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There we go. Perfect landing. Which isn't easy in such a tight spot. | 0:00:10 | 0:00:16 | |
You should be used to tight spots by now! | 0:00:16 | 0:00:18 | |
-Where are we? -The end of the line. | 0:00:18 | 0:00:21 | |
No place like it. | 0:00:25 | 0:00:26 | |
Home? | 0:00:33 | 0:00:35 | |
-You took me home. -Back to the morning after we left. | 0:00:35 | 0:00:38 | |
So you've only been gone about twelve hours. No time at all, really! | 0:00:38 | 0:00:40 | |
But all the stuff we've done... Shakespeare, New New York, Old New York! | 0:00:40 | 0:00:45 | |
Yep. All in one night. | 0:00:45 | 0:00:46 | |
Relatively speaking. Everything should be just as it was. Books, CDs... | 0:00:46 | 0:00:50 | |
Laundry. | 0:00:50 | 0:00:53 | |
So, back where you were. As promised. | 0:00:53 | 0:00:57 | |
This is it? | 0:00:57 | 0:00:59 | |
Yeah, I should probably, um... | 0:00:59 | 0:01:02 | |
-PHONE RINGS -'Hi, I'm out. Leave a message.' I'm sorry. | 0:01:02 | 0:01:07 | |
Martha? Are you there? Pick it up, will you? | 0:01:07 | 0:01:09 | |
It's Mum. It'll wait. | 0:01:09 | 0:01:11 | |
All right then. Pretend that you're out, if you like. | 0:01:11 | 0:01:14 | |
I was only calling to say that your sister's on TV. | 0:01:14 | 0:01:17 | |
On the news, of all things! Just thought you might be interested. | 0:01:17 | 0:01:20 | |
The details are top secret. | 0:01:20 | 0:01:22 | |
How could Tish end up on the news? | 0:01:22 | 0:01:24 | |
But I can tell you that, tonight, I will demonstrate a device... | 0:01:24 | 0:01:27 | |
She's got a new job. PR for some research lab. | 0:01:27 | 0:01:30 | |
With the push of a single button, | 0:01:30 | 0:01:33 | |
I will change what it means | 0:01:33 | 0:01:36 | |
to be human! | 0:01:36 | 0:01:38 | |
Sorry. You were saying... | 0:01:40 | 0:01:42 | |
You should? | 0:01:42 | 0:01:44 | |
Yes, yes. I should. | 0:01:44 | 0:01:47 | |
-One trip is what we said. -Yeah. | 0:01:47 | 0:01:51 | |
-I suppose things just, kind of, escalated. -Mmm. | 0:01:51 | 0:01:56 | |
Seems to happen to me a lot. | 0:01:56 | 0:01:57 | |
Thank you. | 0:01:59 | 0:02:01 | |
For everything. | 0:02:01 | 0:02:04 | |
It was my pleasure. | 0:02:04 | 0:02:05 | |
TARDIS WHIRRS | 0:02:16 | 0:02:19 | |
< TARDIS WHIRRS | 0:02:32 | 0:02:36 | |
No, I'm sorry. | 0:02:41 | 0:02:42 | |
Did he say he was going to change what it means to be human? | 0:02:42 | 0:02:46 | |
-Are you sure it's safe? -There were some issues. They've been resolved. | 0:03:22 | 0:03:26 | |
I'm confident I'm in no serious danger. | 0:03:26 | 0:03:30 | |
That's comforting, Richard, but it wasn't just you I was worried about. | 0:03:30 | 0:03:34 | |
Your concern is touching. | 0:03:34 | 0:03:36 | |
The people in that room will represent billions of pounds worth of potential investment. | 0:03:36 | 0:03:40 | |
Mr Saxon wants to be sure they'll like what they see. | 0:03:40 | 0:03:44 | |
Don't worry. Our friend will get his money's worth. | 0:03:44 | 0:03:49 | |
You wanted to see the guest lists for tonight, Professor. | 0:03:51 | 0:03:53 | |
Yes, thank you, Letitia. | 0:03:53 | 0:03:56 | |
That's an interesting perfume. | 0:04:00 | 0:04:03 | |
-What's it called? -Soap. | 0:04:03 | 0:04:06 | |
Oh, black tie. Whenever I wear this, something bad always happens. | 0:04:12 | 0:04:15 | |
That's not the outfit, that's just you. | 0:04:15 | 0:04:18 | |
Anyway, I think it suits you... | 0:04:18 | 0:04:21 | |
in a James Bond kinda way. | 0:04:21 | 0:04:23 | |
James Bond? Really? | 0:04:23 | 0:04:26 | |
Oh, look, they've got nibbles! | 0:04:46 | 0:04:49 | |
I love nibbles. | 0:04:49 | 0:04:51 | |
Hello! | 0:04:53 | 0:04:55 | |
Tish! | 0:04:55 | 0:04:56 | |
You look great! | 0:04:56 | 0:04:59 | |
-Impressive, isn't it? -Very. | 0:04:59 | 0:05:02 | |
And two nights out in a row for you? | 0:05:02 | 0:05:03 | |
-That's a social life! -I'll end up in all the gossip columns. | 0:05:03 | 0:05:07 | |
You should keep an eye out for photographers. And Mum. She's even dragging Leo along with her. | 0:05:07 | 0:05:11 | |
Leo? In black tie? | 0:05:11 | 0:05:13 | |
That I must see! | 0:05:13 | 0:05:16 | |
This is, er, The Doctor. | 0:05:16 | 0:05:18 | |
Hello. | 0:05:18 | 0:05:20 | |
-Is he with you? -Yeah. | 0:05:20 | 0:05:23 | |
But he's not on the list. How did he get in? | 0:05:23 | 0:05:24 | |
He's my plus one. | 0:05:24 | 0:05:26 | |
So, this Lazarus, he's your boss? | 0:05:26 | 0:05:28 | |
Professor Lazarus, yes. I'm part of his executive staff. | 0:05:28 | 0:05:31 | |
