Browse content similar to Day of the Moon. Check below for episodes and series from the same categories and more!
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Space, 1969. | 0:00:02 | 0:00:03 | |
No! | 0:00:05 | 0:00:07 | |
The Doctor we saw on the beach is a future version, | 0:00:07 | 0:00:09 | |
200 years older than the one up there. | 0:00:09 | 0:00:12 | |
Canton Everett Delaware the third. Who's he? | 0:00:12 | 0:00:15 | |
What the hell is that? | 0:00:15 | 0:00:18 | |
Mr President. | 0:00:18 | 0:00:19 | |
You didn't have to kill her, she couldn't even remember you! | 0:00:21 | 0:00:24 | |
How does that work? We can only remember you while we're seeing you, is that it? | 0:00:24 | 0:00:28 | |
SHE GASPS | 0:00:28 | 0:00:29 | |
-Canton! Are you OK? -Doctor. | 0:00:30 | 0:00:32 | |
I'm pregnant. | 0:00:32 | 0:00:33 | |
No! | 0:00:38 | 0:00:40 | |
'Suspect directly ahead'. | 0:00:45 | 0:00:47 | |
Coming to you now. Over. | 0:00:47 | 0:00:49 | |
-Canton. -Miss Pond. | 0:01:20 | 0:01:23 | |
-Is that a body bag? -Yes, it is. | 0:01:26 | 0:01:29 | |
-It's empty. -How about that? | 0:01:29 | 0:01:32 | |
Do you even know why you're doing this, eh? Can you even remember? | 0:01:32 | 0:01:37 | |
-The Warehouse? -Amy! Amy! | 0:01:37 | 0:01:41 | |
-What the hell's going on? -Look behind you. | 0:01:45 | 0:01:47 | |
-There's nothing behind me! -Look! -Canton, look! | 0:01:47 | 0:01:51 | |
GUNSHOT | 0:01:53 | 0:01:54 | |
PA: 'All visitors to remain behind the yellow line. | 0:02:02 | 0:02:05 | |
'All visitors to remain behind the yellow line.' | 0:02:05 | 0:02:09 | |
We found Amy Pond. | 0:02:09 | 0:02:11 | |
She had strange markings on her arm. | 0:02:11 | 0:02:15 | |
Do you know what they are? | 0:02:15 | 0:02:17 | |
Why don't you ask her? | 0:02:19 | 0:02:22 | |
METALLIC CLATTER | 0:02:47 | 0:02:51 | |
I see you! | 0:02:56 | 0:02:58 | |
I see you! | 0:03:00 | 0:03:03 | |
Dr Song. | 0:03:05 | 0:03:07 | |
Dr Song? | 0:03:07 | 0:03:10 | |
Go, go, go! | 0:03:15 | 0:03:17 | |
Don't move! | 0:03:19 | 0:03:20 | |
-It's over! -They're here, Canton. | 0:03:25 | 0:03:28 | |
-They're everywhere. -I know. | 0:03:28 | 0:03:30 | |
"America's being invaded." | 0:03:30 | 0:03:32 | |
You were invaded a long time ago. | 0:03:32 | 0:03:34 | |
America is occupied. | 0:03:34 | 0:03:36 | |
You're coming with us, Dr Song. | 0:03:36 | 0:03:39 | |
There's no way out, this time. | 0:03:39 | 0:03:40 | |
There's always a way out. | 0:03:42 | 0:03:45 | |
We found Dr Song. | 0:03:55 | 0:03:56 | |
These bricks, what are they made of? | 0:03:56 | 0:03:59 | |
-Where is she? -She ran. | 0:03:59 | 0:04:02 | |
Off the 50th floor. | 0:04:02 | 0:04:04 | |
I'd say zero balanced dwarf star alloy. | 0:04:06 | 0:04:10 | |
The densest material in the universe. Nothing gets through that. | 0:04:10 | 0:04:14 | |
You're building me the perfect prison. | 0:04:14 | 0:04:17 | |
And it still won't be enough. | 0:04:21 | 0:04:24 | |
-What are you waiting for? -I'm waiting for you to run. | 0:04:38 | 0:04:41 | |
It'll look better if I shot you while you were running. | 0:04:41 | 0:04:44 | |
Then again, looks aren't everything. | 0:04:44 | 0:04:47 | |
GUNSHOT | 0:04:48 | 0:04:51 | |
Is there a reason you're doing this? | 0:04:55 | 0:04:57 | |
I want you to know where you stand. | 0:04:57 | 0:04:59 | |
-In a cell. -In the perfect cell. | 0:04:59 | 0:05:02 | |
Nothing can penetrate these walls. | 0:05:02 | 0:05:04 | |
Not a sound, not a radio wave. | 0:05:04 | 0:05:07 | |
Not the tiniest particle of anything. | 0:05:10 | 0:05:12 | |
In here, you are literally cut off from the rest of the universe. | 0:05:12 | 0:05:17 | |
So I guess they can't hear us, right? | 0:05:21 | 0:05:23 | |
-Good work, Canton. Door sealed? -You bet. | 0:05:23 | 0:05:27 | |
-You OK? -Finally | 0:05:32 | 0:05:34 | |
These things could really do with air holes. | 0:05:34 | 0:05:36 | |
Never had a complaint before. | 0:05:36 | 0:05:38 | |
Isn't it going to look odd that you're staying in here with us? | 0:05:38 | 0:05:40 | |
Odd, but not alarming. They know there's no way out of this place. | 0:05:40 | 0:05:43 | |
Exactly. Whatever they might think we're doing in here, they know we're not going anywhere. | 0:05:43 | 0:05:47 | |
Shall we? | 0:05:50 | 0:05:52 | |
What about Dr Song? | 0:05:53 | 0:05:54 | |
She dove off a rooftop! | 0:05:54 | 0:05:56 | |
Don't worry. She does that. | 0:05:56 | 0:05:58 | |
Amy, Rory, open all the doors to the swimming pool. | 0:05:58 | 0:06:01 | |
So, we know they're everywhere. Not just a landing party, an occupying force. | 0:06:08 | 0:06:12 | |
And they've been here a very, very long time. But nobody knows that, cos no one can remember them. | 0:06:12 | 0:06:16 | |
So what are they up to? | 0:06:16 | 0:06:17 | |
No idea. But the good news is... we've got a secret weapon. | 0:06:17 | 0:06:21 | |
Apollo 11's your secret weapon? | 0:06:27 | 0:06:29 | |
No, no, it's not Apollo 11, that would be silly. | 0:06:29 | 0:06:33 | |
It's Neil Armstrong's foot. | 0:06:33 | 0:06:36 | |
