Browse content similar to Kismet. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some violent scenes and some scenes of a sexual nature. | 0:00:02 | 0:00:08 | |
GUNSHOT | 0:00:08 | 0:00:09 | |
-I was set up. -You think it was me? | 0:00:09 | 0:00:11 | |
-Do you expect to come back to work? -I'm your best operative. | 0:00:11 | 0:00:13 | |
Target is Jack Turner. | 0:00:13 | 0:00:15 | |
Mr Turner is currently bidding to acquire the Upper Kyber Dam. | 0:00:15 | 0:00:19 | |
-Hey! -Dad! | 0:00:19 | 0:00:20 | |
Dad, this is Alex Kent - she saved Eddie. | 0:00:20 | 0:00:22 | |
Keel says there's a mole on the team. | 0:00:22 | 0:00:25 | |
What's it going to take for you to trust me again? | 0:00:25 | 0:00:27 | |
I should expose you to Keel right now. | 0:00:27 | 0:00:29 | |
It's my future in there... and yours. | 0:00:29 | 0:00:32 | |
Make friends, find the case. Do you think you can manage that? | 0:00:32 | 0:00:34 | |
How about a drink? | 0:00:34 | 0:00:36 | |
-I've seen one of those blokes before. -Yeah, when? | 0:00:36 | 0:00:38 | |
Dragging Hasan into the house. | 0:00:38 | 0:00:40 | |
JTRP Holdings, £1 billion. | 0:00:43 | 0:00:47 | |
Our bid was 970 million, | 0:00:47 | 0:00:50 | |
we're short 30 million quid. | 0:00:50 | 0:00:53 | |
-GUNSHOT -These reports on Byzantium, | 0:00:53 | 0:00:55 | |
where did they go? | 0:00:55 | 0:00:57 | |
They're going to kill you. | 0:00:57 | 0:00:58 | |
Hourglass. | 0:00:58 | 0:01:00 | |
What's Hourglass? | 0:01:00 | 0:01:02 | |
OK, there he goes. | 0:02:50 | 0:02:52 | |
Yeah, but where? | 0:02:52 | 0:02:54 | |
Are you seeing this, Fowkes? | 0:02:54 | 0:02:56 | |
'Turner's on the move, you better get going.' | 0:02:56 | 0:02:58 | |
-On it. -HE BURPS | 0:02:58 | 0:03:00 | |
Cretin. | 0:03:00 | 0:03:02 | |
TELEPHONE BEEPS | 0:03:04 | 0:03:06 | |
Sam's searching the office now. | 0:03:06 | 0:03:09 | |
FOOTSTEPS | 0:03:16 | 0:03:18 | |
SHE SIGHS | 0:03:28 | 0:03:30 | |
DOOR CLOSES | 0:03:30 | 0:03:31 | |
SHE PANTS | 0:03:31 | 0:03:33 | |
PHONE RINGS | 0:03:35 | 0:03:37 | |
-Sam? -Fowkes is tailing Bingham. | 0:03:37 | 0:03:39 | |
-No, we picked up Turner saying he was going to meeting a tonight. -'He is.' | 0:03:39 | 0:03:42 | |
-Bingham was a decoy. -'Oh, shit.' | 0:03:42 | 0:03:45 | |
-I'll follow him. -No, it's too risky, Sam. I'll have Fowkes turn around. | 0:03:45 | 0:03:48 | |
He won't make it back in time. | 0:03:48 | 0:03:50 | |
-OK, I'll go. -'You won't make it, either.' | 0:03:50 | 0:03:52 | |
Just have Fowkes track my mobile signal. | 0:03:52 | 0:03:54 | |
OK. | 0:03:54 | 0:03:55 | |
Deacon. | 0:04:55 | 0:04:57 | |
What brings you here? | 0:04:59 | 0:05:00 | |
I need to talk. | 0:05:00 | 0:05:02 | |
Our mole. Can't be anyone else. | 0:05:02 | 0:05:04 | |
-It's got to be Aidan. -But you've no proof. | 0:05:04 | 0:05:07 | |
He's too smart. We're not going to catch him in the act. | 0:05:07 | 0:05:10 | |
What makes you think it's him? | 0:05:10 | 0:05:11 | |
Unexplained phone calls, disappears into dead ground for hours at a time. | 0:05:11 | 0:05:15 | |
You've had him followed? | 0:05:15 | 0:05:17 | |
I've had them ALL followed. | 0:05:17 | 0:05:18 | |
-What do you propose? -Set a trap. Draw him in. | 0:05:21 | 0:05:24 | |
And if he sees through it? | 0:05:26 | 0:05:27 | |
We can't just leave him in play. | 0:05:28 | 0:05:30 | |
Not if he got Hasan captured. | 0:05:30 | 0:05:33 | |
If we bring him in without evidence, he may never admit to it. | 0:05:33 | 0:05:37 | |
We need the answers before we ask the questions. | 0:05:37 | 0:05:39 | |
We can't just do nothing. | 0:05:39 | 0:05:41 | |
Leave it with me. | 0:05:46 | 0:05:48 | |
Yeah. | 0:05:54 | 0:05:56 | |
I've got to go. | 0:05:58 | 0:06:00 | |
Jack. | 0:06:06 | 0:06:07 | |
Sam's sending the plate now. | 0:06:22 | 0:06:23 | |
OK, I'm running it. | 0:06:23 | 0:06:25 | |
THUNDER RUMBLES | 0:06:25 | 0:06:28 | |
Please, Vince... At least consider it. | 0:06:36 | 0:06:39 | |
There is nothing to consider. | 0:06:39 | 0:06:40 | |
I'd say there is. | 0:06:40 | 0:06:42 | |
Mr Turner's told you how much he's willing to pay. | 0:06:42 | 0:06:45 | |
It's a lot of cash. | 0:06:45 | 0:06:48 | |
You think this is about money? | 0:06:48 | 0:06:50 | |
You have perverted everything I've taught you. | 0:06:50 | 0:06:53 | |
I'm trying to help you, I know you need the money. | 0:06:53 | 0:06:55 | |
Please, Vince. You have to do this. | 0:06:55 | 0:06:58 | |
No, I don't. And neither do you. | 0:06:58 | 0:07:01 | |
We'll double it. | 0:07:01 | 0:07:02 | |
Please, you've got to see sense. | 0:07:02 | 0:07:04 | |
Lewis... | 0:07:04 | 0:07:06 | |
You're better than this. | 0:07:06 | 0:07:07 | |
THUNDER RUMBLES | 0:07:07 | 0:07:09 | |
Just tell me what you want, Vince. | 0:07:12 | 0:07:14 | |
Whatever you want, I'll do it. | 0:07:16 | 0:07:18 | |
