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-How much longer? -I have to tell you something. | 0:00:02 | 0:00:04 | |
Cafe Khalil. Four o'clock. | 0:00:05 | 0:00:07 | |
-I was set up. -You think it was me. | 0:00:09 | 0:00:11 | |
You disappeared without a trace. | 0:00:11 | 0:00:13 | |
You want to find out who tried to kill you and you think | 0:00:13 | 0:00:16 | |
the best way is to let them try again. | 0:00:16 | 0:00:18 | |
Do I get my job back? | 0:00:18 | 0:00:19 | |
Look who dragged her ass back in the door. | 0:00:19 | 0:00:21 | |
-Good to see you, too. -The target is Jack Turner. | 0:00:21 | 0:00:23 | |
Mr Turner is currently bidding to acquire the Upper Khyber Dam. | 0:00:23 | 0:00:27 | |
And our client wants to ensure that he loses. | 0:00:27 | 0:00:29 | |
Dad! | 0:00:29 | 0:00:30 | |
Dad, this is Alex Kent. She saved Eddie. | 0:00:30 | 0:00:32 | |
He wants you to move in. | 0:00:32 | 0:00:34 | |
I'm supposed to screw him, not screw over his kid. | 0:00:34 | 0:00:36 | |
A stranger in this house? | 0:00:36 | 0:00:38 | |
Keel says there's a mole on the team. | 0:00:38 | 0:00:41 | |
Dutch engineer Horst Goebel. He arrives tonight. | 0:00:41 | 0:00:43 | |
Ja? | 0:00:43 | 0:00:45 | |
HE SCREAMS | 0:00:46 | 0:00:48 | |
Something's going on. | 0:00:48 | 0:00:50 | |
This is Dr Horst Goebel. | 0:00:52 | 0:00:54 | |
Miss Kent. | 0:00:57 | 0:00:58 | |
This programme contains graphic violent scenes. | 0:00:58 | 0:01:01 | |
It's nice to meet you. | 0:01:57 | 0:02:00 | |
I'll let my father know you're here. | 0:02:00 | 0:02:02 | |
You're a...family friend, Miss Kent? | 0:02:11 | 0:02:13 | |
No. I'm looking after Mr Turner's son. | 0:02:13 | 0:02:16 | |
How nice. | 0:02:16 | 0:02:17 | |
Are you a doctor? | 0:02:19 | 0:02:20 | |
Not a medical doctor, no. | 0:02:20 | 0:02:22 | |
An engineer, consulting on a project. | 0:02:24 | 0:02:27 | |
-What kind of project? -It's very technical, I'm afraid. | 0:02:27 | 0:02:31 | |
-Dr Goebel? -Mr Turner. | 0:02:31 | 0:02:33 | |
Good to finally meet you, Doctor. | 0:02:37 | 0:02:39 | |
Indeed. | 0:02:39 | 0:02:40 | |
Let's talk through here. | 0:02:44 | 0:02:47 | |
Please, you go ahead and eat. | 0:02:49 | 0:02:51 | |
I'm going to go to bed. | 0:02:51 | 0:02:52 | |
-All right. Good night. -Good night. | 0:02:52 | 0:02:55 | |
Won't need you for this one, Stevie. | 0:02:59 | 0:03:02 | |
Of course. | 0:03:04 | 0:03:06 | |
The Goebel meeting's started. | 0:03:14 | 0:03:16 | |
-Where's the audio? -AF scramblers are interfering. | 0:03:21 | 0:03:24 | |
I thought Hasan was supposed to be shadowing this bloke from the City. | 0:03:24 | 0:03:27 | |
-He was. -So where is he? | 0:03:27 | 0:03:30 | |
Try his mobile. | 0:03:30 | 0:03:32 | |
-There you go, sir. -Thank you, John. | 0:03:50 | 0:03:52 | |
-Zoe, I need that audio. -Yeah, I'm working on it. | 0:04:27 | 0:04:31 | |
-What is it? -Hasan's not picking up. | 0:04:36 | 0:04:40 | |
-Something wrong? -Why do you say that? | 0:05:00 | 0:05:03 | |
A little vein there. It throbs when you're tense. | 0:05:03 | 0:05:07 | |
I didn't realise I was so easily read. | 0:05:08 | 0:05:10 | |
-Water? -Yeah. | 0:05:13 | 0:05:14 | |
They are outside now. | 0:05:32 | 0:05:34 | |
-Bring him through the side door and down to the lower basement. -Sir. | 0:05:34 | 0:05:37 | |
-Got something out front. -What is it? | 0:05:46 | 0:05:48 | |
Don't know yet. | 0:05:48 | 0:05:50 | |
Something's going down. | 0:05:59 | 0:06:01 | |
Shit! It's Hasan! | 0:06:25 | 0:06:27 | |
How did they bloody find him? | 0:06:56 | 0:06:57 | |
PHONE BEEPS | 0:06:57 | 0:06:59 | |
It's Sam. What do you want me to tell her? | 0:06:59 | 0:07:01 | |
PHONE VIBRATES | 0:07:27 | 0:07:31 | |
-Yeah? -'The Turners have Hasan.' | 0:07:31 | 0:07:34 | |
Was he careless? | 0:07:40 | 0:07:41 | |
-It's unlikely. -Betrayed? | 0:07:41 | 0:07:43 | |
More likely. | 0:07:43 | 0:07:45 | |
Shall I instruct Sam to retrieve him? | 0:07:47 | 0:07:49 | |
Not an option. | 0:07:49 | 0:07:51 | |
Look, he can't remain in that house, it leaves Sam vulnerable, | 0:07:51 | 0:07:54 | |
puts us at risk if we're to stay operational. | 0:07:54 | 0:07:56 | |
