | 0:24:55 | 0:24:58 | |
Yay. | 0:24:58 | 0:25:00 | |
How 'bout this? Found it backstage. | 0:25:06 | 0:25:11 | |
Perfect. It's the capacitors I need. | 0:25:11 | 0:25:13 | |
I'm just rigging up a crude little DNA scan, for this beastie. | 0:25:13 | 0:25:17 | |
If I can get a chromosomal reading, I can find out where it's from. | 0:25:17 | 0:25:20 | |
How about you, Doctor? | 0:25:20 | 0:25:22 | |
Where are you from? | 0:25:22 | 0:25:23 | |
I been all over, I never heard anybody talk like you. | 0:25:23 | 0:25:27 | |
Just exactly who are you? | 0:25:27 | 0:25:30 | |
Oh, I'm just, sort of, passing by. | 0:25:30 | 0:25:32 | |
I'm not a fool, Doctor. | 0:25:32 | 0:25:35 | |
No. | 0:25:35 | 0:25:37 | |
Sorry. | 0:25:37 | 0:25:39 | |
I was scared, Doctor. | 0:25:47 | 0:25:50 | |
I let 'em take Frank cos... | 0:25:50 | 0:25:52 | |
I was just so scared. | 0:25:52 | 0:25:54 | |
I got to get back to Hooverville. | 0:25:58 | 0:26:00 | |
With those creatures on the loose, we gotta protect ourselves. | 0:26:00 | 0:26:03 | |
-Cos no-one else is gonna help us. -Good luck. | 0:26:03 | 0:26:05 | |
I hope you find what you're looking for, | 0:26:06 | 0:26:09 | |
for all our sakes. | 0:26:09 | 0:26:12 | |
Laszlo... | 0:26:15 | 0:26:16 | |
he'd wait for me after the show, walk me home, like I was a lady... | 0:26:16 | 0:26:21 | |
He'd leave a flower for me on my dressing table. | 0:26:21 | 0:26:24 | |
Every day, just a single rosebud. | 0:26:24 | 0:26:26 | |
Haven't you reported him missing? | 0:26:26 | 0:26:28 | |
Sure, but he's just a stage hand, who cares? The management certainly don't. | 0:26:28 | 0:26:34 | |
-Can't you kick up a fuss or something? -OK, so then they fire me! | 0:26:34 | 0:26:37 | |
But they'd listen to YOU, you're one of the stars! | 0:26:37 | 0:26:41 | |
Oh, honey, I got one song, in a back street revue, | 0:26:41 | 0:26:44 | |
and that's only cos Heidi Chicane broke her ankle, | 0:26:44 | 0:26:47 | |
which had nothing to do with me, whatever anybody says. | 0:26:47 | 0:26:50 | |
I can't afford to make a fuss! | 0:26:50 | 0:26:51 | |
If I don't make this month's rent, | 0:26:51 | 0:26:53 | |
then before you know it, I'm in Hooverville. | 0:26:53 | 0:26:56 | |
OK, I get it. | 0:26:56 | 0:26:57 | |
It's the Depression, sweetie. | 0:26:57 | 0:26:59 | |
Your heart might break, but the show goes on, because if it stops, you starve. | 0:26:59 | 0:27:05 | |
Every night I have to go out there, sing, dance, keep going, hoping he's gonna to come back. | 0:27:05 | 0:27:12 | |
I'm sorry... | 0:27:14 | 0:27:16 | |
Hey, you're lucky, though. | 0:27:18 | 0:27:20 | |
You got yourself a forward-thinking guy | 0:27:20 | 0:27:22 | |
-with that hot potato in the sharp suit. -Oh, he's not... | 0:27:22 | 0:27:26 | |
We're not together. | 0:27:26 | 0:27:27 | |
Oh, sure you are! I've seen the way you look at him. It's obvious! | 0:27:27 | 0:27:31 | |
Not to him. | 0:27:31 | 0:27:33 | |
Oh, I shoulda realised. He's into musical theatre, huh? | 0:27:34 | 0:27:39 | |
