Browse content similar to Face the Raven. Check below for episodes and series from the same categories and more!
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I told you it'd work! | 0:00:02 | 0:00:03 | |
It very nearly ate you for dinner. | 0:00:03 | 0:00:05 | |
Oh, admit it. I totally saved your life. | 0:00:05 | 0:00:08 | |
It wasn't going to eat me. | 0:00:08 | 0:00:09 | |
SHE LAUGHS | 0:00:09 | 0:00:10 | |
I totally saved you from | 0:00:10 | 0:00:12 | |
having to marry that giant sentient plant thing. | 0:00:12 | 0:00:15 | |
That bit where I jumped over the side? That was amazing! | 0:00:15 | 0:00:18 | |
Hah! I knew you were impressed! | 0:00:20 | 0:00:21 | |
The second most beautiful garden in all of time and space, | 0:00:21 | 0:00:24 | |
and we can never come back here because you, Miss Oswald, decided... | 0:00:24 | 0:00:27 | |
PHONE RINGS | 0:00:27 | 0:00:31 | |
Hello? | 0:00:47 | 0:00:48 | |
'Clara? Finally. It's Rigsy.' | 0:00:48 | 0:00:50 | |
Oh. Rigsy. Hey. What's wrong? | 0:00:50 | 0:00:52 | |
So I have this, er... | 0:00:52 | 0:00:54 | |
It kind of looks like a tattoo. | 0:00:56 | 0:00:57 | |
'Seriously? I gave you this number for emergencies.' | 0:01:00 | 0:01:03 | |
It's an emergency, trust me. Just... | 0:01:03 | 0:01:06 | |
'Come and take a look at it. Please.' | 0:01:06 | 0:01:08 | |
Who said you could give out my number? | 0:01:08 | 0:01:10 | |
Look, look, no matter how bad it is, | 0:01:10 | 0:01:12 | |
we cannot take you back down your timeline just to fix a tattoo. | 0:01:12 | 0:01:16 | |
That's just it. I didn't get a tattoo. And it's... | 0:01:17 | 0:01:21 | |
It's counting down. | 0:01:21 | 0:01:23 | |
Sorry, what? | 0:01:23 | 0:01:24 | |
The tattoo - it's a number and it's counting down to zero. | 0:01:24 | 0:01:28 | |
Hang tight. We'll be right there. | 0:01:28 | 0:01:30 | |
Hurry. Please. | 0:01:30 | 0:01:32 | |
VWORP! VWORP! | 0:02:13 | 0:02:16 | |
-Did you make this human? -Lucy? Yeah, she's mine. | 0:02:18 | 0:02:21 | |
Hello. Oh, Rigsy, she's gorgeous. | 0:02:23 | 0:02:26 | |
She's better than that. She's brilliant. | 0:02:26 | 0:02:30 | |
-What are you doing running round getting tattoos when there's... -Shh! | 0:02:30 | 0:02:33 | |
Look, I didn't "get" anything. | 0:02:35 | 0:02:37 | |
I woke up this morning and it was just there. Jen noticed it. | 0:02:37 | 0:02:40 | |
OK, show me this tattoo you didn't get, then. | 0:02:40 | 0:02:42 | |
It's a tattoo. It's very boring. | 0:02:47 | 0:02:49 | |
No, wait. Just keep watching. | 0:02:49 | 0:02:51 | |
What were you doing last night? | 0:02:51 | 0:02:53 | |
That's just it - yesterday was a total blank. | 0:02:53 | 0:02:55 | |
Jen said I left the house before dawn, I missed work, | 0:02:56 | 0:03:00 | |
and I didn't get back till after midnight. No-one saw me all day. | 0:03:00 | 0:03:04 | |
Oh, that's not boring. | 0:03:06 | 0:03:08 | |
That is very not boring. | 0:03:10 | 0:03:12 | |
-GLASSES HUM -What? What is it? | 0:03:14 | 0:03:17 | |
OK, Local Knowledge, you're coming with us. Bring the new human. | 0:03:17 | 0:03:21 | |
No! Don't bring the new human. I'll just get distracted. | 0:03:22 | 0:03:24 | |
If you want your extremities to stay attached, | 0:03:29 | 0:03:31 | |
stand absolutely still. | 0:03:31 | 0:03:33 | |
If not, we can provide a small bag, you can take them home at the end. | 0:03:33 | 0:03:36 | |
Rigsy, your phone. | 0:03:37 | 0:03:39 | |
It's like they've wiped it, but only the last day. | 0:03:40 | 0:03:43 | |
No location data, no texts, nothing. | 0:03:43 | 0:03:46 | |
You're sure the screen wasn't cracked before yesterday? | 0:03:46 | 0:03:49 | |
Mm-hm. | 0:03:49 | 0:03:51 | |
Oh, right, OK, here we go. Ah... | 0:03:51 | 0:03:54 | |
Good. | 0:03:54 | 0:03:56 | |
Weird. | 0:03:56 | 0:03:57 | |
Good and weird. | 0:03:57 | 0:03:58 | |
Can I...? | 0:03:58 | 0:04:00 | |
Oh, yes, yes. Of course. | 0:04:00 | 0:04:02 | |
First off... | 0:04:04 | 0:04:05 | |
..in the last 24 hours, | 0:04:06 | 0:04:08 | |
you've had significant contact with alien life-forms, | 0:04:08 | 0:04:11 | |
right here in the centre of London. | 0:04:11 | 0:04:13 | |
OK, so why don't I remember anything? | 0:04:13 | 0:04:16 | |
-You've been retconned. -Huh? -What-conned? | 0:04:16 | 0:04:18 | |
Amnesia drug. Your pre-frontal cortex is marinating in it. | 0:04:18 | 0:04:22 | |
Oh, there's something else! | 0:04:24 | 0:04:26 | |
Something... | 0:04:27 | 0:04:28 | |
Er... | 0:04:32 | 0:04:33 | |
not good. | 0:04:33 | 0:04:35 | |
Weird. | 0:04:35 | 0:04:36 | |
What's he doing? | 0:04:52 | 0:04:53 | |
He's making an effort to be nice. | 0:04:55 | 0:04:57 | |
There is no nice way to say you're about to die. | 0:04:57 | 0:05:01 | |
What?! | 0:05:01 | 0:05:02 | |
-Rigsy... -No, no, no, no, don't start using my actual name now! | 0:05:07 | 0:05:10 | |
Call me Pudding Brain, call me Local Knowledge, whatever. | 0:05:10 | 0:05:13 | |
Just don't call me Rigsy. | 0:05:13 | 0:05:15 | |
You're going to save me. You're a doctor. That's what you do. | 0:05:15 | 0:05:19 | |
OK. OK... | 0:05:29 | 0:05:31 | |
Yes, OK, let's do this thing. | 0:05:31 | 0:05:34 | |
First up, stop the countdown. | 0:05:34 | 0:05:37 | |
526 minutes, right! OK. | 0:05:37 | 0:05:40 | |
Yes, you know what, Local Knowledge, I don't know who did this to you | 0:05:40 | 0:05:45 | |
or why. But I do almost certainly know... | 0:05:45 | 0:05:47 | |
..how to find them. | 0:05:48 | 0:05:50 | |
