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The worst side effects, for me, are the flashbacks. | 0:00:02 | 0:00:04 | |
It's so vivid, what I did to her. And the guilt, it's crippling. | 0:00:04 | 0:00:08 | |
Now the government is putting these dangerous fiends | 0:00:08 | 0:00:12 | |
back into our community. | 0:00:12 | 0:00:14 | |
If there's any round 'ere, we'll deal with 'em. | 0:00:14 | 0:00:18 | |
I know you. | 0:00:18 | 0:00:20 | |
What is every living person afraid of? | 0:00:20 | 0:00:23 | |
-Us. -Death. The Big Sleep. | 0:00:23 | 0:00:26 | |
-Great news. Rick is coming home. -Rick's back like Kieren's back. | 0:00:26 | 0:00:30 | |
-Like Kieren... -Dead man walking. -Jemima! | 0:00:30 | 0:00:32 | |
When you died, everything turned to shit. | 0:00:32 | 0:00:35 | |
Life didn't mean anything any more. | 0:00:35 | 0:00:37 | |
HE SCREAMS | 0:00:37 | 0:00:39 | |
I'm infected! Tell Vicky I've always loved her. | 0:00:39 | 0:00:42 | |
My Vicky? | 0:00:42 | 0:00:43 | |
That's enough! Think we should hand them over to the civvies? | 0:00:43 | 0:00:48 | |
-No. -You do the honours. You're a better shot than me. | 0:00:48 | 0:00:52 | |
-What are you doing? -Do it! | 0:00:52 | 0:00:54 | |
You don't have to do everything he tells you, you know. | 0:00:54 | 0:00:56 | |
Not any more. | 0:00:56 | 0:00:58 | |
This programme contains some violent scenes, strong language | 0:00:58 | 0:01:06 | |
and scenes which some viewers may find disturbing. | 0:01:06 | 0:01:13 | |
Time to call Shirl. | 0:01:13 | 0:01:15 | |
He'll be out with Rick. | 0:01:15 | 0:01:17 | |
Or in a ditch somewhere. | 0:01:17 | 0:01:19 | |
No, we have to call Shirley about this. | 0:01:19 | 0:01:22 | |
You call her, she'll call the Treatment Centre | 0:01:22 | 0:01:25 | |
and they'll take him away. Do you want that? | 0:01:25 | 0:01:27 | |
We can't lose him again, Sue. | 0:01:27 | 0:01:29 | |
We won't. | 0:01:29 | 0:01:31 | |
Do you want me to get the netting in? | 0:03:33 | 0:03:36 | |
-Get off. -I'm sorry. | 0:03:38 | 0:03:41 | |
You're sorry? | 0:03:41 | 0:03:42 | |
You embarrassed me, Rick. Siding with that rotter! | 0:03:42 | 0:03:45 | |
Dad, I... | 0:03:45 | 0:03:47 | |
Insubordination. It'll spread. Like piss downhill. | 0:03:47 | 0:03:51 | |
Oh, he's lovin' this. | 0:03:51 | 0:03:53 | |
You saw him swanning round the Legion with his rotter girlfriend. | 0:03:53 | 0:03:56 | |
-Dad... -The Walker lad were smiling ear to rotten ear. | 0:03:56 | 0:04:00 | |
He's got to go, and you've got to do it. | 0:04:00 | 0:04:03 | |
HE GROANS | 0:04:14 | 0:04:16 | |
Got some aspirin if you want? | 0:04:20 | 0:04:21 | |
I, uh, best get back. | 0:04:26 | 0:04:29 | |
Morning council meeting. | 0:04:32 | 0:04:34 | |
This, what happened last night... | 0:04:39 | 0:04:43 | |
If word got out, I'd...lose my job. | 0:04:45 | 0:04:48 | |
Oh, Jesus, there'd be hell to pay. | 0:04:50 | 0:04:52 | |
You think I want it known I shagged someone like you? | 0:04:52 | 0:04:55 | |
What's that supposed to mean? | 0:04:55 | 0:04:56 | |
Good. Keep your mouth shut. | 0:04:58 | 0:05:00 | |
People round here found out I slept with a rotter, I'd be strung up. | 0:05:02 | 0:05:05 | |
BOTH: What are you doing here? | 0:05:18 | 0:05:20 | |
Amy's nan. I knew her. At the hospice. | 0:05:21 | 0:05:24 | |
Came to give her some leftover belongings. | 0:05:24 | 0:05:27 | |
Oh. Right. | 0:05:27 | 0:05:30 | |
You? | 0:05:30 | 0:05:31 | |
I'm doing outreach. | 0:05:34 | 0:05:36 | |
Oh, right. | 0:05:36 | 0:05:38 | |
Partially Deceased face-to-face relations. | 0:05:38 | 0:05:41 | |
We're having pork tonight, Philip. You like pork, don't you, love? | 0:05:48 | 0:05:52 | |
Yep. | 0:05:52 | 0:05:53 | |
What are we doing at the cage? | 0:05:56 | 0:05:58 | |
We need to get some of that paint. | 0:05:58 | 0:06:00 | |
Oh, right. Bloody leg's killing me. Worth it, though. | 0:06:00 | 0:06:04 | |
200 squid for a night's work. | 0:06:04 | 0:06:07 | |
Go on, mate. | 0:06:07 | 0:06:08 | |
You see any rotters caged up? Get your arse in there, you soft get. | 0:06:09 | 0:06:12 | |
You know, first thing I'm going to do with this money, | 0:06:12 | 0:06:15 | |
I'm going to buy myself vitamin C in bulk. I feel rough as dogs. | 0:06:15 | 0:06:18 | |
I must be getting that cold that's going... | 0:06:18 | 0:06:20 | |
GATE SHUTS | 0:06:20 | 0:06:21 | |
-What are you doin'? -You're being quarantined. | 0:06:21 | 0:06:24 | |
-What?! -You got bit. You could turn any time. | 0:06:24 | 0:06:27 | |
That's an urban myth, Gaz! Walker lad said so himself! | 0:06:27 | 0:06:30 | |
Likely story. You dead 'uns stick together, eh? | 0:06:30 | 0:06:34 | |
This is about Vicky, innit? 'Bout what I said last night? | 0:06:34 | 0:06:37 | |
Bastard. | 0:06:39 | 0:06:40 | |
GUNSHOT FIRES | 0:08:08 | 0:08:10 | |
Lisa! | 0:08:22 | 0:08:24 | |
SHOT FIRES | 0:08:36 | 0:08:38 | |
Lisa! | 0:08:39 | 0:08:41 | |
SHE MOANS | 0:09:32 | 0:09:33 | |