I want both of you to stop this now. | 0:07:19 | 0:07:22 | |
Or I'm calling the police. | 0:07:22 | 0:07:24 | |
Oh, God... | 0:07:31 | 0:07:33 | |
What have you done? | 0:07:33 | 0:07:35 | |
You were wasting your time. He was never going to go for it. | 0:07:35 | 0:07:38 | |
THUNDER | 0:07:38 | 0:07:40 | |
Someone's there! | 0:07:40 | 0:07:41 | |
-Fancy a ride? -Where the hell have you been?! | 0:08:07 | 0:08:09 | |
Get Everett down here. We need a clean-up. | 0:08:17 | 0:08:20 | |
You OK? | 0:08:32 | 0:08:34 | |
Fine. | 0:08:34 | 0:08:35 | |
What did you get? | 0:08:37 | 0:08:38 | |
An ID on the victim. Is this the guy you saw killed? | 0:08:38 | 0:08:41 | |
Yes. Who was he? | 0:08:41 | 0:08:44 | |
His name's Vincent Cage, he was a left-wing economics expert, | 0:08:44 | 0:08:47 | |
published papers on predatory capitalism. | 0:08:47 | 0:08:49 | |
-What about Turner's friend? -His name's Lewis Conroy. Billion-pound hedge-fund manager, | 0:08:49 | 0:08:54 | |
handles some of the UK's top venture capitalists. | 0:08:54 | 0:08:56 | |
-Including Jack Turner? -Yeah, they met through Stephen. | 0:08:56 | 0:08:59 | |
He and Conroy roomed together at Oxford. | 0:08:59 | 0:09:01 | |
Cage was threatening to go to the police. | 0:09:01 | 0:09:03 | |
He said Conroy had perverted everything he'd taught him. | 0:09:03 | 0:09:07 | |
-He didn't say how. -Do you think this has something to do with the 30 million Jack needs? | 0:09:07 | 0:09:11 | |
It must be something important, for him to have beaten a man to death. | 0:09:11 | 0:09:15 | |
How did this happen? | 0:09:15 | 0:09:16 | |
-I tore it getting away. -Were you seen? | 0:09:17 | 0:09:20 | |
Conroy saw me at the window. It was a fraction of a second. Then they came after me. | 0:09:20 | 0:09:24 | |
-You can't go back in that house, Sam. -It was dark, my hood was up. They couldn't see me clearly. | 0:09:25 | 0:09:29 | |
If you're wrong, Jack will kill you. | 0:09:31 | 0:09:33 | |
I can handle it. | 0:09:34 | 0:09:36 | |
I said I can handle it. | 0:09:38 | 0:09:40 | |
Now, let me go before they find I'm missing. | 0:09:40 | 0:09:42 | |
DOOR CLOSES | 0:09:51 | 0:09:53 | |
Oh, Sam... | 0:10:43 | 0:10:44 | |
Who sent them? | 0:10:53 | 0:10:54 | |
-Hourglass. -What's Hourglass? | 0:10:54 | 0:10:57 | |
Police have no prints, no murder weapons and no suspects. | 0:12:06 | 0:12:09 | |
Sam saw Turner bash in this bloke's skull. One call to the cops, he's locked up for good. | 0:12:09 | 0:12:13 | |
Right. And then, Sam's cover is blown. | 0:12:13 | 0:12:15 | |
And we lose all chance of finding out what Turner's game is. | 0:12:15 | 0:12:19 | |
-Yep. Other than that, it's really good thinking. -So we just let the bastard get away with it? | 0:12:19 | 0:12:23 | |
What we need to know is where he's getting the 30 million he needs to buy the dam. | 0:12:23 | 0:12:27 | |
Can't do that if he's sitting in a jail cell. | 0:12:27 | 0:12:29 | |
What's he been up to this morning? | 0:12:29 | 0:12:30 | |
Nothing. No attempts to secure a loan. | 0:12:30 | 0:12:32 | |
No trades placed with Conroy, or anyone else, for that matter. | 0:12:32 | 0:12:35 | |
Isn't that odd? For a man that needs £30 million by tomorrow. | 0:12:35 | 0:12:39 | |
Unless he's been buying lottery tickets we don't know about. | 0:12:39 | 0:12:42 | |
PHONE BEEPS | 0:12:42 | 0:12:44 | |
My new best mate, Dave Ryder. Wants me back at the club. | 0:12:44 | 0:12:47 | |
You still need to find that case that Horst Goebel brought Turner. | 0:12:47 | 0:12:50 | |
-Like I'd ever forget... -Yeah. | 0:12:50 | 0:12:53 | |
Where are YOU going? | 0:12:53 | 0:12:55 | |
-You need me for something? -You didn't answer my question. | 0:12:55 | 0:12:59 | |
I'm going to go and talk to some colleagues of the late Professor Cage | 0:13:01 | 0:13:04 | |
to try and determine why Turner killed him. | 0:13:04 | 0:13:06 | |
If that's all right with you. | 0:13:06 | 0:13:08 | |
Dad? You ready? | 0:13:31 | 0:13:33 | |
It's been a year, Stevie. | 0:14:45 | 0:14:47 | |
We've all got to move on, eh? | 0:14:47 | 0:14:49 | |
-Lewis! -Jack, I need a word. | 0:15:22 | 0:15:25 | |
Don't even think about it. | 0:15:25 | 0:15:26 | |
Uncle Lewis! | 0:15:28 | 0:15:30 | |
Hey! Eddie! | 0:15:30 | 0:15:32 | |
How's my favourite godson? | 0:15:32 | 0:15:34 | |
-I'm your ONLY godson. -I've got you a present. You're going to love it. | 0:15:34 | 0:15:37 | |
-IN AMERICAN ACCENT: -Hi, I'm Alex, Eddie's tutor. | 0:15:37 | 0:15:39 | |
Alex... Stephen's told me all about you. | 0:15:39 | 0:15:42 | |
I'm Lewis. Lewis Conroy. | 0:15:42 | 0:15:45 | |
Hey, how have you been? | 0:15:45 | 0:15:46 | |
CAR ENGINE STARTS | 0:15:46 | 0:15:48 | |
-You all right? -Yeah, how are you? | 0:15:52 | 0:15:55 | |
Sir, may I have a word, please? | 0:16:29 | 0:16:31 | |
What is it? | 0:16:32 | 0:16:33 | |