There have always been rumours. | 0:05:59 | 0:06:00 | |
Stories passed from traveller to traveller, | 0:06:00 | 0:06:03 | |
mutterings about hidden streets, | 0:06:03 | 0:06:05 | |
secret pockets of alien life | 0:06:05 | 0:06:07 | |
right here on Earth. | 0:06:07 | 0:06:09 | |
Like a smuggler's cove, only not a cove, because it's right here. | 0:06:09 | 0:06:13 | |
Right in the middle of the capital. | 0:06:13 | 0:06:14 | |
-The hidden places are in the Great British Library? -No. | 0:06:14 | 0:06:17 | |
The maps are. | 0:06:17 | 0:06:18 | |
I never put stock in it. | 0:06:20 | 0:06:22 | |
London streets that suddenly disappeared from human view? No. | 0:06:22 | 0:06:25 | |
You lot are always overlooking things, but whole streets? | 0:06:25 | 0:06:28 | |
That would be excessive, even for you. | 0:06:28 | 0:06:31 | |
If the stories are true, though, there should be a street | 0:06:31 | 0:06:34 | |
on one of these old maps that no longer exists in the real world. | 0:06:34 | 0:06:37 | |
Like a trap street, only not. | 0:06:37 | 0:06:39 | |
-What did you say? -A trap street. | 0:06:40 | 0:06:43 | |
You know, when someone's making a map, a, um...cartographer, | 0:06:43 | 0:06:46 | |
uses a fake street, throws it into the mix, | 0:06:46 | 0:06:48 | |
names it after one of his kids or whatever. Then if the fake street, | 0:06:48 | 0:06:51 | |
the trap street, ever shows up on someone else's map, | 0:06:51 | 0:06:54 | |
they know their work's been stolen. Clever, right? | 0:06:54 | 0:06:56 | |
My God. A whole London street just up and disappeared | 0:06:56 | 0:06:59 | |
and you lot assume it's a copyright infringement. | 0:06:59 | 0:07:01 | |
So we're looking for a trap street? | 0:07:01 | 0:07:03 | |
We're looking for a trap street and we're not going to find it here. | 0:07:03 | 0:07:06 | |
The glasses are tracking your eye movements. | 0:07:06 | 0:07:09 | |
Just keep looking straight down and... | 0:07:09 | 0:07:11 | |
I know! Focus on the buildings directly below me. | 0:07:11 | 0:07:15 | |
Whatever they're using, it only hides the street itself. | 0:07:17 | 0:07:21 | |
It prevents you from noticing there's even something missing. | 0:07:21 | 0:07:24 | |
They're somehow making our eyes skate right over it. | 0:07:24 | 0:07:27 | |
Let's call it a misdirection circuit. | 0:07:27 | 0:07:29 | |
RUMBLING | 0:07:29 | 0:07:31 | |
Clara! | 0:07:35 | 0:07:36 | |
SHE WHOOPS AND LAUGHS | 0:07:36 | 0:07:38 | |
SHE WHOOPS | 0:07:41 | 0:07:43 | |
Hello, London! | 0:07:43 | 0:07:45 | |
SHE LAUGHS | 0:07:50 | 0:07:52 | |
I'm good. | 0:07:54 | 0:07:55 | |
I'm good. | 0:07:57 | 0:07:58 | |
She enjoyed that...way too much. | 0:07:58 | 0:08:01 | |
Tell me about it. It's an ongoing problem. Here. | 0:08:01 | 0:08:04 | |
Keep it steady. | 0:08:06 | 0:08:07 | |
Just move it slowly over the grid. When we're done, we'll have a map | 0:08:08 | 0:08:12 | |
of the areas of the grid that Clara couldn't focus on. | 0:08:12 | 0:08:14 | |
So, these are the bits my eyes skated over. | 0:08:17 | 0:08:19 | |
OK, we split up. Clara, that way. | 0:08:21 | 0:08:24 | |
Local Knowledge... | 0:08:24 | 0:08:25 | |
Forget the way you usually look at the world. | 0:08:27 | 0:08:30 | |
This street's going to be hiding in plain sight. | 0:08:30 | 0:08:32 | |
-22, 23... -If you see something unusual or notable, | 0:08:32 | 0:08:36 | |
dismiss it. Just keep walking. | 0:08:36 | 0:08:38 | |
But if there's a bit of London so unremarkable | 0:08:40 | 0:08:43 | |
that you don't even think about it... | 0:08:43 | 0:08:45 | |
stop. | 0:08:45 | 0:08:46 | |
You could very well be standing right outside a trap street. | 0:08:46 | 0:08:50 | |
-Count everything that you see. -Four, five, six... | 0:08:50 | 0:08:54 | |
Because when you hit the area around a trap street, | 0:08:54 | 0:08:57 | |
it's very likely you'll lose count. | 0:08:57 | 0:08:59 | |
79... | 0:09:01 | 0:09:03 | |
80... | 0:09:03 | 0:09:05 | |
81... | 0:09:05 | 0:09:06 | |
..82. | 0:09:07 | 0:09:08 | |
-Huh? -Remember - 82. | 0:09:08 | 0:09:11 | |
-Come along! -82! | 0:09:11 | 0:09:13 | |
You'll lose count because the misdirection circuit | 0:09:14 | 0:09:18 | |
is creating confusion in your mind. | 0:09:18 | 0:09:20 | |
Details won't add up. Reality will have glitches in it. | 0:09:20 | 0:09:25 | |
Like when you try to read the same simple sentence three times over... | 0:09:25 | 0:09:29 | |
One, two, three... | 0:09:29 | 0:09:31 | |
..and the meaning just won't sink in. | 0:09:31 | 0:09:33 | |
Got ya. | 0:09:37 | 0:09:38 | |
Clara! Clara! | 0:09:44 | 0:09:46 | |
Clara! | 0:09:46 | 0:09:48 | |
It's off this street, I am certain. | 0:09:51 | 0:09:52 | |
We're very close. | 0:09:52 | 0:09:54 | |
We need to distract our other senses. | 0:09:54 | 0:09:56 | |
Clara, go back to the TARDIS. Pick up all my most annoying stuff. | 0:09:56 | 0:10:00 | |
PHONE BEEPS | 0:10:04 | 0:10:06 | |
-What happened to the stuff I asked you to bring? -Someone called you. | 0:10:17 | 0:10:20 | |
Yesterday, 6am. Blocked number. | 0:10:20 | 0:10:22 | |
She's dead. | 0:10:33 | 0:10:34 | |
What is it? What are you remembering? | 0:10:35 | 0:10:38 | |
Rigsy, what is it? | 0:10:44 | 0:10:46 | |
You can't see it? There! | 0:10:49 | 0:10:51 | |
I see it. You? | 0:11:06 | 0:11:08 | |
50 minutes left. | 0:11:10 | 0:11:11 | |
Hoodie up, Local Knowledge. They know what you look like in there. | 0:11:12 | 0:11:16 | |
How come I saw it when you guys couldn't? | 0:11:28 | 0:11:30 | |
