Browse content similar to You Mean All This Time We Could Have Been Friends?. Check below for episodes and series from the same categories and more!
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This programme contains some strong language | 0:00:02 | 0:00:04 | |
-Pauline. -Hi. -Hi, I'm Adam Freeman. -Very nice to meet you. | 0:00:04 | 0:00:06 | |
Nice to meet you. If you want to grab a seat in the chair here, we're ready for you. | 0:00:06 | 0:00:09 | |
-Thank you again for doing this, we really appreciate it. -My pleasure. | 0:00:09 | 0:00:12 | |
Shouldn't be more than...maybe an hour or two, if you have it. | 0:00:12 | 0:00:15 | |
Just a little bit. | 0:00:15 | 0:00:17 | |
Working for Bob, I'd come to feel like a doormat. | 0:00:17 | 0:00:19 | |
Only, you know, the kind of doormat that's holding up the whole house. | 0:00:19 | 0:00:22 | |
Um, at the time, I was... | 0:00:24 | 0:00:26 | |
I was going with a very pleasant mortgage broker, Howard, | 0:00:26 | 0:00:29 | |
and I thought, | 0:00:29 | 0:00:32 | |
"What if I follow Howard on his transfer to Pontiac, Michigan, | 0:00:32 | 0:00:36 | |
"and try to find reward in simple domesticity?" | 0:00:36 | 0:00:39 | |
But I read in the free press about someone in Detroit | 0:00:39 | 0:00:45 | |
filming veterans' testimony on war crimes, | 0:00:45 | 0:00:48 | |
so I turned up... | 0:00:48 | 0:00:50 | |
..asked if I could help on set, | 0:00:51 | 0:00:52 | |
not knowing that there would be so much more opportunity for me | 0:00:52 | 0:00:56 | |
in documentary than in Hollywood feature films. | 0:00:56 | 0:00:59 | |
How did you come to reconnect with Joan Crawford? | 0:00:59 | 0:01:01 | |
I ran into her at LaGuardia. | 0:01:02 | 0:01:05 | |
Um... | 0:01:05 | 0:01:07 | |
she was wearing a Pepto pink dress and | 0:01:07 | 0:01:11 | |
a mask of chalk-white foundation, being wheeled through the airport | 0:01:11 | 0:01:14 | |
with broken ankles, drunk. | 0:01:14 | 0:01:18 | |
Alone. | 0:01:18 | 0:01:19 | |
And for all our past difficulties, when I touched her arm, she cried. | 0:01:21 | 0:01:25 | |
She called me "old friend" and... | 0:01:27 | 0:01:30 | |
asked me to visit her in Manhattan. | 0:01:30 | 0:01:32 | |
She seemed very much tossed away. | 0:01:34 | 0:01:36 | |
# Raindrops keep fallin' on my head | 0:01:41 | 0:01:43 | |
# And just like the guy whose feet are too big for his bed | 0:01:45 | 0:01:50 | |
# Nothing seems to fit... # | 0:01:50 | 0:01:52 | |
No, Roz, Easy Rider. | 0:01:52 | 0:01:53 | |
You know, the one where the actor is dressed all in fringe, | 0:01:53 | 0:01:57 | |
like an Indian chief. | 0:01:57 | 0:01:59 | |
And that Jack Nicholson, is he vaguely cross-eyed? | 0:01:59 | 0:02:02 | |
# And I said I didn't like... # | 0:02:04 | 0:02:05 | |
Oh! | 0:02:05 | 0:02:07 | |
Aah! | 0:02:07 | 0:02:08 | |
# ..The way he got things done | 0:02:08 | 0:02:10 | |
# Sleepin' on the job | 0:02:10 | 0:02:12 | |
# Those raindrops are fallin' on my head, they keep fallin'... # | 0:02:12 | 0:02:17 | |
-TV: -..When we dropped in to pick up wounded soldiers. | 0:02:17 | 0:02:20 | |
It's typical of the Viet... | 0:02:20 | 0:02:21 | |
-TV: -..When the attention of the hijackers was diverted, | 0:02:21 | 0:02:24 | |
the two hostages slipped from the rear door... | 0:02:24 | 0:02:26 | |
-TV: -Don't you like dancing? -No, not with strangers. | 0:02:26 | 0:02:28 | |
-Never? -Never. | 0:02:28 | 0:02:30 | |
-Thanks very much. -Not at all. | 0:02:30 | 0:02:33 | |
# It won't be long till happiness Steps up to greet me | 0:02:33 | 0:02:38 | |
# Raindrops keep fallin' on my head | 0:02:42 | 0:02:46 | |
# But that doesn't mean my eyes will soon be turning red | 0:02:46 | 0:02:51 | |
# Crying's not for me | 0:02:51 | 0:02:53 | |
# Cos I'm never gonna stop the rain by complaining... # | 0:02:53 | 0:02:59 | |
Carl, it's Joan Crawford. | 0:02:59 | 0:03:02 | |
I'm so terribly sorry, | 0:03:02 | 0:03:04 | |
but I'm not going to be able to meet you for lunch today. | 0:03:04 | 0:03:07 | |
No. | 0:03:07 | 0:03:09 | |
Please excuse me. Thank you. | 0:03:09 | 0:03:11 | |
# ..The blues they send to meet me | 0:03:11 | 0:03:13 | |
# Won't defeat me | 0:03:13 | 0:03:17 | |
# It won't be long till happiness steps up to greet me... # | 0:03:17 | 0:03:23 | |
Oh, ho-ho! | 0:03:27 | 0:03:29 | |
Look! Here's your new home. | 0:03:30 | 0:03:32 | |
Yes. | 0:03:32 | 0:03:34 | |
# ..It won't be long till happiness steps up to greet me... # | 0:03:38 | 0:03:45 | |
DOOR BUZZER | 0:03:47 | 0:03:48 | |
# ..Raindrops keep fallin' on my head... # | 0:03:48 | 0:03:51 | |
I will make myself available to you on a part-time basis. | 0:03:51 | 0:03:55 | |
# ..That doesn't mean my eyes will soon be turning red | 0:03:55 | 0:03:58 | |
# Crying's not for me | 0:03:58 | 0:04:00 | |
# Cos... # | 0:04:00 | 0:04:02 | |
Princess Lotus Blossom, this is Mamacita. | 0:04:02 | 0:04:06 | |
# ..Because I'm free | 0:04:06 | 0:04:09 | |
# Nothing's worrying me. # | 0:04:11 | 0:04:15 | |
I, uh, told my mother the great Joan Crawford was on the books today. | 0:05:32 | 0:05:38 | |
She made me promise to ask when you'll reteam with Bette Davis. | 0:05:38 | 0:05:41 | |
It hurts. | 0:05:43 | 0:05:45 | |
Yeah. The infections are pretty severe. | 0:05:45 | 0:05:47 | |
-And by my count, you're missing six molars? -Extractions. | 0:05:47 | 0:05:51 | |
What kind of medieval dental practice | 0:05:51 | 0:05:54 | |
extracts six teeth without putting in implants? | 0:05:54 | 0:05:56 | |
I did it when I was 23, it's called The Buckle. | 0:05:56 | 0:05:59 | |
When you remove the back teeth, | 0:06:00 | 0:06:02 | |
your cheeks curve in at a more elegant angle. | 0:06:02 | 0:06:05 | |
Why the heck would you do that? | 0:06:06 | 0:06:08 | |
My agent told me if I wanted to work past 25, | 0:06:09 | 0:06:13 | |
I should invest in a set of cheekbones. | 0:06:13 | 0:06:16 | |
You can't catch their eye if you can't catch the light, | 0:06:16 | 0:06:19 | |
so I did The Buckle. It was not uncommon. | 0:06:19 | 0:06:22 | |
It's also led to bone loss. | 0:06:23 | 0:06:25 | |
There's barely anything holding your remaining teeth in place. | 0:06:25 | 0:06:28 | |
Well, you know what they say about stars - | 0:06:28 | 0:06:30 | |
they're like Christmas trees. Once the lights are off, | 0:06:30 | 0:06:34 | |
you sit there and watch the needles drop. | 0:06:34 | 0:06:36 | |
I'm going to recommend you to a periodontist | 0:06:39 | 0:06:42 | |
to operate on the infections and get you on Darvocet for the pain, | 0:06:42 | 0:06:45 | |
but your problems are going to get a lot worse | 0:06:45 | 0:06:47 | |
unless we take care of the other offenders - the old caps, | 0:06:47 | 0:06:50 | |
