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-Pandorica's opening. -What is it? -Box, cage, prison? It was built | 0:00:02 | 0:00:05 | |
-to contain the most feared thing in the universe. -Anything that powerful, I'd know about it. | 0:00:05 | 0:00:09 | |
Everything that ever hated you is coming here. | 0:00:09 | 0:00:12 | |
They're all here, all of them. All for you. What could you possibly be? | 0:00:12 | 0:00:16 | |
-If something can be remembered, it can come back. -Hello, Amy. | 0:00:16 | 0:00:21 | |
-But you died. How can you be here? -What's your name? | 0:00:21 | 0:00:24 | |
-Rory. How can she not remember me? -Because you never existed. | 0:00:24 | 0:00:27 | |
Who are those Romans? They're not real. They can't be. | 0:00:27 | 0:00:30 | |
They're all in a book in Amy's house. | 0:00:30 | 0:00:32 | |
-It's a trap. It has to be. -Plastic Romans. Duplicates! | 0:00:32 | 0:00:36 | |
Listen to me, you have to run. I'm a thing. I'll kill you. Just go! | 0:00:36 | 0:00:41 | |
There's something wrong with the TARDIS. Something is controlling it. | 0:00:41 | 0:00:45 | |
26 June 2010. | 0:00:45 | 0:00:46 | |
-DALEK: -A scenario was devised from the memories of your companion. | 0:00:46 | 0:00:52 | |
Rory Williams from Leadworth. | 0:00:52 | 0:00:54 | |
My boyfriend. How could I ever forget you? | 0:00:54 | 0:00:56 | |
The cracks in time are the work of The Doctor. | 0:00:56 | 0:01:00 | |
-The Pandorica is ready. -Ready for what? | 0:01:00 | 0:01:03 | |
Ready for you. | 0:01:03 | 0:01:06 | |
Every sun will supernova at every moment in history. | 0:01:07 | 0:01:10 | |
The whole universe will never have existed! Listen to me! | 0:01:10 | 0:01:15 | |
WIND WHISTLING | 0:01:34 | 0:01:36 | |
Dear Santa. Thank you for the dolls and pencils and the fish. | 0:01:57 | 0:02:02 | |
It's Easter now, so I hope I don't wake you, | 0:02:02 | 0:02:04 | |
but, honest, it is an emergency. | 0:02:04 | 0:02:09 | |
There's a crack in my wall. | 0:02:09 | 0:02:12 | |
Aunt Sharon says it's just an ordinary crack, but I know it's not, cos at night, there's voices. | 0:02:14 | 0:02:20 | |
So, please, please, could you send someone to fix it. | 0:02:20 | 0:02:25 | |
Or a policeman. Or... | 0:02:25 | 0:02:27 | |
RUSHING OF WIND | 0:02:30 | 0:02:32 | |
Back in a moment. | 0:02:37 | 0:02:38 | |
It's a lovely painting, Amelia. | 0:03:00 | 0:03:01 | |
And what are all these? | 0:03:03 | 0:03:06 | |
Stars. | 0:03:06 | 0:03:07 | |
Oh, Amelia! | 0:03:07 | 0:03:09 | |
Tell you what, | 0:03:10 | 0:03:12 | |
shall we go outside? | 0:03:12 | 0:03:14 | |
What do you see, Amelia? | 0:03:17 | 0:03:20 | |
The moon. | 0:03:20 | 0:03:21 | |
And what else? | 0:03:21 | 0:03:23 | |
Just the dark. | 0:03:23 | 0:03:25 | |
But no stars. | 0:03:25 | 0:03:27 | |
If there were stars up there, we'd be able to see them, wouldn't we? | 0:03:28 | 0:03:32 | |
Amelia, look at me. | 0:03:33 | 0:03:34 | |
You know this is all just a story, don't you? | 0:03:37 | 0:03:41 | |
You know there's no such thing as stars. | 0:03:41 | 0:03:43 | |
MUFFLED CONVERSATION FROM DOWNSTAIRS | 0:03:55 | 0:03:57 | |
It's quite common, actually. Throughout history, people have talked about stars in the sky. | 0:03:57 | 0:04:02 | |
God knows where it comes from. | 0:04:02 | 0:04:04 | |
I just don't want her growing up and joining one of those Star Cults. | 0:04:04 | 0:04:07 | |
I don't trust that Richard Dawkins. | 0:04:07 | 0:04:10 | |
Come on, Aunt Sharon. | 0:04:50 | 0:04:52 | |
-Look at that! That's good, isn't it? -Not that! This way. | 0:04:52 | 0:04:56 | |
-But we're not looking at anything. -This way! | 0:04:56 | 0:04:59 | |
Amelia! | 0:04:59 | 0:05:02 | |
Amelia! | 0:05:38 | 0:05:40 | |
Amelia? | 0:05:43 | 0:05:46 | |
Amelia? | 0:05:49 | 0:05:50 | |
Amelia! | 0:05:52 | 0:05:53 | |
'Amelia Pond, please go to the reception, please. Your aunt is waiting for you there. | 0:05:53 | 0:05:59 | |
'Amelia Pond, please go to...' | 0:05:59 | 0:06:00 | |
Sorry. | 0:06:09 | 0:06:10 | |
OK, kid. | 0:07:30 | 0:07:32 | |
This is where it gets complicated. | 0:07:32 | 0:07:34 | |
So the universe ended. | 0:08:20 | 0:08:22 | |
You missed that. | 0:08:22 | 0:08:24 | |
In 102 AD. | 0:08:24 | 0:08:26 | |
I suppose this means you and I never get born at all. | 0:08:30 | 0:08:33 | |
Twice, in my case. | 0:08:34 | 0:08:37 | |
You would have laughed at that. | 0:08:42 | 0:08:44 | |
Please laugh! | 0:08:46 | 0:08:49 | |
The Doctor said the universe was huge and ridiculous, and sometimes there were miracles. | 0:08:54 | 0:08:59 | |
I could do with a ridiculous miracle about now. | 0:09:03 | 0:09:07 | |
Rory! Listen, she's not dead. | 0:09:07 | 0:09:10 | |
Well, she is dead, but it's not the end of the world. | 0:09:10 | 0:09:13 | |
Well, it is the end of the world. Actually, it's the end of the universe. Oh, no. Hang on! | 0:09:13 | 0:09:17 | |
Doctor? Doctor! | 0:09:18 | 0:09:21 | |
-You need to get me out of the Pandorica. -You're not in the Pandorica. | 0:09:22 | 0:09:25 | |
Yes, I am. Well, I'm not now, but I was back then. | 0:09:25 | 0:09:28 | |
Well, back now from your point of view, which is back then from my point of view. | 0:09:28 | 0:09:32 | |
Time travel, you can't keep it straight in your head. | 0:09:32 | 0:09:35 | |
It's easy to open from the outside - just point and press. | 0:09:35 | 0:09:37 | |
Now go. | 0:09:37 | 0:09:39 | |