There you go, champ. | 0:16:36 | 0:16:38 | |
Wicked! This is Jackson and Sammy's favourite game! | 0:16:45 | 0:16:48 | |
-Zombie Killer Death-trap? -It's educational. | 0:16:48 | 0:16:50 | |
Teaches you about physics and spatial co-ordination. | 0:16:50 | 0:16:53 | |
-There's a lot of maths and coding goes into this. -OK, I'm convinced. | 0:16:53 | 0:16:56 | |
-One hour, Eddie. No more. -Thanks, Dad. Thanks, Lewis! | 0:16:56 | 0:17:00 | |
I could do with a drink. | 0:17:01 | 0:17:03 | |
HE SIGHS Sounds like a brilliant idea. | 0:17:03 | 0:17:05 | |
Alex? | 0:17:05 | 0:17:07 | |
What about you? Fancy a drop? | 0:17:07 | 0:17:10 | |
No, thanks. | 0:17:10 | 0:17:12 | |
Come on, Alex. Eddie's going to be wasting his brain for the next hour anyway. | 0:17:12 | 0:17:16 | |
-Sure. I'll keep you company. -Great. | 0:17:16 | 0:17:19 | |
-You've looked everywhere? -The jacket's not in the house. | 0:17:25 | 0:17:28 | |
Maybe she dumped it outside. | 0:17:28 | 0:17:30 | |
You said last night you saw a woman and a man. | 0:17:30 | 0:17:33 | |
It might not have been her. | 0:17:33 | 0:17:34 | |
MIGHT not. | 0:17:34 | 0:17:37 | |
Is Dave Ryder about? | 0:17:43 | 0:17:44 | |
Cheers, mate. | 0:17:46 | 0:17:47 | |
Why should I have to pay for this out of my own pocket? | 0:17:59 | 0:18:01 | |
You really don't want to make this my problem, Ryder. | 0:18:01 | 0:18:04 | |
Leave it with me, I'll sort it. | 0:18:05 | 0:18:07 | |
Yeah, you do that. Call me after. | 0:18:07 | 0:18:10 | |
-Who was that, then? -Never you mind. | 0:18:22 | 0:18:24 | |
All I do round here is take flak for the guv'nor. | 0:18:27 | 0:18:30 | |
-I'm just trying to do my job. Aw, for Christ's sake! -Give us it here. | 0:18:30 | 0:18:34 | |
Used to do this for my old man. | 0:18:38 | 0:18:40 | |
He got one of his hands blown off, | 0:18:41 | 0:18:43 | |
-fighting in the Gulf War. -You a Forces boy, then? | 0:18:43 | 0:18:46 | |
Yeah, moved around all over the place when I was growing up. | 0:18:46 | 0:18:49 | |
Germany, a lot. Couple of years in Northern Ireland. | 0:18:49 | 0:18:53 | |
I got some Irish in me, on my mum's side. | 0:18:53 | 0:18:56 | |
Dad was East End, though. Worked on the docks all his life. | 0:18:56 | 0:18:59 | |
Thought I would, too. | 0:19:00 | 0:19:02 | |
But here I am, in this old game. | 0:19:02 | 0:19:06 | |
My mum and dad don't see me no more. | 0:19:06 | 0:19:09 | |
Not since I did ten months for breaking and entering. | 0:19:09 | 0:19:12 | |
That's a shame. A lad needs family. | 0:19:12 | 0:19:16 | |
You're all right, son. | 0:19:22 | 0:19:24 | |
Thanks. | 0:19:26 | 0:19:27 | |
So what did you get me over here for? | 0:19:31 | 0:19:33 | |
-Do you want a job? -If you got one going. | 0:19:33 | 0:19:35 | |
Grab hold of that. | 0:19:37 | 0:19:39 | |
Come on, while we're still young. | 0:19:45 | 0:19:47 | |
This is Gary. | 0:19:57 | 0:19:58 | |
-Then you lost the shoes, right? -No, YOU lost the shoes. | 0:20:19 | 0:20:22 | |
-THEY CHUCKLE -I fell on my arse. In a bathrobe, bare backside... | 0:20:22 | 0:20:25 | |
And the little Dutch girl's hat... | 0:20:25 | 0:20:27 | |
-I was not wearing a Dutch girl's hat! -So you two met at Oxford? | 0:20:27 | 0:20:31 | |
We shared rooms our first year. We were a good pair, though, huh? | 0:20:31 | 0:20:34 | |
The penniless Belfast chancer and the heir to his old man's millions. | 0:20:34 | 0:20:38 | |
Wasn't hard, I just paid for all the drinks. | 0:20:38 | 0:20:40 | |
And I introduced him to Becky. | 0:20:40 | 0:20:42 | |
Actually, I met her first, at a law lecture. | 0:20:42 | 0:20:44 | |
And then she started going out with him. | 0:20:44 | 0:20:46 | |
Alex, if you only knew the heartache. When she dumped me for Steve... | 0:20:46 | 0:20:49 | |
YOU broke up with her, like he breaks up with all the girls. | 0:20:49 | 0:20:52 | |
Ah, no, but Becky was different. She was special. | 0:20:52 | 0:20:55 | |
She made the right choice, though. | 0:20:55 | 0:20:57 | |
She knew Stephen would make her happier than I ever could. | 0:20:57 | 0:21:00 | |
I... I'll be back in a minute. | 0:21:08 | 0:21:11 | |
DOOR OPENS | 0:21:13 | 0:21:15 | |
Steve. | 0:21:20 | 0:21:22 | |
I'm sorry, I'm a moron. | 0:21:23 | 0:21:25 | |
-She didn't make the right choice. -Steve, don't... | 0:21:25 | 0:21:28 | |
Look at you. You did it yourself. | 0:21:28 | 0:21:30 | |
I've always had my father, but you, you made your own fortune, | 0:21:30 | 0:21:33 | |
with your own honest talent. | 0:21:33 | 0:21:34 | |
And I'm still here in this house, with all this dirty money. | 0:21:34 | 0:21:38 | |
Becky wanted to be with you. | 0:21:41 | 0:21:43 | |
She loved you so much. | 0:21:44 | 0:21:46 | |
That's all that matters. | 0:21:46 | 0:21:48 | |
I wasn't the man she thought I was. | 0:21:48 | 0:21:52 | |
Of course I couldn't save her. | 0:21:54 | 0:21:56 | |
