Browse content similar to The Eleventh Hour. Check below for episodes and series from the same categories and more!
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Aargh! | 0:00:30 | 0:00:31 | |
HE GRUNTS | 0:00:36 | 0:00:38 | |
BIG BEN STRIKES | 0:00:38 | 0:00:41 | |
Aaah! | 0:00:48 | 0:00:50 | |
HE SIGHS | 0:01:01 | 0:01:03 | |
Dear Santa, thank you for the dolls and pencils and the fish. | 0:02:06 | 0:02:11 | |
It's Easter now, so I hope I didn't wake you. | 0:02:11 | 0:02:15 | |
But honest, it is an emergency. | 0:02:15 | 0:02:18 | |
There's a crack in my wall. | 0:02:20 | 0:02:22 | |
Aunt Sharon says it's just an ordinary crack, but... | 0:02:26 | 0:02:30 | |
I know it's not, because, at night, there's voices. | 0:02:30 | 0:02:34 | |
So please, please, could you send someone to fix it? | 0:02:34 | 0:02:38 | |
Or a policeman. Or... | 0:02:38 | 0:02:40 | |
METALLIC THRUMMING OUTSIDE | 0:02:40 | 0:02:44 | |
CRASH! GLASS SMASHES | 0:02:47 | 0:02:51 | |
Back in a moment. | 0:02:52 | 0:02:54 | |
Thank you, Santa. | 0:03:16 | 0:03:18 | |
Can I have an apple? | 0:04:16 | 0:04:18 | |
All I can think about - apples. | 0:04:18 | 0:04:23 | |
I love apples. Maybe I'm having a craving. | 0:04:23 | 0:04:26 | |
That's new - never had cravings before. | 0:04:26 | 0:04:29 | |
Whoa! | 0:04:32 | 0:04:34 | |
Look at that! | 0:04:35 | 0:04:37 | |
Are you OK? | 0:04:37 | 0:04:39 | |
Just had a fall. All the way down there, right to the library. | 0:04:39 | 0:04:42 | |
-Hell of a climb back up. -You're soaking wet. -I was in the swimming pool. | 0:04:42 | 0:04:46 | |
-You said you were in the library. -So was the swimming pool. | 0:04:46 | 0:04:50 | |
-Are you a policeman? -Why? | 0:04:50 | 0:04:53 | |
-Did you call a policeman? -Did you come about the crack in my wall? | 0:04:53 | 0:04:58 | |
What cra...? Agh! | 0:04:58 | 0:05:01 | |
Are you all right, mister? | 0:05:03 | 0:05:05 | |
No, I'm fine, it's OK. | 0:05:05 | 0:05:08 | |
This is all perfectly norm... | 0:05:08 | 0:05:11 | |
Who are you? | 0:05:15 | 0:05:17 | |
I don't know yet. I'm still cooking. | 0:05:19 | 0:05:22 | |
Does it scare you? | 0:05:22 | 0:05:24 | |
-No, it just looks a bit weird. -No, no, no. The crack in your wall. | 0:05:24 | 0:05:28 | |
-Does it scare you? -Yes. | 0:05:28 | 0:05:31 | |
Well, then, no time to lose. | 0:05:31 | 0:05:34 | |
I'm the Doctor. Do everything I tell you, | 0:05:34 | 0:05:37 | |
don't ask stupid questions and don't wander off. | 0:05:37 | 0:05:40 | |
You all right? | 0:05:45 | 0:05:47 | |
Early days. | 0:05:47 | 0:05:49 | |
Steering's a bit off. | 0:05:49 | 0:05:51 | |
If you're a doctor, why does your box say Police? | 0:05:59 | 0:06:02 | |
-HE COUGHS -That's disgusting. What is that? | 0:06:10 | 0:06:12 | |
-An apple. -Apples are rubbish. I hate apples. -You said you loved them. | 0:06:12 | 0:06:16 | |
No, no, I love yoghurt. Yoghurt's my favourite. Give me yoghurt. | 0:06:16 | 0:06:20 | |
I hate yoghurt, it's just stuff with bits in. | 0:06:30 | 0:06:33 | |
-You said it was your favourite. -New mouth, new rules. | 0:06:33 | 0:06:36 | |
It's like eating after cleaning your teeth, everything tastes wro-agh! | 0:06:36 | 0:06:41 | |
What is it? What's wrong with you? | 0:06:41 | 0:06:43 | |
Wrong with me? It's not my fault. Why can't you give me decent food? You're Scottish - fry something. | 0:06:43 | 0:06:48 | |
Ah! Bacon! | 0:06:52 | 0:06:54 | |
Bacon. | 0:07:01 | 0:07:02 | |
That's bacon. | 0:07:02 | 0:07:04 | |
Are you trying to poison me? | 0:07:04 | 0:07:07 | |
Ah, you see, beans. | 0:07:11 | 0:07:14 | |
Beans are evil. Bad, bad beans. | 0:07:17 | 0:07:20 | |
Bread and butter. | 0:07:22 | 0:07:24 | |
Now you're talking. | 0:07:24 | 0:07:26 | |
-PLATE SMASHES, CAT MIAOWS -And stay out! | 0:07:29 | 0:07:31 | |
We've got some carrots. | 0:07:35 | 0:07:38 | |
Carrots? Are you insane? No, wait, hang on. | 0:07:38 | 0:07:42 | |
I know what I need. I need...I need...I need... | 0:07:42 | 0:07:46 | |
Fish fingers and custard. | 0:07:46 | 0:07:48 | |
-Funny. -Am I? | 0:08:03 | 0:08:06 | |
Good. Funny's good. | 0:08:06 | 0:08:09 | |
-What's your name? -Amelia Pond. | 0:08:09 | 0:08:11 | |
Ah, that's a brilliant name. | 0:08:11 | 0:08:13 | |
Amelia Pond, like a name in a fairy tale. | 0:08:13 | 0:08:18 | |
Are we in Scotland, Amelia? | 0:08:18 | 0:08:20 | |
No. We had to move to England. | 0:08:20 | 0:08:22 | |
It's rubbish. | 0:08:22 | 0:08:24 | |
So what about your mum and dad, then? Are they upstairs? | 0:08:24 | 0:08:28 | |
-Thought we'd have woken them by now. -I don't have a mum and dad. Just an aunt. | 0:08:28 | 0:08:33 | |
I don't even have an aunt. | 0:08:35 | 0:08:37 | |
You're lucky. | 0:08:37 | 0:08:38 | |
I know. | 0:08:38 | 0:08:40 | |
So, your aunt. | 0:08:42 | 0:08:44 | |
Where is she? | 0:08:44 | 0:08:46 | |
She's out. | 0:08:46 | 0:08:49 | |
And she left you all alone? | 0:08:49 | 0:08:50 | |
-I'm not scared. -You're not scared of anything! | 0:08:50 | 0:08:53 | |
Box falls out of the sky, man falls out of box, man eats fish custard, | 0:08:53 | 0:08:58 | |
and look at you, just sitting there. | 0:08:58 | 0:09:01 | |
-So you know what I think? -What? | 0:09:02 | 0:09:06 | |
Must be a hell of a scary crack in your wall. | 0:09:08 | 0:09:11 | |
You've had some cowboys in here. | 0:09:22 | 0:09:24 | |
Not actual cowboys, | 0:09:24 | 0:09:27 | |
though that can happen. | 0:09:27 | 0:09:29 | |
I used to hate apples, so my mum put faces on them. | 0:09:29 | 0:09:34 | |
She sounds good, your mum. I'll keep it for later. | 0:09:42 | 0:09:45 | |
This wall is solid and the crack doesn't go all the way through it. | 0:09:47 | 0:09:51 | |
So here's a thing - where's the draught coming from? | 0:09:52 | 0:09:55 | |
-Wibbly-wobbly, timey-wimey. You know what the crack is? -What? | 0:09:59 | 0:10:03 | |
It's a crack. | 0:10:03 | 0:10:06 | |
I'll tell you something funny. If you knocked this wall down, | 0:10:08 | 0:10:11 | |
the crack would stay put, cos the crack isn't in the wall. | 0:10:11 | 0:10:15 | |
-Where is it, then? -Everywhere. | 0:10:15 | 0:10:18 | |
In everything. It's a split in the skin of the world. | 0:10:18 | 0:10:21 | |
Two parts of space and time that should never have touched, | 0:10:23 | 0:10:26 | |
pressed together... | 0:10:26 | 0:10:28 | |
..right here in the wall of your bedroom. | 0:10:30 | 0:10:33 | |
-Sometimes, can you hear... -A voice? Yes. | 0:10:33 | 0:10:37 | |
ECHOING VOICE | 0:10:37 | 0:10:39 | |
'Prisoner Zero has escaped.' | 0:10:49 | 0:10:51 | |
