Browse content similar to Turn Left. Check below for episodes and series from the same categories and more!
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ORIENTAL MUSIC | 0:00:03 | 0:00:06 | |
You're gonna love this. One, two, three. | 0:00:28 | 0:00:32 | |
It's lovely! | 0:00:32 | 0:00:34 | |
You want to buy Shukina? | 0:00:38 | 0:00:40 | |
Or Peshwami? Most beautiful Peshwami in all of Shan Shen. | 0:00:42 | 0:00:47 | |
Er, no, thanks. | 0:00:47 | 0:00:48 | |
Tell your fortune, lady? | 0:00:57 | 0:00:58 | |
The future predicted. | 0:00:58 | 0:01:01 | |
-Your life foretold. -Oh, no, thanks. | 0:01:01 | 0:01:04 | |
Don't you want to know if you're going to be happy? | 0:01:04 | 0:01:08 | |
I'm happy right now, thanks. | 0:01:08 | 0:01:10 | |
You've got red hair. | 0:01:10 | 0:01:12 | |
The reading's free for red hair. | 0:01:12 | 0:01:15 | |
All right, then. | 0:01:15 | 0:01:17 | |
Oh, you're fascinating! | 0:01:29 | 0:01:32 | |
No, but you're good. | 0:01:32 | 0:01:34 | |
I can see... a man. | 0:01:34 | 0:01:36 | |
The most remarkable man. | 0:01:36 | 0:01:40 | |
How did you meet him? | 0:01:40 | 0:01:42 | |
You're supposed to tell me. | 0:01:42 | 0:01:44 | |
I see the future. | 0:01:44 | 0:01:45 | |
Tell me the past. | 0:01:45 | 0:01:47 | |
When did your lives cross? | 0:01:47 | 0:01:50 | |
It's sort of complicated. | 0:01:50 | 0:01:52 | |
I ended up in his spaceship on my wedding day. | 0:01:52 | 0:01:55 | |
-Long story. -But what led you to that meeting? | 0:01:55 | 0:01:58 | |
All sorts of things, | 0:01:58 | 0:02:02 | |
but my job, I suppose. | 0:02:02 | 0:02:04 | |
It was on Earth, this planet called Earth. Miles away. | 0:02:04 | 0:02:08 | |
But I had this job, as a temp, I was a secretary, in a place called HC Clements. | 0:02:08 | 0:02:13 | |
HC Clements, can I help you? | 0:02:13 | 0:02:17 | |
Sorry. | 0:02:20 | 0:02:22 | |
It's the incense. Just breathe deep. | 0:02:23 | 0:02:27 | |
This job of yours. What choices led you there? | 0:02:29 | 0:02:33 | |
There was a choice. Six months before. | 0:02:34 | 0:02:38 | |
Cos the agency offered me this contract with HC Clements. | 0:02:38 | 0:02:41 | |
There was this other job, my mum knew this man... | 0:02:41 | 0:02:45 | |
Jival, he's called, Jival Chowdry. | 0:02:45 | 0:02:49 | |
He runs that little photocopy business and he needs a secretary. | 0:02:49 | 0:02:54 | |
I've got a job! | 0:02:54 | 0:02:56 | |
As a temp! This is permanent! | 0:02:56 | 0:02:58 | |
It's 20,000 a year, Donna. | 0:02:58 | 0:03:01 | |
HC Clements is in the City, it's nice, it's posh, so stop it! | 0:03:01 | 0:03:07 | |
Your life could have gone one way or the other. | 0:03:10 | 0:03:15 | |
-What made you decide? -I just did. | 0:03:15 | 0:03:18 | |
But when was the moment? | 0:03:18 | 0:03:20 | |
When did you choose? | 0:03:20 | 0:03:21 | |
It won't take long, just turn right, we'll pop in and see Mr Chowdry, so Suzette can introduce you. | 0:03:24 | 0:03:30 | |
I'm going left, if you don't like it, get out and walk! | 0:03:30 | 0:03:33 | |
If you turn right, you'll have a career. Not just filling-in. | 0:03:33 | 0:03:37 | |
You think I'm so useless. | 0:03:37 | 0:03:39 | |
Oh, I know why you want a job with HC Clements, lady. | 0:03:39 | 0:03:43 | |
Cos you think you'll meet a man with lots of money and your whole life will change. | 0:03:43 | 0:03:47 | |
Well, let me tell you, sweetheart, City executives don't need temps. Except for practice. | 0:03:47 | 0:03:53 | |
Yeah, well, they haven't met me! | 0:03:54 | 0:03:57 | |
You turned left. | 0:03:59 | 0:04:02 | |
What if you'd turned right? What then? | 0:04:02 | 0:04:06 | |
-Let go of my hands. -What if it changes? | 0:04:06 | 0:04:08 | |
What if you go right? What if you could still go right? | 0:04:08 | 0:04:12 | |
Stop it! | 0:04:17 | 0:04:19 | |
-What's that?! What's on my back? -CHIRRUPING | 0:04:21 | 0:04:24 | |
What is it? | 0:04:24 | 0:04:26 | |
What's on my back? | 0:04:26 | 0:04:28 | |
Make the choice again, Donna Noble, and change your mind. Turn right! | 0:04:28 | 0:04:34 | |
I'm turning. | 0:04:38 | 0:04:40 | |
Turn right. | 0:04:40 | 0:04:43 | |
Turn right! | 0:04:43 | 0:04:46 | |
Turn RIGHT! | 0:04:46 | 0:04:48 | |
Let me tell you, sweetheart, City executives don't need temps. | 0:04:48 | 0:04:53 | |
Except for practice. | 0:04:53 | 0:04:55 | |
Yeah. | 0:04:55 | 0:04:57 | |
Suppose you're right. | 0:04:57 | 0:04:59 | |
Turn right, and never meet that man. | 0:04:59 | 0:05:03 | |
Turn right and change the world! | 0:05:03 | 0:05:07 | |
# We wish you a merry Christmas We wish you a merry Christmas | 0:05:44 | 0:05:49 | |
# We wish you a merry Christmas and a happy New Year... # | 0:05:49 | 0:05:52 | |
Get out of the way! | 0:05:52 | 0:05:54 | |
MUSIC: "Merry Xmas Everybody" by Slade | 0:05:54 | 0:05:57 | |
Here we are! Feed at the trough! | 0:05:57 | 0:05:59 | |
-Mooky says, let's go to the Boardwalk, it's two for the price of one. -Christmas Eve? It'll be heaving! | 0:05:59 | 0:06:04 | |
Well, exactly! Get in and grab 'em! | 0:06:04 | 0:06:07 | |
That's the second round of drinks you've bought, it was my turn. | 0:06:07 | 0:06:10 | |
I can afford it. Promotion! | 0:06:10 | 0:06:13 | |
You are talking to Jival Chowdry's Personal Assistant, I'll have you know. | 0:06:13 | 0:06:18 | |
Capital P, capital A, £23,000 per annum, merci beaucoup! | 0:06:18 | 0:06:23 | |
-Here's to Mr Chowdry! -Mr Chowdry! | 0:06:23 | 0:06:27 | |
< She gets all the luck. | 0:06:27 | 0:06:28 | |
-CHIRRUPING -What's wrong? What is it? | 0:06:28 | 0:06:32 | |
-Sorry? -Did someone spill a drink on me? -No. | 0:06:32 | 0:06:36 | |
Why d'you keep looking at my shoulder, what's wrong? | 0:06:36 | 0:06:39 | |