You're the best man I know. | 0:22:00 | 0:22:02 | |
If YOU couldn't save her, then no-one could. | 0:22:03 | 0:22:07 | |
DOOR OPENS | 0:22:09 | 0:22:10 | |
Lewis. A word before you go? | 0:22:12 | 0:22:15 | |
About last night... | 0:22:34 | 0:22:35 | |
-We can't go through with this. -Of course we can. | 0:22:35 | 0:22:37 | |
No. No, we can't. It's too risky. | 0:22:37 | 0:22:39 | |
The only risk was your Commie professor shooting his mouth off. | 0:22:39 | 0:22:43 | |
And I took care of that. | 0:22:43 | 0:22:45 | |
-The police will be looking for who killed Vince. -And they'll find him. | 0:22:45 | 0:22:48 | |
You let me worry about the police. | 0:22:48 | 0:22:51 | |
We'll need a list | 0:22:51 | 0:22:53 | |
of all the women in your office, | 0:22:53 | 0:22:55 | |
any women you've seen socially in the past few months. | 0:22:55 | 0:22:58 | |
What? What for? | 0:22:58 | 0:23:00 | |
You might've been followed last night. | 0:23:00 | 0:23:03 | |
-No-one followed me. -All the same. Just to be safe. | 0:23:03 | 0:23:07 | |
What will you do if you find her? | 0:23:10 | 0:23:12 | |
You just get Bingham the list, all right? | 0:23:13 | 0:23:16 | |
Oh, cheer up, Lewis. | 0:23:19 | 0:23:21 | |
This time tomorrow, you'll be richer than ever. | 0:23:21 | 0:23:25 | |
What was that about? The 30 million? | 0:23:38 | 0:23:42 | |
-30 million...? -You trying to tell me he hasn't told you? | 0:23:42 | 0:23:45 | |
We're short on our bid for the dam. If we don't raise 30 million by tomorrow, we're out. | 0:23:45 | 0:23:49 | |
He just asked me about the accounts, Steve, I swear. He never mentioned it. | 0:23:49 | 0:23:52 | |
He keeps telling me not to worry, that he's got it all under control, but I know he's up to something. | 0:23:54 | 0:23:59 | |
FOOTSTEPS | 0:23:59 | 0:24:00 | |
Listen, do you mind if I ask her out? | 0:24:00 | 0:24:04 | |
What, are we back in school? Do you want me to ask her out FOR you? | 0:24:08 | 0:24:11 | |
-It's OK, isn't it? I mean, you're not that way about her... -It's fine. | 0:24:11 | 0:24:14 | |
-Go for it. -Thanks. | 0:24:14 | 0:24:17 | |
What are you doing tonight? | 0:24:33 | 0:24:35 | |
Just looking after Eddie. | 0:24:37 | 0:24:38 | |
And after that? | 0:24:38 | 0:24:40 | |
-See you, Eddie. -See you, Lewis. | 0:24:42 | 0:24:45 | |
Tonight, after she's put Eddie to bed. | 0:24:46 | 0:24:49 | |
You take care of yourself. | 0:24:51 | 0:24:53 | |
You too. | 0:24:53 | 0:24:56 | |
LOUD MUSIC | 0:25:18 | 0:25:22 | |
HE TURNS DOWN THE VOLUME | 0:25:24 | 0:25:26 | |
-Where we off to, mate? -Don't call me mate, right? | 0:25:28 | 0:25:31 | |
-So what DO I call you? -Mr Tyrone. | 0:25:31 | 0:25:34 | |
-HE CHUCKLES -OK. Mr T. | 0:25:34 | 0:25:38 | |
So you've known Dave a while? | 0:25:40 | 0:25:41 | |
Seems like a nice enough bloke. | 0:25:43 | 0:25:45 | |
-Enjoy a bit of conversation, do you? -Look, here's how it works. | 0:25:48 | 0:25:51 | |
I tell you what to do. | 0:25:53 | 0:25:55 | |
You keep your mouth shut. | 0:25:55 | 0:25:57 | |
All right. | 0:25:59 | 0:26:01 | |
HE TURNS UP THE VOLUME | 0:26:03 | 0:26:05 | |
You see that? | 0:26:24 | 0:26:25 | |
Black pick-up. | 0:26:26 | 0:26:28 | |
Just wait a second. | 0:26:31 | 0:26:33 | |
Nice fella. | 0:26:44 | 0:26:46 | |
Put the bag in the boot before he comes back. | 0:26:47 | 0:26:50 | |
-How do I do that? -You ever use one of these? | 0:26:50 | 0:26:52 | |
Once or twice. | 0:26:53 | 0:26:55 | |
What's in the bag? | 0:26:58 | 0:26:59 | |
Suit yourself. | 0:27:02 | 0:27:03 | |
Oi! Who the shitting hell are you? | 0:27:24 | 0:27:26 | |
-No-one, mate. -Oi! Then, what you doing by my car? | 0:27:26 | 0:27:29 | |
I made a mistake, walked down the wrong street. | 0:27:29 | 0:27:32 | |
Nah, you didn't. | 0:27:32 | 0:27:33 | |
You walked into the wrong bloody life, mate. So say sorry. | 0:27:33 | 0:27:36 | |
Come on, say sorry. | 0:27:36 | 0:27:38 | |
HE GROANS | 0:27:42 | 0:27:45 | |
This the man you told me about? | 0:28:49 | 0:28:51 | |
Your colleague who passed away? | 0:28:53 | 0:28:55 | |
Yeah, that's him. | 0:29:02 | 0:29:04 | |
You said you didn't even like him. | 0:29:04 | 0:29:07 | |
Nobody did. | 0:29:07 | 0:29:09 | |
That doesn't stop me from praying for his soul. | 0:29:11 | 0:29:14 | |
Come by for a drink sometime. | 0:29:18 | 0:29:20 | |
You look like you could use one. | 0:29:21 | 0:29:23 | |
Simran, my favourite fiancee. | 0:29:41 | 0:29:43 | |
-How are the wedding plans coming on? -Insane. | 0:29:43 | 0:29:45 | |
Costing a bloody fortune. | 0:29:45 | 0:29:47 | |
It'll be worth it. Let me know if you need any help. | 0:29:47 | 0:29:49 | |
I already owe you for this job. You've done more than enough. | 0:29:49 | 0:29:54 | |
Then, perhaps you wouldn't mind doing me another favour. | 0:29:54 | 0:29:57 | |