the teeth pushing into open spaces. | 0:06:50 | 0:06:52 | |
I want to fit you for an over-denture. | 0:06:52 | 0:06:54 | |
Ha! | 0:06:54 | 0:06:56 | |
-A denture? -Mmm. | 0:06:56 | 0:06:58 | |
No. | 0:06:58 | 0:06:59 | |
I'll do the surgery if I have to, but no dentures. | 0:06:59 | 0:07:03 | |
I'd rather spit blood into a sink than look like Martha Raye. | 0:07:03 | 0:07:07 | |
Miss Crawford, at your age, you need to worry more about | 0:07:09 | 0:07:12 | |
staying healthy than staying photogenic. | 0:07:12 | 0:07:15 | |
I'll stop worrying about how I look when they dip me in formaldehyde. | 0:07:18 | 0:07:22 | |
Miss Joan, time to wake up. | 0:07:24 | 0:07:27 | |
Up, up, up. | 0:07:28 | 0:07:30 | |
Your agent called. | 0:07:31 | 0:07:32 | |
He wants to meet with you this evening. | 0:07:32 | 0:07:35 | |
Stan? | 0:07:35 | 0:07:37 | |
I haven't talked to him in months. | 0:07:37 | 0:07:40 | |
The Missing Link? | 0:07:40 | 0:07:41 | |
It's a B movie, I told them you wouldn't be interested. | 0:07:41 | 0:07:44 | |
-Well, who would I play? -You'd play an anthropologist | 0:07:44 | 0:07:47 | |
who has discovered a caveman | 0:07:47 | 0:07:49 | |
who has been preserved for millennia in ice. | 0:07:49 | 0:07:53 | |
A scientist? | 0:07:53 | 0:07:54 | |
Oh, I had dreamed of playing Madame Curie. | 0:07:57 | 0:08:01 | |
When I was at MGM, | 0:08:02 | 0:08:04 | |
I begged Louis to cast me in that picture, but... | 0:08:04 | 0:08:06 | |
Well, this is hardly that, Joan. | 0:08:06 | 0:08:09 | |
It's not MGM. It's more like a Hammer Horror picture. | 0:08:09 | 0:08:12 | |
I'd advise against it. | 0:08:12 | 0:08:14 | |
-I'll do it. -Joan. | 0:08:15 | 0:08:17 | |
Look, Stan... | 0:08:17 | 0:08:19 | |
I need to work. | 0:08:19 | 0:08:20 | |
And if I deliver a fine performance in an independent picture... | 0:08:20 | 0:08:25 | |
..I mean, you know how the Academy loves to reward | 0:08:26 | 0:08:30 | |
that kind of star turn. | 0:08:30 | 0:08:32 | |
They're not paying much. | 0:08:32 | 0:08:34 | |
I'll accept a reduced salary, | 0:08:34 | 0:08:36 | |
but will they cover the travel expenses for my maid? | 0:08:36 | 0:08:39 | |
-I'm afraid not. -Hmm. | 0:08:39 | 0:08:42 | |
Well, it'll be an adventure. | 0:08:45 | 0:08:47 | |
Well, let's talk about the other very generous offer | 0:08:47 | 0:08:50 | |
from Simon & Schuster. | 0:08:50 | 0:08:52 | |
Lifestyle advice book for women. | 0:08:52 | 0:08:54 | |
How does Joan Crawford keep her house? | 0:08:55 | 0:08:58 | |
How does she throw a dinner party? | 0:08:58 | 0:08:59 | |
How does she maintain those famous legs? | 0:08:59 | 0:09:01 | |
Is there still a market for something like that? | 0:09:03 | 0:09:05 | |
Of course there is, Joan. | 0:09:05 | 0:09:07 | |
You're an icon. | 0:09:07 | 0:09:09 | |
We'll get you a state-of-the-art tape recorder. | 0:09:09 | 0:09:11 | |
You can get your thoughts down. We'll hire someone to type it up. | 0:09:11 | 0:09:14 | |
And if the book is a hit, potentially, | 0:09:14 | 0:09:17 | |
it's a huge branding opportunity. | 0:09:17 | 0:09:19 | |
Joan Crawford luggage, | 0:09:19 | 0:09:22 | |
Joan Crawford dinnerware, | 0:09:22 | 0:09:24 | |
Joan Crawford plastic furniture covers. | 0:09:24 | 0:09:26 | |
I would love that. | 0:09:28 | 0:09:30 | |
Oh, sorry. | 0:09:47 | 0:09:49 | |
Joan Crawford. | 0:09:59 | 0:10:01 | |
4,000 miles from home, | 0:10:01 | 0:10:02 | |
and you look like you stepped off the pages of McCall's. | 0:10:02 | 0:10:06 | |
-Freddie Francis, your director. -Oh! | 0:10:07 | 0:10:10 | |
I don't look a mess? | 0:10:11 | 0:10:13 | |
You know, the car never arrived to take me to the hotel, | 0:10:13 | 0:10:17 | |
so I had to hire a cab to bring me straight here from the airport. | 0:10:17 | 0:10:20 | |
My apologies. We're still getting our little production up on its feet. | 0:10:20 | 0:10:23 | |
But rest assured, Trog is going to be a first-rate production. | 0:10:23 | 0:10:28 | |
-Trog? What is Trog? -As in troglodyte. | 0:10:29 | 0:10:32 | |
Trog - it's the title of the movie. | 0:10:32 | 0:10:34 | |
I thought the picture was entitled The Missing Link. | 0:10:34 | 0:10:37 | |
We changed it to pop out on the posters. | 0:10:37 | 0:10:41 | |
Picture it - Trog. | 0:10:41 | 0:10:43 | |
And what is that? | 0:10:50 | 0:10:51 | |
Oh, uh, your co-star. Trog. | 0:10:51 | 0:10:54 | |
But he has no hair on his arms or his legs. | 0:10:54 | 0:10:58 | |
Well, you two will be sharing a make-up table, | 0:10:58 | 0:11:01 | |
so perhaps you can help refine his look. | 0:11:01 | 0:11:04 | |
You mean, I don't have a private dressing room? | 0:11:04 | 0:11:07 | |
Well, our budget doesn't really allow for such luxuries. | 0:11:07 | 0:11:11 | |
And when we're out on location, | 0:11:11 | 0:11:13 | |
am I expected to change behind a bush? | 0:11:13 | 0:11:16 | |
Oh, certainly not! We've got you a vehicle. | 0:11:16 | 0:11:18 | |
What kind of vehicle? | 0:11:18 | 0:11:19 | |
We can put in some curtains. | 0:11:23 | 0:11:25 | |
Whoa. | 0:11:47 | 0:11:49 | |
This is Joan Crawford. | 0:12:01 | 0:12:03 | |
Let's begin with my point of view. | 0:12:05 | 0:12:07 | |
I always say, treasure yourself. | 0:12:08 | 0:12:11 | |
-VOICOVER: -I do a certain amount of self-pampering. | 0:12:13 | 0:12:16 | |
I surround myself with happy colours. | 0:12:16 | 0:12:19 | |
Have you worked with Freddie Francis before? | 0:12:19 | 0:12:22 | |
I sit on hard chairs. | 0:12:27 | 0:12:31 | |
Soft ones spread the hips. | 0:12:31 | 0:12:33 | |
People ask me if I turn up at board meetings | 0:12:34 | 0:12:37 | |
wearing tailored costumes and muted colours. | 0:12:37 | 0:12:40 | |
Oh, no. I wear shocking pink and lovely hats. | 0:12:40 | 0:12:44 | |
No man ever did a poor job | 0:12:44 | 0:12:46 | |
because he had an attractive woman to look at. | 0:12:46 | 0:12:48 | |
Every woman tries to be a good mother, | 0:12:51 | 0:12:53 | |
and then wonders if, after all her efforts, | 0:12:53 | 0:12:56 | |
her children will wind up on a head shrinker's couch | 0:12:56 | 0:12:58 | |
complaining about bad treatment. | 0:12:58 | 0:13:00 | |
Joan? | 0:13:00 | 0:13:02 | |
I mistrust people who don't like animals. | 0:13:12 | 0:13:15 | |
That's fine, Trog. | 0:13:16 | 0:13:18 | |
He understands. | 0:13:19 | 0:13:21 | |
The prime objective of our programme | 0:13:22 | 0:13:25 | |
is to gradually pull Trog across a time span | 0:13:25 | 0:13:28 | |
right into the heart of the 20th century. | 0:13:28 | 0:13:31 | |
-Seems like an impulsive... -I'm so sorry. Excuse me. | 0:13:31 | 0:13:34 | |
Is there any way to say this with fewer words? | 0:13:35 | 0:13:39 | |
And action. | 0:13:40 | 0:13:41 | |
If he's as old as you say he is, how did he survive? | 0:13:41 | 0:13:44 | |