Yes, but we can't retrieve him. | 0:07:56 | 0:07:58 | |
And we have to stay operational. Whatever the cost. | 0:08:00 | 0:08:03 | |
Are you authorising removal? | 0:08:04 | 0:08:06 | |
Yeah. | 0:08:10 | 0:08:11 | |
Removal is authorised. | 0:08:13 | 0:08:15 | |
Sam's texted again. | 0:08:16 | 0:08:17 | |
Tell her you need to meet. | 0:08:20 | 0:08:22 | |
Get this cleaned up. I want it spotless. | 0:08:38 | 0:08:41 | |
-Get things cleaned up outside, is that understood? -Yes, sir. | 0:08:41 | 0:08:44 | |
I'll let Mr Turner know. | 0:08:44 | 0:08:45 | |
Bingham? What's wrong? | 0:08:49 | 0:08:51 | |
Pardon the intrusion, sir... | 0:08:53 | 0:08:56 | |
I'm sorry to cut this short, Doctor, but something's come up. | 0:08:56 | 0:09:00 | |
Not at all. I expect we won't meet again... | 0:09:00 | 0:09:04 | |
-unless there's a problem. -I expect not. It's a pleasure. | 0:09:04 | 0:09:07 | |
-Stevie, see Dr Goebel out. -Of course. | 0:09:07 | 0:09:09 | |
-Can I offer you a drink, Doctor? -No, thank you, I should be going. | 0:09:47 | 0:09:52 | |
If you could just point me to the bathroom, please. | 0:09:52 | 0:09:54 | |
Of course. There's one just there. I'll get your car. | 0:09:54 | 0:09:57 | |
Well, pick him up! | 0:10:40 | 0:10:43 | |
PHONE BEEPS | 0:11:26 | 0:11:27 | |
She needs the bypass code for the alarm, | 0:11:27 | 0:11:30 | |
basement south-side window. | 0:11:30 | 0:11:32 | |
I don't know who your friends are, | 0:11:34 | 0:11:36 | |
but they can't like you very much, cos we got tipped off. | 0:11:36 | 0:11:39 | |
You've got the wrong man, I haven't done anything! | 0:11:39 | 0:11:43 | |
You don't know where you are, do you? | 0:11:45 | 0:11:48 | |
Well, you're somewhere you don't belong. | 0:11:48 | 0:11:50 | |
Somewhere you should never have come. | 0:11:50 | 0:11:53 | |
But now you're here...you're dead. | 0:11:53 | 0:11:56 | |
Do you understand what I'm saying, Abdul? | 0:11:56 | 0:11:59 | |
Now, we're going to ask you some questions. | 0:11:59 | 0:12:01 | |
Well, you might say to yourself "I'm not going to answer." | 0:12:01 | 0:12:04 | |
Either way you're dead. | 0:12:04 | 0:12:07 | |
So, what you got to decide | 0:12:07 | 0:12:08 | |
is how much pain can you bear before you go. | 0:12:08 | 0:12:12 | |
You have a little think about that. | 0:12:14 | 0:12:15 | |
And then you and I'll have a little conversation, all right? | 0:12:15 | 0:12:18 | |
Who sent you? Eh? | 0:12:22 | 0:12:25 | |
Who sent you to take my grandson? | 0:12:28 | 0:12:31 | |
-You clear? -I'm clear. | 0:12:55 | 0:12:57 | |
-She tell you? -Tell me what? | 0:13:00 | 0:13:02 | |
Where she's been for the past year. | 0:13:02 | 0:13:04 | |
No, not a word. Actually, I was hoping you might know something. | 0:13:04 | 0:13:08 | |
C'mon! Aidan, if there's anyone she'd tell, it'd be you. | 0:13:08 | 0:13:12 | |
What makes you say that? | 0:13:12 | 0:13:13 | |
That bloke Goebel's leaving. | 0:13:14 | 0:13:16 | |
-Without his case. -Where's he headed? | 0:13:16 | 0:13:18 | |
He's booked on an early flight home. | 0:13:18 | 0:13:20 | |
I'll get Amsterdam to keep an eye on him. | 0:13:20 | 0:13:23 | |
Where are they keeping Hasan? | 0:13:33 | 0:13:36 | |
-Lower basement. -Access? | 0:13:36 | 0:13:37 | |
No stairs. Magnetic key in the lift. | 0:13:37 | 0:13:40 | |
Just one - on the wrist - 60 seconds till it absorbs. | 0:13:42 | 0:13:46 | |
You have a problem with this? | 0:13:50 | 0:13:52 | |
Don't you? | 0:13:53 | 0:13:54 | |
If all of us get such a quick death, we'll be lucky. | 0:13:55 | 0:13:58 | |
-Did you get anything on Goebel? -Just the smell of his aftershave. | 0:13:59 | 0:14:03 | |
-He had a case with him. -He left without it. | 0:14:03 | 0:14:05 | |
Crane wants you to find out what was inside it. | 0:14:05 | 0:14:08 | |
Nothing else to say? | 0:14:10 | 0:14:12 | |
You and Hasan weren't exactly best friends. | 0:14:12 | 0:14:15 | |
So now you think I set him up, too, do you? | 0:14:15 | 0:14:17 | |
Like I set you up in Tangier. | 0:14:17 | 0:14:19 | |
Hasan may be a prick, but he's not sloppy. | 0:14:19 | 0:14:21 | |