You were there. | 0:09:49 | 0:09:50 | |
I have flashbacks. From that time. My medication. | 0:09:54 | 0:09:59 | |
Rebuilds connections in my memory. | 0:09:59 | 0:10:01 | |
You were there when Lisa was killed. | 0:10:01 | 0:10:04 | |
When you killed her. You killed her. She wasn't killed. | 0:10:04 | 0:10:07 | |
You killed her. | 0:10:07 | 0:10:09 | |
When I killed Lisa. | 0:10:09 | 0:10:11 | |
So you come to talk yer way out of it? Make excuses? | 0:10:15 | 0:10:18 | |
No. | 0:10:18 | 0:10:20 | |
You remember me. From then? | 0:10:20 | 0:10:22 | |
Did you see what I did? | 0:10:24 | 0:10:25 | |
And how does it feel? | 0:10:27 | 0:10:29 | |
It feels awful. | 0:10:30 | 0:10:32 | |
I'm not one of those people who thinks that what | 0:10:32 | 0:10:35 | |
we did was all right because it was necessary for our survival, or that | 0:10:35 | 0:10:39 | |
we were somehow an advanced species, so killing the living doesn't count. | 0:10:39 | 0:10:44 | |
It does count. I did kill her. | 0:10:44 | 0:10:48 | |
And all I can say is that | 0:10:52 | 0:10:54 | |
I would have done anything to have stopped it. | 0:10:54 | 0:10:58 | |
So you think I'm a coward? | 0:11:00 | 0:11:02 | |
No. | 0:11:04 | 0:11:05 | |
You saw me. I could have stopped it. | 0:11:05 | 0:11:07 | |
Maybe. | 0:11:08 | 0:11:09 | |
Talk about guilt. | 0:11:09 | 0:11:11 | |
Try looking the parents of your mate in the eye and having them | 0:11:11 | 0:11:15 | |
think you're a hero, when really you're a fake and a liar. | 0:11:15 | 0:11:18 | |
I told Lisa's parents I'd run... | 0:11:20 | 0:11:22 | |
I told everyone that I'd run out of bullets. | 0:11:22 | 0:11:25 | |
And I hadn't run out of bullets. | 0:11:25 | 0:11:29 | |
I just couldn't pull the trigger on my own brother. | 0:11:29 | 0:11:32 | |
Rabid rotter or not. I couldn't do it. | 0:11:32 | 0:11:36 | |
I'm glad you didn't, Jem. | 0:11:41 | 0:11:44 | |
Are you? | 0:11:44 | 0:11:46 | |
I am. I really am. | 0:11:49 | 0:11:52 | |
I'm going to Lisa's parents. I'm going to, erm... | 0:12:00 | 0:12:05 | |
I'm going to try and bring them some peace. | 0:12:05 | 0:12:07 | |
Kier. | 0:12:10 | 0:12:13 | |
Wait for me. | 0:12:13 | 0:12:14 | |
It has to look like he turned on you. | 0:12:16 | 0:12:19 | |
I mean, there's some in Roarton that think these things are people. | 0:12:19 | 0:12:22 | |
Can you believe that? | 0:12:22 | 0:12:24 | |
When you've finished him, say something like, | 0:12:28 | 0:12:32 | |
"When I met up with the Walker lad, he started foaming at the mouth." | 0:12:32 | 0:12:35 | |
Summat like that. | 0:12:35 | 0:12:37 | |
He's not a person, Rick. He's an animal. Worse than an animal. | 0:12:38 | 0:12:42 | |
They might walk and talk, but rotters are evil. | 0:12:42 | 0:12:45 | |
-This has to be done. -Yeah, I know. | 0:12:47 | 0:12:49 | |
"Yeah, I know." Do you want to be in the good books or the bad books? | 0:12:49 | 0:12:52 | |
The good books. | 0:12:52 | 0:12:54 | |
When do you want me to go? | 0:12:55 | 0:12:57 | |
Today. Where's me fags? Janet! | 0:12:57 | 0:13:00 | |
Here, I'll get you some. I don't mind. I'll be straight back. | 0:13:00 | 0:13:04 | |
-Here y'are. Hurry up. -Ta. | 0:13:04 | 0:13:07 | |
Yeah, the Walker lad, eh. | 0:13:08 | 0:13:11 | |
Mum, have you got some change? | 0:13:11 | 0:13:14 | |
Pure poison. You let that go. Respect, lack of respect. | 0:13:14 | 0:13:19 | |
It's like teeth rotting. You let one go, they all start going. | 0:13:19 | 0:13:23 | |
No, he's got to go. | 0:13:23 | 0:13:25 | |
It's like teeth, important, he's got to go. | 0:13:25 | 0:13:29 | |
Won't be a sec. | 0:13:31 | 0:13:33 | |
-Where are you two going? -Out. | 0:13:33 | 0:13:35 | |
Absolutely not. YOU had us worried sick. | 0:13:35 | 0:13:37 | |
-No one's going anywhere. -We have to go out. | 0:13:37 | 0:13:39 | |
It's still very dangerous out there. | 0:13:39 | 0:13:42 | |
PHONE RINGS | 0:13:54 | 0:13:56 | |
Come on! | 0:13:56 | 0:13:59 | |
PHONE RINGS | 0:13:59 | 0:14:00 | |
Relax, Mother, I'm packing. Is someone going to get that? | 0:14:00 | 0:14:03 | |
Steve! | 0:14:03 | 0:14:04 | |
-The handset's not on the charger. -Right. Where's that phone? | 0:14:06 | 0:14:09 | |
How would I know? | 0:14:09 | 0:14:10 | |
-You had it last night. -Think Dad had it last. | 0:14:10 | 0:14:13 | |
I always put it back, Sue. | 0:14:13 | 0:14:14 | |
You say that, Steve, but the number of times I come down | 0:14:14 | 0:14:16 | |
and find it stuffed down the side of the sofa. | 0:14:16 | 0:14:18 | |
That's got nothing to do with me. Once. Once I left it down the sofa, | 0:14:18 | 0:14:22 | |
we had words and ever since then I've made a point of always... | 0:14:22 | 0:14:24 | |
RINGING STOPS | 0:14:24 | 0:14:26 | |
Ah, great, now we're never going to find it. | 0:14:26 | 0:14:28 | |
Hi, Ren. It's me. You're in danger. | 0:14:28 | 0:14:32 | |
Did you get to speak to Rick? | 0:14:32 | 0:14:34 | |
I did, but... | 0:14:34 | 0:14:36 | |