Oh, when you're done, leave my screwdriver in her top pocket. Good luck! | 0:09:43 | 0:09:48 | |
What do you mean? | 0:09:48 | 0:09:51 | |
Done what? | 0:09:51 | 0:09:52 | |
How did you do that? | 0:10:03 | 0:10:05 | |
You gave me this. | 0:10:05 | 0:10:07 | |
No, I didn't. | 0:10:07 | 0:10:09 | |
You did. Look at it. | 0:10:09 | 0:10:11 | |
Temporal energy. Same screwdriver, at different points in its own time stream. | 0:10:19 | 0:10:23 | |
Which means it was me who gave it to you. Me from the future. | 0:10:23 | 0:10:26 | |
I've got a future, that's nice. | 0:10:26 | 0:10:29 | |
That's not. | 0:10:29 | 0:10:31 | |
Yeah. What are they? | 0:10:31 | 0:10:34 | |
History has collapsed. Whole races have been deleted from existence. | 0:10:34 | 0:10:40 | |
These are just like after-images. | 0:10:40 | 0:10:42 | |
Echoes, fossils in time. | 0:10:44 | 0:10:47 | |
-The footprints of the never-were. -Er, what does that mean? | 0:10:47 | 0:10:50 | |
-Total event collapse. The universe literally never happened. -So, how can we be here? | 0:10:50 | 0:10:55 | |
-What's keeping us safe? -Nothing. Eye of the storm, that's all. We're just the last light to go out. | 0:10:55 | 0:11:00 | |
Amy. Where's Amy? | 0:11:00 | 0:11:04 | |
I killed her. | 0:11:06 | 0:11:08 | |
Oh, Rory! | 0:11:09 | 0:11:11 | |
Doctor, what am I? | 0:11:12 | 0:11:14 | |
You're a Nestene duplicate. A lump of plastic with delusions of humanity. | 0:11:14 | 0:11:19 | |
But I'm Rory now. | 0:11:19 | 0:11:22 | |
Whatever was happening, it's stopped. | 0:11:22 | 0:11:24 | |
-I'm Rory! -That's software talking. | 0:11:24 | 0:11:27 | |
Can you help her? Is there anything you can do? | 0:11:27 | 0:11:30 | |
Yeah, probably, if I had the time. | 0:11:30 | 0:11:33 | |
The time?! | 0:11:33 | 0:11:34 | |
All of creation has just been wiped from the sky. Do you know how many lives now never happened? | 0:11:34 | 0:11:41 | |
All the people who never lived? | 0:11:41 | 0:11:43 | |
Your girlfriend isn't more important than the whole universe. | 0:11:43 | 0:11:46 | |
She is to me! | 0:11:48 | 0:11:50 | |
Welcome back, Rory Williams! | 0:11:52 | 0:11:55 | |
Sorry, had to be sure. Hell of a gun-arm you're packing there. Right, we need to get her downstairs. | 0:11:57 | 0:12:02 | |
And take that look off your plastic face. You're getting married in the morning! | 0:12:02 | 0:12:06 | |
-So you've got a plan, then? -Bit of a plan, yeah. | 0:12:10 | 0:12:14 | |
Memories are more powerful than you think, and Amy Pond is not an ordinary girl. | 0:12:14 | 0:12:18 | |
Grew up with a time crack in her wall. The universe pouring through her dreams every night. | 0:12:18 | 0:12:23 | |
The Nestenes took a memory print of her and got more than they bargained for. | 0:12:23 | 0:12:27 | |
Like you. Not just your face, but your heart and your soul. | 0:12:27 | 0:12:31 | |
I'm leaving her a message for when she wakes up, so she knows what's happening. | 0:12:31 | 0:12:36 | |
-Whoa, whoa, whoa. What are you doing? -Saving her. | 0:12:41 | 0:12:44 | |
This is the ultimate prison. You can't even escape by dying. It forces you to stay alive. | 0:12:44 | 0:12:48 | |
-But she's already dead. -Mostly dead. The Pandorica can stasis-lock her that way. | 0:12:48 | 0:12:53 | |
All it needs is a scan of her living DNA and it'll restore her. | 0:12:53 | 0:12:56 | |
-Where's it going to get that? -In about 2,000 years. | 0:12:56 | 0:12:59 | |
Are you all right? | 0:13:03 | 0:13:05 | |
Who are you? | 0:13:06 | 0:13:08 | |
I'm... fine. I'm supposed to... rest. | 0:13:08 | 0:13:12 | |
-Got to rest, the Doctor says. -What doctor? | 0:13:12 | 0:13:15 | |
He's in here. Left a message in my head like I'm an answerphone. Where am I? | 0:13:15 | 0:13:19 | |
Hang on. | 0:13:19 | 0:13:21 | |
National Museum, right? I was here once when I was a little... | 0:13:21 | 0:13:25 | |
Yeah, complicated. | 0:13:26 | 0:13:29 | |
Let's see, it's what... | 0:13:29 | 0:13:31 | |
1996? | 0:13:33 | 0:13:35 | |
Who are you? | 0:13:37 | 0:13:38 | |
It's a long story. | 0:13:38 | 0:13:40 | |
Oh! | 0:13:41 | 0:13:43 | |
A very long story. | 0:13:43 | 0:13:45 | |
She's going to be in that box for 2,000 years?! | 0:13:49 | 0:13:52 | |
Yeah, but we're taking a shortcut. River's vortex manipulator. | 0:13:52 | 0:13:55 | |
Rubbish way to time travel, but the universe is tiny now. We'll be fine. | 0:13:55 | 0:13:59 | |
-So the future's still there, then? Our world? -A version of it. Not quite the one you know. | 0:13:59 | 0:14:04 | |
Earth alone in the sky. | 0:14:04 | 0:14:06 | |
Let's go and have a look. | 0:14:06 | 0:14:07 | |
You put your hand there. | 0:14:07 | 0:14:09 | |
Don't worry, should be safe. | 0:14:09 | 0:14:12 | |
That's not what I'm worried about. | 0:14:12 | 0:14:14 | |
She'll be fine. Nothing can get into this box. | 0:14:16 | 0:14:19 | |
-You got in there. -Well, there's only one of me. I counted. | 0:14:19 | 0:14:23 | |
This box needs a guard. I killed the last one. | 0:14:23 | 0:14:26 | |
No. Rory, no. Don't even think about it. | 0:14:26 | 0:14:29 | |
-She'll be all alone. -She won't feel it. -You bet she won't! | 0:14:29 | 0:14:32 | |
2,000 years, Rory. You won't even sleep, you'd be conscious every second. | 0:14:32 | 0:14:38 | |
It would drive you mad. | 0:14:38 | 0:14:39 | |
Will she be safer if I stay? | 0:14:39 | 0:14:42 | |
Look me in the eye and tell me she wouldn't be safer. | 0:14:42 | 0:14:46 | |
