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This programme contains some violent scenes. | 0:00:02 | 0:00:04 | |
This programme contains some strong language. | 0:00:04 | 0:00:06 | |
This programme contains some scenes | 0:00:06 | 0:00:08 | |
which some viewers may find upsetting. | 0:00:08 | 0:00:10 | |
TV: '18 months after Partially Deceased Syndrome sufferers were | 0:00:10 | 0:00:13 | |
'resettled, the discovery of a Undead Liberation Army safe house | 0:00:13 | 0:00:16 | |
'will raise fears amongst the living, creating tension. | 0:00:16 | 0:00:19 | |
'Partially Deceased organisations are distancing themselves | 0:00:19 | 0:00:21 | |
'from these extremist factions, | 0:00:21 | 0:00:23 | |
'after the aborted attack on the Eastford shopping centre.' | 0:00:23 | 0:00:25 | |
-Your uncle grew up there. -Weren't it boring there? | 0:00:25 | 0:00:28 | |
HE LAUGHS | 0:00:28 | 0:00:29 | |
You can say what you like about Roarton, lad, but boring it wasn't. | 0:00:29 | 0:00:33 | |
Rotters. | 0:00:36 | 0:00:37 | |
-Now, now! Language. -My mate calls them that all the time. | 0:00:37 | 0:00:40 | |
Does he? Well, he's wrong to. | 0:00:40 | 0:00:42 | |
They don't care. They can't even feel. | 0:00:42 | 0:00:44 | |
-No, that's not true! -And they're dangerous. | 0:00:44 | 0:00:47 | |
Yeah, the living can be just as dangerous, son. You mark my words. | 0:00:47 | 0:00:50 | |
Now, come on. Let's go, let's go. | 0:00:50 | 0:00:53 | |
Come on. | 0:00:53 | 0:00:54 | |
But they went around eating brains. | 0:01:29 | 0:01:32 | |
Yeah, that was in the beginning, | 0:01:32 | 0:01:33 | |
but they're on medication now, aren't they? | 0:01:33 | 0:01:35 | |
So, why are they still trying to attack us? | 0:01:35 | 0:01:38 | |
Well, when people think they're being picked on, they just lash out. | 0:01:38 | 0:01:41 | |
But that's not the answer, is it? That just causes more heartache. | 0:01:41 | 0:01:44 | |
You understand, don't you? | 0:01:44 | 0:01:46 | |
Tram! Quick, quick! | 0:01:48 | 0:01:50 | |
Come on. | 0:01:52 | 0:01:53 | |
Oh, bugger! | 0:01:59 | 0:02:00 | |
KEN LAUGHS | 0:02:53 | 0:02:55 | |
We are the first and the last! | 0:02:59 | 0:03:02 | |
We are those that liveth and were dead! | 0:03:02 | 0:03:06 | |
And behold, we are alive for evermore | 0:03:06 | 0:03:09 | |
and have the keys to hell and death in our hands! | 0:03:09 | 0:03:14 | |
-What's going on? -I don't know, son. It'll be all right. | 0:03:14 | 0:03:18 | |
HE SNIFFS | 0:03:20 | 0:03:22 | |
Ah. | 0:03:26 | 0:03:27 | |
Aaah! | 0:03:29 | 0:03:31 | |
SCREAMS | 0:03:31 | 0:03:32 | |
Aaah! | 0:03:32 | 0:03:34 | |
SCREAMING | 0:03:34 | 0:03:35 | |
Go! Go! | 0:03:41 | 0:03:42 | |
Aaaah! | 0:03:42 | 0:03:44 | |
WOMAN ON TV: 'Sources say the attack is in response to substantial gains | 0:03:54 | 0:03:57 | |
'made by the pro-living party Victus in recent elections. | 0:03:57 | 0:04:00 | |
'Victus has pinned the blame | 0:04:00 | 0:04:02 | |
'on the Undead Liberation Army, a well-known extremist group, | 0:04:02 | 0:04:05 | |
'whose goals include instigating a second uprising of the Undead. | 0:04:05 | 0:04:09 | |
'Over the last fortnight, we've witnessed two major incidents. | 0:04:09 | 0:04:13 | |
'Lancashire MP Maxine Martin spoke to us earlier | 0:04:13 | 0:04:16 | |
'about how we can combat these disturbing rumours.' | 0:04:16 | 0:04:19 | |
-MAXINE: -'First of all, I'd like to add my condolences | 0:04:19 | 0:04:21 | |
'to the families who lost loved...' | 0:04:21 | 0:04:23 | |
KNOCK AT DOOR | 0:04:28 | 0:04:30 | |
How are you doing? | 0:04:30 | 0:04:31 | |
Not good. What are they saying? | 0:04:33 | 0:04:35 | |
Nothing yet. | 0:04:35 | 0:04:37 | |
I'm sure Amy wouldn't have been involved, Kier. | 0:04:41 | 0:04:43 | |
Last postcard she sent from the commune. | 0:04:43 | 0:04:46 | |
"Dear Handsome, hope all's well in Boreton." | 0:04:47 | 0:04:49 | |
She means Roarton, obviously. | 0:04:49 | 0:04:52 | |
"I've been chosen for a very important mission, which I can't tell you about. | 0:04:53 | 0:04:56 | |
"How annoying am I? You'll see. Love, Amy." | 0:04:56 | 0:04:59 | |
A mission? | 0:04:59 | 0:05:01 | |
Kier? Your friend, what was she called? | 0:05:01 | 0:05:04 | |
Amy Dyer, Dad. You met her. | 0:05:04 | 0:05:06 | |
Oh. No mention of a... an Amy Dyer, love. | 0:05:06 | 0:05:08 | |
HE SIGHS | 0:05:08 | 0:05:10 | |
-STEVE: -Why would you think she was one of the attackers, son? | 0:05:10 | 0:05:13 | |
What's she got herself mixed up in? I don't like this, Sue, I really don't. | 0:05:13 | 0:05:16 | |