RADIO: 'In just a few days mankind will set foot on the moon | 0:07:19 | 0:07:22 | |
'for the first time. | 0:07:22 | 0:07:24 | |
'Today the President reaffirmed America's commitment...' | 0:07:24 | 0:07:28 | |
Ready. Check? | 0:07:29 | 0:07:30 | |
-Clear. -Clear. | 0:07:30 | 0:07:34 | |
-Ow! -So, three months. what have we found out? | 0:07:39 | 0:07:42 | |
Well, they are everywhere. | 0:07:42 | 0:07:44 | |
-Every state in America. Ow! -Not just America, the entire world. | 0:07:44 | 0:07:48 | |
There's a greater concentration here though. | 0:07:48 | 0:07:50 | |
Ow! | 0:07:50 | 0:07:52 | |
You OK? | 0:07:52 | 0:07:54 | |
-All better. -Better? | 0:07:54 | 0:07:57 | |
Turns out I was wrong. I'm not pregnant. | 0:07:57 | 0:08:02 | |
-What's up? -Nothing. | 0:08:02 | 0:08:03 | |
Really, nothing, seriously. | 0:08:03 | 0:08:06 | |
So you've seen them, but you don't remember them. | 0:08:06 | 0:08:08 | |
You've seen them too. That night at the warehouse, remember? | 0:08:08 | 0:08:11 | |
While you were pretending to hunt us down | 0:08:11 | 0:08:14 | |
we saw hundreds of those things. | 0:08:14 | 0:08:15 | |
We still don't know what they look like. | 0:08:15 | 0:08:17 | |
It's like they edit themselves out of your memory | 0:08:17 | 0:08:20 | |
as soon as you look away. | 0:08:20 | 0:08:21 | |
The exact second you're not looking at them, you can't remember anything. | 0:08:21 | 0:08:24 | |
-Sometimes you feel a bit sick though, but not always. -So that's why you marked your skin? | 0:08:24 | 0:08:27 | |
Only way we'd know if we'd had an encounter. | 0:08:27 | 0:08:29 | |
-How long have they been here? -That's what we've spent three months trying to find out. | 0:08:29 | 0:08:33 | |
-Not easy, if you can't remember anything you discover. -But how long do you think? | 0:08:33 | 0:08:37 | |
As long as there's been something in the corner of your eye, | 0:08:37 | 0:08:39 | |
or creaking in your house, or breathing under your bed, or voices through a wall. | 0:08:39 | 0:08:44 | |
They've been running your lives for a very long time now, so keep this straight in your head. | 0:08:45 | 0:08:49 | |
We are not fighting an alien invasion. | 0:08:49 | 0:08:52 | |
We're leading a revolution. | 0:08:54 | 0:08:57 | |
-And today the battle begins. -How? | 0:08:57 | 0:08:59 | |
Like this. | 0:08:59 | 0:09:01 | |
-Ow! -Ha-ha! | 0:09:02 | 0:09:04 | |
Nano recorder. Fuses with the cartilage in your hand. | 0:09:04 | 0:09:09 | |
Ow! Then it tunes itself directly to the speech centres in your brain. | 0:09:10 | 0:09:13 | |
It'll pick up your voice, no matter what. Telepathic connection. | 0:09:13 | 0:09:15 | |
So the moment you see one of the creatures, you activate it. | 0:09:15 | 0:09:20 | |
And describe aloud exactly what you're seeing. | 0:09:20 | 0:09:24 | |
RECORDER: 'And describe aloud exactly what you're seeing.' | 0:09:24 | 0:09:27 | |
Because the moment you break contact, you're going to forget it happened. | 0:09:27 | 0:09:30 | |
The light will flash if you've left yourself a message. | 0:09:30 | 0:09:32 | |
You keep checking your hand. | 0:09:32 | 0:09:35 | |
If you've had an encounter that's the first you'll know about it. | 0:09:35 | 0:09:38 | |
-Why didn't you tell me this before we started? -I did. | 0:09:38 | 0:09:39 | |
But even information about these creatures erases itself over time. | 0:09:39 | 0:09:44 | |
I couldn't refresh it, cos I couldn't talk to you. | 0:09:44 | 0:09:47 | |
What? | 0:09:51 | 0:09:53 | |
-What are you staring at? -Look at your hand. | 0:09:55 | 0:09:57 | |
-Why's it doing that? -What does it mean if the light's flashing? | 0:10:01 | 0:10:04 | |
-What did I just tell you? -I haven't... -Play it. | 0:10:04 | 0:10:07 | |
'My God, how did it get in here?' | 0:10:10 | 0:10:14 | |
'Keep eye contact with the creature and when I say, | 0:10:14 | 0:10:17 | |
'turn back, and when you do, straighten my bow tie.' | 0:10:17 | 0:10:21 | |
'What? What are you staring at?' | 0:10:21 | 0:10:24 | |
'Look at your hand.' | 0:10:24 | 0:10:25 | |
It's a hologram, extrapolated from a photo on Amy's phone. | 0:10:29 | 0:10:32 | |
Take a good long look. | 0:10:32 | 0:10:34 | |
You just saw an image of one of the creatures we're fighting. | 0:10:34 | 0:10:37 | |
Describe it to me. | 0:10:37 | 0:10:39 | |
-I can't. -No. | 0:10:39 | 0:10:42 | |
Neither can I. | 0:10:42 | 0:10:44 | |
You straightened my bow tie because I planted the idea | 0:10:44 | 0:10:48 | |
in your head while you were looking at the creature. | 0:10:48 | 0:10:49 | |
So they could do that to people. You could be doing stuff and not really knowing why you're doing it. | 0:10:49 | 0:10:52 | |
Like post hypnotic suggestion. | 0:10:52 | 0:10:54 | |
-Ruling the world with post hypnotic suggestion. -Now then, a little girl in a space suit. | 0:10:54 | 0:10:58 | |
-They got the suit from NASA, but where did they get the girl? -Could be anywhere. | 0:10:58 | 0:11:01 | |
Except they probably stayed close to that warehouse, cos why bother doing anything else? | 0:11:01 | 0:11:04 | |