-Prisoner Zero? -Prisoner Zero has escaped. | 0:10:51 | 0:10:54 | |
That's what I heard. What does it mean? | 0:10:54 | 0:10:57 | |
'Prisoner Zero has escaped.' | 0:10:59 | 0:11:01 | |
It means that, on the other side of this wall, there's a prison | 0:11:01 | 0:11:06 | |
-and they've lost a prisoner. Do you know what that means? -What? | 0:11:06 | 0:11:09 | |
You need a better wall. | 0:11:09 | 0:11:11 | |
The only way to close the breach is to open it all the way. | 0:11:11 | 0:11:14 | |
The forces will invert and it'll snap itself shut. | 0:11:14 | 0:11:16 | |
-Or... -What? | 0:11:18 | 0:11:21 | |
You know when grown-ups tell you everything's going to be fine | 0:11:21 | 0:11:25 | |
-and you think they're probably lying to make you feel better? -Yes. | 0:11:25 | 0:11:29 | |
Everything's going to be fine. | 0:11:29 | 0:11:32 | |
'Prisoner Zero has escaped. | 0:11:51 | 0:11:54 | |
'Prisoner Zero has escaped.' | 0:11:55 | 0:11:59 | |
Hello? | 0:11:59 | 0:12:01 | |
Hello? | 0:12:02 | 0:12:04 | |
What's that? | 0:12:08 | 0:12:10 | |
There. You see, told you it would close. Good as new. | 0:12:19 | 0:12:22 | |
What was that thing? | 0:12:22 | 0:12:24 | |
-Was that Prisoner Zero? -No. I think that was Prisoner Zero's guard. | 0:12:24 | 0:12:29 | |
Whatever it was, it sent me a message. Psychic paper, | 0:12:29 | 0:12:32 | |
takes a lovely little message. | 0:12:32 | 0:12:34 | |
"Prisoner Zero has escaped." | 0:12:34 | 0:12:37 | |
But why tell us? | 0:12:37 | 0:12:39 | |
Unless... | 0:12:41 | 0:12:43 | |
Unless what? | 0:12:43 | 0:12:45 | |
Unless Prisoner Zero escaped through here. | 0:12:45 | 0:12:48 | |
But he couldn't have. | 0:12:48 | 0:12:50 | |
We'd know. | 0:12:50 | 0:12:52 | |
It's difficult. Brand-new me, nothing works yet. | 0:12:58 | 0:13:01 | |
But there's something I'm missing... | 0:13:01 | 0:13:03 | |
..in the corner... | 0:13:06 | 0:13:09 | |
..of my eye. | 0:13:11 | 0:13:13 | |
ECHOED BANGING | 0:13:17 | 0:13:20 | |
No, no, no, no, no, no! | 0:13:20 | 0:13:23 | |
I've got to get back in there. | 0:13:25 | 0:13:26 | |
-The engines are phasing, it's going to burn! -But... | 0:13:26 | 0:13:31 | |
-..it's just a box! How can a box have engines? -It's not a box. | 0:13:33 | 0:13:36 | |
It's a time machine. | 0:13:36 | 0:13:39 | |
What, a real one? | 0:13:39 | 0:13:42 | |
-You've got a real time machine? -Not for much longer if I can't get her stabilised. | 0:13:42 | 0:13:47 | |
Five-minute hop into the future should do it. | 0:13:47 | 0:13:50 | |
-Can I come? -Not safe in here, not yet. Five minutes. | 0:13:50 | 0:13:53 | |
Give me five minutes, I'll be right back. | 0:13:53 | 0:13:56 | |
People always say that. | 0:13:58 | 0:14:00 | |
Am I people? | 0:14:05 | 0:14:07 | |
Do I even look like people? | 0:14:07 | 0:14:10 | |
Trust me. | 0:14:10 | 0:14:11 | |
I'm the Doctor. | 0:14:11 | 0:14:13 | |
Geronimo! | 0:14:25 | 0:14:28 | |
SPLASH! | 0:14:28 | 0:14:30 | |
METALLIC THRUMMING | 0:14:32 | 0:14:34 | |
CLOCK TICKS | 0:16:00 | 0:16:02 | |
METALLIC THRUMMING | 0:16:09 | 0:16:12 | |
Amelia! Amelia, I worked out what it was. I know what I was missing! | 0:16:19 | 0:16:26 | |
You've got to get out of there! | 0:16:26 | 0:16:28 | |
Amelia? Amelia, are you all right? Are you there? | 0:16:33 | 0:16:37 | |
Prisoner Zero is here. | 0:16:38 | 0:16:40 | |
Prisoner Zero is here! Prisoner Zero is here! Do you understand me? Prisoner Zero is... | 0:16:40 | 0:16:45 | |
SIREN BLARES | 0:16:49 | 0:16:52 | |
So. They all called out at once, that's what you're saying? | 0:17:08 | 0:17:14 | |
All of them, all the coma patients. You do understand that these people are all comatose, don't you? | 0:17:14 | 0:17:21 | |
-They can't speak. -Yes, Dr Ramsden. | 0:17:21 | 0:17:23 | |
Then why are you wasting my time? | 0:17:23 | 0:17:26 | |
-Because they called for you. -Me? | 0:17:26 | 0:17:30 | |
Doctor. | 0:17:32 | 0:17:34 | |
Doctor. | 0:17:38 | 0:17:40 | |
Doctor. | 0:17:40 | 0:17:43 | |
< Doctor. | 0:17:43 | 0:17:44 | |
Doctor... ALL PATIENTS: Doctor... Doctor... | 0:17:44 | 0:17:50 | |
VOICES ECHO: Doctor...! | 0:17:55 | 0:17:57 | |
White male, mid-20s, breaking and entering. Send me some back-up, I've got him restrained. | 0:18:00 | 0:18:05 | |
Oi, you! Sit still. | 0:18:07 | 0:18:10 | |
Cricket bat. I'm getting cricket bat. | 0:18:12 | 0:18:15 | |
You were breaking and entering. | 0:18:15 | 0:18:17 | |
Well, that's much better. Brand-new me, whack on the head. Just what it needed. | 0:18:19 | 0:18:24 | |
Do you want to shut up now? | 0:18:24 | 0:18:25 | |
-I've got back-up on the way! -Hang on, no, wait - you're a policewoman. | 0:18:25 | 0:18:28 | |
And you're breaking and entering. You see how this works? | 0:18:28 | 0:18:30 | |
-But what are you doing here? Where's Amelia? -Amelia Pond? | 0:18:30 | 0:18:34 | |
Yeah. Little Scottish girl. Where is she? I promised her five minutes but the engines were phasing. | 0:18:34 | 0:18:40 | |
I suppose I must have gone a bit far. Has something happened to her? | 0:18:40 | 0:18:45 | |
Amelia Pond hasn't lived here in a long time. | 0:18:46 | 0:18:50 | |
-How long? -Six months. | 0:18:51 | 0:18:55 | |
No, no, no! I can't be six months late! | 0:18:55 | 0:19:00 | |
I said five minutes. I promised. | 0:19:00 | 0:19:04 | |
What happened to her? What happened to Amelia Pond? | 0:19:04 | 0:19:08 | |
Sarge, it's me again. Hurry it up, this guy knows something about Amelia Pond. | 0:19:08 | 0:19:14 | |
-I don't think they were even conscious. -Dr Ramsden, there is another sort of funny thing. | 0:19:27 | 0:19:33 | |
Yes, I know. Dr Carver told me about your conversation. | 0:19:33 | 0:19:37 | |
-We've been very patient with you, Rory. You're a good enough nurse, but for God's sake! -I've seen them. | 0:19:37 | 0:19:42 | |
These patients are under 24-hour supervision! | 0:19:42 | 0:19:45 | |
There's no possibility you'd have seen them wandering in the village! Why are you giving me your phone?! | 0:19:45 | 0:19:51 | |
It's a camera too. | 0:19:51 | 0:19:53 | |
PAGER BEEPS | 0:19:55 | 0:19:58 | |
You need to take some time off, Rory. A lot of time off. | 0:19:58 | 0:20:02 | |
Start now. Now! | 0:20:02 | 0:20:05 | |
-I need to speak to whoever lives in this house now. -I -live here. -But you're the police. | 0:20:12 | 0:20:16 | |
-Yes, and this is where I live. You got a problem with that?! -How many rooms? | 0:20:16 | 0:20:22 | |
-I'm sorry, what? -On this floor. How many rooms on this floor? Count them for me now. -Why? | 0:20:22 | 0:20:27 | |