Uh, conceivably, Trog, uh, was frozen solid | 0:13:44 | 0:13:48 | |
during the long, long... glacial age. | 0:13:48 | 0:13:52 | |
Uh, a-a state similar to... chyro... I'm sorry. | 0:13:52 | 0:13:56 | |
Let me start there. | 0:13:56 | 0:13:57 | |
A state similar to | 0:13:57 | 0:13:59 | |
chyro... | 0:13:59 | 0:14:01 | |
uh, suspen... I'm sorry, could you give me the line, please? | 0:14:01 | 0:14:04 | |
Can we get the cue cards for Joan? | 0:14:04 | 0:14:06 | |
Oh, I... I... All right. | 0:14:06 | 0:14:09 | |
There are no hard and fast rules for fending off an outright pass, | 0:14:09 | 0:14:13 | |
especially if it comes from the boss. | 0:14:13 | 0:14:16 | |
Every intelligent woman has her own method of turning it down | 0:14:16 | 0:14:19 | |
without wounding a sensitive male ego. | 0:14:19 | 0:14:23 | |
Join us for a pint. | 0:14:24 | 0:14:26 | |
Oh. | 0:14:26 | 0:14:27 | |
Thank you very much, but I simply can't. | 0:14:27 | 0:14:30 | |
An even cleverer woman knows how to prevent the pass in the first place. | 0:14:31 | 0:14:34 | |
If you can't control your cleavage, your perfume, | 0:14:34 | 0:14:37 | |
your walk and your eyelashes, | 0:14:37 | 0:14:39 | |
you'd better stay out of the business. | 0:14:39 | 0:14:42 | |
Here are a few items no dieter should ever have in the house - | 0:14:43 | 0:14:47 | |
peas, lima beans, avocados, olives, | 0:14:47 | 0:14:50 | |
dried beans, corn, butter, most cheese. | 0:14:50 | 0:14:54 | |
Creamed chicken with mash potatoes makes too much mush. | 0:14:55 | 0:14:59 | |
Always serve something crisp with something soft... | 0:14:59 | 0:15:02 | |
It's just beginning to ring a bell in your head, yes. | 0:15:02 | 0:15:05 | |
Now it's becoming clear, clearer. | 0:15:05 | 0:15:07 | |
You're remembering the attack on your village. Yes, yes. | 0:15:07 | 0:15:10 | |
All the beauty products in the world | 0:15:10 | 0:15:12 | |
can't disguise a disagreeable expression. | 0:15:12 | 0:15:14 | |
Have you ever noticed that when you say, "No," | 0:15:14 | 0:15:17 | |
you resemble a prune-faced schoolmarm? | 0:15:17 | 0:15:20 | |
Well, let's shoot it. | 0:15:20 | 0:15:21 | |
Remind you of your youth at MGM, Joan? | 0:15:21 | 0:15:24 | |
I feel as if clothes are people. | 0:15:29 | 0:15:31 | |
When I buy a dress, that's a new friend. | 0:15:31 | 0:15:34 | |
I have a tremendous respect for fabrics. | 0:15:34 | 0:15:37 | |
She's been spending her nights here. | 0:15:40 | 0:15:42 | |
Says she's practising her blocking. | 0:15:44 | 0:15:45 | |
But tonight, she just seems a wee bitty lost. | 0:15:46 | 0:15:50 | |
Leave her alone. | 0:15:56 | 0:15:58 | |
I love people. | 0:16:03 | 0:16:05 | |
I've been asked if I ever go around in disguise. | 0:16:05 | 0:16:09 | |
Never! I want to be recognised. | 0:16:09 | 0:16:12 | |
When I hear people say, "There's Joan Crawford," | 0:16:12 | 0:16:16 | |
I turn around and say, "Hi. How are you?" | 0:16:16 | 0:16:19 | |
-Make it to Brenda. -Yes. | 0:17:03 | 0:17:05 | |
Wow. You're even more glamorous in real life. | 0:17:06 | 0:17:09 | |
Thank you, Brenda. I hope you enjoy reading | 0:17:09 | 0:17:13 | |
my beauty secrets I've picked up over the years. | 0:17:13 | 0:17:16 | |
Oh. Is there stuff about Trog in there? | 0:17:16 | 0:17:18 | |
I've seen it six times. | 0:17:18 | 0:17:20 | |
"Trog, stop it." | 0:17:20 | 0:17:22 | |
What a riot! | 0:17:22 | 0:17:23 | |
Brenda, there's a long line of readers | 0:17:23 | 0:17:25 | |
wondering what makes you so special as to monopolise all my time. | 0:17:25 | 0:17:30 | |
These people aren't here to buy the book for my advice, | 0:17:36 | 0:17:39 | |
they're here to buy it to mock me. | 0:17:39 | 0:17:41 | |
Well, you should be grateful for the turnout. | 0:17:41 | 0:17:43 | |
They've hardly been buying it at all. | 0:17:43 | 0:17:45 | |
If you don't mind, I have two items for you to sign. | 0:17:45 | 0:17:48 | |
Baby Jane. | 0:17:50 | 0:17:52 | |
Why don't you have a picture from Grand Hotel, | 0:17:53 | 0:17:56 | |
or Mildred Pierce, or any of the 30 years of pictures I made | 0:17:56 | 0:18:01 | |
before Baby fucking Jane? | 0:18:01 | 0:18:02 | |
I like all your movies, Miss Crawford, | 0:18:02 | 0:18:05 | |
but this one is special to me. | 0:18:05 | 0:18:08 | |
Why? Because you think it's funny? | 0:18:08 | 0:18:10 | |
No. I mean, yeah, it's funny, but... | 0:18:10 | 0:18:14 | |
I love it because Blanche and Baby Jane are cast aside, | 0:18:14 | 0:18:18 | |
beaten down and forgotten, | 0:18:18 | 0:18:21 | |
but they never give up hope that they'll rise again. | 0:18:21 | 0:18:24 | |
They're survivors. | 0:18:24 | 0:18:26 | |
What do you know about survival? | 0:18:32 | 0:18:34 | |
Why are they running these pictures of us? | 0:18:50 | 0:18:53 | |
-They're awful. -It is not so bad. | 0:18:53 | 0:18:56 | |
It's monstrous. That's why they're running them. | 0:18:56 | 0:18:58 | |
Poor Roz, she's fighting leukaemia, no wonder her face is | 0:19:00 | 0:19:03 | |
as big as a moon, but there must have been better pictures of me. | 0:19:03 | 0:19:07 | |
You were tired and emotional. | 0:19:07 | 0:19:10 | |
Is that really how I look? | 0:19:13 | 0:19:15 | |
Well, if that's how they see me, they'll never see me again. | 0:19:22 | 0:19:25 | |
Stan, I want you to stop submitting me for roles. | 0:19:27 | 0:19:32 | |
I'm done. | 0:19:33 | 0:19:34 | |
You know, in Japan, | 0:19:37 | 0:19:38 | |
when you turn 60, you put on this bright red hat | 0:19:38 | 0:19:42 | |
and you celebrate kanreki. | 0:19:42 | 0:19:44 | |
It's your second childhood. | 0:19:44 | 0:19:45 | |
Life isn't over. It's just beginning. | 0:19:46 | 0:19:49 | |
Can I ask you something? Is your grandmother still alive? | 0:19:52 | 0:19:54 | |
Yes. | 0:19:54 | 0:19:56 | |
Give her a call. | 0:19:57 | 0:19:59 | |
Oh! Looks comfortable, isn't comfortable. | 0:20:02 | 0:20:04 | |
So, Victor, after all the drama involved in its production, | 0:20:04 | 0:20:07 | |
how do you think Charlotte turned out? | 0:20:07 | 0:20:10 | |
Have you interviewed Bette yet? | 0:20:10 | 0:20:11 | |
She's rescheduled on us a number of times. | 0:20:11 | 0:20:14 | |
Well, there'll be hell to pay if she finds herself unfairly maligned, | 0:20:14 | 0:20:17 | |
but at the risk of taking my lashes, I'll tell you. | 0:20:17 | 0:20:20 | |
I think Charlotte was just OK. | 0:20:20 | 0:20:23 | |
It didn't have the magic of Baby Jane, | 0:20:23 | 0:20:25 | |
and the New York Times called Bette's performance "resentable". | 0:20:25 | 0:20:29 | |
Hmm. Was she upset? | 0:20:29 | 0:20:31 | |
No. Failure made her desperate. | 0:20:31 | 0:20:34 | |
She was sure that every job she got would be her last. | 0:20:34 | 0:20:37 | |
