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Get down! | 0:00:00 | 0:00:01 | |
-Did they see you? -I don't know. | 0:00:04 | 0:00:06 | |
-I was too busy running! -It's important, did they see your face? -No. -Off we go. | 0:00:06 | 0:00:11 | |
-They're following us. -But you've got a time machine! | 0:00:16 | 0:00:19 | |
Stolen technology. They've got a Time Agent's Vortex Manipulator. | 0:00:19 | 0:00:23 | |
Across the universe. They won't stop. | 0:00:23 | 0:00:26 | |
Unless... I'll have to do it. | 0:00:28 | 0:00:31 | |
-Martha, you trust me? -Of course. -It all depends on you. | 0:00:31 | 0:00:34 | |
What does? What do I do? | 0:00:34 | 0:00:36 | |
Take this watch, my life depends on it. This watch, Martha, this watch is... | 0:00:36 | 0:00:41 | |
KNOCK AT DOOR | 0:00:55 | 0:00:56 | |
Come in. | 0:00:56 | 0:00:58 | |
-Pardon me, Mr Smith, you're not dressed. -It's all right, put it down. | 0:00:58 | 0:01:02 | |
I was, um... | 0:01:06 | 0:01:08 | |
Sorry. Sorry. | 0:01:10 | 0:01:12 | |
Sometimes, I have these extraordinary dreams. | 0:01:12 | 0:01:16 | |
-What about, sir? -I dream I'm this... | 0:01:16 | 0:01:19 | |
adventurer, | 0:01:19 | 0:01:21 | |
this daredevil, a madman. | 0:01:21 | 0:01:24 | |
"The Doctor", I'm called. | 0:01:24 | 0:01:26 | |
And last night I dreamt | 0:01:26 | 0:01:29 | |
that you were there. | 0:01:29 | 0:01:31 | |
As my...companion. | 0:01:31 | 0:01:34 | |
A teacher and a housemaid? Impossible. | 0:01:34 | 0:01:37 | |
I was a man from another world. | 0:01:37 | 0:01:39 | |
Then it can't be true, because there's no such thing. | 0:01:39 | 0:01:43 | |
This thing, the watch. It was... | 0:01:43 | 0:01:46 | |
Funny how dreams slip away. But I remember one thing, it all took place in the future. | 0:01:50 | 0:01:56 | |
In the year of Our Lord 2007. | 0:01:56 | 0:01:59 | |
I can prove that wrong, sir. Here's the morning paper. | 0:01:59 | 0:02:03 | |
It's Monday November 10th 1913 and you're completely human, sir. | 0:02:03 | 0:02:08 | |
-As human as they come. -Hmm, that's me. | 0:02:08 | 0:02:12 | |
Completely human. | 0:02:12 | 0:02:14 | |
CHILDREN SING: # He who would valiant be | 0:02:55 | 0:02:58 | |
# 'Gainst all disaster | 0:02:58 | 0:03:03 | |
# Let him in constancy | 0:03:03 | 0:03:08 | |
# Follow the master... # | 0:03:08 | 0:03:12 | |
Morning, sir. | 0:03:13 | 0:03:16 | |
Morning, sir. | 0:03:18 | 0:03:19 | |
# There no discouragement shall make him once relent... # | 0:03:19 | 0:03:23 | |
Headmaster. | 0:03:26 | 0:03:28 | |
# His first avowed intent to be a pilgrim... # | 0:03:28 | 0:03:29 | |
..advanced with little impediment. | 0:03:29 | 0:03:32 | |
The French were all but spent, with only two battalions remaining. | 0:03:32 | 0:03:36 | |
The final reserve force was charged with protecting Napoleon. | 0:03:36 | 0:03:41 | |
But, by evening, the advance of the allied troops had forced them to retreat. | 0:03:41 | 0:03:46 | |
Morning, sir. | 0:03:52 | 0:03:54 | |
Yes, quite. | 0:03:54 | 0:03:56 | |
Head in the clouds, that one. | 0:03:58 | 0:04:01 | |
Don't know why you're so sweet on him. | 0:04:01 | 0:04:04 | |
-He's kind to me. Not everyone's that considerate, what with me being... -A Londoner? -Exactly! | 0:04:04 | 0:04:11 | |
Now then, you two. You're not paid to have fun, are you? | 0:04:11 | 0:04:16 | |
Put a little backbone into it. | 0:04:16 | 0:04:18 | |
-Yes, sir. Sorry, sir. -You, there. What's your name? -Martha, sir. Martha Jones. | 0:04:18 | 0:04:23 | |
With hands like those how you can tell when something's clean? | 0:04:23 | 0:04:29 | |
That's very funny, sir. | 0:04:30 | 0:04:33 | |
-Don't answer back. -I'd answer back with my bucket over his head. -Oh, I wish! | 0:04:33 | 0:04:40 | |
Just think, though. | 0:04:40 | 0:04:42 | |
Soon boys like that'll be running the country. | 0:04:42 | 0:04:46 | |
1913. | 0:04:46 | 0:04:48 | |
They might not. | 0:04:48 | 0:04:50 | |
-Ma'am. -Good morning, Mr Smith. | 0:04:52 | 0:04:54 | |
Oh! There we go. | 0:04:54 | 0:04:56 | |
-Let me help you. -No, no, I've got it, no. Um. | 0:04:56 | 0:05:00 | |
How best to retrieve...? | 0:05:00 | 0:05:02 | |
If you could take these. | 0:05:02 | 0:05:04 | |
-Good. -No harm done. | 0:05:07 | 0:05:08 | |
So, how was Jenkins? | 0:05:08 | 0:05:10 | |
Just a cold. He's missing his mother most of all. | 0:05:10 | 0:05:13 | |
-We can't have that. -He's received a letter now, so he's chipper. | 0:05:13 | 0:05:17 | |
-I appear to be holding your books. -Yes, so you are! Just let me... | 0:05:17 | 0:05:21 | |
No, why don't I take half? | 0:05:21 | 0:05:24 | |