Because it will change your life. | 0:20:27 | 0:20:29 | |
-Five. One, two, three, four, five. -Six. | 0:20:31 | 0:20:35 | |
Six? | 0:20:35 | 0:20:37 | |
-Look. -Look where? -Exactly where you don't want to look. | 0:20:37 | 0:20:39 | |
Where you never want to look, the corner of your eye. Look behind you. | 0:20:39 | 0:20:42 | |
That's... That is not possible. | 0:20:55 | 0:20:58 | |
How's that possible? | 0:20:58 | 0:20:59 | |
There's a perception filter round the door. Sensed it the last time I was here. Should've seen it. | 0:20:59 | 0:21:04 | |
But that's a whole room. That's a whole room I've never even noticed. | 0:21:04 | 0:21:08 | |
The filter stops you. Something came a while ago to hide. | 0:21:08 | 0:21:12 | |
It's still hiding. You need to uncuff me now! | 0:21:12 | 0:21:16 | |
-I don't have the key. I lost it. -How can you have lost it?! | 0:21:16 | 0:21:21 | |
Stay away from that door! | 0:21:21 | 0:21:24 | |
Do not touch that door! | 0:21:24 | 0:21:27 | |
Listen to me! Do not open that... Why does no-one ever listen to me? | 0:21:27 | 0:21:32 | |
Do I just have a face that nobody listens to? | 0:21:32 | 0:21:35 | |
Again...? | 0:21:35 | 0:21:37 | |
-My screwdriver, where is it? Silver thing, blue at the end. Where did it go? -There's nothing here. | 0:21:38 | 0:21:44 | |
Whatever's there stopped you seeing the room. What makes you think you could see it? Please, just get out! | 0:21:44 | 0:21:51 | |
-Silver, blue at the end? -My screwdriver, yeah. -It's here. | 0:21:51 | 0:21:56 | |
Must have rolled under the door. | 0:21:56 | 0:21:59 | |
Yeah. Must have. | 0:21:59 | 0:22:02 | |
And then it must have jumped up on the table... | 0:22:10 | 0:22:14 | |
Get out of there! | 0:22:14 | 0:22:16 | |
Get out of there! | 0:22:18 | 0:22:20 | |
Get out! | 0:22:22 | 0:22:25 | |
Get out of there! | 0:22:27 | 0:22:29 | |
What is it? What are you doing? | 0:22:38 | 0:22:40 | |
There's nothing here, but... | 0:22:40 | 0:22:44 | |
Corner of your eye. | 0:22:44 | 0:22:45 | |
What is it? | 0:22:47 | 0:22:49 | |
Don't try to see it. If it knows you've seen it, it will kill you. | 0:22:49 | 0:22:52 | |
Don't look at it. | 0:22:52 | 0:22:54 | |
Do not...look. | 0:22:54 | 0:22:57 | |
-SHE SCREAMS -Get out! | 0:22:57 | 0:23:01 | |
Give me that! | 0:23:01 | 0:23:03 | |
BANGING ON DOOR | 0:23:03 | 0:23:05 | |
What's the bad alien done to you? | 0:23:09 | 0:23:12 | |
-Will that door hold it? -Oh, yeah, yeah, course! | 0:23:12 | 0:23:15 | |
It's an inter-dimensional multi-form from outer-space - they're all terrified of wood(!) | 0:23:15 | 0:23:20 | |
What's that? What's it doing? | 0:23:22 | 0:23:24 | |
-I don't know, getting dressed? Run. Just go. Your back-up's coming, I'll be fine. -There is no back-up. | 0:23:28 | 0:23:32 | |
-I heard you on the radio, you called for back-up. -It's a pretend radio. | 0:23:32 | 0:23:36 | |
-You're a policewoman. -I'm a kissogram! | 0:23:36 | 0:23:41 | |
-But it's just... -No, it isn't. Look at the faces. | 0:23:49 | 0:23:55 | |
GROWLING | 0:23:55 | 0:23:59 | |
HE BARKS | 0:23:59 | 0:24:01 | |
What? I'm sorry, but what? | 0:24:01 | 0:24:05 | |
It's all one creature. One creature disguised as two. | 0:24:05 | 0:24:07 | |
Clever old multi-form. | 0:24:07 | 0:24:10 | |
A bit of a rush job, though. Got the voice a bit muddled, did you? | 0:24:10 | 0:24:14 | |
Mind you, where did you get the pattern from? You'd need a psychic link, a live feed. | 0:24:14 | 0:24:19 | |
-How did you fix that? -HE SNARLS | 0:24:19 | 0:24:23 | |
SNARLING ECHOES | 0:24:23 | 0:24:27 | |
Stay, boy! | 0:24:43 | 0:24:45 | |
Her and me, we're safe. Want to know why? She sent for back-up. | 0:24:45 | 0:24:50 | |
-I didn't send for back-up! -I know, that was a clever lie to save our lives. OK, yeah, NO back-up! | 0:24:50 | 0:24:55 | |
And that's why we're safe. Alone, we're not a threat to you. If we HAD back-up, you'd have to kill us! | 0:24:55 | 0:25:00 | |
'Attention, Prisoner Zero. The human residence is surrounded. Attention Prisoner Zero. | 0:25:00 | 0:25:06 | |
-'The human residence is surrounded.' -What's that? -That would be back-up. OK, one more time. | 0:25:06 | 0:25:10 | |
We do have back-up and that's definitely why we're safe. | 0:25:10 | 0:25:13 | |
'Prisoner Zero will vacate the human residence or the human residence will be incinerated.' | 0:25:13 | 0:25:17 | |
Safe apart from, you know, incineration. | 0:25:17 | 0:25:21 | |
'Prisoner Zero will vacate the human residence or the human residence will be incinerated. | 0:25:21 | 0:25:26 | |
'Prisoner Zero will vacate the human residence or the human residence will be incinerated.' | 0:25:26 | 0:25:31 | |
Run. | 0:25:37 | 0:25:39 | |
'..the human residence or the human residence will be incinerated.' | 0:25:44 | 0:25:48 | |
-Kissogram? -Yes! -Why'd you pretend to be a policewoman? -You broke into my house! It was this or a French maid! | 0:25:48 | 0:25:54 | |
What's going on? Tell me! | 0:25:54 | 0:25:56 | |
-Tell me! -An alien convict is hiding | 0:25:57 | 0:25:59 | |
in your spare room disguised as a man and a dog, and some other aliens are about to incinerate your house. | 0:25:59 | 0:26:04 | |
-Any questions? -Yes. -Me too. No, no, don't do that, not now! It's still rebuilding, not letting us in! | 0:26:04 | 0:26:12 | |
'Prisoner Zero will vacate the human residence or the human residence will be incinerated.' | 0:26:12 | 0:26:16 | |
-Come on. -No, wait, hang on, wait, wait, wait. The shed. | 0:26:16 | 0:26:20 | |
I destroyed that shed last time I was here, smashed it to pieces. | 0:26:20 | 0:26:23 | |
-So there's a new one. Let's go. -But the new one's got old. It's ten years old at least. | 0:26:23 | 0:26:27 | |
12 years. I'm not six months late, I'm 12 years late. | 0:26:27 | 0:26:31 | |
-He's coming. -You said six months. | 0:26:31 | 0:26:32 | |
-Why did you say six months? -We've got to go. | 0:26:32 | 0:26:34 | |
This matters. This is important. Why did you say six months? | 0:26:34 | 0:26:38 | |
Why did you say five minutes?! | 0:26:38 | 0:26:40 | |
-What? -Come on. -What? -Come on! | 0:26:41 | 0:26:46 | |
-What? -'Prisoner Zero will vacate the human residence or the human residence will be incinerated.' | 0:26:46 | 0:26:53 | |
-You're Amelia. -You're late. | 0:26:59 | 0:27:01 | |
-Amelia Pond, you're the little girl. -I'm Amelia and you're late. | 0:27:01 | 0:27:04 | |
-What happened? -12 years. -You hit me with a cricket bat. | 0:27:04 | 0:27:06 | |