So please, please, if you see me or my dad coming | 0:14:38 | 0:14:41 | |
just...just run. | 0:14:41 | 0:14:43 | |
Please, Ren, stay away. | 0:14:45 | 0:14:47 | |
Ren. About last night, I'm really... | 0:14:52 | 0:14:58 | |
DIAL TONE | 0:14:58 | 0:14:59 | |
Oh, f... | 0:15:01 | 0:15:02 | |
I'm bringing Rick to the service today, Vicar. | 0:15:08 | 0:15:11 | |
'What do we owe the pleasure?' | 0:15:11 | 0:15:12 | |
I need you to do one of your barnstormers. | 0:15:12 | 0:15:14 | |
The lad's got a big mission to do today. | 0:15:14 | 0:15:17 | |
He's going to need inspiring. | 0:15:17 | 0:15:19 | |
I see. What do you have in mind? | 0:15:19 | 0:15:21 | |
Just something about always doin' your duty, no matter what. | 0:15:21 | 0:15:25 | |
Just one minute, Vicar. What? | 0:15:25 | 0:15:28 | |
Philip's outside. He's painting something on the garage door. | 0:15:28 | 0:15:31 | |
HE GASPS | 0:15:38 | 0:15:40 | |
What are you doin'? | 0:15:43 | 0:15:45 | |
Proposal was voted in this morning. | 0:15:45 | 0:15:47 | |
All houses with PDS sufferers living inside must be identified. | 0:15:52 | 0:15:56 | |
SHOT FIRES | 0:15:57 | 0:16:00 | |
Sarge? | 0:16:02 | 0:16:04 | |
Know how you feel. | 0:16:04 | 0:16:06 | |
What's going on? | 0:16:07 | 0:16:09 | |
Get inside and change into your suit. We're going to church. | 0:16:09 | 0:16:12 | |
Oh, hiya, sweetheart, you off to service? Need a lift? | 0:16:30 | 0:16:34 | |
No, thanks, Patty. | 0:16:34 | 0:16:37 | |
Erm, I think you and Duncan should skip church today. | 0:16:37 | 0:16:40 | |
That one. And then that's the new one. | 0:16:51 | 0:16:54 | |
There you go, Kieren. | 0:16:54 | 0:16:56 | |
Duncan gets 'em done at the print place in town. | 0:16:58 | 0:17:01 | |
I design 'em on my computer. | 0:17:01 | 0:17:03 | |
Looks very professional. | 0:17:03 | 0:17:05 | |
Hopefully, we won't have to put 'em up for much longer. | 0:17:05 | 0:17:08 | |
Yeah. | 0:17:10 | 0:17:12 | |
Well... | 0:17:12 | 0:17:13 | |
I don't know how, how to... | 0:17:15 | 0:17:18 | |
Lisa isn't missing. | 0:17:21 | 0:17:22 | |
And I know this for sure because...I was there. | 0:17:24 | 0:17:28 | |
In the supermarket. | 0:17:28 | 0:17:29 | |
I was the one. | 0:17:33 | 0:17:34 | |
I attacked her. I attacked your daughter. | 0:17:38 | 0:17:41 | |
-Good. -Well, that's something, isn't it? | 0:17:41 | 0:17:43 | |
I think what Kieren's trying to say is that... | 0:17:45 | 0:17:48 | |
I know. He bit her, in his untreated state, we get that, love. | 0:17:48 | 0:17:52 | |
So you were the one who moved her body? | 0:17:52 | 0:17:55 | |
-I... -So who was the one who moved her body? | 0:17:56 | 0:18:00 | |
I don't know. | 0:18:00 | 0:18:02 | |
But you're sure you bit her? | 0:18:02 | 0:18:04 | |
Yeah. Yeah, I'm sure I did that. | 0:18:04 | 0:18:07 | |
It's just that we were hoping for a bit more from you. | 0:18:07 | 0:18:11 | |
Like maybe you'd spotted her. | 0:18:11 | 0:18:13 | |
I...uh... | 0:18:13 | 0:18:14 | |
In the woods. When you were in the woods last night. | 0:18:14 | 0:18:17 | |
We heard what you did for those other two | 0:18:17 | 0:18:20 | |
and we'd just like to thank you. | 0:18:20 | 0:18:22 | |
Thank me? | 0:18:23 | 0:18:25 | |
Standing up like you did. | 0:18:25 | 0:18:27 | |
If the patrols find Lisa now, she won't be harmed. | 0:18:27 | 0:18:30 | |
We think that she woke up after you'd...finished with her. | 0:18:31 | 0:18:37 | |
And now she's just roaming about. | 0:18:37 | 0:18:40 | |
I leave the patio door open all the time. Just in case. | 0:18:41 | 0:18:47 | |
Er... | 0:18:47 | 0:18:48 | |
Lisa's not coming back. | 0:18:50 | 0:18:53 | |
Well, course she is. She was bitten. | 0:18:53 | 0:18:56 | |
She will, she'll be coming back like you and Rick Macy. | 0:18:56 | 0:19:00 | |
We all came back because we died the year before The Rising. | 0:19:00 | 0:19:05 | |
After the Rising... | 0:19:06 | 0:19:08 | |
Well, people have died, haven't they, but... | 0:19:08 | 0:19:10 | |
When you're bitten, you come back. | 0:19:10 | 0:19:13 | |
I'm sorry. It doesn't work like that. | 0:19:13 | 0:19:15 | |
That's how it is in the films and everything, isn't it? | 0:19:15 | 0:19:18 | |
Yeah, we've seen it. You get bitten, you come straight back. | 0:19:18 | 0:19:21 | |
-In all the films. -Yeah. I know. But this isn't a film. | 0:19:21 | 0:19:24 | |
Vicar Oddie said that this is a "very serious concern." | 0:19:24 | 0:19:27 | |
Yeah, but Vicar Oddie is saying that because... | 0:19:27 | 0:19:29 | |
Because it could be true. | 0:19:29 | 0:19:31 | |
Couldn't it, Kier? Couldn't it? | 0:19:32 | 0:19:36 | |
They haven't found her body, anything is possible. | 0:19:41 | 0:19:44 | |
You've got to have faith, haven't you? | 0:19:44 | 0:19:48 | |
Lad! Here y'are, mate! | 0:19:53 | 0:19:56 | |
Do us a favour, pop to the shops and get us a sarnie. | 0:19:56 | 0:20:01 | |
Thought you lot didn't eat? | 0:20:01 | 0:20:03 | |