-I don't know. -Oh, don't tell me you're getting all spooky again. | 0:06:39 | 0:06:42 | |
It was bad enough when you saw the ghost of Earl Mountbatten at the Boat Show. What're you looking at? | 0:06:42 | 0:06:47 | |
-CHIRRUPING -What is it? -It's like... | 0:06:47 | 0:06:50 | |
It's like there's something I can't see. | 0:06:50 | 0:06:53 | |
No, shut up all of you! > | 0:06:53 | 0:06:55 | |
Come and see. Just look at the sky! > | 0:06:55 | 0:06:58 | |
-It's a star! It's a Christmas star! -Come on, then. | 0:06:58 | 0:07:01 | |
-What the hell is that?! -Ken Livingston, that's what! | 0:07:07 | 0:07:10 | |
Spending our money on decorations! How much did that cost?! | 0:07:10 | 0:07:13 | |
Don't be so stupid, it's flying, it's really flying! | 0:07:13 | 0:07:16 | |
That's not a star - | 0:07:21 | 0:07:23 | |
that's a web. | 0:07:23 | 0:07:25 | |
It's heading east, the middle of the city. | 0:07:25 | 0:07:28 | |
PEOPLE SCREAM | 0:07:33 | 0:07:35 | |
Alice, there's a great big web star thing shooting at people | 0:07:45 | 0:07:49 | |
and you're looking at ME! | 0:07:49 | 0:07:51 | |
There's something on your back! | 0:07:52 | 0:07:55 | |
Donna! Where you going?! | 0:08:00 | 0:08:03 | |
You'll get yourself killed! Donna!! | 0:08:03 | 0:08:06 | |
Fire! | 0:08:10 | 0:08:11 | |
Everyone stay back! The Thames has been closed. Return to your homes. | 0:08:17 | 0:08:23 | |
Keep away from the river, and that's an order. | 0:08:23 | 0:08:25 | |
'Trap 1 to Greyhound 15, what is your report? Over.' | 0:08:27 | 0:08:31 | |
From the evidence I'd say he managed to stop a creature, some sort of red spider. | 0:08:31 | 0:08:36 | |
-Blew up the base underneath the barrier, flooded the whole thing. Over. -'And where is he now? Over.' | 0:08:36 | 0:08:42 | |
We've found a body, sir. Over. | 0:08:42 | 0:08:45 | |
-'Is it him? Over.' -I think so. | 0:08:45 | 0:08:49 | |
Just didn't make it out in time. | 0:08:49 | 0:08:50 | |
The Doctor is dead. It must have happened too fast for him to regenerate. | 0:08:55 | 0:08:59 | |
Escort the ambulance back to unit base. | 0:09:07 | 0:09:09 | |
What happened, what did they find? Did they find someone? | 0:09:20 | 0:09:23 | |
-I don't know. Bloke called the Doctor or something. -Where is he? | 0:09:23 | 0:09:27 | |
They took him away. He's dead. | 0:09:27 | 0:09:30 | |
I'm sorry. Did you know him? | 0:09:32 | 0:09:35 | |
I mean, they didn't say his name. | 0:09:35 | 0:09:39 | |
It could be any doctor. | 0:09:39 | 0:09:40 | |
I came so far. | 0:09:42 | 0:09:43 | |
It could be anyone. | 0:09:46 | 0:09:48 | |
-What's your name? -Donna. | 0:09:50 | 0:09:53 | |
-And you? -Oh, I was just... | 0:09:53 | 0:09:57 | |
passing by, I shouldn't even be here. | 0:09:57 | 0:09:58 | |
This is wrong. This is wrong. CHIRRUPING | 0:09:58 | 0:10:02 | |
This is so wrong. | 0:10:02 | 0:10:04 | |
-Sorry, what was it, Donna what? -Why d'you keep looking at my back? | 0:10:04 | 0:10:08 | |
-I'm not. -Yes, you are. | 0:10:08 | 0:10:10 | |
You keep looking behind me, you're doing it now. | 0:10:10 | 0:10:12 | |
What is it, what's there? Has someone put something on my back? | 0:10:12 | 0:10:15 | |
You can't sack me! I'm your Personal Assistant! | 0:10:27 | 0:10:31 | |
You don't have to make a scene, just come downstairs, and we can talk. | 0:10:31 | 0:10:34 | |
Oh, I'll make a scene, right in front of a tribunal. And the first thing I'll say is "wandering hands"! | 0:10:34 | 0:10:39 | |
You know what it's been like for the past few months, ever since that Christmas thing. | 0:10:39 | 0:10:43 | |
Half my contracts were on the other side of the river, and the Thames is still closed off. | 0:10:43 | 0:10:46 | |
-Look, I can't deliver, I'm losing a fortune. -Well, sack one of this lot! | 0:10:46 | 0:10:51 | |
Sack Cliff! He just sits there, I don't know what he does all day. | 0:10:51 | 0:10:53 | |
Sorry, Cliff. ..Actually, I'm not sorry, what DO you do all day? | 0:10:53 | 0:10:58 | |
LOUD BANG What the hell?! | 0:10:58 | 0:11:00 | |
Like an earthquake. | 0:11:05 | 0:11:07 | |
That's weird. | 0:11:07 | 0:11:09 | |
Funny sort of clouds... | 0:11:09 | 0:11:11 | |
Who typed this? | 0:11:11 | 0:11:13 | |
I'm your PA, did you get someone else to type this? | 0:11:13 | 0:11:17 | |
Beatrice! | 0:11:20 | 0:11:21 | |
It sounds impossible, but the entire hospital has vanished. | 0:11:21 | 0:11:26 | |
The Royal Hope no longer exists. | 0:11:26 | 0:11:28 | |
It's not been destroyed, there's no wreckage, | 0:11:28 | 0:11:31 | |
it's simply gone. Reports from bystanders say that the rain lifted up around the hospital... | 0:11:31 | 0:11:37 | |
Hole punch, having that. Stapler, mine. | 0:11:37 | 0:11:39 | |
Toy cactus, you can have that, Beatrice, catch! | 0:11:39 | 0:11:43 | |
Cliff, I'd leave you my mousemat, but I'm worried you'd cut yourself. | 0:11:43 | 0:11:47 | |
All right, Donna, have some respect. There's 2,000 people in that hospital. And it's vanished! | 0:11:47 | 0:11:52 | |
I'll show you vanishing. Thanks for nothing! | 0:11:52 | 0:11:54 | |
Oh, and you know when that money went missing from the kitty? | 0:11:54 | 0:11:57 | |
Anne Marie. That's all I'm saying. | 0:11:57 | 0:12:00 | |
-Anne Marie! -LOUD BANG | 0:12:00 | 0:12:04 | |
Oh, don't tell me, the hospital's back! | 0:12:04 | 0:12:07 | |
Well, isn't that wizard?! | 0:12:07 | 0:12:10 | |
To confirm. The Royal Hope Hospital was returned to its original position. | 0:12:10 | 0:12:14 | |
But with only one survivor. | 0:12:14 | 0:12:16 | |
The only person left alive, is medical student Oliver Morgenstern. | 0:12:16 | 0:12:20 | |
And there were these creatures. | 0:12:20 | 0:12:22 | |
-Like rhinos. Talking rhinos in black leather... -Rhinos? | 0:12:22 | 0:12:26 | |