-12 years. -A cricket bat. -12 years and four psychiatrists. | 0:27:06 | 0:27:10 | |
-Four? -I kept biting them. -Why? They said you weren't real. | 0:27:10 | 0:27:15 | |
-GARBLED, THROUGH SPEAKER: -'Prisoner Zero will vacate the human residence | 0:27:15 | 0:27:19 | |
-'or the human residence will be incinerated.' -No, no, no, come on. | 0:27:19 | 0:27:23 | |
What? We're being staked out by an ice-cream van? | 0:27:23 | 0:27:26 | |
-What's that? Why are you playing that? -It's supposed to be Clair De Lune. | 0:27:29 | 0:27:34 | |
'Prisoner Zero will vacate the human residence or the human residence will be incinerated. | 0:27:34 | 0:27:38 | |
'Repeat, Prisoner Zero will vacate the human residence or the human residence will be incinerated.' | 0:27:38 | 0:27:43 | |
Doctor, what's happening? | 0:27:50 | 0:27:51 | |
VOICEOVER CONTINUES | 0:27:51 | 0:27:54 | |
'Repeat, Prisoner Zero will vacate the human residence or the human residence will be incinerated.' | 0:28:01 | 0:28:06 | |
-THROUGH TV: -'Repeat, Prisoner Zero will vacate the human residence | 0:28:06 | 0:28:09 | |
'or the human residence will be incinerated.' | 0:28:09 | 0:28:13 | |
Hello! Sorry to burst in, we're doing a special on television faults in this area. | 0:28:13 | 0:28:17 | |
Also, crimes. | 0:28:17 | 0:28:20 | |
Let's have a look. | 0:28:20 | 0:28:22 | |
I was just about to phone. | 0:28:22 | 0:28:24 | |
It's on every channel. | 0:28:24 | 0:28:26 | |
Hello, Amy, dear. | 0:28:26 | 0:28:28 | |
Are you a policewoman now? | 0:28:28 | 0:28:30 | |
-Well, sometimes. -I thought you were a nurse. | 0:28:30 | 0:28:33 | |
I can be a nurse. | 0:28:33 | 0:28:36 | |
-Or, actually, a nun. -I dabble. | 0:28:36 | 0:28:40 | |
Amy, who is your friend? | 0:28:42 | 0:28:45 | |
Who's Amy? You were Amelia. | 0:28:45 | 0:28:46 | |
Yeah, now I'm Amy. | 0:28:46 | 0:28:48 | |
Amelia Pond - that was a great name. | 0:28:48 | 0:28:52 | |
-Bit fairy tale. -I know you, don't I? | 0:28:52 | 0:28:56 | |
I've seen you somewhere before. | 0:28:56 | 0:28:59 | |
Not me. Brand-new face... | 0:28:59 | 0:29:02 | |
First time on. And what sort of job's a kissogram? | 0:29:02 | 0:29:05 | |
I go to parties and I kiss people. | 0:29:05 | 0:29:10 | |
-With outfits. It's a laugh. -You were a little girl five minutes ago. -You're worse than my aunt. | 0:29:10 | 0:29:15 | |
I'm the Doctor, I'm worse than everybody's aunt. | 0:29:15 | 0:29:18 | |
And that is not how I'm introducing myself. | 0:29:18 | 0:29:21 | |
-RADIO ON -'Repetez... Le Prisonnier...' '..Zero wird der menschliche...' | 0:29:21 | 0:29:28 | |
OK, so it's everywhere, in every language. | 0:29:28 | 0:29:33 | |
They're broadcasting to the whole world. | 0:29:33 | 0:29:35 | |
What's up there, what are you looking for? | 0:29:39 | 0:29:43 | |
OK, planet this size, two poles, your basic molten core... They're going to need a 40% fission blast. | 0:29:45 | 0:29:52 | |
But they'll have to power up first, won't they? | 0:29:52 | 0:29:55 | |
So assuming a medium-sized starship, that's 20 minutes. | 0:29:55 | 0:29:59 | |
What do you think, 20 minutes? | 0:29:59 | 0:30:01 | |
Yeah, 20 minutes. | 0:30:01 | 0:30:04 | |
We've got 20 minutes. | 0:30:04 | 0:30:06 | |
-20 minutes to what? -Are you the Doctor? | 0:30:06 | 0:30:09 | |
He is, isn't he? He's the Doctor! The Raggedy Doctor. | 0:30:09 | 0:30:14 | |
All those cartoons you did, when you were little. | 0:30:14 | 0:30:16 | |
The Raggedy Doctor, it's him. | 0:30:16 | 0:30:19 | |
(Shut up.) | 0:30:19 | 0:30:21 | |
Cartoons? | 0:30:21 | 0:30:23 | |
Gran, it's him, isn't it? | 0:30:25 | 0:30:27 | |
-It's really him! -Jeff, shut up! 20 minutes to what? | 0:30:27 | 0:30:30 | |
-ON TV: -'..human residence will be incinerated. Repeat...' | 0:30:30 | 0:30:34 | |
The human residence. They're not talking about your house, they're talking about the planet. | 0:30:34 | 0:30:38 | |
Somewhere up there, there's a spaceship. And it's going to incinerate the planet. | 0:30:38 | 0:30:43 | |
'..will be incinerated. | 0:30:43 | 0:30:45 | |
'Repeat, Prisoner Zero will vacate the human residence, or the human residence will be incinerated.' | 0:30:45 | 0:30:49 | |
20 minutes to the end of the world. | 0:30:49 | 0:30:52 | |
'..residence will be incinerated. Repeat, Prisoner Zero will vacate | 0:30:53 | 0:30:56 | |
'the human residence, or the human residence will be incinerated. | 0:30:56 | 0:31:02 | |
'Repeat, Prisoner Zero will vacate the human residence, or the human residence will be incinerated.' | 0:31:02 | 0:31:08 | |
-What is this place? Where am I? -Leadworth. | 0:31:08 | 0:31:11 | |
-Where's the rest of it? -This is it. | 0:31:11 | 0:31:13 | |
-Is there an airport? -No. | 0:31:13 | 0:31:14 | |
-A nuclear power station? -No. -Even a little one? | 0:31:14 | 0:31:17 | |
-No. -Nearest city? -Gloucester, half an hour by car. | 0:31:17 | 0:31:19 | |
-We don't have half an hour, do we have a car? -No. -Well, that's good! Fantastic, that is(!) | 0:31:19 | 0:31:22 | |
20 minutes to save the world and I've got a post office. And it's shut! WHAT is that? | 0:31:22 | 0:31:28 | |
It's a duck pond. | 0:31:28 | 0:31:31 | |
-Why aren't there any ducks? -I don't know. There's never any ducks. -Then how do you know it's a duck pond? | 0:31:34 | 0:31:40 | |
-It just is. Is it important, the duck pond? -I don't know. Why would I know? | 0:31:40 | 0:31:44 | |
This is too soon. | 0:31:47 | 0:31:50 | |
I'm not ready, I'm not done yet. | 0:31:50 | 0:31:51 | |
What's happening? Why's it going dark? | 0:31:55 | 0:31:57 | |
-So what's wrong with the sun? -Nothing. | 0:32:07 | 0:32:09 | |
You're looking at it through a force-field. | 0:32:09 | 0:32:12 | |
They've sealed off your upper atmosphere, now they're getting ready to boil the planet. | 0:32:12 | 0:32:17 | |
Oh, and here they come. The human race. | 0:32:17 | 0:32:20 | |
The end comes, as it was always going to - down a video phone! | 0:32:20 | 0:32:25 | |
This isn't real, is it? | 0:32:25 | 0:32:27 | |
-This is some kind of big wind-up. -Why would I wind you up? | 0:32:27 | 0:32:29 | |
-You told me you had a time machine. -And you believed me. -Then I grew up. | 0:32:29 | 0:32:33 | |
Oh, you never want to do that. No, hang on, shut up, wait! | 0:32:33 | 0:32:36 | |
I missed it. I saw it and I missed it. What did I see? | 0:32:36 | 0:32:39 | |
I saw... What did I see? | 0:32:39 | 0:32:41 | |
RAPID CLICKING | 0:32:41 | 0:32:44 | |
20 minutes. | 0:33:14 | 0:33:16 | |
I can do it. | 0:33:16 | 0:33:17 | |
20 minutes, the planet burns. | 0:33:17 | 0:33:19 | |