-She's in the PR department. -I'm head of the PR department, actually. | 0:05:31 | 0:05:35 | |
-You're joking?! -I put this whole thing together. | 0:05:35 | 0:05:37 | |
So, do you know what the Professor's going to be doing tonight? | 0:05:37 | 0:05:39 | |
That looks like it might be a sonic micro-field manipulator. | 0:05:39 | 0:05:42 | |
He's a science geek. I should've known. Got to get back to work now. | 0:05:42 | 0:05:46 | |
I'll catch up with you later. | 0:05:46 | 0:05:48 | |
"Science geek"? What's that mean? | 0:05:49 | 0:05:51 | |
That you're obsessively enthusiastic about it. | 0:05:51 | 0:05:54 | |
Ah. Nice. | 0:05:54 | 0:05:55 | |
Your father's caused me enough heartache already with his menopause and his trophy girlfriend. | 0:05:55 | 0:06:00 | |
-Yeah, Mum. It was just something he said last night. -Martha! | 0:06:00 | 0:06:04 | |
Mum! | 0:06:04 | 0:06:06 | |
All right. What's the occasion? | 0:06:08 | 0:06:11 | |
What do you mean? | 0:06:11 | 0:06:12 | |
-I'm just pleased to see you, that's all. -But you saw me last night. | 0:06:12 | 0:06:15 | |
I know, I just...missed you. | 0:06:15 | 0:06:18 | |
You're looking good, Leo. | 0:06:18 | 0:06:21 | |
If anyone asks me to fetch them a drink, I'll swing for them. | 0:06:21 | 0:06:24 | |
-You disappeared last night. -I... | 0:06:24 | 0:06:27 | |
I just went home. | 0:06:27 | 0:06:29 | |
On your own? | 0:06:29 | 0:06:32 | |
-This is a friend of mine, The Doctor. -Doctor what? | 0:06:32 | 0:06:35 | |
No, it's just The Doctor. | 0:06:35 | 0:06:37 | |
We've been doing some work together. | 0:06:37 | 0:06:38 | |
-All right, mate? -Lovely to meet you, Mrs Jones. Heard a lot about you. | 0:06:38 | 0:06:42 | |
Have you? What have you heard, then? | 0:06:42 | 0:06:43 | |
Well, you know, that your Martha's mother and... | 0:06:43 | 0:06:47 | |
Um, no, actually, that's about it. | 0:06:51 | 0:06:52 | |
-We haven't had much time to chat, you know? Been busy. -Busy? Doing what, exactly? | 0:06:52 | 0:06:57 | |
Oh. | 0:06:57 | 0:06:59 | |
You know...stuff. | 0:06:59 | 0:07:02 | |
Ladies and Gentlemen, | 0:07:03 | 0:07:06 | |
I'm Professor Richard Lazarus and tonight I'm going to perform a miracle! | 0:07:06 | 0:07:13 | |
It is, I believe, the most important advance since Rutherford split the atom. | 0:07:13 | 0:07:19 | |
The biggest leap since Armstrong stood on the moon. | 0:07:19 | 0:07:23 | |
Tonight, | 0:07:23 | 0:07:25 | |
you will watch and wonder. | 0:07:25 | 0:07:28 | |
But tomorrow, you will wake to a world which will be changed forever. | 0:07:28 | 0:07:34 | |
MACHINE BEEPS Something's wrong. It's overloading. | 0:08:13 | 0:08:16 | |
Somebody stop him! Get him away from those controls! | 0:08:30 | 0:08:33 | |
If this thing goes up it, it'll take the whole building with it! | 0:08:33 | 0:08:37 | |
Get it open! | 0:08:49 | 0:08:50 | |
Ladies and Gentlemen, | 0:09:15 | 0:09:18 | |
I am Richard Lazarus. | 0:09:18 | 0:09:21 | |
I am 76 years old. | 0:09:21 | 0:09:24 | |
And I am reborn! | 0:09:24 | 0:09:26 | |
He did it. | 0:09:31 | 0:09:32 | |
He actually did it! | 0:09:32 | 0:09:35 | |
That can't be the same guy. It's impossible. It must be a trick. | 0:09:39 | 0:09:42 | |
Oh, it's not a trick. | 0:09:42 | 0:09:44 | |
I wish it were. | 0:09:44 | 0:09:45 | |
What just happened then? | 0:09:45 | 0:09:48 | |
He just changed what it means to be human. | 0:09:48 | 0:09:51 | |
Excuse me. | 0:09:53 | 0:09:55 | |
That was the most astonishing thing I've ever seen. | 0:09:57 | 0:10:01 | |
Look at you! | 0:10:01 | 0:10:03 | |
This is only the beginning. | 0:10:03 | 0:10:05 | |
We're not just making history, we're shaping the future, too. | 0:10:05 | 0:10:09 | |
Think of the money we'll make! | 0:10:09 | 0:10:12 | |
People will sell their souls to be transformed like that. | 0:10:12 | 0:10:15 | |
And I'll be first in line! | 0:10:15 | 0:10:18 | |
HE GASPS | 0:10:18 | 0:10:20 | |
-Richard! -I'm famished. | 0:10:32 | 0:10:35 | |
Energy deficit. Always happens with this kind of process. | 0:10:35 | 0:10:38 | |
-You talk as if you see this every day, Mr...? -Doctor. | 0:10:38 | 0:10:41 | |
-And no, not every day, but I have some experience of this kind of transformation. -That's not possible. | 0:10:41 | 0:10:47 | |
Using hyper-sonic sound waves to create a state of resonance? That's inspired. | 0:10:47 | 0:10:50 | |
You understand the theory, then? | 0:10:50 | 0:10:52 | |
You couldn't possibly have allowed for all the variables. | 0:10:52 | 0:10:56 | |
No experiment is entirely without risk. | 0:10:56 | 0:10:58 | |