I'm not a bloody rotter, I am diabetic! | 0:20:03 | 0:20:05 | |
You got bit. | 0:20:05 | 0:20:07 | |
That's all bollocks about getting turned from a bite. | 0:20:07 | 0:20:09 | |
My dad says different. | 0:20:09 | 0:20:11 | |
Yer dad! Yer dad don't know his arse from his elbow. | 0:20:11 | 0:20:14 | |
Infected bastard. | 0:20:14 | 0:20:16 | |
'Scuse me. Hiya, love. | 0:20:18 | 0:20:20 | |
You look well, have you lost some weight? | 0:20:20 | 0:20:23 | |
Listen, sweetness. You couldn't do me a favour, could you? | 0:20:23 | 0:20:26 | |
I've been quarantined against me will. | 0:20:26 | 0:20:29 | |
You mangy cow! Call yourself a Christian! | 0:20:30 | 0:20:33 | |
Once the dead have been judged, | 0:20:33 | 0:20:36 | |
only then can the good Lord pave the way to salvation. | 0:20:36 | 0:20:41 | |
And salvation is all that we crave. | 0:20:41 | 0:20:45 | |
ALL: Amen. | 0:20:45 | 0:20:46 | |
Do not be fooled. | 0:20:46 | 0:20:48 | |
Those things are not what they appear to be. | 0:20:48 | 0:20:52 | |
They are not your neighbours, not your friends. They are impostors! | 0:20:52 | 0:20:58 | |
Changelings of the highest order. | 0:20:58 | 0:21:01 | |
The undead are the pale horsemen personified, | 0:21:03 | 0:21:07 | |
intent on destruction and evil, and they must be judged! | 0:21:08 | 0:21:15 | |
The Good Lord demands it! | 0:21:15 | 0:21:18 | |
Revelations 11:18. | 0:21:18 | 0:21:22 | |
"The time has come for judging the dead, | 0:21:22 | 0:21:26 | |
"and for rewarding your servants and those who reverence your name." | 0:21:26 | 0:21:32 | |
Amen! | 0:21:32 | 0:21:34 | |
ALL: Amen. | 0:21:34 | 0:21:35 | |
I have to go to this coffee morning Shirl set up. | 0:21:42 | 0:21:45 | |
Yeah, yeah, all right. Appreciate that, Vicar. | 0:21:45 | 0:21:48 | |
Bill, this is far from over. | 0:21:48 | 0:21:51 | |
"For the trumpet shall sound, | 0:21:51 | 0:21:54 | |
and the dead shall be raised incorruptible." | 0:21:54 | 0:21:57 | |
There will be a second Rising coming, Bill. | 0:21:59 | 0:22:05 | |
When the first risen have been judged, | 0:22:05 | 0:22:07 | |
a second resurrection will be upon us. | 0:22:07 | 0:22:11 | |
But this time the Lord will bring back the proper, | 0:22:11 | 0:22:16 | |
the righteous, the true souls we miss so dearly. | 0:22:16 | 0:22:22 | |
It's the same old Rick. I promise you that. | 0:22:22 | 0:22:26 | |
Come on, son, we've the Lord's work to do. | 0:22:27 | 0:22:30 | |
ON LAPTOP: 'We hold the keys of salvation in our hands'. | 0:22:32 | 0:22:36 | |
KNOCK ON DOOR | 0:22:36 | 0:22:37 | |
What do you want? | 0:22:43 | 0:22:44 | |
I'm here to mark your place. | 0:22:46 | 0:22:48 | |
Fine. | 0:22:52 | 0:22:53 | |
'Fear not. I am the first and the last, I am he that liveth, | 0:22:57 | 0:23:02 | |
'and was dead, and behold I am alive for evermore | 0:23:02 | 0:23:06 | |
'and hold the keys of life and death'. | 0:23:06 | 0:23:09 | |
Join me here. | 0:23:09 | 0:23:11 | |
For when we are united we are strong, and safe... | 0:23:11 | 0:23:13 | |
What are you watchin'? | 0:23:13 | 0:23:15 | |
Nothing. | 0:23:15 | 0:23:16 | |
Done your door. | 0:23:17 | 0:23:20 | |
Good for you, Da Vinci. | 0:23:20 | 0:23:21 | |
You're not like other girls, are you? | 0:23:22 | 0:23:25 | |
If you've finished defacing my property, I'd like you to leave. | 0:23:25 | 0:23:28 | |
It just won't do. | 0:23:28 | 0:23:30 | |
-What won't? -You. Going around like you are. | 0:23:30 | 0:23:34 | |
Was about to get dressed before you turned up. | 0:23:34 | 0:23:37 | |
No, I mean, like that. Walking around bare. | 0:23:37 | 0:23:41 | |
It's a slap in the face to this community. | 0:23:41 | 0:23:43 | |
To war heroes like me. | 0:23:43 | 0:23:45 | |
This is my house, arsehole. I can do what I bloody well... | 0:23:47 | 0:23:50 | |
In this village, you cover up your rotten face! Got it? | 0:23:58 | 0:24:04 | |
That's better. | 0:24:10 | 0:24:12 | |
Want some? | 0:24:40 | 0:24:41 | |
No, I can't have fluids. | 0:24:41 | 0:24:43 | |
Oh, yeah. | 0:24:43 | 0:24:45 | |
Thank you. | 0:24:45 | 0:24:46 | |
What for? | 0:24:46 | 0:24:48 | |
For not taking away their hope. You could have done. | 0:24:48 | 0:24:51 | |
But you didn't. | 0:24:51 | 0:24:53 | |
Yeah, well, I've taken enough away from that family. | 0:24:53 | 0:24:55 | |
You were brave in there. | 0:24:55 | 0:24:57 | |
I didn't feel brave. | 0:24:57 | 0:24:59 | |
You were. Even just going in. It took a lot of guts. | 0:24:59 | 0:25:03 | |
You've always had a lot of guts, a lot more than I've ever had anyway. | 0:25:03 | 0:25:06 | |
-No, no, that's not true. -It is. | 0:25:06 | 0:25:09 | |
People think I'm this rough, tough, gun-toting badass. But I'm not. | 0:25:09 | 0:25:14 | |
I never was. | 0:25:14 | 0:25:15 | |
I don't think of you as a badass. | 0:25:15 | 0:25:18 | |
Dick. | 0:25:18 | 0:25:19 | |
No, I mean that you'll always be my little sister. | 0:25:19 | 0:25:23 | |