Run to your loved ones and say goodbye, or stay and help me. | 0:33:19 | 0:33:23 | |
-No. -I'm sorry? | 0:33:23 | 0:33:26 | |
No! | 0:33:26 | 0:33:28 | |
Amy, no, no, what are you doing? | 0:33:28 | 0:33:30 | |
-Are you out of your mind? -Who are you? -You know who I am. | 0:33:32 | 0:33:36 | |
-No, really, who are you? -Look at the sky! End of the world, 20 minutes. | 0:33:36 | 0:33:40 | |
-Better talk quickly, then! -Amy, I am going to need my car back. | 0:33:40 | 0:33:43 | |
Yes, in a bit. Now go and have coffee. | 0:33:43 | 0:33:45 | |
Right, yes. | 0:33:45 | 0:33:47 | |
Catch. | 0:33:50 | 0:33:52 | |
I'm the Doctor. | 0:33:56 | 0:33:58 | |
I'm a time traveller. | 0:33:58 | 0:33:59 | |
Everything I told you 12 years ago is true. | 0:33:59 | 0:34:02 | |
I'm real. What's happening in the sky is real, and if you don't let me go now, | 0:34:02 | 0:34:06 | |
everything you've ever known is over. | 0:34:06 | 0:34:09 | |
-I don't believe you. -Just 20 minutes. | 0:34:11 | 0:34:15 | |
Just believe me for 20 minutes. | 0:34:15 | 0:34:18 | |
Look at it. Fresh as the day you gave it to me. | 0:34:20 | 0:34:23 | |
And you know it's the same one. | 0:34:23 | 0:34:24 | |
Amy. Believe for 20 minutes. | 0:34:43 | 0:34:48 | |
-What do we do? -Stop that nurse! | 0:34:56 | 0:34:58 | |
The sun's going out, and you're photographing a man and a dog. Why? | 0:35:07 | 0:35:13 | |
-Amy? -Hi! Oh, this is Rory, he's a...friend. | 0:35:13 | 0:35:16 | |
-Boyfriend. -Kind of boyfriend. -Amy! -Man and dog, why? | 0:35:16 | 0:35:20 | |
-Oh, my God, it's him. -Just answer his question, please. | 0:35:22 | 0:35:27 | |
-It's him, though. The doctor. The Raggedy Doctor. -Yeah, he came back. | 0:35:27 | 0:35:30 | |
-But he was a story. He was a game. -Man and dog - why? Tell me now. | 0:35:30 | 0:35:34 | |
Sorry. Because he can't be there. | 0:35:34 | 0:35:36 | |
-Because he's in a hospital, in a coma. -In a hospital, in a coma. | 0:35:36 | 0:35:39 | |
Yeah. | 0:35:39 | 0:35:41 | |
Knew it. Multi-form, you see? | 0:35:43 | 0:35:44 | |
Disguise itself as anything, but it needs a life feed. | 0:35:44 | 0:35:47 | |
A psychic link with a living but dormant mind. | 0:35:47 | 0:35:51 | |
MAN SNAPS AND SNARLS | 0:35:51 | 0:35:53 | |
Prisoner Zero. | 0:35:57 | 0:35:59 | |
-What, there's a Prisoner Zero too? -Yes. | 0:35:59 | 0:36:02 | |
ELECTRICAL BUZZING | 0:36:07 | 0:36:10 | |
See, that ship up there is scanning this area for non-terrestrial technology. | 0:36:14 | 0:36:19 | |
And nothing says non-terrestrial like a sonic screwdriver. | 0:36:19 | 0:36:25 | |
GLASS SMASHES, CAR ALARMS BLARE | 0:36:32 | 0:36:35 | |
SIREN WAILS, SHOUTING | 0:36:38 | 0:36:39 | |
Oi, come back here! Come back! | 0:36:42 | 0:36:44 | |
I think someone's going to notice! Don't you? | 0:36:49 | 0:36:52 | |
BOTH BARK | 0:36:52 | 0:36:54 | |
No, no, no, don't do that! | 0:37:02 | 0:37:06 | |
-Look, it's going. -No, come back, he's here! | 0:37:07 | 0:37:11 | |
Come back! He's here, Prisoner Zero is here. | 0:37:11 | 0:37:15 | |
Come back, he's here! Prisoner Zero is... | 0:37:15 | 0:37:19 | |
Doctor! | 0:37:19 | 0:37:20 | |
The drain. It just sort of melted and went down the drain. | 0:37:21 | 0:37:24 | |
-Well, of course it did. -What do we do now? | 0:37:24 | 0:37:26 | |
It's hiding in human form. We need to drive it into the open. | 0:37:26 | 0:37:30 | |
No TARDIS, no screwdriver, 17 minutes. | 0:37:30 | 0:37:33 | |
Come on, think. Think! | 0:37:33 | 0:37:36 | |
Barney? Barney... | 0:37:36 | 0:37:39 | |
Barney? Can you hear me, Barney? | 0:37:39 | 0:37:43 | |
Barney? Barney? | 0:37:45 | 0:37:48 | |
So that thing, THAT hid in my house for 12 years? | 0:37:58 | 0:38:01 | |
Multi-forms can live for millennia. 12 years is a pit-stop. | 0:38:01 | 0:38:04 | |
So how come you show up on the same day that lot do? | 0:38:04 | 0:38:06 | |
They're looking for him, but followed me. They saw me through the crack, got a fix. | 0:38:06 | 0:38:10 | |
They're only late cos I am. Give me your phone. | 0:38:10 | 0:38:12 | |
-How can he be real? He was never real. -Phone, now, give me! | 0:38:12 | 0:38:15 | |
He was just a game, we were kids. You made me dress up as him. | 0:38:15 | 0:38:18 | |
-These are all coma patients? -Yeah. -No, they're all the multi-form. | 0:38:18 | 0:38:22 | |
Eight comas, eight disguises for Prisoner Zero. | 0:38:22 | 0:38:24 | |
He had a dog. There's a dog in a coma? | 0:38:24 | 0:38:26 | |
The coma patient dreams he's walking a dog, | 0:38:26 | 0:38:28 | |
Prisoner Zero gets a dog. Laptop! | 0:38:28 | 0:38:29 | |
Your friend, what was his name? Not him, the good-looking one. | 0:38:29 | 0:38:33 | |
-Thanks. -Jeff. -Oh, thanks(!) | 0:38:33 | 0:38:34 | |
He had a laptop in his bag, a laptop. Big bag, big laptop, I need Jeff's laptop. | 0:38:34 | 0:38:39 | |
You two, get to the hospital, get everyone out, | 0:38:39 | 0:38:42 | |
clear the whole floor. Phone me when you're done. | 0:38:42 | 0:38:44 | |
Your car, come on. | 0:38:46 | 0:38:48 | |
But how can he be here? | 0:38:48 | 0:38:49 | |
How can the Doctor be here? | 0:38:49 | 0:38:51 | |
-Hello, laptop, give me! -No, no, no, no, wait, hang on! | 0:39:03 | 0:39:06 | |
It's fine, give it here. | 0:39:06 | 0:39:09 | |
Blimey! Get a girlfriend, Jeff. | 0:39:12 | 0:39:14 | |
-Gran. -What are you doing? | 0:39:15 | 0:39:17 | |
The sun's gone wibbly, so right now, somewhere, | 0:39:17 | 0:39:19 | |
there's going to be a big video conference call. | 0:39:19 | 0:39:22 | |
All the experts in the world panicking at once, | 0:39:22 | 0:39:24 | |
and do you know what they need? | 0:39:24 | 0:39:26 | |
Me. Ah, and here they all are. | 0:39:26 | 0:39:29 | |
All the big boys. NASA, Jodrell Bank, Tokyo Space Centre, | 0:39:29 | 0:39:33 | |
-Patrick Moore. -I like Patrick Moore. -I'll get you his number, | 0:39:33 | 0:39:36 | |
but watch him, he's a devil. | 0:39:36 | 0:39:38 | |
-You can't just hack in on a call. -Can't I? | 0:39:38 | 0:39:40 | |
-'Who are you? -This is a secure call, what are you doing?' | 0:39:40 | 0:39:43 | |
Hello, I know, you should switch me off. But before you do, watch this. | 0:39:43 | 0:39:47 | |
-'It's here too, I'm getting it.' -Fermat's Theorem, the proof, | 0:39:47 | 0:39:49 | |
and I mean the real one, never seen before. | 0:39:49 | 0:39:52 | |
Poor old Fermat, got killed in a duel before he could write it down. | 0:39:52 | 0:39:55 | |
My fault, I slept in. | 0:39:55 | 0:39:57 | |
Oh, and here's an oldie, but a goodie - why electrons have mass. | 0:39:57 | 0:40:00 | |