The thing nearly exploded! You might as well have stepped into a blender! | 0:10:58 | 0:11:02 | |
You're not qualified to comment. | 0:11:02 | 0:11:04 | |
If I hadn't stopped it, it would've exploded. | 0:11:04 | 0:11:07 | |
Then I thank you, Doctor. But that's a simple engineering issue. | 0:11:07 | 0:11:10 | |
What happened inside the capsule was exactly what was supposed to happen. | 0:11:10 | 0:11:13 | |
-No more. No less. -You've no way of knowing that until you've run proper tests. | 0:11:13 | 0:11:18 | |
Look at me! See what happened. I'm all the proof you need. | 0:11:18 | 0:11:22 | |
-The device will be properly certified before we start to operate commercially. -Commercially?! | 0:11:22 | 0:11:27 | |
You are joking! That'll cause chaos. | 0:11:27 | 0:11:29 | |
Not chaos. | 0:11:29 | 0:11:31 | |
Change. A chance for humanity to evolve, to improve. | 0:11:31 | 0:11:36 | |
This isn't about improving, this is about you and your customers living a little longer. | 0:11:36 | 0:11:40 | |
Not a little longer, Doctor, | 0:11:40 | 0:11:42 | |
a lot longer. Perhaps indefinitely. | 0:11:42 | 0:11:46 | |
Richard, we have things to discuss. | 0:11:46 | 0:11:48 | |
-Upstairs. -Goodbye, Doctor. | 0:11:48 | 0:11:51 | |
In a few years, you'll look back and laugh at how wrong you were. | 0:11:51 | 0:11:55 | |
Ooh, he's out of his depth. He's no idea the damage he might have done. | 0:12:02 | 0:12:06 | |
So what do we do now? | 0:12:06 | 0:12:08 | |
Now? Well, this building must be full of laboratories, I say we do our own tests. | 0:12:08 | 0:12:14 | |
-Lucky I've just collected a DNA sample then, isn't it? -Oh, oh, oh! | 0:12:14 | 0:12:18 | |
Martha Jones, you're a star! | 0:12:18 | 0:12:21 | |
I grew up over there. | 0:12:24 | 0:12:25 | |
Tiny flat above a butcher's shop. | 0:12:25 | 0:12:28 | |
It'll have a blue plaque soon. | 0:12:28 | 0:12:30 | |
"Richard Lazarus lived here." | 0:12:30 | 0:12:33 | |
It's gone. | 0:12:33 | 0:12:34 | |
Destroyed in the war. The bombing. | 0:12:34 | 0:12:37 | |
Of course. | 0:12:37 | 0:12:40 | |
1940. Do you remember? | 0:12:40 | 0:12:43 | |
Night after night... | 0:12:43 | 0:12:45 | |
Explosions. | 0:12:45 | 0:12:47 | |
Guns. | 0:12:47 | 0:12:49 | |
Fire storms. | 0:12:49 | 0:12:51 | |
My parents had sent me to the country by then. | 0:12:51 | 0:12:54 | |
When the sirens went, we'd go to the cathedral there. | 0:12:54 | 0:12:58 | |
People used to shelter in the crypt. | 0:12:58 | 0:13:00 | |
The living, cowering among the dead. | 0:13:00 | 0:13:04 | |
But look what you've built here now. | 0:13:04 | 0:13:07 | |
You've laid the foundations for an empire. | 0:13:07 | 0:13:11 | |
An empire we can rule together. | 0:13:11 | 0:13:14 | |
What's wrong? | 0:13:21 | 0:13:24 | |
HE SCOFFS | 0:13:24 | 0:13:26 | |
Look at yourself, woman. | 0:13:29 | 0:13:30 | |
-Amazing. -What? | 0:13:35 | 0:13:37 | |
Lazarus's DNA. | 0:13:37 | 0:13:39 | |
-I can't see anything different. -Look at it. | 0:13:39 | 0:13:42 | |
Oh, my God! Did that just change? | 0:13:42 | 0:13:46 | |
But it can't have! | 0:13:46 | 0:13:48 | |
-It did. -It's impossible. -Two impossible things we've seen so far tonight. | 0:13:48 | 0:13:52 | |
Don't you love it when that happens? | 0:13:52 | 0:13:54 | |
That means Lazarus has changed his own molecular patterns. | 0:13:54 | 0:13:57 | |
Hyper-sonic sound waves to destabilise the cell structure. | 0:13:57 | 0:14:00 | |
Then a metagenetic programme to manipulate the coding. | 0:14:00 | 0:14:03 | |
He hacked into his own genes and instructed them to rejuvenate. | 0:14:03 | 0:14:07 | |
But they're still mutating now. | 0:14:07 | 0:14:08 | |
Because he missed something. | 0:14:08 | 0:14:11 | |
Something in his DNA's been activated and won't let him stabilise. | 0:14:11 | 0:14:14 | |
Something's trying to change him. | 0:14:14 | 0:14:16 | |
-Change him into what? -I don't know, but I think we need to find out. | 0:14:16 | 0:14:20 | |
-That woman said they were going upstairs. -Let's go. | 0:14:20 | 0:14:24 | |
It's me who made all this possible. | 0:14:24 | 0:14:27 | |
This is my triumph, and I will not be denied. Not by you. | 0:14:27 | 0:14:30 | |
Not after everything I've done. | 0:14:30 | 0:14:33 | |
You backed me because you saw profit. Your concern was financial. | 0:14:33 | 0:14:37 | |
You want the money as much as I do. | 0:14:37 | 0:14:39 | |
We had a plan. | 0:14:39 | 0:14:42 | |
When the device is ready, I'll be rejuvenated too. | 0:14:42 | 0:14:46 | |
We could be rich and young and together. | 0:14:46 | 0:14:49 | |
You think I'd waste another lifetime on you? | 0:14:49 | 0:14:52 | |