She snatched up every offer that came her way, | 0:20:37 | 0:20:39 | |
and she lost that special something that I considered her signature. | 0:20:39 | 0:20:43 | |
What was that? | 0:20:43 | 0:20:44 | |
Her high standards. | 0:20:45 | 0:20:47 | |
Do you think my type is coming back? | 0:20:47 | 0:20:49 | |
So it's top secret. If any man in Washington | 0:20:49 | 0:20:53 | |
can declassify it for me, you can. | 0:20:53 | 0:20:55 | |
Eight pilots she made. | 0:20:55 | 0:20:58 | |
It was like Miles Davis playing jingles | 0:20:58 | 0:21:00 | |
for lunch meat commercials. And I've told her this to her face - | 0:21:00 | 0:21:03 | |
we're friends because I tell the truth - | 0:21:03 | 0:21:06 | |
But...what devastated her, in fact, was that the force of her talent | 0:21:06 | 0:21:11 | |
wasn't even enough to get one of the eight bought for series. | 0:21:11 | 0:21:15 | |
What idiots are these businessmen that they pay for a pilot | 0:21:15 | 0:21:19 | |
and then they don't bother to put it on the air? | 0:21:19 | 0:21:22 | |
They must make measure of whether the shows will be losers over time. | 0:21:22 | 0:21:25 | |
Plenty of losers get bought. Why not mine? | 0:21:25 | 0:21:29 | |
Is that really what you want, my dear, | 0:21:29 | 0:21:31 | |
to spend your years in Burbank, playing a hypochondriac judge? | 0:21:31 | 0:21:34 | |
Oh, I don't know how this happened. | 0:21:34 | 0:21:36 | |
Hepburn is off doing Albee and Tennessee Williams | 0:21:36 | 0:21:39 | |
and being nominated for Academy Awards. | 0:21:39 | 0:21:41 | |
Am I not every bit her equal? | 0:21:41 | 0:21:44 | |
Am I not every bit as interesting as she is? | 0:21:44 | 0:21:47 | |
-How does she manage? -But Katharine sometimes says no. | 0:21:47 | 0:21:50 | |
Well, she doesn't have to support children, does she? | 0:21:50 | 0:21:53 | |
And she's a snob. | 0:21:53 | 0:21:54 | |
Did you know that Life magazine | 0:21:54 | 0:21:57 | |
wanted to photograph the two of us together? | 0:21:57 | 0:22:00 | |
The two legends. | 0:22:00 | 0:22:01 | |
I bought a flight to New York, and she ignored their calls. | 0:22:01 | 0:22:04 | |
Life magazine! | 0:22:04 | 0:22:06 | |
And when she finally answered them... | 0:22:06 | 0:22:09 | |
..she said she didn't want to pose with me. | 0:22:10 | 0:22:12 | |
Nothing good can come from comparing yourself. | 0:22:12 | 0:22:16 | |
If Katharine were sitting right there... | 0:22:21 | 0:22:23 | |
..you know what I'd say to her? | 0:22:25 | 0:22:28 | |
I would say... | 0:22:29 | 0:22:31 | |
.."I pity you. | 0:22:33 | 0:22:36 | |
"I have had an experience that you will never have. | 0:22:36 | 0:22:38 | |
"And thank God I had it... | 0:22:40 | 0:22:42 | |
"..because... I have the love of my children." | 0:22:43 | 0:22:47 | |
COUGHING | 0:22:50 | 0:22:53 | |
Oh. What, no kiss for Mother? | 0:22:55 | 0:22:58 | |
Not with a cough like that. | 0:22:58 | 0:23:00 | |
COUGHING CONTINUES | 0:23:00 | 0:23:02 | |
Oh, Christ. | 0:23:02 | 0:23:05 | |
Old Hollywood is really over. | 0:23:05 | 0:23:09 | |
Look at this place. It's really gone down. | 0:23:09 | 0:23:12 | |
Just hope the food is still good. | 0:23:12 | 0:23:14 | |
I was so looking forward to a real girls' lunch. | 0:23:17 | 0:23:21 | |
Let's make a day of it, hon. | 0:23:21 | 0:23:23 | |
Seems as if they don't have barbershops in Pennsylvania. | 0:23:23 | 0:23:25 | |
Why don't I take you to my salon? | 0:23:25 | 0:23:27 | |
Jeremy likes my hair this way. | 0:23:27 | 0:23:29 | |
Well, of course, it's in keeping with his caveman sensibility. | 0:23:29 | 0:23:32 | |
SHE LAUGHS WHEEZILY | 0:23:32 | 0:23:34 | |
I'm kidding, darling. | 0:23:34 | 0:23:36 | |
Well, Jeremy's old-school ways seem to suit you. | 0:23:37 | 0:23:39 | |
Everyone thought you'd be divorced by 18, | 0:23:39 | 0:23:42 | |
and look at you, you're still in love. It's marvellous. | 0:23:42 | 0:23:44 | |
Why don't we ask him to join us this afternoon? | 0:23:44 | 0:23:48 | |
And we could take the children to the observatory. | 0:23:48 | 0:23:51 | |
Jeremy went back to Pennsylvania, | 0:23:51 | 0:23:53 | |
with the boys. | 0:23:53 | 0:23:55 | |
What? But they were meant to spend the rest of the week with me. | 0:23:55 | 0:23:59 | |
I booked an acting coach for Ashley to help him with his diction, | 0:23:59 | 0:24:02 | |
and we've had plans for the zoo. | 0:24:02 | 0:24:04 | |
My children aren't staying with you ever again, Mother. | 0:24:04 | 0:24:07 | |
Ashley told us you beat on his baby brother last night. | 0:24:07 | 0:24:11 | |
I did no such thing. | 0:24:12 | 0:24:14 | |
Wh... Why would he say that? | 0:24:14 | 0:24:15 | |
You didn't beat Justin | 0:24:15 | 0:24:16 | |
for crying when Jeremy and I left for the hotel? | 0:24:16 | 0:24:19 | |
Oh, I swatted him. | 0:24:19 | 0:24:20 | |
He was throwing a temper tantrum, he was out of control. | 0:24:20 | 0:24:23 | |
You traumatised him. | 0:24:23 | 0:24:25 | |
BD, I swatted you a thousand times, did I traumatise you? | 0:24:25 | 0:24:28 | |
From now on, if you want to visit with your grandchildren, | 0:24:36 | 0:24:40 | |
you may do so at our farm, under supervision. | 0:24:40 | 0:24:43 | |
After you do something about your drinking problem. | 0:24:44 | 0:24:47 | |
Since when do you... | 0:24:47 | 0:24:49 | |
Since when do you think I'm a drunk? | 0:24:49 | 0:24:52 | |
You're sitting right there with a margarita at 11.00am! | 0:24:53 | 0:24:57 | |
Let's order some guacamole. | 0:25:05 | 0:25:07 | |
Everything seems dire on an empty stomach. | 0:25:07 | 0:25:10 | |
I'm not eating with you. | 0:25:10 | 0:25:12 | |
I came here to say what I had to say. | 0:25:13 | 0:25:16 | |
-COUGHING -I want to run some blood work. | 0:25:23 | 0:25:26 | |
No, ma'am, I just need something to... | 0:25:26 | 0:25:29 | |
COUGHING ..soothe my cough. | 0:25:29 | 0:25:32 | |
We'll both be happier preventing your problems | 0:25:32 | 0:25:34 | |
than trying to solve them once they dig in. You're not 18. | 0:25:34 | 0:25:37 | |
Oh, thanks. News flash. | 0:25:37 | 0:25:39 | |
Can I persuade you to lay off the smoking? | 0:25:41 | 0:25:44 | |
Look, I'm off booze, | 0:25:44 | 0:25:47 | |
I can't give up cigarettes, they're my only friends. | 0:25:47 | 0:25:50 | |
How long ago did you stop drinking? | 0:25:50 | 0:25:52 | |
-17 days. -You shouldn't white-knuckle detox, Bette. | 0:25:52 | 0:25:55 | |
So, you need help with your drinking problem - big whoop. | 0:25:55 | 0:25:59 | |
A lot of women your age turn to alcohol when they have little else to do. | 0:25:59 | 0:26:03 | |
I'll grab you some brochures on rehab facilities. | 0:26:04 | 0:26:06 | |
Oh, no, I can't go to rehab. | 0:26:06 | 0:26:09 | |