You were upset, weren't you? | 0:11:30 | 0:11:32 | |
Something slipped through the retcon memory, | 0:11:32 | 0:11:35 | |
something that took over your whole mind, something juicy. | 0:11:35 | 0:11:39 | |
So the misdirection circuit lost its power over you. | 0:11:39 | 0:11:43 | |
Surely people wander in here all the time, then, distracted, | 0:11:43 | 0:11:46 | |
-on their phones or whatever? -Perhaps they do... | 0:11:46 | 0:11:48 | |
ALARM RINGS | 0:11:53 | 0:11:56 | |
HE GROWLS | 0:12:02 | 0:12:03 | |
Three at once. That's new. | 0:12:08 | 0:12:10 | |
Hang about. | 0:12:12 | 0:12:14 | |
-HE SNIFFS -This one don't smell human. | 0:12:14 | 0:12:17 | |
Name, species and case for asylum. Quick as you like. | 0:12:18 | 0:12:21 | |
-Asylum? -The reason you're here. The reason you need sanctuary. | 0:12:21 | 0:12:24 | |
Why didn't they use the protocol? | 0:12:27 | 0:12:29 | |
I saw through the circuit again. I saw them. | 0:12:29 | 0:12:31 | |
They're definitely not human. | 0:12:31 | 0:12:33 | |
You do know this is a refugee camp? | 0:12:33 | 0:12:36 | |
Yeah, of course. | 0:12:39 | 0:12:40 | |
-Of course he does! Now that you've told him. -Mayor Me. | 0:12:40 | 0:12:45 | |
-CLARA: -Ashildr! -Ashildr? | 0:12:47 | 0:12:49 | |
That's your name. I keep telling you that. | 0:12:49 | 0:12:53 | |
Do you? | 0:12:53 | 0:12:54 | |
Infinite lifespan, finite memory - it makes for an awkward social life. | 0:12:54 | 0:13:00 | |
You must be Clara Oswald. | 0:13:00 | 0:13:02 | |
You're as beautiful as your photos. | 0:13:02 | 0:13:04 | |
We met. | 0:13:06 | 0:13:07 | |
Yes, I know. It's in my diaries. | 0:13:07 | 0:13:09 | |
Oh, don't look like that! I enjoyed our conversations. | 0:13:09 | 0:13:12 | |
I've read them many times. | 0:13:12 | 0:13:14 | |
OK, that's...slightly odd. But nice. | 0:13:14 | 0:13:17 | |
Um, hang on, | 0:13:17 | 0:13:19 | |
so this is where you've been. That's why he lost track of you. | 0:13:19 | 0:13:23 | |
Oh, come on, please. It's really cute, he thinks I don't know. | 0:13:23 | 0:13:27 | |
He's got this whole secret room in the TARDIS | 0:13:27 | 0:13:29 | |
-where he collects mentions of you. -It's not cute. | 0:13:29 | 0:13:31 | |
It's surveillance. | 0:13:33 | 0:13:35 | |
-It's professional interest. -Precautionary measure. | 0:13:35 | 0:13:37 | |
Still saving the world from me, then? | 0:13:37 | 0:13:40 | |
It's still here, isn't it? | 0:13:40 | 0:13:41 | |
He lost track of you in the early 1800s. | 0:13:41 | 0:13:44 | |
-I wondered if you were... -Oh, no. I let him know I was OK. | 0:13:44 | 0:13:48 | |
I saw you. | 0:13:50 | 0:13:52 | |
No. I got your attention. | 0:13:52 | 0:13:54 | |
Yes, you did, and you have. Now we need your help. | 0:13:54 | 0:13:57 | |
Someone in this place is in control of a Quantum Shade. | 0:13:57 | 0:14:02 | |
HE SNARLS | 0:14:06 | 0:14:08 | |
-I knew I recognised that smell. -Oh. | 0:14:08 | 0:14:11 | |
-CLARA: -Ashildr? What's going on? | 0:14:11 | 0:14:14 | |
You. | 0:14:26 | 0:14:28 | |
How do you know this man? | 0:14:28 | 0:14:30 | |
Hang on. You did this to Rigsy? | 0:14:30 | 0:14:32 | |
What have you done? | 0:14:33 | 0:14:35 | |
This man committed a crime. | 0:14:35 | 0:14:37 | |
-I sentenced him. -Sentenced him? | 0:14:40 | 0:14:42 | |
I also gave him enough time to return home | 0:14:42 | 0:14:44 | |
and say goodbye to his family. | 0:14:44 | 0:14:46 | |
You flooded his brain with retcon! | 0:14:46 | 0:14:47 | |
Till we showed up, he didn't even know he had to say goodbye. | 0:14:47 | 0:14:50 | |
I'm afraid no intruder leaves this place without a memory wipe. | 0:14:50 | 0:14:53 | |
With respect, that will include you. | 0:14:53 | 0:14:55 | |
Oh, the hell it will! | 0:14:55 | 0:14:57 | |
Ashildr, given we're all going to forget this conversation anyway, | 0:14:57 | 0:15:01 | |
perhaps you could tell us what happened here yesterday | 0:15:01 | 0:15:03 | |
to necessitate a death sentence? | 0:15:03 | 0:15:05 | |
Fine, I'll show you. | 0:15:07 | 0:15:09 | |
Mr Kabel, Mr Rump. | 0:15:10 | 0:15:13 | |
Permit them entry. | 0:15:13 | 0:15:15 | |
No! | 0:15:15 | 0:15:16 | |
You've already endangered one of my friends. | 0:15:16 | 0:15:19 | |
I want your personal guarantee you will not endanger another. | 0:15:19 | 0:15:23 | |
Shut up, I can handle myself. | 0:15:23 | 0:15:25 | |
I guarantee the safety of Clara Oswald. | 0:15:26 | 0:15:29 | |
She will be under my personal protection. That is absolute. | 0:15:29 | 0:15:33 | |
If that's your wish, Mayor Me. | 0:15:33 | 0:15:35 | |
This way. | 0:15:40 | 0:15:43 | |
Murderer. | 0:15:43 | 0:15:44 | |
What did you say? | 0:15:44 | 0:15:46 | |
Murderer. | 0:15:54 | 0:15:55 | |
He called me a murderer. | 0:15:56 | 0:15:58 | |
So you're still calling yourself Me, then? | 0:16:03 | 0:16:06 | |
-Me? -Mayor Me. | 0:16:06 | 0:16:08 | |
Mayor is a title. I give myself a title for the same reason you do, | 0:16:08 | 0:16:11 | |
-Doctor - something to live up to. -Difficult, isn't it? | 0:16:11 | 0:16:14 | |
-How long have you been here? -Since Waterloo. | 0:16:14 | 0:16:17 | |
-The battle? -No, the station. Really, Doctor. | 0:16:17 | 0:16:20 | |
Tread carefully while you're here. | 0:16:20 | 0:16:22 | |
Some of your greatest enemies are within a few feet of you. | 0:16:22 | 0:16:25 | |
As far as you're concerned, this is the most dangerous street in London. | 0:16:25 | 0:16:28 | |
Fascinating. Now, can we skip to the part where you want Rigsy dead for some reason? | 0:16:28 | 0:16:32 | |