-Rhinos could be aliens. -Ssh. | 0:12:26 | 0:12:29 | |
..We couldn't breathe, we were running out of air. | 0:12:29 | 0:12:33 | |
A colleague of mine gave me the last oxygen tank. Martha. | 0:12:33 | 0:12:37 | |
Martha Jones. | 0:12:37 | 0:12:39 | |
And she died. | 0:12:39 | 0:12:42 | |
Least you've got a hole punch. | 0:12:42 | 0:12:44 | |
-And a raffle ticket. -Yeah, well, they can keep the raffle, I wouldn't take a penny off that man. | 0:12:44 | 0:12:49 | |
Honestly, you two! There's aliens on the news! | 0:12:49 | 0:12:52 | |
They took that hospital all the way to the moon, and you're banging on about raffle tickets! | 0:12:52 | 0:12:56 | |
Don't be daft, Gramps, it wasn't the moon, it couldn't be. | 0:12:56 | 0:12:59 | |
I am telling you, it is getting worse, these past few years. | 0:12:59 | 0:13:02 | |
It's like all of a sudden, they suddenly know all about us and there's keen eyes up there | 0:13:02 | 0:13:08 | |
-and they're watching us, and they're not friendly. -This stapler says Bea. | 0:13:08 | 0:13:12 | |
Can't believe how well you're taking it, me getting sacked. Thought you'd hit the roof. | 0:13:12 | 0:13:16 | |
I'm just tired, Donna. What with your father and everything. To be honest, I've given up on you. | 0:13:16 | 0:13:21 | |
'..This further report just in from Oliver Morgenstern.' | 0:13:21 | 0:13:23 | |
There was this woman who took control. | 0:13:23 | 0:13:25 | |
Said she knew what to do, said she could stop the MRI or something. | 0:13:25 | 0:13:30 | |
Sarah Jane, her name was. Sarah Jane Smith. | 0:13:30 | 0:13:32 | |
Sarah Jane Smith was a freelance investigative journalist, formerly of Metropolitan Magazine. | 0:13:32 | 0:13:38 | |
Her body was recovered from the hospital late this afternoon... | 0:13:38 | 0:13:42 | |
-What's for tea? -I've got nothing in. | 0:13:42 | 0:13:45 | |
I'll get chips. | 0:13:45 | 0:13:46 | |
Last of my wages. Fish and chips, yeah? | 0:13:46 | 0:13:50 | |
'..Along with his teenage friends Maria Jackson and Clyde Langer. It is feared that they also perished.' | 0:13:50 | 0:13:57 | |
Blimey, you all right?! | 0:14:25 | 0:14:27 | |
-What was that, fireworks, or...? -I dunno. I was just... | 0:14:28 | 0:14:31 | |
walking along. That's weird! | 0:14:31 | 0:14:35 | |
You're the one... | 0:14:35 | 0:14:37 | |
Christmas Eve, I met you, in town. | 0:14:37 | 0:14:40 | |
-Donna, isn't it? -What was your name? | 0:14:40 | 0:14:42 | |
How're you doing? You're looking good. What you been up to? CHIRRUPING | 0:14:42 | 0:14:46 | |
-You're doing it again. -What? | 0:14:46 | 0:14:49 | |
Looking behind me. | 0:14:49 | 0:14:51 | |
People keep on doing that. | 0:14:51 | 0:14:52 | |
-Looking at my back. -What sort of people? | 0:14:52 | 0:14:55 | |
People in the street. | 0:14:55 | 0:14:57 | |
Strangers. | 0:14:57 | 0:14:59 | |
I just catch them, sometimes. | 0:14:59 | 0:15:00 | |
-Staring at me. Like they're looking at something. -CHIRRUPING | 0:15:00 | 0:15:04 | |
And then I get home and I look and there's nothing there. | 0:15:04 | 0:15:08 | |
CHIRRUPING | 0:15:08 | 0:15:09 | |
-See? Look, now I'M doing it! -What are you doing for Christmas? | 0:15:09 | 0:15:13 | |
What am I what?! | 0:15:13 | 0:15:15 | |
Next Christmas. Any plans? | 0:15:15 | 0:15:17 | |
I dunno, that's ages away! | 0:15:17 | 0:15:19 | |
Nothing much, I suppose. Why? | 0:15:19 | 0:15:22 | |
Just, I think you should get out, you and your family. Don't stay in London. Just leave the city. | 0:15:22 | 0:15:27 | |
What for? | 0:15:27 | 0:15:29 | |
Nice hotel. Christmas break? | 0:15:29 | 0:15:32 | |
-Can't afford it. -Well, now, you've got that raffle ticket. | 0:15:32 | 0:15:36 | |
-How d'you know about that? -First prize. | 0:15:36 | 0:15:39 | |
Luxury weekend break. | 0:15:39 | 0:15:41 | |
Use it, Donna Noble. | 0:15:41 | 0:15:43 | |
Why won't you tell me your name? | 0:15:43 | 0:15:46 | |
I think you | 0:15:50 | 0:15:53 | |
should leave me alone. | 0:15:53 | 0:15:55 | |
MUSIC: "Merry Xmas Everybody" by Slade | 0:16:07 | 0:16:10 | |
Cor blimey! That's what I call posh! | 0:16:10 | 0:16:14 | |
I said you were lucky! Didn't I always say, my lucky star? | 0:16:14 | 0:16:17 | |
For God's sake, don't tell them that we won it in a raffle. Be classy! | 0:16:17 | 0:16:22 | |
-Dad, take those things off. -No, I shan't, it's Christmas! | 0:16:22 | 0:16:25 | |
-I'll have that one, thank you, it's got my liniment in it. -I reckon we deserve this. | 0:16:25 | 0:16:30 | |
It's been a hell of a year. | 0:16:30 | 0:16:31 | |
Your Dad would've loved this. | 0:16:31 | 0:16:34 | |
Yeah. | 0:16:34 | 0:16:36 | |
He would've. | 0:16:36 | 0:16:38 | |
KNOCK ON DOOR | 0:16:43 | 0:16:45 | |
Oy! Gramps! Get that, that'll be breakfast! | 0:16:45 | 0:16:49 | |
We've got croissants! | 0:16:49 | 0:16:50 | |
Why can't you get it? Lady Muck! | 0:16:50 | 0:16:53 | |
It's Christmas Day, I never get up before ten. | 0:16:53 | 0:16:55 | |
Only madam there was up with the dawn chorus. | 0:16:55 | 0:16:58 | |
Like when she was six years old! | 0:16:58 | 0:17:00 | |
I'm not wasting a second in this place! | 0:17:00 | 0:17:03 | |
-How was the sofa? -Oh, yeah, not so good, really. | 0:17:03 | 0:17:07 | |
Oooh! You know we could've paid for a second room. | 0:17:09 | 0:17:13 | |
Oi! | 0:17:13 | 0:17:14 | |
-Merry Christmas! -Merry Christmas. | 0:17:14 | 0:17:17 | |
-Merry Christmas, Dad. -KNOCKING | 0:17:17 | 0:17:19 | |
All right! All right, my darlin'! Grub's up! Merry Christmas! | 0:17:19 | 0:17:23 | |
-Merry Christmas, sir. -'We interrupt this programme to bring you breaking news.' -Have you seen this? | 0:17:23 | 0:17:27 | |
Nice early breakfast, then we'll go for a walk. | 0:17:27 | 0:17:29 | |