Dad, give him a break, would you? | 0:05:16 | 0:05:18 | |
I'm just expressing my honest feelings about the emotional situation. | 0:05:18 | 0:05:21 | |
That's great progress, Dad, but just... | 0:05:21 | 0:05:23 | |
Let's just, um...leave them be, eh, Steve? | 0:05:23 | 0:05:25 | |
I'm not holding anything in, Sue. | 0:05:25 | 0:05:27 | |
No, you're doing very well with that, love. | 0:05:27 | 0:05:29 | |
Told you she'd be OK. | 0:05:31 | 0:05:33 | |
Sorry for being such a mess. | 0:05:34 | 0:05:35 | |
Don't be sorry. You thought your best mate had gone rabid. | 0:05:35 | 0:05:39 | |
Look at me. I'm nearly 20. I can't even dress myself properly. | 0:05:39 | 0:05:42 | |
-Oh, do you want me to help? -Ta. | 0:05:42 | 0:05:45 | |
You want to see a real freakazoid, check me out in two weeks' time. | 0:05:45 | 0:05:49 | |
Ah, you're going to ace them, total badass style. | 0:05:49 | 0:05:53 | |
Yeah, well, I can't put a bullet through my mock exams, unfortunately. | 0:05:53 | 0:05:56 | |
You're enjoying it, though? Made lots of new friends? | 0:05:56 | 0:06:00 | |
Yeah, made loads of them. | 0:06:00 | 0:06:03 | |
I'm dead jealous. | 0:06:03 | 0:06:05 | |
Get your GCSEs, Jem, and you're free. | 0:06:05 | 0:06:07 | |
Go to uni, have a future. | 0:06:07 | 0:06:09 | |
You've got a future. Where are you going to spend it this week, Phileas Fogg? | 0:06:09 | 0:06:13 | |
Think I might go to Berlin. | 0:06:13 | 0:06:15 | |
What are you trying to do? Get as far away from me as possible? | 0:06:15 | 0:06:18 | |
Of course not. | 0:06:18 | 0:06:20 | |
You know, people in Europe are more tolerant of...people like me. | 0:06:20 | 0:06:24 | |
Go where I said, then. | 0:06:24 | 0:06:26 | |
-I'm thinking about it. -Don't think, Kier. Do. | 0:06:26 | 0:06:29 | |
It makes sense. You're an artist. Go to Paris. | 0:06:29 | 0:06:31 | |
Then I can come and visit all the time. | 0:06:31 | 0:06:34 | |
Thanks, bro. | 0:06:35 | 0:06:37 | |
Glad Amy's OK. | 0:06:39 | 0:06:41 | |
# Where do bad folk go when they die? | 0:06:47 | 0:06:49 | |
# Don't go to heaven where the angels fly | 0:06:49 | 0:06:53 | |
# Go to a lake of fire and fry | 0:06:53 | 0:06:56 | |
# See 'em again on the Fourth of July | 0:06:57 | 0:07:00 | |
# I knew a lady who came from Duluth | 0:07:00 | 0:07:03 | |
# Bitten by a dog with a rabid tooth | 0:07:03 | 0:07:06 | |
# Went to her grave just a little too soon... # | 0:07:06 | 0:07:09 | |
Going to miss you guys. | 0:07:09 | 0:07:11 | |
-We're going to miss you too. -How are you feeling? | 0:07:11 | 0:07:13 | |
Sad. | 0:07:13 | 0:07:15 | |
Nervous. Excited. | 0:07:16 | 0:07:18 | |
You should be excited, Amy. | 0:07:18 | 0:07:21 | |
You've been chosen. | 0:07:21 | 0:07:23 | |
-Wish I'd risen in Roarton. -Oh, love. | 0:07:23 | 0:07:26 | |
All the redeemed are special. | 0:07:26 | 0:07:28 | |
Yeah, Amy, but some are more special than others. | 0:07:28 | 0:07:31 | |
Ready? | 0:07:35 | 0:07:36 | |
SHE SIGHS | 0:07:39 | 0:07:40 | |
-DOCTOR: -There's some minor tissue damage. | 0:08:02 | 0:08:04 | |
-You say your eyes are getting sore? -They're starting to. | 0:08:07 | 0:08:11 | |
Which is odd, because I'm not supposed to feel pain. | 0:08:11 | 0:08:14 | |
Well, it happens. | 0:08:14 | 0:08:15 | |
Medication you're on stimulates neurogenesis. | 0:08:15 | 0:08:18 | |
Oh, that means it regrows brain cells, love. | 0:08:18 | 0:08:21 | |
-DOCTOR: -Some of those new cells will be pain receptors, I'm afraid. | 0:08:21 | 0:08:24 | |
How many hours in total do you wear your contacts, Kieren? | 0:08:24 | 0:08:27 | |
-Oh, I wear them all the time. -All the time? | 0:08:27 | 0:08:31 | |
-DOCTOR: -When do you take them out? -I don't. | 0:08:31 | 0:08:33 | |
-SHIRLEY: -Even at night-time? | 0:08:33 | 0:08:35 | |
Yeah, I used to, and then I... | 0:08:35 | 0:08:37 | |
I just prefer to keep them in. | 0:08:38 | 0:08:40 | |
Contact lenses aren't for continuous use, mate. | 0:08:40 | 0:08:43 | |
-Now, have you been doing your affirmations, love? -Yeah. | 0:08:43 | 0:08:47 | |
-SHIRLEY: -OK, do one for us now, will you? | 0:08:47 | 0:08:49 | |
I'm a Partially Deceased Syndrome sufferer and that is not my fault. | 0:08:55 | 0:08:59 | |
Great. | 0:09:01 | 0:09:03 | |
There you go. You're off on your travels soon. Going to need these. | 0:09:04 | 0:09:09 | |
-Six months' supply of Neurotriptyline. -Mm. | 0:09:09 | 0:09:11 | |
Tricky to get hold of, but I did cos you asked. | 0:09:11 | 0:09:14 | |
Oh, I don't think I'm going to go to Berlin. | 0:09:14 | 0:09:16 | |
-SHIRLEY: -Oh, good on you. Are you staying put? | 0:09:16 | 0:09:18 | |