-I didn't set him up. -Then who did? | 0:14:21 | 0:14:23 | |
At least now you're asking the right question. | 0:14:23 | 0:14:26 | |
-Fowkes. -Milk! My hero! | 0:14:48 | 0:14:52 | |
-Sam? -She's on it. | 0:14:52 | 0:14:55 | |
So what's she going to do then? | 0:14:55 | 0:14:57 | |
Shut up and eat your Weetabix, Fowkes. | 0:14:57 | 0:14:59 | |
-C'mon, one of our mates is down, how do we get him out? -We don't. | 0:14:59 | 0:15:02 | |
What do you mean, we don't? That old bastard thinks Hasan tried to | 0:15:02 | 0:15:05 | |
kidnap his grandson. | 0:15:05 | 0:15:06 | |
-They'll torture him to death. -Not if he's already dead. | 0:15:06 | 0:15:09 | |
She's going to kill Hasan? | 0:15:17 | 0:15:18 | |
What for? | 0:15:21 | 0:15:22 | |
You said it yourself. They'll torture him, he'll talk. | 0:15:22 | 0:15:25 | |
Exposing Sam and the rest of us. | 0:15:25 | 0:15:27 | |
That puts us all at risk, not just the operation. | 0:15:27 | 0:15:31 | |
-Sod this. I didn't sign up for this. -Yeah, you did. | 0:15:31 | 0:15:33 | |
You signed up for whatever Byzantium orders you to do, | 0:15:33 | 0:15:36 | |
and you're bloody well paid for it, now sit down. | 0:15:36 | 0:15:38 | |
A man is down, we rescue him. | 0:15:38 | 0:15:39 | |
There are circumstances under which any of us could be terminated. | 0:15:39 | 0:15:43 | |
-Hasan understands that. -Well, I don't. | 0:15:43 | 0:15:46 | |
All Turner knows right now is that Hasan tried to kidnap his grandson. | 0:15:46 | 0:15:49 | |
If Hasan reveals his work, it compromises our client... | 0:15:49 | 0:15:52 | |
We don't know who our client is! | 0:15:52 | 0:15:54 | |
..and puts us all in danger and the op is blown. | 0:15:54 | 0:15:57 | |
If Hasan talks. Not if we rescue him first. | 0:15:57 | 0:16:00 | |
A rescue proves that he's a professional. | 0:16:00 | 0:16:02 | |
If he dies in custody, the damage is contained. | 0:16:02 | 0:16:05 | |
And the operation continues. | 0:16:06 | 0:16:08 | |
Un-fucking-believable. | 0:16:12 | 0:16:14 | |
Bloody monsters, you are. | 0:16:19 | 0:16:21 | |
DOOR OPENS | 0:17:10 | 0:17:11 | |
Dad. | 0:17:28 | 0:17:29 | |
What's that face for? | 0:17:32 | 0:17:33 | |
What did Bingham want? | 0:17:34 | 0:17:35 | |
-Oh, nothing for you to worry about. -Nothing for me to worry about... | 0:17:35 | 0:17:39 | |
Same goes for Horst Goebel, I suppose. | 0:17:39 | 0:17:41 | |
What's your problem, son? | 0:17:42 | 0:17:43 | |
You say I'm important to your business, | 0:17:43 | 0:17:45 | |
you're shutting me out, pushing me away. | 0:17:45 | 0:17:47 | |
If I don't tell you certain things, it's because... | 0:17:47 | 0:17:49 | |
you're better off not knowing. | 0:17:49 | 0:17:51 | |
You told me this was legitimate, something I could be proud of. | 0:17:51 | 0:17:54 | |
And you can. And you should. | 0:17:54 | 0:17:55 | |
But you don't respect me, do you, Dad? | 0:17:55 | 0:17:57 | |
You never have. | 0:18:00 | 0:18:01 | |
You want my respect? | 0:18:07 | 0:18:08 | |
Earn it. | 0:18:10 | 0:18:11 | |
Matt, come here. | 0:19:42 | 0:19:43 | |
Give me a hand with these boxes. We'll take them out the back. | 0:19:45 | 0:19:48 | |
Yes, Mr Bingham. | 0:19:48 | 0:19:49 | |
Wait! Take it off. | 0:20:23 | 0:20:25 | |
You know I can't. | 0:20:25 | 0:20:27 | |
I shouldn't be here. | 0:20:27 | 0:20:28 | |
Someone betrayed me. Someone on the team! | 0:20:28 | 0:20:31 | |
Kill me, you will never find out who wants you dead. | 0:20:36 | 0:20:39 | |
What are you talking about? | 0:20:41 | 0:20:42 | |
-I know why you went into hiding. Why you came back. -You're lying. | 0:20:42 | 0:20:45 | |
You're going to bet your life on it? | 0:20:45 | 0:20:47 | |
How else would I know? You didn't tell anyone, did you? | 0:20:47 | 0:20:51 | |
You tell me what you know. | 0:20:51 | 0:20:53 | |
Take it off. | 0:20:53 | 0:20:55 | |
Now. | 0:20:55 | 0:20:56 | |
Now you talk. | 0:21:06 | 0:21:08 | |
He came to me. | 0:21:09 | 0:21:10 | |
Who? | 0:21:10 | 0:21:12 | |
He had greying hair, a scar on his cheek. | 0:21:12 | 0:21:14 | |
I need a name! | 0:21:14 | 0:21:15 | |
MUFFLED SPEECH | 0:21:15 | 0:21:18 | |
-Miss Freeman? Miss Emma Freeman? -Yes. | 0:22:42 | 0:22:45 | |
