Browse content similar to Deep Breath. Check below for episodes and series from the same categories and more!
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BIG BEN CHIMES | 0:00:09 | 0:00:13 | |
Come on, out of the way. Move yourself, please. | 0:00:21 | 0:00:24 | |
Coming through. WOMAN SCREAMS | 0:00:24 | 0:00:25 | |
That's it. Excuse me, sir. | 0:00:25 | 0:00:27 | |
CROWD SHOUTS | 0:00:27 | 0:00:28 | |
Madame Vastra, thank God. | 0:00:35 | 0:00:37 | |
-I'll wager you've not seen anything like this before. -Well... | 0:00:38 | 0:00:41 | |
-..not since I was a little girl. -Big fella, isn't he? | 0:00:43 | 0:00:46 | |
Dinosaurs were mostly this size. I do believe it's a "she". | 0:00:46 | 0:00:51 | |
-No, they weren't, I've seen fossils. -I was there. | 0:00:51 | 0:00:55 | |
Well, that's all well and good, | 0:00:55 | 0:00:57 | |
but what's this dinosaur fellow doing in the Thames? | 0:00:57 | 0:01:00 | |
CROWD SCREAMS | 0:01:00 | 0:01:01 | |
It must have time travelled. Jenny? | 0:01:01 | 0:01:04 | |
Time travelled? | 0:01:07 | 0:01:08 | |
-DINOSAUR RETCHES -Is it choking? | 0:01:10 | 0:01:13 | |
There seems to be something lodged in its throat. | 0:01:13 | 0:01:15 | |
-How could it time travel? -I don't know. | 0:01:15 | 0:01:18 | |
Perhaps it was something it ate. | 0:01:18 | 0:01:20 | |
CROWD SHOUTS | 0:01:28 | 0:01:29 | |
Stand back. Stand back, stand back. | 0:01:31 | 0:01:33 | |
Well, it's just laid an egg. | 0:01:36 | 0:01:38 | |
It's dropped a blue box marked "Police" out of its mouth. | 0:01:38 | 0:01:42 | |
Your grasp of biology troubles me. | 0:01:42 | 0:01:45 | |
It's the TARDIS. | 0:01:47 | 0:01:48 | |
It would seem so. | 0:01:48 | 0:01:50 | |
We'll take care of this, Inspector. | 0:01:50 | 0:01:52 | |
But what if that thing goes on the rampage? | 0:01:52 | 0:01:55 | |
Place these lanterns on the shoreline and bridges, | 0:01:55 | 0:01:58 | |
encircling the creature at 20-foot intervals. | 0:01:58 | 0:02:02 | |
What will they do? | 0:02:02 | 0:02:03 | |
They will emit a signal that will incline it to remain | 0:02:03 | 0:02:07 | |
within their circumference. | 0:02:07 | 0:02:08 | |
Jenny, Strax... | 0:02:08 | 0:02:10 | |
..with me. | 0:02:12 | 0:02:13 | |
So it's him, then, the Doctor? | 0:02:15 | 0:02:17 | |
A giant dinosaur from the distant past has just vomited a blue box | 0:02:17 | 0:02:21 | |
from outer space - this is not a day for jumping to conclusions. | 0:02:21 | 0:02:26 | |
Strax, if you wouldn't mind? | 0:02:26 | 0:02:28 | |
Hello? Exit the box, and surrender to the glory of the Sontaran empire. | 0:02:37 | 0:02:43 | |
Shush! | 0:02:44 | 0:02:45 | |
Doctor? | 0:02:47 | 0:02:48 | |
I was being chased by a giant dinosaur, | 0:02:50 | 0:02:51 | |
but I think I managed to give it the slip. | 0:02:51 | 0:02:54 | |
Sleepy? | 0:03:09 | 0:03:10 | |
Sir? | 0:03:10 | 0:03:11 | |
Bashful? Sneezy? Dopey? | 0:03:14 | 0:03:16 | |
Grumpy! | 0:03:19 | 0:03:20 | |
Oh, you two! | 0:03:23 | 0:03:25 | |
The green one... and the not-green one. | 0:03:26 | 0:03:30 | |
Or it could be the other way round, I mustn't prejudge! | 0:03:30 | 0:03:33 | |
Oh, you remember, er... | 0:03:33 | 0:03:35 | |
..thingy, the, er, the not-me one, the asking-questions one? | 0:03:41 | 0:03:46 | |
Names - not my area. | 0:03:46 | 0:03:49 | |
-Clara! -Well, it might be Clara, might not be - it's a lottery. | 0:03:50 | 0:03:54 | |
-It is Clara. -Well, I'm not ruling it out! | 0:03:54 | 0:03:56 | |
-DINOSAUR ROARS -Oi, big man, shut it! | 0:03:56 | 0:03:58 | |
Oh, you've got a dinosaur too! | 0:04:00 | 0:04:03 | |
Big woman, sorry. | 0:04:05 | 0:04:07 | |
Doctor, listen to me. You...you need to calm down. | 0:04:07 | 0:04:11 | |
I'm not flirting, by the way. | 0:04:11 | 0:04:13 | |
I think something's gone wrong. | 0:04:13 | 0:04:15 | |
Wrong? What's gone wrong? Have you regenerated? | 0:04:17 | 0:04:22 | |
I remember you. | 0:04:23 | 0:04:24 | |
You're Handles! | 0:04:26 | 0:04:27 | |
You used to be a little... a little robot head, and now you... | 0:04:27 | 0:04:32 | |
..you've really let yourself go. | 0:04:33 | 0:04:35 | |
DINOSAUR ROARS | 0:04:36 | 0:04:38 | |
Reduce the frequency. | 0:04:40 | 0:04:42 | |
-I'm sorry? -Your sonic lanterns, turn them down. | 0:04:43 | 0:04:45 | |
-You're giving her a headache. -Giving who a headache? | 0:04:47 | 0:04:49 | |
My lady friend! | 0:04:49 | 0:04:52 | |
-Just an expression, don't get any ideas. -How do you know? | 0:04:52 | 0:04:55 | |
Come on, Clara! You know that I speak dinosaur. | 0:04:55 | 0:04:58 | |
He's not Clara. I'm Clara. | 0:04:58 | 0:05:00 | |
Well, you're very similar heights. Maybe you should wear labels. | 0:05:01 | 0:05:06 | |
Why...why are you all doing that? Why are you... | 0:05:09 | 0:05:13 | |
You're all going dark... | 0:05:13 | 0:05:16 | |
..and wobbly - stop that. | 0:05:17 | 0:05:19 | |
I don't think we are. | 0:05:19 | 0:05:21 | |
Never mind! Everyone...take five. | 0:05:21 | 0:05:25 | |
What do we do? | 0:05:32 | 0:05:33 | |
I don't understand, who is he? Where's the Doctor? | 0:05:33 | 0:05:37 | |
Right here. | 0:05:37 | 0:05:38 | |
That's him. | 0:05:40 | 0:05:41 | |
That's the Doctor. | 0:05:44 | 0:05:45 | |
Well then, here we go again. | 0:05:47 | 0:05:49 | |
DINOSAUR ROARS | 0:06:35 | 0:06:36 | |
It's simply misunderstandable to me. I don't know what it is. | 0:06:39 | 0:06:43 | |
Who invented this room? | 0:06:43 | 0:06:45 | |
Doctor, please, you have to lie down. | 0:06:45 | 0:06:48 | |
It doesn't make sense. Look, it's only got a bed in it. | 0:06:48 | 0:06:51 | |
Why is there only a bed in it? | 0:06:51 | 0:06:53 | |
Because it's a bed-ROOM, it's for sleeping in. | 0:06:53 | 0:06:56 | |
OK, what do you do when you're awake? | 0:06:58 | 0:07:00 | |
You leave the room. | 0:07:00 | 0:07:01 | |
So you've got a whole room for not being awake in? | 0:07:03 | 0:07:05 | |
But what's the point? You're just missing the room! | 0:07:05 | 0:07:08 | |
And don't look in that mirror - it's absolutely furious. | 0:07:08 | 0:07:11 | |
Doctor, please, you have to lie down, you keep passing out. | 0:07:11 | 0:07:15 | |
Well, of course I keep passing out, there's all these beds! | 0:07:15 | 0:07:18 | |
Why do you keep talking like that? | 0:07:18 | 0:07:20 | |
What's gone wrong with your accent? | 0:07:20 | 0:07:22 | |
Nothing's wrong with her accent. | 0:07:22 | 0:07:24 | |
You sound the same. It's spreading. | 0:07:24 | 0:07:26 | |
You all sound all...English. | 0:07:26 | 0:07:29 | |
Now you've all developed a fault! | 0:07:29 | 0:07:32 | |
-SCOTTISH ACCENT: -Doctor, I need your help with something. | 0:07:32 | 0:07:35 | |
Finally, someone who can talk properly. | 0:07:35 | 0:07:38 | |
-I'm having difficulty sleeping. -Oh? | 0:07:39 | 0:07:42 | |
Oh, well, I wouldn't bother with that, I never bother with sleep, | 0:07:42 | 0:07:45 | |
-and I just do standy-up-catnaps. -Oh, really, how interesting. | 0:07:45 | 0:07:49 | |
And when do you do those? | 0:07:49 | 0:07:51 | |
Well, generally whenever anyone else starts talking. | 0:07:51 | 0:07:53 | |
I like to skip ahead to my bits, it saves time. | 0:07:53 | 0:07:56 | |
Save me time, Doctor. | 0:07:56 | 0:07:57 | |
Project an image of perfect sleep into the centre of my mind. | 0:07:57 | 0:08:03 | |
What, do you want a psychic link with me? | 0:08:03 | 0:08:06 | |
The size of my brain, it would be like dropping a piano on you. | 0:08:06 | 0:08:08 | |
Be gentle, then. | 0:08:09 | 0:08:11 | |
I'll try. Brace yourself! | 0:08:11 | 0:08:14 | |
Piano. | 0:08:15 | 0:08:16 | |
THWACK! | 0:08:17 | 0:08:19 | |
-ENGLISH ACCENT: -I love monkeys, they're so funny. | 0:08:19 | 0:08:21 | |
-Oh, I see! So people are monkeys now, are they? -No, dear. | 0:08:21 | 0:08:26 | |
People are apes. | 0:08:26 | 0:08:28 | |
Men are monkeys. | 0:08:28 | 0:08:31 | |
-So what now? -He needs rest. | 0:08:31 | 0:08:34 | |
So what do we do? How do we fix him? | 0:08:34 | 0:08:35 | |
-Fix him? -How do we change him back? | 0:08:35 | 0:08:37 | |
Jenny...I will be in my chamber. | 0:08:40 | 0:08:43 | |
Would you be kind enough to fetch my veil? | 0:08:43 | 0:08:45 | |
Why, are we expecting strangers? | 0:08:45 | 0:08:48 | |
It would seem... | 0:08:48 | 0:08:50 | |
there's already one here. | 0:08:50 | 0:08:52 | |
What have I done wrong? | 0:08:58 | 0:08:59 | |
DINOSAUR MURMURS MOURNFULLY | 0:08:59 | 0:09:02 | |
The dinosaur doesn't seem very happy. | 0:09:02 | 0:09:05 | |