No, I'm going to... I might go to Paris. | 0:09:18 | 0:09:21 | |
-DOCTOR: -Either way, you're still going abroad, though, right? | 0:09:21 | 0:09:23 | |
Ooh, listen to him, kicking you out of the country. | 0:09:23 | 0:09:26 | |
No, I just think the way things are going, | 0:09:26 | 0:09:29 | |
Kieren's doing the right thing, moving away. | 0:09:29 | 0:09:31 | |
And why should he have to move? | 0:09:31 | 0:09:33 | |
He was born, bred and died here. | 0:09:33 | 0:09:35 | |
You know, this valley's in the books as a place of outstanding natural beauty. | 0:09:36 | 0:09:40 | |
Have to take you on a ramble some time, Doctor. | 0:09:40 | 0:09:42 | |
Show you the sights. | 0:09:42 | 0:09:45 | |
-DOCTOR: -Nurse Wilson, you gave Kieren his shot, yeah? | 0:09:46 | 0:09:49 | |
Oh. No. | 0:09:49 | 0:09:51 | |
Sorry. Sorry, my brain's a sieve... | 0:09:51 | 0:09:54 | |
-SHE CHUCKLES -..today. Um...right. | 0:09:54 | 0:09:57 | |
HISSING | 0:10:05 | 0:10:07 | |
Voila. | 0:10:08 | 0:10:09 | |
PHONE RINGS | 0:10:12 | 0:10:13 | |
We're ready for you now, Freddie. | 0:10:13 | 0:10:16 | |
-Hey, did you hear, Shirl? -No. | 0:10:16 | 0:10:18 | |
-About Ken Burton. -Yeah? | 0:10:18 | 0:10:20 | |
He was on that carriage when they went rabid. | 0:10:20 | 0:10:22 | |
-Oh, heck. Is he all right? -No, he's not. He's dead. | 0:10:22 | 0:10:25 | |
And not like him, neither. | 0:10:25 | 0:10:28 | |
Ken's dead dead. | 0:10:28 | 0:10:30 | |
-Aaargh! -Oh! Oh! | 0:10:46 | 0:10:47 | |
Aaargh! | 0:10:47 | 0:10:49 | |
Get off! | 0:10:52 | 0:10:53 | |
SNARLING | 0:10:57 | 0:10:59 | |
SNARLS | 0:11:10 | 0:11:13 | |
SCREAMS | 0:11:17 | 0:11:18 | |
Looks like that one gave you the right run-around, Gary. | 0:11:24 | 0:11:27 | |
These rabids are getting more vicious, the more hungry they get. | 0:11:27 | 0:11:30 | |
We caught that up at Lambert's farm. | 0:11:30 | 0:11:32 | |
It's a bit too close for comfort, that, innit? | 0:11:32 | 0:11:34 | |
-You're telling me. -Male rabid caught intact. That's £80. | 0:11:34 | 0:11:38 | |
-Thanking you. -He's been shot. | 0:11:38 | 0:11:40 | |
What? No. I don't carry nothing since t'weapons amnesty. | 0:11:40 | 0:11:44 | |
On his right knee. | 0:11:44 | 0:11:46 | |
Look, he were coming right for me. | 0:11:51 | 0:11:52 | |
What am I supposed to use to fend it off, eh? Foul language? | 0:11:52 | 0:11:55 | |
Male rabid damaged. | 0:11:55 | 0:11:57 | |
£40. | 0:11:57 | 0:11:59 | |
-VICAR: -If you drug a wolf, it does not stop being a wolf! | 0:12:07 | 0:12:13 | |
Aye, it's docile for a while, | 0:12:13 | 0:12:16 | |
and when the drugs wear off, | 0:12:16 | 0:12:20 | |
it will tear you limb from limb! | 0:12:20 | 0:12:23 | |
That is the nature of the beast! | 0:12:23 | 0:12:25 | |
To maim! To kill! | 0:12:25 | 0:12:28 | |
To devour! | 0:12:28 | 0:12:30 | |
The first risen, demons in disguise. | 0:12:37 | 0:12:41 | |
Agents of Satan. | 0:12:41 | 0:12:44 | |
They must be judged, every single one of them. | 0:12:44 | 0:12:48 | |
It's God's given duty to every single one of you! | 0:12:48 | 0:12:54 | |
The blessed... | 0:12:58 | 0:13:00 | |
resurrection is doomed, | 0:13:00 | 0:13:03 | |
until the judgment of the damned is complete! | 0:13:03 | 0:13:08 | |
-Amen! -OTHERS: Amen. | 0:13:08 | 0:13:11 | |
-Thank you, Vicar. -Thank you. | 0:13:11 | 0:13:13 | |
Vicar Oddie? | 0:13:13 | 0:13:15 | |
Yes? | 0:13:15 | 0:13:17 | |
I'm Maxine Martin. | 0:13:17 | 0:13:19 | |
MP for Roarton Valley, newly elected. | 0:13:21 | 0:13:24 | |
Another one? | 0:13:26 | 0:13:28 | |
I'm here because of the recent tragic events. | 0:13:28 | 0:13:30 | |
Kenneth Burton. He was from Roarton, wasn't he? | 0:13:32 | 0:13:35 | |
He was once. | 0:13:35 | 0:13:36 | |
I hope his murder hasn't hit the community too hard. | 0:13:36 | 0:13:39 | |
HE CHUCKLES | 0:13:39 | 0:13:40 | |
Well, we're very resilient people, miss... | 0:13:40 | 0:13:43 | |
Martin. Of course you are, Vicar. | 0:13:43 | 0:13:45 | |
But, as a mark of respect, I'd like to convey my sympathies to the village. | 0:13:45 | 0:13:48 | |
Well, you could have conveyed your respects just now. | 0:13:48 | 0:13:52 | |
I'm afraid the service is ended. | 0:13:52 | 0:13:55 | |
I was hoping to speak to more than just a few of the die-hard faithful. | 0:13:55 | 0:13:59 | |
Where's the rest of your flock got to? | 0:13:59 | 0:14:02 | |
-WOMAN: -Paris, France? -KIEREN: Yeah. | 0:14:04 | 0:14:06 | |
Ooh, you don't want to go and live there. They never bathe. | 0:14:06 | 0:14:10 | |
That's not true. | 0:14:10 | 0:14:11 | |