Lieutenant Colonel Cooley. | 0:22:45 | 0:22:47 | |
May I come in? | 0:22:47 | 0:22:49 | |
Sure. | 0:22:49 | 0:22:50 | |
How can I help you, Colonel? | 0:22:53 | 0:22:56 | |
Sorry to disturb you at this hour, | 0:22:56 | 0:22:58 | |
but we're looking for this woman. | 0:22:58 | 0:23:00 | |
You served in the Special Reconnaissance Regiment together, | 0:23:00 | 0:23:04 | |
did you not? | 0:23:04 | 0:23:06 | |
It's...it's ages since we've spoken. | 0:23:06 | 0:23:09 | |
You have no idea how I may locate her? Other friends, family? | 0:23:09 | 0:23:14 | |
Sam was a private person. | 0:23:14 | 0:23:17 | |
I was about the only friend she had, really. | 0:23:17 | 0:23:20 | |
What's this about, anyway? | 0:23:20 | 0:23:22 | |
Look, I'm sorry, but I can't help you. | 0:23:26 | 0:23:28 | |
I think you can. | 0:23:28 | 0:23:29 | |
DOOR OPENS | 0:23:38 | 0:23:41 | |
I did it! | 0:24:58 | 0:25:00 | |
Sam, hide! | 0:25:01 | 0:25:03 | |
Get off! Get off me, I'm calling the police! | 0:25:05 | 0:25:07 | |
No! | 0:25:07 | 0:25:08 | |
CHILD SCREAMS | 0:25:10 | 0:25:12 | |
Get off! | 0:25:12 | 0:25:13 | |
Get off! | 0:25:14 | 0:25:15 | |
Help! Help! Help! | 0:25:18 | 0:25:21 | |
CHILD SCREAMS | 0:25:23 | 0:25:26 | |
-Good morning, everyone. -BOTH: Morning, Alex. | 0:26:28 | 0:26:31 | |
Good morning, sweet pea. | 0:26:31 | 0:26:32 | |
Coffee, Alex? Mrs Sidwa makes | 0:26:32 | 0:26:34 | |
what may possibly be the worst coffee in the world. | 0:26:34 | 0:26:36 | |
Try it and see. | 0:26:36 | 0:26:37 | |
-I'll have some tea, thanks. -I'll get it for you, Miss Kent. Eggs? | 0:26:37 | 0:26:41 | |
How's your cereal? | 0:26:43 | 0:26:45 | |
-Do you like chocolate? -Of course. | 0:26:45 | 0:26:47 | |
It's all chocolate! | 0:26:47 | 0:26:48 | |
-And it's very healthy, too. -Sounds perfect to me. | 0:26:48 | 0:26:51 | |
In New York once, I remember Eddie eating the most extraordinary | 0:26:51 | 0:26:54 | |
chocolaty, peanut buttery... | 0:26:54 | 0:26:56 | |
Reese's Puffs. | 0:26:56 | 0:26:57 | |
-Reese's Puffs. -They're my favourite. | 0:26:57 | 0:26:58 | |
-Thank you. -We'll have to go back and buy you a ginormous box. | 0:26:58 | 0:27:02 | |
Well, Eddie needs his energy today. | 0:27:02 | 0:27:04 | |
We have a lot of lessons after school. | 0:27:04 | 0:27:06 | |
Talking of which, it's time you were off. | 0:27:06 | 0:27:08 | |
Can Alex take me this morning? | 0:27:08 | 0:27:10 | |
I'd be delighted. | 0:27:12 | 0:27:14 | |
Morning, Dad. | 0:27:15 | 0:27:18 | |
-Morning. -Morning, Mr Turner. | 0:27:18 | 0:27:20 | |
No breakfast for me, Mrs S. | 0:27:20 | 0:27:22 | |
Yes, sir. | 0:27:23 | 0:27:24 | |
You ready, Alex? | 0:27:39 | 0:27:41 | |
Give me a second, I'll be right back. | 0:27:41 | 0:27:43 | |
Could I have a word? | 0:27:47 | 0:27:48 | |
Of course. | 0:27:48 | 0:27:50 | |
Look, I really appreciate what you've tried to do for me, | 0:27:51 | 0:27:55 | |
and Eddie's a wonderful boy, but I can't stay. | 0:27:55 | 0:27:58 | |
Why not? | 0:27:58 | 0:27:59 | |
It's pretty clear your father doesn't want me here. | 0:28:04 | 0:28:07 | |
He's a very difficult man. He tries to bully everyone. | 0:28:07 | 0:28:10 | |
You're the first person Eddie's made any connection with | 0:28:12 | 0:28:14 | |
since his mother died. | 0:28:14 | 0:28:15 | |
I can see he desperately wants you to stay. So do I. | 0:28:15 | 0:28:19 | |
I...I don't know. | 0:28:21 | 0:28:24 | |
Please? | 0:28:24 | 0:28:26 | |
Please stay. | 0:28:28 | 0:28:30 | |
Wakey-wakey! Oh, you filthy sod. | 0:28:35 | 0:28:39 | |
Last chance. Who sent you? | 0:28:40 | 0:28:43 | |
Sir... | 0:28:51 | 0:28:52 | |
Sir! | 0:28:52 | 0:28:54 | |
Can you stop that? | 0:29:08 | 0:29:09 | |
-Stop what? -Being you. | 0:29:10 | 0:29:13 | |
Listen to this. | 0:29:13 | 0:29:15 | |
"Chinese Industries Group manages and operates utilities | 0:29:16 | 0:29:19 | |
"in six countries, net assets in excess of a hundred billion pounds." | 0:29:19 | 0:29:23 | |
Buys a lot of egg rolls, that does. | 0:29:23 | 0:29:25 | |
You're obviously telling us this for a reason. | 0:29:25 | 0:29:28 | |