-Rory... -Answer me! | 0:14:46 | 0:14:49 | |
Yes. Obviously. | 0:14:51 | 0:14:55 | |
Then how could I leave her? | 0:14:55 | 0:14:57 | |
Why do you have to be so... | 0:14:59 | 0:15:01 | |
human? | 0:15:03 | 0:15:05 | |
Because right now, I'm not. | 0:15:05 | 0:15:08 | |
Listen to me. | 0:15:13 | 0:15:15 | |
This is the last bit of advice you're going to get in a very long time. | 0:15:15 | 0:15:18 | |
You're living plastic, but not immortal. I have no idea how long you'll last. | 0:15:18 | 0:15:22 | |
And you're not indestructible. Stay away from heat and radio signals. | 0:15:22 | 0:15:26 | |
You can't heal, or repair yourself. So, for God's sake, however bored you get, stay out of... | 0:15:26 | 0:15:31 | |
'According to legend, wherever the Pandorica was taken, throughout its long history, | 0:15:48 | 0:15:53 | |
'the Centurion would be there, guarding it. | 0:15:53 | 0:15:56 | |
'He appears as an iconic image in the artwork of many cultures, | 0:15:56 | 0:16:00 | |
'and there are several documented accounts of his appearances | 0:16:00 | 0:16:03 | |
'and his warnings to the many who attempted to open the box before its time. | 0:16:03 | 0:16:07 | |
'His last recorded appearance was during the London blitz in 1941. | 0:16:07 | 0:16:13 | |
'The warehouse where the Pandorica was stored was destroyed by | 0:16:13 | 0:16:18 | |
'incendiary bombs, but the box was found the next morning, a safe distance from the blaze. | 0:16:18 | 0:16:25 | |
'There are eyewitness accounts from the night of the fire | 0:16:25 | 0:16:28 | |
'of a figure in Roman dress, carrying the box | 0:16:28 | 0:16:31 | |
'from the flames. Since then, there have been no sightings of the Lone Centurion, | 0:16:31 | 0:16:36 | |
'and many have speculated that if he ever existed, he perished in the fires of that night, | 0:16:36 | 0:16:42 | |
'performing one last act of devotion to the box he had pledged to protect for nearly 2,000 years.' | 0:16:42 | 0:16:50 | |
Rory. Oh, Rory. | 0:16:50 | 0:16:54 | |
-Exterminate! -What's that? | 0:16:54 | 0:16:57 | |
Exterminate! | 0:16:57 | 0:17:00 | |
..Trouble. | 0:17:00 | 0:17:02 | |
Oh! Two of you? Complicated. | 0:17:02 | 0:17:04 | |
Exterminate! | 0:17:04 | 0:17:07 | |
Weapons systems restoring. | 0:17:07 | 0:17:08 | |
-Come along, Ponds. -Exterminate! -What are we doing? | 0:17:08 | 0:17:14 | |
Running into a dead end, where I'll have a brilliant plan, that basically involves not being in one. | 0:17:14 | 0:17:19 | |
-What's going on? -Get out of here. Go! Just run! | 0:17:19 | 0:17:23 | |
-Drop the device! -It's not a weapon. Scan it. It's not a weapon, and you don't have the power to waste! | 0:17:23 | 0:17:29 | |
Scans indicate intruder unarmed. | 0:17:29 | 0:17:33 | |
Do you think? | 0:17:33 | 0:17:35 | |
Vision impaired! Vision... | 0:17:37 | 0:17:42 | |
-Amy? -Rory! | 0:17:45 | 0:17:49 | |
-I'm sorry. I'm sorry, I couldn't help it. It just happened. -Oh, Shut up. | 0:17:55 | 0:17:59 | |
Yeah, shut up, cos we've got to go. Come on! | 0:17:59 | 0:18:03 | |
-I waited. 2,000 years, I waited for you. -No, still shut up. | 0:18:03 | 0:18:08 | |
And break! | 0:18:10 | 0:18:11 | |
And breathe! | 0:18:11 | 0:18:12 | |
Well, somebody didn't get out much for 2,000 years. | 0:18:12 | 0:18:17 | |
I'm thirsty. Can I get a drink? | 0:18:17 | 0:18:20 | |
Oh, it's all mouths today, isn't it?! | 0:18:20 | 0:18:23 | |
The light! The light from the Pandorica, | 0:18:26 | 0:18:30 | |
it must have hit the Dalek. | 0:18:30 | 0:18:32 | |
ELECTRONIC WHIRRING | 0:18:32 | 0:18:35 | |
Out, out, out! | 0:18:35 | 0:18:37 | |
So, 2,000 years. How did you do? | 0:18:43 | 0:18:46 | |
-Kept out of trouble. -Oh. | 0:18:46 | 0:18:48 | |
-How? -Unsuccessfully. | 0:18:50 | 0:18:53 | |
The mop! That's how you looked all those years ago when you gave me the sonic. | 0:18:53 | 0:18:58 | |
Ah! Well, no time to lose then. | 0:18:58 | 0:19:00 | |
Rory! Listen, she's not dead. | 0:19:03 | 0:19:05 | |
Well, she is dead, but it's not the end of the world. | 0:19:05 | 0:19:08 | |
Oops, sorry. | 0:19:08 | 0:19:10 | |
How can he do that? Is he magic? | 0:19:10 | 0:19:12 | |
You need to get me out of the Pandorica. | 0:19:13 | 0:19:16 | |
-But you're not in the Pandorica. -Yes, I am. Well, I'm not now. But I was back then. | 0:19:16 | 0:19:21 | |
Right, let's go then. | 0:19:21 | 0:19:22 | |
Wait! | 0:19:23 | 0:19:25 | |
Now I don't have the sonic, I just gave it Rory 2,000 years ago. | 0:19:25 | 0:19:29 | |
And when you're done, leave my screwdriver in her top pocket. | 0:19:29 | 0:19:33 | |
Right then. | 0:19:34 | 0:19:36 | |
Off we go! No, hang on. How did you know to come here? | 0:19:37 | 0:19:44 | |
Ah, my handwriting. OK! | 0:19:47 | 0:19:51 | |
There you go, drink up! | 0:20:02 | 0:20:04 | |
What is that? How are you doing that? | 0:20:04 | 0:20:07 | |
Vortex manipulator - cheap and nasty time travel. Very bad for you. I'm trying to give it up. | 0:20:07 | 0:20:11 | |
-Where are we going? -The roof. | 0:20:11 | 0:20:14 | |
Doctor, it's you. How can it be you? | 0:20:24 | 0:20:29 | |
-Doctor, is that you? -Yeah, it's me. | 0:20:29 | 0:20:32 | |
Me from the future. | 0:20:33 | 0:20:35 | |
Are you... I mean, is he... | 0:20:49 | 0:20:54 | |
-Is he dead? -What? | 0:20:54 | 0:20:58 | |
Dead? Yes, yes. Of course he's dead. | 0:21:00 | 0:21:03 | |
Right, I've got 12 minutes, that's good. | 0:21:03 | 0:21:06 | |