I can't, I've got the Dean Martin roast. | 0:26:09 | 0:26:12 | |
COUGHING | 0:26:12 | 0:26:13 | |
Oh...the roast. | 0:26:13 | 0:26:17 | |
It was the cruellest of degradations. | 0:26:17 | 0:26:19 | |
Demeaned and insulted by fifth-rate celebrities. | 0:26:19 | 0:26:22 | |
And here's one from Harold Donaldson from Detroit. | 0:26:22 | 0:26:25 | |
"Dear Miss Davis, my wife and I just saw your film | 0:26:25 | 0:26:28 | |
"What Ever Happened to Baby Jane? | 0:26:28 | 0:26:30 | |
"Could you settle an argument for us? | 0:26:30 | 0:26:32 | |
"In private life, are you and Joan Crawford really brothers?" | 0:26:32 | 0:26:36 | |
LAUGHTER | 0:26:36 | 0:26:38 | |
Bette was the queen of Hollywood. | 0:26:38 | 0:26:40 | |
Back in the days where queens were still ladies... | 0:26:40 | 0:26:44 | |
and Joan Crawford was king. | 0:26:44 | 0:26:46 | |
LAUGHTER AND APPLAUSE | 0:26:46 | 0:26:48 | |
Miss Crawford has always been envious | 0:26:48 | 0:26:51 | |
of Bette's voluptuous figure. | 0:26:51 | 0:26:53 | |
As a matter of fact, | 0:26:53 | 0:26:55 | |
Joan used to borrow Bette's bras | 0:26:55 | 0:26:57 | |
to use them as shoulder pads. | 0:26:57 | 0:26:59 | |
LAUGHTER AND APPLAUSE | 0:26:59 | 0:27:01 | |
Did she tell Joan how bad she felt about the roast? | 0:27:01 | 0:27:04 | |
No. And I think she regretted it. | 0:27:04 | 0:27:07 | |
-Especially after Aimee. -Aimee? | 0:27:07 | 0:27:10 | |
Aimee Semple McPherson, the famed evangelist. | 0:27:10 | 0:27:14 | |
I met her. | 0:27:14 | 0:27:16 | |
-You did? -1932, at the Foursquare Gospel Church. | 0:27:16 | 0:27:19 | |
What a performer. | 0:27:19 | 0:27:22 | |
A fraudulent evangelical minister | 0:27:22 | 0:27:25 | |
who faked her own kidnapping. Can you imagine? | 0:27:25 | 0:27:28 | |
Well, I begged the studio to let me play her. | 0:27:28 | 0:27:30 | |
Not a single bite. | 0:27:30 | 0:27:32 | |
In '76, Bette landed a role playing not the minister | 0:27:32 | 0:27:36 | |
but the mother in The Disappearance Of Aimee. | 0:27:36 | 0:27:39 | |
Right, the Faye Dunaway movie. | 0:27:39 | 0:27:41 | |
Ooh. If you ever do end up interviewing Bette, | 0:27:41 | 0:27:43 | |
I'd advise against calling it that. | 0:27:43 | 0:27:45 | |
For all her complaints about Joan, | 0:27:45 | 0:27:48 | |
she didn't know true hatred until she met Faye. | 0:27:48 | 0:27:52 | |
Hanging in there, Miss Davis? | 0:27:54 | 0:27:56 | |
If I hang in here any longer, I'll fall off my branch. | 0:27:56 | 0:27:59 | |
You know, locations used to come to me. | 0:27:59 | 0:28:01 | |
Here, Anthony, I want to read you this. | 0:28:01 | 0:28:03 | |
A passage. | 0:28:03 | 0:28:06 | |
"And Moses sayeth to his brethren, | 0:28:06 | 0:28:09 | |
"The Lord shall afflict you with lesions | 0:28:09 | 0:28:12 | |
"all over your body if you be not punctual | 0:28:12 | 0:28:15 | |
"in your labourings, | 0:28:15 | 0:28:17 | |
"even if you are very pretty and the star of Chinatown." | 0:28:17 | 0:28:21 | |
HE LAUGHS | 0:28:21 | 0:28:22 | |
Is that from Romans? | 0:28:22 | 0:28:24 | |
Our call was 6.00am. I arrived at 5.45. | 0:28:24 | 0:28:26 | |
I did not see Miss Faye Dunaway in her make-up chair until 7.00. | 0:28:26 | 0:28:30 | |
It is now 11.00, and while we all roast to death in this toaster oven, | 0:28:30 | 0:28:35 | |
you, sir, have still not gotten off your first goddamn shot. | 0:28:35 | 0:28:39 | |
I could have kicked that part right out of the park. | 0:28:41 | 0:28:45 | |
Well, you're an intimidating presence, Bette. | 0:28:45 | 0:28:47 | |
Put yourself inside Faye Dunaway's shoes. | 0:28:47 | 0:28:50 | |
I just think maybe she didn't come out of her trailer | 0:28:50 | 0:28:53 | |
because she was afraid she couldn't keep up with you. | 0:28:53 | 0:28:56 | |
There is no excuse for unprofessionalism. | 0:28:56 | 0:28:59 | |
Hell, it almost makes you miss Crawford. | 0:29:01 | 0:29:03 | |
At least she had the decency to show up on time | 0:29:03 | 0:29:06 | |
and she was the first one on the set and the last one to leave. | 0:29:06 | 0:29:10 | |
My God! | 0:29:10 | 0:29:12 | |
Oh, I never thought I'd live to hear you | 0:29:12 | 0:29:14 | |
breathe a kindness about Joan Crawford! | 0:29:14 | 0:29:17 | |
Well, don't tell a soul. | 0:29:17 | 0:29:18 | |
It will cut all my talk show appearances in half | 0:29:18 | 0:29:22 | |
-if anyone thinks that I've grown soft on Crawfish. -Mm. | 0:29:22 | 0:29:26 | |
She has cancer, you know. | 0:29:28 | 0:29:30 | |
What? | 0:29:32 | 0:29:33 | |
Mm. Hasn't left her apartment in months, I hear. | 0:29:33 | 0:29:37 | |
Cancer isn't going to kill Joan. | 0:29:40 | 0:29:42 | |
She's a cockroach, just like me. | 0:29:43 | 0:29:46 | |
You should call her. | 0:29:48 | 0:29:50 | |
She doesn't want to talk to me. | 0:29:50 | 0:29:52 | |
Of course she would. You mean something to her. | 0:29:52 | 0:29:55 | |
You and she have so much in common. You're both Aries. | 0:29:55 | 0:29:58 | |
You're both single mothers to angry children. | 0:29:58 | 0:30:00 | |
You've each been married four times, | 0:30:00 | 0:30:02 | |
and in many ways, I hate to say this, | 0:30:02 | 0:30:04 | |
but...she may be the only person in the entire world | 0:30:04 | 0:30:07 | |
who knows how you really feel right now. | 0:30:07 | 0:30:10 | |
I have been reading in the columns... | 0:30:14 | 0:30:17 | |
she's been saying very nice things about Dunaway. | 0:30:17 | 0:30:20 | |
She even said she would want Faye Dunaway | 0:30:20 | 0:30:23 | |
to play her in a picture. | 0:30:23 | 0:30:25 | |
I should warn her. | 0:30:27 | 0:30:28 | |
Yes. | 0:30:30 | 0:30:32 | |
Go ahead and warn her. | 0:30:33 | 0:30:35 | |
Oh. Do you want to watch? | 0:30:39 | 0:30:40 | |
-PHONE RINGS -Oh. | 0:30:40 | 0:30:43 | |
Who's that? | 0:30:43 | 0:30:44 | |
Hmm. | 0:30:44 | 0:30:46 | |
Hello. | 0:30:50 | 0:30:51 | |
Hello? | 0:30:52 | 0:30:54 | |
This is Joan Crawford. | 0:30:56 | 0:30:57 | |
Who's calling at this late hour? | 0:31:00 | 0:31:03 | |
Is anyone there? | 0:31:05 | 0:31:07 | |
Hello? | 0:31:09 | 0:31:10 | |
Nobody there. | 0:31:18 | 0:31:20 | |
KNOCK AT DOOR | 0:31:29 | 0:31:30 | |
Coming. | 0:31:30 | 0:31:32 | |
Oh, Cathy, darling. Oh! | 0:31:35 | 0:31:38 | |
-Mommie, dearest. -Oh! | 0:31:38 | 0:31:40 | |
Oh, look. | 0:31:40 | 0:31:42 | |
Oh, my little angels. | 0:31:42 | 0:31:43 | |
Oh! | 0:31:43 | 0:31:45 | |
-MICROWAVE PINGS -Oh, I think the microwave is | 0:31:45 | 0:31:48 | |
the most wonderful invention of the 20th century. | 0:31:48 | 0:31:51 | |
You don't mind paper plates, do you, dear? | 0:31:51 | 0:31:54 | |
Mamacita only comes in three times a week | 0:31:54 | 0:31:57 | |
and I... I hate to leave a mess for her. | 0:31:57 | 0:32:00 | |
No, Mommie, that's fine. | 0:32:00 | 0:32:02 | |