And they take her from somewhere to cause the least amount of attention. | 0:11:04 | 0:11:07 | |
-But you'll have to find her. I'm off to NASA. -Find her? | 0:11:07 | 0:11:10 | |
-Where do we look? -Children's homes. | 0:11:10 | 0:11:14 | |
KNOCK ON DOOR | 0:11:16 | 0:11:18 | |
-Hello. -FBI. You must be Dr Renfrew. Can we come in? | 0:11:18 | 0:11:22 | |
-The children are asleep. -We'll be very quiet. | 0:11:22 | 0:11:26 | |
Is there a problem? | 0:11:26 | 0:11:28 | |
It's about a missing child. | 0:11:28 | 0:11:29 | |
What are you...? | 0:11:29 | 0:11:31 | |
Yes, yes, come in, please. | 0:11:31 | 0:11:34 | |
This way. | 0:11:37 | 0:11:40 | |
Please excuse the writing. | 0:11:40 | 0:11:42 | |
It keeps happening. | 0:11:42 | 0:11:44 | |
I try to clean it up. | 0:11:44 | 0:11:47 | |
It's the kids, yeah? They do that? | 0:11:50 | 0:11:52 | |
Yes. The children. It must be, yes. | 0:11:52 | 0:11:56 | |
Anyway, my office is this way. | 0:11:59 | 0:12:03 | |
We nearly didn't come to this place. | 0:12:08 | 0:12:11 | |
I understood Graystark Hall was closed in '67. | 0:12:11 | 0:12:14 | |
That's the plan, yes. | 0:12:14 | 0:12:16 | |
The plan? | 0:12:16 | 0:12:18 | |
Not long now. | 0:12:18 | 0:12:20 | |
-It's 1969. -No, no. We close in '67. That's the plan, yes. | 0:12:20 | 0:12:24 | |
You misunderstood me, sir. | 0:12:24 | 0:12:26 | |
It's 1969 now. | 0:12:26 | 0:12:29 | |
Why are you saying that? | 0:12:29 | 0:12:30 | |
-Of course, it isn't. -July. | 0:12:30 | 0:12:32 | |
My office is this way, this way. | 0:12:36 | 0:12:38 | |
-I'll check upstairs. -Be careful. | 0:12:42 | 0:12:45 | |
MOBILE BLEEPS | 0:13:12 | 0:13:15 | |
-Amy? -I think we've found the place she was taken from. -How do you know? | 0:13:15 | 0:13:19 | |
Cos those things have been here. But the whole place is deserted. | 0:13:19 | 0:13:21 | |
There's just one guy here and I think he's lost it. | 0:13:21 | 0:13:24 | |
Repeated memory wipes fry your head eventually. | 0:13:24 | 0:13:26 | |
-Find out what you can, but don't hang around. -Where are you? | 0:13:26 | 0:13:29 | |
Gotta go! Got company! | 0:13:29 | 0:13:32 | |
Don't worry. I put everything back the way I found it. | 0:13:32 | 0:13:35 | |
Except this. | 0:13:35 | 0:13:36 | |
there's always a bit left over, isn't there? | 0:13:36 | 0:13:39 | |
STEADY BLEEPING | 0:13:49 | 0:13:52 | |
'I can see them, but I think they're asleep. Get out! Just get out!' | 0:14:12 | 0:14:16 | |
BIN CLATTERS | 0:15:03 | 0:15:04 | |
HISSING | 0:15:04 | 0:15:07 | |
One more time, sir. How the hell did you get into the command module? | 0:15:22 | 0:15:26 | |
I told you! I'm on a top secret mission for the President. | 0:15:26 | 0:15:30 | |
Well, maybe if you just get President Nixon to assure us of that, sir, | 0:15:30 | 0:15:35 | |
that would be swell. | 0:15:35 | 0:15:37 | |
I sent him a message. | 0:15:37 | 0:15:40 | |
Hello, I believe it's Mr Gardner, is that correct? Head of security? | 0:15:42 | 0:15:46 | |
Ah, yes, sir. Yes, Mr President. | 0:15:46 | 0:15:49 | |
-Mr Grant, is it? -Yes, Mr President. | 0:15:49 | 0:15:51 | |
The hopes and dreams of millions of Americans stand here today, | 0:15:51 | 0:15:55 | |
at Cape Kennedy, and you are the men who guard those dreams. | 0:15:55 | 0:15:58 | |
On behalf of the American people, I thank you. | 0:15:58 | 0:16:01 | |
-You're welcome, Mr President. -I understand you have a baby on the way, Mr Grant? | 0:16:01 | 0:16:05 | |
-Yes, Mr President. -What are you hoping for, a boy or a girl? | 0:16:05 | 0:16:08 | |
Just a healthy American, sir. | 0:16:08 | 0:16:10 | |
A healthy American will do just nicely. | 0:16:10 | 0:16:13 | |
Now, fellas, listen. This man here. | 0:16:13 | 0:16:16 | |
Code name, The Doctor, is doing some work for me, personally. | 0:16:16 | 0:16:20 | |
Could you cut him a little slack? | 0:16:20 | 0:16:22 | |
Er, Mr President, he did break into Apollo 11. | 0:16:22 | 0:16:26 | |
HE MOUTHS | 0:16:26 | 0:16:28 | |
Well, I'm sure he had a very good reason for that. | 0:16:28 | 0:16:32 | |
But I need you to release him now, so he can get on | 0:16:32 | 0:16:34 | |
with some very important work for the American people. | 0:16:34 | 0:16:37 | |
-Could you do that for me? -Well... | 0:16:37 | 0:16:40 | |
Son, I am your Commander in Chief. | 0:16:40 | 0:16:43 | |
Then I guess that would be fine, Mr President. | 0:16:43 | 0:16:46 | |
Glad to hear it. | 0:16:46 | 0:16:47 | |
Thank you! | 0:16:51 | 0:16:53 | |
Bye-bye. | 0:16:53 | 0:16:54 | |
Carry on, gentlemen. | 0:16:57 | 0:16:59 | |
America salutes you. | 0:17:10 | 0:17:11 | |
This place, it's been closed for years. | 0:17:25 | 0:17:28 | |
What have you been doing? | 0:17:28 | 0:17:30 | |
Oh, the child, | 0:17:30 | 0:17:33 | |
she must be cared for. | 0:17:33 | 0:17:35 | |
It's important. | 0:17:35 | 0:17:38 | |
That's what they said. | 0:17:38 | 0:17:40 | |
That's what who said? | 0:17:40 | 0:17:42 | |
CLINK! | 0:17:50 | 0:17:52 | |
Hello. Who are you? | 0:17:55 | 0:17:59 | |