People always say that at Christmas, 'Oh, we all went for a walk', I've always wanted to do that. | 0:17:29 | 0:17:33 | |
-So, walk first, presents later, yeah? -Donna, come and see. | 0:17:33 | 0:17:38 | |
-Tienes algo en tu espalda. -What? -Donna, look at the telly. | 0:17:38 | 0:17:40 | |
-Tienes algo en tu espalda. -What does that mean? I don't know what you're saying. | 0:17:40 | 0:17:45 | |
-Donna, look at the TV! -Tienes algo en tu espalda! | 0:17:45 | 0:17:48 | |
CHIRRUPING | 0:17:49 | 0:17:53 | |
For God's sake, Donna, don't just stand there, come and look! | 0:17:55 | 0:17:59 | |
'..This footage is live and genuine. The object is falling on Central London.' | 0:17:59 | 0:18:05 | |
I repeat, this is not a hoax. A replica of the Titanic | 0:18:05 | 0:18:08 | |
is falling out of the sky and it's heading for Buckingham Palace. | 0:18:08 | 0:18:11 | |
We're getting this footage from the Guinnevere range of satellites. | 0:18:11 | 0:18:16 | |
Is that...a film or something? | 0:18:16 | 0:18:18 | |
The Royal Air Force has declared an emerg... | 0:18:20 | 0:18:24 | |
LOUD BANG | 0:18:26 | 0:18:29 | |
It's gone dead. | 0:18:33 | 0:18:35 | |
-All of them. -No, but the Titanic?! Oh, don't be daft! | 0:18:35 | 0:18:41 | |
Is that like a sequel? | 0:18:41 | 0:18:43 | |
Oh... | 0:18:43 | 0:18:46 | |
Oh, God rest their souls. | 0:18:46 | 0:18:48 | |
I was supposed to be out there, selling papers. | 0:18:53 | 0:18:55 | |
I should've been there. We all should. | 0:18:55 | 0:18:58 | |
We'd be dead. | 0:18:58 | 0:19:00 | |
That's everyone. | 0:19:00 | 0:19:02 | |
Every single person we know. | 0:19:02 | 0:19:05 | |
The whole city. | 0:19:05 | 0:19:08 | |
Can't be. | 0:19:08 | 0:19:10 | |
But it is. It's gone. | 0:19:10 | 0:19:12 | |
London's gone. | 0:19:12 | 0:19:14 | |
If you hadn't won that raffle... | 0:19:14 | 0:19:17 | |
Leeds?! I'm not moving to Leeds! | 0:19:24 | 0:19:27 | |
I'm afraid it's Leeds, or you can wait in the hostel for another three months. | 0:19:27 | 0:19:31 | |
-All I want is a washing machine. -What about Glasgow, I heard there was jobs going in Glasgow. | 0:19:31 | 0:19:35 | |
You can't pick and choose! All of Southern England's flooded with radiation, | 0:19:35 | 0:19:39 | |
7 million people in need of relocation, | 0:19:39 | 0:19:42 | |
and now France has closed its borders, so it's Leeds or nothing. ..Next! | 0:19:42 | 0:19:47 | |
The Daniels Family, billetted at number 15. Mr & Mrs Obego, billetted at number 31. | 0:19:59 | 0:20:06 | |
-Miss Coltrane, you're in number 8. The Noble family, billetted at number 29... -That's us! | 0:20:06 | 0:20:11 | |
Come on. Off we go, all right? | 0:20:11 | 0:20:14 | |
Used to be a nice little family, number 29. | 0:20:16 | 0:20:20 | |
They missed one mortgage payment, just one, they got booted out, all for you lot. | 0:20:20 | 0:20:24 | |
Don't get all chippy with me, Vera Duckworth. | 0:20:24 | 0:20:27 | |
-Pop your clogs on and go and feed t'whippets. -Sweetheart, come on. | 0:20:27 | 0:20:31 | |
You're not gonna make the world any better by shouting at it. | 0:20:31 | 0:20:35 | |
I can try. | 0:20:35 | 0:20:36 | |
What happens, do we get keys? | 0:20:42 | 0:20:44 | |
I don't know, do I? Who do we ask, the soldiers? | 0:20:44 | 0:20:48 | |
Hey-ey! Is a big house! | 0:20:48 | 0:20:51 | |
Room for all! Welcome! In you come. | 0:20:51 | 0:20:54 | |
-I thought this was OUR house. -Is many people's house! Is wonderful! | 0:20:54 | 0:20:58 | |
In! In! In! | 0:20:58 | 0:21:01 | |
We've been here for eight weeks already. | 0:21:01 | 0:21:03 | |
I had a nice little paper shop in Shepherd's Bush. All gone now. | 0:21:03 | 0:21:06 | |
So, upstairs, we have the Merchandani family, seven of them, | 0:21:06 | 0:21:10 | |
good family, good kids. | 0:21:10 | 0:21:13 | |
Except that one, be careful of him. | 0:21:13 | 0:21:16 | |
That's a joking! Where's that smile? | 0:21:16 | 0:21:21 | |
Rocco Colosanto, I'm here with my wife, and her sister, | 0:21:21 | 0:21:24 | |
and her husband, and their kids, and their daughter's kids. We've got the front room. | 0:21:24 | 0:21:28 | |
My mother, she's got the back room. She's old, you forgive. | 0:21:28 | 0:21:32 | |
And this, this is you, this is your palace! | 0:21:32 | 0:21:37 | |
-What d'you mean, this is us? -You live here! | 0:21:40 | 0:21:43 | |
-In the kitchen?! -You got camp beds! You got the cooker, you keep warm, you got the fridge, you keep cool! | 0:21:43 | 0:21:48 | |
-Is good! -What about the bathroom? | 0:21:48 | 0:21:50 | |
-Nobody lives in the bathroom! -No, I mean, is there a rota? | 0:21:50 | 0:21:54 | |
Is pot luck! Is fun! | 0:21:54 | 0:21:56 | |
I go wake Mamma, she likes new people. | 0:21:56 | 0:22:00 | |
Mamma! Is people! Nice people! | 0:22:00 | 0:22:03 | |
Ah, well... | 0:22:05 | 0:22:07 | |
We'll settle in, won't we? Make do. | 0:22:07 | 0:22:10 | |
Bit of wartime spirit, eh? | 0:22:10 | 0:22:12 | |
But there isn't a war. There's no fight, | 0:22:12 | 0:22:16 | |
There's just... | 0:22:16 | 0:22:17 | |
-..this. -Well, America, they'll save us. | 0:22:18 | 0:22:21 | |
It was on the news. They're gonna send Great Britain 50 billion quid in financial aid! | 0:22:21 | 0:22:27 | |
God bless America! | 0:22:27 | 0:22:29 | |
America is in crisis with over 60 million reported dead. | 0:22:29 | 0:22:33 | |
Sixty million people have dissolved into fat. And the fat is walking. | 0:22:33 | 0:22:38 | |
People's fat has come to life and is walking through the streets. | 0:22:38 | 0:22:42 | |
And there are spaceships. | 0:22:42 | 0:22:44 | |
There are reports of spaceships over every major US city. The fat is flying, it is leaving,... | 0:22:44 | 0:22:50 | |
-Aliens. -Yeah. | 0:22:50 | 0:22:54 | |
Mary McGinty, d'you remember her? | 0:22:56 | 0:23:00 | |