-Brilliant idea. Perfect division of labour. -We make quite a team. -Don't we just? | 0:05:24 | 0:05:31 | |
-These books, were they being taken in any particular direction? -Yes. | 0:05:31 | 0:05:35 | |
Um, this way. | 0:05:35 | 0:05:39 | |
Matron, give the boys a good head of steam, they'll wear themselves out. | 0:05:39 | 0:05:44 | |
When it's just you and me, I'd rather you called me Nurse Redfern. | 0:05:44 | 0:05:48 | |
Matron sounds rather, well, matronly. | 0:05:48 | 0:05:52 | |
-Nurse Redfern. -Though we've known each other only two months, you could say "Joan". | 0:05:52 | 0:05:56 | |
-Joan? -That's my name. -Obviously. | 0:05:56 | 0:05:59 | |
-And it's John? -Yes, yes, it is, yes. | 0:05:59 | 0:06:01 | |
John, the annual dance at the village hall tomorrow. | 0:06:01 | 0:06:04 | |
It's nothing formal but rather fun. Do you think you'll go? | 0:06:04 | 0:06:09 | |
Hadn't thought about it. | 0:06:11 | 0:06:12 | |
It's been ages since I've been to a dance. Only no-one's asked me. | 0:06:12 | 0:06:17 | |
Well! | 0:06:17 | 0:06:19 | |
I should imagine that you'd be... I mean, | 0:06:19 | 0:06:22 | |
I never thought you'd be one for... If you do! You may not. | 0:06:22 | 0:06:26 | |
I probably won't. But even if I did, I couldn't... | 0:06:26 | 0:06:29 | |
I wouldn't want to... | 0:06:29 | 0:06:31 | |
The stairs. Right behind you. | 0:06:31 | 0:06:32 | |
Stop it. I get boys causing less fuss than this. | 0:06:36 | 0:06:40 | |
-But it hurts. -Is he all right? | 0:06:40 | 0:06:42 | |
It's hardly good form to enter a master's study without knocking. | 0:06:42 | 0:06:46 | |
Sorry, right, yeah. | 0:06:46 | 0:06:48 | |
SHE KNOCKS | 0:06:48 | 0:06:49 | |
But is he all right? | 0:06:49 | 0:06:51 | |
They said you fell down the stairs. | 0:06:51 | 0:06:53 | |
-Just a tumble. -Have you checked for concussion? | 0:06:53 | 0:06:56 | |
I have, and I dare say I know a lot more about it than you. | 0:06:56 | 0:07:00 | |
Sorry. I'll just... | 0:07:01 | 0:07:03 | |
tidy your things. | 0:07:03 | 0:07:05 | |
I was just telling Nurse Redfern - Matron - about my dreams. | 0:07:05 | 0:07:10 | |
They are quite remarkable tales. | 0:07:10 | 0:07:13 | |
I keep imagining that I'm someone else and that I'm hiding... | 0:07:13 | 0:07:17 | |
Hiding? In what way? | 0:07:17 | 0:07:19 | |
Um... They're almost every night. | 0:07:19 | 0:07:23 | |
-This is going to sound silly. -Tell me. | 0:07:23 | 0:07:26 | |
I dream, quite often, that I have two hearts. | 0:07:26 | 0:07:31 | |
Well, then. I can be the judge of that. Let's find out. | 0:07:31 | 0:07:34 | |
HEARTBEAT | 0:07:43 | 0:07:45 | |
I can confirm the diagnosis. | 0:07:48 | 0:07:50 | |
Just one heart, singular. | 0:07:50 | 0:07:53 | |
I have, um, I have written down some of these dreams in the form of fiction. | 0:07:53 | 0:07:58 | |
-Not that it would be of any interest. -I'd be very interested. | 0:07:59 | 0:08:03 | |
Well, I've never actually | 0:08:06 | 0:08:08 | |
shown it to anyone before. | 0:08:08 | 0:08:11 | |
"A Journal of Impossible Things". | 0:08:11 | 0:08:14 | |
Just look at these creatures, such imagination. | 0:08:20 | 0:08:24 | |
It's become quite a hobby. | 0:08:24 | 0:08:26 | |
But it's wonderful. And quite an eye for the pretty girls. | 0:08:32 | 0:08:36 | |
She's just an invention. This character, Rose, I call her. | 0:08:36 | 0:08:39 | |
Rose. | 0:08:39 | 0:08:42 | |
She disappears later on. | 0:08:42 | 0:08:44 | |
Oh, that's the box. | 0:08:49 | 0:08:51 | |
The blue box, it's always there. | 0:08:51 | 0:08:54 | |
Like a magic carpet. | 0:08:54 | 0:08:56 | |
This box that transports me to faraway places. | 0:08:56 | 0:08:59 | |
-Like a doorway? -Mm. | 0:08:59 | 0:09:01 | |
I sometimes think how magical life would be if stories like this were true. | 0:09:01 | 0:09:07 | |
If only. | 0:09:07 | 0:09:09 | |
All just a dream. | 0:09:09 | 0:09:13 | |
BELL RINGS | 0:09:13 | 0:09:16 | |
Ma'am, | 0:09:16 | 0:09:18 | |
that book. | 0:09:18 | 0:09:19 | |
I'll look after it. Don't worry. He did say I could read it. | 0:09:19 | 0:09:22 | |
But it's silly, that's all. | 0:09:22 | 0:09:24 | |
Just stories. | 0:09:24 | 0:09:26 | |
-Who is he, Martha? -I'm sorry? -It's like he's left the kettle on. | 0:09:26 | 0:09:31 | |
He knows he has something to get back to, but he can't remember what. | 0:09:31 | 0:09:36 | |
-That's just him. -You arrived with him. He found you employment, here at the school? | 0:09:36 | 0:09:40 | |
I used to work for the family, he inherited me. | 0:09:40 | 0:09:43 | |
Well, I'd be careful. | 0:09:43 | 0:09:45 | |