You need to fill out the authorisation, Aidan. | 0:29:57 | 0:30:00 | |
I'll get into so much trouble. | 0:30:00 | 0:30:01 | |
Only if somebody finds out. | 0:30:01 | 0:30:04 | |
OK. What is it? | 0:30:06 | 0:30:08 | |
I've been following a lead, but I keep hitting a dead end. | 0:30:08 | 0:30:11 | |
-Do you know anything about Hourglass? -What's Hourglass? | 0:30:11 | 0:30:16 | |
That's what I need you to tell me, OK? | 0:30:16 | 0:30:19 | |
-Thank you for coming, Natalie. -Not at all. | 0:30:32 | 0:30:35 | |
Aidan! | 0:30:35 | 0:30:37 | |
Have you met Natalie Thorpe? | 0:30:39 | 0:30:42 | |
MI6's liaison officer for Byzantium. | 0:30:42 | 0:30:45 | |
-Aidan Marsh. Pleased to meet you. -You too. | 0:30:45 | 0:30:48 | |
I squeezed in this meeting because you said it was urgent, Mr Keel, but I don't have much time. | 0:30:56 | 0:31:00 | |
I'm fully appreciative of your time, Natalie. | 0:31:00 | 0:31:04 | |
Also, of your considerable track record. | 0:31:04 | 0:31:07 | |
That's interesting. | 0:31:07 | 0:31:09 | |
Considering my track record is restricted information. | 0:31:09 | 0:31:12 | |
When you leave your post at MI6, | 0:31:12 | 0:31:14 | |
you'll be a highly sought-after commodity. | 0:31:14 | 0:31:16 | |
IF I leave. And I don't consider myself a commodity. | 0:31:16 | 0:31:20 | |
I'm prepared to advance your salary, unofficially, of course. | 0:31:21 | 0:31:26 | |
It could be accruing interest now in a Zurich account. | 0:31:26 | 0:31:29 | |
You didn't seriously ask me here to offer me a bribe? | 0:31:29 | 0:31:33 | |
I'm offering you a job. | 0:31:33 | 0:31:35 | |
In exchange for? | 0:31:35 | 0:31:37 | |
The name of your mole in my outfit. | 0:31:37 | 0:31:39 | |
You're required by law to share intelligence | 0:31:43 | 0:31:46 | |
on issues of national security. Why would I need a mole? | 0:31:46 | 0:31:49 | |
You tell me. | 0:31:49 | 0:31:51 | |
MI6 has no mole at Byzantium, Mr Keel. | 0:31:53 | 0:31:56 | |
You're very good. | 0:31:59 | 0:32:01 | |
Please, allow me to persuade you to reconsider. | 0:32:02 | 0:32:07 | |
So I can happily trot away to join your bunch of quasi-criminal mercenaries? | 0:32:07 | 0:32:12 | |
You've misread me. | 0:32:12 | 0:32:14 | |
I'm touched by your faith in Queen and Country. | 0:32:14 | 0:32:16 | |
Do you believe in anything, Mr Keel? Or are you wholly for sale? | 0:32:16 | 0:32:20 | |
The men who employ me use their power and influence | 0:32:23 | 0:32:26 | |
to appoint the Government whose orders you follow. | 0:32:26 | 0:32:29 | |
You've been bought and paid for, Natalie, just as I have. | 0:32:29 | 0:32:32 | |
The only difference is... I don't pretend otherwise. | 0:32:32 | 0:32:35 | |
The offer remains open. If you change your mind, I'll be waiting. | 0:32:43 | 0:32:49 | |
Goodbye, Mr Keel. | 0:32:49 | 0:32:50 | |
-How did it go? -He said to come back tonight. | 0:33:02 | 0:33:05 | |
Then, you done good. | 0:33:05 | 0:33:07 | |
HE CHUCKLES | 0:33:07 | 0:33:09 | |
DOOR CLOSES | 0:33:16 | 0:33:18 | |
Got something? | 0:33:30 | 0:33:32 | |
We have a direction in which to look. How about you? | 0:33:32 | 0:33:35 | |
I finally got into Jack's office... Nothing. | 0:33:35 | 0:33:38 | |
-Zoe. -So we know Turner made his money from Docklands property. | 0:33:38 | 0:33:42 | |
His income growth was steady, if unspectacular, until 2004, when he met Stephen's friend from Oxford. | 0:33:42 | 0:33:48 | |
With the help of his mentor, Vince Cage, | 0:33:48 | 0:33:50 | |
Conroy was one of the first mathematicians to develop a revolutionary idea. | 0:33:50 | 0:33:54 | |
It's a trading algorithm he called Kismet. | 0:33:54 | 0:33:57 | |
So decisions that took floor traders hours to make | 0:33:57 | 0:33:59 | |
were now made by computers in nanoseconds. | 0:33:59 | 0:34:01 | |
Now, over the past eight years, | 0:34:01 | 0:34:03 | |
Kismet has quadrupled the value of Turner's portfolio, | 0:34:03 | 0:34:05 | |
from £80 million to more than 300 million. | 0:34:05 | 0:34:09 | |
Cage said Conroy had perverted everything he'd taught him. | 0:34:09 | 0:34:12 | |
Hard to see how. 300 million quid, thanks to some bloody software. | 0:34:12 | 0:34:16 | |
What about those spikes there? | 0:34:16 | 0:34:18 | |
Yeah, Kismet capitalises almost instantaneously | 0:34:18 | 0:34:20 | |
on unexpected events, so accidents, disasters... | 0:34:20 | 0:34:24 | |
They're making key stock trades before anyone else has time to react. | 0:34:24 | 0:34:27 | |
Whatever Cage knew threatened Turner. | 0:34:27 | 0:34:30 | |
Somehow, he needs to raise 30 million by tomorrow morning. | 0:34:30 | 0:34:33 | |
-I'll try and find out this evening. I have a date with Conroy. -That was quick. | 0:34:33 | 0:34:36 | |
I'll need a sedative. | 0:34:38 | 0:34:40 | |
I'll get you something discreet. | 0:34:40 | 0:34:42 | |