-What a waste! -N...n... -Still, ya gotta live in hope. | 0:27:39 | 0:27:43 | |
It's the only thing that's kept me going, cos... | 0:27:43 | 0:27:46 | |
well, look. | 0:27:46 | 0:27:48 | |
On my dressing table. Every day still... | 0:27:48 | 0:27:52 | |
-You think it's Laszlo? -I don't know. | 0:27:52 | 0:27:55 | |
If he's still around, why is he being all secret, | 0:27:55 | 0:27:57 | |
like he doesn't want me to see him? | 0:27:57 | 0:27:59 | |
The stories are true. | 0:28:02 | 0:28:04 | |
People ARE being taken. | 0:28:04 | 0:28:06 | |
We lost Frank today. | 0:28:06 | 0:28:09 | |
He was stolen from right in front of me, | 0:28:09 | 0:28:12 | |
but no more! I swear to you, no more! | 0:28:12 | 0:28:14 | |
Now I made a pledge, that this place would be a peaceful place. | 0:28:14 | 0:28:19 | |
But now it's time to take up arms. | 0:28:19 | 0:28:22 | |
ALL: Yeah! | 0:28:22 | 0:28:23 | |
-We need weapons. We need sentries on duty. -Yeah! | 0:28:23 | 0:28:26 | |
We need men prepared to fight. | 0:28:26 | 0:28:28 | |
We got to protect ourselves, cos you know no-one else will. | 0:28:28 | 0:28:33 | |
Now get moving! Arm yourselves, come on! | 0:28:33 | 0:28:36 | |
I can't feel my fingers! | 0:28:51 | 0:28:53 | |
HE GRUNTS WITH EXERTION | 0:28:53 | 0:28:55 | |
DRILLING | 0:28:57 | 0:28:59 | |
-We can't stay here for much longer. We'll fall. -C'mon, we're nearly done. | 0:28:59 | 0:29:05 | |
DRILLING | 0:29:08 | 0:29:10 | |
The chromatin solution is ready. | 0:29:13 | 0:29:16 | |
Then our preparations are complete. | 0:29:16 | 0:29:19 | |
What are you doing? Preparations for what? | 0:29:19 | 0:29:22 | |
This is the Final Experiment. | 0:29:22 | 0:29:25 | |
What do you mean? | 0:29:25 | 0:29:27 | |
D'you mean like these Pigmen things? | 0:29:27 | 0:29:30 | |
You're not gonna turn me into one of those, oh God, please don't... | 0:29:30 | 0:29:33 | |
The Pig Slaves are primitive. | 0:29:33 | 0:29:36 | |
The Final Experiment is greater by far. | 0:29:36 | 0:29:40 | |
But how does that involve me? | 0:29:42 | 0:29:44 | |
We need your flesh. | 0:29:44 | 0:29:47 | |
Bring him to me. | 0:29:47 | 0:29:49 | |
Halt! | 0:29:50 | 0:29:52 | |
This action contradicts the Dalek imperative. | 0:29:52 | 0:29:55 | |
Daleks are supreme. Humans are weak. | 0:29:55 | 0:29:58 | |
But there are millions of humans, and only four of us. | 0:29:58 | 0:30:04 | |
If we are supreme, why are we not victorious? | 0:30:04 | 0:30:08 | |
The Cult of Skaro was created by the Emperor, for this very purpose. | 0:30:10 | 0:30:17 | |
To imagine new ways of survival. | 0:30:17 | 0:30:20 | |
But we must remain pure. | 0:30:20 | 0:30:23 | |
No, Dalek Thay! | 0:30:23 | 0:30:25 | |
Our purity has brought us to extinction! | 0:30:25 | 0:30:29 | |
We must adapt to survive. | 0:30:29 | 0:30:33 | |
You have all made sacrifices... | 0:30:33 | 0:30:36 | |
-And now, -I -will sacrifice myself. | 0:30:36 | 0:30:41 | |
For the greater cause. | 0:30:41 | 0:30:43 | |