I heard they don't have showers in their houses. | 0:14:11 | 0:14:13 | |
-Of course they do. -I heard different. | 0:14:13 | 0:14:16 | |
Also, they do their business in a hole. Ugh! | 0:14:16 | 0:14:18 | |
You don't want to go somewhere like that. | 0:14:18 | 0:14:21 | |
You want to stay put and take the promotion I'm offering you. | 0:14:21 | 0:14:24 | |
Here. Keys to the kingdom. | 0:14:24 | 0:14:27 | |
How's that feel, eh? Feels like responsibility, don't it? | 0:14:27 | 0:14:31 | |
You never know. Work hard, keep your nose clean. | 0:14:31 | 0:14:34 | |
One day, you could be running this place. | 0:14:34 | 0:14:37 | |
LOW CHATTER | 0:14:37 | 0:14:40 | |
LOW VOICES | 0:14:49 | 0:14:51 | |
Pint of bitter. | 0:14:51 | 0:14:52 | |
Little birdie tells me you're packin'. | 0:14:56 | 0:14:58 | |
You know how it is. | 0:14:59 | 0:15:02 | |
This is a weapons-free village. Hand it over. | 0:15:02 | 0:15:05 | |
No pistol, no pint. | 0:15:08 | 0:15:11 | |
'Dead 'uns trying to bring about a second Rising? Bloody loons.' | 0:15:17 | 0:15:22 | |
What did Ken expect? | 0:15:22 | 0:15:23 | |
You move to the city, you take your life in your hands. | 0:15:23 | 0:15:26 | |
Yeah, too right. | 0:15:26 | 0:15:27 | |
-No. -You've got to get that one there. | 0:15:32 | 0:15:34 | |
-Right, right, right. -All right? | 0:15:34 | 0:15:37 | |
Hi, Gaz. You all right, mate? | 0:15:37 | 0:15:39 | |
-What you playing, Daz? -What's it look like? | 0:15:39 | 0:15:42 | |
-Don't know. Street Fighter? -Pfff! Street Fighter. Altered Beasts. | 0:15:42 | 0:15:46 | |
Right. Kicking this dead 'un's arse, are you? | 0:15:46 | 0:15:49 | |
Freddie's not a dead 'un. | 0:15:49 | 0:15:50 | |
He's a Partially Deceased Syndrome sufferer. | 0:15:50 | 0:15:53 | |
Right. | 0:15:53 | 0:15:54 | |
Hey, I poached myself one of those partly dead whatdyamacallits today. | 0:15:54 | 0:15:58 | |
Got a few bob. Fancy a sarnie on me? | 0:15:58 | 0:16:01 | |
Know when I fancied a sarnie? The time you locked me up in t'cage | 0:16:01 | 0:16:04 | |
and went round saying I was turning into a dead... | 0:16:04 | 0:16:07 | |
Partially Deceased Syndrome sufferer. | 0:16:07 | 0:16:09 | |
-That's when I were hungry. -Come on, mate. | 0:16:09 | 0:16:11 | |
Oh, just do one, Gaz. | 0:16:11 | 0:16:13 | |
COMPUTER BEEPS Oh! | 0:16:18 | 0:16:21 | |
LOW CHATTER | 0:16:23 | 0:16:25 | |
GIRL LAUGHS | 0:16:46 | 0:16:49 | |
LOW CHATTER | 0:16:49 | 0:16:51 | |
LAUGHTER | 0:16:54 | 0:16:56 | |
-See that? -See what? | 0:17:05 | 0:17:07 | |
-She looked right at me. -No, she didn't. | 0:17:07 | 0:17:09 | |
You need your contacts checking. | 0:17:09 | 0:17:11 | |
Oh, forget it, Henry. | 0:17:11 | 0:17:13 | |
When she's 60, you'll still be 16. | 0:17:13 | 0:17:16 | |
It's not a problem. I like a maturer woman. | 0:17:16 | 0:17:20 | |
Check it out. Made it myself. | 0:17:20 | 0:17:23 | |
-Never going to happen. -It is. | 0:17:23 | 0:17:26 | |
A living-deceased relationship in Roarton Valley? | 0:17:26 | 0:17:29 | |
Have you been missing your meds? Cos you're talking like a brainless rabid. | 0:17:29 | 0:17:33 | |
You do know she was in the Human Volunteer Force? | 0:17:33 | 0:17:35 | |
Why do you think I came back from the dead in the first place? | 0:17:35 | 0:17:38 | |
It's so me and Jem Walker can be together. | 0:17:38 | 0:17:41 | |
It's fate, man, written in stars. | 0:17:41 | 0:17:44 | |
Her brother's PDS. | 0:17:45 | 0:17:47 | |
I've got to have a chance. | 0:17:47 | 0:17:49 | |
This is where your constituents spend most of their days, Miss Martin. | 0:17:59 | 0:18:03 | |
Wonderful. | 0:18:03 | 0:18:04 | |
Get me a double whisky, there's a good lad. | 0:18:07 | 0:18:09 | |
Hi there. | 0:18:09 | 0:18:10 | |
-Can I squeeze in? -Please yourself. | 0:18:10 | 0:18:12 | |
I'm Maxine, your local MP. | 0:18:14 | 0:18:16 | |
How's everyone holding up? | 0:18:17 | 0:18:19 | |
-All right. -Main road needs fixing up. | 0:18:19 | 0:18:22 | |
I mean, how's everyone holding up after the news about Ken Burton? | 0:18:22 | 0:18:25 | |
Oh, aye, we were just talking about that. | 0:18:25 | 0:18:28 | |
-MAXINE: -I'm sure you were. | 0:18:28 | 0:18:29 | |
It's tragic, but, er...you will pay the price if you go off gallivanting. | 0:18:29 | 0:18:34 | |
-I told him, didn't I? -You did. | 0:18:34 | 0:18:36 | |
I said, "Ken, if you want a change, just move down the valley." | 0:18:36 | 0:18:40 | |
But, oh, no. He insisted on moving to the city. | 0:18:40 | 0:18:43 | |
I'm sorry, but, well, he doomed himself. | 0:18:43 | 0:18:46 | |
So, you're not that concerned there was a PDS terrorist attack in Lancashire? | 0:18:46 | 0:18:50 | |