Did that process make you even more cruel? | 0:14:55 | 0:14:59 | |
No, my love, that I learned from you. | 0:14:59 | 0:15:02 | |
You have a gift for it. | 0:15:02 | 0:15:04 | |
Then you'll know that I'll protect my involvement in the project. | 0:15:04 | 0:15:08 | |
I'm sure Mr Saxon will be interested. | 0:15:08 | 0:15:12 | |
What's going on? | 0:15:12 | 0:15:14 | |
It must just be... | 0:15:14 | 0:15:16 | |
What is it? | 0:15:16 | 0:15:18 | |
I'll be fine in a moment. | 0:15:20 | 0:15:22 | |
It's probably just cramp. | 0:15:22 | 0:15:24 | |
-HE GASPS -Richard? | 0:15:24 | 0:15:27 | |
Is it some kind of seizure? | 0:15:30 | 0:15:32 | |
What should I do? | 0:15:32 | 0:15:34 | |
I don't understand what's happening. | 0:15:34 | 0:15:36 | |
-Richard? -BONES CRUNCH | 0:15:38 | 0:15:41 | |
CREATURE SNARLS | 0:15:41 | 0:15:43 | |
Tish, have you seen Martha and that doctor anywhere? | 0:15:54 | 0:15:57 | |
Not since the demonstration. | 0:15:57 | 0:16:00 | |
-Do you know anything about him? Has she mentioned him before? -Not to me. | 0:16:00 | 0:16:03 | |
-The way she followed him. -She's a doctor just doing her job. -She's not a doctor yet. | 0:16:03 | 0:16:08 | |
Never will be if she doesn't stay focused. | 0:16:08 | 0:16:10 | |
Look, she's found a bloke. So what? | 0:16:10 | 0:16:13 | |
There's something's going on, Leo. | 0:16:13 | 0:16:15 | |
I can feel it. | 0:16:15 | 0:16:17 | |
Letitia Jones! | 0:16:33 | 0:16:35 | |
-I'd recognise the smell of that soap anywhere! -Professor. | 0:16:35 | 0:16:38 | |
I'm sorry, ladies and gentlemen, you'll have to excuse me while I take care of Letitia here. | 0:16:38 | 0:16:43 | |
I've been neglecting her. | 0:16:43 | 0:16:45 | |
This is his office, all right. | 0:16:52 | 0:16:55 | |
So where is he? | 0:16:55 | 0:16:58 | |
Don't know. Let's try back at the... reception. | 0:16:58 | 0:17:02 | |
Is that Lady Thaw? | 0:17:10 | 0:17:12 | |
Used to be. | 0:17:12 | 0:17:14 | |
It's just a shell, had all the life energy drained out of her. | 0:17:14 | 0:17:19 | |
-Like squeezing the juice out of an orange. -Lazarus! | 0:17:19 | 0:17:23 | |
-Could be. -So he's changed already. | 0:17:23 | 0:17:25 | |
Not necessarily. You saw the DNA, it was fluctuating. | 0:17:25 | 0:17:28 | |
The process must demand energy. This might not have been enough. | 0:17:28 | 0:17:31 | |
-So he might do this again? -Mmm. | 0:17:31 | 0:17:34 | |
You seem very young to have such a responsible position. Have you much experience? | 0:17:41 | 0:17:45 | |
Not really, but the interview panel thought I had all the necessary attributes. | 0:17:45 | 0:17:50 | |
How perceptive of them. | 0:17:50 | 0:17:52 | |
-So, where are you taking me? -Up to the roof. It's a lovely evening. | 0:17:52 | 0:17:56 | |
I thought I would show you the view. It's extraordinary. | 0:17:56 | 0:17:59 | |
Like a lot of things round here, then. | 0:17:59 | 0:18:01 | |
BONES CRUNCH | 0:18:05 | 0:18:06 | |
-I can't see him. -He can't be far. Keep looking. | 0:18:11 | 0:18:14 | |
Hey, you all right, Marth? I think Mum wants to talk to you. | 0:18:14 | 0:18:16 | |
-Have you seen Lazarus anywhere? -Well, he was getting cosy with Tish a couple of minutes ago. | 0:18:16 | 0:18:19 | |
-With Tish?! -Ah, Doctor. | 0:18:19 | 0:18:21 | |
-Where did they go? -Upstairs, I think. Why? | 0:18:21 | 0:18:24 | |
-Doctor... I'm speaking to you! -Not now, Mum! | 0:18:24 | 0:18:27 | |
I think you need one of these. | 0:18:30 | 0:18:32 | |
Thank you. That's very kind of you. | 0:18:32 | 0:18:36 | |
Do you know that man? | 0:18:36 | 0:18:38 | |
No. He's a friend of my daughter's. | 0:18:38 | 0:18:41 | |
Perhaps she should choose her friends more carefully. | 0:18:41 | 0:18:45 | |
-Where are they? -The fluctuating DNA'll give off an energy signature. | 0:18:52 | 0:18:55 | |
I might be able to pick it up. | 0:18:55 | 0:18:57 | |
-Got him. -Where? | 0:18:59 | 0:19:01 | |
But this is the top floor. The roof! | 0:19:01 | 0:19:04 | |
That clock tower is beautiful, all lit up like that. | 0:19:04 | 0:19:07 | |
It's Southwark Cathedral, one of the oldest churches in London. | 0:19:07 | 0:19:12 | |
Been around even longer than I have. | 0:19:12 | 0:19:15 | |
You're looking pretty good for your age! | 0:19:15 | 0:19:18 | |
Thank you. | 0:19:18 | 0:19:20 | |
Can I...? | 0:19:20 | 0:19:22 | |
Of course. | 0:19:22 | 0:19:24 | |
I still can't take it in. | 0:19:31 | 0:19:33 | |
I'm still adjusting, myself. | 0:19:35 | 0:19:37 | |
I've been working toward it for so many years. | 0:19:37 | 0:19:39 | |