What's wrong with it? | 0:09:05 | 0:09:06 | |
I dunno. The Doctor's the one that speaks dinosaur. | 0:09:06 | 0:09:10 | |
Excuse me, ma'am, the wife doesn't like to be kept waiting. | 0:09:13 | 0:09:17 | |
Where did he get that face? | 0:09:19 | 0:09:20 | |
Why's it got lines on it? It's brand-new. | 0:09:21 | 0:09:24 | |
How can his hair be all grey? He only just got it. | 0:09:24 | 0:09:27 | |
It's still him, ma'am, you saw him change. | 0:09:28 | 0:09:32 | |
-I know. I do, I... I know that. -Good. | 0:09:33 | 0:09:36 | |
-It's just... -What? | 0:09:36 | 0:09:37 | |
Nothing. | 0:09:37 | 0:09:39 | |
If... If Vastra changed, if she was different, | 0:09:41 | 0:09:45 | |
if she wasn't the person that you liked... | 0:09:45 | 0:09:49 | |
I don't like her, ma'am, | 0:09:51 | 0:09:53 | |
I love her. | 0:09:53 | 0:09:54 | |
And as to different, well, she's a lizard. | 0:09:56 | 0:10:00 | |
DINOSAUR MURMURS MOURNFULLY | 0:10:10 | 0:10:12 | |
I am alone. | 0:10:29 | 0:10:31 | |
The world which...shook at my feet, | 0:10:32 | 0:10:37 | |
and the trees... | 0:10:37 | 0:10:39 | |
..and the sky, have gone... | 0:10:41 | 0:10:45 | |
..and I am alone now... | 0:10:47 | 0:10:49 | |
..alone. | 0:10:51 | 0:10:53 | |
Are you translating? | 0:10:53 | 0:10:55 | |
The wind bites now... | 0:10:55 | 0:10:57 | |
..and the world is grey... | 0:10:59 | 0:11:01 | |
..and I am alone here. | 0:11:03 | 0:11:05 | |
Can't see me. | 0:11:07 | 0:11:08 | |
Doesn't see me. | 0:11:10 | 0:11:11 | |
Can't...see me. | 0:11:13 | 0:11:16 | |
Who can't see it? I think all of London can see it. | 0:11:16 | 0:11:19 | |
Boy? Madame Vastra is waiting. | 0:11:20 | 0:11:23 | |
OK, whatever. | 0:11:25 | 0:11:26 | |
I will convey you to her chamber. May I take your coat? | 0:11:26 | 0:11:31 | |
Not wearing a coat. | 0:11:32 | 0:11:34 | |
-What's all that? -Clothes. | 0:11:34 | 0:11:36 | |
May I take your clothes? | 0:11:36 | 0:11:38 | |
(Probably not.) | 0:11:38 | 0:11:40 | |
-Are you wearing a hat? -It's hair. | 0:11:40 | 0:11:42 | |
No, I think it's a hat, would you like me to check? | 0:11:42 | 0:11:44 | |
DINOSAUR MURMURS MOURNFULLY | 0:11:44 | 0:11:46 | |
PEOPLE CHAT EXCITEDLY | 0:11:47 | 0:11:49 | |
-It's not real, of course. -What is it, then? | 0:11:55 | 0:11:57 | |
-The government. -The government? | 0:11:57 | 0:11:59 | |
Yeah, up to their usual tricks. | 0:11:59 | 0:12:01 | |
It's a dinosaur, Alf. A real dinosaur. | 0:12:01 | 0:12:05 | |
I wouldn't put it past them. | 0:12:05 | 0:12:06 | |
You don't half talk a lot of rubbish, Alfie. | 0:12:06 | 0:12:09 | |
See you don't stay out too late now. | 0:12:09 | 0:12:11 | |
-You know me. -Yes. I do! | 0:12:11 | 0:12:13 | |
DINOSAUR MURMURS | 0:12:22 | 0:12:24 | |
It's the neck, that's what's wrong with it. | 0:12:24 | 0:12:27 | |
Just don't look realistic. | 0:12:27 | 0:12:29 | |
You have good eyes. | 0:12:29 | 0:12:31 | |
Oh, I do, as it happens, very good eyes. | 0:12:31 | 0:12:34 | |
They're my greatest gift. | 0:12:34 | 0:12:35 | |
I accept. | 0:12:37 | 0:12:38 | |
What's that for? | 0:12:38 | 0:12:39 | |
Your gift. | 0:12:40 | 0:12:42 | |
-I have bad eyes. -HE SCREAMS | 0:12:42 | 0:12:45 | |
And then? | 0:12:45 | 0:12:47 | |
-Why are you wearing your veil? -And then? | 0:12:49 | 0:12:52 | |
And then we got swallowed by a big dinosaur. You probably noticed. | 0:12:52 | 0:12:57 | |
How did it happen? | 0:12:57 | 0:12:59 | |
I don't know, I don't know, we were...crashing about everywhere. | 0:12:59 | 0:13:04 | |
The Doctor was gone, the TARDIS went haywire. | 0:13:04 | 0:13:06 | |
He's not gone. He's upstairs. | 0:13:06 | 0:13:09 | |
OK, he changed. | 0:13:12 | 0:13:14 | |
He regenerated, renewed himself. | 0:13:14 | 0:13:16 | |
Renewed, fine. | 0:13:16 | 0:13:18 | |
Such a cynical smile. | 0:13:20 | 0:13:21 | |
I'm not smiling. | 0:13:23 | 0:13:24 | |
Not outwardly, but I'm accustomed to seeing through a veil. | 0:13:24 | 0:13:29 | |
How have I amused you? | 0:13:29 | 0:13:31 | |
You said renewed. He doesn't... | 0:13:31 | 0:13:33 | |
He doesn't look renewed, he looks...older. | 0:13:34 | 0:13:37 | |
You thought he was young? | 0:13:37 | 0:13:39 | |
He looked young. | 0:13:39 | 0:13:41 | |
He looked like your dashing young gentleman friend, your lover, even. | 0:13:41 | 0:13:45 | |
Shut up! | 0:13:45 | 0:13:46 | |
But he is the Doctor. | 0:13:46 | 0:13:48 | |
He has walked this universe for centuries untold, | 0:13:48 | 0:13:52 | |
he has seen stars fall to dust. | 0:13:52 | 0:13:54 | |
You might as well flirt with a mountain range. | 0:13:54 | 0:13:57 | |
I did not flirt with him. | 0:13:57 | 0:13:59 | |
He flirted with you. | 0:13:59 | 0:14:00 | |
-How? -He looked young. Who do you think that was for? | 0:14:02 | 0:14:06 | |
Me? | 0:14:08 | 0:14:09 | |
Everyone. | 0:14:09 | 0:14:11 | |
I wear a veil as he wore a face - for the same reason. | 0:14:11 | 0:14:15 | |
What reason? | 0:14:15 | 0:14:17 | |
The oldest reason there is for anything... | 0:14:17 | 0:14:20 | |
to be accepted. | 0:14:20 | 0:14:22 | |
HE SNIFFS | 0:14:24 | 0:14:26 | |
HE SNIFFS INTENSELY | 0:14:29 | 0:14:31 | |
HE CONTINUES TO SNIFF | 0:14:44 | 0:14:46 | |
HE RUMMAGES | 0:14:50 | 0:14:52 | |
HE SNIFFS DEEPLY | 0:14:55 | 0:14:57 | |
Jenny and I are married, yet for appearance's sake, | 0:15:01 | 0:15:05 | |
we maintain a pretence, in public, that she is my maid. | 0:15:05 | 0:15:09 | |
Doesn't exactly explain why I'm pouring tea in private. | 0:15:09 | 0:15:13 | |
-Hush now. -Good pretence, isn't it? | 0:15:13 | 0:15:16 | |
I wear a veil to keep from view | 0:15:16 | 0:15:18 | |
what many are pleased to call my disfigurement. | 0:15:18 | 0:15:21 | |
I do not wear it as a courtesy to such people, | 0:15:23 | 0:15:26 | |
but as a judgment on the quality of their hearts. | 0:15:26 | 0:15:30 | |
Are you judging me? | 0:15:32 | 0:15:33 | |
The Doctor regenerated in your presence. | 0:15:35 | 0:15:38 | |
The young man disappeared, the veil lifted. He trusted you. | 0:15:38 | 0:15:43 | |
Are you judging him? | 0:15:43 | 0:15:45 | |
SHE GASPS | 0:15:45 | 0:15:47 | |
How dare you? | 0:15:53 | 0:15:55 | |
How dare you? | 0:15:55 | 0:15:57 | |
DINOSAUR MURMURS | 0:16:01 | 0:16:02 | |
Door. Boring. Not me. | 0:16:14 | 0:16:17 | |
Me! | 0:16:23 | 0:16:24 | |
Marcus Aurelius, Roman Emperor, | 0:16:24 | 0:16:26 | |
last of the five good'uns, stoic philosopher. | 0:16:26 | 0:16:28 | |
Superlative bass guitarist - the Doctor really knows how to put | 0:16:28 | 0:16:31 | |
-a band together. -And the only pin-up I ever had on my wall when I was 15, | 0:16:31 | 0:16:34 | |
the only one I ever had. | 0:16:34 | 0:16:35 | |
I am not sure who you think you're talking to right now, Madam Vastra, | 0:16:35 | 0:16:38 | |
but I have never had the slightest interest in pretty young men. | 0:16:38 | 0:16:41 | |
And for the record, if there ever was anybody who could flirt | 0:16:41 | 0:16:43 | |
with a mountain range, she's probably standing in front of you right now! | 0:16:43 | 0:16:47 | |
Just because my pretty face has turned your head, | 0:16:47 | 0:16:49 | |
do not assume that I am so easily distracted. | 0:16:49 | 0:16:51 | |
Whoo! | 0:16:53 | 0:16:55 | |
Woo-hoo! | 0:16:55 | 0:16:56 | |
Sorry! | 0:16:59 | 0:17:00 | |
-Well... -SHE CHUCKLES | 0:17:02 | 0:17:04 | |
..goodness me! | 0:17:04 | 0:17:05 | |
The lake is ruffled at last. | 0:17:05 | 0:17:06 | |
I often wondered what you'd be like when you lost your temper. | 0:17:06 | 0:17:09 | |
-Oi! -SHE HISSES | 0:17:09 | 0:17:10 | |
Married. | 0:17:10 | 0:17:11 | |
The Doctor needs us, you more than anyone. | 0:17:14 | 0:17:17 | |
He is lost in the ruin of himself, and we must bring him home. | 0:17:17 | 0:17:20 | |
When did you stop wearing your veil? | 0:17:25 | 0:17:26 | |
When you stopped seeing it. | 0:17:28 | 0:17:30 | |
Oi! Oi! | 0:17:33 | 0:17:36 | |
Oi, big, sexy woman! | 0:17:36 | 0:17:40 | |
Oi! | 0:17:40 | 0:17:41 | |
Sorry. Sorry, it's all my fault. | 0:17:43 | 0:17:46 | |
My time machine got stuck in your throat. It happens. | 0:17:46 | 0:17:49 | |
I brought you along by accident, that's mostly how I meet girls, | 0:17:49 | 0:17:52 | |
but don't worry, I promise I will get you home. | 0:17:52 | 0:17:57 | |
-DINOSAUR ROARS -I swear, whatever it takes, | 0:17:57 | 0:17:59 | |
I will keep you safe. | 0:17:59 | 0:18:04 | |
You will be at home again. | 0:18:04 | 0:18:08 | |
DINOSAUR ROARS FEROCIOUSLY | 0:18:09 | 0:18:11 | |