-Hm. -Weighs on your mind, I suppose. | 0:18:50 | 0:18:53 | |
But that sort of thing happens in those cities, doesn't it? | 0:18:53 | 0:18:56 | |
So, are you from the city, then, Mrs? | 0:18:56 | 0:18:58 | |
Oh, no, I was born here. | 0:18:58 | 0:18:59 | |
-Were you? -Born but not bred. | 0:18:59 | 0:19:02 | |
I moved away a long time ago. Could say I'm a local girl done good. | 0:19:02 | 0:19:05 | |
Oh, well, excuse us while we break out the bunting. | 0:19:05 | 0:19:09 | |
WOMEN CHUCKLE | 0:19:09 | 0:19:10 | |
Anyone for a top-up? | 0:19:10 | 0:19:12 | |
-Oh, don't mind if I do. -I'll have a pint, please. | 0:19:12 | 0:19:15 | |
Mm. | 0:19:15 | 0:19:18 | |
-MAXINE: -A pint and two halves of bitter, please. | 0:19:18 | 0:19:20 | |
She's got a high opinion of herself, don't she? | 0:19:20 | 0:19:22 | |
Hasn't she just? | 0:19:22 | 0:19:23 | |
Did you know Ken Burton? | 0:19:24 | 0:19:26 | |
He was my next-door neighbour. Can't believe it. | 0:19:26 | 0:19:29 | |
-HE SCOFFS -It's senseless. -I agree. | 0:19:29 | 0:19:32 | |
A senseless tragedy. | 0:19:32 | 0:19:34 | |
SHE TUTS | 0:19:34 | 0:19:36 | |
Oh. Oh, you're... | 0:19:39 | 0:19:41 | |
..you're... | 0:19:42 | 0:19:43 | |
-MAXINE: -And so is he. | 0:19:46 | 0:19:49 | |
It's very relaxed in here, isn't it? | 0:19:49 | 0:19:52 | |
Could you bring those over for me? Thanks. | 0:19:52 | 0:19:54 | |
What was all that about? | 0:19:55 | 0:19:58 | |
That's Maxine Martin. She's a member of Victus. | 0:19:58 | 0:20:00 | |
Victus? Jesus. Really? | 0:20:00 | 0:20:03 | |
Don't worry. She won't be staying long. | 0:20:03 | 0:20:05 | |
Did you go to school in the valley, Miss Martin? | 0:20:06 | 0:20:09 | |
I went to the primary school. Never made it to the big one. | 0:20:09 | 0:20:12 | |
Mum? Dad? | 0:20:21 | 0:20:23 | |
HE TYPES | 0:20:37 | 0:20:39 | |
'Ladies and gentlemen, | 0:20:51 | 0:20:54 | |
'do not be fooled by the lies peddled by the corrupt elite.' | 0:20:54 | 0:20:58 | |
AUDIENCE MEMBERS AGREE | 0:20:58 | 0:21:00 | |
'These so-called Partially Deceased Syndrome sufferers | 0:21:00 | 0:21:03 | |
'are not like you or me... | 0:21:03 | 0:21:06 | |
'with normal hopes and normal dreams. | 0:21:06 | 0:21:09 | |
'They may pretend to be like us, | 0:21:09 | 0:21:11 | |
'but what lies beneath that mask of make-up and medication | 0:21:11 | 0:21:16 | |
'is a cold, hard killer that cannot be reasoned with.' | 0:21:16 | 0:21:21 | |
MURMURS OF AGREEMENT | 0:21:21 | 0:21:22 | |
'The PDS sufferer in your home, | 0:21:22 | 0:21:25 | |
'in your shop, in your pub, | 0:21:25 | 0:21:28 | |
'is one missed dose away from tearing your head apart.' | 0:21:28 | 0:21:32 | |
AUDIENCE MEMBER: Completely, yeah. | 0:21:32 | 0:21:35 | |
I assumed it would be a... a whistle-stop visit, Miss Martin. | 0:21:54 | 0:21:59 | |
Well, I'm a firm believer in local government, | 0:21:59 | 0:22:01 | |
meeting my constituents face to face, | 0:22:01 | 0:22:04 | |
and for that I need a comfortable, professional environment. | 0:22:04 | 0:22:06 | |
A few cobwebs. Nothing that a good airing won't solve. | 0:22:10 | 0:22:14 | |
I'll leave Philip at your disposal. | 0:22:14 | 0:22:16 | |
I hope you're not afraid of a little elbow grease, Philip. | 0:22:16 | 0:22:20 | |
Right... | 0:22:24 | 0:22:26 | |
# And I was better where | 0:22:26 | 0:22:30 | |
# I was miserable | 0:22:32 | 0:22:33 | |
# Why didn't you leave me there? | 0:22:33 | 0:22:37 | |
# And I love you Please, don't go | 0:22:41 | 0:22:44 | |
# But don't you sit there looking like you know | 0:22:46 | 0:22:51 | |
# That I'm the one that kept you from your home | 0:22:52 | 0:22:57 | |
# Don't | 0:23:01 | 0:23:03 | |
# Go | 0:23:03 | 0:23:05 | |
# Don't go | 0:23:07 | 0:23:10 | |
# Don't go... # | 0:23:13 | 0:23:15 | |
-KIEREN: -I've got to get out of here, Rick. | 0:23:15 | 0:23:18 | |
I don't want to be pulling pints in the flippin' Legion for the rest of my... | 0:23:20 | 0:23:24 | |
HE SIGHS | 0:23:24 | 0:23:25 | |
..for ever. Huh! | 0:23:25 | 0:23:27 | |
Jesus. What am I doing? | 0:23:29 | 0:23:31 | |
I'm talking to you, and you're not even here! | 0:23:31 | 0:23:34 | |
I thought I was the only one who did that. | 0:23:34 | 0:23:38 | |
Amy?! | 0:23:38 | 0:23:39 | |
Oh! Kieren Walker! | 0:23:41 | 0:23:44 | |
As I live and breathe! | 0:23:44 | 0:23:47 | |
-Oh! -Oh. | 0:23:48 | 0:23:50 | |
-What are you doing here? -I live here, handsome! | 0:23:50 | 0:23:54 | |
HE CHUCKLES | 0:23:54 | 0:23:56 | |
-Paris? -Yeah, I'm off any day now. | 0:23:56 | 0:23:59 | |