It's hard to believe the moment's finally arrived. | 0:19:39 | 0:19:42 | |
And is it like you expected? | 0:19:42 | 0:19:45 | |
I find that nothing's ever exactly like you expect. | 0:19:46 | 0:19:50 | |
There's always something to surprise you. | 0:19:50 | 0:19:52 | |
"Between the idea and the reality, between the motion and the act." | 0:19:54 | 0:19:58 | |
"..Falls the shadow." | 0:19:58 | 0:20:01 | |
So, the mysterious Doctor knows his Eliot. I'm impressed. | 0:20:01 | 0:20:06 | |
-Martha? -Tish, get away from him! -What? Don't tell me what to do. | 0:20:06 | 0:20:11 | |
-You had time for poetry, Lazarus, even being so busy defying the laws of nature? -You're right, Doctor. | 0:20:11 | 0:20:16 | |
One lifetime's been too short for me to do everything I'd like. | 0:20:16 | 0:20:20 | |
-How much more I'll get done in two or three or four. -It doesn't work like that. | 0:20:20 | 0:20:25 | |
Some people live more in 20 years than others do in 80. | 0:20:25 | 0:20:30 | |
It's not the time that matters, it's the person. | 0:20:30 | 0:20:33 | |
But if it's the right person, | 0:20:33 | 0:20:35 | |
-what a gift that would be! -Or what a curse. | 0:20:35 | 0:20:39 | |
Look at what you've done to yourself. | 0:20:39 | 0:20:42 | |
Who are you to judge me? | 0:20:42 | 0:20:44 | |
-Over here, Tish. -You have to spoil everything, don't you? | 0:20:44 | 0:20:48 | |
Every time I find someone nice, you have to try and find fault. | 0:20:48 | 0:20:50 | |
-He's a monster! -The age thing's a bit freaky, but it works for Catherine Zeta Jones! | 0:20:50 | 0:20:56 | |
GRINDING AND GASPING | 0:20:59 | 0:21:01 | |
-SNARLING -What is that? | 0:21:06 | 0:21:09 | |
RUN! | 0:21:09 | 0:21:11 | |
DOOR BANGS | 0:21:14 | 0:21:16 | |
-Are you OK? -I was gonna snog him! | 0:21:20 | 0:21:22 | |
SNARLING | 0:21:22 | 0:21:23 | |
SIREN BLARES Security one. Security one. | 0:21:26 | 0:21:30 | |
Security one. | 0:21:30 | 0:21:32 | |
-What's happening? -An intrusion. | 0:21:32 | 0:21:35 | |
It triggers a security lockdown, kills most of the power, stops the lifts, seals the exits. | 0:21:35 | 0:21:39 | |
He must be breaking through that door. | 0:21:39 | 0:21:42 | |
The stairs, come on! | 0:21:42 | 0:21:45 | |
SNARLING, DOOR CRASHES | 0:21:46 | 0:21:49 | |
-He's inside! -We haven't got much time. | 0:21:49 | 0:21:52 | |
-Tish, is there another way out? -There's an exit in the corner, but it'll be locked now. -Martha! | 0:21:55 | 0:22:00 | |
Setting 54. Hurry. | 0:22:00 | 0:22:02 | |
Listen to me! | 0:22:02 | 0:22:04 | |
You people are in serious danger. You need to get out of here right now! | 0:22:04 | 0:22:07 | |
The biggest danger here is choking on an olive! | 0:22:07 | 0:22:10 | |
GLASS SMASHES | 0:22:10 | 0:22:12 | |
SNARLING | 0:22:13 | 0:22:16 | |
Mum, get back! | 0:22:32 | 0:22:34 | |
Over here! This way. Everyone down the stairs, now! Hurry! | 0:22:36 | 0:22:40 | |
No! Get away from her! | 0:22:47 | 0:22:49 | |
SCREAMING | 0:22:49 | 0:22:51 | |
SQUELCHING | 0:22:51 | 0:22:53 | |
SNARLING | 0:22:56 | 0:22:58 | |
Lazarus! | 0:23:05 | 0:23:07 | |
Leave them alone! | 0:23:07 | 0:23:09 | |
-Martha. -Come on, stay with me. | 0:23:09 | 0:23:12 | |
What's the point? You can't control it. The mutation is too strong. | 0:23:12 | 0:23:16 | |
Killing those people won't help you. You're a fool. | 0:23:16 | 0:23:19 | |
A vain, old man who thought he could defy nature. | 0:23:19 | 0:23:23 | |
Only Nature got her own back, didn't she? | 0:23:23 | 0:23:26 | |
You're a joke, Lazarus! | 0:23:26 | 0:23:30 | |
A footnote in the history of failure. | 0:23:30 | 0:23:33 | |
SNARLING | 0:23:33 | 0:23:35 | |
-What's the Doctor doing? -He's trying to buy us some time. Leo, focus on me. Let me see your eyes. | 0:23:45 | 0:23:50 | |
He's got concussion. Mum, you'll need to help him downstairs. | 0:23:50 | 0:23:55 | |
This'll keep the swelling down. | 0:23:55 | 0:23:57 | |
Go, I'll be right behind you. | 0:23:57 | 0:23:59 | |
Tish, move! We need to get out of here. | 0:24:01 | 0:24:03 | |
It's no good, Doctor. | 0:24:31 | 0:24:33 | |
You can't stop me. | 0:24:33 | 0:24:35 | |
Is that the same arrogance you had when you swore that nothing had gone wrong with your device? | 0:24:35 | 0:24:38 | |
The arrogance is yours. You can't stand in the way of progress. | 0:24:38 | 0:24:43 | |
You call feeding on innocent people progress? | 0:24:43 | 0:24:47 | |
You're delusional! | 0:24:47 | 0:24:49 | |
It is a necessary sacrifice! | 0:24:49 | 0:24:52 | |
That's not your decision to make. | 0:24:52 | 0:24:54 | |