You sometimes seem a little familiar with him. Best remember your position. | 0:09:45 | 0:09:51 | |
Yes, ma'am. | 0:09:51 | 0:09:53 | |
Ah, Latimer. | 0:09:55 | 0:09:57 | |
Latin translation. Blasted Catullus, I want it done by morning. | 0:09:57 | 0:10:01 | |
-Yes, sir. -And no mistakes, I want it written in my best handwriting. | 0:10:01 | 0:10:07 | |
But listen, Father says he's been promoted. | 0:10:07 | 0:10:09 | |
That means more money, might get a better school. | 0:10:09 | 0:10:12 | |
Ah, he should enjoy it, sir. | 0:10:12 | 0:10:14 | |
My uncle had a six-month posting in Johannesburg. Says it was the most beautiful country on God's earth. | 0:10:14 | 0:10:20 | |
-What are you talking about? -Africa. Your father. -Did you read my post? | 0:10:20 | 0:10:24 | |
-What? -Who said Africa? | 0:10:24 | 0:10:27 | |
I've only just read the word myself. | 0:10:27 | 0:10:29 | |
-How did you know that? -I haven't... -Have you been spying on me? -No! | 0:10:29 | 0:10:33 | |
I just guessed. | 0:10:33 | 0:10:35 | |
What's that mean? | 0:10:35 | 0:10:37 | |
I'm good at guessing, that's all. | 0:10:37 | 0:10:39 | |
Idiot. | 0:10:39 | 0:10:40 | |
Sometimes I say things and they turn out to be correct. | 0:10:45 | 0:10:49 | |
Just little things, tiny things. | 0:10:49 | 0:10:52 | |
I can't help it. | 0:10:52 | 0:10:54 | |
It's just some sort of luck. | 0:10:54 | 0:10:58 | |
-Never mind that, little toad. Who's for beer? -You've got beer? | 0:10:58 | 0:11:01 | |
-Baxter's hidden a secret supply in Blackdown Woods. -What are you waiting for? | 0:11:01 | 0:11:06 | |
Make sure the bursar's down the pub before you go. | 0:11:06 | 0:11:10 | |
-Bottle for everyone, is it? -None for the filth. | 0:11:10 | 0:11:13 | |
Hurry back, Baines, I'm parched! | 0:11:13 | 0:11:15 | |
Ooh, it's freezing out here. | 0:11:19 | 0:11:21 | |
-Why can't we have a drink inside? -Don't be ridiculous. | 0:11:21 | 0:11:24 | |
You get these notions! It's all very well, those suffragettes, but that's London! | 0:11:24 | 0:11:28 | |
Don't you just want to scream sometimes? Tell 'em? | 0:11:28 | 0:11:33 | |
-Things must be different in your country. -They are. Thank God I'm not staying. | 0:11:33 | 0:11:38 | |
You keep saying that. | 0:11:38 | 0:11:40 | |
Just you wait. One more month and I'm as free as the wind. | 0:11:40 | 0:11:44 | |
-Wish you could come with me. You'd love it. -Where you gonna go? -Anywhere. Look up there. | 0:11:44 | 0:11:49 | |
Imagine you could go all the way out to the stars. | 0:11:49 | 0:11:54 | |
You don't half say mad things. | 0:11:54 | 0:11:57 | |
That's where I'll go. Into the sky, all the way out. | 0:11:57 | 0:12:00 | |
Did you see that? | 0:12:04 | 0:12:06 | |
-See what? -Did you see it, though? | 0:12:06 | 0:12:09 | |
Up there, just for a second. | 0:12:09 | 0:12:11 | |
There's nothing there. | 0:12:11 | 0:12:13 | |
Matron? Are you all right? | 0:12:52 | 0:12:55 | |
Did you see that? Something in the woods. | 0:12:55 | 0:12:57 | |
-This light... -Anything wrong, ladies? | 0:12:57 | 0:13:00 | |
Rather too cold to be standing around in the dark. | 0:13:00 | 0:13:03 | |
There! Look, in the sky. | 0:13:03 | 0:13:05 | |
Oh, that's beautiful. | 0:13:05 | 0:13:08 | |
All gone! | 0:13:08 | 0:13:10 | |
Commonly known as a meteorite. | 0:13:10 | 0:13:13 | |
It's just rocks falling to the ground. | 0:13:13 | 0:13:16 | |
-Came down in the woods. -No, no. | 0:13:16 | 0:13:18 | |
They look close, but they're miles off. | 0:13:18 | 0:13:21 | |
Nothing left but a cinder. | 0:13:21 | 0:13:24 | |
I should escort you back to the school. | 0:13:24 | 0:13:27 | |
-Ladies? -We're fine, thanks. -Then I shall bid you good night. | 0:13:27 | 0:13:31 | |
Jenny, where was that? On the horizon, where the light was headed? | 0:13:34 | 0:13:38 | |
That's by Cooper's Field. | 0:13:38 | 0:13:40 | |
You can't just run off! | 0:13:40 | 0:13:42 | |
It's dark, you'll break a leg! | 0:13:42 | 0:13:44 | |
I say, hello? | 0:14:24 | 0:14:26 | |
Was that some kind of aeroplane? | 0:14:29 | 0:14:31 | |
Are you chaps all right? | 0:14:32 | 0:14:34 | |
What? | 0:14:42 | 0:14:44 | |
That's impossible. | 0:14:52 | 0:14:54 | |
Some kind of door. | 0:15:07 | 0:15:09 | |
Hello? | 0:15:11 | 0:15:12 | |
Is anyone there? | 0:15:15 | 0:15:16 | |
There you are. | 0:15:30 | 0:15:32 | |
Nothing there, I told you so! | 0:15:32 | 0:15:35 | |
That's Cooper's Field? | 0:15:35 | 0:15:36 | |
As far as the eye can see. No falling star! | 0:15:36 | 0:15:39 | |
I'm frozen to the bone, let's go. | 0:15:39 | 0:15:42 | |
As your Mr Smith says, nothing to see. | 0:15:42 | 0:15:45 | |