-Thank you, everyone. Zoe. -Yeah? | 0:34:44 | 0:34:46 | |
Goebel's case has gone missing. | 0:34:46 | 0:34:47 | |
Oh, really? | 0:34:47 | 0:34:50 | |
Yeah, I saw it at the club this morning. | 0:34:50 | 0:34:53 | |
-Gone by the time I got back this afternoon. -Uh-huh. | 0:34:53 | 0:34:55 | |
Goebel hasn't been seen since the Turner House. | 0:34:55 | 0:34:57 | |
-Go to Amsterdam and find out what was in that case. -Right away. | 0:34:57 | 0:35:00 | |
Bring us back some cheese, yeah? Maybe some wooden shoes. | 0:35:00 | 0:35:02 | |
I had a meeting with Natalie Thorpe today. | 0:35:04 | 0:35:07 | |
-And? -I offered her a job in exchange for the name of the mole. | 0:35:07 | 0:35:10 | |
-She'll never accept. -Of course not. | 0:35:10 | 0:35:13 | |
But I don't intend to take no for an answer. | 0:35:13 | 0:35:15 | |
Meanwhile, the lives of my team are still in danger. | 0:35:15 | 0:35:18 | |
That's what we pay them for, Deacon. | 0:35:19 | 0:35:21 | |
And you. | 0:35:22 | 0:35:24 | |
Good afternoon, Lewis. | 0:35:36 | 0:35:37 | |
Afternoon, Trudy. | 0:35:54 | 0:35:55 | |
I'll call you back. | 0:35:55 | 0:35:57 | |
Lewis, did you see the news? | 0:36:00 | 0:36:03 | |
It's Professor Cage. | 0:36:03 | 0:36:05 | |
Oh... He's dead. | 0:36:05 | 0:36:08 | |
Oh, my God. | 0:36:11 | 0:36:12 | |
What happened? | 0:36:14 | 0:36:16 | |
They said... they said he was murdered. | 0:36:17 | 0:36:20 | |
You seen my keys? | 0:37:12 | 0:37:14 | |
So that's it? You just shag me and leave me. | 0:37:14 | 0:37:17 | |
Oh, you know I've got a flight to catch. | 0:37:17 | 0:37:19 | |
Just tell me where they are, you prick. | 0:37:19 | 0:37:21 | |
-On the table. -Oh, fab, thanks. | 0:37:21 | 0:37:24 | |
You've not paid these. | 0:37:33 | 0:37:35 | |
Yeah, I'll get round to it. | 0:37:35 | 0:37:37 | |
-I'll take care of it, if you want. -I said I'd do it, and I will. | 0:37:37 | 0:37:40 | |
Andrew... | 0:37:41 | 0:37:42 | |
It's not the same as it was before, is it? | 0:37:48 | 0:37:50 | |
-Well... -SHE SIGHS | 0:37:52 | 0:37:54 | |
Of course it's not, Andrew. | 0:37:55 | 0:37:56 | |
But we're OK, right? | 0:37:58 | 0:38:00 | |
What do YOU think, eh? | 0:38:05 | 0:38:07 | |
Be brilliant. | 0:38:08 | 0:38:11 | |
Yeah, as ever. | 0:38:17 | 0:38:18 | |
DOOR CLOSES | 0:38:18 | 0:38:19 | |
Hey. How did you get on? | 0:38:23 | 0:38:24 | |
Not great, I'm afraid. | 0:38:24 | 0:38:26 | |
-Did you find anything? -Nothing, anywhere. | 0:38:26 | 0:38:29 | |
And then, finally, I thought, "The Russians." They spy on everyone, or they used to. | 0:38:29 | 0:38:32 | |
And they're so corrupt these days, they're reasonably porous. | 0:38:32 | 0:38:35 | |
But I only found one reference, | 0:38:35 | 0:38:37 | |
and I'm not even sure it's the same Hourglass you want. | 0:38:37 | 0:38:40 | |
1978? | 0:38:41 | 0:38:43 | |
What is this, Cold War stuff? | 0:38:43 | 0:38:44 | |
I don't know. The Russians were spying on an MI6 Officer | 0:38:44 | 0:38:47 | |
called George Ballard, who was posted to Moscow. | 0:38:47 | 0:38:50 | |
He kept a case file on something called Hourglass. | 0:38:52 | 0:38:55 | |
So Hourglass was an MI6 case file? | 0:38:55 | 0:38:58 | |
Ballard's the kind of a Smiley figure, low profile, | 0:38:58 | 0:39:00 | |
career professional. | 0:39:00 | 0:39:02 | |
It appears he kept the file open for decades, or at least until 2004. | 0:39:02 | 0:39:06 | |
And what happened in 2004? | 0:39:06 | 0:39:08 | |
He transferred to London. The Russians stopped spying on him. | 0:39:08 | 0:39:11 | |
-Is he still in London? -Yep. He's a Head Of Section. | 0:39:11 | 0:39:14 | |
Byzantium's liaison officer, Natalie Thorpe, | 0:39:14 | 0:39:17 | |
does she report to Ballard? | 0:39:17 | 0:39:19 | |
Directly to him. He's her boss. | 0:39:19 | 0:39:21 | |
Why? What do you know? | 0:39:24 | 0:39:26 | |
I don't know anything yet. | 0:39:26 | 0:39:28 | |
But you did better than you thought. Thank you. | 0:39:28 | 0:39:31 | |
Good night, Eddie. | 0:39:40 | 0:39:42 | |
Good night. | 0:39:42 | 0:39:44 | |
You OK? | 0:39:45 | 0:39:47 | |
It was very cold at the cemetery this morning. | 0:39:57 | 0:40:00 | |
Yes, it was. | 0:40:00 | 0:40:02 | |
My dad cried. | 0:40:03 | 0:40:05 | |
It's OK to cry when you're sad. | 0:40:06 | 0:40:08 | |
Did you cry when your mum died? | 0:40:09 | 0:40:12 | |
Yes, I did. | 0:40:15 | 0:40:17 | |
I wasn't much older than you are now. | 0:40:19 | 0:40:21 | |
Could you wake me up when you come home? | 0:40:29 | 0:40:31 | |
Of course I will. | 0:40:32 | 0:40:34 | |
Can you leave the door open? | 0:40:46 | 0:40:48 | |
Sure. | 0:40:50 | 0:40:51 | |
HE SIGHS | 0:40:56 | 0:40:57 | |
This is the story of the Snow Maiden. | 0:41:37 | 0:41:40 | |
Once upon a time... | 0:41:40 | 0:41:42 | |
Stay in the car. | 0:41:42 | 0:41:43 | |
No! No! SHE SCREAMS | 0:41:43 | 0:41:46 | |