And a personal favourite of mine, | 0:40:00 | 0:40:02 | |
faster-than-light travel with two diagrams and a joke. | 0:40:02 | 0:40:06 | |
Look at your screens. Whoever I am, I'm a genius. | 0:40:06 | 0:40:09 | |
Look at the sun. You need all the help you can get. | 0:40:09 | 0:40:12 | |
Fellas, pay attention. | 0:40:12 | 0:40:14 | |
'Sir, what are you doing?' | 0:40:29 | 0:40:32 | |
I'm writing a computer virus. | 0:40:32 | 0:40:34 | |
Very clever, super-fast, and a tiny bit alive, but don't let on. | 0:40:34 | 0:40:37 | |
Why am I writing it on a phone? Never mind, you'll find out. | 0:40:37 | 0:40:40 | |
OK, I'm sending this to all your computers. | 0:40:40 | 0:40:43 | |
Get everyone who works for you sending this everywhere. | 0:40:43 | 0:40:45 | |
Email, text, Facebook, Bebo, Twitter, radar dish - whatever you've got. Any questions? | 0:40:45 | 0:40:50 | |
-'Who was your lady friend?' -Patrick, behave! | 0:40:50 | 0:40:52 | |
-'What does this virus do?' -It's a reset command, that's all. | 0:40:52 | 0:40:55 | |
It resets counters, it gets in the wifi and resets every counter it can find. | 0:40:55 | 0:41:00 | |
Anything with a chip will default at zero at exactly the same time. | 0:41:00 | 0:41:03 | |
But, yeah, I could be lying, why should you trust me? | 0:41:03 | 0:41:06 | |
I'll let my best man explain. | 0:41:06 | 0:41:08 | |
-Jeff, you're my best man. -You what? | 0:41:13 | 0:41:16 | |
Listen to me. In ten minutes, you're going to be a legend. | 0:41:18 | 0:41:21 | |
In ten minutes, everyone is going to be offering you any job you want. | 0:41:21 | 0:41:25 | |
But first, you have to be magnificent. | 0:41:25 | 0:41:27 | |
You have to make them trust you and get them working. This is it, Jeff. | 0:41:27 | 0:41:31 | |
Right here, right now. | 0:41:31 | 0:41:33 | |
This is when you fly. | 0:41:33 | 0:41:36 | |
Today's the day you save the world. | 0:41:36 | 0:41:38 | |
-Why me? -It's your bedroom. | 0:41:41 | 0:41:44 | |
Now go, go, go. | 0:41:44 | 0:41:45 | |
OK, guys, | 0:41:51 | 0:41:53 | |
let's do this. | 0:41:53 | 0:41:55 | |
Oh, and delete your internet history. | 0:41:56 | 0:42:00 | |
Something's happened up there, we can't get through. | 0:42:12 | 0:42:15 | |
Yes, but what's happened? | 0:42:16 | 0:42:18 | |
I don't know. No-one knows. Phone him. | 0:42:18 | 0:42:20 | |
I'm phoning him. | 0:42:20 | 0:42:22 | |
Doctor? We're at the hospital, but we can't get through. Oh! | 0:42:22 | 0:42:26 | |
-What did he say? -Look in the mirror. | 0:42:26 | 0:42:29 | |
Ha-ha! Uniform! | 0:42:31 | 0:42:34 | |
Are you on your way? | 0:42:35 | 0:42:37 | |
You're going to need a car. | 0:42:37 | 0:42:39 | |
Don't worry. I've commandeered a vehicle. | 0:42:39 | 0:42:41 | |
SIREN WAILS | 0:42:41 | 0:42:44 | |
-Officer. -What happened? | 0:42:57 | 0:42:59 | |
There was a man. A man with a dog. | 0:42:59 | 0:43:01 | |
I think Dr Ramsden's dead. | 0:43:01 | 0:43:02 | |
And the nurses. | 0:43:02 | 0:43:05 | |
MOBILE RINGS | 0:43:05 | 0:43:06 | |
-Are you in? -'Yep.' | 0:43:08 | 0:43:10 | |
-But so's Prisoner Zero. -You need to get out of there. | 0:43:10 | 0:43:13 | |
-WOMAN'S VOICE: -He was so angry. He kept shouting. And that dog, | 0:43:13 | 0:43:16 | |
the size of that dog, I swear it was rabid. | 0:43:16 | 0:43:18 | |
-WOMAN'S VOICE: -And he just went mad, attacking everyone. | 0:43:18 | 0:43:21 | |
Where did he go, did you see? Has he gone? We hid in the ladies. | 0:43:21 | 0:43:25 | |
Oh, I'm getting it wrong again, aren't I? I'm always doing that. | 0:43:25 | 0:43:29 | |
So many mouths. | 0:43:29 | 0:43:31 | |
Oh, my God! | 0:43:34 | 0:43:35 | |
Amy? Amy, what's happening? | 0:43:37 | 0:43:39 | |
-Amy, talk to me! -We're in the coma ward. But it's here, it's getting in. | 0:43:55 | 0:43:58 | |
-Which window are you? -What, sorry? -Which window? | 0:43:58 | 0:44:01 | |
First floor on the left, fourth from the end. | 0:44:01 | 0:44:04 | |
Oh, dear. Little Amelia Pond. | 0:44:11 | 0:44:13 | |
I've watched you grow up. | 0:44:14 | 0:44:17 | |
12 years, and you never even knew I was there. | 0:44:18 | 0:44:21 | |
Little Amelia Pond, waiting for her magic Doctor to return, | 0:44:21 | 0:44:29 | |
but not this time, Amelia. | 0:44:29 | 0:44:32 | |
MOBILE BEEPS | 0:44:34 | 0:44:35 | |
SIREN WAILS | 0:44:35 | 0:44:37 | |
Right! Hello! Am I late? | 0:44:47 | 0:44:50 | |
No, three minutes to go. So still time. | 0:44:50 | 0:44:53 | |
Time for what, Time Lord? | 0:44:53 | 0:44:55 | |
Take the disguise off. | 0:44:58 | 0:45:00 | |
They'll find you in a heartbeat. Nobody dies. | 0:45:00 | 0:45:02 | |
The Atraxi will kill me this time. | 0:45:02 | 0:45:05 | |
If I am to die, | 0:45:05 | 0:45:07 | |
let there be fire. | 0:45:07 | 0:45:09 | |
OK. You came to this world by opening a crack in space and time. | 0:45:09 | 0:45:13 | |
-Do it again - just leave. -I did not open the crack. | 0:45:13 | 0:45:17 | |
Somebody did. | 0:45:17 | 0:45:19 | |
The cracks in the skin of the universe - | 0:45:19 | 0:45:22 | |
don't you know where they came from? | 0:45:22 | 0:45:25 | |
You don't, do you? | 0:45:27 | 0:45:29 | |
-GIRL'S VOICE: -The Doctor in the TARDIS doesn't know. Doesn't know, doesn't know! | 0:45:29 | 0:45:35 | |
-WOMAN'S VOICE: -The universe is cracked. | 0:45:35 | 0:45:38 | |
The Pandorica will open. | 0:45:38 | 0:45:40 | |
Silence will fall. | 0:45:40 | 0:45:43 | |
CLICKING | 0:45:45 | 0:45:47 | |
And we're off! | 0:45:47 | 0:45:50 | |
Look at that. | 0:45:50 | 0:45:52 | |
Look at that! | 0:45:54 | 0:45:57 | |
Yeah, I know, just a clock, whatever. | 0:46:00 | 0:46:02 | |
But do you know what's happening right now? | 0:46:02 | 0:46:05 | |
In one little bedroom, my team are working. | 0:46:05 | 0:46:08 | |
Jeff and the world. And do you know what they're doing? | 0:46:08 | 0:46:11 | |
They're spreading the word all over the world, quantum fast. | 0:46:11 | 0:46:15 | |
The word is out. | 0:46:17 | 0:46:18 | |
And do you know what the word is? | 0:46:23 | 0:46:25 | |
The word is zero. | 0:46:29 | 0:46:30 | |
Now, me, if I was up in the sky in a battleship, | 0:46:30 | 0:46:33 | |
monitoring all Earth communications, I'd take that as a hint. | 0:46:33 | 0:46:36 | |
And if I had a whole battle fleet surrounding the planet, | 0:46:36 | 0:46:39 | |
I'd be able track a simple old computer virus to its source in, what, under a minute? | 0:46:39 | 0:46:46 | |
The source, by the way, | 0:46:46 | 0:46:48 | |
is right here. | 0:46:48 | 0:46:49 | |