For the future of Dalek-kind. Now bring me the human! | 0:30:43 | 0:30:49 | |
But I don't understand! What do you mean? Get offa me! | 0:30:49 | 0:30:53 | |
Behold. The true Dalek form. | 0:30:53 | 0:30:57 | |
Now. Join with me. | 0:31:01 | 0:31:06 | |
No... Get off me... I've done everything you asked me... | 0:31:06 | 0:31:11 | |
NO! | 0:31:11 | 0:31:12 | |
That's it, just need to heat you up... | 0:31:25 | 0:31:30 | |
MUSIC PLAYS: "Happy Days Are Here Again" | 0:31:30 | 0:31:32 | |
Girls, it's showtime! | 0:31:37 | 0:31:40 | |
Lois, you spoil my sashay tonight, I'm gonna punch ya! | 0:31:40 | 0:31:43 | |
Ahh, quit complaining, Myrna, go buy yourself some glasses! | 0:31:43 | 0:31:46 | |
C'mon honey, take a look... Ever been on stage before? | 0:31:46 | 0:31:49 | |
Oh, little bit, y'know. | 0:31:49 | 0:31:51 | |
-Shakespeare. -How dull is that?! | 0:31:51 | 0:31:54 | |
Come and see a real show! | 0:31:54 | 0:31:56 | |
This is artificial! | 0:32:00 | 0:32:02 | |
< COMPERE: Ladies and gentlemen... | 0:32:04 | 0:32:06 | |
Genetically engineered! | 0:32:06 | 0:32:08 | |
< ..and here's the reason why... | 0:32:08 | 0:32:10 | |
Whoever this is - Ohh, you're clever! | 0:32:10 | 0:32:13 | |
< ..the Dancing Devils, with Heaven and Hell! | 0:32:13 | 0:32:17 | |
MUSIC STARTS | 0:32:17 | 0:32:19 | |
# You lured me in with your cold grey eyes | 0:32:32 | 0:32:35 | |
# Your simple smile And your bewitching lies | 0:32:35 | 0:32:39 | |
# One and one and one is three | 0:32:39 | 0:32:43 | |
# My bad, bad angel | 0:32:43 | 0:32:45 | |
# The devil and me | 0:32:45 | 0:32:49 | |
# You put the devil in me You put the devil in me | 0:32:49 | 0:32:55 | |
# You put the devil in me | 0:32:55 | 0:32:59 | |
# My bad, bad angel You put the devil in me... # | 0:33:01 | 0:33:06 | |
AUDIENCE WHISTLES AND APPLAUDS | 0:33:06 | 0:33:09 | |
What are you doing?! | 0:33:21 | 0:33:23 | |
What are you doing? | 0:33:35 | 0:33:37 | |
You're on my tail, get off my tail! | 0:33:37 | 0:33:40 | |
Fundamental DNA type 467-989... | 0:33:40 | 0:33:45 | |
989... Hold on, that means, planet of origin... | 0:33:46 | 0:33:50 | |
..Skaro. | 0:33:55 | 0:33:56 | |
-Get off the stage, you're spoiling it. -Look, over there! | 0:33:58 | 0:34:02 | |
SHE SCREAMS | 0:34:03 | 0:34:05 | |
Hey! | 0:34:06 | 0:34:07 | |
Wait! | 0:34:11 | 0:34:12 | |
But you're different to the others, just wait! | 0:34:14 | 0:34:17 | |
METALLIC CLUNKING | 0:34:19 | 0:34:21 | |
It was like something out of a movie show. | 0:34:22 | 0:34:24 | |
Oh, that face! I ain't never gonna sleep! | 0:34:24 | 0:34:26 | |
-Where is she, where's Martha? -I don't know, she ran off the stage. | 0:34:26 | 0:34:29 | |
GRUNTING | 0:34:32 | 0:34:34 | |
SHE SCREAMS | 0:34:34 | 0:34:37 | |
Martha! | 0:34:40 | 0:34:41 | |
-Uh...where are you going? -They've taken her. | 0:34:47 | 0:34:49 | |
Who's taken her? What are you doing? | 0:34:49 | 0:34:53 | |
I said, what the hell are you doin'? | 0:34:53 | 0:34:57 | |
Oh... | 0:35:02 | 0:35:03 | |