-Who was she? -Worked in the newsagent on a Sunday. | 0:23:00 | 0:23:05 | |
Little woman, black hair. | 0:23:05 | 0:23:08 | |
Never really spoke to her. | 0:23:08 | 0:23:10 | |
She'll be dead. Every day, I think of someone else. | 0:23:10 | 0:23:14 | |
-All dead. -Maybe she went away for Christmas. | 0:23:14 | 0:23:18 | |
Maybe. | 0:23:18 | 0:23:21 | |
I'll go out tomorrow, I'll walk into town. | 0:23:21 | 0:23:24 | |
There's got to be work. | 0:23:24 | 0:23:26 | |
Everyone needs secretaries. | 0:23:26 | 0:23:28 | |
Soon as I'm earning, we'll get a proper place. | 0:23:28 | 0:23:32 | |
Just you wait, Mum. | 0:23:32 | 0:23:33 | |
What if it never gets better? | 0:23:33 | 0:23:35 | |
Course it will. | 0:23:35 | 0:23:37 | |
Even the bees are disappearing. | 0:23:37 | 0:23:39 | |
You don't see bumble bees any more. | 0:23:39 | 0:23:41 | |
They'll sort us out, | 0:23:41 | 0:23:44 | |
the Emergency Government. | 0:23:44 | 0:23:46 | |
-They'll do something. -What if they don't? | 0:23:46 | 0:23:49 | |
Then... we'll complain. | 0:23:50 | 0:23:53 | |
Who's gonna listen to us? | 0:23:53 | 0:23:55 | |
Refugees. | 0:23:55 | 0:23:57 | |
We haven't even got a vote. | 0:23:57 | 0:23:59 | |
We're just no-one, Donna. | 0:23:59 | 0:24:01 | |
We don't exist. | 0:24:01 | 0:24:04 | |
MEN SING LOUDLY: # ..And I spent all my money on whisky and beer.. # | 0:24:04 | 0:24:07 | |
I am going to kill that man! | 0:24:07 | 0:24:11 | |
Now, listen, Mussolini! | 0:24:13 | 0:24:15 | |
I am telling you, for the last time, to button it! | 0:24:15 | 0:24:20 | |
If I hear one more sea shanty... | 0:24:20 | 0:24:23 | |
Always loved a sing-song. | 0:24:27 | 0:24:29 | |
# ..I'm just a poor boy, nobody loves me | 0:24:29 | 0:24:33 | |
# He's just a poor boy from a poor family | 0:24:33 | 0:24:35 | |
# Spare him his life from this monstrosity | 0:24:35 | 0:24:39 | |
# Easy come, easy go | 0:24:39 | 0:24:41 | |
# Will you let me go...? # GUNFIRE OUTSIDE | 0:24:41 | 0:24:44 | |
-GUNFIRE CONTINUES -You stay here! | 0:24:45 | 0:24:48 | |
Everyone, stay! | 0:24:48 | 0:24:50 | |
Hey! Firing at the car, is not so good! You crazy or what?! | 0:24:53 | 0:24:56 | |
It's this ATMOS thing, it won't stop, it's like gas, it's toxic. | 0:24:56 | 0:25:00 | |
Well, switch it off! | 0:25:00 | 0:25:01 | |
I have done! It's still going! It's all the cars, every single ATMOS car! They've gone mad... | 0:25:01 | 0:25:07 | |
-CHIRRUPING -You... lady, turn round. | 0:25:07 | 0:25:10 | |
-Turn around! -Are you crazy, boy? -Now! | 0:25:10 | 0:25:13 | |
-Put that down! -Turn round! | 0:25:13 | 0:25:16 | |
Do what he says! | 0:25:16 | 0:25:17 | |
-Show me your back! -Turn around! | 0:25:17 | 0:25:19 | |
Show me your back! | 0:25:19 | 0:25:21 | |
Sorry. | 0:25:24 | 0:25:27 | |
I thought I saw... | 0:25:27 | 0:25:29 | |
Call yourself a soldier?! Pointing guns at innocent women! | 0:25:29 | 0:25:32 | |
You're a disgrace! | 0:25:32 | 0:25:34 | |
In my day, we'd have had you court-martialled! | 0:25:34 | 0:25:37 | |
Donna, where are you going? It's not safe at night! | 0:25:37 | 0:25:41 | |
Donna! Donna! | 0:25:41 | 0:25:43 | |
Hello. | 0:25:47 | 0:25:48 | |
Hi. | 0:25:50 | 0:25:51 | |
It's the ATMOS devices. | 0:25:51 | 0:25:53 | |
We're lucky, it's not so bad here, Britain hasn't got that much petrol. | 0:25:53 | 0:25:58 | |
But all over Europe... | 0:25:58 | 0:25:59 | |
China, South Africa... | 0:25:59 | 0:26:02 | |
They're getting choked by gas. | 0:26:02 | 0:26:05 | |
Can't anyone stop it? | 0:26:05 | 0:26:06 | |
Yeah, they're trying right now. This little band of fighters, on board the Sontaran ship. | 0:26:06 | 0:26:12 | |
Any second now. | 0:26:14 | 0:26:15 | |
And that was...? | 0:26:30 | 0:26:32 | |
That was the Torchwood team. Gwen Cooper, | 0:26:32 | 0:26:36 | |
Ianto Jones, they gave their lives. | 0:26:36 | 0:26:38 | |
And Captain Jack Harkness has transported to the Sontaran homeworld. There's no-one left. | 0:26:38 | 0:26:44 | |
You're always wearing the same clothes. | 0:26:46 | 0:26:48 | |
Why won't you tell me your name? | 0:26:48 | 0:26:51 | |
None of this was meant to happen. | 0:26:51 | 0:26:55 | |
There was a man. | 0:26:55 | 0:26:57 | |
This wonderful man. And he stopped it. | 0:26:57 | 0:27:00 | |
The Titanic, the Adipose, the ATMOS - he stopped them all from happening. | 0:27:00 | 0:27:04 | |
That...Doctor? | 0:27:04 | 0:27:06 | |
-You knew him. -Did I? | 0:27:06 | 0:27:09 | |
When? | 0:27:09 | 0:27:11 | |
I think you dream about him sometimes. It's a man in a suit. | 0:27:11 | 0:27:14 | |
Tall, thin man. Great hair. | 0:27:14 | 0:27:18 | |
Some really great hair. | 0:27:18 | 0:27:21 | |
Who are you? | 0:27:21 | 0:27:23 | |
I was like you. I used to be you. | 0:27:23 | 0:27:26 | |
-Cos you travelled with him, Donna, you travelled with the Doctor in a different world. -I never met him. | 0:27:26 | 0:27:31 | |
-And he's dead. -He died underneath the Thames on Christmas Eve. But you were meant to be there. | 0:27:31 | 0:27:36 | |
He needed someone to stop him, and that was you. | 0:27:36 | 0:27:38 | |
You made him leave, you saved his life. | 0:27:38 | 0:27:41 | |
Arggh! | 0:27:45 | 0:27:46 | |
Doctor! You can stop now! | 0:27:49 | 0:27:52 | |
Stop it! I don't know what you're talking about, leave me alone! | 0:27:52 | 0:27:55 | |
Something's coming, Donna. Something worse. | 0:27:55 | 0:27:58 | |
The whole world is stinking. | 0:27:58 | 0:28:01 | |
-How could anything be worse than this? -Trust me. | 0:28:01 | 0:28:04 | |
We need the Doctor more than ever. | 0:28:04 | 0:28:06 | |
I've...I've been pulled across from a different universe, because every single universe is in danger. | 0:28:06 | 0:28:12 | |
It's coming, Donna. | 0:28:12 | 0:28:14 | |