WOMAN: It's him! He's back! | 0:16:32 | 0:16:34 | |
It's best we get him inside first. | 0:16:35 | 0:16:37 | |
Murderer. You're not welcome here. | 0:16:37 | 0:16:40 | |
They look at me as if they want to kill me themselves. | 0:16:40 | 0:16:43 | |
-Don't want your kind round here. -Murderer! | 0:16:43 | 0:16:46 | |
HISSING | 0:16:46 | 0:16:48 | |
Like I said, it's best we get inside. | 0:16:50 | 0:16:52 | |
Filthy murderer! | 0:16:56 | 0:16:58 | |
Wait, Clara. | 0:17:07 | 0:17:08 | |
Look. | 0:17:08 | 0:17:10 | |
This misdirection circuit of yours is remarkable. | 0:17:15 | 0:17:19 | |
The cloaking device that hides the street, | 0:17:20 | 0:17:23 | |
makes everyone look like humans. | 0:17:23 | 0:17:25 | |
It's no device. | 0:17:25 | 0:17:27 | |
It's the Lurkworms. | 0:17:27 | 0:17:28 | |
Quite something, aren't they? | 0:17:30 | 0:17:31 | |
The light is a telepathic field. | 0:17:31 | 0:17:34 | |
It normalises everything you see, | 0:17:34 | 0:17:37 | |
places it within the compass of your expectations, your experiences. | 0:17:37 | 0:17:41 | |
You can bypass them, of course. | 0:17:44 | 0:17:46 | |
Ow! | 0:17:51 | 0:17:52 | |
Don't worry. We're perfectly safe. | 0:17:58 | 0:18:00 | |
Yes, a phrase I find is usually followed by | 0:18:01 | 0:18:04 | |
a lot of screaming and running and bleeding. | 0:18:04 | 0:18:06 | |
I brokered a truce. We have strict rules against violence here. | 0:18:06 | 0:18:11 | |
Rules every creature must abide by | 0:18:11 | 0:18:13 | |
if they wish to remain on the street. | 0:18:13 | 0:18:15 | |
-Get away from us! -Don't want your kind round here. | 0:18:15 | 0:18:17 | |
What's better, that they're in here with me, peaceful and cooperative, | 0:18:17 | 0:18:21 | |
or out there on Earth like the Zygons? | 0:18:21 | 0:18:23 | |
We haven't had an act of violence on this street for 100 years, | 0:18:23 | 0:18:26 | |
until yesterday, when your friend here attacked | 0:18:26 | 0:18:29 | |
one of our most vulnerable residents. | 0:18:29 | 0:18:31 | |
How did Rigsy even get in? | 0:18:31 | 0:18:33 | |
I mean, we barely managed it, and we knew what we were looking for... | 0:18:35 | 0:18:39 | |
She was found at the entrance of the street. | 0:18:41 | 0:18:44 | |
No weapon on the scene, | 0:18:45 | 0:18:47 | |
but the cause of death is likely the head wound. | 0:18:47 | 0:18:50 | |
-Seems she was knocked to the cobblestones. -"Seems"? | 0:18:50 | 0:18:53 | |
You've sentenced Rigsy to death | 0:18:53 | 0:18:55 | |
yet you don't know exactly what's going on? | 0:18:55 | 0:18:58 | |
He was found over the body. | 0:18:58 | 0:19:00 | |
My people were angry, frightened. I had to act. | 0:19:00 | 0:19:03 | |
-This is ridiculous, this is... -What was her name? | 0:19:03 | 0:19:06 | |
Anah. | 0:19:06 | 0:19:07 | |
We're keeping her here until someone can take her home for burial. | 0:19:07 | 0:19:11 | |
She's a Janus! | 0:19:12 | 0:19:14 | |
She escaped slavery. She fled here with her child. | 0:19:15 | 0:19:18 | |
-The child. A daughter? -No. A boy. | 0:19:18 | 0:19:20 | |
Is that bad? | 0:19:22 | 0:19:23 | |
No, it's not bad, it's just unhelpful. | 0:19:23 | 0:19:25 | |
A daughter might've seen who killed her mother. | 0:19:25 | 0:19:28 | |
The female Janus is psychic. | 0:19:32 | 0:19:34 | |
One face sees into the future, | 0:19:34 | 0:19:36 | |
the other looks behind her, into the past. | 0:19:36 | 0:19:39 | |
I think we saw her son outside. | 0:19:39 | 0:19:41 | |
Clara, what if I did do it? | 0:19:41 | 0:19:44 | |
I mean, I wouldn't have meant to hurt her, but... | 0:19:44 | 0:19:48 | |
What if I wandered in and saw what she really looked like? | 0:19:48 | 0:19:51 | |
What if I freaked? | 0:19:51 | 0:19:52 | |
You didn't just wander in here. | 0:19:52 | 0:19:54 | |
You were called here at 6am by a number from a mystery phone. | 0:19:54 | 0:19:58 | |
There is no way you did this. | 0:19:58 | 0:20:01 | |
So, what then? You think someone called him here? Set him up? | 0:20:01 | 0:20:05 | |
-Yes! -FROM OUTSIDE: -Mayor! | 0:20:05 | 0:20:07 | |
Obviously! Which means | 0:20:07 | 0:20:08 | |
one of your pet aliens out there is the real killer. | 0:20:08 | 0:20:11 | |
-BANGING ON DOOR -I just need to talk to her. -Excuse me. I'm sorry. | 0:20:11 | 0:20:15 | |
Yes. Please, go. It's not like we've got a ticking clock or anything. | 0:20:15 | 0:20:19 | |
Mayor, I beg of you, please... | 0:20:19 | 0:20:21 | |
41 minutes. | 0:20:21 | 0:20:22 | |
Lock me up, throw us out, anything but this. | 0:20:22 | 0:20:27 | |
Please. I only took it to save her. | 0:20:27 | 0:20:30 | |
How many minutes left? | 0:20:31 | 0:20:33 | |
Two, Madam Mayor. | 0:20:36 | 0:20:38 | |
This man stole medical rations. | 0:20:43 | 0:20:46 | |
He broke a rule of the street and he stole from all of you. | 0:20:46 | 0:20:50 | |
And yes, I can remove the chronolock. | 0:20:50 | 0:20:54 | |
But I won't. | 0:20:55 | 0:20:57 | |
Our rules keep us safe. | 0:20:58 | 0:21:00 | |
Give it to me. | 0:21:03 | 0:21:04 | |
Please. | 0:21:05 | 0:21:08 | |
Tell me I can have it. One word. Say it. | 0:21:08 | 0:21:11 | |
Say yes. | 0:21:11 | 0:21:13 | |
I did this to save you, you silly old thing. | 0:21:13 | 0:21:17 | |
You really think I could lose you now? | 0:21:18 | 0:21:21 | |
-RIGSY: -What's happening? | 0:21:27 | 0:21:29 | |
It's called a Quantum Shade. It's kind of a spirit. | 0:21:29 | 0:21:32 | |
Once it's bound to a victim, | 0:21:32 | 0:21:34 | |