No, I think she's just dreaming. | 0:17:59 | 0:18:01 | |
Hello? I saw you, looking through the hatch... | 0:18:16 | 0:18:21 | |
How? | 0:19:08 | 0:19:10 | |
How can that be me? | 0:19:10 | 0:19:13 | |
Who are you? I don't understand, so just tell me who you are! | 0:19:24 | 0:19:29 | |
I'm sorry. | 0:19:38 | 0:19:40 | |
I didn't mean to shoot you. | 0:19:40 | 0:19:42 | |
I'm glad I missed. | 0:19:42 | 0:19:44 | |
But you killed The Doctor. | 0:19:44 | 0:19:47 | |
Or you're going to kill him. | 0:19:47 | 0:19:48 | |
But who are you? | 0:19:50 | 0:19:52 | |
Just please tell me, because I don't understand! | 0:19:52 | 0:19:55 | |
Please help me. | 0:19:55 | 0:19:57 | |
Help me, please. | 0:19:57 | 0:20:00 | |
Aaaargh! | 0:20:09 | 0:20:11 | |
THUMPING | 0:20:11 | 0:20:14 | |
It's just some questions. | 0:20:18 | 0:20:20 | |
Yes, I see. | 0:20:22 | 0:20:23 | |
Who was that? Dr Renfrew? | 0:20:27 | 0:20:29 | |
Who was that? | 0:20:31 | 0:20:34 | |
Who was who? | 0:20:34 | 0:20:35 | |
What are you? You can tell me. | 0:20:44 | 0:20:48 | |
Cos I won't remember. | 0:20:48 | 0:20:50 | |
You invaded us. You're everywhere. | 0:20:50 | 0:20:53 | |
AMY: Help me! Canton, please will you help me?! | 0:20:53 | 0:20:57 | |
-Are you armed? -This world is ours. | 0:20:57 | 0:21:02 | |
We have ruled it since the wheel and the fire. | 0:21:02 | 0:21:05 | |
-We have no need of weapons. -Yeah? | 0:21:05 | 0:21:10 | |
Welcome to America. | 0:21:12 | 0:21:15 | |
Amy! | 0:21:15 | 0:21:17 | |
You have to tape everything that happens in this office, every word. | 0:21:17 | 0:21:20 | |
-or we won't know if you're under the influence. -Doctor, you have to give me more than this. | 0:21:20 | 0:21:24 | |
What were you doing to Apollo 11? | 0:21:24 | 0:21:25 | |
A thing. A clever thing. No more questions. | 0:21:25 | 0:21:27 | |
You have to trust me and nobody else. | 0:21:27 | 0:21:31 | |
Doctor! It's Canton! | 0:21:31 | 0:21:33 | |
Quick, he needs us! | 0:21:33 | 0:21:35 | |
AMY: 'Help me!' | 0:21:40 | 0:21:42 | |
-'Please, I can't, I can't see! Somebody help me!' -Amy! | 0:21:42 | 0:21:45 | |
Amy, can you hear me? | 0:21:46 | 0:21:48 | |
Amy, I'm going to try to blow the lock. I need you to stand back. | 0:21:48 | 0:21:53 | |
-OK, gun down, I've got it! -Amy, we're here. Are you OK? | 0:21:53 | 0:21:55 | |
AMY: 'I can't see!' | 0:21:55 | 0:21:57 | |
Where is she, Doctor? | 0:22:04 | 0:22:06 | |
-It's empty. -AMY: 'It's dark, it's so dark. | 0:22:12 | 0:22:17 | |
'I don't know where I am. | 0:22:17 | 0:22:19 | |
'Please, can anybody hear me?' | 0:22:19 | 0:22:21 | |
They took this out of her? | 0:22:27 | 0:22:30 | |
How did they do that, Doctor? | 0:22:30 | 0:22:31 | |
SOBBING | 0:22:31 | 0:22:35 | |
Why can I still hear her? | 0:22:35 | 0:22:38 | |
Is it a recording? | 0:22:38 | 0:22:39 | |
It defaults to live. This is current. | 0:22:44 | 0:22:46 | |
Wherever she is right now, this is what she's saying. | 0:22:48 | 0:22:51 | |
Amy, can you hear me? We're coming for you. | 0:22:51 | 0:22:54 | |
Wherever you are, we're coming, I swear. | 0:22:54 | 0:22:56 | |
She can't hear you. | 0:22:56 | 0:22:57 | |
I'm so sorry. It's one way. | 0:22:59 | 0:23:02 | |
She can always hear me, Doctor. | 0:23:02 | 0:23:05 | |
Always, wherever she is. | 0:23:05 | 0:23:08 | |
She always knows that I am coming for her, do you understand me? | 0:23:08 | 0:23:12 | |
Always. | 0:23:13 | 0:23:15 | |
AMY: 'Doctor, are you out there? | 0:23:16 | 0:23:19 | |
'Can you hear me? Doctor? | 0:23:19 | 0:23:24 | |
'Oh, God. | 0:23:24 | 0:23:26 | |
'Please, please, Doctor, just get me out of this.' | 0:23:26 | 0:23:30 | |
He's coming. I'll bring him, I swear. | 0:23:30 | 0:23:34 | |
-Hello, is someone in there? -Who? | 0:23:34 | 0:23:39 | |
I think someone has been shot. | 0:23:39 | 0:23:40 | |
I think we should help. We... | 0:23:40 | 0:23:44 | |
I can't... I can't remember. | 0:23:45 | 0:23:49 | |
OK. | 0:24:01 | 0:24:02 | |
Who and what are you? | 0:24:04 | 0:24:07 | |
Silence, Doctor. | 0:24:07 | 0:24:09 | |
We are the Silence. | 0:24:12 | 0:24:16 | |
Silence, Doctor. | 0:24:16 | 0:24:18 | |
-Rory listen to that. -Silence? -We ran from the Silence? -Silence. | 0:24:18 | 0:24:22 | |
And Silence will fall. | 0:24:22 | 0:24:27 | |
-Hello again. -Sir, you've been in there for days. | 0:24:43 | 0:24:46 | |
-What the hell have you been doing? -Doesn't matter. | 0:24:46 | 0:24:49 | |
I need Dr Shepherd here right now. | 0:24:49 | 0:24:51 | |
Sir, I need to talk to Colonel Jefferson right now! | 0:24:51 | 0:24:53 | |
No, you really don't. | 0:24:53 | 0:24:55 | |
Hi, fellas. | 0:25:02 | 0:25:04 | |
I'm President Nixon. | 0:25:06 | 0:25:08 | |
I want to tell you, on behalf of the American people, how much we appreciate all of your hard work. | 0:25:08 | 0:25:14 | |
The target for the Apollo 11 astronauts, | 0:25:14 | 0:25:16 | |
the moon, at lift off, will be at a distance of 218,096 miles away. | 0:25:16 | 0:25:22 | |
We're just past the two minute mark on the countdown. | 0:25:22 | 0:25:25 | |