-12 minutes to live? How is that good? -You can do loads | 0:21:06 | 0:21:08 | |
in 12 minutes - suck a mint, buy a sledge, have a fast bath. | 0:21:08 | 0:21:11 | |
-Come on, the roof! -We can't leave you here, dead. -Oh, good! | 0:21:11 | 0:21:14 | |
Are you in charge now? So, tell me, what are we going to do about Amelia? | 0:21:14 | 0:21:19 | |
Where did she go? | 0:21:21 | 0:21:23 | |
Amelia? | 0:21:25 | 0:21:26 | |
There is no Amelia. | 0:21:26 | 0:21:28 | |
From now on, there never was. History is still collapsing. | 0:21:28 | 0:21:31 | |
-How can I be here, if she's not? -You're an anomaly. | 0:21:31 | 0:21:33 | |
We all are. We're all hanging on at the eye of the storm, but the eye is closing, | 0:21:33 | 0:21:37 | |
and if we don't do something, reality will never have happened. | 0:21:37 | 0:21:40 | |
Today, just dying is a result. Now, come on! | 0:21:40 | 0:21:43 | |
He won't die. | 0:21:45 | 0:21:46 | |
Time can be rewritten. | 0:21:46 | 0:21:48 | |
He'll find a way. I know he will. | 0:21:48 | 0:21:51 | |
Move it. Come on! | 0:21:51 | 0:21:53 | |
-ELECTRONIC WHIRRING -Restore! | 0:22:02 | 0:22:05 | |
Restore! | 0:22:08 | 0:22:09 | |
What, it's morning already? How did that happen? | 0:22:19 | 0:22:21 | |
History is shrinking. Is anybody listening to me? | 0:22:21 | 0:22:24 | |
-Universe is collapsing. We don't have much time left. -What are you doing? | 0:22:24 | 0:22:28 | |
-Looking for the TARDIS. -But the TARDIS exploded. -OK, then. I'm looking for an exploding TARDIS. | 0:22:28 | 0:22:33 | |
I don't understand. | 0:22:33 | 0:22:35 | |
So, the TARDIS blew up and took the universe with it. Why would it do that? How? | 0:22:35 | 0:22:39 | |
Good question for another day. But for now - total event collapse means that every star | 0:22:39 | 0:22:43 | |
in the universe never happened. Not one of them ever shone. | 0:22:43 | 0:22:47 | |
So, if all the stars that ever were are gone, then what is that? | 0:22:47 | 0:22:52 | |
Like I said, I'm looking for an exploding TARDIS. | 0:22:53 | 0:22:56 | |
-But that's the sun. -Is it? | 0:22:58 | 0:23:01 | |
Here's the noise that sun is making right now. | 0:23:01 | 0:23:04 | |
METALLIC THRUMMING That's my TARDIS burning up. | 0:23:04 | 0:23:08 | |
That's what's been keeping the Earth warm. | 0:23:08 | 0:23:12 | |
Doctor, there's something else. | 0:23:12 | 0:23:15 | |
-There's a voice. -I can't hear anything. -Trust the plastic. | 0:23:15 | 0:23:21 | |
'I'm sorry, my love.' | 0:23:23 | 0:23:24 | |
Doctor, that's River. How can she be up there? | 0:23:24 | 0:23:28 | |
It must be like a recording or something. | 0:23:28 | 0:23:30 | |
No, it's not. The emergency protocols - | 0:23:30 | 0:23:32 | |
the TARDIS has sealed off the control room and put her into a time loop to save her. | 0:23:32 | 0:23:37 | |
-She is right at the heart of the explosion. -'I'm sorry, my love.' | 0:23:37 | 0:23:40 | |
'I'm sorry, my love.' | 0:23:40 | 0:23:42 | |
I'm sorry, my love. | 0:23:53 | 0:23:55 | |
I'm sorry, my love. | 0:24:05 | 0:24:08 | |
Hi, honey. I'm home. | 0:24:13 | 0:24:16 | |
And what sort of time do you call this? | 0:24:18 | 0:24:20 | |
Amy! | 0:24:21 | 0:24:23 | |
-And the plastic Centurion? -It's OK, he's on our side. | 0:24:23 | 0:24:26 | |
Really? I dated a Nestene duplicate once - swappable head, it did keep things fresh. | 0:24:26 | 0:24:32 | |
Right then, I have questions. | 0:24:32 | 0:24:34 | |
But number one is this - | 0:24:34 | 0:24:37 | |
what in the name of sanity have you got on your head? | 0:24:37 | 0:24:40 | |
It's a fez. I wear a fez now. Fezes are cool. | 0:24:40 | 0:24:44 | |
Oh! | 0:24:46 | 0:24:47 | |
Exterminate! | 0:24:48 | 0:24:51 | |
Run, run, move, move. Go! Come on! | 0:24:51 | 0:24:54 | |
-Doctor, come on. -Shh. | 0:25:04 | 0:25:07 | |
It's moving away, finding another way in. | 0:25:07 | 0:25:09 | |
It needs to restore its power before it can attack again. | 0:25:09 | 0:25:12 | |
Now, that means we've got exactly four and a half minutes before it's at lethal capacity. | 0:25:12 | 0:25:17 | |
-How do you know? -Because that's when it's due to kill me. | 0:25:17 | 0:25:20 | |
-Kill you? What do you mean, kill you? -Oh, shut up, never mind. | 0:25:20 | 0:25:23 | |
How can that Dalek even exist? It was erased from time and then it came back. How? | 0:25:23 | 0:25:28 | |
You said the light from the Pandorica... | 0:25:28 | 0:25:30 | |
It's not a light, it's a restoration field, but never mind. Call it a light. | 0:25:30 | 0:25:34 | |
That light brought Amy back, but how could it bring back a Dalek when the Daleks have never existed? | 0:25:34 | 0:25:40 | |
OK, tell us. | 0:25:40 | 0:25:42 | |
When the TARDIS blew up, it caused a total event collapse. A time explosion. | 0:25:42 | 0:25:46 | |
It blasted every atom in every moment of the universe. | 0:25:46 | 0:25:49 | |
-Except... -Except inside the Pandorica. | 0:25:49 | 0:25:54 | |
The perfect prison. Inside it, perfectly preserved, a few billion atoms of the universe as it was. | 0:25:54 | 0:25:58 | |
In theory, you could extrapolate the whole universe from a single one of them, | 0:25:58 | 0:26:03 | |
like cloning a body from a single cell. And we've got the bumper family pack. | 0:26:03 | 0:26:06 | |
No, too fast, I'm not getting it. | 0:26:06 | 0:26:08 | |
The box contains a memory of the universe, and the light transmits the memory. | 0:26:08 | 0:26:12 | |