you could flee across all of time and all of the universe, | 0:21:34 | 0:21:38 | |
it would still find you. | 0:21:38 | 0:21:40 | |
RAVEN CAWS | 0:21:40 | 0:21:42 | |
Don't run. Stay with her. | 0:21:49 | 0:21:52 | |
IT CAWS | 0:21:52 | 0:21:54 | |
Don't go! | 0:21:57 | 0:21:59 | |
Why do they always run? | 0:21:59 | 0:22:01 | |
Help me, somebody, please! | 0:22:10 | 0:22:12 | |
At least give him a merciful death. | 0:22:12 | 0:22:14 | |
Do you think a Cyberman fears a merciful death? | 0:22:14 | 0:22:18 | |
Help me, please! | 0:22:18 | 0:22:20 | |
Peace on this street depends on one thing. | 0:22:20 | 0:22:23 | |
To break it in any way is to face the raven. | 0:22:24 | 0:22:28 | |
Please help me! | 0:22:29 | 0:22:31 | |
HE PANTS | 0:22:36 | 0:22:38 | |
HE SCREAMS | 0:22:41 | 0:22:44 | |
PEOPLE GASP | 0:22:44 | 0:22:46 | |
RAVEN CAWS | 0:23:08 | 0:23:09 | |
I have no wish to harm your friend if he's innocent, Doctor. | 0:23:18 | 0:23:21 | |
Question anyone. Examine the body. | 0:23:23 | 0:23:27 | |
But it's not me you need to convince of Rigsy's innocence. | 0:23:27 | 0:23:31 | |
It's them. | 0:23:32 | 0:23:33 | |
CROWD MURMURS | 0:23:36 | 0:23:39 | |
OK, we split up. Cover more ground. | 0:23:44 | 0:23:47 | |
I'm good cop, you're bad cop. | 0:23:47 | 0:23:49 | |
No, no, we don't have to... Can I not be the good cop? | 0:23:49 | 0:23:51 | |
-Doctor, we've discussed this. Your face. -Oh, yes. | 0:23:51 | 0:23:55 | |
Forget about cops. Forget about finding the real killer. | 0:23:55 | 0:23:58 | |
You heard Ashildr. All we have to do is persuade these creatures | 0:23:58 | 0:24:01 | |
that it isn't Rigsy. And fast. | 0:24:01 | 0:24:03 | |
BABY CRIES, ON PHONE | 0:24:03 | 0:24:05 | |
Ssh! Ssh! | 0:24:05 | 0:24:07 | |
'She's been like this all day.' | 0:24:07 | 0:24:09 | |
Listen, you be good for your mum, OK? | 0:24:09 | 0:24:12 | |
I'm doing my best to get home to you guys. | 0:24:12 | 0:24:14 | |
-'She won't stop crying.' -Yeah, I know. | 0:24:14 | 0:24:16 | |
Yeah, she can probably tell you're upset. | 0:24:16 | 0:24:18 | |
Rump? | 0:24:20 | 0:24:21 | |
It's Rump, isn't it? | 0:24:22 | 0:24:24 | |
That man's wife. She said something. | 0:24:26 | 0:24:28 | |
"Give it to me, tell me I can have it." What did she mean? | 0:24:28 | 0:24:32 | |
Two ways to survive a Quantum Shade. | 0:24:32 | 0:24:35 | |
The Shade's master removes the chronolock... | 0:24:36 | 0:24:38 | |
..or you can give it to someone else. | 0:24:39 | 0:24:42 | |
Give it? You can just... | 0:24:42 | 0:24:44 | |
No, you can't just push it on someone. It's not that simple. | 0:24:44 | 0:24:47 | |
It has to be taken willingly. The death's already locked in. | 0:24:47 | 0:24:50 | |
You can pass it on, but...you can't cheat it. | 0:24:52 | 0:24:55 | |
You're serious? You actually expect me to give you my death sentence? | 0:25:14 | 0:25:18 | |
Ssh! Go on, I've always wanted a tattoo. | 0:25:18 | 0:25:21 | |
-You know, something small. Discreet. -Clara. Cut it out. | 0:25:21 | 0:25:25 | |
Weren't you listening? I'm under the Mayor's personal protection. | 0:25:25 | 0:25:28 | |
And it's absolute, apparently. Look, she controls the raven, | 0:25:28 | 0:25:31 | |
so I will never have to face it. This is clever. | 0:25:31 | 0:25:34 | |
But this is putting you in danger. | 0:25:34 | 0:25:36 | |
No, this is us talking the opposition into their own trap. | 0:25:36 | 0:25:38 | |
This is Doctor 101. We're buying time. | 0:25:38 | 0:25:41 | |
We get all the aliens on our side in the next half an hour, | 0:25:41 | 0:25:43 | |
and then we reveal I've got the chronolock, not you, and boom! | 0:25:43 | 0:25:47 | |
We buy ourselves more time to find the real killer. | 0:25:47 | 0:25:49 | |
The Doctor would never let you do this. | 0:25:49 | 0:25:51 | |
Doctor 102 - never tell anyone your actual plan. | 0:25:51 | 0:25:53 | |
He'll have a tantrum when he finds out. | 0:25:53 | 0:25:55 | |
And then, when we confront Ashildr, | 0:25:55 | 0:25:57 | |
she'll want to take the chronolock off just to shut him up. | 0:25:57 | 0:26:01 | |
What happens if you don't go home tonight to Jen and Lucy, eh? | 0:26:03 | 0:26:07 | |
If you never go home? | 0:26:07 | 0:26:09 | |
You really want your little girl growing up without a father | 0:26:09 | 0:26:12 | |
just because he wouldn't take a risk? | 0:26:12 | 0:26:14 | |
You trusted us to save you, so trust us. Come on. | 0:26:16 | 0:26:19 | |
OK. All right. | 0:26:24 | 0:26:26 | |
How do we do this, then? | 0:26:28 | 0:26:29 | |
Well, I was kind of hoping that would be it. | 0:26:29 | 0:26:32 | |
I say I want it, you say, "You can have it" - done deal. | 0:26:32 | 0:26:35 | |
Hey, turn around, let me see. | 0:26:35 | 0:26:37 | |
CAWS | 0:26:50 | 0:26:52 | |
So this is your life, then? Bouncing around time, saving people? | 0:26:56 | 0:27:01 | |
No, not every day. | 0:27:01 | 0:27:02 | |
Sometimes Jane Austen and I prank each other. | 0:27:02 | 0:27:06 | |
Oh, she is the worst. I love her. | 0:27:06 | 0:27:08 | |
Take that how you like. | 0:27:09 | 0:27:10 | |
Are you sure it wasn't someone from the street? | 0:27:14 | 0:27:16 | |
I've told you already there wasn't anyone up that end of the street | 0:27:16 | 0:27:19 | |
except Anah and the human. | 0:27:19 | 0:27:21 | |
I've identified 27 different species on this street so far, | 0:27:21 | 0:27:24 | |
15 of whom are known for aggression. | 0:27:24 | 0:27:27 | |
Why is it so hard to believe one of them is capable of murder? | 0:27:27 | 0:27:30 | |