-Get off! -SHE SCREAMS | 0:41:47 | 0:41:49 | |
One scratch. | 0:41:59 | 0:42:01 | |
I'll get his key card. | 0:42:01 | 0:42:03 | |
-Where will you be? -Outside. | 0:42:03 | 0:42:05 | |
I never wanted to see you doing this again. | 0:42:09 | 0:42:11 | |
It's my job. | 0:42:11 | 0:42:13 | |
It was my job long before I met you. | 0:42:15 | 0:42:17 | |
I know we can never get back what we lost in Tangier. | 0:42:19 | 0:42:22 | |
What WE lost? | 0:42:22 | 0:42:24 | |
I was the one who got shot. | 0:42:26 | 0:42:28 | |
You nearly lost your life. | 0:42:28 | 0:42:31 | |
But the baby... That was my loss, too. | 0:42:31 | 0:42:35 | |
Was it a boy or a girl? | 0:42:39 | 0:42:41 | |
SHE SIGHS | 0:42:48 | 0:42:50 | |
A girl. | 0:42:50 | 0:42:52 | |
I'm going to help you find the men who tried to kill you, Sam. | 0:43:03 | 0:43:05 | |
Whatever it takes. I'll find them. | 0:43:07 | 0:43:11 | |
Get a move on. | 0:43:33 | 0:43:35 | |
Hello to you, too... | 0:43:36 | 0:43:37 | |
..tosser. | 0:43:41 | 0:43:42 | |
-What's this about? -It's just a routine search, sir. | 0:43:44 | 0:43:46 | |
Well, you can't do that. Where's your search warrant?! | 0:43:46 | 0:43:49 | |
All right, Bilal. Pimped any 12-year-old girls lately? | 0:43:49 | 0:43:53 | |
No, I ain't done nothing. | 0:43:53 | 0:43:55 | |
Inspector. | 0:43:55 | 0:43:56 | |
Oh! It's our lucky day. | 0:44:04 | 0:44:07 | |
What, what's that? | 0:44:07 | 0:44:09 | |
Oi, get off! What's that?! | 0:44:09 | 0:44:12 | |
Get off me! Get off, get off me! | 0:44:12 | 0:44:16 | |
HE YELLS | 0:44:16 | 0:44:18 | |
-Alex, come in. -DOOR CLOSES | 0:44:35 | 0:44:37 | |
Wow. | 0:44:42 | 0:44:43 | |
-You really are rich. -THEY CHUCKLE | 0:44:48 | 0:44:50 | |
Drink? | 0:44:50 | 0:44:52 | |
Sure. | 0:44:52 | 0:44:54 | |
Sorry, started without you. | 0:44:57 | 0:45:00 | |
Is everything OK? | 0:45:07 | 0:45:10 | |
It was you, wasn't it? | 0:45:12 | 0:45:14 | |
Last night? | 0:45:14 | 0:45:16 | |
-What? -Why do you think I asked you here? | 0:45:17 | 0:45:22 | |
I knew it was you the moment I saw you at the cemetery. | 0:45:23 | 0:45:26 | |
I...I don't know what you're talking about. | 0:45:26 | 0:45:30 | |
Yes, you do. | 0:45:30 | 0:45:32 | |
Who are you? | 0:45:32 | 0:45:34 | |
Why were you following Jack Turner? | 0:45:34 | 0:45:36 | |
-Following him? What are you talking about? -Don't lie to me! | 0:45:36 | 0:45:39 | |
-SHE MOANS -Do you know what he would do if he found out?! | 0:45:39 | 0:45:42 | |
You're scaring me... | 0:45:42 | 0:45:44 | |
You should be scared! I bloody well am. | 0:45:44 | 0:45:46 | |
Why haven't you gone to the police?! | 0:45:46 | 0:45:48 | |
I swear... I don't know what you're talking about... | 0:45:48 | 0:45:51 | |
You're lying! | 0:45:51 | 0:45:52 | |
You're...you're hurting me. | 0:45:55 | 0:45:58 | |
I'm sorry. | 0:46:09 | 0:46:10 | |
I should never have asked you here. | 0:46:10 | 0:46:13 | |
Let me do that. | 0:46:27 | 0:46:29 | |
I'm really sorry, Alex. | 0:46:37 | 0:46:38 | |
You know you can talk to me. | 0:46:42 | 0:46:44 | |
Maybe I can help. | 0:46:45 | 0:46:47 | |
You can't help. | 0:46:47 | 0:46:49 | |
My life's over. | 0:46:49 | 0:46:52 | |
Everything... | 0:46:52 | 0:46:54 | |
It's worthless. | 0:46:54 | 0:46:56 | |
Tell me what happened. | 0:47:01 | 0:47:03 | |
I can't tell you. | 0:47:04 | 0:47:05 | |
I wish to God I could tell someone. | 0:47:07 | 0:47:10 | |
(You can tell me.) | 0:47:26 | 0:47:28 | |
I was cut up when your mum died. | 0:49:05 | 0:49:08 | |
-She was an angel, she was. -Please... | 0:49:09 | 0:49:12 | |
Let's not talk about Mum. | 0:49:13 | 0:49:16 | |
Course, I didn't sit on my arse, drinking myself into a puddle of piss. | 0:49:17 | 0:49:21 | |
I worked. For you and Eddie. | 0:49:22 | 0:49:25 | |
Yeah. I can see the great work you did. | 0:49:25 | 0:49:27 | |
You know your trouble, Stevie? You need to grow yourself some balls. | 0:49:27 | 0:49:31 | |
My wife died last year | 0:49:31 | 0:49:33 | |
and I just want a few minutes alone to remember her. | 0:49:33 | 0:49:36 | |
You want to dwell on the past, instead of seeing what you want and bloody well taking it. | 0:49:36 | 0:49:39 | |
Cos it ain't going to come round begging you to shag it. | 0:49:39 | 0:49:42 | |
What are you talking about? | 0:49:44 | 0:49:45 | |
That little tart, Alex Kent. | 0:49:48 | 0:49:52 | |
Anybody can see by the way you look at her. | 0:49:52 | 0:49:54 | |
Hmm? | 0:49:54 | 0:49:56 | |
HE CHUCKLES | 0:49:56 | 0:49:58 | |
Where is she, anyway? | 0:49:59 | 0:50:00 | |
She's out with Lewis. | 0:50:04 | 0:50:05 | |
With Lewis...? | 0:50:08 | 0:50:09 | |
Six e-mails from Cage to Conroy in the past month. | 0:50:37 | 0:50:41 | |
Subject matter - Kismet. | 0:50:41 | 0:50:43 | |
"Eleven injured in factory fire." "Oil tanker accident." | 0:50:45 | 0:50:49 | |