But I don't understand. Who are you? | 0:15:52 | 0:15:55 | |
We are The Family. | 0:15:55 | 0:15:57 | |
Far more important, who are you, little thing? | 0:15:57 | 0:16:01 | |
My name's Baines. Jeremy Baines. | 0:16:01 | 0:16:04 | |
-Please can I go? -I'm so sorry, Baines, Jeremy Baines. | 0:16:04 | 0:16:09 | |
But I don't think you can ever leave. | 0:16:09 | 0:16:12 | |
But who are you? | 0:16:12 | 0:16:15 | |
-Why can't I see you? -Why would you want to see us? | 0:16:15 | 0:16:20 | |
To know what you look like. | 0:16:20 | 0:16:21 | |
Oh, that's easily answered. | 0:16:21 | 0:16:24 | |
Because very soon we will look so familiar. | 0:16:24 | 0:16:28 | |
HE SCREAMS | 0:16:28 | 0:16:29 | |
Where is he? Promises a beer and then vanishes into the night. | 0:16:33 | 0:16:36 | |
There he is, let him in. | 0:16:39 | 0:16:42 | |
Baines, you dolt! Thought you'd been caught. | 0:16:53 | 0:16:55 | |
Well, then? Where is it, man? Where's the blessed beer? | 0:16:58 | 0:17:02 | |
There was no beer. It was gone. | 0:17:02 | 0:17:04 | |
Damn, I've been waiting! | 0:17:04 | 0:17:06 | |
Pretty poor show, Baines, I have to say. | 0:17:06 | 0:17:09 | |
HE SNIFFS | 0:17:09 | 0:17:11 | |
What's the matter? Caught the sniffles? | 0:17:11 | 0:17:14 | |
Yes, I must have. It was cold. | 0:17:14 | 0:17:17 | |
Very cold. | 0:17:17 | 0:17:19 | |
Don't spread it about, I don't want your germs! | 0:17:19 | 0:17:23 | |
Might as well get some sleep. | 0:17:23 | 0:17:25 | |
Come on, chaps. Maybe tomorrow. I think Jackson's got beer in the pavilion. | 0:17:25 | 0:17:30 | |
Hello. | 0:18:19 | 0:18:22 | |
Talking to a machine. | 0:18:22 | 0:18:25 | |
Get down! | 0:18:41 | 0:18:42 | |
They're following us. | 0:18:55 | 0:18:56 | |
They can follow us wherever we go. | 0:18:56 | 0:18:58 | |
Across the universe. They're never gonna stop. | 0:18:58 | 0:19:01 | |
-You trust me, don't you? -Of course I do. -Cos it all depends on you. | 0:19:01 | 0:19:05 | |
Martha, this watch is me. | 0:19:10 | 0:19:15 | |
Right, OK. Gotcha. No, hold on. | 0:19:15 | 0:19:17 | |
Completely lost. | 0:19:17 | 0:19:19 | |
Those creatures are hunters. They sniff out anyone. | 0:19:19 | 0:19:22 | |
Being a Time Lord - I'm unique. They could track me down. | 0:19:22 | 0:19:25 | |
And the good news is? | 0:19:25 | 0:19:27 | |
They can smell me, but they haven't seen me. And their life spans are running out. | 0:19:27 | 0:19:31 | |
So, we hide. Wait for them to die. | 0:19:31 | 0:19:33 | |
But they can track us down. | 0:19:33 | 0:19:35 | |
That's why I've got to do it. | 0:19:35 | 0:19:37 | |
I have to stop being a Time Lord. | 0:19:37 | 0:19:40 | |
I'm going to become human. | 0:19:40 | 0:19:42 | |
Never thought I'd use this. Oh, but all the times I've wondered. | 0:19:55 | 0:20:00 | |
What does it do? | 0:20:00 | 0:20:02 | |
Chameleon Arch. | 0:20:02 | 0:20:04 | |
Rewrites my biology. Changes every single cell in my body. | 0:20:04 | 0:20:07 | |
I've set it to human. | 0:20:07 | 0:20:09 | |
The TARDIS will invent a life story for me, | 0:20:09 | 0:20:12 | |
find a setting and integrate me. It can't do it for you, you improvise. | 0:20:12 | 0:20:16 | |
I'll have residual awareness to let you in. | 0:20:16 | 0:20:18 | |
If you're going to rewrite every single cell, isn't it gonna hurt? | 0:20:18 | 0:20:22 | |
Oh, yeah. | 0:20:22 | 0:20:24 | |
It hurts. | 0:20:24 | 0:20:25 | |
This working? | 0:20:48 | 0:20:49 | |
Martha! | 0:20:49 | 0:20:51 | |
Here's a list of instructions, for when I'm human. | 0:20:51 | 0:20:54 | |
One, don't let me hurt anyone. We can't have that, you know what humans are like. | 0:20:54 | 0:20:58 | |
Two, don't worry about the TARDIS, I'll put it on emergency power so they can't detect it. | 0:20:58 | 0:21:03 | |
Just let it hide away. Four... | 0:21:03 | 0:21:05 | |
No, wait a minute, three. No getting involved in big historical events. | 0:21:05 | 0:21:09 | |
Four, you. | 0:21:09 | 0:21:11 | |
Don't let me abandon you. And five... | 0:21:11 | 0:21:15 | |
TAPE REWINDS | 0:21:15 | 0:21:16 | |
But there was a meteor, what am I supposed to do then? | 0:21:16 | 0:21:20 | |
And 23. | 0:21:20 | 0:21:22 | |
If anything goes wrong, if they find us, Martha, then you know what to do. Open the watch. | 0:21:22 | 0:21:28 | |
Everything I am is kept safe in there. | 0:21:28 | 0:21:31 | |
I've put a perception filter on it, so the human me won't know. To him, it's just a watch. | 0:21:31 | 0:21:35 | |
Don't open it unless you have to. | 0:21:35 | 0:21:38 | |
Cos once it's open, then The Family will be able to find me. | 0:21:38 | 0:21:42 | |