Capable of murder? Yeah. Capable of killing Anah? No. | 0:27:30 | 0:27:34 | |
Why not? What's so special about her? | 0:27:34 | 0:27:37 | |
It was the way she looked at you. Like she understood. | 0:27:37 | 0:27:40 | |
One glance into your past and she felt it all. | 0:27:40 | 0:27:43 | |
Every battle, every loss. | 0:27:43 | 0:27:46 | |
So you just want the human dead, is that it? | 0:27:46 | 0:27:48 | |
You don't get it, do you? | 0:27:48 | 0:27:50 | |
If the human didn't do it, that means one of us did it, | 0:27:50 | 0:27:52 | |
which means folks start pointing fingers, turning on each other, | 0:27:52 | 0:27:55 | |
and once we turn on each other in here, that's it. | 0:27:55 | 0:27:57 | |
I might as well be back in a war zone. | 0:27:57 | 0:27:59 | |
-So you'll just let Rigsy die? -To keep the peace? Yeah, I will. | 0:27:59 | 0:28:03 | |
Your friend, acting like he was all scared of us, calling for a doctor. | 0:28:03 | 0:28:07 | |
-A what? -I know. The cheek of it! | 0:28:08 | 0:28:11 | |
Humans can survive losing entire limbs | 0:28:11 | 0:28:13 | |
-and I'm supposed to believe he... -Shut up! Shut up. | 0:28:13 | 0:28:15 | |
The other thing you said, the second thing - what, | 0:28:15 | 0:28:18 | |
you said he was scared and... | 0:28:18 | 0:28:19 | |
And he asked the Mayor to call HIM a doctor. | 0:28:19 | 0:28:22 | |
-Poor Anah, dead at his feet, and... -Shh! | 0:28:22 | 0:28:26 | |
Did he say "a doctor" or "the doctor"? | 0:28:26 | 0:28:28 | |
This is very, very important. | 0:28:28 | 0:28:30 | |
THE doctor. There was nothing wrong with him, mind. | 0:28:30 | 0:28:33 | |
It was all just your standard human lies... | 0:28:33 | 0:28:35 | |
Clara gave you my number for emergencies. | 0:28:41 | 0:28:44 | |
So when you wake up with a weird tattoo on your neck | 0:28:44 | 0:28:46 | |
and no memory of the last 24 hours | 0:28:46 | 0:28:48 | |
the first thing you do is call the Doctor. | 0:28:48 | 0:28:50 | |
"Call the Doctor." | 0:28:50 | 0:28:52 | |
But you find yourself accused of murder on a strange alien street | 0:28:52 | 0:28:55 | |
in the middle of London? Only they've taken your phone | 0:28:55 | 0:28:58 | |
so you beg the woman in charge to call me instead. | 0:28:58 | 0:29:00 | |
She knew you and I were friends. So why did she lie? | 0:29:00 | 0:29:05 | |
-Unless she had something to hide. -Murderer! | 0:29:05 | 0:29:07 | |
There's something very wrong here and we're running out of time. | 0:29:09 | 0:29:13 | |
There's 12 minutes left. I'm not giving up yet. | 0:29:13 | 0:29:16 | |
Clara, even if one of them knows something, | 0:29:16 | 0:29:19 | |
they're not going to come forward. The way they look at me... | 0:29:19 | 0:29:22 | |
The way they look at you? | 0:29:23 | 0:29:25 | |
What? | 0:29:25 | 0:29:26 | |
SHE KNOCKS | 0:29:28 | 0:29:29 | |
Hey. Wait. | 0:29:32 | 0:29:34 | |
Everyone here is weird around us because of Rigsy. But not you. | 0:29:36 | 0:29:40 | |
You look at me and the Doctor like you're confused. | 0:29:41 | 0:29:44 | |
Like you're curious. | 0:29:44 | 0:29:45 | |
-I don't know what you mean. -You do. | 0:29:45 | 0:29:48 | |
You know Rigsy is innocent | 0:29:48 | 0:29:50 | |
because you can look into his past and you can see it. | 0:29:50 | 0:29:54 | |
Can't you? | 0:29:54 | 0:29:55 | |
She dressed you as a boy to protect you, but really you're a girl. | 0:30:01 | 0:30:05 | |
You have the gift. | 0:30:07 | 0:30:09 | |
It is no gift. I'm safe as a boy. | 0:30:09 | 0:30:12 | |
This is the first place I've ever been safe, | 0:30:14 | 0:30:16 | |
and you want me to throw it away? | 0:30:16 | 0:30:19 | |
To admit what I am? | 0:30:19 | 0:30:20 | |
The Mayor - what is she up to? | 0:30:20 | 0:30:23 | |
It's nothing good, is it? | 0:30:24 | 0:30:25 | |
I can't see everything... | 0:30:27 | 0:30:28 | |
..but she thinks she's doing the right thing. | 0:30:30 | 0:30:33 | |
They usually do. | 0:30:33 | 0:30:35 | |
If what Ashildr is doing is harmless, | 0:30:35 | 0:30:37 | |
then we'll just walk out of that door. | 0:30:37 | 0:30:39 | |
No-one will know of your abilities. But if it's not... | 0:30:39 | 0:30:43 | |
I don't know what she means to do. | 0:30:43 | 0:30:46 | |
No, I'm trying! But I can't see it. | 0:30:46 | 0:30:48 | |
I can't see it because it involves you. | 0:30:49 | 0:30:52 | |
When I look at you, I can't tell your past from your future, | 0:30:52 | 0:30:57 | |
and there's so very much of both. | 0:30:57 | 0:30:59 | |
This isn't about Rigsy. It's about me. | 0:31:00 | 0:31:04 | |
WHISPERING ECHOES | 0:31:08 | 0:31:10 | |
-DISTORTED: -She couldn't just ask you here. | 0:31:12 | 0:31:15 | |
She needed a mystery. | 0:31:17 | 0:31:18 | |
You can never resist a mystery. | 0:31:18 | 0:31:22 | |
She's afraid. | 0:31:22 | 0:31:24 | |
Afraid of what? Of whom? | 0:31:24 | 0:31:27 | |
I can't see. | 0:31:28 | 0:31:29 | |
I'm sorry. | 0:31:37 | 0:31:38 | |
CAWS | 0:31:44 | 0:31:46 | |
You! Hold your tongue. We've got ten minutes left! | 0:31:46 | 0:31:48 | |
Ashildr said Anah was being taken home for burial. | 0:31:50 | 0:31:54 | |
But the Janus burn their dead. | 0:31:54 | 0:31:56 | |
Is that true? | 0:31:56 | 0:31:57 | |
So, look, Ashildr got it wrong. What does it matter? Come on! | 0:31:59 | 0:32:03 | |
-There's something about this tech... -Doctor, we don't have time! | 0:32:03 | 0:32:06 | |
What is it? | 0:32:08 | 0:32:09 | |
It looks like medical data. | 0:32:09 | 0:32:12 | |