"Toxic Milk was contaminated." "Blast kills ten..." | 0:50:49 | 0:50:52 | |
Disasters, accidents... | 0:50:52 | 0:50:55 | |
Some of these go back six or seven years... | 0:50:55 | 0:50:57 | |
Can you pull up Jack Turner's accounts? | 0:50:57 | 0:51:00 | |
Stop there. | 0:51:07 | 0:51:09 | |
Look at the dates of these spikes in earnings. | 0:51:09 | 0:51:11 | |
July 31st 2007 and August 12th 2008, | 0:51:11 | 0:51:15 | |
March 11th 2009, September 17th 2011... | 0:51:15 | 0:51:19 | |
That's when Kismet makes its biggest profits. | 0:51:19 | 0:51:21 | |
The dates are the same as the accidents in the newspaper articles. | 0:51:21 | 0:51:25 | |
This is what Cage was going to tell the police. | 0:51:25 | 0:51:27 | |
These weren't accidents. | 0:51:27 | 0:51:30 | |
It's how Turner's making his money. Something's going to happen tonight. | 0:51:30 | 0:51:33 | |
Hey! Stop! | 0:51:33 | 0:51:35 | |
Hey! Quick! Go, go, go, go! | 0:51:45 | 0:51:49 | |
Come on. | 0:52:25 | 0:52:26 | |
What do I pay you for? | 0:52:43 | 0:52:44 | |
Her being with him doesn't prove anything. | 0:52:44 | 0:52:48 | |
Conroy's a...a shag-merchant, you know that. | 0:52:48 | 0:52:51 | |
What's going on with Tyrone? | 0:52:53 | 0:52:55 | |
He should be down there now. | 0:52:58 | 0:53:00 | |
Hey, make sure no-one comes down here. | 0:53:20 | 0:53:23 | |
What are YOU going to do? | 0:53:23 | 0:53:25 | |
Sorry, no questions. Forgot. | 0:53:25 | 0:53:28 | |
HISSING FROM PIPE | 0:54:32 | 0:54:35 | |
PHONE VIBRATES | 0:54:37 | 0:54:40 | |
Yeah. | 0:54:46 | 0:54:48 | |
What?! When? | 0:54:48 | 0:54:50 | |
I'll be right there. | 0:54:52 | 0:54:54 | |
Alex? | 0:54:54 | 0:54:55 | |
Are you OK? | 0:55:01 | 0:55:04 | |
Something's come up at work. Sorry. | 0:55:04 | 0:55:07 | |
It's OK, I can call myself a cab. | 0:55:07 | 0:55:09 | |
DOOR OPENS | 0:55:15 | 0:55:17 | |
Sir... Sir? | 0:55:17 | 0:55:20 | |
Lewis. | 0:55:20 | 0:55:21 | |
What is it, Lewis? | 0:55:22 | 0:55:25 | |
There's been a break-in at my office. | 0:55:25 | 0:55:27 | |
Who broke in? | 0:55:27 | 0:55:29 | |
I don't know, it was a woman and a man. Same as last night. | 0:55:29 | 0:55:31 | |
Is Miss Kent still with you? | 0:55:31 | 0:55:34 | |
She was. She just left. | 0:55:34 | 0:55:36 | |
Oh, nice. She been with you the whole time? | 0:55:36 | 0:55:39 | |
Well, we fell asleep for a couple of hours, but... | 0:55:39 | 0:55:42 | |
Oh, you fell asleep, did you? Then, how do you know that she was with you? | 0:55:42 | 0:55:45 | |
Jack, you're being paranoid. | 0:55:45 | 0:55:47 | |
Am I? | 0:55:47 | 0:55:49 | |
What's Tyrone saying? | 0:55:55 | 0:55:56 | |
-Everything's in order. -It bloody well better be. | 0:55:56 | 0:55:59 | |
RINGING TONE | 0:56:02 | 0:56:05 | |
'Aidan, you need to get down | 0:56:10 | 0:56:11 | |
'to an old underground tram station - Aldwych.' | 0:56:11 | 0:56:14 | |
There was a photo of that tram station in Turner's office. | 0:56:14 | 0:56:17 | |
Fowkes thinks Turner's man did some damage there. | 0:56:17 | 0:56:19 | |
We think that's how he's making money - staging accidents so Kismet can profit. | 0:56:19 | 0:56:23 | |
-Then, you don't have much time. -Going there now. | 0:56:23 | 0:56:25 | |
No, you get back the house, Sam. Turner's been asking about you. | 0:56:25 | 0:56:28 | |
HISSING | 0:57:09 | 0:57:10 | |
Deacon, I'm here. | 0:57:28 | 0:57:29 | |
What can you see? | 0:57:35 | 0:57:36 | |
Nothing. I can't see anything. But... | 0:57:36 | 0:57:38 | |
HE SNIFFS ..there's a strong smell of gas. | 0:57:38 | 0:57:41 | |
You better get out of there now. | 0:57:46 | 0:57:48 | |
'What's going on?' | 0:57:48 | 0:57:49 | |
He's going to blow up a building. Goncourt & Co, on Travers Street. | 0:57:49 | 0:57:53 | |
Get out now - that's an order! | 0:57:53 | 0:57:54 | |
We need to get this whole area evacuated immediately. | 0:57:57 | 0:58:00 | |
SHE MOANS | 0:58:03 | 0:58:05 | |
Wait! Stop! | 0:58:08 | 0:58:09 | |
They're reporting a fatality. | 0:58:17 | 0:58:18 | |
-I'm done, Jack. -You don't stop until I tell you to stop. | 0:58:18 | 0:58:22 | |
He's become a problem, hasn't he? | 0:58:22 | 0:58:23 | |
We've got a situation. | 0:58:23 | 0:58:25 | |
We just want to ask you about the work you've been doing with Aidan Marsh. | 0:58:25 | 0:58:29 | |
You infiltrated my organisation with a mole. | 0:58:29 | 0:58:31 | |
-What do you want? -Everything, everything you know. | 0:58:31 | 0:58:34 | |
Turner will look for the woman that saw him murder Cage. | 0:58:34 | 0:58:36 | |
-Can you ensure Turner gets the names? -You know what he'll do. -That's the point. | 0:58:36 | 0:58:40 | |
-Two people are going to die. -You have to stop it. | 0:58:40 | 0:58:43 | |
-Why did you ask to see me again after all these years? -Hourglass. | 0:58:43 | 0:58:46 | |
Subtitles by Red Bee Media Ltd | 0:59:10 | 0:59:13 |