T minus one minute 54 seconds and counting... | 0:25:25 | 0:25:30 | |
It's an exoskeleton. Basically, life support. | 0:25:30 | 0:25:33 | |
There's about 20 different kinds of alien tech in here. | 0:25:33 | 0:25:38 | |
Who was she? Why put her in here? | 0:25:38 | 0:25:40 | |
Put this on, you don't even need to eat. | 0:25:40 | 0:25:42 | |
The suit processes sunlight directly. | 0:25:42 | 0:25:45 | |
It's got built in weaponry and a communications system that can hack into anything. | 0:25:45 | 0:25:48 | |
Including the telephone network? | 0:25:48 | 0:25:50 | |
-Easily. -Why phone the President? | 0:25:50 | 0:25:52 | |
It defaults to the highest authority it can find. | 0:25:52 | 0:25:55 | |
The little girl gets frightened, the most powerful man on Earth gets a phone call. | 0:25:55 | 0:25:59 | |
The night terrors with a hotline to the White House. | 0:25:59 | 0:26:03 | |
You won't learn anything from that envelope, you know. | 0:26:04 | 0:26:07 | |
Purchased on Earth, perfectly ordinary stationery, TARDIS blue. | 0:26:07 | 0:26:11 | |
Summoned by a stranger who won't even show his face. | 0:26:11 | 0:26:14 | |
That's a first for me. How about you? | 0:26:14 | 0:26:16 | |
Our lives are back to front. | 0:26:18 | 0:26:20 | |
Your future's my past, your firsts are my lasts. | 0:26:20 | 0:26:23 | |
-Not really what I asked. -Ask something else then. | 0:26:23 | 0:26:25 | |
-What are the Silence doing? Raising a child? -Keeping her safe. Even giving her independence. | 0:26:25 | 0:26:29 | |
The only way to save Amy is to work out what the Silence are doing. | 0:26:29 | 0:26:32 | |
-I know. -Every single thing we learn about them brings us a step closer. | 0:26:32 | 0:26:35 | |
Yeah, Doctor, I get it, I know. | 0:26:35 | 0:26:37 | |
Of course, it's possible she's not just any little girl. | 0:26:37 | 0:26:40 | |
Well, I'd say she's human, going by the life support software. | 0:26:40 | 0:26:44 | |
-But? -She climbed out of this suit. | 0:26:44 | 0:26:47 | |
Like she forced her way out. She must be incredibly strong. | 0:26:47 | 0:26:50 | |
Incredibly strong and running away. I like her. | 0:26:50 | 0:26:53 | |
We should be trying to find her. | 0:26:53 | 0:26:54 | |
Yes, I know, but how? | 0:26:54 | 0:26:57 | |
Anyway, I have the strangest feeling she's going to find us. | 0:26:57 | 0:27:00 | |
'This is Houston, do you read? Over.' | 0:27:00 | 0:27:03 | |
Why does it look like a NASA space suit? | 0:27:03 | 0:27:06 | |
Because that's what the Silence do. Think about it. | 0:27:06 | 0:27:08 | |
They don't make anything themselves. | 0:27:08 | 0:27:10 | |
They don't have to. They get other life forms to do it for them. | 0:27:10 | 0:27:12 | |
-So they're parasites then? -Super parasites. | 0:27:12 | 0:27:15 | |
Standing in the shadows of human history since the very beginning. | 0:27:15 | 0:27:17 | |
We know they can influence human behaviour any way they want. | 0:27:17 | 0:27:19 | |
If they've been doing that on a global scale for thousands of years... | 0:27:19 | 0:27:23 | |
Then what? | 0:27:23 | 0:27:24 | |
Then why did the human race suddenly decide to go to the moon? | 0:27:24 | 0:27:28 | |
'Ten, nine, ignition sequence start, six, five, four...' | 0:27:28 | 0:27:34 | |
Because the Silence needed a space suit. | 0:27:34 | 0:27:37 | |
'..one, zero, all engines on. | 0:27:37 | 0:27:40 | |
'Lift off. We have a lift off. | 0:27:40 | 0:27:42 | |
'32 minutes past the hour, lift off on Apollo 11.' | 0:27:42 | 0:27:46 | |
My God! What is it? | 0:27:52 | 0:27:56 | |
It's just an alien, Dr Shepherd. | 0:27:56 | 0:27:59 | |
-Someone's already been treating it. -Yeah. | 0:27:59 | 0:28:01 | |
You've been treating it. | 0:28:01 | 0:28:03 | |
-Does Colonel Jefferson know this thing is here? -No. | 0:28:03 | 0:28:06 | |
Then I'm going to tell him right now! | 0:28:06 | 0:28:09 | |
-Again? -Sorry, what? -Exactly. | 0:28:09 | 0:28:15 | |
Sergeant, why was I called in here for no reason? | 0:28:15 | 0:28:19 | |
You tend to my wounds. | 0:28:19 | 0:28:23 | |
You are foolish. | 0:28:23 | 0:28:25 | |
Why? What would you do in my place? | 0:28:25 | 0:28:28 | |
We have ruled your lives since your lives began. | 0:28:28 | 0:28:33 | |
You should kill us all on sight, | 0:28:33 | 0:28:36 | |
but you will never remember we were even here. | 0:28:36 | 0:28:41 | |
Your will is ours. | 0:28:41 | 0:28:45 | |
Well, sorry to disappoint you, | 0:28:45 | 0:28:47 | |
but thanks. | 0:28:47 | 0:28:49 | |
It's exactly what I needed to hear. | 0:28:49 | 0:28:51 | |
This is a video phone. | 0:28:51 | 0:28:53 | |
Whatever a video phone is. | 0:28:53 | 0:28:56 | |
You should kill us all on sight. | 0:29:02 | 0:29:05 | |
SOBBING | 0:29:05 | 0:29:08 | |
This suit, it seems to be repairing itself. How is it doing that? | 0:29:12 | 0:29:18 | |
-Doctor, a unit like this, would it ever be able to move without an occupant? -Why? | 0:29:18 | 0:29:23 | |
Well, the little girl said the space man was coming to eat her. | 0:29:23 | 0:29:27 | |