Oh, there's my darling girl, there's my sweet girl. | 0:32:02 | 0:32:07 | |
Ah. | 0:32:11 | 0:32:13 | |
-Mommie. -Hmm? | 0:32:14 | 0:32:16 | |
I'm worried about you. | 0:32:16 | 0:32:19 | |
Mamacita says you've stopped seeing your doctor. | 0:32:19 | 0:32:22 | |
Yes, dear, that's right. | 0:32:22 | 0:32:24 | |
Do you think that's wise? | 0:32:24 | 0:32:25 | |
Well... | 0:32:25 | 0:32:27 | |
..Western medicine thinks it can poison this cancer out of me, | 0:32:28 | 0:32:33 | |
but since I've adopted the tenets of Christian Science, | 0:32:33 | 0:32:37 | |
I have been feeling a wonderful new vigour, I really have. | 0:32:37 | 0:32:42 | |
I feel like I could take anything life could throw at me. | 0:32:42 | 0:32:45 | |
Speaking of which, | 0:32:49 | 0:32:51 | |
have you talked to your sister? | 0:32:51 | 0:32:53 | |
-Cindy and I speak all the time. -Oh, no, darling. | 0:32:54 | 0:32:56 | |
I know you and Cindy do. Of course you do. | 0:32:56 | 0:32:59 | |
No, I...I was referring to your elder sister, to Christina. | 0:32:59 | 0:33:04 | |
Uh, no. | 0:33:07 | 0:33:09 | |
Not recently. | 0:33:09 | 0:33:10 | |
-My editor tells me she's been writing a book. -Oh. | 0:33:10 | 0:33:16 | |
It's about me, evidently, | 0:33:16 | 0:33:18 | |
alleging the most vile things. | 0:33:18 | 0:33:20 | |
You have to understand... | 0:33:23 | 0:33:25 | |
..I was at the height of my career | 0:33:28 | 0:33:31 | |
when she was little. | 0:33:31 | 0:33:32 | |
We never enjoyed the quality time together | 0:33:32 | 0:33:36 | |
like I had with you and Cindy. | 0:33:36 | 0:33:38 | |
The little time that I did have... | 0:33:38 | 0:33:40 | |
..I worked so hard at instilling the proper values in her. | 0:33:42 | 0:33:46 | |
I only wanted her | 0:33:46 | 0:33:50 | |
to appreciate her advantages. | 0:33:50 | 0:33:53 | |
Of course, Mommie, of course. | 0:33:53 | 0:33:55 | |
My editor asked if... | 0:33:57 | 0:33:59 | |
I wanted to read an advance copy of the galleys, but... | 0:33:59 | 0:34:03 | |
..why spend the days of your life | 0:34:05 | 0:34:08 | |
reading something that could only hurt you? | 0:34:08 | 0:34:11 | |
-CRASHING -Children, | 0:34:11 | 0:34:13 | |
I told you before we got here, no sliding on Grandma's floors. | 0:34:13 | 0:34:16 | |
No, no, no. It's all right, dear. | 0:34:16 | 0:34:19 | |
Look, they're enjoying themselves. | 0:34:19 | 0:34:22 | |
Just be careful. Don't hurt yourselves. | 0:34:22 | 0:34:25 | |
No, what's a few scuff marks? It doesn't matter. | 0:34:25 | 0:34:27 | |
Do they think of me as their real grandmother? | 0:34:31 | 0:34:34 | |
Of course. | 0:34:34 | 0:34:35 | |
I don't know how much they understand about you being adopted. | 0:34:41 | 0:34:46 | |
No, Mommie, they understand | 0:34:46 | 0:34:49 | |
that you picked me and their Aunt Cindy | 0:34:49 | 0:34:53 | |
out of all of the children in the world. | 0:34:53 | 0:34:56 | |
And that we wouldn't have chosen any other mother, | 0:34:58 | 0:35:02 | |
cos we had the best one anyone could ever have. | 0:35:02 | 0:35:06 | |
OK? | 0:35:06 | 0:35:08 | |
Oh. | 0:35:08 | 0:35:10 | |
DISTANT LAUGHTER | 0:35:29 | 0:35:32 | |
Hello? | 0:35:44 | 0:35:46 | |
LAUGHTER CONTINUES | 0:35:50 | 0:35:53 | |
Hello? | 0:35:57 | 0:35:59 | |
LAUGHTER CONTINUES | 0:36:03 | 0:36:06 | |
You remember? | 0:36:09 | 0:36:11 | |
I do. | 0:36:11 | 0:36:13 | |
# I'm gonna get right up and put on my clothes | 0:36:19 | 0:36:21 | |
# I'm gonna go right out and take in all the shows... # | 0:36:21 | 0:36:24 | |
Hedda? | 0:36:26 | 0:36:28 | |
Jack, what are you doing here? | 0:36:29 | 0:36:31 | |
Oh, Joan, did you ever hear of the Cataract? | 0:36:31 | 0:36:34 | |
-Not the C... -HE LAUGHS | 0:36:34 | 0:36:36 | |
The Cascade! | 0:36:36 | 0:36:38 | |
Oh! Cascade! | 0:36:38 | 0:36:40 | |
Oh, a movie house Jack and his brothers used to run | 0:36:43 | 0:36:46 | |
-in Pennsylvania. -Yeah. That's right. | 0:36:46 | 0:36:49 | |
Sam ran the picture, | 0:36:49 | 0:36:51 | |
Abe kept the books, Harry broke the balls, | 0:36:51 | 0:36:53 | |
-and I broke the hearts. -Aw. | 0:36:53 | 0:36:55 | |
He used to sing in the aisles between showings. | 0:36:55 | 0:36:59 | |
Oh, Jack. | 0:36:59 | 0:37:01 | |
Sing for Joan. | 0:37:01 | 0:37:03 | |
# I'm gonna borrow from everybody on my staff | 0:37:04 | 0:37:07 | |
# I'm gonna drink and dance and drive and laugh | 0:37:07 | 0:37:10 | |
# The doctor says my days are done | 0:37:10 | 0:37:12 | |
# So if I die I'm gonna have some fun! # | 0:37:12 | 0:37:14 | |
THEY LAUGH | 0:37:14 | 0:37:16 | |
Oh, Jack, if a young actor had come in and sung like that for you, | 0:37:17 | 0:37:21 | |
you'd have put him on the first bus out of town. | 0:37:21 | 0:37:25 | |
Yeah. Thank God I never had any talent. | 0:37:25 | 0:37:28 | |
Mm, that makes two of us. | 0:37:28 | 0:37:29 | |
I had plenty of talent, Mr Warner! | 0:37:29 | 0:37:33 | |
I just had the foresight not to BE the talent forever. | 0:37:34 | 0:37:38 | |
Well, now, what is wrong with being the talent? | 0:37:38 | 0:37:41 | |
Well, everyone thinks you have the world on a string, | 0:37:41 | 0:37:44 | |
but it's the other way around. | 0:37:44 | 0:37:46 | |
It's much better to be the one pulling the string, darling. | 0:37:46 | 0:37:50 | |
Oh. I know that, yes, indeed. You two made my life miserable, | 0:37:50 | 0:37:54 | |
made every job I ever had a fight to the death. | 0:37:54 | 0:37:58 | |
Oh, come on, Joan. | 0:37:58 | 0:37:59 | |
You act like you're the only one who had to cup your balls | 0:37:59 | 0:38:01 | |
and do hand-to-hand combat. Think about all those WASPs | 0:38:01 | 0:38:05 | |
who didn't let our kids into private schools, | 0:38:05 | 0:38:08 | |
who told me to be a good Jew and go back to the garment district. | 0:38:08 | 0:38:11 | |
And you know better than anyone, Joan, | 0:38:11 | 0:38:14 | |
my hundred years' war with Louella. | 0:38:14 | 0:38:16 | |
Yes, but no-one was taking sides against you. | 0:38:16 | 0:38:20 | |
No-one was throwing gasoline on your resentments. | 0:38:20 | 0:38:23 | |
Well, the expression is not "unite and conquer". | 0:38:23 | 0:38:28 | |
No, but why? | 0:38:30 | 0:38:32 | |
Why did I need to be conquered? | 0:38:32 | 0:38:34 | |
What other way was there? | 0:38:34 | 0:38:36 | |
Let the animals run the zoo? | 0:38:36 | 0:38:38 | |
What is she doing here? | 0:38:40 | 0:38:42 | |
Be friendly, Joan, we're having a party. | 0:38:42 | 0:38:45 | |
Tell 'em what it did to you, Joan. | 0:38:45 | 0:38:48 | |
Tell 'em what they did to you. | 0:38:48 | 0:38:51 | |
Tell us. Go on, darling. | 0:38:51 | 0:38:54 | |
Well, I suppose... | 0:38:57 | 0:39:00 | |
I felt like I always had to be on. | 0:39:00 | 0:39:03 | |