-And that's how we're going to do it. -Do what? | 0:26:12 | 0:26:15 | |
Relight the fire. Reboot the universe. | 0:26:15 | 0:26:19 | |
Come on! | 0:26:19 | 0:26:21 | |
Doctor, you're being completely ridiculous. | 0:26:21 | 0:26:24 | |
The Pandorica partially restored one Dalek. | 0:26:24 | 0:26:27 | |
If it can't even reboot a single life form properly, how will it reboot the whole of reality? | 0:26:27 | 0:26:32 | |
What if we give it a moment of infinite power? | 0:26:32 | 0:26:34 | |
Transmit the light from the Pandorica to every particle of space and time simultaneously? | 0:26:34 | 0:26:39 | |
Well, that would be lovely, dear, but we can't, because it's completely impossible. | 0:26:39 | 0:26:43 | |
Ah, no, you see, it's not. It's ALMOST completely impossible. | 0:26:43 | 0:26:48 | |
-One spark is all we need. -For what? | 0:26:48 | 0:26:51 | |
Big Bang Two! Now listen... | 0:26:51 | 0:26:53 | |
-Exterminate! Exterminate! -Get back. River, get back now! | 0:26:54 | 0:26:58 | |
Exterminate! | 0:26:58 | 0:27:00 | |
Doctor. Doctor, it's me, River. Can you hear me? | 0:27:04 | 0:27:08 | |
What is it? What do you need? | 0:27:08 | 0:27:10 | |
Where did he go? | 0:27:11 | 0:27:12 | |
-Damn it, he could be anywhere. -He went downstairs. 12 minutes ago. | 0:27:12 | 0:27:18 | |
-Show me! -River, he died. | 0:27:18 | 0:27:22 | |
Systems restoring! | 0:27:22 | 0:27:25 | |
-You will be exterminated! -We've got to move. That thing's coming back to life. | 0:27:25 | 0:27:29 | |
You go to the Doctor. I'll be right with you. | 0:27:29 | 0:27:33 | |
You will be exterminated! | 0:27:38 | 0:27:41 | |
Not yet, your systems are still restoring. | 0:27:41 | 0:27:45 | |
Which means your shield density is compromised. | 0:27:45 | 0:27:48 | |
One Alpha Mezon burst through your eyestalk would kill you stone dead. | 0:27:48 | 0:27:53 | |
Records indicate you will show mercy. | 0:27:53 | 0:27:57 | |
You are an associate of the Doctor's. | 0:27:57 | 0:27:59 | |
I'm River Song. Check your records again. | 0:27:59 | 0:28:03 | |
Mercy! | 0:28:05 | 0:28:06 | |
-Say it again. -Mercy! | 0:28:06 | 0:28:08 | |
-One more time. -Mercy! | 0:28:08 | 0:28:14 | |
How could he have moved? He was dead! | 0:28:16 | 0:28:20 | |
Doctor? Doctor! | 0:28:20 | 0:28:24 | |
But he was dead! | 0:28:24 | 0:28:26 | |
Who told you that? | 0:28:26 | 0:28:28 | |
-He did. -Rule one. The Doctor lies. | 0:28:28 | 0:28:31 | |
-Where's the Dalek? -It died. | 0:28:31 | 0:28:34 | |
Doctor! | 0:28:36 | 0:28:38 | |
Why did he tell us he was dead? | 0:28:42 | 0:28:45 | |
We were a diversion. | 0:28:45 | 0:28:48 | |
Long as the Dalek was chasing us, he could work down here. | 0:28:48 | 0:28:53 | |
Doctor, can you hear me? | 0:28:53 | 0:28:54 | |
What were you doing? | 0:28:54 | 0:28:56 | |
-What's happening? -Reality's collapsing. It's speeding up. Look at this room. | 0:29:01 | 0:29:08 | |
-Where did everything go? -History is being erased. | 0:29:08 | 0:29:12 | |
Time is running out. Doctor, what were you doing? Tell us! | 0:29:12 | 0:29:16 | |
Doctor? | 0:29:16 | 0:29:18 | |
Big... Bang... Two. | 0:29:22 | 0:29:26 | |
The Big Bang. That's the beginning of the universe, right? | 0:29:26 | 0:29:31 | |
What, and Big Bang Two is the bang that brings it back? | 0:29:31 | 0:29:34 | |
-Is that what you mean? -Oh! | 0:29:34 | 0:29:38 | |
-What? -The TARDIS is still burning. | 0:29:38 | 0:29:42 | |
It's exploding at every point in history. | 0:29:42 | 0:29:44 | |
If you threw the Pandorica into the explosion, right into the heart of the fire... | 0:29:44 | 0:29:48 | |
Then what? | 0:29:48 | 0:29:50 | |
Then let there be light. | 0:29:50 | 0:29:52 | |
The light from the Pandorica would explode everywhere at once, | 0:29:52 | 0:29:58 | |
-just like he said. -That would work? That would bring everything back? | 0:29:58 | 0:30:02 | |
A restoration field, powered by an exploding TARDIS, | 0:30:02 | 0:30:07 | |
happening at every moment in history. Oh, that's brilliant. It might even work! | 0:30:07 | 0:30:13 | |
He's wired the vortex manipulator to the rest of the box. | 0:30:15 | 0:30:18 | |
Why? | 0:30:18 | 0:30:20 | |
So he can take it with him. | 0:30:20 | 0:30:21 | |
He's going to fly the Pandorica into the heart of the explosion. | 0:30:21 | 0:30:27 | |
-Are you OK? -Are you? | 0:30:40 | 0:30:43 | |
No. | 0:30:43 | 0:30:44 | |
Well, shut up then! | 0:30:44 | 0:30:45 | |
Amy... He wants to talk to you. | 0:30:52 | 0:30:55 | |
So, what happens here? Big Bang Two? | 0:30:55 | 0:30:58 | |
What happens to us? | 0:30:58 | 0:31:00 | |
We all wake up where we ought to be. | 0:31:00 | 0:31:02 | |
None of this ever happens and we don't remember it. | 0:31:02 | 0:31:05 | |
River... | 0:31:06 | 0:31:07 | |
tell me he comes back, too. | 0:31:07 | 0:31:10 | |
-The Doctor will be the heart of the explosion. -So? | 0:31:10 | 0:31:14 | |
So all the cracks in time will close, | 0:31:16 | 0:31:18 | |
but he'll be on the wrong side - | 0:31:18 | 0:31:20 | |
trapped in the never-space, the void between the worlds. | 0:31:20 | 0:31:23 | |
All memory of him will be purged from the universe. | 0:31:24 | 0:31:27 | |
He will never have been born. | 0:31:27 | 0:31:30 | |
Now, please. | 0:31:30 | 0:31:33 | |
He wants to talk to you before he goes. | 0:31:33 | 0:31:36 | |
Not to you? | 0:31:36 | 0:31:37 | |
He doesn't really know me yet. | 0:31:37 | 0:31:40 | |