Maybe that's exactly what happened. | 0:29:27 | 0:29:29 | |
AMY: 'I love you. I know you think it's him. | 0:29:31 | 0:29:35 | |
'I know you think it ought to be him. But it's not, it's you. | 0:29:35 | 0:29:42 | |
'And when I see you again, | 0:29:42 | 0:29:44 | |
'I'm going tell you properly, just to see your stupid face. | 0:29:44 | 0:29:49 | |
'My life was so boring before you just dropped out of the sky. | 0:29:49 | 0:29:56 | |
'So just get your stupid face where I can see it. | 0:29:56 | 0:29:59 | |
'OK? | 0:29:59 | 0:30:00 | |
'OK?' | 0:30:00 | 0:30:02 | |
She'll be safe for now. | 0:30:05 | 0:30:07 | |
No point in a dead hostage. | 0:30:07 | 0:30:09 | |
Can't you save her? | 0:30:12 | 0:30:14 | |
I can track that signal back. Take us right to her. | 0:30:14 | 0:30:16 | |
-Then why haven't you? -Because then what? | 0:30:16 | 0:30:19 | |
I find her, and then what do I do? | 0:30:19 | 0:30:21 | |
This isn't an alien invasion. They live here. | 0:30:21 | 0:30:23 | |
This is their empire. | 0:30:23 | 0:30:26 | |
-This is kicking the Romans out of Rome. -Rome fell. | 0:30:26 | 0:30:31 | |
I know. | 0:30:31 | 0:30:33 | |
I was there. | 0:30:33 | 0:30:34 | |
So was I. | 0:30:37 | 0:30:38 | |
Personal question. | 0:30:41 | 0:30:42 | |
Seriously? You? | 0:30:42 | 0:30:45 | |
Do you ever remember it? | 0:30:50 | 0:30:52 | |
2,000 years, waiting for Amy? | 0:30:52 | 0:30:55 | |
The Last Centurion? | 0:30:55 | 0:30:57 | |
-No. -Are you lying? | 0:31:00 | 0:31:04 | |
-Course I'm lying. -Course you are. | 0:31:04 | 0:31:06 | |
Not the sort of thing anyone forgets. | 0:31:06 | 0:31:09 | |
But I don't remember it all the time. | 0:31:09 | 0:31:11 | |
It's like there's... | 0:31:13 | 0:31:15 | |
a door in my head. | 0:31:15 | 0:31:18 | |
-I can keep it shut. -AMY: 'Please come and get me. | 0:31:18 | 0:31:23 | |
'Come and get me.' AMY SOBS | 0:31:23 | 0:31:25 | |
Just five days since Apollo 11 blasted off from Cape Kennedy, | 0:31:31 | 0:31:36 | |
this unprecedented journey is reaching its crucial moment. | 0:31:36 | 0:31:40 | |
Armstrong and Aldrin are making their descent to the surface of the moon. | 0:31:40 | 0:31:45 | |
On the ground, you've got a bunch of guys about to turn blue. | 0:31:45 | 0:31:48 | |
Where am I? Where is this? | 0:32:00 | 0:32:04 | |
You are Amelia Pond. | 0:32:08 | 0:32:11 | |
You're ugly, has anyone mentioned that to you? | 0:32:11 | 0:32:15 | |
We do you honour. | 0:32:15 | 0:32:18 | |
You will bring the Silence. | 0:32:18 | 0:32:20 | |
But your part will soon be over. | 0:32:22 | 0:32:24 | |
Whatever that means, you've made a big mistake bringing me here, | 0:32:24 | 0:32:27 | |
because wait till you see what's coming for you now. | 0:32:27 | 0:32:30 | |
You have been here many days. | 0:32:30 | 0:32:34 | |
No. I just got here. You just put me in here. | 0:32:34 | 0:32:37 | |
Your memory is weak. | 0:32:37 | 0:32:40 | |
You have been here many days. | 0:32:40 | 0:32:41 | |
No. No, I can't have been. | 0:32:41 | 0:32:44 | |
You will sleep now. | 0:32:44 | 0:32:46 | |
Sleep. | 0:32:48 | 0:32:50 | |
No! No! | 0:32:50 | 0:32:52 | |
-Get off me! -Sleep. -No! No! | 0:32:52 | 0:32:54 | |
Oh! Interesting. | 0:33:01 | 0:33:04 | |
Very Aickman Road, seen one of these before. | 0:33:04 | 0:33:07 | |
Abandoned, wonder how that happened. | 0:33:07 | 0:33:09 | |
Oh, well! I suppose I'm about to find out. Rory, River, keep one Silent in eyeshot at all times. | 0:33:09 | 0:33:14 | |
Oh, hello, sorry. You're in the middle of something. | 0:33:14 | 0:33:18 | |
Just had to say though, have you seen what's on the telly? | 0:33:18 | 0:33:20 | |
Hello, Amy, you all right? Want to watch some television? | 0:33:20 | 0:33:22 | |
Ah, now, stay where you are. | 0:33:22 | 0:33:24 | |
Because look at me, I'm confident. | 0:33:26 | 0:33:28 | |
You want to watch that, me, when I'm confident. Oh, and this is my friend, River. | 0:33:28 | 0:33:32 | |
Nice hair, clever, has own gun, and unlike me, she really doesn't mind shooting people. | 0:33:32 | 0:33:37 | |
-I shouldn't like that. Kind of do. -Thank you, sweetie. -I know you're team players and everything, | 0:33:37 | 0:33:41 | |
but she'll definitely kill at least the first three of you. | 0:33:41 | 0:33:44 | |
-The first seven, easily. -Seven, really? | 0:33:44 | 0:33:46 | |
-Oh, eight for you, honey. -Stop it. | 0:33:46 | 0:33:48 | |
-Make me! -Yeah, well, maybe I will. -Is this really important flirting? | 0:33:48 | 0:33:52 | |
-I feel like I should be higher on the list right now. -Sorry. | 0:33:52 | 0:33:54 | |
As I was saying, my naughty friend here is going kill the first three of you to attack, plus him behind. | 0:33:54 | 0:33:59 | |
-So maybe you want to draw lots, or have a quiz. -What's he got? | 0:33:59 | 0:34:01 | |
-Something, I hope. -Or maybe you could just listen a minute, | 0:34:01 | 0:34:05 | |
because all I really want to do is accept your total surrender, and then I'll let you go in peace. | 0:34:05 | 0:34:09 | |