-No, no, no, no way, you're not coming. -Tell me what's going on. | 0:35:03 | 0:35:07 | |
There's nothing you can do, go back. | 0:35:07 | 0:35:08 | |
Whoever's taken Martha, they could have taken Laszlo, couldn't they? | 0:35:08 | 0:35:12 | |
-Tallulah, you're not safe down here. -Then that's my problem. | 0:35:12 | 0:35:15 | |
C'mon, which way? | 0:35:15 | 0:35:18 | |
This way. | 0:35:21 | 0:35:22 | |
GRUNTING | 0:35:25 | 0:35:27 | |
Let me go! | 0:35:27 | 0:35:28 | |
Ow! | 0:35:28 | 0:35:30 | |
GRUNTING | 0:35:30 | 0:35:32 | |
-Martha! | 0:35:32 | 0:35:33 | |
You're alive! Oh... | 0:35:35 | 0:35:37 | |
We thought we'd lost you. | 0:35:40 | 0:35:42 | |
-SQUEALING -All right, all right, we're moving! | 0:35:42 | 0:35:45 | |
Where are they taking us? | 0:35:45 | 0:35:47 | |
I don't know. But we can find out what's going on down here... | 0:35:47 | 0:35:50 | |
When you say, "THEY've taken her", who's "they", exactly? | 0:35:53 | 0:35:56 | |
And who are you anyway? | 0:35:56 | 0:35:58 | |
-I never asked. -Shhh. -OK, OK.. -Shhhh! | 0:35:58 | 0:36:02 | |
I mean, you're a handsome enough... | 0:36:05 | 0:36:08 | |
No, no, no, no, no, no, no... | 0:36:27 | 0:36:30 | |
They survive. They always survive, while I lose everything. | 0:36:34 | 0:36:38 | |
That metal thing... | 0:36:39 | 0:36:41 | |
What was it? | 0:36:41 | 0:36:43 | |
It's called a Dalek. | 0:36:44 | 0:36:47 | |
And it's not just metal. It's alive. | 0:36:47 | 0:36:49 | |
-You're kidding me! -Do I look like I'm kidding? | 0:36:49 | 0:36:53 | |
Inside that shell, there's a creature, born to hate, | 0:36:54 | 0:36:58 | |
who's only thought is to destroy everything and everyone that isn't a Dalek too. | 0:36:58 | 0:37:03 | |
It won't stop until it's killed every human being alive. | 0:37:04 | 0:37:08 | |
But...if that's not a human being, that kinda implies... | 0:37:08 | 0:37:13 | |
it's from outer space. | 0:37:13 | 0:37:15 | |
Yet again, that's a no with the kidding. | 0:37:17 | 0:37:19 | |
Oi... But what's it doing here? | 0:37:19 | 0:37:23 | |
In New York? | 0:37:23 | 0:37:25 | |
Stop the process! | 0:37:27 | 0:37:29 | |
Dalek Sec is failing! | 0:37:29 | 0:37:31 | |
No! The experiment must continue! | 0:37:31 | 0:37:37 | |
Administer the solution! | 0:37:37 | 0:37:41 | |
We must evolve... Evolve! Evolve! | 0:37:41 | 0:37:48 | |
-Every second you're here you're in danger, I'm taking you back now. -SHE SCREAMS | 0:37:48 | 0:37:53 | |
Where's Martha? What have you done with her? | 0:37:53 | 0:37:55 | |
-What have you done with Martha? -I didn't take her. | 0:37:57 | 0:37:59 | |
Can you remember your name? | 0:38:00 | 0:38:02 | |
Don't...look at me. | 0:38:02 | 0:38:04 | |
-Do you know where she is? -Stay back! Don't look at me. | 0:38:05 | 0:38:09 | |
What happened to you? | 0:38:09 | 0:38:11 | |
-They made me a monster. -Who did? | 0:38:11 | 0:38:13 | |
-The Masters. -The Daleks. Why? | 0:38:13 | 0:38:17 | |
They needed slaves. | 0:38:17 | 0:38:19 | |
They needed slaves to steal more people. So they created us. | 0:38:21 | 0:38:25 | |