Stop that. | 0:18:16 | 0:18:17 | |
Who's doing that? No, don't do that. | 0:18:17 | 0:18:20 | |
That came from the river! | 0:18:21 | 0:18:23 | |
The dinosaur! | 0:18:23 | 0:18:25 | |
Strax, bring the carriage, now! | 0:18:25 | 0:18:27 | |
Arrggh! | 0:18:30 | 0:18:31 | |
BRANCH CREAKS | 0:18:33 | 0:18:35 | |
Arrggh! Arrggh! | 0:18:35 | 0:18:36 | |
Arrggh! | 0:18:36 | 0:18:38 | |
Oh! | 0:18:38 | 0:18:39 | |
Halt! | 0:18:43 | 0:18:44 | |
Sorry, I'm going to have to relieve you of your pet! | 0:18:44 | 0:18:47 | |
You're what? | 0:18:47 | 0:18:49 | |
Shut up, I was talking to the horse! | 0:18:49 | 0:18:50 | |
HORSE WHINNIES | 0:18:50 | 0:18:52 | |
HE GROAN | 0:18:52 | 0:18:53 | |
-What are you doing? -Forwards! | 0:18:57 | 0:18:59 | |
Out of the way, human scum! Hyya! | 0:19:03 | 0:19:05 | |
Jurassic emergency! | 0:19:07 | 0:19:08 | |
Hyya! | 0:19:09 | 0:19:11 | |
HORSE WHINNIES | 0:19:16 | 0:19:18 | |
Left! | 0:19:18 | 0:19:19 | |
No, no! Right, right, right, right! | 0:19:19 | 0:19:22 | |
Sorry, it's my new hands, I can't tell them apart. | 0:19:22 | 0:19:25 | |
What do you think's happened? | 0:19:32 | 0:19:34 | |
I don't know, but I fear devilment. | 0:19:34 | 0:19:36 | |
Should we not have told the Doctor? | 0:19:36 | 0:19:38 | |
He's not ready to leave his bed. | 0:19:38 | 0:19:40 | |
Watch it on the corners, it's a bit slippery up here! | 0:19:43 | 0:19:45 | |
-Strax! -Hyya! -Come on, Strax! -Hyya! | 0:19:46 | 0:19:49 | |
-Hyya, hyya! -That's better! | 0:19:49 | 0:19:51 | |
(Sorry, sorry.) | 0:19:58 | 0:20:00 | |
(I'm sorry, sorry, sorry.) | 0:20:00 | 0:20:01 | |
Whoa. | 0:20:03 | 0:20:05 | |
The Doctor! What's he doing here? | 0:20:11 | 0:20:13 | |
CAR ALARM CHIRPS | 0:20:13 | 0:20:15 | |
There is trouble - where else would he be? | 0:20:15 | 0:20:18 | |
She was scared. | 0:20:18 | 0:20:20 | |
She was scared and alone. | 0:20:21 | 0:20:22 | |
I brought her here and look what they did. | 0:20:25 | 0:20:27 | |
Who or what could have done this thing? | 0:20:29 | 0:20:30 | |
No. | 0:20:34 | 0:20:35 | |
I'm sorry? | 0:20:35 | 0:20:37 | |
No. That is not the question, that is not where we start. | 0:20:37 | 0:20:44 | |
The question is how. | 0:20:44 | 0:20:46 | |
The flesh itself has been combusted... | 0:20:46 | 0:20:48 | |
No, no, shut up! | 0:20:48 | 0:20:50 | |
What do you all have for brains - pudding? | 0:20:50 | 0:20:53 | |
Look at you. | 0:20:53 | 0:20:54 | |
Why can't I meet a decent species? Planet of the pudding-brains! | 0:20:56 | 0:21:01 | |
Doctor... | 0:21:01 | 0:21:02 | |
..I know you're upset, but you need to calm down and talk to us. | 0:21:03 | 0:21:07 | |
What is the question? | 0:21:07 | 0:21:08 | |
A dinosaur is burning in the heart of London. | 0:21:08 | 0:21:13 | |
Nothing left but smoke and flame. | 0:21:13 | 0:21:15 | |
The question is... | 0:21:18 | 0:21:19 | |
..have there been any similar murders? | 0:21:21 | 0:21:23 | |
Yes! Yes, by the Goddess, there have! | 0:21:26 | 0:21:29 | |
Look at them all - gawking! | 0:21:31 | 0:21:33 | |
CROWD MURMURS | 0:21:34 | 0:21:35 | |
Question two. | 0:21:38 | 0:21:39 | |
If all the pudding-brains are gawking... | 0:21:41 | 0:21:43 | |
..then what is he? | 0:21:44 | 0:21:46 | |
He seems remarkably unmoved by the available spectacle. | 0:21:51 | 0:21:54 | |
Do you think that's whoever...? | 0:21:54 | 0:21:57 | |
HEAVY SPLASH | 0:21:57 | 0:21:58 | |
-What he's doing? He'll drown! -I very much doubt it. | 0:21:59 | 0:22:02 | |
-Why? -There has been a murder. | 0:22:02 | 0:22:05 | |
The Doctor has taken up the case. | 0:22:05 | 0:22:08 | |
If we are to see him again, we must do the same. | 0:22:08 | 0:22:10 | |
Come on, Earthling scum! Position it here. Easy now! | 0:22:24 | 0:22:28 | |
That's it. Careful. | 0:22:28 | 0:22:30 | |
Don't get it scratched or you and all your bloodline | 0:22:30 | 0:22:33 | |
-will be obliterated from time and space. -Very good, sir. | 0:22:33 | 0:22:35 | |
Strax! | 0:22:35 | 0:22:37 | |
Ah, morning, Miss Clara. You're awake at last. | 0:22:37 | 0:22:40 | |
You got the TARDIS, then? | 0:22:40 | 0:22:42 | |
Military tactics. The Doctor is still missing, | 0:22:42 | 0:22:45 | |
but he will always come looking for his box. | 0:22:45 | 0:22:48 | |
By bringing it here, he will be lured from the dangers | 0:22:48 | 0:22:50 | |
of London to this place of safety, | 0:22:50 | 0:22:52 | |
and we will melt him with acid. | 0:22:52 | 0:22:55 | |
OK, that last part? | 0:22:55 | 0:22:56 | |
And we will not melt him with acid. Old habits. | 0:22:56 | 0:23:02 | |
-The Times. Shall I send it up? -Yeah, why not? | 0:23:04 | 0:23:06 | |
Hyya! | 0:23:07 | 0:23:09 | |
-Jenny! -Ah, good morning, Clara. -Morning. | 0:23:21 | 0:23:24 | |
Erm, so what are we going to do? Are we looking for the Doctor? | 0:23:24 | 0:23:27 | |
We've got the Paternoster Irregulars out in force. | 0:23:27 | 0:23:30 | |
If anyone can find him, they can. | 0:23:30 | 0:23:33 | |
Meanwhile, Madam Vastra is slightly occupied | 0:23:33 | 0:23:36 | |
by the Conk-Singleton forgery case. | 0:23:36 | 0:23:38 | |
and is having the Camberwell child-poisoner for dinner... | 0:23:38 | 0:23:41 | |
For dinner? | 0:23:41 | 0:23:42 | |
..after she's finished interrogating him. | 0:23:42 | 0:23:45 | |
Probably best to stay out the larder. | 0:23:45 | 0:23:48 | |
It'll get a bit noisy in there later. | 0:23:48 | 0:23:50 | |
Erm... | 0:23:50 | 0:23:51 | |
Ah, Miss Clara! | 0:24:01 | 0:24:03 | |
You look better now you're up. | 0:24:04 | 0:24:06 | |
Thank you, Strax! | 0:24:06 | 0:24:08 | |
Oh, sorry, trick of the light. You still look terrible. | 0:24:08 | 0:24:11 | |
Can I get you anything? | 0:24:11 | 0:24:13 | |
Er, no, thanks. Maybe just some water. | 0:24:13 | 0:24:15 | |
Of course. | 0:24:15 | 0:24:16 | |
Well, don't hold back, I've nearly finished anyway. | 0:24:24 | 0:24:26 | |
Um... | 0:24:26 | 0:24:28 | |
It's perfectly all right. I washed in it myself. | 0:24:28 | 0:24:31 | |
All of a sudden, I'm not very thirsty. | 0:24:31 | 0:24:33 | |
Really? | 0:24:33 | 0:24:35 | |
Perhaps it is time then... | 0:24:35 | 0:24:38 | |
DEVICE WHIRS | 0:24:38 | 0:24:40 | |
..for your mandatory medical examination. | 0:24:41 | 0:24:44 | |
Say, "Ah." | 0:24:47 | 0:24:49 | |
Ah. | 0:24:49 | 0:24:50 | |
You didn't move your lips. | 0:24:50 | 0:24:51 | |
You're looking at my eye. | 0:24:51 | 0:24:53 | |
Oh, yes, there we are. | 0:24:53 | 0:24:55 | |
Easy mistake. | 0:24:55 | 0:24:57 | |
-Ah-h! -DEVICE BEEPS | 0:24:57 | 0:24:59 | |
Now that's interesting. | 0:24:59 | 0:25:01 | |
What? What's interesting? | 0:25:01 | 0:25:02 | |
Deflected narcissism, traces of passive aggressive, | 0:25:02 | 0:25:07 | |
and a lot of muscular young men doing sport. | 0:25:07 | 0:25:11 | |
What are you looking at? | 0:25:11 | 0:25:13 | |
Your subconscious. Is that sport? | 0:25:13 | 0:25:16 | |
It could be sport. | 0:25:16 | 0:25:17 | |
Well, stop looking. | 0:25:17 | 0:25:20 | |
Moving onto the thorax, such as it is... | 0:25:20 | 0:25:22 | |
Ah, excellent. | 0:25:24 | 0:25:26 | |
Enviable spleen! Well done. | 0:25:26 | 0:25:29 | |
27 years old, with a projected lifespan of exactly... | 0:25:29 | 0:25:34 | |
Stop...right there. | 0:25:34 | 0:25:35 | |
Oh, you're going to do quite well. | 0:25:35 | 0:25:37 | |
But watch out for fluid retention later, it's going to be spectacular. | 0:25:37 | 0:25:41 | |
-Well, put your clothes back on. -They are on! | 0:25:42 | 0:25:45 | |
Oh, yes, so they are. | 0:25:45 | 0:25:47 | |
Why are you doing this? | 0:25:48 | 0:25:50 | |
If we are to serve together, I need you in peak physical prowess. | 0:25:50 | 0:25:54 | |
-Eh? -Ow! | 0:25:54 | 0:25:55 | |
Why would we be serving together? | 0:25:55 | 0:25:57 | |
-The Doctor's going to come back, isn't he? -It is to be hoped. | 0:25:57 | 0:26:00 | |
He's not just going to abandon me here. | 0:26:00 | 0:26:03 | |
You must stop worrying about him, my boy. | 0:26:03 | 0:26:06 | |
By now, he's almost certainly had his throat cut by the violent poor. | 0:26:06 | 0:26:11 | |
BINS CLANG | 0:26:11 | 0:26:12 | |
DOGS BARK | 0:26:12 | 0:26:14 | |
Oh-h! | 0:26:14 | 0:26:15 | |
THE DOCTOR MUMBLES | 0:26:24 | 0:26:26 | |
CLANGING | 0:26:37 | 0:26:38 | |
-Bitey. -Bitey? | 0:26:41 | 0:26:44 | |
The air... | 0:26:44 | 0:26:45 | |
..it's bitey, it's wet and bitey. | 0:26:46 | 0:26:49 | |
Oh, it's cold! | 0:26:49 | 0:26:51 | |