Well, I'm your big sister now. I mean, technically, you're still 18. | 0:25:23 | 0:25:28 | |
I'm 19 in three weeks. | 0:25:28 | 0:25:29 | |
I'm going to go. Better get off. Mum and Dad'll worry. | 0:25:37 | 0:25:41 | |
I'll come with you. | 0:25:41 | 0:25:43 | |
No, stay. Talk to her. She's your mate. | 0:25:43 | 0:25:46 | |
Sure? | 0:25:46 | 0:25:47 | |
Yeah. Just don't be back too late, little bro. | 0:25:47 | 0:25:50 | |
Don't want to miss your bedtime story. | 0:25:50 | 0:25:52 | |
Dick. | 0:25:53 | 0:25:55 | |
Hey. I know you. | 0:26:10 | 0:26:13 | |
I thought you were going au naturale? | 0:26:13 | 0:26:16 | |
Yeah, that didn't work out. | 0:26:16 | 0:26:17 | |
Oh. You're not going on a day trip without me, are you? | 0:26:17 | 0:26:23 | |
Isn't a day trip this time, partner. | 0:26:23 | 0:26:26 | |
You're leaving... you're leaving Roarton? | 0:26:26 | 0:26:29 | |
Why? | 0:26:35 | 0:26:37 | |
Lots of reasons. This place. | 0:26:37 | 0:26:40 | |
It's never going to accept people like us. Never ever. | 0:26:40 | 0:26:43 | |
-It will. We'll make them change. -No, it won't. | 0:26:43 | 0:26:45 | |
I...we need to go somewhere where we can be ourselves. | 0:26:46 | 0:26:52 | |
Where's that? | 0:26:52 | 0:26:54 | |
-The un-dead prophet. He's got a commune. -Amy. | 0:26:54 | 0:26:58 | |
He says he's got answers. Aren't you curious why we're here? | 0:26:58 | 0:27:02 | |
-Why we came back in the first place? -Yeah, of course I am. | 0:27:02 | 0:27:05 | |
He's got a community. Lots of people like us up there. | 0:27:05 | 0:27:07 | |
He's bad news, dangerous. | 0:27:09 | 0:27:11 | |
Come with me, then. Be my big, strong bodyguard. | 0:27:11 | 0:27:14 | |
-That's me, is it? -Yep. | 0:27:15 | 0:27:17 | |
That is the best impression of yourself you'll ever | 0:27:19 | 0:27:22 | |
see in your entire second life, Kieren Walker. | 0:27:22 | 0:27:25 | |
OK, then. | 0:27:25 | 0:27:27 | |
So that's a definite yes? You'll come with me? | 0:27:27 | 0:27:29 | |
I can't come with you. Not just yet. | 0:27:34 | 0:27:38 | |
Rick? | 0:27:39 | 0:27:40 | |
He seemed like a dickhead, if you ask me. | 0:27:42 | 0:27:45 | |
Oh, it's an act he puts on with his dad. | 0:27:45 | 0:27:47 | |
You think he'll change too? | 0:27:47 | 0:27:51 | |
-Yes. -You're such a soppy optimist. | 0:27:51 | 0:27:54 | |
Optimist? Amy, I killed myself. | 0:27:54 | 0:27:56 | |
OK, so you're an optimist with depressive tendencies. | 0:27:56 | 0:27:59 | |
I'll be depressed if you leave. | 0:28:03 | 0:28:05 | |
You've a family. | 0:28:05 | 0:28:08 | |
I don't have that. | 0:28:09 | 0:28:11 | |
Much as I love staring at your pretty face all day, | 0:28:14 | 0:28:18 | |
I need something like it. | 0:28:18 | 0:28:19 | |
The medication. We have to have our shots every day. | 0:28:19 | 0:28:21 | |
What are you going to do about that? | 0:28:21 | 0:28:24 | |
Well, the guy with the website, he's got tons of the stuff stockpiled. | 0:28:24 | 0:28:28 | |
Don't be so glum, handsome. I'll be back. | 0:28:28 | 0:28:32 | |
-Oh, we've got a wedding to go to anyway. -Wedding? | 0:28:33 | 0:28:36 | |
Ours, dum-dum. | 0:28:36 | 0:28:38 | |
Be careful, yeah? I mean it. | 0:28:46 | 0:28:49 | |
WHISTLE BLOWS | 0:29:04 | 0:29:06 | |
OK, ladies, if you'd like to take a seat. | 0:29:38 | 0:29:42 | |
Right, now. This is a safe place. | 0:29:42 | 0:29:45 | |
What's said in here does not leave this room. | 0:29:45 | 0:29:48 | |
Now, how is everyone feeling? Any burning questions regarding... | 0:29:48 | 0:29:52 | |
-Eh! -Yes, love? | 0:29:52 | 0:29:54 | |
Well, my son Henry's been getting fan mail from perverts | 0:29:54 | 0:30:00 | |
who find his condition, PDS, arousing. | 0:30:00 | 0:30:05 | |
Some of the letters he gets, pure filth. | 0:30:05 | 0:30:09 | |
This is one. | 0:30:09 | 0:30:11 | |
"Dear undead love god, | 0:30:11 | 0:30:13 | |
"I want to feel your cold dead hands all over my warm silky bodice. | 0:30:15 | 0:30:20 | |
"I want you to bite me deep, you horny corpse. | 0:30:22 | 0:30:26 | |
"Barbara. Stoke on Trent" | 0:30:26 | 0:30:30 | |
Oh, well, yes, er, | 0:30:30 | 0:30:32 | |
well, I can see that this Barbara is very misinformed. | 0:30:32 | 0:30:35 | |
It's not the point, Shirl. | 0:30:35 | 0:30:37 | |
How's everyone else feeling? Sue? | 0:30:39 | 0:30:42 | |
How do I feel? | 0:30:46 | 0:30:49 | |
How am I feeling? Er, well, er... | 0:30:49 | 0:30:54 | |
One minute I'm so happy he's back, and the next I'm filled with anger. | 0:30:54 | 0:31:00 | |
Then a minute later, I'm in the bathroom bawling me eyes out. | 0:31:00 | 0:31:03 | |
So quite honestly, I can't keep up. | 0:31:03 | 0:31:04 | |
-A very common reaction, isn't it, ladies? -ALL: Yeah. | 0:31:04 | 0:31:07 | |
You mentioned being angry with him? | 0:31:07 | 0:31:10 | |
Well, when Kieren, erm, left, my family, erm... | 0:31:15 | 0:31:21 | |
My family went into freefall. | 0:31:24 | 0:31:26 | |
Jemima became this white hot ball of rage | 0:31:27 | 0:31:32 | |