You've been interfering in human history for thousands of years. | 0:34:09 | 0:34:12 | |
People have suffered and died. But what's the point in two hearts | 0:34:12 | 0:34:16 | |
if you can't be a bit forgiving now and then? | 0:34:16 | 0:34:18 | |
Ooh! | 0:34:18 | 0:34:19 | |
The Silence. | 0:34:19 | 0:34:21 | |
You guys take that seriously, don't you? OK, you got me, I'm lying. | 0:34:21 | 0:34:25 | |
I'm not really going to let you go that easily. Nice thought, but it's not Christmas. | 0:34:25 | 0:34:30 | |
First, you tell me about the girl. Who is she? Why is she important? What's she for? | 0:34:30 | 0:34:34 | |
Guys, sorry. | 0:34:39 | 0:34:41 | |
But you're way out of time. | 0:34:41 | 0:34:43 | |
Now, come on, a bit of history for you. | 0:34:43 | 0:34:46 | |
Aren't you proud, because you helped? | 0:34:46 | 0:34:49 | |
Do you know how many people are watching this live on the telly? | 0:34:49 | 0:34:52 | |
Half a billion, and that's nothing, | 0:34:52 | 0:34:54 | |
because the human race will spread out among the stars, you just watch them fly. | 0:34:54 | 0:34:57 | |
Billions and billions of them, for billions and billions of years. | 0:34:57 | 0:35:01 | |
And every single one of them, at some point in their lives, | 0:35:01 | 0:35:03 | |
will look back at this man, taking that very first step, | 0:35:03 | 0:35:06 | |
and they will never, ever forget it. | 0:35:06 | 0:35:11 | |
Oh. | 0:35:16 | 0:35:18 | |
But they'll forget this bit. | 0:35:18 | 0:35:20 | |
-Ready? -Ready. | 0:35:20 | 0:35:23 | |
It's one small step for man... | 0:35:30 | 0:35:33 | |
You should kill us all on sight. | 0:35:33 | 0:35:35 | |
You should kill us all on sight. | 0:35:37 | 0:35:41 | |
You should kill us all on sight. | 0:35:43 | 0:35:47 | |
You should kill us all on sight. | 0:35:47 | 0:35:51 | |
You've given the order for your own execution, | 0:35:51 | 0:35:54 | |
and the whole planet just heard you. | 0:35:54 | 0:35:56 | |
You should kill us all on sight. | 0:35:56 | 0:35:59 | |
..One giant leap for mankind. | 0:35:59 | 0:36:02 | |
And one whacking great kick up the backside for the Silence! | 0:36:02 | 0:36:07 | |
You just raised an army against yourself. | 0:36:07 | 0:36:09 | |
And now, for a thousand generations, | 0:36:09 | 0:36:12 | |
you're going to be ordering them to destroy you every day. | 0:36:12 | 0:36:16 | |
How fast can you run? | 0:36:16 | 0:36:18 | |
Because today's the day the human race throw you off their planet. | 0:36:18 | 0:36:21 | |
They won't even know they're doing it. | 0:36:21 | 0:36:23 | |
I think, quite possibly the word you're looking for right now is, | 0:36:23 | 0:36:27 | |
"Oops!" Run! Guys, I mean us! Run! | 0:36:27 | 0:36:31 | |
I can't get her out! | 0:36:37 | 0:36:39 | |
-Go, just go! -We are not leaving without you! | 0:36:39 | 0:36:41 | |
Will you just get your stupid face out of here?! | 0:36:41 | 0:36:44 | |
Right, into the TARDIS, quickly! | 0:36:47 | 0:36:50 | |
-Don't let them build to full power!! -I know, there's a reason why I'm shooting, honey! | 0:37:06 | 0:37:10 | |
What are you doing? | 0:37:11 | 0:37:13 | |
-Helping. -You've got a screwdriver. Go build a cabinet! | 0:37:13 | 0:37:16 | |
-That's really rude! -Shut up and drive! | 0:37:16 | 0:37:20 | |
My old fella didn't see that, did he? | 0:37:43 | 0:37:45 | |
He gets ever so cross. | 0:37:45 | 0:37:47 | |
-So, what kind of doctor are you? -Archaeology. | 0:37:50 | 0:37:53 | |
Love a tomb. | 0:37:57 | 0:38:00 | |
You can let me fly it! | 0:38:03 | 0:38:06 | |
Or we could go where we're supposed to. | 0:38:06 | 0:38:08 | |
-What's the matter with you? -You called me stupid. | 0:38:08 | 0:38:11 | |
I always call you stupid. | 0:38:11 | 0:38:13 | |
No, but... | 0:38:13 | 0:38:15 | |
my face. | 0:38:15 | 0:38:16 | |
I wasn't sure who you were talking about. | 0:38:26 | 0:38:29 | |
-You know, me, or... -Him? | 0:38:29 | 0:38:32 | |
Well, you did say, "Dropped out of the sky." | 0:38:32 | 0:38:34 | |
It's a figure of speech, moron! | 0:38:34 | 0:38:36 | |
-Thanks. -You're welcome. | 0:38:45 | 0:38:47 | |
-So we're safe again. -Safe? No, of course you're not safe. | 0:38:51 | 0:38:54 | |
There's a billion other things out there, waiting to burn your whole world. | 0:38:54 | 0:38:58 | |
But if you want to pretend you're safe, just so you can sleep at night, OK, you're safe. | 0:38:58 | 0:39:02 | |
But you're not really. | 0:39:02 | 0:39:05 | |
Canton. Till the next one, eh? | 0:39:05 | 0:39:07 | |
-Looking forward to it. -Canton just wants to get married. | 0:39:07 | 0:39:10 | |
Helluva reason to kick him out of the FBI. | 0:39:10 | 0:39:12 | |
I'm sure something can be arranged. | 0:39:12 | 0:39:14 | |
-I'm counting on you. -Er, Doctor... | 0:39:14 | 0:39:17 | |
..Canton here tells me you're... | 0:39:19 | 0:39:21 | |
..from the future. | 0:39:23 | 0:39:25 | |
Hardly seems possible, but I was wondering... | 0:39:25 | 0:39:27 | |
Should warn you. I don't answer a lot of questions. | 0:39:27 | 0:39:30 | |
But I'm a President at the beginning of his time. | 0:39:30 | 0:39:32 | |