It's all down to you, Martha. | 0:21:42 | 0:21:44 | |
Your choice. | 0:21:44 | 0:21:46 | |
Oh, and thank you. | 0:21:47 | 0:21:50 | |
I wish you'd come back. | 0:21:53 | 0:21:56 | |
KNOCK AT DOOR | 0:21:56 | 0:21:59 | |
-You told me to come and collect that book, sir. -Good lad, yes. | 0:21:59 | 0:22:03 | |
The Definitive Account of Mafeking by Aitchinson Price. | 0:22:03 | 0:22:06 | |
Where did I put it? | 0:22:06 | 0:22:08 | |
I wanted a word. Your marks aren't quite good enough. | 0:22:08 | 0:22:12 | |
I'm top ten of my class. | 0:22:12 | 0:22:13 | |
Now be honest, Timothy. You should be the very top. | 0:22:13 | 0:22:17 | |
You're a clever boy, you seem to be hiding it. Where is that book? | 0:22:17 | 0:22:21 | |
I know why. Keeping your head low avoids the mockery of your classmates. | 0:22:21 | 0:22:26 | |
-No man should hide himself, don't you think? -Yes, sir. | 0:22:26 | 0:22:30 | |
If you're clever, be proud of it. Use it! | 0:22:30 | 0:22:35 | |
ECHOING VOICE: Time Lord! | 0:22:35 | 0:22:38 | |
ECHOING VOICES WHISPER | 0:22:38 | 0:22:41 | |
'The secret lies within. I'm trapped.' | 0:22:41 | 0:22:44 | |
'I'm caged inside the cold metal and the dark.' | 0:22:44 | 0:22:47 | |
'But waiting. Always waiting.' | 0:22:47 | 0:22:50 | |
Fascinating details about the siege. Are you all right? | 0:22:52 | 0:22:56 | |
Yes, sir. Fine, sir. | 0:22:56 | 0:22:58 | |
Right then. Good. | 0:22:58 | 0:23:00 | |
And remember, use that brain of yours. | 0:23:00 | 0:23:02 | |
ECHOING VOICE: 'Power of a Time Lord.' | 0:23:02 | 0:23:05 | |
You're not looking yourself. Anything bothering you? | 0:23:07 | 0:23:10 | |
No, sir. Thank you, sir. | 0:23:10 | 0:23:13 | |
'You are not alone. Keep me hidden.' | 0:23:32 | 0:23:35 | |
FEMALE VOICE: 'And infinite flight, burn with light...' | 0:23:37 | 0:23:40 | |
BELL RINGS | 0:23:46 | 0:23:47 | |
Come along now. | 0:23:50 | 0:23:52 | |
Come along, Jenkins. | 0:23:54 | 0:23:56 | |
MALE VOICE: 'There is a trace, but somehow scattered. | 0:24:08 | 0:24:12 | |
'The scent is confused. | 0:24:12 | 0:24:14 | |
'Nevertheless, we'd best arm ourselves.' | 0:24:14 | 0:24:18 | |
Activate the soldiers. | 0:24:18 | 0:24:20 | |
That is my property! | 0:24:35 | 0:24:38 | |
You are trespassing on my land! Who's in there? | 0:24:38 | 0:24:41 | |
Is it one of those idiot boys from the school, is it? | 0:24:41 | 0:24:44 | |
Come on, let's be... Well, how did you? | 0:24:44 | 0:24:50 | |
No! No! Help me! | 0:24:52 | 0:24:56 | |
Help me! | 0:24:56 | 0:24:57 | |
GIRL SCREAMS | 0:25:12 | 0:25:14 | |
Concentrate! | 0:25:19 | 0:25:21 | |
Hutchinson, excellent work. | 0:25:27 | 0:25:30 | |
Cease fire! | 0:25:30 | 0:25:32 | |
-Good day, Headmaster. -Your crew's on fine form today! | 0:25:32 | 0:25:35 | |
Headmaster, we could do better. | 0:25:35 | 0:25:37 | |
-Latimer's being deliberately shoddy. -I'm trying my best. | 0:25:37 | 0:25:40 | |
You need to be better! Those targets are tribesmen, from the Dark Continent. | 0:25:40 | 0:25:44 | |
That's the problem, sir. | 0:25:44 | 0:25:46 | |
They only have spears. | 0:25:46 | 0:25:48 | |
Latimer takes it upon himself to make us realise how wrong we are. | 0:25:48 | 0:25:53 | |
I hope, Latimer, that one day you may have a just and proper war | 0:25:53 | 0:25:57 | |
in which to prove yourself. Now resume firing. | 0:25:57 | 0:25:59 | |
SHELLS EXPLODE | 0:26:06 | 0:26:08 | |
MEN SHOUT | 0:26:08 | 0:26:10 | |
One minute past the hour. | 0:26:12 | 0:26:15 | |
It's now. | 0:26:15 | 0:26:16 | |
Hutchinson, this is the time. It's now. | 0:26:16 | 0:26:20 | |
Stoppage! Immediate action! | 0:26:20 | 0:26:24 | |
Didn't I tell you, sir? The boy's useless! | 0:26:24 | 0:26:27 | |
-Permission to give Latimer a beating, sir? -It's your class, Mr Smith. -Permission granted. | 0:26:27 | 0:26:32 | |
Come with me, oik! | 0:26:32 | 0:26:33 | |
HE SNIFFS | 0:26:37 | 0:26:39 | |
Anything the matter, Baines? | 0:26:40 | 0:26:42 | |
I thought... | 0:26:42 | 0:26:45 | |
No, sir. Nothing, sir. | 0:26:45 | 0:26:48 | |
As you were, Mr Smith. | 0:26:49 | 0:26:51 | |
Ah, Pemberton, Smythe, Wicks! | 0:26:53 | 0:26:55 | |
Take post. Ah! | 0:26:55 | 0:26:58 | |
Nurse Redfern. | 0:26:58 | 0:27:01 | |
-I'll give you back your journal soon. -No, you don't have to. | 0:27:01 | 0:27:06 | |
Excuse me, Mr Smith. | 0:27:06 | 0:27:08 | |
I was just thinking about the day my husband was shot. | 0:27:08 | 0:27:11 | |
His name was Oliver. He died at the battle of Spion Kop. | 0:27:25 | 0:27:30 | |
We were childhood sweethearts. | 0:27:30 | 0:27:33 | |