that I couldn't reason with and Steve... | 0:31:32 | 0:31:35 | |
(LAUGHS) Well, you know there's that joke | 0:31:35 | 0:31:38 | |
about the best husband is a mute husband. | 0:31:38 | 0:31:40 | |
But the reality of erm, of watching someone that you've known and loved | 0:31:45 | 0:31:52 | |
for so long just erm... | 0:31:52 | 0:31:55 | |
SHE SNIVELS | 0:31:55 | 0:31:57 | |
Just shutting down in front of you, is awful. | 0:31:57 | 0:32:00 | |
And at its worst point with both of them, I blamed Kieren. | 0:32:02 | 0:32:05 | |
I was just so bloody mad with him. | 0:32:05 | 0:32:07 | |
And that's a horrible way to feel about someone, | 0:32:10 | 0:32:14 | |
especially your only son. | 0:32:14 | 0:32:16 | |
I've felt exactly the same way, Sue. | 0:32:20 | 0:32:23 | |
But more erm...more fear than anger. | 0:32:23 | 0:32:27 | |
I'm ashamed to admit it but when Rick came back I were scared of him. | 0:32:30 | 0:32:35 | |
Scared of me own flesh and blood. | 0:32:37 | 0:32:38 | |
You've got to get it deep enough so it pierces the brain, yeah? | 0:32:42 | 0:32:45 | |
Got you. | 0:32:45 | 0:32:47 | |
Right, I'll be the rotter. | 0:32:47 | 0:32:49 | |
All right, mate, how's it going? | 0:32:53 | 0:32:55 | |
Brilliant. You've got it, well done. | 0:32:59 | 0:33:03 | |
Well, get your coat on, then. | 0:33:08 | 0:33:10 | |
Yeah, just a sec. | 0:33:11 | 0:33:13 | |
Rick! What are you playing at? Where are you? | 0:34:01 | 0:34:05 | |
Well, the way Vicar Oddie puts it, | 0:34:09 | 0:34:11 | |
they're all supposed to be possessed by the devil himself. | 0:34:11 | 0:34:15 | |
Demons in disguise. I haven't found that at all. | 0:34:15 | 0:34:20 | |
My handsome man's back. He's different. | 0:34:24 | 0:34:28 | |
He's a bit different looking. But he's still the same. Deep down. | 0:34:28 | 0:34:34 | |
You know, I know that. | 0:34:34 | 0:34:37 | |
My Ricky's a...he's a good boy. | 0:34:38 | 0:34:41 | |
Dad. | 0:34:51 | 0:34:53 | |
I don't want to hurt Ren. | 0:34:59 | 0:35:01 | |
He's me best mate. | 0:35:04 | 0:35:06 | |
If Ren's evil, Dad, then so am I. | 0:35:08 | 0:35:12 | |
I get you. | 0:35:19 | 0:35:20 | |
Do you? | 0:35:22 | 0:35:23 | |
I do. You're trapped. Aren't you? | 0:35:25 | 0:35:28 | |
You know something's not right and you want out. | 0:35:32 | 0:35:35 | |
Come here. Come here. | 0:35:41 | 0:35:43 | |
HE SOBS | 0:35:43 | 0:35:45 | |
Shhhh. It's all right. | 0:35:45 | 0:35:48 | |
It's going to be all right. | 0:35:51 | 0:35:55 | |
It's going to be all right. | 0:35:57 | 0:35:59 | |
Excuse me, mate, I need help. | 0:36:04 | 0:36:07 | |
What? | 0:36:07 | 0:36:09 | |
Oh, it's bloody Ken. | 0:36:09 | 0:36:11 | |
Hello, Mr Burton. I hate to ask you this. | 0:36:11 | 0:36:15 | |
What do you want? | 0:36:17 | 0:36:19 | |
I need help. I'm a diabetic. | 0:36:19 | 0:36:23 | |
I need sugar. Sarnie or summat. | 0:36:23 | 0:36:25 | |
What sort? | 0:36:27 | 0:36:28 | |
Coronation chicken, if they've got it. | 0:36:28 | 0:36:31 | |
Thank you. | 0:36:34 | 0:36:36 | |
Ken. | 0:36:36 | 0:36:38 | |
I'm sorry for what I've done. | 0:36:41 | 0:36:43 | |
PHONE BEEPS | 0:38:15 | 0:38:17 | |
'Hi, Ren. It's me. You're in danger. | 0:38:24 | 0:38:27 | |
'My dad wants you gone and he wants me to do it. | 0:38:27 | 0:38:29 | |
'So please, please, if you see me or my dad coming, | 0:38:29 | 0:38:33 | |
'just...just run.' | 0:38:33 | 0:38:34 | |
Kieren! | 0:38:42 | 0:38:44 | |
Hiya, love. Sorry I'm late. | 0:39:31 | 0:39:35 | |
Shirl kept nattering on about the village fete. | 0:39:35 | 0:39:38 | |
By heavens, that woman can't half talk. | 0:39:40 | 0:39:43 | |
Where's Rick? | 0:39:45 | 0:39:47 | |
Bill? | 0:39:49 | 0:39:51 | |
Where's Rick? | 0:39:53 | 0:39:55 | |
Rick? I haven't seen Rick for five years. | 0:39:55 | 0:39:58 | |
What do you...what do you mean? | 0:40:01 | 0:40:04 | |
At Manchester Airport, when we waved him off. | 0:40:04 | 0:40:07 | |
That's the last time I saw our son. | 0:40:07 | 0:40:09 | |
HE WHISPERS | 0:41:13 | 0:41:15 | |
Kieren? Wha...? Kier? | 0:41:41 | 0:41:44 | |
Mum! Dad! | 0:41:46 | 0:41:49 | |
LOUD KNOCKING ON DOOR | 0:41:55 | 0:41:57 | |
What idiot's making all that racket? | 0:41:59 | 0:42:01 | |
Kieren. I don't want to... | 0:42:15 | 0:42:18 | |
Stand up. | 0:42:21 | 0:42:23 | |
Stand up! | 0:42:25 | 0:42:27 | |
You're barred from this house. | 0:42:29 | 0:42:31 | |
And that's why. Bloody animal. | 0:42:39 | 0:42:42 | |
You heard me, you're not allowed in this house. | 0:42:42 | 0:42:45 | |
You banned me eight years ago. | 0:42:45 | 0:42:46 | |
And it wasn't for wrecking your furniture, | 0:42:46 | 0:42:49 | |
it's because I gave your son a mix CD. | 0:42:49 | 0:42:51 | |
Aye, and when he comes back, you'll still be banned from here, | 0:42:51 | 0:42:55 | |
so trot on. | 0:42:55 | 0:42:57 | |
What do you mean when he comes back? | 0:42:57 | 0:42:58 | |
-Next time. -Next time? What next time? | 0:42:58 | 0:43:01 | |