That if someone caught a glimpse of the girl | 0:39:04 | 0:39:07 | |
beneath the movie star, then, poof! | 0:39:07 | 0:39:09 | |
I'd go back to that sad little wretch I'd been. | 0:39:10 | 0:39:14 | |
You know, so... | 0:39:14 | 0:39:16 | |
..I spent my whole life... | 0:39:19 | 0:39:21 | |
..being Joan Crawford... | 0:39:23 | 0:39:26 | |
..a woman I created for others. | 0:39:27 | 0:39:30 | |
I don't know who...who I am... | 0:39:37 | 0:39:40 | |
..when I'm by myself. | 0:39:42 | 0:39:44 | |
I think you should apologise to Joan, Jack. | 0:39:49 | 0:39:51 | |
Both of you should. | 0:39:51 | 0:39:53 | |
Oh...well, I'll do it if he does. | 0:39:54 | 0:39:57 | |
All right. | 0:39:58 | 0:40:00 | |
On the count of three... | 0:40:00 | 0:40:01 | |
One... | 0:40:01 | 0:40:03 | |
-..two... -..two... | 0:40:03 | 0:40:04 | |
-..three. -..three. | 0:40:04 | 0:40:06 | |
THEY LAUGH | 0:40:08 | 0:40:10 | |
It wouldn't come out! | 0:40:13 | 0:40:16 | |
-No. -Oh! -Now, Joanie, look, look, if I... If I really had known | 0:40:17 | 0:40:20 | |
how hard I'd really made it for you, I... | 0:40:20 | 0:40:24 | |
I wouldn't have done a fucking thing different... | 0:40:24 | 0:40:27 | |
Bastard! | 0:40:27 | 0:40:29 | |
Not true. | 0:40:29 | 0:40:31 | |
It all works out in the end, Joanie. | 0:40:31 | 0:40:33 | |
You know, we showbiz folks, | 0:40:33 | 0:40:36 | |
you know, all that anger that we feel from not being loved... | 0:40:36 | 0:40:39 | |
which is the reason we're in this business in the first place... | 0:40:39 | 0:40:42 | |
all the tears and the screaming and the rage, | 0:40:42 | 0:40:46 | |
it all disappears. | 0:40:46 | 0:40:48 | |
And the public, | 0:40:48 | 0:40:50 | |
what they remember, for the most part, | 0:40:50 | 0:40:52 | |
is the good stuff - the work, | 0:40:52 | 0:40:55 | |
and all the joy that we brought them. | 0:40:55 | 0:40:58 | |
Trust me, all the suffering will have been worth it. | 0:41:00 | 0:41:04 | |
Will it, really? | 0:41:04 | 0:41:06 | |
All that pain | 0:41:07 | 0:41:09 | |
will finally amount to something? | 0:41:09 | 0:41:11 | |
Don't worry, sweetheart. | 0:41:13 | 0:41:15 | |
You will always be young, | 0:41:15 | 0:41:17 | |
always be beautiful, | 0:41:17 | 0:41:19 | |
a goddess of your time, | 0:41:19 | 0:41:21 | |
frozen in amber by Hurrell. | 0:41:21 | 0:41:24 | |
Bette, too, though it pains me to say it. | 0:41:28 | 0:41:31 | |
Legends, all. | 0:41:33 | 0:41:35 | |
-Oh, come on. -Let's have a drink. | 0:41:43 | 0:41:45 | |
Oh, I... I don't drink any more. | 0:41:45 | 0:41:48 | |
Boring. All right, come on, Hedda, | 0:41:48 | 0:41:51 | |
help me make some drinks, all right? | 0:41:51 | 0:41:52 | |
Nobody wields an ice pick quite like you. | 0:41:52 | 0:41:55 | |
Nice apartment. | 0:41:58 | 0:42:00 | |
You get out much? | 0:42:02 | 0:42:03 | |
Theatre? The Guggenheim? | 0:42:05 | 0:42:06 | |
No, uh, not so much, no. | 0:42:06 | 0:42:09 | |
Neither do I. | 0:42:09 | 0:42:11 | |
Do you know what I love the most in this world? | 0:42:11 | 0:42:14 | |
The Young and the Restless. | 0:42:16 | 0:42:18 | |
Oh! Yes, that beautiful sea captain. | 0:42:19 | 0:42:22 | |
-What is his name? -Lucas Prentiss. -That's right. | 0:42:22 | 0:42:25 | |
Why am I so happy to see you? | 0:42:29 | 0:42:32 | |
-Nostalgia. -Hmm. | 0:42:34 | 0:42:35 | |
Let's play a game. | 0:42:37 | 0:42:39 | |
It's called Regrets. | 0:42:39 | 0:42:40 | |
-Oh. -No, no, no. If you draw a pip card, | 0:42:41 | 0:42:44 | |
you say something you feel sorry you did. | 0:42:44 | 0:42:48 | |
If you draw a face card, | 0:42:48 | 0:42:50 | |
you say something you wish you had done. | 0:42:50 | 0:42:52 | |
That doesn't sound like a very fun game. | 0:42:52 | 0:42:56 | |
It's the only game I know. | 0:42:56 | 0:42:58 | |
I'm sorry | 0:43:11 | 0:43:13 | |
I wasn't more generous with you. | 0:43:13 | 0:43:16 | |
I wish... | 0:43:28 | 0:43:32 | |
..I wish I'd been a friend to you. | 0:43:35 | 0:43:37 | |
Well, it's not too late, is it? | 0:43:45 | 0:43:47 | |
We can start now. | 0:43:47 | 0:43:50 | |
Let's have a champagne toast. | 0:43:51 | 0:43:54 | |
Mamacita! | 0:43:54 | 0:43:56 | |
Oh, I'm so glad that you came here. | 0:43:57 | 0:44:00 | |
You know, I've often fantasised about staying up late | 0:44:00 | 0:44:05 | |
like two girlfriends, talking about Bob and, | 0:44:05 | 0:44:08 | |
well, all the other men that we've known along the way. | 0:44:08 | 0:44:12 | |
Mamacita! | 0:44:12 | 0:44:14 | |
The champagne! | 0:44:14 | 0:44:16 | |
It's silly that we've spent all these years at odds with each other. | 0:44:17 | 0:44:22 | |
But we can start over. | 0:44:22 | 0:44:24 | |
Why don't you stay here with me, as my guest? | 0:44:25 | 0:44:29 | |
You don't have to rush back to Connecticut, do you? | 0:44:29 | 0:44:32 | |
Miss Joan! | 0:44:32 | 0:44:33 | |
What are you doing? | 0:44:33 | 0:44:35 | |
Bring the champagne, dear. | 0:44:35 | 0:44:37 | |
You are not drinking. | 0:44:37 | 0:44:39 | |
Well, then bring some for my friend, Bette. | 0:44:39 | 0:44:41 | |
There is no-one there. | 0:44:43 | 0:44:45 | |
She must have slipped out. | 0:44:51 | 0:44:52 | |
Did you help Hedda and Jack in the kitchen? | 0:44:55 | 0:44:59 | |
Come, Miss Joan. | 0:45:05 | 0:45:06 | |
Come. We go to bed. | 0:45:07 | 0:45:09 | |
Good, let's go. | 0:45:19 | 0:45:20 | |
I can't go to bed, | 0:45:22 | 0:45:24 | |
I have guests. | 0:45:24 | 0:45:25 | |
There is no-one else here. | 0:45:27 | 0:45:29 | |
It's just you and I. | 0:45:30 | 0:45:32 | |
Thank you, Mamacita. | 0:45:56 | 0:45:58 | |
She died one week later. | 0:46:03 | 0:46:05 | |
We embalmed her, | 0:46:07 | 0:46:09 | |
we made her look the way she liked, | 0:46:09 | 0:46:12 | |
and then we cremated her body. | 0:46:12 | 0:46:15 | |
She had a big funeral, yeah? | 0:46:15 | 0:46:17 | |
Not as big as Judy Garland's, but star-studded? | 0:46:17 | 0:46:19 | |
Yes. | 0:46:19 | 0:46:20 | |
Myrna Loy, Anita Loos, Andy Warhol. | 0:46:20 | 0:46:24 | |
Jack Valenti got the studios to observe a moment of silence. | 0:46:25 | 0:46:28 | |
It made me sad. | 0:46:29 | 0:46:30 | |
To say goodbye to her? | 0:46:30 | 0:46:32 | |
No, because they all showed up to say goodbye. | 0:46:33 | 0:46:37 | |
But when she was alive, when she needed them most... | 0:46:39 | 0:46:42 | |
..no-one was there. | 0:46:43 | 0:46:44 | |
PHONE RINGS | 0:46:45 | 0:46:48 | |
What? | 0:46:53 | 0:46:55 | |
Miss Davis, this is Jan Tomlinson with the AP Wire Service. | 0:46:55 | 0:46:58 | |
Good morning. | 0:46:58 | 0:47:00 | |
Ah, I've lost track of the days. | 0:47:00 | 0:47:03 | |
Are there nominations announced or something? | 0:47:05 | 0:47:07 | |
No, Miss Davis, Joan Crawford died this morning. | 0:47:07 | 0:47:10 | |