Now he never will. | 0:31:42 | 0:31:43 | |
Hi. | 0:32:06 | 0:32:08 | |
Amy Pond. | 0:32:12 | 0:32:14 | |
The girl who waited. | 0:32:15 | 0:32:18 | |
All night in your garden. | 0:32:18 | 0:32:20 | |
-Was it worth it? -Shut up. Of course it was. | 0:32:21 | 0:32:24 | |
You asked me why I was taking you with me and I said... | 0:32:26 | 0:32:30 | |
"No reason." | 0:32:30 | 0:32:31 | |
-I was lying. -It's not important. | 0:32:34 | 0:32:36 | |
Yeah, it's the most important thing left in the universe. | 0:32:36 | 0:32:39 | |
It's why I'm doing this. | 0:32:41 | 0:32:43 | |
Amy, your house was too big. | 0:32:44 | 0:32:47 | |
That big, empty house. | 0:32:47 | 0:32:51 | |
-And just you. -And Aunt Sharon. | 0:32:51 | 0:32:53 | |
Where were your mum and dad? Where was... | 0:32:53 | 0:32:56 | |
everybody who lived in that big house? | 0:32:56 | 0:33:00 | |
-I lost my Mum and Dad. -How? | 0:33:00 | 0:33:03 | |
What happened to them? | 0:33:03 | 0:33:06 | |
-Where did they go? -I... | 0:33:06 | 0:33:08 | |
-I don't... -It's OK. Don't panic. | 0:33:10 | 0:33:12 | |
It's not your fault. | 0:33:12 | 0:33:15 | |
I don't even remember. | 0:33:16 | 0:33:18 | |
There was a crack in time in the wall of your bedroom. | 0:33:18 | 0:33:21 | |
And it's been eating away at your life for a long time now. | 0:33:21 | 0:33:26 | |
Amy Pond, | 0:33:26 | 0:33:28 | |
all alone. | 0:33:28 | 0:33:30 | |
The girl who didn't make sense. | 0:33:30 | 0:33:33 | |
How could I resist? | 0:33:34 | 0:33:37 | |
How could I just forget? | 0:33:37 | 0:33:40 | |
Nothing is ever forgotten, | 0:33:40 | 0:33:42 | |
not really. | 0:33:42 | 0:33:44 | |
But you have to try. | 0:33:44 | 0:33:46 | |
< Doctor! It's speeding up! | 0:33:49 | 0:33:51 | |
There's going to be a very big bang. Big Bang Two. | 0:33:55 | 0:33:58 | |
Try and remember your family and they'll be there. | 0:33:58 | 0:34:00 | |
-How can I remember them if they never existed? -Because... | 0:34:00 | 0:34:03 | |
you're special. | 0:34:03 | 0:34:05 | |
That crack in your wall, all that time, | 0:34:05 | 0:34:08 | |
the universe pouring into your head. | 0:34:08 | 0:34:12 | |
You brought Rory back - you can bring them back, too. | 0:34:12 | 0:34:15 | |
You just remember | 0:34:15 | 0:34:18 | |
and they'll be there. | 0:34:18 | 0:34:20 | |
YOU won't. | 0:34:20 | 0:34:22 | |
You'll have your family back. | 0:34:22 | 0:34:24 | |
You won't need your imaginary friend any more. | 0:34:24 | 0:34:27 | |
Ha! | 0:34:28 | 0:34:30 | |
Amy Pond... | 0:34:30 | 0:34:32 | |
crying over me, eh? | 0:34:32 | 0:34:34 | |
-Guess what? -What? | 0:34:34 | 0:34:37 | |
Gotcha. | 0:34:37 | 0:34:40 | |
CRASHING | 0:34:45 | 0:34:47 | |
Back! Get back! | 0:34:47 | 0:34:49 | |
BLEEPING | 0:34:56 | 0:34:58 | |
HE PANTS | 0:34:58 | 0:35:01 | |
BLEEPING | 0:35:02 | 0:35:04 | |
It's from the Doctor. | 0:35:04 | 0:35:05 | |
What does it say? | 0:35:05 | 0:35:07 | |
"Geronimo." | 0:35:08 | 0:35:10 | |
HE GROANS AND PANTS | 0:35:20 | 0:35:23 | |
Oh! | 0:36:01 | 0:36:02 | |
OK. | 0:36:02 | 0:36:04 | |
I escaped, then. Brilliant! | 0:36:04 | 0:36:06 | |
Love it when I do that. | 0:36:07 | 0:36:09 | |
Legs, yes. | 0:36:09 | 0:36:11 | |
Bow tie, cool. | 0:36:11 | 0:36:13 | |
I can buy a fez. | 0:36:14 | 0:36:16 | |
< 'The beach. The beach is the best. | 0:36:16 | 0:36:18 | |
< 'Automatic sand. | 0:36:18 | 0:36:19 | |
-< AMY: -'Automatic sand? | 0:36:19 | 0:36:21 | |
'What does that mean? | 0:36:21 | 0:36:22 | |
'It's automated, totally.' Oh. | 0:36:22 | 0:36:24 | |
'Cleans up the lolly sticks...' | 0:36:24 | 0:36:26 | |
No, hang on! That's last week when we went to Space Florida. | 0:36:26 | 0:36:30 | |
I'm rewinding. | 0:36:30 | 0:36:31 | |
My-My time stream - unravelling, | 0:36:31 | 0:36:35 | |
erasing. | 0:36:35 | 0:36:36 | |
Closing. | 0:36:38 | 0:36:40 | |
Hello, universe. | 0:36:43 | 0:36:45 | |
Goodbye, Doctor. | 0:36:45 | 0:36:47 | |
Amy? | 0:36:51 | 0:36:53 | |
Amy? | 0:37:01 | 0:37:03 | |
Ah, three weeks ago, when she put the card in the window. Amy! | 0:37:11 | 0:37:15 | |
I need to tell you something. | 0:37:15 | 0:37:17 | |
She can hear me! | 0:37:18 | 0:37:20 | |
But if she can hear me... | 0:37:20 | 0:37:22 | |
EERIE WIND BLOWS | 0:37:22 | 0:37:23 | |
'Good luck, everyone. Behave. Do not let that girl open her eyes. | 0:37:29 | 0:37:32 | |
'Amy, later! River, going to need your computer.' | 0:37:32 | 0:37:35 | |
Amy, you need to start trusting me. | 0:37:43 | 0:37:46 | |
-It's never been more important. -But you don't always tell me the truth. | 0:37:46 | 0:37:50 | |
If I always told you the truth, I wouldn't need you to trust me. | 0:37:50 | 0:37:54 | |
Doctor, the crack in my wall. | 0:37:54 | 0:37:57 | |
-How can it be here? -I don't know yet but I'm working it out. | 0:37:57 | 0:38:01 | |
Now, listen. | 0:38:07 | 0:38:08 | |
-Remember what I told you when you were seven? -What did you tell me? | 0:38:08 | 0:38:12 | |
No. | 0:38:12 | 0:38:13 | |
No. | 0:38:13 | 0:38:14 | |
That's not the point. | 0:38:16 | 0:38:17 | |
You have to remember. | 0:38:19 | 0:38:21 | |
Remember what? Doctor? | 0:38:27 | 0:38:31 | |
CRASHING | 0:38:31 | 0:38:32 | |
Doctor? | 0:38:32 | 0:38:33 | |
Amelia's house. | 0:38:39 | 0:38:41 | |
When she was seven. | 0:38:41 | 0:38:43 | |
The night she waited. | 0:38:45 | 0:38:47 | |
The girl who waited. | 0:39:02 | 0:39:04 | |
Come here, you. | 0:39:06 | 0:39:07 | |