Janet, get us another, would you? | 0:43:01 | 0:43:03 | |
What next time, Bill? | 0:43:03 | 0:43:05 | |
Have you not fucked off yet? | 0:43:05 | 0:43:07 | |
What next time? | 0:43:07 | 0:43:10 | |
The next resurrection. The dead are going to rise again. | 0:43:10 | 0:43:14 | |
But this time, only the good dead are going to come up. | 0:43:14 | 0:43:18 | |
The right dead. Not impostors like you and that thing. | 0:43:18 | 0:43:25 | |
Thing? | 0:43:25 | 0:43:26 | |
Oh, he looked like him. He talked like him. | 0:43:26 | 0:43:30 | |
But there were tell-tale signs. I see now. | 0:43:30 | 0:43:33 | |
The medal, now that was a stroke of genius. | 0:43:33 | 0:43:37 | |
Sticking up for the likes of you. Well, that's when the scales fell. | 0:43:37 | 0:43:43 | |
-Oh, Christ, Rick. -It weren't the proper Rick. | 0:43:43 | 0:43:46 | |
Next time, my real son's going to come back | 0:43:46 | 0:43:49 | |
and everything'll be put to rights. | 0:43:49 | 0:43:51 | |
-Your real son did come back. -No, he didn't. -He came back. | 0:43:51 | 0:43:53 | |
And he showed you his real self and you killed him for it. | 0:43:53 | 0:43:56 | |
-I got rid of an impostor. -Because he stuck up for me?! | 0:43:56 | 0:43:59 | |
Yeah! And he looked like you an'all! Those beady little eyes. | 0:43:59 | 0:44:03 | |
-Because he WAS like me. -Wrong! | 0:44:03 | 0:44:05 | |
He came back! And it was a one-shot deal. | 0:44:05 | 0:44:08 | |
It was a...was a gift. A gift and you ruined it. | 0:44:08 | 0:44:13 | |
You murdered your only son. | 0:44:13 | 0:44:15 | |
No, no, no, no! No! No! No! | 0:44:15 | 0:44:20 | |
-You rotten bastard. You've upset my wife. -No! No! | 0:44:20 | 0:44:23 | |
She should be upset. You killed her boy. | 0:44:23 | 0:44:26 | |
I told you, Vicar Oddie said there's going to be a second Rising, | 0:44:26 | 0:44:29 | |
and then the real Rick can come back again, | 0:44:29 | 0:44:32 | |
after I judge the rest of 'em. | 0:44:32 | 0:44:34 | |
You killed Rick. You killed Rick. | 0:44:34 | 0:44:36 | |
You killed Rick. You killed Rick. | 0:44:36 | 0:44:41 | |
No. No. No. No. | 0:44:41 | 0:44:44 | |
Our boy! You killed our boy! | 0:44:48 | 0:44:51 | |
Oh, Christ, Rick. | 0:44:51 | 0:44:53 | |
Oh, Christ. Oh, Jesus, Rick. | 0:44:56 | 0:45:03 | |
Janet, what have I done? | 0:45:03 | 0:45:05 | |
I didn't see nothing. | 0:45:28 | 0:45:31 | |
Someone help. Someone please help me. | 0:46:06 | 0:46:10 | |
I've just had that door varnished. | 0:46:10 | 0:46:12 | |
Well, I'm just following orders, Mrs Bennett. | 0:46:12 | 0:46:15 | |
Mum'll find him, Dad. He wouldn't... | 0:47:16 | 0:47:19 | |
He wouldn't leave us again. | 0:47:23 | 0:47:24 | |
FOOTSTEPS APPROACH | 0:47:49 | 0:47:51 | |
WHISPERING | 0:48:00 | 0:48:02 | |
Lisa? | 0:48:07 | 0:48:09 | |
-Kier, is that you? -Christ, Mum, nearly gave me a heart attack. | 0:48:18 | 0:48:21 | |
Why am I giving you a heart attack? What the hell are you doing here? | 0:48:21 | 0:48:24 | |
I wasn't going to... | 0:48:24 | 0:48:25 | |
I didn't, I didn't know what to do, so I jus... | 0:48:25 | 0:48:28 | |
I just started running and I just needed to be somewhere, | 0:48:28 | 0:48:31 | |
I needed to come here where...where me and Rick used to... | 0:48:31 | 0:48:36 | |
I'm so sorry about what happened to him, love. | 0:48:45 | 0:48:47 | |
-I think I got him killed. -No, you didn't. | 0:48:47 | 0:48:50 | |
He stuck up for me, and Bill... | 0:48:50 | 0:48:52 | |
Yeah, Bill. That's right, Bill killed him. Not you. Bill. | 0:48:52 | 0:48:56 | |
Christ, Mum, it's becoming just like it was before | 0:48:56 | 0:48:59 | |
and I don't know how to change it. | 0:48:59 | 0:49:01 | |
Well, I'll tell you how you change it. This time, you live. | 0:49:01 | 0:49:04 | |
You don't leave. You stay. | 0:49:04 | 0:49:06 | |
You want me to stay? When I'm like this? | 0:49:11 | 0:49:14 | |
Yes. | 0:49:14 | 0:49:16 | |
My God, Kieren, I'd love you with all my heart | 0:49:16 | 0:49:20 | |
if you came back as a...goldfish! | 0:49:20 | 0:49:23 | |
I know how it feels. | 0:49:31 | 0:49:33 | |
To lose someone. | 0:49:34 | 0:49:35 | |
I was going out with this...very handsome RAF pilot. | 0:49:37 | 0:49:42 | |
I know. It's true. I never told you. | 0:49:43 | 0:49:47 | |
I was so amazed by this man. In awe of him, really. | 0:49:47 | 0:49:53 | |
And I had it in my head that we were going to get married, | 0:49:53 | 0:49:56 | |
have kids, the whole shebang. | 0:49:56 | 0:49:59 | |
The only trouble was that he had other plans, | 0:49:59 | 0:50:02 | |
namely dumping me and going out with my best friend Emily | 0:50:02 | 0:50:05 | |
who he deemed more socially acceptable. | 0:50:05 | 0:50:08 | |
I was devastated. Inconsolable. I thought that was it. The end. | 0:50:09 | 0:50:16 | |
I was never going to meet anybody who got me so completely again. | 0:50:16 | 0:50:19 | |
So I quit college and I came home. | 0:50:21 | 0:50:26 | |