But, you see, I was angry with the Army, for such a long time. | 0:27:33 | 0:27:36 | |
You still are. | 0:27:36 | 0:27:38 | |
I find myself at school, watching boys learn how to kill. | 0:27:38 | 0:27:42 | |
-Isn't discipline good for them? -Does it have to be military discipline? | 0:27:42 | 0:27:46 | |
-If there's another war, those boys won't find it so amusing. -Well, Great Britain's at peace. | 0:27:46 | 0:27:51 | |
Long may it reign. | 0:27:51 | 0:27:54 | |
In one of your stories, you wrote about next year. | 0:27:54 | 0:27:58 | |
-1914. -That was just a dream. | 0:27:58 | 0:28:02 | |
All those images of mud and wire. | 0:28:02 | 0:28:05 | |
You told of a shadow, | 0:28:05 | 0:28:07 | |
a shadow falling across the entire world. | 0:28:07 | 0:28:10 | |
Then we can be thankful it's not true. | 0:28:10 | 0:28:13 | |
I'll admit mankind doesn't need warfare and bloodshed to prove itself. | 0:28:13 | 0:28:18 | |
Everyday life can provide honour and valour and... Let's hope from now on, this... | 0:28:18 | 0:28:22 | |
this country can find its heroes in smaller places. | 0:28:22 | 0:28:26 | |
In the most... | 0:28:31 | 0:28:33 | |
ordinary of... | 0:28:36 | 0:28:38 | |
of deeds. | 0:28:38 | 0:28:40 | |
SHE SCREAMS | 0:28:52 | 0:28:53 | |
BABY CRIES | 0:29:06 | 0:29:07 | |
Are you all right? | 0:29:07 | 0:29:09 | |
Lucky. | 0:29:09 | 0:29:10 | |
That was luck? | 0:29:12 | 0:29:13 | |
Nurse Redfern, might I invite you to the village dance this evening? | 0:29:13 | 0:29:18 | |
-As my guest? -You extraordinary man! | 0:29:18 | 0:29:21 | |
Oh, it's all becoming clear now! | 0:29:25 | 0:29:28 | |
The Doctor is the man you'd like to be, doing impossible things with cricket balls. | 0:29:28 | 0:29:32 | |
Well, I've discovered a talent, that's true. | 0:29:32 | 0:29:35 | |
-But The Doctor has an eye for the ladies. -The devil! -A girl in every fireplace. | 0:29:35 | 0:29:39 | |
Ah, now there I have to protest, Joan. That is hardly me. | 0:29:39 | 0:29:43 | |
Says the man dancing with me tonight. | 0:29:43 | 0:29:46 | |
That scarecrow's all askew. | 0:29:46 | 0:29:48 | |
-Ever the artist. Where did you learn to draw? -Gallifrey. -Is that in Ireland? | 0:29:54 | 0:29:59 | |
-Yes. It must be. -You're not Irish? | 0:30:00 | 0:30:03 | |
No. My father, Sidney, was a watchmaker from Nottingham. | 0:30:03 | 0:30:07 | |
And my mother, Verity, was... | 0:30:07 | 0:30:10 | |
Erm, well, she was a nurse, actually. | 0:30:12 | 0:30:15 | |
-Oh, we make such good wives. -Really? Right. | 0:30:15 | 0:30:18 | |
Yes! | 0:30:18 | 0:30:20 | |
Well, my work is done! | 0:30:21 | 0:30:22 | |
-What d'you think? -A masterpiece. -I've all sorts of skills today. | 0:30:22 | 0:30:26 | |
Can I see? | 0:30:40 | 0:30:42 | |
Oh, goodness. | 0:30:47 | 0:30:49 | |
Do I look like that? | 0:30:49 | 0:30:51 | |
You sure that's not me? | 0:30:51 | 0:30:53 | |
Definitely this page. Do you like it? | 0:30:53 | 0:30:56 | |
-You've made me far too beautiful. -Well, that's how I see you. | 0:30:56 | 0:31:00 | |
Widows aren't meant to be beautiful. The world would rather we stopped. | 0:31:01 | 0:31:05 | |
Is that fair? | 0:31:07 | 0:31:10 | |
That we stop? | 0:31:10 | 0:31:12 | |
That's not fair at all. | 0:31:14 | 0:31:16 | |
I've never... Um... | 0:31:31 | 0:31:35 | |
DOOR OPENS | 0:31:41 | 0:31:43 | |
Martha! What have I told you about entering unannounced! | 0:31:43 | 0:31:47 | |
Wasn't on the list! | 0:31:49 | 0:31:51 | |
TAPE REWINDS | 0:31:55 | 0:31:58 | |
Four, you. | 0:31:58 | 0:32:00 | |
Don't let me abandon you. | 0:32:00 | 0:32:02 | |
That's no good! | 0:32:02 | 0:32:04 | |
What about what you didn't tell me? What about women? | 0:32:04 | 0:32:07 | |
Oh, no, you didn't think of that. | 0:32:07 | 0:32:10 | |
What the hell am I supposed to do? | 0:32:10 | 0:32:12 | |
Thank you. | 0:32:12 | 0:32:16 | |
You had to, didn't you? | 0:32:16 | 0:32:20 | |
Had to fall in love with a human. | 0:32:20 | 0:32:22 | |
And it wasn't me. | 0:32:23 | 0:32:25 | |
-WOMAN: 'Darkness is coming! -DOCTOR: 'Keep me away from the false and empty man.' | 0:32:27 | 0:32:32 | |
MAN: 'Last of the Time Lords. Last of their wise and ancient race.' | 0:32:32 | 0:32:35 | |
WOMAN'S VOICE: '..the faces of men...' | 0:32:35 | 0:32:38 | |
THEY SNIFF | 0:33:00 | 0:33:01 | |
Who's that playing silly beggars? Nearly broke me neck! | 0:33:09 | 0:33:13 | |
Who's that, then? | 0:33:13 | 0:33:15 | |
Is it you, Saul? | 0:33:15 | 0:33:17 | |
SHE SCREAMS | 0:33:25 | 0:33:26 | |
I don't understand. | 0:33:29 | 0:33:31 | |
It's Mr Clark, isn't it? | 0:33:31 | 0:33:35 | |