But it can't be. She's dead - she isn't breathing. | 0:32:12 | 0:32:15 | |
This thing is a stasis pod. | 0:32:16 | 0:32:18 | |
If you're dead, it's a kind of fancy refrigerator. | 0:32:18 | 0:32:22 | |
But if you're alive... | 0:32:22 | 0:32:23 | |
HEARTBEAT ..it simply keeps you that way. | 0:32:25 | 0:32:27 | |
She's alive? | 0:32:27 | 0:32:28 | |
She's alive. | 0:32:28 | 0:32:30 | |
Well, get her out! Get her out of there! | 0:32:30 | 0:32:32 | |
There must be a way to unlock it - | 0:32:32 | 0:32:33 | |
-something basic, something simple I'm missing. -A keyhole! | 0:32:33 | 0:32:36 | |
-A keyhole would be very handy, yes, but... -No, no, a keyhole! Look! | 0:32:36 | 0:32:41 | |
I'll find her. I'll get the key. | 0:32:41 | 0:32:43 | |
No, Anahson, stay here. | 0:32:43 | 0:32:45 | |
There's a reason the Mayor's gone AWOL. | 0:32:47 | 0:32:50 | |
She means for us to release your mother, | 0:32:51 | 0:32:53 | |
but she doesn't want us to use her key. | 0:32:53 | 0:32:55 | |
She wants to use mine. | 0:32:55 | 0:32:57 | |
The TARDIS? That's what this is about? | 0:32:57 | 0:32:59 | |
Doctor, wait! | 0:33:03 | 0:33:04 | |
This girl needs her mother. | 0:33:04 | 0:33:06 | |
Doctor! | 0:33:07 | 0:33:08 | |
I can't... CLICKING | 0:33:08 | 0:33:10 | |
-What's it doing? -CLANG! | 0:33:10 | 0:33:12 | |
Mum! | 0:33:18 | 0:33:19 | |
Mum? Are you OK? | 0:33:20 | 0:33:22 | |
-ASHILDR: -She'll be perfectly fine in a few moments. | 0:33:22 | 0:33:24 | |
I assure you. | 0:33:24 | 0:33:26 | |
There are easier ways to steal a key, you know. | 0:33:26 | 0:33:28 | |
I don't want your TARDIS. That's not what this is about. | 0:33:28 | 0:33:32 | |
Rigsy, come here, I'll remove your chronolock. | 0:33:34 | 0:33:36 | |
What is this, Ashildr? You can't possibly think it'll keep me here. | 0:33:36 | 0:33:39 | |
It's not a restraint. | 0:33:39 | 0:33:41 | |
-It's a teleport bracelet. -What? | 0:33:41 | 0:33:43 | |
I'll give you time to say goodbye. Don't worry. No-one will be hurt. | 0:33:43 | 0:33:47 | |
Where are you sending me? | 0:33:47 | 0:33:49 | |
I made a deal to protect the street. | 0:33:50 | 0:33:52 | |
They take you, I take the key so you can't be traced. | 0:33:53 | 0:33:56 | |
I do as they tell me, and the street is safe. | 0:33:56 | 0:33:59 | |
They? Who are "they?" | 0:33:59 | 0:34:01 | |
One more thing. | 0:34:01 | 0:34:03 | |
Your confession dial. | 0:34:05 | 0:34:06 | |
They have other means of procuring it, | 0:34:08 | 0:34:11 | |
but I understand it's likely to be on your person. | 0:34:11 | 0:34:14 | |
Please, no resistance. | 0:34:15 | 0:34:19 | |
You've already lost. | 0:34:19 | 0:34:20 | |
What is it? | 0:34:26 | 0:34:28 | |
In your terms, my last will and testament. | 0:34:28 | 0:34:30 | |
-How does it work? -I've no idea. | 0:34:30 | 0:34:33 | |
Well, thank you anyway. | 0:34:34 | 0:34:36 | |
Rigsy, your neck. | 0:34:37 | 0:34:40 | |
Clara, what are you playing at? The chronolock! | 0:34:40 | 0:34:43 | |
Take the teleport off him first! | 0:34:44 | 0:34:47 | |
I don't have it, I'm telling you. Clara does! | 0:34:47 | 0:34:50 | |
No... | 0:34:54 | 0:34:56 | |
No, you didn't. | 0:34:56 | 0:34:57 | |
Go on, then. Take it off. | 0:34:59 | 0:35:01 | |
Clara, you didn't...! | 0:35:01 | 0:35:03 | |
I had no idea she'd do something so stupid. | 0:35:07 | 0:35:10 | |
I swear, I never meant for anyone to get hurt. | 0:35:12 | 0:35:15 | |
What were you thinking, sacrificing yourself? | 0:35:17 | 0:35:20 | |
I wasn't sacrificing anything! | 0:35:20 | 0:35:22 | |
It was strategy. backup plan, to buy us more time. | 0:35:22 | 0:35:25 | |
-Who told you to give it to her? -Nobody did! I did! Rump said... | 0:35:25 | 0:35:28 | |
-What exactly did Rump say? -He said the death is locked in. | 0:35:28 | 0:35:30 | |
You can pass it on, but... | 0:35:30 | 0:35:33 | |
But what? | 0:35:33 | 0:35:34 | |
But... | 0:35:38 | 0:35:39 | |
But you can't cheat it altogether. | 0:35:39 | 0:35:41 | |
CAWS | 0:35:47 | 0:35:49 | |
Clara, you didn't tell me that! | 0:35:52 | 0:35:55 | |
Give it back to me, now. | 0:35:55 | 0:35:56 | |
She can't. | 0:35:56 | 0:35:58 | |
Clara, I made a contract with the Shade | 0:36:01 | 0:36:03 | |
when I put the chronolock on Rigsy. | 0:36:03 | 0:36:05 | |
I promised it a soul and only I can break that contract. | 0:36:05 | 0:36:08 | |
When you took it from him, you changed the terms. | 0:36:08 | 0:36:12 | |
You cut me out of the deal. | 0:36:12 | 0:36:14 | |
RAVEN CAWS | 0:36:17 | 0:36:19 | |
We can fix this. Can't we? | 0:36:30 | 0:36:32 | |
We always fix it. | 0:36:37 | 0:36:38 | |
No. | 0:36:41 | 0:36:42 | |
But you can. | 0:36:49 | 0:36:50 | |
Fix this. Fix it now. | 0:36:50 | 0:36:52 | |
It... It's not possible. I can't. | 0:36:52 | 0:36:55 | |
Yes, it is, you can, and you will, or this street will be over. | 0:36:55 | 0:36:59 | |
I'll show you and all your funny little friends to the whole laughing world. | 0:36:59 | 0:37:03 | |
I'll bring UNIT, I'll bring the Zygons. | 0:37:03 | 0:37:05 | |
Give me a minute, I'll bring the Daleks and the Cybermen. | 0:37:05 | 0:37:08 | |
You will save Clara, and you will do it now, | 0:37:08 | 0:37:11 | |
or I will rain hell on you for the rest of time. | 0:37:11 | 0:37:14 | |
Doctor, stop talking like that. | 0:37:14 | 0:37:15 | |
-You can't. -I can do whatever the hell I like. | 0:37:15 | 0:37:18 | |
You've read the stories, you know who I am. | 0:37:18 | 0:37:21 | |
And in all of that time, | 0:37:21 | 0:37:23 | |