-We're trapped! -There must be an over-ride switch. Where's the security desk? Tish! | 0:24:57 | 0:25:02 | |
There. | 0:25:02 | 0:25:04 | |
Peek-a-boo! | 0:25:23 | 0:25:24 | |
Oh. Hello. | 0:25:28 | 0:25:29 | |
I've got to go back. | 0:25:34 | 0:25:35 | |
-You can't! You saw what that thing did. It'll kill you. -I don't care. I have to go. | 0:25:35 | 0:25:42 | |
It's that Doctor, isn't it? | 0:25:42 | 0:25:44 | |
That's what's happened to you. That's why you've changed. | 0:25:44 | 0:25:47 | |
He was buying us time, Martha. | 0:25:47 | 0:25:49 | |
-Time for you to get out too. -I'm not leaving him. | 0:25:49 | 0:25:52 | |
Martha! | 0:25:53 | 0:25:55 | |
GAS HISSES | 0:26:26 | 0:26:28 | |
GLASS SMASHES | 0:26:30 | 0:26:33 | |
More hide and seek, Doctor? | 0:26:33 | 0:26:36 | |
How disappointing. | 0:26:36 | 0:26:38 | |
GAS HISSES | 0:26:38 | 0:26:40 | |
-Why don't you come out and face me? -Have you looked in the mirror lately? | 0:26:43 | 0:26:47 | |
Why would I want to face that, hmm? | 0:26:49 | 0:26:52 | |
-What are you doing here? -Thought you might need this. -How did you...? | 0:27:06 | 0:27:11 | |
-Heard the explosion. -I blasted Lazarus. -Did you kill him? | 0:27:11 | 0:27:14 | |
More, sort of, annoyed him, I'd say. | 0:27:14 | 0:27:16 | |
She'll be all right. | 0:27:18 | 0:27:20 | |
The Doctor and her, they'll look out for each other. | 0:27:20 | 0:27:23 | |
She turned her back on us, | 0:27:23 | 0:27:25 | |
went in there with that thing. | 0:27:25 | 0:27:27 | |
For him. | 0:27:27 | 0:27:29 | |
He must be some guy. | 0:27:29 | 0:27:31 | |
Maybe she loves him. | 0:27:31 | 0:27:33 | |
She just met him! | 0:27:33 | 0:27:35 | |
-Is your daughter still in there with The Doctor? -Do you know him? | 0:27:35 | 0:27:39 | |
He's dangerous. | 0:27:40 | 0:27:42 | |
There are things you should know. | 0:27:42 | 0:27:44 | |
What things? | 0:27:44 | 0:27:45 | |
INAUDIBLE WHISPER | 0:27:47 | 0:27:49 | |
What now? We've just gone round in a circle. | 0:27:53 | 0:27:55 | |
We can't lead him outside. Come on, get in. | 0:27:55 | 0:27:57 | |
Are we hiding? | 0:28:00 | 0:28:02 | |
No, he knows we're here, but this is his masterpiece. | 0:28:02 | 0:28:05 | |
I'm betting he won't destroy it, not even to get at us. | 0:28:05 | 0:28:08 | |
-But we're trapped. -Well, yeah, that is a slight problem. | 0:28:08 | 0:28:13 | |
-You mean you don't have a plan? -Yes. The plan was to get inside here. | 0:28:13 | 0:28:17 | |
-Then what? -Well, then I'd come up with another plan. | 0:28:17 | 0:28:21 | |
In your own time, then. | 0:28:21 | 0:28:23 | |
-Hey! -Sorry, sorry, sorry. | 0:28:28 | 0:28:30 | |
-Ah. Here we are. -What are you going to do with that? | 0:28:30 | 0:28:33 | |
Improvise. | 0:28:33 | 0:28:35 | |
CREATURE SNARLS | 0:28:38 | 0:28:41 | |
I still don't understand where that thing came from. Is it alien? | 0:28:41 | 0:28:44 | |
No. For once, it's strictly human in origin. | 0:28:44 | 0:28:46 | |
Human? How can it be human? | 0:28:46 | 0:28:48 | |
Probably from dormant genes in Lazarus's DNA. This reactivated them. | 0:28:48 | 0:28:51 | |
-Now it looks like they're becoming dominant. -So it's a throwback. | 0:28:51 | 0:28:55 | |
Some option that evolution rejected millions of years ago. But the potential is still there, | 0:28:55 | 0:29:00 | |
-locked away in your genes, forgotten, until Lazarus unlocked it by mistake. -It's like Pandora's box. | 0:29:00 | 0:29:04 | |
Exactly. Nice shoes, by the way. | 0:29:04 | 0:29:06 | |
MACHINE WHIRRS | 0:29:12 | 0:29:13 | |
-Doctor, what's happening? -He's switched the machine on. | 0:29:13 | 0:29:16 | |
-That's not good, is it? -I was hoping it would to take him a bit longer. | 0:29:16 | 0:29:20 | |
-I don't want to hurry you, but... -I know, I know. Nearly done. -Well, what are you doing? | 0:29:20 | 0:29:26 | |
-Setting the capsule to reflect energy rather than receive it. -Will that kill him? | 0:29:26 | 0:29:31 | |
When he transforms, he's three times the size, spreading himself thin. | 0:29:31 | 0:29:35 | |
-We're going to end up like him! -Just one more. | 0:29:37 | 0:29:41 | |
I thought we were going to go through the blender then. | 0:29:49 | 0:29:53 | |
It really shouldn't take that long just to reverse the polarity. | 0:29:53 | 0:29:56 | |
I must be a bit out of practice. | 0:29:56 | 0:29:59 | |
He seems so... | 0:30:06 | 0:30:08 | |
human again. | 0:30:08 | 0:30:11 | |
It's kind of pitiful. | 0:30:11 | 0:30:13 | |
Eliot saw that too. "This is the way the world ends | 0:30:13 | 0:30:18 | |
"Not with a bang, but a whimper." | 0:30:18 | 0:30:20 | |
She's here! Oh, she's all right! | 0:30:43 | 0:30:47 | |