What have I done wrong? | 0:33:35 | 0:33:37 | |
Nothing at all. | 0:33:40 | 0:33:42 | |
In fact, | 0:33:42 | 0:33:45 | |
you're just what we need, girl. | 0:33:45 | 0:33:47 | |
She works at the school. | 0:33:47 | 0:33:49 | |
Whatever's happening seems to be centred around that establishment. | 0:33:49 | 0:33:54 | |
The faintest of traces, but they all lead back there. | 0:33:54 | 0:33:57 | |
It's Baines, isn't it? | 0:33:59 | 0:34:00 | |
This isn't very funny, sir. | 0:34:00 | 0:34:03 | |
Stop talking, cease and desist, there's a good girl! | 0:34:03 | 0:34:07 | |
Mother of Mine is dying to meet you. | 0:34:07 | 0:34:11 | |
And here she is. | 0:34:11 | 0:34:16 | |
-Stop mocking me, sir. -No! | 0:34:16 | 0:34:19 | |
Mother of Mine just needs a shape. | 0:34:19 | 0:34:23 | |
We go through shapes so very fast. | 0:34:23 | 0:34:26 | |
Yours is perfectly adequate, | 0:34:26 | 0:34:30 | |
if a little grim. | 0:34:30 | 0:34:31 | |
Mother of Mine, | 0:34:33 | 0:34:36 | |
embrace her. | 0:34:36 | 0:34:38 | |
You look wonderful. | 0:34:45 | 0:34:46 | |
You'd best give me some warning, can you actually dance? | 0:34:46 | 0:34:51 | |
Um, I'm not certain. | 0:34:52 | 0:34:55 | |
There's a surprise. | 0:34:55 | 0:34:57 | |
-Is there anything you're certain about? -Yes. | 0:34:57 | 0:35:01 | |
Yes. | 0:35:01 | 0:35:03 | |
Come and look what I've got. | 0:35:07 | 0:35:09 | |
Mr Pool didn't want his afternoon tea, so there's enough for two. | 0:35:09 | 0:35:13 | |
-What are you standing there for? -SHE SNIFFS | 0:35:15 | 0:35:18 | |
You all right? | 0:35:18 | 0:35:19 | |
I must have a cold coming on. | 0:35:19 | 0:35:21 | |
I keep thinking about them but I don't know what to do. | 0:35:23 | 0:35:26 | |
-About who? -Mr Smith and Matron. | 0:35:26 | 0:35:28 | |
-Cos it's never gonna last. He's going to leave in a few weeks. -Why? | 0:35:28 | 0:35:33 | |
-His contract comes to an end and she's gonna be heartbroken. -Leave for where? | 0:35:33 | 0:35:38 | |
All sorts of places. | 0:35:38 | 0:35:41 | |
-I wish I could tell you. But it's complicated. -In what way? | 0:35:41 | 0:35:44 | |
I just can't. | 0:35:44 | 0:35:46 | |
It sounds so interesting. | 0:35:46 | 0:35:48 | |
Tell me. Tell me now. | 0:35:48 | 0:35:51 | |
-Would you like some tea? -Yes, thanks. | 0:35:54 | 0:35:56 | |
I could put a nice bit of gravy in the pot and some mutton. | 0:35:56 | 0:36:01 | |
Or sardines and jam, how about that? | 0:36:01 | 0:36:03 | |
-I like the sound of that. -Right. | 0:36:04 | 0:36:08 | |
Hold on a tick. | 0:36:08 | 0:36:09 | |
-They've found us! -It's ridiculous. -I warned you. | 0:36:32 | 0:36:34 | |
They've found us and I've seen them, they look like people, like us! | 0:36:34 | 0:36:38 | |
You've got to open the watch. | 0:36:38 | 0:36:40 | |
Where is it? | 0:36:42 | 0:36:45 | |
Oh, my God, where's it gone? | 0:36:45 | 0:36:47 | |
-What are you talking about? -You had a watch, a fob watch, right there. | 0:36:47 | 0:36:51 | |
-I don't remember. -What concern is it of yours? | 0:36:51 | 0:36:54 | |
But we need it! | 0:36:54 | 0:36:55 | |
Doctor, we're hiding from aliens, and they've got Jenny! | 0:36:55 | 0:36:59 | |
They've possessed her or copied her or something! | 0:36:59 | 0:37:01 | |
-You've got to tell me, where's the watch? -Oh! I see! | 0:37:01 | 0:37:04 | |
Cultural differences. | 0:37:04 | 0:37:07 | |
It must be confusing for you. | 0:37:08 | 0:37:10 | |
Martha, this is what we call a story. | 0:37:10 | 0:37:14 | |
Oh, you complete... | 0:37:14 | 0:37:17 | |
This is not you. This is 1913! | 0:37:17 | 0:37:21 | |
Good. This is 1913. | 0:37:21 | 0:37:23 | |
I'm sorry, I'm really sorry, but I've got to snap you out of this. | 0:37:23 | 0:37:26 | |
-Martha! -Wake up! You're coming back to the TARDIS with me. | 0:37:26 | 0:37:30 | |
How dare you? I won't go anywhere with an insane servant! | 0:37:30 | 0:37:33 | |
Martha, you are dismissed! You will leave these premises immediately! | 0:37:33 | 0:37:37 | |
The nerve of it! The absolute cheek! | 0:37:37 | 0:37:40 | |
-You think I'm a fantasist, what about her? -The funny thing is, you did have a fob watch. | 0:37:40 | 0:37:44 | |
Right there. Don't you remember? | 0:37:44 | 0:37:46 | |
Oh, sorry. | 0:37:50 | 0:37:51 | |
Sorry. | 0:37:51 | 0:37:53 | |
Martha?! | 0:37:53 | 0:37:55 | |
Not now, Tim, busy! | 0:37:55 | 0:37:59 | |
Mr Smith? | 0:38:10 | 0:38:12 | |
No-one home. | 0:38:13 | 0:38:16 | |
The maid was hiding something. | 0:38:16 | 0:38:18 | |
A secret around this Mr Smith. | 0:38:18 | 0:38:21 | |