Dare I ask? | 0:39:34 | 0:39:36 | |
Will I be remembered? | 0:39:36 | 0:39:39 | |
Oh, Dickie. Tricky Dickie. | 0:39:39 | 0:39:42 | |
They're never going to forget you. | 0:39:42 | 0:39:44 | |
-Say hi to David Frost for me. -David Frost? | 0:39:46 | 0:39:49 | |
This person you want to marry. | 0:39:53 | 0:39:55 | |
Black? | 0:39:55 | 0:39:57 | |
-Yes. -Hmm. | 0:39:57 | 0:39:59 | |
I know what people think of me, but perhaps I am a little more liberal. | 0:39:59 | 0:40:02 | |
He is. | 0:40:02 | 0:40:04 | |
I think the moon is far enough for now, don't you, Mr Delaware? | 0:40:06 | 0:40:11 | |
I figured it might be. | 0:40:11 | 0:40:13 | |
You could come with us. | 0:40:16 | 0:40:18 | |
I escape often enough, thank you. | 0:40:18 | 0:40:21 | |
And I have a promise to live up to. | 0:40:21 | 0:40:24 | |
You'll understand, soon enough. | 0:40:26 | 0:40:28 | |
OK, up to you. | 0:40:30 | 0:40:31 | |
See you next time. Call me. | 0:40:31 | 0:40:34 | |
What, that's it? | 0:40:34 | 0:40:36 | |
What's the matter with you? | 0:40:36 | 0:40:38 | |
Have I forgotten something? | 0:40:38 | 0:40:41 | |
Oh, shut up. | 0:40:41 | 0:40:43 | |
Right. | 0:40:58 | 0:40:59 | |
OK. Interesting. | 0:40:59 | 0:41:03 | |
What's wrong? | 0:41:03 | 0:41:05 | |
You're acting like we've never done that before. | 0:41:05 | 0:41:07 | |
We haven't. | 0:41:07 | 0:41:11 | |
-We haven't? -Oh, look at the time, must be off. | 0:41:11 | 0:41:13 | |
But it was very nice. It was good. | 0:41:13 | 0:41:17 | |
It was unexpected. | 0:41:17 | 0:41:20 | |
You know what they say, | 0:41:22 | 0:41:24 | |
there's a first time for everything. | 0:41:24 | 0:41:26 | |
And a last time. | 0:41:29 | 0:41:31 | |
Rory, I'm going to need thermo couplings. | 0:41:33 | 0:41:36 | |
The green ones and the blue ones. | 0:41:36 | 0:41:37 | |
OK, hold on. | 0:41:37 | 0:41:39 | |
-So. -So? | 0:41:43 | 0:41:45 | |
You're OK? | 0:41:45 | 0:41:46 | |
Fine. Head's a bit weird. | 0:41:46 | 0:41:49 | |
There's lots of stuff I can't quite remember. | 0:41:49 | 0:41:53 | |
AMY SCREAMS | 0:41:56 | 0:41:59 | |
After effect of the Silence. Natural enough. | 0:41:59 | 0:42:01 | |
That's not what I was asking. | 0:42:01 | 0:42:03 | |
You told me you were pregnant. | 0:42:03 | 0:42:06 | |
-Yes. -Why? -Because I was. | 0:42:06 | 0:42:09 | |
I thought I was. Turns out I wasn't. | 0:42:09 | 0:42:12 | |
No. Why did you tell me? | 0:42:12 | 0:42:14 | |
You're my friend. | 0:42:14 | 0:42:17 | |
You're my best friend. | 0:42:17 | 0:42:18 | |
Did you tell Rory? | 0:42:22 | 0:42:25 | |
No. | 0:42:27 | 0:42:29 | |
Amy, why tell me and not Rory? | 0:42:29 | 0:42:31 | |
Why do you think? | 0:42:31 | 0:42:32 | |
I travelled with you in this TARDIS for so long. | 0:42:34 | 0:42:37 | |
All that time. | 0:42:37 | 0:42:40 | |
If I was pregnant for some of it, wouldn't it have had an effect? | 0:42:40 | 0:42:43 | |
I don't want to tell Rory, this baby might have three heads, | 0:42:43 | 0:42:46 | |
or like a time head or something. | 0:42:46 | 0:42:49 | |
-What's a time head? -I don't know, but what if it had one? | 0:42:49 | 0:42:52 | |
-A time head? -Shut up, all right! | 0:42:52 | 0:42:54 | |
THEY LAUGH | 0:42:54 | 0:42:56 | |
Oi! Stupid face. | 0:42:56 | 0:42:58 | |
Er, yeah. | 0:43:02 | 0:43:04 | |
Hello. | 0:43:06 | 0:43:07 | |
Taking that away from you, if you're going to listen in all the time. | 0:43:07 | 0:43:10 | |
OK, that's a fair point. | 0:43:10 | 0:43:12 | |
But you should've told me that you thought you were pregnant. | 0:43:12 | 0:43:15 | |
I'm a nurse, I'm good with pregnancy. | 0:43:15 | 0:43:18 | |
Not, as it turns out, that good. | 0:43:18 | 0:43:20 | |
So can you stop being stupid? | 0:43:20 | 0:43:21 | |
Er, no. Never. I'm never, ever going to stop being stupid! | 0:43:21 | 0:43:25 | |
So, this little girl, it's all about her. Who was she? | 0:43:25 | 0:43:30 | |
Or we could just go off and have some adventures. | 0:43:30 | 0:43:32 | |
Anyone in the mood for adventures? I am. You only live once. | 0:43:32 | 0:43:36 | |
GIRL COUGHS | 0:44:10 | 0:44:12 | |
Are you OK? | 0:44:16 | 0:44:18 | |
Little girl... | 0:44:18 | 0:44:20 | |
-are you OK? -It's all right. | 0:44:20 | 0:44:24 | |
It's quite all right. | 0:44:24 | 0:44:26 | |
I'm dying...but I can fix that. | 0:44:26 | 0:44:31 | |
It's easy, really. | 0:44:31 | 0:44:34 | |
See? | 0:44:34 | 0:44:35 | |
Yo, ho-ho! Our sensors picked you up, ship in distress. | 0:45:00 | 0:45:03 | |
It's dangerous here. There is a monster aboard. | 0:45:03 | 0:45:06 | |
-She leaves a mark on men's skin. -Doctor, what's happening to me? | 0:45:06 | 0:45:09 | |
You're stowaways. | 0:45:09 | 0:45:10 | |
Amy, what are you doing? | 0:45:10 | 0:45:13 | |
Saving your life. OK with that, are you? | 0:45:13 | 0:45:15 | |
There's a stroppy, homicidal mermaid trying to kill all. | 0:45:19 | 0:45:22 | |
She's here. | 0:45:26 | 0:45:28 | |
Subtitles by Red Bee Media Ltd | 0:45:41 | 0:45:44 | |
E-mail [email protected] | 0:45:44 | 0:45:46 |