It's funny. | 0:39:26 | 0:39:27 | |
I thought if you could hear me, I could hang on somehow. | 0:39:30 | 0:39:33 | |
Silly me. | 0:39:34 | 0:39:36 | |
Silly old Doctor. | 0:39:37 | 0:39:40 | |
When you wake up, | 0:39:45 | 0:39:48 | |
you'll have a mum and dad... | 0:39:48 | 0:39:50 | |
And you won't even remember me. | 0:39:51 | 0:39:53 | |
Well, you'll remember me a little. | 0:39:55 | 0:39:58 | |
I'll be a story in your head. | 0:39:58 | 0:40:00 | |
But that's OK. | 0:40:02 | 0:40:04 | |
We're all stories in the end. | 0:40:04 | 0:40:06 | |
Just make it a good one, eh? | 0:40:08 | 0:40:10 | |
Cos it was, you know. | 0:40:10 | 0:40:12 | |
It was the best. | 0:40:12 | 0:40:14 | |
A daft old man | 0:40:17 | 0:40:19 | |
who stole a magic box | 0:40:19 | 0:40:21 | |
and ran away. | 0:40:21 | 0:40:23 | |
Did I ever tell you that I stole it? | 0:40:26 | 0:40:28 | |
Well, I borrowed it. I was always going to take it back. | 0:40:28 | 0:40:31 | |
Oh, that box, Amy. | 0:40:34 | 0:40:36 | |
You'll dream about that box. | 0:40:38 | 0:40:41 | |
It'll never leave you. | 0:40:41 | 0:40:45 | |
Big and little at the same time. | 0:40:45 | 0:40:50 | |
Brand new and ancient. | 0:40:50 | 0:40:52 | |
And the bluest blue ever. | 0:40:52 | 0:40:56 | |
And the times we had, eh? | 0:40:58 | 0:41:01 | |
Woulda had... | 0:41:01 | 0:41:04 | |
Never had. | 0:41:04 | 0:41:05 | |
In your dreams, they'll still be there. | 0:41:07 | 0:41:10 | |
The Doctor and Amy Pond. | 0:41:13 | 0:41:16 | |
And the days that never came. | 0:41:20 | 0:41:22 | |
CRASHING AND METALLIC BUZZING > | 0:41:24 | 0:41:27 | |
The cracks are closing. | 0:41:29 | 0:41:31 | |
But they can't close properly until I'm on the other side. | 0:41:35 | 0:41:38 | |
I don't belong here any more. | 0:41:42 | 0:41:44 | |
I think I'll skip the rest of the rewind. | 0:41:50 | 0:41:53 | |
I hate repeats. | 0:41:55 | 0:41:57 | |
Live well. Love Rory. | 0:42:01 | 0:42:03 | |
Bye bye, Pond. | 0:42:06 | 0:42:09 | |
METALLIC WHOOSH | 0:42:12 | 0:42:15 | |
-Morning! -AMY GASPS | 0:43:23 | 0:43:26 | |
You're my mum. | 0:43:27 | 0:43:29 | |
-Oh, my God. You're my mum. -Well, of course I'm your mum. | 0:43:29 | 0:43:32 | |
What's the matter with you? And this is your breakfast, | 0:43:32 | 0:43:35 | |
which your father made, so feel free to tip it out of the window if it's an atrocity. | 0:43:35 | 0:43:39 | |
Downstairs, 10 minutes? Big day! | 0:43:39 | 0:43:42 | |
Of course she's my mum. Why is that surprising? | 0:43:44 | 0:43:47 | |
Ah, Amelia. | 0:43:52 | 0:43:54 | |
I fear I may have been using the same joke book as the best man. | 0:43:54 | 0:43:58 | |
You're my tiny little dad! | 0:43:58 | 0:44:00 | |
-Amelia, why are you behaving as if you've never seen us before? -I don't know. It's just... | 0:44:00 | 0:44:05 | |
-Hello! -'Do you feel like you've forgotten something really important?' | 0:44:08 | 0:44:12 | |
Do you feel like there's a great big thing in your head, | 0:44:12 | 0:44:15 | |
and you feel like you should remember it, but you can't? | 0:44:15 | 0:44:17 | |
Yep. | 0:44:19 | 0:44:20 | |
-Are you just saying yes cos you're scared of me? -'Yep.' | 0:44:20 | 0:44:24 | |
-I love you. -'Yep.' | 0:44:24 | 0:44:26 | |
I mean, I love you too! | 0:44:26 | 0:44:28 | |
LAUGHTER AND APPLAUSE | 0:44:44 | 0:44:47 | |
Ladies and gentlemen, the father of the bride, Augustus Pond! | 0:44:51 | 0:44:55 | |
CHEERING AND APPLAUSE | 0:44:55 | 0:44:57 | |
Sorry, everyone. | 0:45:00 | 0:45:02 | |
I'll be another two minutes. I'm just reviewing certain aspects. | 0:45:02 | 0:45:08 | |
Your father, Amelia, will be the absolute death of me. | 0:45:08 | 0:45:11 | |
Unless, of course, I strike pre-emptively. | 0:45:11 | 0:45:14 | |
SHE GIGGLES | 0:45:14 | 0:45:16 | |
Amy? | 0:45:28 | 0:45:29 | |
-You OK? -Yeah, I'm fine. I'm... | 0:45:29 | 0:45:32 | |
fine. | 0:45:32 | 0:45:34 | |
Right. Er... | 0:45:34 | 0:45:37 | |
You're crying. | 0:45:37 | 0:45:39 | |
So I am. Why am I doing that? | 0:45:39 | 0:45:42 | |
Because you're happy, probably. | 0:45:42 | 0:45:47 | |
-Happy Mrs Rory. Happy, happy, happy. -No. | 0:45:47 | 0:45:50 | |
I'm sad. | 0:45:50 | 0:45:52 | |
-I'm really, really sad. -Great. | 0:45:52 | 0:45:57 | |
Why am I sad? | 0:45:57 | 0:45:59 | |
What's that? | 0:45:59 | 0:46:00 | |
Oh, er, someone left it for you. | 0:46:02 | 0:46:04 | |
-A woman. -But what is it? | 0:46:05 | 0:46:07 | |
-It's a book. -It's blank. | 0:46:07 | 0:46:09 | |
It's a present. | 0:46:09 | 0:46:10 | |
-But why? -Well, you know the old saying. | 0:46:10 | 0:46:15 | |
The old...wedding...thing. | 0:46:15 | 0:46:19 | |
Huh? | 0:46:20 | 0:46:22 | |
Amy? | 0:46:27 | 0:46:29 | |
Ready now. | 0:46:33 | 0:46:34 | |
Sorry about that. | 0:46:35 | 0:46:38 | |
Last-minute adjustments to certain aspects. | 0:46:38 | 0:46:40 | |
Now then, | 0:46:40 | 0:46:42 | |
-it hardly seems a year... -HIS VOICE FADES | 0:46:42 | 0:46:45 | |
WIND BLOWS | 0:46:55 | 0:46:57 | |
..at the age of six and announced that the new headteacher wasn't real because she looked like a cartoon. | 0:47:01 | 0:47:06 | |
-Shut up, Dad! -Amy? -Amelia? -Sorry, but shut up, please! | 0:47:06 | 0:47:09 | |
There's someone missing - someone important. | 0:47:09 | 0:47:13 | |
Someone so, SO important. | 0:47:13 | 0:47:15 | |
-Amy, what's wrong? -Sorry. | 0:47:15 | 0:47:17 | |
-SHE CLEARS THROAT -Sorry, everyone. | 0:47:17 | 0:47:19 | |