did you ever hear anything about anyone who stopped me? | 0:37:23 | 0:37:26 | |
I know the Doctor. The Doctor would never... | 0:37:26 | 0:37:29 | |
The Doctor is no longer here! You are stuck with me. | 0:37:29 | 0:37:32 | |
And I will end you, and everything you love. | 0:37:33 | 0:37:35 | |
-Doctor, for God's sake, will you stop? -No! | 0:37:35 | 0:37:38 | |
I did this, do you hear me? I did this. This was my fault. | 0:37:38 | 0:37:42 | |
-I don't care. -Liar. You always care. Always have. | 0:37:42 | 0:37:46 | |
Your reign of terror will end | 0:37:48 | 0:37:49 | |
-with the sight of the first crying child and you know it. -No, I don't. | 0:37:49 | 0:37:52 | |
I do. | 0:37:55 | 0:37:56 | |
Listen... If this is the last I ever see of you, please... | 0:38:05 | 0:38:10 | |
..not like this. | 0:38:11 | 0:38:13 | |
DISTANT CAWING | 0:38:19 | 0:38:21 | |
Is there anything you can do? | 0:38:25 | 0:38:27 | |
I'm sorry, I'm truly sorry, I... | 0:38:28 | 0:38:32 | |
Time's short. Yes or no? | 0:38:32 | 0:38:34 | |
No. | 0:38:35 | 0:38:36 | |
HE BREATHES HEAVILY | 0:38:39 | 0:38:41 | |
-Well, if Danny Pink can do it, so can I. -Do what? | 0:38:50 | 0:38:53 | |
Die right. Die like I mean it. Face the raven. | 0:38:53 | 0:38:55 | |
No, this isn't happening, this can't be happening. | 0:38:55 | 0:38:57 | |
Maybe this is what I wanted. | 0:38:57 | 0:38:59 | |
Maybe this is it. Maybe this is why I kept running. | 0:38:59 | 0:39:01 | |
Maybe this is why I kept taking all those stupid risks. | 0:39:01 | 0:39:04 | |
-Kept pushing it. -This is my fault. | 0:39:04 | 0:39:06 | |
-This is my choice. -I let you get reckless. | 0:39:06 | 0:39:08 | |
Why? Why shouldn't I be so reckless? | 0:39:08 | 0:39:10 | |
You're reckless all the bloody time! Why can't I be like you? | 0:39:10 | 0:39:13 | |
Clara, there's nothing special about me. I'm nothing | 0:39:13 | 0:39:16 | |
but I'm less breakable than you. I should have taken care of you. | 0:39:16 | 0:39:18 | |
-I never asked you to. -You shouldn't have to ask. | 0:39:18 | 0:39:21 | |
RAVEN CAWS | 0:39:21 | 0:39:22 | |
PEOPLE SCREAM | 0:39:22 | 0:39:23 | |
-Clara, if I'd known, I'd... -Don't. Shut up. | 0:39:23 | 0:39:26 | |
-But... -Really, Rigsy, shut up. | 0:39:26 | 0:39:28 | |
If you feel guilty about this, even for one minute, I... | 0:39:28 | 0:39:31 | |
CAWING | 0:39:31 | 0:39:33 | |
You. | 0:39:41 | 0:39:43 | |
Now, you listen to me. | 0:39:46 | 0:39:47 | |
You're going to be alone now, and you're very bad at that. | 0:39:50 | 0:39:53 | |
You're going to be furious and you're going to be sad, | 0:39:53 | 0:39:56 | |
but listen to me. Don't let this change you. | 0:39:56 | 0:39:59 | |
No, listen. Whatever happens next... | 0:39:59 | 0:40:02 | |
..wherever she is sending you, I know what you're capable of. | 0:40:03 | 0:40:07 | |
You don't be a warrior. | 0:40:08 | 0:40:11 | |
Promise me. | 0:40:11 | 0:40:13 | |
Be a Doctor. | 0:40:13 | 0:40:15 | |
-What's the point of being a Doctor if I can't cure you? -Heal yourself. | 0:40:16 | 0:40:20 | |
You have to. You can't let this turn you into a monster. So... | 0:40:20 | 0:40:24 | |
..I'm not asking you for a promise. I'm giving you an order. | 0:40:26 | 0:40:29 | |
You will not insult my memory. | 0:40:32 | 0:40:34 | |
There will be no revenge. | 0:40:34 | 0:40:36 | |
I will die, and no-one else, here or anywhere, will suffer. | 0:40:36 | 0:40:40 | |
What about me? | 0:40:44 | 0:40:45 | |
If there was something I could do about that, I would. | 0:40:47 | 0:40:50 | |
I guess we're both just going to have to be brave. | 0:40:51 | 0:40:54 | |
Clara... | 0:40:58 | 0:41:00 | |
Everything you are about to say, I already know. | 0:41:05 | 0:41:09 | |
Don't do it now. We've already had enough bad timing. | 0:41:11 | 0:41:15 | |
RAVEN CAWS | 0:41:16 | 0:41:18 | |
Don't run. | 0:41:22 | 0:41:24 | |
Stay with me. | 0:41:27 | 0:41:28 | |
Nah. | 0:41:31 | 0:41:33 | |
You stay here. | 0:41:34 | 0:41:36 | |
In the end, everybody does this alone. | 0:41:37 | 0:41:40 | |
-Clara... -This is as brave... as I know how to be. | 0:41:40 | 0:41:45 | |
I know it's going to hurt you, but...please... | 0:41:48 | 0:41:51 | |
..be a little proud of me. | 0:41:53 | 0:41:55 | |
Goodbye, Doctor. | 0:42:10 | 0:42:11 | |
RAVEN CAWS | 0:42:13 | 0:42:15 | |
CAWS | 0:42:35 | 0:42:36 | |
Let me be brave. | 0:42:58 | 0:43:01 | |
Let me be brave... | 0:43:01 | 0:43:02 | |
SHE GASPS | 0:43:10 | 0:43:11 | |
SHE EXHALES | 0:43:40 | 0:43:42 | |
I'm sorry, Doctor. | 0:44:28 | 0:44:30 | |
I truly am. | 0:44:31 | 0:44:32 | |
CONTROLS BEEP | 0:44:38 | 0:44:40 | |
What Clara said about not taking revenge - | 0:44:48 | 0:44:50 | |
do you know why she said that? | 0:44:50 | 0:44:52 | |
-She was saving you. -I was lost a long time ago. | 0:44:53 | 0:44:56 | |
She was saving you. | 0:44:56 | 0:44:58 | |
I'll do my best. But I strongly advise you to keep out of my way. | 0:45:01 | 0:45:07 | |
You'll find it's a very small universe when I'm angry with you. | 0:45:09 | 0:45:13 | |
BRACELET BEEPS | 0:45:19 | 0:45:21 | |
This whole place is designed to terrify me. | 0:46:29 | 0:46:32 | |
I know you. I've seen you before. | 0:46:32 | 0:46:35 | |
If you were any part in killing her and you're not afraid, | 0:46:36 | 0:46:39 | |
then you understand nothing at all. | 0:46:39 | 0:46:41 | |
I am the Doctor, I'm coming to find you | 0:46:41 | 0:46:45 | |
and I will never, ever stop. | 0:46:45 | 0:46:47 |