-It's coming from across the stars, and nothing can stop it. -What is? | 0:28:14 | 0:28:19 | |
The darkness. | 0:28:19 | 0:28:21 | |
Well, what d'you keep telling me for? What am I supposed to do?! | 0:28:23 | 0:28:27 | |
I'm nothing special. | 0:28:27 | 0:28:29 | |
I mean... I'm not... I'm nothing special. I'm a temp! | 0:28:29 | 0:28:34 | |
I'm not even that! I'm nothing. | 0:28:34 | 0:28:36 | |
Donna Noble, you're the most important woman in the whole of creation. | 0:28:36 | 0:28:40 | |
Oh, don't. | 0:28:40 | 0:28:43 | |
Just...don't. | 0:28:43 | 0:28:47 | |
I'm tired. | 0:28:47 | 0:28:49 | |
I'm so tired. | 0:28:49 | 0:28:53 | |
I need you to come with me. | 0:28:55 | 0:28:57 | |
Yeah, well, blonde hair might work on the men, but you ain't shifting me, lady! | 0:28:57 | 0:29:03 | |
That's more like it. | 0:29:03 | 0:29:05 | |
-I've got plenty more. -You'll come with me. | 0:29:05 | 0:29:08 | |
Only when you want to. | 0:29:08 | 0:29:10 | |
You'll have a long wait, then. | 0:29:10 | 0:29:12 | |
Not really, just three weeks. Tell me, does your grandfather still own that telescope? | 0:29:12 | 0:29:17 | |
He never lets go of it. | 0:29:19 | 0:29:20 | |
Three weeks' time. | 0:29:20 | 0:29:22 | |
But you've got to be certain. Cos when you come with me, Donna... I'm sorry, | 0:29:23 | 0:29:28 | |
so sorry, but... | 0:29:28 | 0:29:29 | |
..you're going to die. | 0:29:31 | 0:29:33 | |
And you! I'll gonna miss you most of all! | 0:29:49 | 0:29:53 | |
All flame-haired and fiery! | 0:29:53 | 0:29:55 | |
Oh, but why d'you have to go? | 0:29:55 | 0:29:58 | |
It's the new law! England for the English, et cetera. | 0:29:58 | 0:30:01 | |
They can't send us home, the oceans are closed, they build labour camps! | 0:30:01 | 0:30:05 | |
I know, but labour doing what? There aren't any jobs. | 0:30:05 | 0:30:08 | |
Sewing, digging - is good! | 0:30:08 | 0:30:12 | |
Now, stop it before I kiss you too much... | 0:30:12 | 0:30:17 | |
Wilfred! | 0:30:18 | 0:30:19 | |
My capitano! | 0:30:19 | 0:30:22 | |
It'll be quiet with him gone. | 0:30:36 | 0:30:38 | |
Still, we'll have more room. | 0:30:38 | 0:30:41 | |
Labour camps. | 0:30:41 | 0:30:43 | |
That's what they called them last time. | 0:30:43 | 0:30:45 | |
What d'you mean? | 0:30:45 | 0:30:47 | |
It's happening again. | 0:30:50 | 0:30:53 | |
What is? | 0:30:53 | 0:30:55 | |
'Scuse me! | 0:30:58 | 0:31:01 | |
'Scuse me, where are you taking them? | 0:31:01 | 0:31:03 | |
Where are you going? | 0:31:03 | 0:31:05 | |
Where are you going? | 0:31:05 | 0:31:07 | |
Where are you going?! | 0:31:07 | 0:31:10 | |
WHERE ARE YOU GOING?! | 0:31:10 | 0:31:12 | |
I asked about jobs. | 0:31:31 | 0:31:32 | |
With the army. | 0:31:32 | 0:31:34 | |
They said I wasn't qualified. | 0:31:34 | 0:31:36 | |
You were right. You said I should have worked harder at school. | 0:31:40 | 0:31:44 | |
Suppose I've always been a disappointment. | 0:31:50 | 0:31:53 | |
Yeah. | 0:31:53 | 0:31:54 | |
-You know we'd get a bit of cash if we sold this thing. -Don't you dare. | 0:32:09 | 0:32:13 | |
I always imagined, your old age... I'd have put a bit of money by. | 0:32:15 | 0:32:20 | |
Make you comfy. | 0:32:20 | 0:32:22 | |
Never did. | 0:32:22 | 0:32:24 | |
I'm just useless. | 0:32:24 | 0:32:26 | |
You're supposed to say, "No, you're not." | 0:32:29 | 0:32:32 | |
Ah, it must be the alignment... | 0:32:32 | 0:32:34 | |
-What's wrong? -Well, I dunno, I mean it can't be the lens cos I was looking at Orion, | 0:32:34 | 0:32:39 | |
the constellation of Orion. | 0:32:39 | 0:32:41 | |
-You take a look. Now, tell me, what can you see? -Where? | 0:32:41 | 0:32:44 | |
Well, up there, in the sky! | 0:32:44 | 0:32:46 | |
Well, I can't see anything. It's just black. | 0:32:48 | 0:32:51 | |
Well, I mean it's working. The telescope is working. | 0:32:51 | 0:32:55 | |
-Well, maybe it's the clouds. -There's no clouds. | 0:32:55 | 0:32:57 | |
-Well, there must be! -There's not! | 0:32:57 | 0:32:59 | |
It was there, an entire constellation. | 0:32:59 | 0:33:04 | |
Look! | 0:33:06 | 0:33:07 | |
Look there. | 0:33:07 | 0:33:11 | |
They're going out. | 0:33:11 | 0:33:12 | |
Oh, my God! | 0:33:12 | 0:33:15 | |
Donna, the stars are going out. | 0:33:15 | 0:33:18 | |
I'm ready. | 0:33:26 | 0:33:28 | |
PA SYSTEM: 'Loadstone testing now at 15.4, | 0:33:45 | 0:33:48 | |
'repeat 15.4.' | 0:33:48 | 0:33:50 | |
-Ma'am. -I've told you, don't salute. | 0:33:53 | 0:33:56 | |
-Well, if you're not going to tell us your name... -What, you don't know either? | 0:33:56 | 0:33:59 | |
I've crossed too many different realities. | 0:33:59 | 0:34:01 | |
Trust me, the wrong word in the wrong place can change an entire causal nexus. | 0:34:01 | 0:34:06 | |
She talks like that. A lot. | 0:34:06 | 0:34:08 | |
And you must be...Miss Noble. | 0:34:08 | 0:34:11 | |
-Donna. -Captain Erisa Magambo. Thank you for this. | 0:34:11 | 0:34:15 | |
-I don't even know what I'm doing. -Is it awake? | 0:34:15 | 0:34:18 | |
Seems to be quiet, today. Ticking over. | 0:34:18 | 0:34:20 | |
Like it's waiting. | 0:34:20 | 0:34:22 | |
D'you want to see it? | 0:34:22 | 0:34:24 | |
What's a "police box"? | 0:34:26 | 0:34:28 | |
-They salvaged it from underneath the Thames. Just go inside. -What for? -Just go in. | 0:34:28 | 0:34:34 | |
No way! | 0:34:50 | 0:34:53 | |
What d'you think? | 0:35:24 | 0:35:25 | |
Can I have a coffee? | 0:35:27 | 0:35:29 | |
Time And Relative Dimension in Space. | 0:35:29 | 0:35:32 | |
This room used to shine with light. | 0:35:32 | 0:35:34 | |
I think it's dying. | 0:35:34 | 0:35:36 | |
QUIET METALLIC THRUMMING It's still trying to help. | 0:35:40 | 0:35:44 | |
-And...it belonged to the Doctor? -He was a Time Lord. Last of his kind. | 0:35:44 | 0:35:50 | |