And one night, I decided I was going to end it all. | 0:50:28 | 0:50:33 | |
And so I sneaked out the house and went to the late night chemist. | 0:50:36 | 0:50:39 | |
But the fella on the counter point blank refused to serve me. | 0:50:41 | 0:50:44 | |
And I just burst into tears right there in the shop. | 0:50:44 | 0:50:47 | |
But he was so kind, this fella, and even though he wouldn't serve me, | 0:50:48 | 0:50:53 | |
he took me in the back, and he made me a tea, and he listened. | 0:50:53 | 0:50:57 | |
And I talked. | 0:50:58 | 0:51:01 | |
All the way through his shift, I talked and he listened. | 0:51:01 | 0:51:07 | |
And he made me laugh too. | 0:51:10 | 0:51:12 | |
That's something that you don't know about your dad, | 0:51:14 | 0:51:17 | |
he can be very funny when he wants to be. | 0:51:17 | 0:51:19 | |
But sometimes I wish he'd talk more. | 0:51:25 | 0:51:29 | |
And not about Blu-rays and the weather. | 0:51:30 | 0:51:33 | |
But about the real stuff. | 0:51:35 | 0:51:38 | |
He'd love to talk to you, Kieren, talk to you about real stuff. | 0:51:39 | 0:51:45 | |
Where is he? | 0:51:49 | 0:51:51 | |
Having a nervous breakdown at home. | 0:51:51 | 0:51:54 | |
He was going to come with me, but, erm... | 0:51:54 | 0:51:57 | |
He can't come here. | 0:52:00 | 0:52:02 | |
DOOR OPENS | 0:52:17 | 0:52:19 | |
The prodigal son returns. | 0:52:27 | 0:52:29 | |
I'm sorry, Dad. | 0:52:29 | 0:52:30 | |
Not your fault. You were under a lot of stress. | 0:52:30 | 0:52:33 | |
No. I don't want you to let me off that easy. | 0:52:33 | 0:52:36 | |
Oh? | 0:52:36 | 0:52:38 | |
I just left you. No phone call. | 0:52:38 | 0:52:41 | |
No nothing. | 0:52:41 | 0:52:43 | |
Well, yes. Yes, you did do that. | 0:52:43 | 0:52:45 | |
I wasn't thinking. I didn't think. | 0:52:45 | 0:52:48 | |
About Mum's feelings, Jem's. | 0:52:50 | 0:52:54 | |
About your feelings. | 0:52:56 | 0:52:58 | |
Suppose you didn't. | 0:52:58 | 0:53:00 | |
So I want you to tell me off. | 0:53:01 | 0:53:05 | |
Give me a piece of your mind. Give me hell. | 0:53:05 | 0:53:08 | |
OK. You're...you're grounded. | 0:53:08 | 0:53:12 | |
-More. -What did you think you were playing at? | 0:53:12 | 0:53:15 | |
-You had your mother worried sick. -And? | 0:53:15 | 0:53:17 | |
-And you had your sister worried sick an'all. -And? | 0:53:17 | 0:53:20 | |
And I were going to call the police. | 0:53:20 | 0:53:21 | |
-You would have been right to. -Because I was concerned, son. | 0:53:21 | 0:53:24 | |
Yeah, I understand that. I understand that now. | 0:53:24 | 0:53:26 | |
-Very concerned. -Why? | 0:53:26 | 0:53:28 | |
-Cos...you know why. -Tell me. | 0:53:28 | 0:53:31 | |
-You know. -Go on, Dad. Come on, harder. Go on! | 0:53:31 | 0:53:33 | |
Cos I was worried sick! | 0:53:33 | 0:53:35 | |
You just go out, don't tell anyone where you're going, | 0:53:35 | 0:53:38 | |
no contact for days. | 0:53:38 | 0:53:40 | |
Jem thinks she knows where you might be and she tells me, | 0:53:40 | 0:53:43 | |
so I put on me jacket, I grab a torch | 0:53:43 | 0:53:46 | |
and go up into the woods and I get there, I get to the cave. | 0:53:46 | 0:53:50 | |
And there you are. | 0:53:52 | 0:53:54 | |
You're sitting down, you're leaning on a rock. | 0:53:54 | 0:53:57 | |
And I think, "Thank God, he's OK, he's OK." | 0:53:57 | 0:54:01 | |
But then I get close. | 0:54:03 | 0:54:05 | |
I see the Swiss army knife I'd got you for your birthday and it's... | 0:54:05 | 0:54:09 | |
You're covered in blood. So much blood. | 0:54:09 | 0:54:13 | |
I take you in my arms and I run with you in my arms. | 0:54:13 | 0:54:16 | |
I run and run and run, but it's...I can't because you're... | 0:54:16 | 0:54:19 | |
HE SOBS | 0:54:21 | 0:54:23 | |
I can't, son. | 0:54:30 | 0:54:33 | |
# And I'm so damn scared | 0:54:36 | 0:54:41 | |
# Of dying without you | 0:54:41 | 0:54:46 | |
# But I've come prepared | 0:54:48 | 0:54:51 | |
# Resolved from my life to wear a funeral suit | 0:54:52 | 0:54:56 | |
# And don't lie | 0:55:00 | 0:55:03 | |
# Don't lie | 0:55:03 | 0:55:06 | |
# Don't lie | 0:55:06 | 0:55:08 | |
# I know we're fixing to die | 0:55:08 | 0:55:11 | |
# And don't tell me how | 0:55:16 | 0:55:19 | |
# I'll smile and pretend and won't show to the crowd | 0:55:19 | 0:55:24 | |
# And I'll go without | 0:55:26 | 0:55:29 | |
# Punish myself for not knowing about | 0:55:31 | 0:55:35 | |
# This lie | 0:55:39 | 0:55:41 | |
# This lie | 0:55:41 | 0:55:43 | |
# This lie that we're fixing to die | 0:55:43 | 0:55:48 | |
# Don't lie | 0:55:48 | 0:55:50 | |
# Don't lie | 0:55:51 | 0:55:54 | |
# Don't lie | 0:55:54 | 0:55:56 | |
# I know we're fixing to die | 0:55:56 | 0:55:59 | |
# And I'll be like this till the warm sleeper cries | 0:56:02 | 0:56:07 | |
# And I won't give in We'll be dead in the eyes | 0:56:07 | 0:56:11 | |
# And I'll see the dark things that you all try to hide... # | 0:56:11 | 0:56:16 | |
Subtitles by Red Bee Media Ltd | 0:56:18 | 0:56:21 |