Part animal, part human. | 0:38:25 | 0:38:29 | |
I escaped before they got my mind... | 0:38:29 | 0:38:31 | |
but it was still too late. | 0:38:31 | 0:38:34 | |
Do you know what happened to Martha? | 0:38:34 | 0:38:35 | |
They took her. | 0:38:37 | 0:38:40 | |
It's my fault, she was following me. | 0:38:40 | 0:38:43 | |
Were you in the theatre? | 0:38:43 | 0:38:45 | |
I never... | 0:38:45 | 0:38:46 | |
-Yes... -Why? | 0:38:48 | 0:38:49 | |
-Why were you there? -I never wanted you to see me like this. | 0:38:49 | 0:38:53 | |
Why me? | 0:38:53 | 0:38:55 | |
What have I got to do with this? | 0:38:55 | 0:38:58 | |
Were you following me? Is that why you were there? | 0:38:58 | 0:39:00 | |
Yes. | 0:39:04 | 0:39:05 | |
Who are you? | 0:39:09 | 0:39:10 | |
I was lonely. | 0:39:10 | 0:39:13 | |
Who are you? | 0:39:13 | 0:39:14 | |
I needed to see you. | 0:39:14 | 0:39:16 | |
Who...are you? | 0:39:16 | 0:39:19 | |
I'm sorry. | 0:39:19 | 0:39:21 | |
No, wait. | 0:39:21 | 0:39:23 | |
Let me look at you. | 0:39:25 | 0:39:26 | |
Laszlo? My Laszlo? | 0:39:35 | 0:39:41 | |
What have they done to you? | 0:39:41 | 0:39:44 | |
I'm sorry. I'm so sorry... | 0:39:44 | 0:39:48 | |
Laszlo. Can you show me where they are? | 0:39:49 | 0:39:52 | |
-But they'll kill you. -If I don't stop them, they'll kill everyone. | 0:39:52 | 0:39:56 | |
Then follow me. | 0:40:02 | 0:40:04 | |
What are they keeping us here for? | 0:40:07 | 0:40:09 | |
I dunno. Got a nasty feeling we're being kept in the larder. | 0:40:09 | 0:40:13 | |
GRUNTING | 0:40:14 | 0:40:16 | |
-What are they doing? What's wrong? -Silence! Silence! | 0:40:17 | 0:40:23 | |
What the hell is that? | 0:40:25 | 0:40:26 | |
-You will form a line! Move! Move!! -Just do what it says, everyone, OK? Just...obey. | 0:40:29 | 0:40:35 | |
The female is wise. Obey! | 0:40:35 | 0:40:39 | |
Report! | 0:40:39 | 0:40:41 | |
These are strong specimens. They will help the Dalek cause. | 0:40:41 | 0:40:46 | |
-Dalek... -What is the status of the Final Experiment?? | 0:40:46 | 0:40:50 | |
The Dalekenium is in place. The Energy Conductor is now complete. | 0:40:50 | 0:40:56 | |
Then I will extract prisoners for selection! | 0:40:56 | 0:41:00 | |
Intelligence scan - initiate! | 0:41:01 | 0:41:04 | |
Reading brain waves. | 0:41:06 | 0:41:09 | |
Low intelligence. | 0:41:09 | 0:41:11 | |
-You callin' me stupid? -Silence! | 0:41:11 | 0:41:12 | |
This one will become a Pig Slave. | 0:41:12 | 0:41:16 | |
-Next. -No! Let go of me! | 0:41:16 | 0:41:17 | |
I'm not becoming one of them, | 0:41:17 | 0:41:20 | |
-let me go! -Intelligence scan - initiate! | 0:41:20 | 0:41:24 | |
They're divided into two groups. | 0:41:24 | 0:41:27 | |
High intelligence and low intelligence. | 0:41:27 | 0:41:30 | |
The low intelligence are taken, | 0:41:30 | 0:41:32 | |
-to become Pig Slaves, like me. -That's not fair! -Sh! | 0:41:32 | 0:41:36 | |
You're the smartest guy I ever dated! | 0:41:37 | 0:41:39 | |
-And the others? -They are taken to the laboratory. | 0:41:39 | 0:41:42 | |