-But if he was so special, what was he doing with me? -He thought you were brilliant. | 0:35:50 | 0:35:55 | |
-Don't be stupid. -But you are. It just took the Doctor to show you that, simply by being with him. | 0:35:55 | 0:36:00 | |
He did the same to me, to everyone he touches. | 0:36:00 | 0:36:04 | |
Were you and him...? | 0:36:06 | 0:36:09 | |
-D'you want to see it? -No. | 0:36:17 | 0:36:20 | |
-Go on, then. -We don't know how the TARDIS works, but we've managed to scrape off the surface technology, | 0:36:24 | 0:36:30 | |
enough to show you the creature. | 0:36:30 | 0:36:31 | |
It's a creature? | 0:36:31 | 0:36:33 | |
Just stand here. | 0:36:33 | 0:36:35 | |
Out of the circle, please. | 0:36:35 | 0:36:38 | |
Yes, ma'am. | 0:36:38 | 0:36:40 | |
Can't you stay with me? | 0:36:40 | 0:36:43 | |
Ready? | 0:36:43 | 0:36:44 | |
And...activate. | 0:36:44 | 0:36:47 | |
-Open your eyes, Donna. -Is it there? | 0:36:53 | 0:36:56 | |
Open your eyes. Look at it. | 0:36:56 | 0:36:59 | |
-I can't. -It's part of you, Donna. Look. | 0:36:59 | 0:37:02 | |
CHIRRUPING | 0:37:02 | 0:37:05 | |
It's OK, it's OK, it's OK, calm down! Donna, Donna, Donna! OK. | 0:37:11 | 0:37:16 | |
CREATURE CHIRRUPS | 0:37:19 | 0:37:22 | |
What is it? | 0:37:25 | 0:37:28 | |
We don't know. | 0:37:28 | 0:37:30 | |
Oh...thanks(!) | 0:37:30 | 0:37:33 | |
It feeds off time. | 0:37:33 | 0:37:34 | |
By changing time, by making someone's life take a different turn, | 0:37:34 | 0:37:38 | |
like, er, meetings never made, | 0:37:38 | 0:37:41 | |
children never born, | 0:37:41 | 0:37:43 | |
a life never loved. | 0:37:43 | 0:37:46 | |
-But with you it's... -I never did anything important. | 0:37:46 | 0:37:49 | |
Yes, you did. One day, that thing made you turn right, instead of left. | 0:37:49 | 0:37:53 | |
-When was that? -You wouldn't remember. It was the most ordinary day in the world. | 0:37:53 | 0:37:57 | |
But by turning right, you never met the Doctor. And the whole world just changed around you. | 0:37:57 | 0:38:02 | |
Can you get rid of it? | 0:38:02 | 0:38:04 | |
I can't even touch it. | 0:38:04 | 0:38:07 | |
Seems to be in a state of flux. | 0:38:07 | 0:38:09 | |
What does that mean? | 0:38:09 | 0:38:12 | |
I don't know. | 0:38:12 | 0:38:14 | |
Sort of thing the Doctor would say. | 0:38:14 | 0:38:16 | |
You liar! | 0:38:16 | 0:38:18 | |
You told me I was special. | 0:38:18 | 0:38:21 | |
But it's not me, it's this thing - I'm just a host! | 0:38:21 | 0:38:25 | |
No, there's more than that... | 0:38:25 | 0:38:28 | |
The readings are strange. | 0:38:28 | 0:38:30 | |
It's like reality is just bending around you. | 0:38:30 | 0:38:32 | |
-Because of this thing! -No, no, we're getting separate readings from you. | 0:38:32 | 0:38:37 | |
-And they've always been there, since the day you were born. -This is not relevant to the mission. | 0:38:37 | 0:38:42 | |
I thought it was just the Doctor we needed, | 0:38:42 | 0:38:45 | |
but it's the both of you. The Doctor and Donna Noble. Together. | 0:38:45 | 0:38:49 | |
To stop the stars from going out. | 0:38:49 | 0:38:52 | |
Why? | 0:38:52 | 0:38:53 | |
What can I do? | 0:38:54 | 0:38:57 | |
Turn it off! Please. | 0:39:02 | 0:39:06 | |
-Captain. -Power down. | 0:39:06 | 0:39:07 | |
It's still there, though. | 0:39:16 | 0:39:19 | |
What can I do... | 0:39:20 | 0:39:22 | |
to get rid of it? | 0:39:22 | 0:39:25 | |
You're going to travel in time! | 0:39:25 | 0:39:27 | |
The TARDIS has tracked down the moment of intervention - | 0:39:27 | 0:39:29 | |
Monday the 25th, one minute past ten in the morning. | 0:39:29 | 0:39:32 | |
Your car was on Little Sutton Street, leading to the Ealing Road, | 0:39:32 | 0:39:34 | |
but you turned right, heading for Griffin's Parade. | 0:39:34 | 0:39:36 | |
You need to turn left. You've got to go back, turn left. Have you got that, Donna? | 0:39:36 | 0:39:40 | |
One minute past ten, make yourself turn left, heading for the Chiswick High Road. | 0:39:40 | 0:39:44 | |
Keep the jacket on at all times - it's insulation against temporal feedback. | 0:39:44 | 0:39:47 | |
This will correspond to local time wherever you land. | 0:39:47 | 0:39:50 | |
This is to combat dehydration. | 0:39:50 | 0:39:52 | |
-This is where we leave you. -I don't want to see that thing on my back. | 0:40:01 | 0:40:05 | |
No, the mirrors are just incidental. | 0:40:05 | 0:40:07 | |
They bounce chronon energy back into the centre, | 0:40:07 | 0:40:09 | |
which we control and decide the destination. | 0:40:09 | 0:40:12 | |
It's a time machine. | 0:40:12 | 0:40:14 | |
It's a time machine. | 0:40:14 | 0:40:16 | |
If you could... | 0:40:16 | 0:40:17 | |
Powering up! | 0:40:23 | 0:40:25 | |
-How d'you know it's gonna work? -Hmm? | 0:40:30 | 0:40:33 | |
Oh, we...we don't. We're...we're just guessing. | 0:40:33 | 0:40:38 | |
Brilliant(!) | 0:40:39 | 0:40:41 | |
Just remember, when you get to the junction, change the car's direction by one minute past ten. | 0:40:41 | 0:40:46 | |
-How do I do that? -It's up to you. | 0:40:46 | 0:40:48 | |
Well...I'll just have to... | 0:40:48 | 0:40:51 | |
run up to myself and...have a good argument. | 0:40:51 | 0:40:55 | |
-I'd like to see that. -Activate lodestone. | 0:40:55 | 0:40:58 | |
Good luck. | 0:41:01 | 0:41:02 | |
-I'm ready! -One minute past ten. | 0:41:02 | 0:41:05 | |
Cos I understand now! | 0:41:05 | 0:41:07 | |
You said I was gonna die, but you mean this whole world, it's gonna blink out of existence... | 0:41:07 | 0:41:14 | |
but that's not dying, cos a better world takes its place. The Doctor's world! | 0:41:14 | 0:41:20 | |
And I'm still alive! | 0:41:20 | 0:41:22 | |
That's right, isn't it? I don't die. If I change things, I don't die. | 0:41:24 | 0:41:28 | |