"The Chinese are considered the leading bidder in Pakistan's | 0:29:28 | 0:29:31 | |
"proposed sale of the Upper Khyber Dam project." | 0:29:31 | 0:29:34 | |
-Don't. -Don't what? | 0:29:34 | 0:29:35 | |
-Speculate. -I'm just curious. | 0:29:35 | 0:29:37 | |
What bloody client is paying Keel enough to kill our own man? | 0:29:37 | 0:29:40 | |
-You're not meant to know. -Why not? In the Special Forces, | 0:29:40 | 0:29:42 | |
we at least knew who we were fighting for. | 0:29:42 | 0:29:44 | |
Keel will decide what you need to know. | 0:29:44 | 0:29:47 | |
Don't speculate on who the client is. Speculation leads to assumption. | 0:29:47 | 0:29:50 | |
Assumption leads to mistakes. And mistakes will get you killed. | 0:29:50 | 0:29:53 | |
You understand? | 0:29:53 | 0:29:54 | |
-Sam's on the move. -So has she done it? | 0:30:00 | 0:30:02 | |
Has she killed Hasan? | 0:30:02 | 0:30:04 | |
No. | 0:30:05 | 0:30:06 | |
She would have signalled. | 0:30:07 | 0:30:09 | |
You want me to walk you in? | 0:30:22 | 0:30:24 | |
No. | 0:30:24 | 0:30:25 | |
After our lessons this afternoon, we'll go to the park. OK? | 0:30:25 | 0:30:29 | |
OK. | 0:30:29 | 0:30:31 | |
'The government sees a strong bond with the Saudis | 0:31:01 | 0:31:05 | |
'as crucial in furthering Britain's interest in the region. | 0:31:05 | 0:31:07 | |
'A 32-year-old woman was killed in her flat | 0:31:07 | 0:31:09 | |
'in East London last night. Emma Freeman, | 0:31:09 | 0:31:12 | |
'who served in Afghanistan, died from a single bullet to the head | 0:31:12 | 0:31:15 | |
'by an unknown assailant. | 0:31:15 | 0:31:16 | |
'The victim's eight-year-old daughter witnessed the attack...' | 0:31:16 | 0:31:19 | |
Excuse me, sir? | 0:31:19 | 0:31:21 | |
Could you drop me off over there? I'm going to walk home. | 0:31:21 | 0:31:23 | |
'Police appeal to the public for any information.' | 0:31:23 | 0:31:25 | |
KNOCK AT DOOR | 0:31:38 | 0:31:40 | |
I'd like your thinking about how Hasan got taken. | 0:31:41 | 0:31:44 | |
Bad luck, I guess. | 0:31:46 | 0:31:47 | |
One of Turner's men must have seen him in the street. | 0:31:47 | 0:31:49 | |
That would be bad luck indeed, and extremely unlikely. | 0:31:49 | 0:31:53 | |
It's much more probable, isn't it, that Hasan was betrayed. | 0:31:53 | 0:31:55 | |
By whom? | 0:31:55 | 0:31:56 | |
We suspect there's a mole on the team. Surely Sam's told you? | 0:31:58 | 0:32:01 | |
You're her handler, after all. | 0:32:01 | 0:32:03 | |
It's not me, if that's what you're thinking. | 0:32:03 | 0:32:05 | |
What's your impression of Sam? | 0:32:07 | 0:32:09 | |
My impression? | 0:32:09 | 0:32:10 | |
Does she seem the same to you? | 0:32:10 | 0:32:12 | |
Do you perceive her capabilities to have diminished in any way? | 0:32:12 | 0:32:16 | |
No. I don't perceive that. Not at all. | 0:32:16 | 0:32:19 | |
It's been more than eight hours since Hasan was abducted. | 0:32:21 | 0:32:24 | |
I've assured our client we will carry out | 0:32:24 | 0:32:27 | |
the operation as planned, but I'm beginning to wonder if that's true. | 0:32:27 | 0:32:30 | |
Would the Sam you knew have taken this long to complete a removal? | 0:32:30 | 0:32:33 | |
Well, she said there's only one access point, | 0:32:33 | 0:32:35 | |
the lift with the mag key. | 0:32:35 | 0:32:37 | |
Sam's the best operative Byzantium have got. | 0:32:38 | 0:32:41 | |
A lot can happen in a year. | 0:32:41 | 0:32:43 | |
If Sam does anything unusual, anything at all... | 0:32:45 | 0:32:48 | |
..I want you to report it to me. Directly. | 0:32:49 | 0:32:53 | |
WALKIE-TALKIE SQUAWKS | 0:34:33 | 0:34:34 | |
You wanted me?! Well, here I am. | 0:36:23 | 0:36:26 | |
Here I am! | 0:36:26 | 0:36:28 | |
Who do you work for? | 0:36:29 | 0:36:30 | |
I said, who do you work for? | 0:36:33 | 0:36:35 | |
HE SCREAMS | 0:37:29 | 0:37:31 | |
What the hell happened to you? | 0:38:06 | 0:38:09 | |
-I slipped. -You slipped? -Uh-huh. Walking down some steps. | 0:38:09 | 0:38:14 | |
Sit. | 0:38:16 | 0:38:17 | |
Just sit. | 0:38:19 | 0:38:21 | |
Hell of a time to go for a walk, Sam. | 0:38:27 | 0:38:29 | |
You do realise we have an operative that needs removal. | 0:38:29 | 0:38:33 | |