Mrs Jones! We still haven't finished our chat. | 0:30:47 | 0:30:50 | |
-Keep away from my daughter. -Mum, what are you doing? | 0:30:50 | 0:30:53 | |
Always the mothers! Every time! | 0:30:53 | 0:30:56 | |
He's dangerous. I've been told things. | 0:30:56 | 0:30:58 | |
What are you talking about? | 0:30:58 | 0:31:01 | |
-Look around you. Nothing but death and destruction. -This isn't his fault. | 0:31:01 | 0:31:06 | |
He saved us. All of us! | 0:31:06 | 0:31:07 | |
And it was Tish who invited everyone to this thing in the first place. | 0:31:07 | 0:31:09 | |
So I'd say, technically, it was her fault. | 0:31:09 | 0:31:11 | |
< CRASH | 0:31:13 | 0:31:15 | |
Leave him. | 0:31:18 | 0:31:21 | |
Martha? | 0:31:25 | 0:31:27 | |
Not you, too. | 0:31:27 | 0:31:29 | |
Sorry. | 0:31:29 | 0:31:31 | |
Lazarus, back from the dead. | 0:31:36 | 0:31:39 | |
-Should've known, really. -Where's he gone? | 0:31:39 | 0:31:41 | |
That way. | 0:31:44 | 0:31:46 | |
-The church. -Cathedral. | 0:31:46 | 0:31:49 | |
It's Southwark Cathedral. | 0:31:49 | 0:31:51 | |
He told me. | 0:31:51 | 0:31:53 | |
-Do you think he's in here? -Where would you go, if you were looking for sanctuary? | 0:32:07 | 0:32:12 | |
HE GASPS | 0:32:35 | 0:32:37 | |
I came here before. | 0:32:43 | 0:32:46 | |
A lifetime ago. | 0:32:46 | 0:32:48 | |
I thought I was going to die then. | 0:32:48 | 0:32:51 | |
In fact, I was sure of it. | 0:32:51 | 0:32:54 | |
I sat here... | 0:32:54 | 0:32:56 | |
just a child. | 0:32:56 | 0:32:59 | |
-The sound of planes and bombs outside. -The Blitz. | 0:32:59 | 0:33:04 | |
-You've read about it? -I was there. | 0:33:05 | 0:33:08 | |
You're too young. | 0:33:10 | 0:33:13 | |
So are you. | 0:33:13 | 0:33:14 | |
BONES CRUNCH | 0:33:16 | 0:33:18 | |
In the morning, the fires had died, | 0:33:23 | 0:33:25 | |
but I was still alive. | 0:33:25 | 0:33:28 | |
I swore I'd never face death like that again... | 0:33:29 | 0:33:31 | |
..so defenceless. | 0:33:33 | 0:33:35 | |
I would arm myself, fight back. | 0:33:37 | 0:33:40 | |
Defeat it. | 0:33:40 | 0:33:42 | |
-That's what you were trying to do today? -That's what I DID today. | 0:33:42 | 0:33:45 | |
-What about the other people who died? -They were nothing. | 0:33:45 | 0:33:49 | |
I changed the course of history. | 0:33:49 | 0:33:51 | |
Any of them might've done too. You think history is only made with equations? | 0:33:51 | 0:33:56 | |
Facing death is part of being human. | 0:33:56 | 0:33:59 | |
-You can't change that. -No, Doctor. | 0:33:59 | 0:34:03 | |
Avoiding death, that's being human. | 0:34:03 | 0:34:06 | |
It's our strongest impulse, to cling to life with every fibre of being. | 0:34:06 | 0:34:11 | |
I'm only doing what everyone before me has tried to do. | 0:34:11 | 0:34:15 | |
I've simply been more successful. | 0:34:15 | 0:34:17 | |
HE GASPS, BONES CRUNCH | 0:34:17 | 0:34:19 | |
Look at yourself. You're mutating. | 0:34:19 | 0:34:22 | |
-You've no control over it. You call that a success? -I call it progress. | 0:34:22 | 0:34:26 | |
I'm more now than I was. | 0:34:29 | 0:34:32 | |
More than just an ordinary human. | 0:34:34 | 0:34:36 | |
There is no such thing as an ordinary human. | 0:34:36 | 0:34:40 | |
He's going to change again any minute. | 0:34:40 | 0:34:43 | |
-I know. If I could get him up into the bell tower somehow, I've an idea that might work. -Up there? | 0:34:43 | 0:34:50 | |
You're so sentimental, Doctor. | 0:34:56 | 0:34:58 | |
Maybe you are older than you look. | 0:34:58 | 0:35:00 | |
I'm old enough to know that a longer life isn't always a better one. | 0:35:00 | 0:35:04 | |
In the end, you just get tired. | 0:35:05 | 0:35:08 | |
Tired of the struggle. | 0:35:08 | 0:35:11 | |
Tired of losing everyone that matters to you. | 0:35:11 | 0:35:14 | |
Tired of watching everything... turn to dust. | 0:35:16 | 0:35:19 | |
If you live long enough, Lazarus, | 0:35:21 | 0:35:24 | |
the only certainty left is that you'll end up alone. | 0:35:24 | 0:35:28 | |
That's a price worth paying. | 0:35:28 | 0:35:31 | |
Is it? | 0:35:32 | 0:35:34 | |
BONES CRUNCH | 0:35:35 | 0:35:37 | |
I will feed soon. | 0:35:45 | 0:35:47 | |
I'm not going to let that happen. | 0:35:47 | 0:35:51 | |
-You've not been able to stop me so far! -Leave him, Lazarus. | 0:35:51 | 0:35:54 | |
He's old and bitter. | 0:35:55 | 0:35:57 | |
-I thought you had a taste for fresher meat? -Martha, no! | 0:35:57 | 0:36:02 | |
-What are you doing? -Keeping you out of trouble. -Doctor. The tower! | 0:36:02 | 0:36:06 | |
HE GROANS | 0:36:11 | 0:36:14 | |