That's...that's right, isn't it? | 0:41:28 | 0:41:32 | |
I'm sorry. | 0:41:35 | 0:41:36 | |
But I can't die! | 0:41:36 | 0:41:40 | |
I've got a future! | 0:41:40 | 0:41:42 | |
With the Doctor - you told me! | 0:41:42 | 0:41:45 | |
Activate! | 0:41:46 | 0:41:47 | |
But... | 0:42:20 | 0:42:22 | |
Hold on... But this is... | 0:42:22 | 0:42:25 | |
I'm not... | 0:42:25 | 0:42:28 | |
This is Sutton Court! | 0:42:28 | 0:42:30 | |
I'm half a mile away. | 0:42:30 | 0:42:33 | |
I'M HALF A MILE AWAY! | 0:42:33 | 0:42:35 | |
Four minutes. | 0:42:38 | 0:42:40 | |
Oh, my God! | 0:42:40 | 0:42:42 | |
Jival Chowdry, he runs that little photocopy business in Merchant Street | 0:42:46 | 0:42:53 | |
and he needs a secretary. | 0:42:53 | 0:42:54 | |
I've got a job! | 0:42:54 | 0:42:56 | |
HC Clements is in the city. It's nice, it's posh, | 0:43:03 | 0:43:08 | |
so stop it! | 0:43:08 | 0:43:10 | |
BEEPING | 0:43:13 | 0:43:15 | |
It won't take long, just turn right. | 0:43:20 | 0:43:23 | |
I'm going left - if you don't like it, get out and walk! | 0:43:25 | 0:43:30 | |
You think I'm so useless. | 0:43:30 | 0:43:31 | |
Oh, I know why you want a job with HC Clements, lady. | 0:43:31 | 0:43:35 | |
Cos you think you'll meet a man. | 0:43:35 | 0:43:36 | |
I'm not gonna get there. | 0:43:44 | 0:43:46 | |
You're gonna die. | 0:43:50 | 0:43:52 | |
City executives don't need temps - except for practice. | 0:43:59 | 0:44:03 | |
-INDICATOR TICKS -Yeah. | 0:44:03 | 0:44:05 | |
Suppose you're right. | 0:44:05 | 0:44:07 | |
Please. | 0:44:11 | 0:44:13 | |
Argh! | 0:44:19 | 0:44:20 | |
Can you hear that? | 0:44:20 | 0:44:22 | |
-Oh, no! Go back! -Oi! Get a move on! | 0:44:22 | 0:44:26 | |
-The traffic's stopping. -Something must've happened. | 0:44:27 | 0:44:31 | |
Tell him this. | 0:44:39 | 0:44:42 | |
Two words. | 0:44:42 | 0:44:44 | |
ROSE WHISPERS | 0:44:45 | 0:44:47 | |
Well, that decides it. I'm not sitting in a traffic jam. | 0:44:54 | 0:44:57 | |
-I'm going left! -VOICE ECHOES | 0:44:57 | 0:45:01 | |
Ah...! | 0:45:01 | 0:45:04 | |
'Left... | 0:45:04 | 0:45:06 | |
'Left...left...' | 0:45:06 | 0:45:08 | |
CREATURE CHIRRUPS | 0:45:12 | 0:45:15 | |
IT STOPS CHIRRUPING | 0:45:18 | 0:45:21 | |
What the hell is that?! | 0:45:21 | 0:45:23 | |
You were so strong. What are you? | 0:45:23 | 0:45:28 | |
What will you be? | 0:45:28 | 0:45:31 | |
What will you be? | 0:45:31 | 0:45:33 | |
Everything all right? | 0:45:36 | 0:45:38 | |
Oh, God...! | 0:45:38 | 0:45:40 | |
What was that for?! | 0:45:41 | 0:45:43 | |
I don't know! | 0:45:43 | 0:45:45 | |
Can't remember. | 0:45:53 | 0:45:54 | |
It's slipping away. | 0:45:54 | 0:45:56 | |
You know, like when you think of a dream, and it sort of goes. | 0:45:56 | 0:46:01 | |
Just got lucky, this thing. | 0:46:01 | 0:46:03 | |
It's one of the Trickster's Brigade. | 0:46:03 | 0:46:06 | |
Changes a life in tiny little ways. | 0:46:06 | 0:46:08 | |
Most times, the universe just compensates around it, but with you... | 0:46:08 | 0:46:11 | |
great big parallel world! | 0:46:11 | 0:46:15 | |
Hold on, you said parallel worlds are sealed off. | 0:46:15 | 0:46:18 | |
They are. But you had one created around you. | 0:46:18 | 0:46:21 | |
Funny thing is... seems to be happening a lot. To you. | 0:46:21 | 0:46:25 | |
How d'you mean? | 0:46:25 | 0:46:27 | |
Well, the Library. Then this. | 0:46:27 | 0:46:29 | |
Just goes with the job, I suppose. | 0:46:29 | 0:46:32 | |
Sometimes I think there's way too much coincidence around you, Donna. | 0:46:32 | 0:46:36 | |
I met you once. Then I met your grandfather. Then I met you again. | 0:46:36 | 0:46:40 | |
In the whole wide universe, I met you for a second time. | 0:46:40 | 0:46:43 | |
It's like something's binding us together. | 0:46:43 | 0:46:47 | |
Don't be so daft. I'm nothing special. | 0:46:47 | 0:46:50 | |
Yes, you are, you're brilliant. | 0:46:50 | 0:46:53 | |
He thought you were brilliant. | 0:46:53 | 0:46:55 | |
SHE said that. | 0:46:55 | 0:46:58 | |
Who did? | 0:46:58 | 0:47:00 | |
That woman. | 0:47:00 | 0:47:02 | |
I can't remember... | 0:47:02 | 0:47:03 | |
She never existed, now. | 0:47:03 | 0:47:05 | |
No, but she said... | 0:47:05 | 0:47:06 | |
The stars... | 0:47:06 | 0:47:08 | |
She said the stars are going out. | 0:47:10 | 0:47:12 | |
-Yeah, but that world's gone. -No, but she said it was all worlds. | 0:47:12 | 0:47:16 | |
Every world. | 0:47:16 | 0:47:17 | |
She said the darkness is coming. | 0:47:17 | 0:47:20 | |
-Even here. -Who was she? | 0:47:20 | 0:47:22 | |
-I don't know. -What did she look like? | 0:47:22 | 0:47:25 | |
She was... | 0:47:25 | 0:47:27 | |
blonde. | 0:47:27 | 0:47:29 | |
-What was her name? -I don't know. -Donna, what was her name? | 0:47:29 | 0:47:32 | |
But she told me... | 0:47:34 | 0:47:36 | |
to warn you. | 0:47:36 | 0:47:37 | |
She said...two words. | 0:47:37 | 0:47:39 | |
What two words? What were they? What did she say? | 0:47:39 | 0:47:42 | |
"Bad Wolf." | 0:47:47 | 0:47:49 | |
What does it mean? | 0:47:51 | 0:47:52 | |
Doctor, what is it? What's Bad Wolf? | 0:48:14 | 0:48:18 | |
It's the end of the universe. | 0:48:19 | 0:48:22 | |
Ladies and gentlemen, we are at war. | 0:48:35 | 0:48:37 | |
-It can't be. -There's nothing I can do. | 0:48:37 | 0:48:40 | |
-Oh, my God! -What is it, who are they? | 0:48:40 | 0:48:43 | |
What are we going to do? | 0:48:43 | 0:48:45 | |
It's impossible. | 0:48:45 | 0:48:47 | |
It can't be! | 0:48:47 | 0:48:49 | |
-I'm sorry, we're dead. -Doctor, come back! | 0:48:49 | 0:48:51 | |
DALEK CACKLES It's only just beginning. | 0:48:51 | 0:48:55 | |
Subtitles by Red Bee Media Ltd - 2008 | 0:49:03 | 0:49:06 | |
Email [email protected] | 0:49:06 | 0:49:09 |