Oh! And I think they just found us! | 0:46:52 | 0:46:55 | |
The Atraxi are limited. | 0:47:01 | 0:47:03 | |
While I'm in this form, they'll still be unable to detect me. | 0:47:03 | 0:47:07 | |
They've tracked a phone, not me. | 0:47:07 | 0:47:09 | |
Yeah, but this is the good bit. I mean, this is my favourite bit. | 0:47:09 | 0:47:15 | |
Do you know what this phone is full of? | 0:47:15 | 0:47:19 | |
Pictures of you. | 0:47:19 | 0:47:21 | |
Every form you've learned to take, right here. | 0:47:21 | 0:47:24 | |
Oh, and being uploaded about now. | 0:47:24 | 0:47:28 | |
And the final score is - no TARDIS, no screwdriver - | 0:47:28 | 0:47:31 | |
two minutes to spare. Who da man? | 0:47:31 | 0:47:34 | |
Oh, I'm never saying that again. Fine. | 0:47:38 | 0:47:41 | |
Then I shall take a new form. | 0:47:41 | 0:47:43 | |
Oh, stop it, you know you can't. | 0:47:43 | 0:47:45 | |
Takes months to form that kind of psychic link. | 0:47:45 | 0:47:48 | |
And I've had years. | 0:47:48 | 0:47:51 | |
No! Amy? | 0:47:55 | 0:47:58 | |
ELECTRICAL BUZZING | 0:47:58 | 0:48:01 | |
You've got to hold on. Amy! | 0:48:01 | 0:48:02 | |
-Don't sleep! You've got to stay awake, please. -Doctor? | 0:48:02 | 0:48:07 | |
Well, that's rubbish. Who's that supposed to be? | 0:48:13 | 0:48:16 | |
-It's you. -Me? Is that what I look like? | 0:48:16 | 0:48:20 | |
-You don't know? -Busy day. Why me, though? | 0:48:20 | 0:48:23 | |
You're linked with her. Why are you copying me? | 0:48:23 | 0:48:25 | |
I'm not. | 0:48:25 | 0:48:27 | |
Poor Amy Pond. | 0:48:30 | 0:48:32 | |
Still such a child inside. | 0:48:32 | 0:48:34 | |
Dreaming of the magic Doctor she knows will return to save her. | 0:48:34 | 0:48:38 | |
What a disappointment you've been. | 0:48:41 | 0:48:44 | |
No, she's dreaming about me cos she can hear me. | 0:48:46 | 0:48:49 | |
Amy, don't just hear me, listen. | 0:48:52 | 0:48:54 | |
Remember the room, the room in your house you couldn't see? | 0:48:54 | 0:48:57 | |
Remember you went inside. I tried to stop, but you did. | 0:48:57 | 0:49:01 | |
You went in the room. | 0:49:04 | 0:49:06 | |
You went inside. | 0:49:08 | 0:49:11 | |
Amy... | 0:49:11 | 0:49:14 | |
dream about what you saw. | 0:49:14 | 0:49:17 | |
No...no... No! | 0:49:24 | 0:49:27 | |
Well done, Prisoner Zero. | 0:49:42 | 0:49:45 | |
A perfect impersonation of yourself. | 0:49:46 | 0:49:49 | |
'Prisoner Zero is located. | 0:49:52 | 0:49:53 | |
'Prisoner Zero is restrained.' | 0:49:55 | 0:49:56 | |
Silence, Doctor. | 0:49:59 | 0:50:01 | |
Silence will fall. | 0:50:01 | 0:50:03 | |
WHOOSHING | 0:50:08 | 0:50:11 | |
BIRDSONG | 0:50:14 | 0:50:16 | |
The sun - it's back to normal, right? | 0:50:21 | 0:50:23 | |
That's... That's good, yeah? That means it's over. | 0:50:23 | 0:50:26 | |
Amy? | 0:50:30 | 0:50:32 | |
Are you OK? Are you with us? | 0:50:32 | 0:50:33 | |
-What happened? -He did it. The Doctor did it. -No, I didn't. | 0:50:33 | 0:50:36 | |
-What are you doing? -Tracking the signal back. | 0:50:36 | 0:50:39 | |
-Sorry, in advance. -About what? | 0:50:39 | 0:50:41 | |
The bill. Oi, I didn't say you could go! | 0:50:41 | 0:50:46 | |
Article 57 of the Shadow Proclamation. | 0:50:46 | 0:50:49 | |
This is a fully established, level 5 planet, | 0:50:49 | 0:50:53 | |
and you were going to burn it? What...? | 0:50:53 | 0:50:56 | |
Did you think no-one was watching? | 0:50:56 | 0:50:59 | |
You lot, back here. Now! | 0:50:59 | 0:51:01 | |
OK. | 0:51:02 | 0:51:04 | |
Now I've done it. | 0:51:04 | 0:51:06 | |
Did he just bring them back? | 0:51:06 | 0:51:08 | |
Did he just save the world from aliens | 0:51:08 | 0:51:10 | |
and then bring all the aliens back again? | 0:51:10 | 0:51:13 | |
-Where are you going? -The roof. | 0:51:15 | 0:51:17 | |
No, hang on. | 0:51:17 | 0:51:19 | |
-What's in here? -I'm saving the world - I need a decent shirt. | 0:51:26 | 0:51:30 | |
To hell with the raggedy. | 0:51:30 | 0:51:33 | |
Time to put on a show! | 0:51:33 | 0:51:35 | |
You just summoned aliens back to Earth. | 0:51:36 | 0:51:39 | |
Actual aliens, | 0:51:39 | 0:51:40 | |
deadly aliens, | 0:51:40 | 0:51:42 | |
aliens of death, and now you're taking your clothes off... | 0:51:42 | 0:51:47 | |
Amy, he's taking his clothes off. | 0:51:47 | 0:51:49 | |
Turn your back if it embarrasses you. | 0:51:49 | 0:51:51 | |
Are you stealing clothes now? | 0:51:51 | 0:51:53 | |
Those clothes belong to people, you know. | 0:51:54 | 0:51:57 | |
Are you not you going to turn your back? | 0:52:01 | 0:52:03 | |
Nope. | 0:52:06 | 0:52:08 | |
ELECTRICAL BUZZING | 0:52:08 | 0:52:10 | |
So this was a good idea, was it(?) | 0:52:11 | 0:52:15 | |
-They were leaving. -Leaving is good. Never coming back is better. | 0:52:15 | 0:52:19 | |
Come on, then! | 0:52:19 | 0:52:22 | |
The Doctor will see you now. | 0:52:23 | 0:52:26 | |
LOUD WHIRRING | 0:52:32 | 0:52:34 | |
You are not of this world. | 0:52:38 | 0:52:40 | |
No, but I've put a lot of work into it. | 0:52:40 | 0:52:44 | |
Oh... Hmm... | 0:52:44 | 0:52:46 | |
I don't know. | 0:52:46 | 0:52:47 | |
What do you think? | 0:52:47 | 0:52:49 | |
Is this world important? | 0:52:49 | 0:52:51 | |
Important? What's that mean, important? | 0:52:51 | 0:52:53 | |
Six billion people live here - is that important? | 0:52:53 | 0:52:56 | |
Here's a better question. Is this world a threat to the Atraxi? | 0:52:56 | 0:53:00 | |
Well, come on. You're monitoring the whole planet. | 0:53:00 | 0:53:03 | |
IS this world a threat? | 0:53:03 | 0:53:06 | |
No. | 0:53:11 | 0:53:12 | |
Are the peoples of this world guilty of any crime by the laws of the Atraxi? | 0:53:12 | 0:53:18 | |
-No. -OK. | 0:53:21 | 0:53:23 | |
One more. Just one. | 0:53:24 | 0:53:26 | |
Is this world protected? | 0:53:28 | 0:53:30 | |
Because you're not the first lot to come here. Oh, there have been so many! | 0:53:33 | 0:53:37 | |
And what you've got to ask is... | 0:53:39 | 0:53:41 | |
..what happened to them? | 0:53:42 | 0:53:44 | |
Hello. | 0:53:55 | 0:53:57 | |
I'm the Doctor. | 0:53:57 | 0:53:58 | |
Basically... | 0:54:03 | 0:54:05 | |
..run. | 0:54:07 | 0:54:09 | |
ELECTRICAL BUZZING | 0:54:09 | 0:54:12 | |
Is that it? | 0:54:38 | 0:54:40 | |
Is that them gone for good? Who were they? | 0:54:40 | 0:54:44 | |
OK! | 0:55:04 | 0:55:06 | |
What have you got for me this time? | 0:55:06 | 0:55:08 | |
Look at you! | 0:55:16 | 0:55:17 | |
Oh, you sexy thing! | 0:55:20 | 0:55:23 | |
Look at you! | 0:55:25 | 0:55:26 | |
METALLIC THRUMMING | 0:55:30 | 0:55:33 | |
METALLIC THRUMMING | 0:56:03 | 0:56:05 | |