Do you even speak a word of Francais, Kieren Walker? | 0:23:59 | 0:24:01 | |
I got a B in French GCSE. | 0:24:01 | 0:24:04 | |
Oh, well, sacre bleu! You're good to go, then. | 0:24:04 | 0:24:07 | |
Anyway, there's no need to run off into the great blue yonder now I'm back. | 0:24:07 | 0:24:11 | |
-Yeah, maybe. -BOYS SHOUTING | 0:24:11 | 0:24:13 | |
You like? | 0:24:13 | 0:24:14 | |
Course I do. But it's a bit out of the blue. | 0:24:14 | 0:24:17 | |
-CHUCKLING -Here you are. I think I'm in shock. | 0:24:17 | 0:24:19 | |
I'm a stunner, handsome. What can I say? | 0:24:19 | 0:24:22 | |
Now, look, I've got some bad news to break | 0:24:22 | 0:24:25 | |
and I don't want you getting too depressed and distraught, OK? | 0:24:25 | 0:24:29 | |
OK. | 0:24:29 | 0:24:30 | |
The wedding's off. | 0:24:30 | 0:24:32 | |
-Wedding? -Ours, dumb-dumb. | 0:24:32 | 0:24:35 | |
Oh. | 0:24:35 | 0:24:36 | |
Oh! | 0:24:36 | 0:24:37 | |
-I am betrothed to another. -Who? | 0:24:37 | 0:24:40 | |
That's for me to know and you to find out. | 0:24:40 | 0:24:42 | |
What's that supposed to mean? | 0:24:42 | 0:24:43 | |
-Who are you betrothed to? -What about you? | 0:24:43 | 0:24:45 | |
I know you're probably still very heartbroken. Over me, of course. | 0:24:45 | 0:24:49 | |
But is there anyone else on the horizon | 0:24:49 | 0:24:51 | |
who could console you over our dashed nuptials? | 0:24:51 | 0:24:54 | |
What? No, course there isn't. | 0:24:54 | 0:24:56 | |
-Er...why? -Who'd want someone like me? | 0:24:56 | 0:24:59 | |
-Er...anyone with eyes in their nogs. -Yeah, right. | 0:24:59 | 0:25:02 | |
Don't talk daft, Kieren Walker. You're gorgeous! | 0:25:02 | 0:25:05 | |
You're more than gorgeous. You're more-geous. | 0:25:05 | 0:25:09 | |
-Mm. -You're incredibly special. | 0:25:09 | 0:25:12 | |
-That so? -Mm. | 0:25:12 | 0:25:13 | |
You rose in Roarton, for starters. That's monumental. | 0:25:13 | 0:25:16 | |
How does that make me special? | 0:25:21 | 0:25:23 | |
Amy? | 0:25:23 | 0:25:24 | |
Amy? | 0:25:26 | 0:25:28 | |
-They should all be there, Miss Martin. -They're clearly not. | 0:25:30 | 0:25:34 | |
The parish records are usually kept in very good order. | 0:25:34 | 0:25:37 | |
I'd like them found and given to me as soon as possible, please. | 0:25:37 | 0:25:40 | |
When you've finished the clearing, of course. | 0:25:40 | 0:25:43 | |
-It's a myth. -It's true. | 0:25:56 | 0:25:58 | |
The first to rise from their graves were the dead of Roarton Village. | 0:25:58 | 0:26:00 | |
-Who's been telling you that? -People. | 0:26:00 | 0:26:02 | |
People? People like the Undead Prophet, you mean? | 0:26:02 | 0:26:06 | |
I didn't actually get to meet the Undead Prophet at the commune. | 0:26:06 | 0:26:08 | |
Who did you meet? | 0:26:08 | 0:26:10 | |
That's for me to know and you to find out. | 0:26:11 | 0:26:14 | |
Who's that in your bungalow? | 0:26:14 | 0:26:16 | |
What are you doing tomorrow? Apart from going to live in a different country. | 0:26:16 | 0:26:20 | |
Do you think you can dampen down your wanderlust for one extra day? | 0:26:20 | 0:26:23 | |
-Why? -I want you to meet the beau. | 0:26:23 | 0:26:26 | |
Our final resting place tomorrow, 10am. | 0:26:26 | 0:26:29 | |
-Say yea. -All right, then. | 0:26:29 | 0:26:31 | |
-Is that a yea? -It's a yes, if that's what you mean. | 0:26:31 | 0:26:34 | |
Yea! | 0:26:34 | 0:26:36 | |
Yea! | 0:26:36 | 0:26:37 | |
-Yea! -BOTH LAUGH | 0:26:37 | 0:26:38 | |
I'm really glad you're back. | 0:26:38 | 0:26:41 | |
It's fate, Kieren Walker! | 0:26:41 | 0:26:43 | |
Everything happens for a reason. You've got to start believing that. | 0:26:43 | 0:26:46 | |
You've come back a zombie Buddha. | 0:26:46 | 0:26:49 | |
Don't use that word. | 0:26:49 | 0:26:51 | |
Sorry. Partially Deceased Buddha. | 0:26:52 | 0:26:55 | |
That's even worse. That's the name the living gave us. | 0:26:55 | 0:26:58 | |
We are the Undead. We are the redeemed. Got it? | 0:26:58 | 0:27:02 | |
Aw! Look at that face! | 0:27:08 | 0:27:10 | |
So nice to squeeze it again. | 0:27:10 | 0:27:12 | |
Why would she want the parish records? | 0:27:18 | 0:27:20 | |
I don't know, sir. | 0:27:20 | 0:27:23 | |
But I couldn't find 'em and I looked everywhere. | 0:27:23 | 0:27:26 | |
I'm still supposed to be looking for them right now. | 0:27:26 | 0:27:28 | |
Last thing she said to me before she went off to check in at the B&B. | 0:27:28 | 0:27:32 | |
I think she might be more switched on than the last one that came up, sir. | 0:27:32 | 0:27:36 | |
Don't worry, lad. I'll keep a close eye on her. | 0:27:36 | 0:27:38 | |