Keel wants to know why you haven't executed the order. | 0:38:33 | 0:38:35 | |
Maybe he wants to give it a try. | 0:38:35 | 0:38:37 | |
He's wondering if you've lost your edge. | 0:38:37 | 0:38:39 | |
You tell him Turner keeps the mag key with him 24-7. | 0:38:39 | 0:38:43 | |
Then this mag-pick should help. | 0:38:43 | 0:38:46 | |
One way or another, you have to get down there... | 0:38:51 | 0:38:55 | |
and take him out. | 0:38:55 | 0:38:57 | |
And if I don't? | 0:38:57 | 0:38:58 | |
There'll be consequences. | 0:39:00 | 0:39:02 | |
For Byzantium, and for you. | 0:39:02 | 0:39:04 | |
You want to tell me some more about those steps? | 0:39:15 | 0:39:18 | |
Not particularly. No. | 0:39:18 | 0:39:20 | |
And what am I supposed to tell Keel? | 0:39:20 | 0:39:22 | |
Whatever you like. | 0:39:23 | 0:39:24 | |
Look, I will help you if you'll let me. | 0:39:24 | 0:39:27 | |
And I'd let you if I could trust you. | 0:39:27 | 0:39:30 | |
That's good enough. | 0:39:30 | 0:39:32 | |
I'll deal with Hasan. | 0:39:32 | 0:39:34 | |
Watch yourself, Sam. | 0:39:38 | 0:39:40 | |
There's a lot of steps in this city. | 0:39:40 | 0:39:42 | |
KNOCKS AT DOOR | 0:40:00 | 0:40:02 | |
I need a name! | 0:40:46 | 0:40:48 | |
He had greying hair, a scar on his cheek. | 0:40:48 | 0:40:51 | |
Really looking forward to working with you. | 0:40:51 | 0:40:53 | |
He's new to the private sector. | 0:40:53 | 0:40:55 | |
I shouldn't be here. | 0:41:04 | 0:41:05 | |
Someone betrayed me. Someone on the team! | 0:41:05 | 0:41:08 | |
Kill me, you'll never find out who wants you dead. | 0:41:11 | 0:41:15 | |
Who do you work for? | 0:41:15 | 0:41:17 | |
I said, who do you work for? | 0:41:17 | 0:41:19 | |
It's OK, it's all right. | 0:41:31 | 0:41:33 | |
Thought you could do with a drink. | 0:41:33 | 0:41:35 | |
That better? | 0:41:43 | 0:41:44 | |
Jack's eldest boy was murdered. | 0:41:52 | 0:41:54 | |
It was Pakis that did it. | 0:41:56 | 0:41:58 | |
Fuck off. | 0:41:58 | 0:42:00 | |
Every time he looks at a bloke like you, | 0:42:00 | 0:42:02 | |
he sees the one that killed his boy. | 0:42:02 | 0:42:05 | |
Course I don't bear you any ill will. | 0:42:05 | 0:42:07 | |
Quite the opposite, in fact. | 0:42:07 | 0:42:09 | |
I admire the way that you tried to take the boy. | 0:42:09 | 0:42:11 | |
It was very professional. | 0:42:11 | 0:42:13 | |
You got me on the back foot, and that's not easy. | 0:42:14 | 0:42:17 | |
I could save you a lot of suffering if you'd let me. | 0:42:20 | 0:42:23 | |
Those fingerprints that we took last night... | 0:42:30 | 0:42:33 | |
We'll get the results back in one or two hours | 0:42:33 | 0:42:35 | |
and then we'll know who you are, where you come from. | 0:42:35 | 0:42:38 | |
And it won't just be you who suffers, it'll be your family. | 0:42:38 | 0:42:43 | |
We'll kill them all. | 0:42:43 | 0:42:45 | |
It's their funeral. | 0:42:59 | 0:43:00 | |
Who we looking at? | 0:43:07 | 0:43:08 | |
That's Dave Ryder. | 0:43:08 | 0:43:10 | |
He's an old buddy of Jack's from his days at the docks. | 0:43:10 | 0:43:13 | |
-Does he have a record? -Yeah, as long as your arm. | 0:43:13 | 0:43:16 | |
16 counts of bodily harm, arson, extortion, | 0:43:16 | 0:43:20 | |
going back to 1968. | 0:43:20 | 0:43:23 | |
Dave. | 0:43:27 | 0:43:28 | |
Stevie! How's that boy of yours? | 0:43:28 | 0:43:30 | |
Eddie, yeah. He's much better thanks, Dave. | 0:43:30 | 0:43:33 | |
Anything he needs, you just ask. | 0:43:33 | 0:43:35 | |
I know. Appreciate it. | 0:43:35 | 0:43:36 | |
Old man still riding you, is he? | 0:43:36 | 0:43:38 | |
Here he is. Give us a moment, Stevie. | 0:43:42 | 0:43:46 | |
-What? -I'm saying nothing, am I? | 0:43:53 | 0:43:56 | |
Well, sit yourself down then. | 0:43:56 | 0:43:57 | |
It's that case again. | 0:44:01 | 0:44:03 | |
-You've got to get me something, Zoe. -Yeah, hold on. | 0:44:05 | 0:44:07 | |
It's not heavy, is it? | 0:44:07 | 0:44:09 | |
That's worth a few hundred million quid, give or take. | 0:44:11 | 0:44:13 | |
I'd rather have the money, myself. | 0:44:13 | 0:44:15 | |
You treat that with respect. It's my future in there... | 0:44:15 | 0:44:18 | |