But why? What for? | 0:41:42 | 0:41:43 | |
I don't know. The Masters only call it the Final Experiment. | 0:41:43 | 0:41:49 | |
Superior intelligence. | 0:41:49 | 0:41:52 | |
Intelligence scan - initiate. | 0:41:52 | 0:41:57 | |
Superior intelligence. | 0:41:58 | 0:42:00 | |
This one will become part of the Final Experiment. | 0:42:00 | 0:42:05 | |
You can't just experiment on people, it's insane, it's inhuman. | 0:42:05 | 0:42:08 | |
We are not human. | 0:42:08 | 0:42:11 | |
Prisoners of high intelligence will be taken to the Transgenic Laboratory. | 0:42:13 | 0:42:18 | |
Look out, they're moving. | 0:42:20 | 0:42:21 | |
-Doctor. Doctor, quickly. -I'm not coming, I've got an idea... You go. | 0:42:24 | 0:42:27 | |
-Laszlo, come on. -Can you remember the way? | 0:42:27 | 0:42:30 | |
-Yeah, I think so. -Then go, please. | 0:42:30 | 0:42:32 | |
-But Laszlo you've got to come with me. -Where would I go? | 0:42:32 | 0:42:35 | |
Tallulah, I'm begging you. Save yourself. Just run! Just go! | 0:42:35 | 0:42:39 | |
Go. | 0:42:41 | 0:42:42 | |
-Keep walking. -I am so glad to see you! | 0:42:53 | 0:42:56 | |
Yeah, well you can kiss me later. You too, Frank, if you want. | 0:42:56 | 0:43:01 | |
SHE SOBS | 0:43:16 | 0:43:17 | |
Report! | 0:43:35 | 0:43:37 | |
Dalek Sec is entering the final stage of evolution. | 0:43:37 | 0:43:42 | |
-Scan him! Prepare for birth! -Evolution? | 0:43:42 | 0:43:46 | |
-What's wrong with old Charlie Boy over there? -Ask them. | 0:43:46 | 0:43:49 | |
What, me? Don't be daft. | 0:43:49 | 0:43:53 | |
I don't exactly want to get noticed. Ask them what's going on. | 0:43:53 | 0:43:56 | |
Daleks. I demand to be told. | 0:44:01 | 0:44:03 | |
What is this...Final Experiment? | 0:44:03 | 0:44:07 | |
Report! | 0:44:08 | 0:44:09 | |
-You will bear witness. -To what? | 0:44:09 | 0:44:13 | |
This is the dawn of a new age. | 0:44:13 | 0:44:17 | |
What does that mean? | 0:44:17 | 0:44:20 | |
We are the only four Daleks in existence. | 0:44:20 | 0:44:24 | |
So the species must evolve. | 0:44:24 | 0:44:27 | |
A life outside the shell. | 0:44:27 | 0:44:29 | |
The children of Skaro must walk again. | 0:44:29 | 0:44:34 | |
What is it? | 0:45:04 | 0:45:06 | |
I...am a Human Dalek. | 0:45:17 | 0:45:24 | |
I...am your future. | 0:45:24 | 0:45:29 | |
Subtitles by Red Bee Media Ltd, 2007 | 0:46:08 | 0:46:11 | |
E-mail [email protected] | 0:46:11 | 0:46:14 | |
Move, move, move, move move! Come on, everyone up, come on! | 0:46:21 | 0:46:24 | |
The Daleks are bad enough at any time, but right now they're vulnerable! | 0:46:24 | 0:46:27 | |
That makes them more dangerous than ever! | 0:46:27 | 0:46:29 | |
SHOUTING | 0:46:29 | 0:46:31 | |
It's started! | 0:46:31 | 0:46:32 | |
Got to get everyone out. | 0:46:33 | 0:46:35 | |
Hooverville's the lowest place a man can fall, there's nowhere else to go. | 0:46:35 | 0:46:38 | |
Oh, my God. | 0:46:38 | 0:46:40 | |
Take aim... | 0:46:40 | 0:46:41 | |
EXTERMINATE! | 0:46:46 | 0:46:48 |