That's right. It's cold! It's cold, I knew it was a thing. | 0:26:51 | 0:26:54 | |
I need, um... | 0:26:55 | 0:26:56 | |
I need clothes. | 0:26:57 | 0:26:59 | |
I need clothes, that's what I need. And a big, long scarf. | 0:26:59 | 0:27:03 | |
No, no, move on from that, looked stupid. | 0:27:04 | 0:27:08 | |
Um... | 0:27:09 | 0:27:10 | |
Have you seen this face before? | 0:27:10 | 0:27:12 | |
No. | 0:27:13 | 0:27:14 | |
Are you sure? | 0:27:14 | 0:27:15 | |
Sir, I have never seen that face. | 0:27:16 | 0:27:19 | |
It's funny, because... I'm sure that I have. | 0:27:21 | 0:27:24 | |
You know, I never know where the faces come from. | 0:27:25 | 0:27:28 | |
They just pop up. Zap! Faces like this one. | 0:27:28 | 0:27:31 | |
Come on, look at it, have a look, come on, look, look, look. | 0:27:31 | 0:27:34 | |
Look, it's covered in lines, but I didn't do the frowning. | 0:27:34 | 0:27:38 | |
Who frowned me this face? | 0:27:39 | 0:27:41 | |
Do you ever look in the mirror and think, "I've seen that face before"? | 0:27:43 | 0:27:46 | |
Yes. | 0:27:46 | 0:27:47 | |
Really? When? | 0:27:47 | 0:27:49 | |
Well, every time I look in the mirror. | 0:27:49 | 0:27:51 | |
Oh, yes, yes, yes, fair enough. | 0:27:52 | 0:27:55 | |
Good point. My face is fresh on, though. | 0:27:55 | 0:27:58 | |
Er... | 0:28:00 | 0:28:01 | |
Why this one? | 0:28:01 | 0:28:02 | |
Why did I choose...this face? | 0:28:03 | 0:28:07 | |
It's like I'm trying to tell myself something, | 0:28:10 | 0:28:12 | |
like I'm trying to make a point. But what is so important | 0:28:13 | 0:28:16 | |
that I can't just tell myself what I'm thinking? | 0:28:16 | 0:28:19 | |
Er... | 0:28:19 | 0:28:21 | |
I'm not just being rhetorical here, you can join in. | 0:28:21 | 0:28:24 | |
-I don't like it. -What? -Your face. | 0:28:24 | 0:28:27 | |
Well, I don't like it either. | 0:28:27 | 0:28:29 | |
Well, it's all right up until the eyebrows. | 0:28:29 | 0:28:31 | |
Then it just goes haywire. Look at the eyebrows! | 0:28:31 | 0:28:34 | |
These are attack eyebrows. | 0:28:34 | 0:28:36 | |
You could take bottle tops off with these! | 0:28:36 | 0:28:38 | |
They are mighty eyebrows indeed, sir. | 0:28:38 | 0:28:40 | |
They're cross! They're crosser than the rest of my face. | 0:28:40 | 0:28:45 | |
They're independently cross. | 0:28:45 | 0:28:46 | |
They probably want to cede from the rest of my face | 0:28:46 | 0:28:50 | |
and set up their own independent state of eyebrows. | 0:28:50 | 0:28:52 | |
That's Scot... I am Scottish. I've gone Scottish? | 0:28:52 | 0:28:55 | |
Oh, yes, you are. You are definitely Scots, sir. | 0:28:55 | 0:28:59 | |
I... I 'ear it in your voice. | 0:28:59 | 0:29:01 | |
Oh, no, that's good. | 0:29:01 | 0:29:02 | |
Oh-h! Oh-h! | 0:29:02 | 0:29:06 | |
It's good I'm Scottish, I'm Scottish. | 0:29:06 | 0:29:09 | |
I am Scottish. | 0:29:09 | 0:29:12 | |
I can complain about things, I can really complain about things now. | 0:29:12 | 0:29:15 | |
-Give me your coat. -No. | 0:29:15 | 0:29:18 | |
I'm cold. | 0:29:18 | 0:29:19 | |
I'm cold. | 0:29:19 | 0:29:20 | |
I'm cold. | 0:29:20 | 0:29:22 | |
Well, there's no point in us both being cold, give me your coat. | 0:29:22 | 0:29:24 | |
Give me your coat! | 0:29:24 | 0:29:26 | |
No, wait. Shut up, shut up! | 0:29:26 | 0:29:29 | |
Shut up! | 0:29:29 | 0:29:30 | |
I missed something, It was here, it was here. It was... | 0:29:31 | 0:29:34 | |
What was it I saw, what did I see? | 0:29:34 | 0:29:36 | |
This is what I saw! | 0:29:40 | 0:29:41 | |
Spontaneous combustion! | 0:29:46 | 0:29:49 | |
What devilry is this, sir? | 0:29:49 | 0:29:51 | |
I don't know, but I probably blame the English. | 0:29:52 | 0:29:55 | |
Hmm! Spontaneous combustion! | 0:30:01 | 0:30:04 | |
-Is that like love at first sight? -Huh! A little. | 0:30:04 | 0:30:07 | |
It is the theory that human beings can, | 0:30:07 | 0:30:09 | |
with little or no inducement, simply explode. | 0:30:09 | 0:30:12 | |
You don't need to flirt with me, we're already married. | 0:30:12 | 0:30:15 | |
It's scientific nonsense, of course. | 0:30:15 | 0:30:18 | |
Marriage? | 0:30:18 | 0:30:19 | |
Hush! | 0:30:19 | 0:30:21 | |
There have been nine reported incidents | 0:30:21 | 0:30:23 | |
of people apparently exploding in the last month. | 0:30:23 | 0:30:26 | |
And you think they weren't spontaneous. | 0:30:26 | 0:30:28 | |
I think whoever killed the dinosaur had at least nine previous victims - | 0:30:28 | 0:30:34 | |
all of these perished in the same spectacular fashion. | 0:30:34 | 0:30:37 | |
I thought you were painting me! | 0:30:38 | 0:30:40 | |
I was working. | 0:30:40 | 0:30:41 | |
Well, why am I posing then? | 0:30:41 | 0:30:43 | |
Well, you brighten the room tremendously. Chin up a little. | 0:30:43 | 0:30:47 | |
Oh, I don't understand why I'm doing this! | 0:30:47 | 0:30:49 | |
Art? | 0:30:50 | 0:30:52 | |
Now, why destroy the victims so completely? | 0:30:54 | 0:30:57 | |
It's difficult, it draws attention - what advantage is to be gained? | 0:30:57 | 0:31:01 | |
Well, tell us, then. | 0:31:01 | 0:31:02 | |
Concealment, perhaps. | 0:31:04 | 0:31:05 | |
Concealment? | 0:31:05 | 0:31:07 | |
It's a fanciful theory, but it fits the facts. | 0:31:07 | 0:31:10 | |
By destroying the body so completely, | 0:31:10 | 0:31:13 | |
you conceal what is missing from it. | 0:31:13 | 0:31:16 | |
Missing from the body? | 0:31:16 | 0:31:17 | |
CLARA: Madame Vastra! | 0:31:17 | 0:31:19 | |
Clara, excellent. Pop your clothes on that chair there. | 0:31:20 | 0:31:23 | |
Look! | 0:31:23 | 0:31:25 | |
Advertisements, yes - so many, it's a distressing modern trend. | 0:31:25 | 0:31:29 | |
No, look! | 0:31:29 | 0:31:31 | |
Look. | 0:31:34 | 0:31:35 | |
SHE GASPS | 0:31:38 | 0:31:39 | |
Ma'am? | 0:31:40 | 0:31:41 | |
The game is afoot. We're going to need a lot of tea. | 0:31:41 | 0:31:44 | |
BELL RINGS | 0:31:44 | 0:31:45 | |
There appears to be nothing of significance | 0:31:48 | 0:31:50 | |
in the rest of the newspaper, | 0:31:50 | 0:31:52 | |
not even in the agony column. | 0:31:52 | 0:31:54 | |
We can't know it's from the Doctor. | 0:31:54 | 0:31:56 | |
Of course it's from the Doctor. | 0:31:56 | 0:31:58 | |
The Impossible Girl, that's what he calls me! | 0:31:58 | 0:32:00 | |
He says lunch, but not when or where? | 0:32:00 | 0:32:02 | |
"On the other side?" The other side of London? Bit vague. | 0:32:02 | 0:32:06 | |
The other side of regeneration, perhaps, once he's recovered? | 0:32:06 | 0:32:09 | |
So what am I supposed to do - guess where we're meeting? | 0:32:09 | 0:32:11 | |
Perhaps that's the point. | 0:32:13 | 0:32:14 | |
Perhaps you're supposed to prove that you still know him. | 0:32:14 | 0:32:18 | |
Think what that must mean for a man who barely knows himself. | 0:32:18 | 0:32:21 | |
It doesn't makes sense. He doesn't do puzzles. | 0:32:21 | 0:32:24 | |
He isn't complicated, really doesn't have the attention span. | 0:32:24 | 0:32:27 | |
So... | 0:32:29 | 0:32:30 | |
..keeping it dead simple... | 0:32:37 | 0:32:38 | |
"..on the other side." | 0:32:40 | 0:32:41 | |
CUTLERY CLINKS | 0:33:11 | 0:33:13 | |
CLARA SNIFFS | 0:33:17 | 0:33:19 | |
SHE COUGHS | 0:33:28 | 0:33:29 | |
-What's wrong? -I don't know! Maybe the smell? | 0:33:32 | 0:33:35 | |
I know, it's everywhere. | 0:33:35 | 0:33:37 | |
Where did you get that coat? | 0:33:39 | 0:33:40 | |
Er... | 0:33:42 | 0:33:44 | |
I bought it. | 0:33:44 | 0:33:46 | |
From where? | 0:33:46 | 0:33:47 | |
-Er, a shop. -No. | 0:33:47 | 0:33:48 | |
Might have been a tramp. | 0:33:51 | 0:33:53 | |
You don't have any money. | 0:33:53 | 0:33:54 | |
Er... | 0:33:54 | 0:33:55 | |
..I had a watch! | 0:33:56 | 0:33:57 | |
No! That watch was beautiful. | 0:33:57 | 0:34:00 | |
It was my favourite. | 0:34:00 | 0:34:01 | |
You swapped your favourite watch for that coat - | 0:34:01 | 0:34:04 | |
that's maybe not a good deal. | 0:34:04 | 0:34:05 | |
-Well, I was in a hurry, there was a terrible smell. -OK. | 0:34:05 | 0:34:08 | |
HE LAUGHS | 0:34:09 | 0:34:11 | |
No, no. Don't, don't... | 0:34:11 | 0:34:13 | |
Don't, don't smile. | 0:34:13 | 0:34:15 | |
I will smile first and then you know it's safe to smile. | 0:34:15 | 0:34:19 | |
-Are you cross with me? -I am not cross, | 0:34:19 | 0:34:21 | |
but if I was cross it would be your fault and... | 0:34:21 | 0:34:24 | |
-..yes, I am cross. -I guessed that. | 0:34:25 | 0:34:27 | |
-I am extremely cross. -And if I hadn't changed my face, | 0:34:27 | 0:34:29 | |