and yours. | 0:44:18 | 0:44:20 | |
Bingham found anything? | 0:44:23 | 0:44:24 | |
Picked him up last night. Swarthy piece of shit. | 0:44:24 | 0:44:27 | |
You're in your element. | 0:44:27 | 0:44:29 | |
-This is about my grandson. -Yeah, well, of course it is. | 0:44:29 | 0:44:32 | |
I suppose you want a drink. | 0:44:32 | 0:44:34 | |
Look who's back. | 0:44:36 | 0:44:37 | |
Alex. There you are. | 0:44:45 | 0:44:46 | |
Sorry, were you looking for me? | 0:44:46 | 0:44:48 | |
No, no. Look, your time's your own when Eddie's at school, | 0:44:48 | 0:44:50 | |
but I was getting a bit worried. | 0:44:50 | 0:44:54 | |
I'm sorry, I should've told you. | 0:44:54 | 0:44:55 | |
It wasn't easy, but I found it on the Marylebone High Street. | 0:44:55 | 0:44:58 | |
It's a lot easier than a trip to New York. | 0:44:58 | 0:45:00 | |
Wow, that's so thoughtful of you! I'm sorry. | 0:45:00 | 0:45:02 | |
-I feel like an idiot. -Who's this, then? | 0:45:02 | 0:45:05 | |
Alex Kent, this is Dave Ryder, he's... He's an old family friend. | 0:45:05 | 0:45:09 | |
Alex is helping us look after Eddie. | 0:45:09 | 0:45:10 | |
-Nice to meet you. -Nice to meet you, too. | 0:45:10 | 0:45:14 | |
-She's a pretty one, isn't she, Stevie? -Dave. | 0:45:14 | 0:45:16 | |
Thank you. | 0:45:19 | 0:45:20 | |
We need to know what's in that case. | 0:45:29 | 0:45:31 | |
How're you going to stop him, then? | 0:45:42 | 0:45:44 | |
You'll see. | 0:45:44 | 0:45:45 | |
There he is. | 0:45:56 | 0:45:57 | |
-Where are you going? -Shortcut. | 0:46:05 | 0:46:08 | |
Mate, that's no entry. | 0:46:08 | 0:46:09 | |
I know. We'll cut him off at the one-way system. | 0:46:09 | 0:46:13 | |
Right. Well, how are you going to stop him then, Einstein? | 0:46:19 | 0:46:23 | |
-Watch and learn. -Whatever. | 0:46:23 | 0:46:25 | |
Oh, for Pete's sake! You blind or something?! | 0:46:50 | 0:46:53 | |
You hit me, Granddad. | 0:46:53 | 0:46:55 | |
I hit you?! | 0:46:55 | 0:46:56 | |
Cyclists have the right of way. | 0:46:56 | 0:46:58 | |
You hit me! | 0:46:58 | 0:47:00 | |
-I've hurt my back. -You have, have you? | 0:47:00 | 0:47:02 | |
I can't stand up. | 0:47:02 | 0:47:04 | |
Is this a joke or something? | 0:47:04 | 0:47:06 | |
This is soft tissue damage. I could be suffering for years. | 0:47:06 | 0:47:08 | |
I should wring your neck! | 0:47:08 | 0:47:10 | |
Just give me your insurance information. | 0:47:10 | 0:47:12 | |
-You ran into me, you little wanker! -You all right there, mate? | 0:47:12 | 0:47:14 | |
-Call the cops, will you, love? -The hell you will! | 0:47:14 | 0:47:17 | |
-HONKING -Move it! | 0:47:17 | 0:47:20 | |
-You are a wanker, do you know that? -Yeah, yeah. | 0:47:25 | 0:47:28 | |
Put that bike away! Idiot. | 0:47:28 | 0:47:30 | |
-Which floor? -Ground floor, please. | 0:48:22 | 0:48:24 | |
Does Eddie like horseback riding? | 0:48:32 | 0:48:35 | |
Did he mention it? | 0:48:35 | 0:48:37 | |
I found a photo album under his bed. | 0:48:37 | 0:48:39 | |
Mrs Turner used to take him. | 0:48:39 | 0:48:41 | |
He still has a pony at the stable, but he doesn't go. | 0:48:41 | 0:48:44 | |
Not since she died. | 0:48:45 | 0:48:47 | |
You coming? | 0:48:52 | 0:48:54 | |
I thought I'd look for some of his riding things in the basement. | 0:48:54 | 0:48:57 | |
You wanted to see me? | 0:49:08 | 0:49:10 | |
-You're making a bloody fool of yourself. -I don't know what | 0:49:20 | 0:49:23 | |
you're talking about. | 0:49:23 | 0:49:24 | |
-The girl! -She tried to leave today because of you. | 0:49:24 | 0:49:27 | |
You're being played, Stevie. | 0:49:27 | 0:49:28 | |
You're cutting me out - | 0:49:28 | 0:49:29 | |
you don't trust me as much as Dave Ryder. | 0:49:29 | 0:49:31 | |
I told you, there's some things you don't need to know. | 0:49:31 | 0:49:34 | |
You told me you wanted me to take over one day. | 0:49:34 | 0:49:37 | |
I'm stronger than you think. | 0:49:37 | 0:49:38 | |
You're strong, are you? | 0:49:39 | 0:49:41 | |
Well, let's see then. | 0:49:42 | 0:49:43 | |
Come on, let's just see how strong you are. | 0:49:43 | 0:49:47 | |
ELEVATOR DOORS OPEN | 0:49:59 | 0:50:01 | |