Do you have a comment? | 0:47:16 | 0:47:18 | |
My mother always said don't say anything bad about the dead. | 0:47:23 | 0:47:27 | |
Only say good. | 0:47:28 | 0:47:30 | |
Joan Crawford is dead. | 0:47:32 | 0:47:34 | |
Good. | 0:47:35 | 0:47:36 | |
-I was in the neighbourhood. -Oh, Miss Davis. | 0:47:47 | 0:47:50 | |
-Is she in her room? -Uh, yes. | 0:47:50 | 0:47:52 | |
Margot, darling, it's Mummy. | 0:47:52 | 0:47:55 | |
Hello, sweetheart. | 0:47:55 | 0:47:57 | |
Oh, look what you're doing. | 0:47:57 | 0:47:59 | |
What a nice drawing. | 0:48:00 | 0:48:02 | |
Look at how beautifully you're filling those hearts in. | 0:48:02 | 0:48:05 | |
I did a drawing, myself. | 0:48:05 | 0:48:08 | |
Well, I didn't actually do the drawing. | 0:48:08 | 0:48:10 | |
A lovely man named Don did it. | 0:48:10 | 0:48:12 | |
I met him at Roddy McDowall's. Do you remember him? | 0:48:12 | 0:48:15 | |
We had a wonderful date, a wonderful time. | 0:48:16 | 0:48:19 | |
Miss Davis. | 0:48:27 | 0:48:29 | |
I don't mean to seem rude, but you need to sit still. | 0:48:29 | 0:48:32 | |
Fine. | 0:48:36 | 0:48:38 | |
You have an hour. That's it. | 0:48:39 | 0:48:41 | |
OK. | 0:48:41 | 0:48:42 | |
Can...? Your chin... Just... | 0:48:44 | 0:48:46 | |
Mmm. | 0:48:47 | 0:48:48 | |
Would you like to stay for dinner? | 0:48:52 | 0:48:54 | |
All right. | 0:48:56 | 0:48:57 | |
-But... -But... But...? | 0:48:57 | 0:49:00 | |
You do know I'm gay? | 0:49:02 | 0:49:04 | |
Of course. | 0:49:05 | 0:49:07 | |
We had a wonderful dinner that night, | 0:49:07 | 0:49:09 | |
but it would never work out with Don because of my work. | 0:49:09 | 0:49:12 | |
My work has always taken first position | 0:49:12 | 0:49:15 | |
and men don't want that. | 0:49:15 | 0:49:17 | |
But I would rather go for something I feel even if I get hurt. | 0:49:17 | 0:49:20 | |
I don't want to spend my life protecting myself. | 0:49:20 | 0:49:23 | |
After dinner, the painter, Don, | 0:49:23 | 0:49:25 | |
he showed me the drawing that he made. | 0:49:25 | 0:49:28 | |
It captured the way I am now completely. | 0:49:28 | 0:49:31 | |
Can I see it now? | 0:49:32 | 0:49:34 | |
-It's not finished yet. -Don't you like it? | 0:49:35 | 0:49:38 | |
Honestly...it sort of scares me. | 0:49:40 | 0:49:44 | |
Don, I want to see it. | 0:49:44 | 0:49:46 | |
Yep. | 0:50:01 | 0:50:02 | |
That's the old bag. | 0:50:03 | 0:50:05 | |
I'm sorry that I haven't been to see you more often, darling, | 0:50:15 | 0:50:19 | |
but I'm going to write you letters. Beautiful letters. | 0:50:19 | 0:50:22 | |
And we'll keep them in a special box. Would you like that? | 0:50:22 | 0:50:25 | |
Last week, someone sent me letters | 0:50:27 | 0:50:30 | |
that my mother had written to a friend of hers, | 0:50:30 | 0:50:32 | |
years ago, before she died. | 0:50:32 | 0:50:34 | |
Many of the letters were about me. | 0:50:37 | 0:50:40 | |
Long story short, | 0:50:47 | 0:50:48 | |
my mother said terrible things about me behind my back. | 0:50:48 | 0:50:51 | |
She said that I was a queen bee... | 0:50:53 | 0:50:55 | |
..and that I was selfish... | 0:50:56 | 0:50:58 | |
..and that it was all about me, and that I was a pain and a chore. | 0:50:59 | 0:51:03 | |
She'd never said anything to me. | 0:51:06 | 0:51:09 | |
My own mother. | 0:51:11 | 0:51:13 | |
I thought she was my only friend. | 0:51:13 | 0:51:15 | |
But actually... | 0:51:17 | 0:51:18 | |
..I was totally alone. | 0:51:20 | 0:51:22 | |
What's your pick for Best Picture, Miss Davis? | 0:51:29 | 0:51:32 | |
Oh, I'd have to say The Turning Point. | 0:51:32 | 0:51:34 | |
It was my favourite film this year. | 0:51:34 | 0:51:35 | |
The men are merely dance partners and the women fight on the roof. | 0:51:35 | 0:51:38 | |
It's the story of my life. | 0:51:38 | 0:51:40 | |
Bette, are you giving Charlton an award? | 0:51:40 | 0:51:44 | |
Chuck Heston, yes. | 0:51:44 | 0:51:45 | |
He's the only actor that's as difficult as I am. | 0:51:45 | 0:51:48 | |
The Jean Hersholt Humanitarian Award? | 0:51:48 | 0:51:51 | |
Oh, I don't give a shit - | 0:51:51 | 0:51:53 | |
I'm not here to present, I'm here to preside. | 0:51:53 | 0:51:55 | |
Hey, ladies, it's the In Memoriam. | 0:51:57 | 0:52:00 | |
Christ, where did the night go? | 0:52:00 | 0:52:02 | |
# Oh, just one more time | 0:52:02 | 0:52:06 | |
# Just close your eyes and we'll see their face again | 0:52:07 | 0:52:12 | |
# Though your days are gone | 0:52:12 | 0:52:17 | |
# They live on and on | 0:52:19 | 0:52:24 | |
# Let their song play on... # | 0:52:24 | 0:52:30 | |
That's it? Christ. | 0:52:30 | 0:52:32 | |
50 years in show business and they give her two seconds. | 0:52:32 | 0:52:36 | |
That's all any of us will get. | 0:52:38 | 0:52:40 | |
To Joan. | 0:52:42 | 0:52:43 | |
-DISTANT ADVERT: -Clean-wearing, long-lasting foundation, | 0:52:49 | 0:52:52 | |
worn by the world's great beauties... | 0:52:52 | 0:52:54 | |
Miss Davis? | 0:52:57 | 0:52:59 | |
Hi, I'm Adam. | 0:52:59 | 0:53:01 | |
Yes. | 0:53:05 | 0:53:07 | |
Hi. | 0:53:07 | 0:53:08 | |
I told you in a letter, | 0:53:09 | 0:53:11 | |
I told you on the phone and now I'll tell you to your face, | 0:53:11 | 0:53:14 | |
I will not participate in your documentary. | 0:53:14 | 0:53:17 | |
You'll want me to say funny, bitchy one-liners about Crawford. | 0:53:17 | 0:53:21 | |
I won't do it. | 0:53:22 | 0:53:23 | |
She was a professional. | 0:53:23 | 0:53:25 | |
We did one picture together. | 0:53:26 | 0:53:27 | |
Our lives intersected. | 0:53:27 | 0:53:29 | |
That's it. | 0:53:31 | 0:53:32 | |
I don't have anything more to say. | 0:53:33 | 0:53:35 | |
Miss Davis, you're on next. | 0:53:35 | 0:53:37 | |
Well, I guess that's it. | 0:53:41 | 0:53:43 | |
We'll never really know what happened between these two women. | 0:53:45 | 0:53:48 | |
I want to know what happened that first day... | 0:53:48 | 0:53:50 | |
..when they finally were on a set together after all those years of their feud. | 0:53:52 | 0:53:56 | |
BELL RINGS | 0:53:56 | 0:53:58 | |
That's what I want to know. | 0:53:58 | 0:54:00 | |
THEY LAUGH | 0:54:12 | 0:54:15 | |
So I put a...a rubber band around it, | 0:54:15 | 0:54:18 | |
and I went back into the party. What choice did I have? | 0:54:18 | 0:54:21 | |
Miss Crawford, Miss Davis, Bob is calling for your first read-through. | 0:54:22 | 0:54:26 | |
All ready? | 0:54:26 | 0:54:28 | |
-I'll get my script. -Wonderful. | 0:54:28 | 0:54:30 | |
Bette? | 0:54:33 | 0:54:34 | |
Here's what I really hope from this picture when all is said and done... | 0:54:36 | 0:54:40 | |
..I hope I've made a new friend. | 0:54:42 | 0:54:45 | |
Me, too. | 0:54:48 | 0:54:49 | |
DOOR SLAMS | 0:55:02 | 0:55:04 |