would you be cross? | 0:34:29 | 0:34:30 | |
-I would be cross if I wasn't cross! -Why? | 0:34:30 | 0:34:32 | |
Why? | 0:34:32 | 0:34:33 | |
An ordinary person wants to meet someone | 0:34:36 | 0:34:38 | |
that they know very well for lunch, what do they do? | 0:34:38 | 0:34:41 | |
-Well, they probably...get in touch and suggest lunch. -Mm-hm. | 0:34:41 | 0:34:46 | |
OK, so what sort of person would put a cryptic note in... | 0:34:46 | 0:34:50 | |
in a newspaper advert? | 0:34:50 | 0:34:51 | |
Well, I wouldn't like to say. | 0:34:51 | 0:34:53 | |
Oh, go on, do, say. | 0:34:53 | 0:34:54 | |
Well, I would say that that person would be | 0:34:54 | 0:34:57 | |
an egomaniac, needy, game-player sort of person. | 0:34:57 | 0:35:00 | |
SHE SIGHS CONTENTEDLY Thank you. | 0:35:00 | 0:35:02 | |
SHE CHUCKLES Well, at least that hasn't changed. | 0:35:02 | 0:35:05 | |
-And I don't suppose it ever will. -No, I don't suppose it will either. | 0:35:06 | 0:35:09 | |
Clara, honestly... | 0:35:09 | 0:35:11 | |
..I don't want you to change. | 0:35:13 | 0:35:14 | |
It was no bother, really. | 0:35:16 | 0:35:18 | |
I saw your advert, I figured it out - happy to play your game. | 0:35:18 | 0:35:22 | |
No. | 0:35:22 | 0:35:23 | |
No...no, I didn't place the ad. You placed the ad. | 0:35:23 | 0:35:26 | |
-No, I didn't. -Yes, you placed the ad, I figured it out! | 0:35:26 | 0:35:28 | |
Impossible Girl, see, lunch? | 0:35:28 | 0:35:30 | |
No, look, the Impossible... That is a message FROM the Impossible Girl. | 0:35:30 | 0:35:34 | |
FOR the Impossible...Girl. | 0:35:34 | 0:35:37 | |
-Oh? -Oh? | 0:35:40 | 0:35:42 | |
Hmm. | 0:35:42 | 0:35:43 | |
Well, if neither of us placed that ad, who placed...that ad? | 0:35:43 | 0:35:49 | |
Hang on. "Egomaniac, needy, game-player"? | 0:35:49 | 0:35:53 | |
-This could be a trap. -That was me? -Never mind that. | 0:35:53 | 0:35:56 | |
-Yes, I am minding that! -Clara.... | 0:35:56 | 0:35:57 | |
You were talking about me? | 0:35:57 | 0:35:59 | |
Clara, what is happening right now | 0:35:59 | 0:36:02 | |
in this restaurant to you and me is more important than your egomania. | 0:36:02 | 0:36:05 | |
Nothing is more important than my egomania! | 0:36:05 | 0:36:07 | |
-Right, you actually said that. -You never mention that again! | 0:36:07 | 0:36:10 | |
It's...it's a vanity trap. | 0:36:11 | 0:36:14 | |
You're so busy congratulating yourself on solving the puzzle, | 0:36:14 | 0:36:17 | |
you don't notice that you're sticking your head in a noose. | 0:36:17 | 0:36:20 | |
What are you doing? | 0:36:20 | 0:36:21 | |
And that isn't the only grey one, if you are, erm, having a cull. | 0:36:21 | 0:36:24 | |
What, do you have a problem with the grey ones? | 0:36:24 | 0:36:26 | |
If I got new hair, and it was grey, I would have a problem. | 0:36:26 | 0:36:29 | |
-Yeah, I bet you would. -Meaning? | 0:36:29 | 0:36:30 | |
It's too short. | 0:36:31 | 0:36:32 | |
-Ow! -Sorry, it was the only one out of place, | 0:36:33 | 0:36:35 | |
I'm sure that you would want it killed. | 0:36:35 | 0:36:37 | |
Oooh, are you trying to tell me something? | 0:36:37 | 0:36:40 | |
I'm trying to measure the air disturbance in the room. | 0:36:40 | 0:36:42 | |
Right, moments when you know you are boring. | 0:36:42 | 0:36:45 | |
SLIGHT WHOOSH | 0:36:47 | 0:36:48 | |
There is something extremely wrong with everybody else in this room. | 0:36:55 | 0:36:58 | |
-Mmm, basically, don't you always think that? -Look at them. | 0:36:58 | 0:37:01 | |
-Don't look! -You just said to look! | 0:37:01 | 0:37:03 | |
Look without looking! | 0:37:04 | 0:37:06 | |
CUTLERY CLINKS | 0:37:09 | 0:37:11 | |
They look fine to me. They're just eating. | 0:37:13 | 0:37:16 | |
Are they? | 0:37:17 | 0:37:18 | |
OK, no. No, they're not eating. | 0:37:30 | 0:37:33 | |
Something else they're not doing. | 0:37:33 | 0:37:35 | |
(Breathing.) | 0:37:40 | 0:37:41 | |
What do we do? | 0:37:48 | 0:37:49 | |
What, you don't want to eat, do you? | 0:37:52 | 0:37:53 | |
Hmm! Slightly lost my appetite. SHE CLEARS HER THROAT | 0:37:53 | 0:37:56 | |
-How long before they notice that we're different? -Not long. | 0:37:56 | 0:37:58 | |
Anything we can do? | 0:37:58 | 0:38:00 | |
How long can you hold your breath? | 0:38:02 | 0:38:03 | |
We could just casually stroll out of here, like we've changed our minds. | 0:38:05 | 0:38:08 | |
-Happens all the time. -Ha! Course it does. | 0:38:08 | 0:38:10 | |
DINERS RATTLE | 0:38:12 | 0:38:14 | |
DINERS RATTLE | 0:38:25 | 0:38:26 | |
DINERS RATTLE | 0:38:32 | 0:38:33 | |
We could...take another look at the menu. | 0:38:36 | 0:38:38 | |
DINERS RATTLE | 0:38:40 | 0:38:43 | |
What are they? | 0:38:48 | 0:38:50 | |
I don't know. But don't worry, because that's not the question. | 0:38:50 | 0:38:53 | |
The question is, what is this restaurant? | 0:38:53 | 0:38:55 | |
OK, what is this restaurant? | 0:38:55 | 0:38:57 | |
I don't know. | 0:38:57 | 0:38:59 | |
Er...no sausages? | 0:39:08 | 0:39:10 | |
Do you... | 0:39:11 | 0:39:12 | |
And there's no pictures either. Do you have a children's menu? | 0:39:12 | 0:39:15 | |
BEEPING | 0:39:17 | 0:39:18 | |
Any specials? | 0:39:18 | 0:39:20 | |
Liver. | 0:39:20 | 0:39:22 | |
I don't like liver. | 0:39:22 | 0:39:24 | |
Spleen. Brain stem. Eyes. | 0:39:24 | 0:39:27 | |
Mm. Is there a lot of demand for those? | 0:39:27 | 0:39:31 | |
I don't think that's what's on the menu. | 0:39:31 | 0:39:33 | |
I think we are the menu. | 0:39:35 | 0:39:37 | |
Lungs. Skin. | 0:39:37 | 0:39:40 | |
Excuse me. | 0:39:42 | 0:39:43 | |
OK. Robot in a mask. | 0:39:46 | 0:39:49 | |
It's a face. | 0:39:49 | 0:39:50 | |
Yeah, it's very convincing. | 0:39:50 | 0:39:53 | |
No, it's a face. | 0:39:54 | 0:39:56 | |
Oh! | 0:39:56 | 0:39:58 | |
Yes. | 0:39:58 | 0:39:59 | |
-Yes, what? -Yes, we have a children's menu. | 0:39:59 | 0:40:03 | |
You've got to admire their efficiency. | 0:40:07 | 0:40:09 | |
Is it OK if I don't? | 0:40:11 | 0:40:12 | |
THEY SCREAM | 0:40:14 | 0:40:15 | |
CLARA GASPS | 0:40:23 | 0:40:24 | |
Hello? | 0:40:24 | 0:40:25 | |
Hello, are you the manager? | 0:40:25 | 0:40:27 | |
I demand to speak to the manager. | 0:40:27 | 0:40:29 | |
This is not a real restaurant, is it? | 0:40:31 | 0:40:33 | |
Well... | 0:40:34 | 0:40:36 | |
it's more a sort of automated organ collection station | 0:40:36 | 0:40:39 | |
for the unwary diner. Sweeney Todd without the pies. | 0:40:39 | 0:40:42 | |
So, where are we now? | 0:40:42 | 0:40:43 | |
Factually, an ancient spaceship, probably buried for centuries, | 0:40:43 | 0:40:47 | |
functionally...a larder. | 0:40:47 | 0:40:50 | |
So why hasn't somebody come for us? | 0:40:51 | 0:40:52 | |
We're alive. | 0:40:52 | 0:40:54 | |
We're alive in a larder. | 0:40:54 | 0:40:55 | |
Exactly. It's cheaper than freezing us. | 0:40:55 | 0:40:58 | |
OK. | 0:40:58 | 0:41:00 | |
-Are you ready? -Go for it. | 0:41:00 | 0:41:03 | |
-Don't let it roll away. -No. | 0:41:03 | 0:41:06 | |
We've got one shot at this. | 0:41:06 | 0:41:07 | |
Next time, make one that doesn't roll. | 0:41:07 | 0:41:10 | |
Go! | 0:41:10 | 0:41:11 | |
-Got it? -I can only just about reach. | 0:41:14 | 0:41:17 | |
-Oh, it's at times like this I miss Amy. -Who? -Nothing. | 0:41:19 | 0:41:22 | |
-Ready? -Don't miss! | 0:41:25 | 0:41:27 | |
Oh-h! | 0:41:28 | 0:41:30 | |
Oh. | 0:41:30 | 0:41:32 | |
Sorry, did I hit...something? | 0:41:34 | 0:41:36 | |
Oh, the symbolism! | 0:41:36 | 0:41:38 | |
You should make that thing voice-activated. | 0:41:45 | 0:41:47 | |
-Oh, for God's sake, it is, isn't it? -I don't want to talk about it. | 0:41:47 | 0:41:50 | |
Doctor? | 0:41:50 | 0:41:51 | |
Dormant. | 0:41:58 | 0:41:59 | |
-How do you know? -I don't. I'm just hoping. | 0:42:00 | 0:42:02 | |
So...is it these guys that killed the dinosaur? | 0:42:07 | 0:42:09 | |
Well, if they're harvesting organs, | 0:42:09 | 0:42:12 | |
a dinosaur would have some great stuff. | 0:42:12 | 0:42:15 | |
Why would robots need organs? Burke and Hare from space? | 0:42:15 | 0:42:18 | |
No, but that's a good theory. | 0:42:18 | 0:42:20 | |
Droids harvesting spare parts. That rings a bell. | 0:42:22 | 0:42:26 | |
Captain, my Captain. | 0:42:34 | 0:42:36 | |
Can he see us? | 0:42:39 | 0:42:40 | |
-Dormant. -Hoping? | 0:42:40 | 0:42:42 | |
Yep. Oh, look! | 0:42:42 | 0:42:43 | |
He's recharging. He's asleep. | 0:42:44 | 0:42:47 | |
-Doesn't even know we're here. -Are you sure? | 0:42:48 | 0:42:50 | |