But when I was a kid, | 0:47:21 | 0:47:22 | |
-I had an imaginary friend. -Oh no, not this again. | 0:47:22 | 0:47:26 | |
The raggedy Doctor. My raggedy Doctor. | 0:47:26 | 0:47:30 | |
But he wasn't imaginary. | 0:47:30 | 0:47:32 | |
He was real. | 0:47:33 | 0:47:34 | |
-The psychiatrists we sent her to! -I remember you! | 0:47:36 | 0:47:39 | |
I remember! | 0:47:39 | 0:47:41 | |
I brought the others back, I can bring you home, too. | 0:47:41 | 0:47:44 | |
Raggedy man, I remember you, | 0:47:44 | 0:47:46 | |
and you are late for my wedding! | 0:47:46 | 0:47:49 | |
GLASSES CHINK | 0:47:51 | 0:47:53 | |
I found you. I found you in words, like you knew I would. | 0:47:56 | 0:48:00 | |
That's why you told me the story - the brand new, ancient blue box. | 0:48:00 | 0:48:04 | |
Oh, clever. Very clever. | 0:48:04 | 0:48:07 | |
Amy, what is it? | 0:48:08 | 0:48:10 | |
Something old. | 0:48:10 | 0:48:12 | |
Something new. | 0:48:12 | 0:48:14 | |
Something borrowed. | 0:48:14 | 0:48:15 | |
METALLIC THRUMMING | 0:48:15 | 0:48:18 | |
Something blue. | 0:48:18 | 0:48:19 | |
It's the Doctor! | 0:48:26 | 0:48:28 | |
How did we forget the Doctor? | 0:48:30 | 0:48:33 | |
I was plastic. He was the stripper at my stag. Long story. | 0:48:33 | 0:48:37 | |
OK, Doctor. Did I surprise you this time? | 0:48:39 | 0:48:42 | |
Er, yeah. | 0:48:45 | 0:48:46 | |
Completely astonished. | 0:48:46 | 0:48:49 | |
Never expected that. | 0:48:49 | 0:48:50 | |
How lucky I happened to be wearing this old thing. | 0:48:51 | 0:48:54 | |
Hello, everyone. | 0:48:55 | 0:48:57 | |
I'm Amy's imaginary friend. GUESTS EXCLAIM | 0:48:57 | 0:49:00 | |
But I came anyway. | 0:49:00 | 0:49:01 | |
You absolutely, definitely may kiss the bride. | 0:49:03 | 0:49:06 | |
Amelia! From now on, I shall be leaving the... | 0:49:06 | 0:49:09 | |
kissing duties to the brand new Mr Pond. | 0:49:09 | 0:49:13 | |
No, I'm not Mr Pond. | 0:49:13 | 0:49:16 | |
-That's not how it works. -Yeah, it is. | 0:49:16 | 0:49:18 | |
-Yeah, it is. -Right then, everyone. | 0:49:18 | 0:49:21 | |
I'll move my box. | 0:49:21 | 0:49:23 | |
You're going to need the space. | 0:49:23 | 0:49:24 | |
I only came for the dancing. | 0:49:25 | 0:49:28 | |
MUSIC PLAYS: "Crazy Little Thing Called Love" by Queen | 0:49:29 | 0:49:32 | |
SHE GIGGLES | 0:49:32 | 0:49:34 | |
You're terrible. That is embarrassing! | 0:49:34 | 0:49:37 | |
That's it. That's good. Keep it loose. | 0:49:39 | 0:49:42 | |
MUSIC PLAYS: "You Give Me Something" by James Morrison | 0:49:50 | 0:49:54 | |
2,000 years. | 0:49:57 | 0:49:58 | |
The boy who waited. | 0:50:00 | 0:50:01 | |
Good on you, mate. | 0:50:03 | 0:50:05 | |
-RIVER: -Did you dance? | 0:50:22 | 0:50:23 | |
Well, you always dance at weddings, don't you? | 0:50:23 | 0:50:28 | |
You tell me. | 0:50:28 | 0:50:29 | |
-SHE GASPS -Spoilers. | 0:50:29 | 0:50:31 | |
The writing's all back, but I didn't peek. | 0:50:33 | 0:50:35 | |
Thank you. | 0:50:37 | 0:50:38 | |
Are you married, River? | 0:50:45 | 0:50:48 | |
Are you asking? | 0:50:48 | 0:50:50 | |
-Yes. -Yes. | 0:50:51 | 0:50:55 | |
No, hang on. | 0:50:55 | 0:50:56 | |
Did you think I was asking you to marry me, | 0:50:56 | 0:50:58 | |
o-o-or asking if you were married? | 0:50:58 | 0:51:01 | |
Yes. | 0:51:01 | 0:51:03 | |
No, but was that "yes", or "yes"? | 0:51:03 | 0:51:05 | |
Yes. | 0:51:05 | 0:51:07 | |
River... | 0:51:09 | 0:51:10 | |
..who are you? | 0:51:12 | 0:51:13 | |
You're going to find out very soon now. | 0:51:14 | 0:51:17 | |
And I'm sorry, | 0:51:18 | 0:51:20 | |
but that's when everything changes. | 0:51:20 | 0:51:22 | |
Oi! | 0:51:40 | 0:51:41 | |
Where are you off to? | 0:51:42 | 0:51:43 | |
-We haven't even had a snog in the shrubbery yet. -Amy! | 0:51:43 | 0:51:46 | |
-Shut up - it's my wedding. -OUR wedding. | 0:51:46 | 0:51:49 | |
Sorry, you two - shouldn't have slipped away. | 0:51:49 | 0:51:51 | |
Bit busy, you know? | 0:51:51 | 0:51:53 | |
You just saved the whole of space and time. Take the evening off. | 0:51:53 | 0:51:57 | |
Maybe a bit of tomorrow. | 0:51:57 | 0:51:58 | |
Space and time isn't safe yet. The TARDIS exploded for a reason. | 0:51:58 | 0:52:01 | |
Something drew the TARDIS to this particular date, and blew it up. | 0:52:01 | 0:52:05 | |
Why? And why now? PHONE RINGS | 0:52:05 | 0:52:07 | |
The silence, whatever it is, is still out there, and I have to... Excuse me a moment. Hello. | 0:52:07 | 0:52:11 | |
Oh! Hello. | 0:52:11 | 0:52:14 | |
I'm sorry, this is a very bad line. | 0:52:14 | 0:52:16 | |
No, but that's not possible. She was sealed into the Seventh Obelisk. | 0:52:16 | 0:52:20 | |
I was at the prayer meeting. | 0:52:20 | 0:52:22 | |
Well, no, I get that it's important. | 0:52:22 | 0:52:24 | |
An Egyptian goddess loose on the Orient Express. | 0:52:24 | 0:52:28 | |
In space! | 0:52:28 | 0:52:30 | |
Give us a mo. | 0:52:30 | 0:52:31 | |
Sorry, something's come up. This will have to be goodbye. | 0:52:31 | 0:52:34 | |
Yeah, I think it's goodbye. Do you think it's goodbye? | 0:52:34 | 0:52:37 | |
Definitely goodbye. | 0:52:37 | 0:52:39 | |
Goodbye! | 0:52:42 | 0:52:44 | |
Goodbye. | 0:52:46 | 0:52:48 | |
Don't worry about a thing, Your Majesty. | 0:52:51 | 0:52:53 | |
We're on our way. | 0:52:53 | 0:52:55 | |
METALLIC THRUMMING | 0:53:01 | 0:53:04 | |
Subtitles by Red Bee Media Ltd | 0:53:29 | 0:53:32 | |
E-mail [email protected] | 0:53:32 | 0:53:35 |