Sorry about running off earlier. | 0:56:27 | 0:56:29 | |
Brand-new TARDIS - bit exciting. | 0:56:29 | 0:56:32 | |
Just had a quick hop to the moon and back to run her in. | 0:56:32 | 0:56:35 | |
She's ready for the big stuff now. | 0:56:36 | 0:56:38 | |
OWL HOOTS | 0:56:38 | 0:56:40 | |
It's you. You came back. | 0:56:40 | 0:56:43 | |
Course I came back. I always come back. | 0:56:43 | 0:56:46 | |
-Something wrong with that? -And you kept the clothes. | 0:56:46 | 0:56:49 | |
Well, I just saved the world, the whole planet, | 0:56:49 | 0:56:52 | |
-for about the millionth time, no charge. Yeah, shoot me! I kept the clothes. -Including the bow tie. | 0:56:52 | 0:56:57 | |
-Yeah, it's cool. Bow ties are cool. -Are you from another planet? -Yeah. | 0:56:57 | 0:57:01 | |
-OK... -So what do you think? -Of what? -Other planets. Want to check some out? | 0:57:01 | 0:57:05 | |
-What does that mean? -It means... | 0:57:05 | 0:57:08 | |
Well, it means...come with me. | 0:57:08 | 0:57:11 | |
Where? | 0:57:11 | 0:57:13 | |
Wherever you like. | 0:57:13 | 0:57:15 | |
OWL HOOTS | 0:57:15 | 0:57:17 | |
All that stuff, the hospital, the spaceships, Prisoner Zero... | 0:57:17 | 0:57:20 | |
Oh, don't worry. That's just the beginning. There's loads more. | 0:57:20 | 0:57:24 | |
Yeah, but those things, amazing things, all that stuff... | 0:57:24 | 0:57:28 | |
-That was two years ago! -Oh-oh! | 0:57:30 | 0:57:33 | |
Oops. | 0:57:33 | 0:57:35 | |
-Yeah. -So that's... -14 years! | 0:57:35 | 0:57:37 | |
14 years since fish custard. | 0:57:37 | 0:57:39 | |
Amy Pond, the girl who waited, you've waited long enough. | 0:57:39 | 0:57:42 | |
When I was a kid, you said there was a swimming pool and a library, | 0:57:44 | 0:57:47 | |
-and the swimming pool was IN the library. -Yeah. | 0:57:47 | 0:57:50 | |
-Not sure where it's got to now. It'll turn up. So...coming? -No! | 0:57:50 | 0:57:53 | |
-You wanted to come 14 years ago. -I grew up. | 0:57:53 | 0:57:56 | |
Don't worry. | 0:57:56 | 0:57:58 | |
I'll soon fix that. | 0:57:58 | 0:57:59 | |
Well...? | 0:58:38 | 0:58:39 | |
Anything you want to say? Any passing remarks? | 0:58:39 | 0:58:43 | |
I've heard them all. | 0:58:43 | 0:58:45 | |
-I'm in my nightie. -Oh, don't worry. | 0:58:54 | 0:58:57 | |
Plenty of clothes in the wardrobe. | 0:58:57 | 0:58:59 | |
AND possibly a swimming pool. | 0:58:59 | 0:59:01 | |
So...all of time and space, everything that ever happened or ever will... | 0:59:01 | 0:59:08 | |
Where do you want to start? | 0:59:08 | 0:59:10 | |
You are so sure that I'm coming. | 0:59:12 | 0:59:15 | |
-Yeah, I am. -Why? | 0:59:15 | 0:59:17 | |
Cos you're the Scottish girl in the English village, | 0:59:17 | 0:59:20 | |
-and I know how that feels. -Oh, do you? | 0:59:20 | 0:59:22 | |
All these years living here, most of your life... | 0:59:22 | 0:59:24 | |
-and you've still got that accent. Yeah, you're coming. -BELL RINGS | 0:59:24 | 0:59:29 | |
-Can you get me back for tomorrow morning? -It's a time machine. I can get you back five minutes ago. | 0:59:29 | 0:59:33 | |
-Why, what's tomorrow? -Nothing. Nothing. Just...you know, stuff. | 0:59:33 | 0:59:37 | |
All right, then. Back in time for stuff. | 0:59:40 | 0:59:44 | |
Oh! A new one! | 0:59:45 | 0:59:48 | |
Lovely. | 0:59:48 | 0:59:50 | |
(Thanks, dear!) | 0:59:52 | 0:59:53 | |
BEEPING | 0:59:56 | 0:59:58 | |
METALLIC THRUMMING | 1:00:05 | 1:00:08 | |
-Why me? -Why not? -No, seriously? You are asking me to run away with you in the middle of the night. | 1:00:10 | 1:00:16 | |
It's a fair question. Why me? | 1:00:16 | 1:00:17 | |
I don't know. Fun. Do I have to have a reason? | 1:00:17 | 1:00:20 | |
-People always have a reason. -Do I look like people? -Yes. -Been knocking around on my own for a while, | 1:00:20 | 1:00:24 | |
-my choice, but I've started talking to myself. It's giving me earache. -You're lonely. That's it? Just that? | 1:00:24 | 1:00:31 | |
Just that. | 1:00:31 | 1:00:32 | |
Promise. | 1:00:32 | 1:00:34 | |
RUMBLING | 1:00:34 | 1:00:36 | |
OK. | 1:00:36 | 1:00:38 | |
RUMBLING | 1:00:38 | 1:00:41 | |
So, are you OK, then? | 1:00:43 | 1:00:44 | |
Cos this place, sometimes it can make people feel a bit... | 1:00:44 | 1:00:48 | |
-you know...? -I'm fine. | 1:00:48 | 1:00:50 | |
It's just...There's a whole world in here, just like you said. | 1:00:50 | 1:00:53 | |
It's all true. I thought... | 1:00:53 | 1:00:55 | |
I started to think that maybe you were just like a madman with a box. | 1:00:55 | 1:00:59 | |
Amy Pond, there's something you'd better understand. It's important, and your life may depend on it. | 1:00:59 | 1:01:04 | |
I am definitely a madman with a box. | 1:01:04 | 1:01:06 | |
Ha-ha! Yeah. | 1:01:08 | 1:01:11 | |
SHE LAUGHS | 1:01:11 | 1:01:12 | |
Goodbye, Leadworth. Hello, everything! | 1:01:12 | 1:01:16 | |
Whoo! | 1:01:16 | 1:01:18 | |
METALLIC THRUMMING | 1:01:18 | 1:01:21 | |
Ha-ha! | 1:01:21 | 1:01:23 | |
'My name's Amy Pond. | 1:02:05 | 1:02:07 | |
'When I was seven, I had an imaginary friend. | 1:02:07 | 1:02:10 | |
'Last night was the night before my wedding | 1:02:10 | 1:02:12 | |
'and my imaginary friend came back.' | 1:02:12 | 1:02:15 | |
All of time and space, everything that ever happened, or ever will... | 1:02:15 | 1:02:19 | |
Where do you want to start? | 1:02:19 | 1:02:22 | |
Anywhere you want, any time you want. | 1:02:25 | 1:02:28 | |
One condition - it has to be amazing. | 1:02:28 | 1:02:30 | |
Now it starts. | 1:02:32 | 1:02:34 | |
You might want to find something to hang on to. | 1:02:34 | 1:02:39 | |
It begins. | 1:02:39 | 1:02:42 | |
Tell me the whole plan. | 1:03:11 | 1:03:13 | |
-SHE HISSES -One day, that'll work. | 1:03:13 | 1:03:16 | |
One simple instruction - don't follow me under any circumstances. | 1:03:16 | 1:03:21 | |
Will you follow him? | 1:03:21 | 1:03:23 | |
Of course. | 1:03:23 | 1:03:25 | |
Cos this is what I do every time, every day, every second. | 1:03:25 | 1:03:29 | |
This. | 1:03:29 | 1:03:30 | |
Hold tight... | 1:03:30 | 1:03:32 | |
because it will change your life. | 1:03:32 | 1:03:34 | |
There's one thing you never put in a trap if you're smart, | 1:03:34 | 1:03:37 | |
value your continued existence, | 1:03:37 | 1:03:39 | |
if you have any plans about seeing tomorrow, there's one thing you never, ever put in trouble... | 1:03:39 | 1:03:44 | |
..me! | 1:03:51 | 1:03:54 | |
GUNSHOT | 1:03:54 | 1:03:55 | |
Subtitles by Red Bee Media Ltd | 1:04:18 | 1:04:21 | |
E-mail [email protected] | 1:04:21 | 1:04:25 |