Sure, not sure - one or the other. | 0:42:50 | 0:42:52 | |
OK, so half-man, half-robot. a cyborg, yeah? | 0:42:53 | 0:42:56 | |
-Oh. -Oh? | 0:42:58 | 0:42:59 | |
-Oh-h. -Oh? | 0:43:00 | 0:43:02 | |
Look at the hands. | 0:43:02 | 0:43:04 | |
What about them? | 0:43:04 | 0:43:05 | |
-Look at them. -I'm looking. | 0:43:05 | 0:43:07 | |
They don't match. These hands don't belong to the same body. | 0:43:15 | 0:43:19 | |
I don't understand. | 0:43:22 | 0:43:23 | |
I don't blame you. | 0:43:23 | 0:43:25 | |
See, this... this is not your normal cyborg. | 0:43:26 | 0:43:29 | |
This isn't a man turning himself into a robot. | 0:43:29 | 0:43:33 | |
This is a robot turning himself... | 0:43:33 | 0:43:36 | |
into a man, piece by piece. | 0:43:36 | 0:43:38 | |
That's what the restaurant's for. | 0:43:38 | 0:43:41 | |
Well, it would need a constant supply of spare parts. | 0:43:41 | 0:43:43 | |
You can tan skin, but organs rot. | 0:43:43 | 0:43:46 | |
Some of that metalwork looks Roman. | 0:43:46 | 0:43:48 | |
Wonder how long it's been around, | 0:43:51 | 0:43:53 | |
how much of the original is even left. | 0:43:53 | 0:43:56 | |
-The eyeballs look very fresh, though. -Eugh! | 0:43:56 | 0:43:58 | |
ARM CLICKS Aggh! | 0:44:00 | 0:44:01 | |
WHIRRING | 0:44:02 | 0:44:04 | |
(Is it awake?) | 0:44:09 | 0:44:10 | |
It's waking up...I think. | 0:44:13 | 0:44:15 | |
OK, let's go. | 0:44:19 | 0:44:20 | |
HE PANTS | 0:44:30 | 0:44:32 | |
I've seen this before. I'm missing something! | 0:44:32 | 0:44:35 | |
-Doctor! -It's the brand-new head, rebooting! | 0:44:36 | 0:44:39 | |
Come on! | 0:44:39 | 0:44:40 | |
I've seen this before! | 0:44:40 | 0:44:42 | |
Oh, hurry up, get out. | 0:44:42 | 0:44:44 | |
DOOR CLANGS Doctor! | 0:44:48 | 0:44:50 | |
Quickly! | 0:44:52 | 0:44:53 | |
Sorry, too slow. There's no point in them catching us both. | 0:44:58 | 0:45:01 | |
Well, give me the screwdriver! | 0:45:01 | 0:45:03 | |
I might need it. | 0:45:08 | 0:45:09 | |
SHE GASPS Doctor? | 0:45:19 | 0:45:21 | |
FOOTSTEPS | 0:45:24 | 0:45:26 | |
Oh! SHE SOBS | 0:45:30 | 0:45:32 | |
HE RATTLES | 0:45:57 | 0:45:59 | |
'Something else they're not doing.' | 0:46:08 | 0:46:10 | |
Breathing. | 0:46:11 | 0:46:12 | |
How long can you hold your breath? | 0:46:19 | 0:46:21 | |
HE WHIRS MECHANICALLY | 0:46:32 | 0:46:34 | |
CLANGING | 0:47:45 | 0:47:47 | |
SHE EXHALES DEEPLY | 0:48:06 | 0:48:07 | |
Bring her. | 0:48:12 | 0:48:13 | |
DREAMY ECHOING | 0:48:16 | 0:48:17 | |
CHILDREN LAUGH | 0:48:27 | 0:48:28 | |
All right, stop. Stop it, all of you, now. | 0:48:31 | 0:48:35 | |
Ha-ha! It's her first day. | 0:48:35 | 0:48:36 | |
CHILDREN CONTINUE TO LAUGH | 0:48:36 | 0:48:38 | |
If you don't stop it, | 0:48:40 | 0:48:41 | |
I'm going to have each and every single one of you | 0:48:41 | 0:48:43 | |
kicked out of this school! | 0:48:43 | 0:48:45 | |
Go on, then. Do it! | 0:48:45 | 0:48:47 | |
SPEECH ECHOES | 0:48:47 | 0:48:48 | |
Where is the other one? | 0:49:00 | 0:49:01 | |
There was another. Where is he? | 0:49:08 | 0:49:11 | |
Where is the other? | 0:49:11 | 0:49:12 | |
You will tell us... | 0:49:15 | 0:49:16 | |
..or you will be destroyed. | 0:49:18 | 0:49:20 | |
(What did you say?) | 0:49:22 | 0:49:24 | |
You will tell us. | 0:49:24 | 0:49:25 | |
-Yeah, I know, or what? -You will die. | 0:49:26 | 0:49:30 | |
'Go on, then.' | 0:49:31 | 0:49:32 | |
Do it. | 0:49:32 | 0:49:34 | |
Go on, then. | 0:49:43 | 0:49:44 | |
Do it. | 0:49:46 | 0:49:47 | |
I'm not going to answer any of your questions, | 0:49:51 | 0:49:53 | |
so you have to do it. You have to kill me. | 0:49:53 | 0:49:56 | |
Threats don't work unless you deliver. | 0:49:57 | 0:50:00 | |
-You will tell us where the other one is. -Nope. | 0:50:04 | 0:50:07 | |
-You will be destroyed. -Destroy me, then. | 0:50:07 | 0:50:10 | |
And if you don't, then... | 0:50:10 | 0:50:12 | |
I not going to believe a single threat you make from now on. | 0:50:12 | 0:50:14 | |
Of course, if I'm dead, then... | 0:50:16 | 0:50:19 | |
I can't tell you where the other one went, then... | 0:50:19 | 0:50:22 | |
You need to keep this place down here a secret, don't you? | 0:50:22 | 0:50:25 | |
Never start with your final sanction. | 0:50:26 | 0:50:29 | |
You've got nowhere to go but backwards. | 0:50:29 | 0:50:31 | |
Humans feel pain. | 0:50:35 | 0:50:37 | |
Bigger threat to smaller threat - see what I mean? Backwards. | 0:50:38 | 0:50:41 | |
The information can be extracted by means of your suffering. | 0:50:42 | 0:50:46 | |
Are you trying to scare me? | 0:50:47 | 0:50:49 | |
Well, cos I'm already bloody terrified of dying... | 0:50:49 | 0:50:52 | |
and I'll endure a lot of pain | 0:50:52 | 0:50:54 | |
for a very long time before I give up the information | 0:50:54 | 0:50:56 | |
that's keeping me alive. How long have you got? | 0:50:56 | 0:50:58 | |
MECHANICAL WHIRRING | 0:50:58 | 0:51:00 | |
All you can offer me is my life - what you can't do is threaten it. | 0:51:08 | 0:51:11 | |
You can negotiate. | 0:51:11 | 0:51:13 | |
OK, OK, OK! OK, yes, | 0:51:14 | 0:51:17 | |
yes, yes, I'm crying | 0:51:17 | 0:51:19 | |
and it's just because I am very frightened of you. | 0:51:19 | 0:51:23 | |
If you know anything about human beings, | 0:51:23 | 0:51:24 | |
that means you... you're in a lot trouble. | 0:51:24 | 0:51:27 | |
We will not negotiate. | 0:51:29 | 0:51:31 | |
You don't have a choice. | 0:51:31 | 0:51:33 | |
I tell you what, I'll answer your questions if you answer mine. | 0:51:33 | 0:51:37 | |
We will not answer questions. | 0:51:37 | 0:51:40 | |
We'll take turns, I'll go first. Why did you kill the dinosaur? | 0:51:40 | 0:51:42 | |
-We will not answer questions. -Why did you kill the dinosaur? | 0:51:42 | 0:51:45 | |
-We will not answer questions! -Then you might as well kill me, | 0:51:45 | 0:51:48 | |
because I'm not talking again till you do. | 0:51:48 | 0:51:50 | |
SHE EXHALES | 0:51:52 | 0:51:53 | |
Within the optic nerve of the dinosaur is material of use | 0:52:02 | 0:52:05 | |
to our computer systems. | 0:52:05 | 0:52:07 | |
You burned a whole dinosaur for a spare part? | 0:52:07 | 0:52:10 | |
No, no, hang on. | 0:52:11 | 0:52:13 | |
You know what's in a dinosaur's optic nerve, | 0:52:15 | 0:52:17 | |
which means you've seen them before. | 0:52:17 | 0:52:18 | |
Where is the other one? | 0:52:20 | 0:52:21 | |
How long have you been rebuilding yourselves? | 0:52:21 | 0:52:24 | |
Look at the state of you! Is there any real you left? What's the point? | 0:52:24 | 0:52:27 | |
We will reach the promised land. | 0:52:33 | 0:52:35 | |
The what, the promised land? What's that? | 0:52:38 | 0:52:40 | |
Where is the other one? | 0:52:40 | 0:52:42 | |
I don't know. | 0:52:46 | 0:52:47 | |
But I know where he will be... where he will always be. | 0:52:50 | 0:52:54 | |
If the Doctor is still the Doctor... | 0:52:56 | 0:52:59 | |
..he will have my back. | 0:53:01 | 0:53:03 | |
SHE GASPS | 0:53:08 | 0:53:10 | |
I'm right, aren't I? Go on. Please, please, God, say I'm right. | 0:53:10 | 0:53:14 | |
Hello, hello, rubbish robots from the dawn of time, | 0:53:21 | 0:53:25 | |
thank you for all the gratuitous information. | 0:53:25 | 0:53:28 | |
Five foot one and crying - you never stood a chance. | 0:53:28 | 0:53:32 | |
Stop it! | 0:53:32 | 0:53:33 | |
This is your power source, and feeble though it is, | 0:53:36 | 0:53:39 | |
I can use it to blow this whole room | 0:53:39 | 0:53:41 | |
if I see one thing that I don't like, | 0:53:41 | 0:53:43 | |
and that includes karaoke and mime, so take no chances. | 0:53:43 | 0:53:46 | |
See, Clara? | 0:53:46 | 0:53:47 | |
That's how you disguise yourself as a Droid. | 0:53:47 | 0:53:50 | |
Yeah, well, I didn't have a lot of time, I'd been suddenly abandoned. | 0:53:50 | 0:53:53 | |
Sorry. Well, no, actually I'm not, you're brilliant on adrenaline. | 0:53:53 | 0:53:56 | |
And you were out of your depth, sir. | 0:53:56 | 0:53:57 | |
Never try and control a control freak. | 0:53:57 | 0:53:59 | |
I am not a control freak! | 0:53:59 | 0:54:01 | |
-Yes, ma'am. -Oh! | 0:54:01 | 0:54:04 | |
Why are you here? | 0:54:04 | 0:54:05 | |
Why did you invite us? | 0:54:05 | 0:54:07 | |
The message, in the paper... | 0:54:08 | 0:54:10 | |
..that was you, wasn't it? | 0:54:12 | 0:54:13 | |
Oh. I hate being wrong in public. Everybody forget that happened. | 0:54:19 | 0:54:23 | |
Clara, say the word. | 0:54:23 | 0:54:25 | |