This is the bag of shit who tried to take little Eddie. | 0:50:23 | 0:50:26 | |
You want to show me how strong you are? | 0:50:26 | 0:50:28 | |
Here, take it. | 0:50:33 | 0:50:36 | |
Take it! | 0:50:36 | 0:50:37 | |
Well, now's your chance, son. | 0:50:41 | 0:50:43 | |
Crush his skull in if you want to. You're within your rights. | 0:50:43 | 0:50:46 | |
Well, come on, then! | 0:50:51 | 0:50:53 | |
Do it! | 0:50:53 | 0:50:54 | |
Do it! | 0:50:55 | 0:50:57 | |
I didn't think so. | 0:51:02 | 0:51:05 | |
I didn't bloody think so. | 0:51:05 | 0:51:07 | |
Why d'you do it? | 0:51:19 | 0:51:20 | |
Why? | 0:51:22 | 0:51:23 | |
Where the hell have you been? | 0:51:59 | 0:52:02 | |
It's good to see you, too. | 0:52:02 | 0:52:03 | |
-What's the plan? -You tell me who tried to kill me. | 0:52:03 | 0:52:05 | |
Mm-hmm. After you set me free. | 0:52:05 | 0:52:07 | |
No deal! I ran into your friend, he didn't introduce himself, | 0:52:07 | 0:52:11 | |
so you tell me his name or you die. | 0:52:11 | 0:52:13 | |
I don't know his name. He didn't give it to me. | 0:52:13 | 0:52:15 | |
What did he say to you? | 0:52:15 | 0:52:16 | |
If you came back to Byzantium, | 0:52:17 | 0:52:19 | |
I'd get £100,000 if I gave him your head. | 0:52:19 | 0:52:21 | |
And you didn't think to tell me? | 0:52:26 | 0:52:28 | |
Or Keel? | 0:52:29 | 0:52:30 | |
I'm telling you now. I'd watch yourself, though. | 0:52:30 | 0:52:34 | |
He may have gone to someone else on the team. | 0:52:34 | 0:52:37 | |
KNOCK ON DOOR | 0:52:37 | 0:52:39 | |
We got the results back on his prints - | 0:52:39 | 0:52:43 | |
there's no match anywhere. | 0:52:43 | 0:52:45 | |
This bloke's a ghost. | 0:52:45 | 0:52:46 | |
-What else? -There is nothing else. | 0:52:50 | 0:52:52 | |
He must've given you a number, a way to contact him. | 0:52:52 | 0:52:54 | |
He said he'd find me, that's all. I'm telling you the truth! | 0:52:54 | 0:52:57 | |
Now cut me loose, for God's sake! | 0:52:57 | 0:52:58 | |
I've got a score of my own to settle... | 0:53:12 | 0:53:14 | |
with whoever set me up. | 0:53:14 | 0:53:16 | |
-Your fingerprints. -Yeah. Thanks. | 0:53:22 | 0:53:25 | |
BEEPING | 0:54:15 | 0:54:18 | |
She's... She's done it, hasn't she? | 0:54:33 | 0:54:34 | |
Happy now, are you? | 0:54:41 | 0:54:43 | |
You think that, you're a bigger idiot than I thought you were. | 0:54:44 | 0:54:47 | |
-You're late. -Eddie had trouble sleeping. | 0:55:04 | 0:55:06 | |
What does Turner think happened? | 0:55:06 | 0:55:08 | |
Hasan got loose. | 0:55:08 | 0:55:10 | |
The guard killed him before succumbing to his own injuries. | 0:55:10 | 0:55:12 | |
That'll work. | 0:55:12 | 0:55:14 | |
This has something to do with those steps you fell down? | 0:55:15 | 0:55:18 | |
Didn't you serve together in Afghanistan? | 0:55:19 | 0:55:22 | |
They killed her to get to you, didn't they? | 0:55:22 | 0:55:24 | |
To flush you out. | 0:55:24 | 0:55:25 | |
The longer you stay, the worse it's going to get. | 0:55:27 | 0:55:31 | |
Go, Sam. | 0:55:33 | 0:55:34 | |
Before it's too late. | 0:55:36 | 0:55:38 | |
You're aware we have 32 hours to acquire the bid? | 0:57:13 | 0:57:16 | |
I'm aware. | 0:57:16 | 0:57:17 | |
Help me! He's going to kill me! | 0:57:17 | 0:57:19 | |
You've already lost one of your team, are you willing to lose another? | 0:57:19 | 0:57:23 | |
I'm still looking into how I lost the first one. | 0:57:23 | 0:57:25 | |
You know that tracking device on that case? I've lost the signal. | 0:57:25 | 0:57:28 | |
Make friends, find the case. Do you think you can manage that? | 0:57:28 | 0:57:32 | |
You want me to act like everything is fine, | 0:57:32 | 0:57:34 | |
-when I know it's not. -Look at it this way... | 0:57:34 | 0:57:36 | |
what choice do you have? | 0:57:36 | 0:57:40 | |
-We need to get you out. -I'm going nowhere. | 0:57:40 | 0:57:42 | |
-What'll it take for you to trust me again? -No more excuses, | 0:57:44 | 0:57:46 | |
-no more denials. -I don't like casualties on my watch. | 0:57:46 | 0:57:50 | |
If you're going to kill me, just get it over with. | 0:57:50 | 0:57:52 | |
Subtitles by Red Bee Media Ltd | 0:57:57 | 0:58:00 |