She'll hold her little surgery tomorrow | 0:27:38 | 0:27:40 | |
and be on the train back to Sodom before sundown. | 0:27:40 | 0:27:43 | |
Bathroom's just there. Breakfast is from 7am. | 0:27:50 | 0:27:53 | |
Ooh! Swish. | 0:27:55 | 0:27:56 | |
-SHE LAUGHS -This is our executive suite. | 0:27:56 | 0:27:59 | |
I put you in this one especially. | 0:27:59 | 0:28:00 | |
Oh, thank you. That's very kind of you, er... | 0:28:00 | 0:28:03 | |
Sandra. No trouble at all. | 0:28:03 | 0:28:05 | |
You're very welcome to join us downstairs tonight, Miss Martin. | 0:28:05 | 0:28:09 | |
My detective show's on in an hour. | 0:28:09 | 0:28:10 | |
Oh, is it a mystery? I love those, me. | 0:28:10 | 0:28:12 | |
It is a mystery, Miss Martin, a big one. Everyone's a suspect. | 0:28:12 | 0:28:16 | |
Oh, how exciting! I'll be there with bells on. | 0:28:16 | 0:28:20 | |
Just to warn you. My...my mother-in-law's... | 0:28:22 | 0:28:26 | |
Ah. | 0:28:27 | 0:28:28 | |
I had no choice in the matter. | 0:28:28 | 0:28:30 | |
I voted for you in the election. | 0:28:32 | 0:28:34 | |
I went into town especially. Voted Victus. | 0:28:34 | 0:28:37 | |
Round here, folk want to pretend that everything's all right. | 0:28:38 | 0:28:42 | |
But it's not. | 0:28:42 | 0:28:43 | |
Something has got to be done about those...about those things. | 0:28:43 | 0:28:48 | |
I couldn't agree with you more, Sandra. | 0:28:48 | 0:28:51 | |
BUZZER SOUNDS | 0:29:41 | 0:29:44 | |
'Password?' | 0:29:44 | 0:29:45 | |
The goddess Ishtar. | 0:29:45 | 0:29:47 | |
BUZZER SOUNDS | 0:29:49 | 0:29:51 | |
ROCK MUSIC | 0:29:51 | 0:29:53 | |
-So, she just turned up out of the blue? -Yeah, she's back at the bungalow. | 0:29:54 | 0:29:58 | |
-Why is she back? -I don't know. | 0:29:58 | 0:30:00 | |
Maybe she just missed Kieren, Dad. | 0:30:00 | 0:30:02 | |
-Or she's come to blow us all up. -Steve! | 0:30:02 | 0:30:04 | |
-Jesus! -STEVE: -What? | 0:30:04 | 0:30:06 | |
I'm just letting it all hang out, saying what I feel. | 0:30:06 | 0:30:09 | |
I can't be the only one who's worried about these extremists. | 0:30:09 | 0:30:11 | |
-Rabids are bloody scary. -Dad! | 0:30:11 | 0:30:14 | |
Not like him. I'm talking about the other ones. | 0:30:15 | 0:30:17 | |
The killers. The rabids that were eating people's brains during the Rising. | 0:30:17 | 0:30:21 | |
He weren't doing any of that. | 0:30:21 | 0:30:23 | |
He was just roaming around on his tod till the Army picked him up. | 0:30:23 | 0:30:26 | |
-That's right, isn't it, Kier? -Yeah, um...I was... | 0:30:26 | 0:30:29 | |
Um... | 0:30:32 | 0:30:34 | |
Er...I...er... | 0:30:37 | 0:30:40 | |
Huh! Bloody hell, Jem! | 0:30:41 | 0:30:43 | |
Got it all over my new jeans. | 0:30:43 | 0:30:45 | |
SHE LAUGHS | 0:30:45 | 0:30:46 | |
-I did you a favour. -These are designer. | 0:30:46 | 0:30:48 | |
Designed by who? It's like you've been raiding Mum's wardrobe. | 0:30:48 | 0:30:52 | |
Well, they do look a bit... | 0:30:52 | 0:30:54 | |
mumsy, love. | 0:30:54 | 0:30:56 | |
Kier? | 0:30:56 | 0:30:58 | |
Yeah, from the back, they sort of have a granny-ish quality, Dad. | 0:30:58 | 0:31:02 | |
Granny-ish? | 0:31:02 | 0:31:04 | |
You're wearing 'em too high, Steve. | 0:31:04 | 0:31:06 | |
That's how you're supposed to wear 'em. Paid 40 quid for these. | 0:31:07 | 0:31:10 | |
TV: 'I'm going after the suspect.' | 0:32:38 | 0:32:40 | |
'Don't follow him into that abandoned mineshaft, DCI Grafton. It's dangerous.' | 0:32:40 | 0:32:44 | |
I don't like this programme. | 0:32:46 | 0:32:48 | |
Mother. | 0:32:48 | 0:32:49 | |
The characters are stupid and the plot's predictable. | 0:32:49 | 0:32:52 | |
This is Sandra's favourite programme, Mum. | 0:32:52 | 0:32:54 | |
It's our favourite programme so if you could just leave it alone... | 0:32:56 | 0:32:59 | |
I didn't crawl out of the grave to spend my time watching rubbish like this. | 0:32:59 | 0:33:03 | |
-MURMURS: -I wish you'd crawl back. -What? | 0:33:03 | 0:33:06 | |
What did she say to me? Clive?! | 0:33:06 | 0:33:08 | |
-Sandra, will you... -Shut up. Shut up! | 0:33:08 | 0:33:11 | |
TV: 'You're nicked.' | 0:33:11 | 0:33:12 | |
They always do this. | 0:33:12 | 0:33:14 | |
-WOMAN ON TV: 'Halperin & Weston...' -Bloody ads. Oh! | 0:33:14 | 0:33:16 | |
'..proud sponsors of Britain's favourite...' | 0:33:16 | 0:33:19 | |
Time to feed Lewis. | 0:33:19 | 0:33:20 | |
'Halperin & Weston aren't just satisfied | 0:33:21 | 0:33:24 | |
'with being the number-one specialists when it comes to treating...' | 0:33:24 | 0:33:28 | |
RATTLING | 0:33:28 | 0:33:30 | |
RATTLING | 0:33:32 | 0:33:34 | |