-What word? -They never sent you in here without a word. | 0:54:25 | 0:54:27 | |
-I don't want to say it. -I've guessed already. | 0:54:27 | 0:54:29 | |
BOTH: Geronimo! | 0:54:29 | 0:54:31 | |
Remain still and lay down your weapons, | 0:54:42 | 0:54:44 | |
in the name of the British Empire! | 0:54:44 | 0:54:46 | |
Argh! | 0:54:46 | 0:54:47 | |
-Strax! -Sorry. | 0:54:48 | 0:54:50 | |
I've told you before - take the stairs. | 0:54:50 | 0:54:53 | |
Oh, look. The cavalry. | 0:54:53 | 0:54:54 | |
I burned an ancient, beautiful creature | 0:54:54 | 0:54:56 | |
for one inch of optic nerve. | 0:54:56 | 0:54:58 | |
What do you think you can accomplish, little man? | 0:54:58 | 0:55:00 | |
What do you? Vastra? | 0:55:00 | 0:55:01 | |
The establishment upstairs has been disabled with maximum prejudice, | 0:55:03 | 0:55:07 | |
-and the authorities summoned. -Hang on, she called the police? | 0:55:07 | 0:55:10 | |
-We never do that, we should start. -You see? | 0:55:10 | 0:55:13 | |
Destroy us if you will, | 0:55:13 | 0:55:14 | |
they're still going to close your restaurant. | 0:55:14 | 0:55:17 | |
That was going to sound better. | 0:55:18 | 0:55:20 | |
Then we will destroy you. | 0:55:20 | 0:55:21 | |
No, you won't. | 0:55:32 | 0:55:33 | |
You're logical. You have restraint. | 0:55:35 | 0:55:36 | |
You kill to survive - you're not a murderer. | 0:55:36 | 0:55:38 | |
He's not a what? This is a slaughterhouse. | 0:55:38 | 0:55:40 | |
And how does that make it different from any other restaurant? | 0:55:40 | 0:55:43 | |
You weren't vegetarian the last time I checked. This is over. | 0:55:43 | 0:55:45 | |
Killing us won't change that. | 0:55:45 | 0:55:47 | |
-What would be the point? -To find the promised land. | 0:55:47 | 0:55:49 | |
You're millions of years old, it's time you knew - there isn't one. | 0:55:49 | 0:55:52 | |
I am in search of paradise. | 0:55:52 | 0:55:54 | |
Yeah, well, me too. I'm not going to make it either. | 0:55:54 | 0:55:57 | |
Doctor! | 0:55:59 | 0:56:01 | |
I will leave in the escape capsule. Destroy where necessary. | 0:56:01 | 0:56:04 | |
Escape capsule? | 0:56:04 | 0:56:05 | |
This ship is millions of years old, it'll never fly. | 0:56:05 | 0:56:08 | |
It has been repaired. | 0:56:08 | 0:56:10 | |
What with? | 0:56:10 | 0:56:12 | |
You. | 0:56:12 | 0:56:13 | |
Defensive positions everyone. | 0:56:13 | 0:56:15 | |
Doctor! He's getting away! | 0:56:17 | 0:56:20 | |
Your friend is intelligent. He'll know better than to follow me. | 0:56:20 | 0:56:23 | |
HE GROANS | 0:56:30 | 0:56:31 | |
Right, here we are, this is the place, come with me. | 0:56:34 | 0:56:37 | |
It is our intent to leave. | 0:56:39 | 0:56:41 | |
If it is your intent to stop us, | 0:56:41 | 0:56:43 | |
perhaps we should get down to business. | 0:56:43 | 0:56:45 | |
Dear Lord, what has she landed us with this time? | 0:56:50 | 0:56:53 | |
MECHANICAL WHIRRING | 0:56:53 | 0:56:54 | |
The restaurant is closed. | 0:56:58 | 0:57:00 | |
Keep everyone out. No-one goes in there! | 0:57:09 | 0:57:12 | |
What are you doing? | 0:57:23 | 0:57:24 | |
I've got the horrible feeling I'm going to have to kill you. | 0:57:24 | 0:57:27 | |
I thought you might appreciate a drink first. | 0:57:29 | 0:57:31 | |
I know I would. | 0:57:31 | 0:57:33 | |
RUMBLING | 0:57:39 | 0:57:40 | |
Watch out! | 0:57:43 | 0:57:45 | |
51st century, right? Time travelling spaceship, crashed in the past. | 0:57:53 | 0:57:58 | |
You're trying to get home the long way round. | 0:57:58 | 0:58:01 | |
I go to the promised land. | 0:58:02 | 0:58:03 | |
So you keep saying. | 0:58:03 | 0:58:05 | |
OK, so your restaurant is made out of your old ship, | 0:58:07 | 0:58:11 | |
but you're wasting your time, it can't ever fly. | 0:58:11 | 0:58:16 | |
The escape pod is viable. | 0:58:16 | 0:58:18 | |
How? You can't patch up a spaceship with human remains. | 0:58:18 | 0:58:22 | |
You know, this really is ringing a bell. | 0:58:22 | 0:58:24 | |
OK, that's clever. How are you powering it? | 0:58:28 | 0:58:33 | |
Skin. | 0:58:34 | 0:58:35 | |
Get to the station! We need more men! | 0:58:45 | 0:58:48 | |
What shall I tell them is happening? | 0:58:49 | 0:58:52 | |
Go! | 0:58:52 | 0:58:54 | |
How many do you estimate, my dear? | 0:58:54 | 0:58:55 | |
More than upstairs, about 20, 30? | 0:58:55 | 0:58:59 | |
The ones upstairs were mere decoys. | 0:58:59 | 0:59:01 | |
These are battle-ready. I anticipate a challenge. | 0:59:01 | 0:59:05 | |
Don't worry, my boy, we shall die in glory! | 0:59:06 | 0:59:09 | |
OK. Good-o! | 0:59:09 | 0:59:12 | |
"SS Marie Antoinette." | 0:59:22 | 0:59:23 | |
Out-of-control repair Droids, cannibalising human beings. | 0:59:25 | 0:59:29 | |
I know that this is familiar, but I just can't seem to place it. | 0:59:29 | 0:59:33 | |
How would you kill me? | 0:59:33 | 0:59:34 | |
"Sister ship of the Madame De Pompadour." | 0:59:34 | 0:59:37 | |
Nope, not getting it. | 0:59:41 | 0:59:42 | |
How would you kill me? | 0:59:43 | 0:59:45 | |
Why don't you have a drink first? It's only human. | 0:59:45 | 0:59:48 | |
I am not human. | 0:59:49 | 0:59:50 | |
Neither am I. | 0:59:50 | 0:59:51 | |
Why can't you stay dead, coward! | 0:59:53 | 0:59:55 | |
SWORDS CLASH | 0:59:55 | 0:59:56 | |
What do you think of the view? | 1:00:08 | 1:00:10 | |
-I do not think of it. -I don't think of it. I don't. | 1:00:15 | 1:00:17 | |
Droids and apostrophes, I could write a book, | 1:00:18 | 1:00:20 | |
except you are...barely a Droid any more. | 1:00:20 | 1:00:24 | |
There's more human in you than machine. | 1:00:26 | 1:00:28 | |
So tell me... what do you think of the view? | 1:00:31 | 1:00:35 | |
It is beautiful. | 1:00:47 | 1:00:49 | |
No, it isn't. It's just far away. Everything looks too small. | 1:00:49 | 1:00:53 | |
I prefer it down there. Everything is huge. Everything is so important. | 1:00:53 | 1:00:59 | |
Every detail, every moment, every life clung to. | 1:00:59 | 1:01:04 | |
-How could you kill me? -For the same reason that you're asking me | 1:01:04 | 1:01:07 | |
that question - because you don't really want to carry on. | 1:01:07 | 1:01:10 | |
What'll happen to the other Droids when you die? | 1:01:14 | 1:01:16 | |
You're the control node, aren't you? Presumably they'll deactivate. | 1:01:16 | 1:01:19 | |
I will not die. I will reach the promised land. | 1:01:20 | 1:01:23 | |
There isn't any promised land. | 1:01:23 | 1:01:25 | |
This is just... It's a superstition that you have picked up | 1:01:25 | 1:01:29 | |
from all the humanity you've stuffed inside yourself. | 1:01:29 | 1:01:31 | |
I am not dead. | 1:01:31 | 1:01:32 | |
You are a broom. | 1:01:35 | 1:01:36 | |
Question - | 1:01:38 | 1:01:39 | |
you take a broom, you replace the handle, | 1:01:39 | 1:01:43 | |
and then later you replace the brush | 1:01:43 | 1:01:45 | |
and you do that over and over again. Is it still the same broom? | 1:01:45 | 1:01:49 | |
Answer - no, of course it isn't. But you can still sweep the floor. | 1:01:49 | 1:01:53 | |
Which is not strictly relevant, skip that last part. | 1:01:53 | 1:01:55 | |
You have replaced every piece of yourself, | 1:01:55 | 1:01:57 | |
mechanical and organic, time and time again - | 1:01:57 | 1:02:00 | |
there's not a trace of the original you left. | 1:02:00 | 1:02:03 | |
You probably can't even remember where you got that face from. | 1:02:04 | 1:02:08 | |
It cannot end. | 1:02:16 | 1:02:17 | |
It has to. You know it does. And there's only one way out. | 1:02:18 | 1:02:22 | |
Self-destruction is against my basic program. | 1:02:22 | 1:02:25 | |
And murder is against mine! | 1:02:25 | 1:02:27 | |
Jenny! | 1:02:38 | 1:02:40 | |
Hold your breath! They're stupid. Everybody hold their breath. | 1:02:41 | 1:02:44 | |
'I can't do it. I can't.' | 1:03:03 | 1:03:06 | |
'Be brave, my love. I can store oxygen in my lungs.' | 1:03:06 | 1:03:10 | |
'Share with me!' | 1:03:11 | 1:03:12 | |
-You are stronger than you look. -And I'm hoping you are too. | 1:03:21 | 1:03:25 | |
This...is over. | 1:03:25 | 1:03:28 | |
Are you capable of admitting that? | 1:03:29 | 1:03:32 | |
Do you have it in you to murder me? | 1:03:33 | 1:03:35 | |
Those people down there. They're never small to me. | 1:03:35 | 1:03:39 | |
Don't make assumptions about how far I will go to protect them, | 1:03:40 | 1:03:44 | |
because I've already come a very long way. | 1:03:44 | 1:03:46 | |
And unlike you, I don't expect to reach the promised land. | 1:03:46 | 1:03:49 | |