We've both scented him. He was plain and simple human. | 0:38:21 | 0:38:24 | |
Maybe he knows something. Where is he? | 0:38:24 | 0:38:28 | |
-She's infatuated. You're a dangerous man. -You've taken my arm in public. -I'm very scared. | 0:38:31 | 0:38:36 | |
Spare a penny for the veterans of the Crimea, sir? | 0:38:36 | 0:38:39 | |
Yes, of course. There you are. | 0:38:39 | 0:38:42 | |
Ladies and gentlemen, please take your partners for a waltz. | 0:38:53 | 0:38:59 | |
You CAN dance! | 0:39:11 | 0:39:13 | |
Quite surprised myself! | 0:39:13 | 0:39:16 | |
Sorry! | 0:39:17 | 0:39:18 | |
I think this might help. | 0:39:27 | 0:39:29 | |
That makes it easy, Son of Mine. Because Daughter of Mine is already there. | 0:39:31 | 0:39:36 | |
We're invited to the dance. | 0:39:36 | 0:39:38 | |
Oh. Staff entrance, I think, Miss. | 0:39:44 | 0:39:47 | |
Yeah, well, think again, mate. | 0:39:47 | 0:39:49 | |
Please, don't. Not again. | 0:40:07 | 0:40:09 | |
He's different from any other man you've ever met, right? | 0:40:09 | 0:40:13 | |
-Yes. -And sometimes he says these strange things, like people and places you've never heard of? | 0:40:13 | 0:40:19 | |
But it's deeper than that. | 0:40:19 | 0:40:21 | |
Sometimes, when you look in his eyes, you know, you just know, that there's something else in there. | 0:40:21 | 0:40:26 | |
Something hidden. | 0:40:26 | 0:40:29 | |
Behind the eyes, something hidden away. In the dark. | 0:40:29 | 0:40:33 | |
I don't know what you mean. | 0:40:33 | 0:40:35 | |
Yes, you do. | 0:40:35 | 0:40:37 | |
I don't mean to be rude, but the awful thing is, it doesn't even matter what you think. | 0:40:38 | 0:40:45 | |
But you're nice, and you're lucky. | 0:40:45 | 0:40:48 | |
I just want to say sorry for what I'm about to do. | 0:40:48 | 0:40:51 | |
Oh, now really, Martha. | 0:40:51 | 0:40:53 | |
This is getting out of hand. I insist you leave. | 0:40:53 | 0:40:56 | |
Do you know what this is? | 0:40:56 | 0:40:59 | |
Name it. | 0:40:59 | 0:41:00 | |
Go on. Name it. | 0:41:00 | 0:41:02 | |
John, what is that silly thing? John? | 0:41:02 | 0:41:06 | |
You're not John Smith. | 0:41:15 | 0:41:17 | |
You're called The Doctor. | 0:41:17 | 0:41:20 | |
The man in your journal, he's real. | 0:41:20 | 0:41:22 | |
He's you. | 0:41:22 | 0:41:24 | |
Evening all. Spare a penny, sir? | 0:41:26 | 0:41:29 | |
I didn't spare YOU. | 0:41:29 | 0:41:31 | |
HE SCREAMS | 0:41:32 | 0:41:33 | |
You will be silent! All of you! | 0:41:52 | 0:41:56 | |
I said silence! | 0:41:58 | 0:41:59 | |
Mr Clark? What's going on? | 0:41:59 | 0:42:02 | |
EVERYBODY SCREAMS | 0:42:04 | 0:42:06 | |
Mr Smith, forget everything I told you. Don't say anything. | 0:42:06 | 0:42:10 | |
We asked for SILENCE! | 0:42:10 | 0:42:12 | |
Now then. | 0:42:15 | 0:42:17 | |
We have a few questions for Mr Smith. | 0:42:17 | 0:42:20 | |
No, better than that. | 0:42:20 | 0:42:23 | |
The teacher. He's The Doctor! | 0:42:23 | 0:42:26 | |
-I heard them talking. -You took human form? | 0:42:26 | 0:42:30 | |
I was born human, as were you, Baines! | 0:42:30 | 0:42:32 | |
And Jenny, and you, Mr Clark. | 0:42:32 | 0:42:35 | |
What is going on? This is madness! | 0:42:35 | 0:42:37 | |
Ooh, and a human brain, too. Simple, thick and dull! | 0:42:37 | 0:42:41 | |
But he's no good like this. | 0:42:41 | 0:42:44 | |
We need a Time Lord. | 0:42:44 | 0:42:46 | |
Easily done. | 0:42:46 | 0:42:49 | |
-Change back. -I don't know what you mean. -Change back! | 0:42:52 | 0:42:56 | |
I literally do not know... | 0:42:56 | 0:42:58 | |
-Get off! -She's your friend. | 0:42:58 | 0:43:01 | |
-Doesn't this scare you enough to change back? -I don't know what you mean! | 0:43:01 | 0:43:06 | |
Wait a minute. The maid told me about Smith and the Matron. | 0:43:06 | 0:43:10 | |
-That woman, there. -Then let's have YOU! | 0:43:10 | 0:43:13 | |
Have you enjoyed it, Doctor? Being human? | 0:43:17 | 0:43:20 | |
Has it taught you wonderful things? Are you better, richer, wiser? | 0:43:20 | 0:43:25 | |
Then let's see you answer this. | 0:43:25 | 0:43:27 | |
Which one of them do you want us to kill? | 0:43:27 | 0:43:30 | |
Maid or Matron? | 0:43:30 | 0:43:33 | |
Your friend... | 0:43:33 | 0:43:35 | |
or your lover? Your choice! | 0:43:35 | 0:43:39 | |
We are the Family of Blood. | 0:44:33 | 0:44:35 | |
-Save us. -I am not The Doctor. | 0:44:44 | 0:44:46 | |
He was like the storm in the heart of the sun. He's ancient and forever. | 0:44:46 | 0:44:50 | |
He burns at the centre of time and he can see the turn of the universe. | 0:44:50 | 0:44:54 | |
Subtitles by Red Bee Media Ltd, 2007 | 0:44:56 | 0:44:58 |