-Did you hear that? -SNARLING | 0:36:15 | 0:36:19 | |
He's changed again. Keep moving. We've got to lead him up. | 0:36:19 | 0:36:22 | |
Where are they? | 0:36:28 | 0:36:29 | |
Martha?! | 0:36:30 | 0:36:32 | |
-Doctor! -Take him to the very top of the bell tower! Do you hear me? | 0:36:32 | 0:36:37 | |
-Up to the top? -Martha? -And then what? | 0:36:37 | 0:36:41 | |
Martha, come on! | 0:36:41 | 0:36:42 | |
Hyper-sonic sound waves. Inspired. | 0:36:59 | 0:37:01 | |
There's nowhere else to go. We're trapped! | 0:37:08 | 0:37:10 | |
-This is where he said to bring him. -So then we're not trapped. We're bait! -He knows what he's doing. | 0:37:10 | 0:37:15 | |
-We have to trust him. -Ladies! | 0:37:15 | 0:37:18 | |
Stay behind me. | 0:37:22 | 0:37:25 | |
-If he takes me, make a run for it. Head back down the stairs. You should have time. -But... -Just do it! | 0:37:25 | 0:37:31 | |
SCREAMS | 0:37:32 | 0:37:35 | |
I hope there's a good acoustics in here! | 0:37:35 | 0:37:37 | |
ORGAN PLAYS | 0:37:41 | 0:37:45 | |
-Martha! -MARTHA SCREAMS | 0:37:51 | 0:37:55 | |
Martha! | 0:37:55 | 0:37:58 | |
Get away from her! | 0:37:58 | 0:38:00 | |
ORGAN PLAYS | 0:38:00 | 0:38:03 | |
We need to turn this up to eleven! | 0:38:08 | 0:38:10 | |
ORGAN MUSIC GROWS LOUDER | 0:38:11 | 0:38:15 | |
I've got you! Hold on! | 0:38:36 | 0:38:38 | |
Martha! | 0:38:38 | 0:38:40 | |
I'm OK. | 0:38:48 | 0:38:50 | |
We're both OK! | 0:38:50 | 0:38:53 | |
-Thanks. -It's your Doctor you should be thanking. | 0:38:56 | 0:39:00 | |
I told you he'd think of something. | 0:39:00 | 0:39:02 | |
-He cut it a bit fine, though! -He always does. It's more fun that way. | 0:39:02 | 0:39:07 | |
Who is he? | 0:39:07 | 0:39:09 | |
He's... | 0:39:11 | 0:39:13 | |
He's the Doctor. | 0:39:15 | 0:39:17 | |
I didn't know you could play. | 0:39:48 | 0:39:49 | |
Oh, well, if you hang around with Beethoven, you're bound to pick a few things up. | 0:39:49 | 0:39:54 | |
Especially about playing loud. | 0:39:54 | 0:39:56 | |
Sorry? | 0:39:56 | 0:39:57 | |
Something else that just kind of escalated, then. | 0:40:04 | 0:40:07 | |
I can see a pattern developing. You should take more care in the future. | 0:40:07 | 0:40:10 | |
And the past. And whatever other time period you find yourself in. | 0:40:10 | 0:40:14 | |
-It's been fun, though, hasn't it? -Yeah. | 0:40:14 | 0:40:17 | |
So what do you say, one more trip? | 0:40:17 | 0:40:20 | |
-No. Sorry. -What do you mean? I thought you liked it? | 0:40:24 | 0:40:29 | |
I do, but I can't go on like this. | 0:40:29 | 0:40:31 | |
-"One more trip." It's not fair. -What are you talking about? | 0:40:31 | 0:40:33 | |
I don't want to be just a passenger any more, someone that you take along for a treat. | 0:40:33 | 0:40:38 | |
If that's how you still see me, well then, I'd rather stay here. | 0:40:38 | 0:40:41 | |
OK, then. If that's what you want. | 0:40:41 | 0:40:43 | |
Right. Well, we've already said goodbye once today. | 0:40:47 | 0:40:50 | |
It's probably best if you just go. | 0:40:50 | 0:40:52 | |
What is it? | 0:40:57 | 0:40:58 | |
-What? I said, OK. -Sorry? | 0:40:58 | 0:41:01 | |
OK! | 0:41:01 | 0:41:03 | |
Oh, thank you! Thank you! | 0:41:03 | 0:41:05 | |
Well, you were never really "just a passenger", were you? | 0:41:08 | 0:41:11 | |
-PHONE RINGS -'Hi, I'm out leave a message.' | 0:41:16 | 0:41:18 | |
Martha? It's your mother. | 0:41:18 | 0:41:20 | |
'Please phone me back. | 0:41:20 | 0:41:22 | |
'I'm begging you, I know who this Doctor really is. | 0:41:22 | 0:41:25 | |
'I know he's dangerous. You're gonna get yourself killed. | 0:41:25 | 0:41:29 | |
'Please, trust me, this information comes from Harold Saxon himself. | 0:41:29 | 0:41:33 | |
'You're not safe.' | 0:41:33 | 0:41:34 | |
Distress signal, locking on. | 0:41:40 | 0:41:42 | |
Not that is HOT! | 0:41:42 | 0:41:44 | |
If you can't stand the heat... Agh! | 0:41:44 | 0:41:46 | |
-Who are you? -I'm the Doctor. | 0:41:47 | 0:41:48 | |
Mum, it's me, it's Martha. | 0:41:48 | 0:41:50 | |
Get out of there! | 0:41:50 | 0:41:51 | |
'Burn with me!' | 0:41:52 | 0:41:54 | |
SCREAMING | 0:41:54 | 0:41:56 | |
-Stop it! -That's enough! | 0:41:56 | 0:41:58 | |
Go on, my son! | 0:41:59 | 0:42:00 | |
-That...is brilliant. -I know! | 0:42:00 | 0:42:03 | |
I'll save you. | 0:42:03 | 0:42:04 | |
'It's your fault!' | 0:42:04 | 0:42:06 | |
What are you? | 0:42:06 | 0:42:07 | |
Doctor! We're stuck here. | 0:42:07 | 0:42:10 | |
Subtitles by Karin Anderson Red Bee Media Ltd | 0:42:45 | 0:42:48 | |
E-mail: [email protected] | 0:42:48 | 0:42:52 |