You realise, of course, one of us is lying about our basic programming. | 1:03:56 | 1:04:02 | |
Yes. | 1:04:04 | 1:04:05 | |
And I think we both know who that is. | 1:04:05 | 1:04:08 | |
Stop! | 1:04:21 | 1:04:22 | |
THEY EXHALE | 1:04:22 | 1:04:24 | |
Whoa. | 1:05:05 | 1:05:06 | |
You're sure he'd come back here? | 1:05:13 | 1:05:15 | |
There was no trace of him in the wreckage, | 1:05:15 | 1:05:17 | |
they searched all Parliament Hill. | 1:05:17 | 1:05:19 | |
Where else would he go? | 1:05:19 | 1:05:21 | |
I fear we have missed him. | 1:05:26 | 1:05:27 | |
Please come in. | 1:05:38 | 1:05:39 | |
-I'm not interrupting? -I should be glad of your company. | 1:05:42 | 1:05:46 | |
What can I do for you? | 1:05:46 | 1:05:47 | |
Ah, well, that's exactly what I was going to ask you. | 1:05:47 | 1:05:49 | |
Seems like I'm stuck here now. Got a vacancy? | 1:05:49 | 1:05:53 | |
You would be very welcome to join our little household, | 1:05:55 | 1:05:58 | |
but I have it on the highest authority | 1:05:58 | 1:06:02 | |
that the Doctor will be returning for you very soon. | 1:06:02 | 1:06:05 | |
Whose authority? | 1:06:05 | 1:06:06 | |
Well, the person who knows him best in all the universe. | 1:06:07 | 1:06:11 | |
And who's that? | 1:06:11 | 1:06:12 | |
Miss Clara Oswald... | 1:06:14 | 1:06:15 | |
..who perhaps has, by instinct, already dressed to leave. | 1:06:18 | 1:06:22 | |
I just wanted a change of clothes. | 1:06:22 | 1:06:24 | |
I don't think I know who the Doctor is any more. | 1:06:28 | 1:06:31 | |
METALLIC THRUMMING | 1:06:32 | 1:06:36 | |
It would seem, my dear, you are very wrong about that. | 1:06:36 | 1:06:38 | |
Clara! | 1:06:39 | 1:06:40 | |
Give him hell. He'll always need it. | 1:06:42 | 1:06:44 | |
-You've redecorated. -Yes. -I don't like it. | 1:07:05 | 1:07:08 | |
Not completely entirely convinced myself. | 1:07:08 | 1:07:10 | |
I think there should be more round things on the walls. | 1:07:10 | 1:07:13 | |
I used to have lots of round things. I wonder where I put them. | 1:07:13 | 1:07:15 | |
I'm the Doctor. | 1:07:29 | 1:07:31 | |
I've lived for over 2,000 years and not all of them were good. | 1:07:31 | 1:07:35 | |
I've made many mistakes, | 1:07:37 | 1:07:39 | |
and it's about time that I did something about that. | 1:07:39 | 1:07:42 | |
Clara, I'm not your boyfriend. | 1:07:47 | 1:07:49 | |
I never thought you were. | 1:07:49 | 1:07:51 | |
I never said it was your mistake. | 1:07:53 | 1:07:54 | |
METALLIC THRUMMING | 1:07:57 | 1:07:59 | |
What do you think? | 1:08:01 | 1:08:02 | |
-Who put that advert in the paper? -Who gave you my number? | 1:08:13 | 1:08:16 | |
A long time ago, remember? | 1:08:16 | 1:08:18 | |
You were given the number of a computer helpline, | 1:08:18 | 1:08:20 | |
and you ended up phoning the TARDIS. Who gave you that number? | 1:08:20 | 1:08:22 | |
The woman. The woman in the shop. | 1:08:22 | 1:08:24 | |
Then there's a woman out there who's very keen that we stay together. | 1:08:24 | 1:08:27 | |
How do you feel on the subject? | 1:08:34 | 1:08:35 | |
Am I home? | 1:08:38 | 1:08:39 | |
If you want to be. | 1:08:40 | 1:08:42 | |
I'm sorry. | 1:08:47 | 1:08:49 | |
I'm... I'm so, so sorry... | 1:08:50 | 1:08:52 | |
..but I don't think I know who you are any more. | 1:08:54 | 1:08:57 | |
MOBILE PHONE RINGS | 1:08:59 | 1:09:02 | |
You'd better get that. It might be your boyfriend. | 1:09:04 | 1:09:06 | |
Shut up. | 1:09:08 | 1:09:10 | |
I don't have a boyfriend. | 1:09:10 | 1:09:11 | |
Hello! | 1:09:21 | 1:09:22 | |
Hello? | 1:09:25 | 1:09:26 | |
-'It's me.' -Yes, it's you, who's this? | 1:09:26 | 1:09:29 | |
'It's me, Clara. | 1:09:29 | 1:09:32 | |
'The Doctor.' | 1:09:32 | 1:09:33 | |
What do you mean, the Doctor? | 1:09:39 | 1:09:41 | |
I'm phoning you from Trenzalore... | 1:09:41 | 1:09:44 | |
-I don't... -'..from before I changed. | 1:09:44 | 1:09:48 | |
'I mean it's all still to happen for me, it's coming. | 1:09:48 | 1:09:51 | |
'Oh, it's a-coming...' | 1:09:51 | 1:09:53 | |
DIALLING TONE | 1:09:53 | 1:09:54 | |
'Not long now.' | 1:10:00 | 1:10:01 | |
I can...feel it. | 1:10:01 | 1:10:05 | |
Why? Why would you do this? | 1:10:13 | 1:10:16 | |
'Because I think it's going to be a whopper...' | 1:10:16 | 1:10:19 | |
..and I think you might be scared. | 1:10:20 | 1:10:23 | |
'And however scared you are, Clara, the man you are with right now...' | 1:10:23 | 1:10:28 | |
the man I hope you are with, believe me, | 1:10:28 | 1:10:32 | |
he is more scared than anything you can imagine right now | 1:10:32 | 1:10:37 | |
'and he... | 1:10:37 | 1:10:39 | |
'he needs you.' | 1:10:39 | 1:10:41 | |
So who is it? | 1:10:44 | 1:10:45 | |
'Is that the Doctor?' | 1:10:45 | 1:10:47 | |
Is that the Doctor? | 1:10:47 | 1:10:49 | |
Yes. | 1:10:50 | 1:10:52 | |
'He sounds old.' | 1:10:52 | 1:10:53 | |
Please tell me I didn't get old. Anything but old! | 1:10:53 | 1:10:56 | |
'I was young.' | 1:10:58 | 1:10:59 | |
Oh... Is he grey? | 1:11:00 | 1:11:03 | |
Yes. | 1:11:05 | 1:11:06 | |
Clara, please, eh, for me, help him. | 1:11:08 | 1:11:13 | |
'Go on...' | 1:11:15 | 1:11:16 | |
..and don't be afraid. | 1:11:18 | 1:11:20 | |
Goodbye, Clara. | 1:11:31 | 1:11:33 | |
Miss you. | 1:11:37 | 1:11:38 | |
Well? | 1:11:49 | 1:11:50 | |
Well, what? | 1:11:53 | 1:11:54 | |
He asked you a question. | 1:11:55 | 1:11:58 | |
Will you help me? | 1:11:58 | 1:12:00 | |
You shouldn't have been listening. | 1:12:00 | 1:12:02 | |
I wasn't. I didn't need to. That was me talking. | 1:12:03 | 1:12:06 | |
You can't see me, can you? | 1:12:12 | 1:12:13 | |
You look at me, and you can't see me. | 1:12:13 | 1:12:15 | |
Have you any idea what that's like? | 1:12:17 | 1:12:19 | |
I'm not on the phone, I'm right here... | 1:12:23 | 1:12:25 | |
..standing in front of you. | 1:12:27 | 1:12:29 | |
Please, just... | 1:12:32 | 1:12:34 | |
..just see me. | 1:12:36 | 1:12:37 | |
Thank you. | 1:13:01 | 1:13:02 | |
For what? | 1:13:02 | 1:13:04 | |
Phoning. | 1:13:04 | 1:13:06 | |
I... I don't think that I'm a hugging person now. | 1:13:12 | 1:13:16 | |
I'm not sure you get a vote. | 1:13:16 | 1:13:18 | |
Whatever you say. | 1:13:20 | 1:13:21 | |
This isn't my home, by the way. | 1:13:22 | 1:13:24 | |
Sorry, I'm sorry about that, I missed. | 1:13:24 | 1:13:28 | |
Where are we? | 1:13:30 | 1:13:31 | |
Glasgow, I think. | 1:13:31 | 1:13:33 | |
Ah! You'll fit right in. | 1:13:33 | 1:13:34 | |
SCOTTISH ACCENT: Scottish. | 1:13:34 | 1:13:36 | |
Right, shall we, er... | 1:13:38 | 1:13:40 | |
Do you want to go and get some coffee or... | 1:13:42 | 1:13:45 | |
chips or...something, | 1:13:45 | 1:13:47 | |
or chips and coffee? | 1:13:47 | 1:13:48 | |
Coffee. Coffee would be great. You're buying! | 1:13:48 | 1:13:53 | |
-I don't have any money. -You're fetching, then. | 1:13:53 | 1:13:55 | |
I'm not sure that I'm the fetching sort... | 1:13:57 | 1:13:59 | |
Yeah, still not sure you get a vote. | 1:13:59 | 1:14:02 | |
MECHANICAL WHIRRING | 1:14:09 | 1:14:11 | |
Hello! | 1:14:18 | 1:14:19 | |
I'm Missy. You made it. | 1:14:22 | 1:14:25 | |
I hope my boyfriend wasn't too mean to you. | 1:14:25 | 1:14:29 | |
Boy...friend? | 1:14:31 | 1:14:33 | |
Now did he push you out of that thing, or did you fall? | 1:14:33 | 1:14:37 | |
Couldn't really tell. | 1:14:37 | 1:14:38 | |
He can be very mean sometimes, | 1:14:38 | 1:14:42 | |
except to me, of course, because he...loves me so much. | 1:14:42 | 1:14:46 | |
I do like his new accent, though. Think I might keep it. | 1:14:47 | 1:14:51 | |
Where am I? | 1:14:54 | 1:14:55 | |
Well, where do you think you are? | 1:14:55 | 1:14:58 | |
Look around you, you made it. | 1:14:58 | 1:15:02 | |
The promised land. | 1:15:02 | 1:15:03 | |
Paradise! | 1:15:04 | 1:15:06 | |
Welcome... | 1:15:08 | 1:15:10 | |
..to heaven. | 1:15:11 | 1:15:12 | |
SHE CRUNCHES | 1:15:15 | 1:15:16 | |
Where the hell have you been? | 1:15:29 | 1:15:30 | |
-It's not my fault, I got distracted. -By what? | 1:15:30 | 1:15:33 | |
You can always find something. Come on! | 1:15:33 | 1:15:35 | |
Where are we going? | 1:15:35 | 1:15:37 | |
Into darkness. | 1:15:37 | 1:15:38 | |
Welcome to the most dangerous place in the universe. | 1:15:38 | 1:15:41 | |
They're coming! They're coming! | 1:15:45 | 1:15:47 | |
Aristotle! | 1:15:47 | 1:15:48 | |
The enemy are right on top of us! | 1:15:48 | 1:15:51 | |
I'm sorry. | 1:15:51 | 1:15:53 | |
Exterminate...Doctor! | 1:15:53 | 1:15:56 |