WHISTLES | 0:33:34 | 0:33:35 | |
Lewis? | 0:33:38 | 0:33:40 | |
Tea! | 0:33:40 | 0:33:42 | |
WHISTLES | 0:33:42 | 0:33:44 | |
Oh, come on, you silly cat. Where are you? | 0:33:47 | 0:33:50 | |
WHISTLES | 0:33:51 | 0:33:52 | |
BANGING | 0:33:54 | 0:33:56 | |
Sandra! It's back on. | 0:33:57 | 0:33:59 | |
RATTLING | 0:34:00 | 0:34:03 | |
Yaaah! | 0:34:03 | 0:34:04 | |
SCREAMING | 0:34:04 | 0:34:06 | |
Sandra! | 0:34:06 | 0:34:07 | |
-Call the HVF! -Oh, they disbanded yonks ago. | 0:34:07 | 0:34:09 | |
-Good riddance to 'em! -Where are your weapons? | 0:34:09 | 0:34:12 | |
-I've only got tools. -Show me! | 0:34:12 | 0:34:14 | |
SCREAMING | 0:34:14 | 0:34:16 | |
SCREAMING | 0:34:22 | 0:34:25 | |
WHIRRING | 0:34:25 | 0:34:27 | |
SOBBING AND SHRIEKING | 0:34:33 | 0:34:35 | |
Ssh, you're all right. | 0:34:35 | 0:34:36 | |
Come on. You're all right, you're all right. Ssh, ssh, ssh! | 0:34:36 | 0:34:38 | |
Ssh, you're OK, love. | 0:34:38 | 0:34:40 | |
SOBBING | 0:34:40 | 0:34:42 | |
Ssh. | 0:34:42 | 0:34:43 | |
Morning, Helen, love. | 0:35:49 | 0:35:51 | |
GUNSHOT | 0:36:41 | 0:36:42 | |
-JEM: -Please! Someone help me! Please! | 0:36:44 | 0:36:47 | |
GASPING | 0:36:49 | 0:36:50 | |
Somebody, please help me! | 0:36:50 | 0:36:53 | |
He's coming! He's coming! | 0:36:53 | 0:36:54 | |
No, don't look at me... | 0:36:57 | 0:37:00 | |
Help me. | 0:37:05 | 0:37:07 | |
MAN ON RADIO: 'OK, switchboard's lined up regarding the tragic events. | 0:37:24 | 0:37:28 | |
'Er...Trevor, mate, what's on your mind?' | 0:37:28 | 0:37:30 | |
-TREVOR: -'Well, I'm...I'm scared, Dave. I'm not going to lie to you. | 0:37:30 | 0:37:33 | |
'This...this ULA bunch want to bring about a second Rising.' | 0:37:33 | 0:37:36 | |
'My cousin, he...he died in the first war. | 0:37:36 | 0:37:39 | |
'He...he was an HVF fighter, who's... | 0:37:39 | 0:37:41 | |
'Well, he's just been forgotten about. It's a disgrace.' | 0:37:41 | 0:37:43 | |
DAVE: 'I'm really sorry to hear that, Trev.' | 0:37:43 | 0:37:45 | |
-TREV: -'I don't understand why anyone would want that again, living or Undead. | 0:37:45 | 0:37:49 | |
'I mean, that's what got me voting Victus. | 0:37:49 | 0:37:51 | |
'They're the only ones talking about the issues that matter.' | 0:37:51 | 0:37:54 | |
DAVE: 'OK. Er...OK, well, some interesting points from Trevor there. | 0:37:54 | 0:37:58 | |
'Er...next we've got Davina on the line. | 0:37:58 | 0:38:00 | |
'Hi, Davina. What's your take on this PDS problem?' | 0:38:00 | 0:38:02 | |
Excuse me. | 0:38:10 | 0:38:11 | |
You're, er...you're sitting on my grave. | 0:38:12 | 0:38:15 | |
This you? Oh. | 0:38:15 | 0:38:18 | |
I'm sorry. Didn't realise you were one of us. | 0:38:18 | 0:38:21 | |
All the...on your face. | 0:38:21 | 0:38:23 | |
You... | 0:38:26 | 0:38:27 | |
SIGHS | 0:38:29 | 0:38:31 | |
Gone is the face we loved so dear. | 0:38:31 | 0:38:34 | |
Silent the voice we loved to hear. | 0:38:34 | 0:38:36 | |
It rhymes. | 0:38:39 | 0:38:41 | |
Yeah, I didn't choose it. | 0:38:41 | 0:38:42 | |
What would you have chosen? | 0:38:42 | 0:38:44 | |
Maybe a poem or something. | 0:38:46 | 0:38:47 | |
Huh. | 0:38:47 | 0:38:49 | |
"I balanced all, brought all to mind | 0:38:49 | 0:38:51 | |
"The years to come seemed waste of breath | 0:38:51 | 0:38:53 | |
"A waste of breath the years behind | 0:38:53 | 0:38:56 | |
"In balance with this life, this death." | 0:38:56 | 0:38:58 | |
That's what I would have wanted. | 0:39:00 | 0:39:03 | |
Oh, great! You guys have met. | 0:39:03 | 0:39:06 | |
Not formally. | 0:39:06 | 0:39:08 | |
Kieren Walker, this is Simon. | 0:39:08 | 0:39:10 | |
Kieren was the one I was telling you about. | 0:39:10 | 0:39:13 | |
Simon is one of the 12 disciples of the Undead Prophet. | 0:39:13 | 0:39:16 | |
Ah, right. | 0:39:17 | 0:39:18 | |
You heard of the Liberation Movement, Kieren? | 0:39:18 | 0:39:21 | |
I heard some...disturbing stuff. | 0:39:21 | 0:39:24 | |
Really? Like what? | 0:39:24 | 0:39:26 | |
People taking pills and going rabid on public transport. | 0:39:26 | 0:39:29 | |
That wasn't the ULA, handsome. | 0:39:29 | 0:39:32 | |
They took Blue Oblivion pills and quoted Revelations, Amy. | 0:39:32 | 0:39:35 | |
How many people died in that tram attack? | 0:39:35 | 0:39:37 | |
13, including my neighbour. | 0:39:37 | 0:39:39 | |
Well, I'm sorry to hear that, but atrocities happened on both sides. | 0:39:39 | 0:39:44 | |
The Ravenshead massacre. | 0:39:44 | 0:39:46 | |
A man went on a shooting spree in his own home town. | 0:39:46 | 0:39:49 | |
Shot ten Undead people in the head. | 0:39:49 | 0:39:51 | |
He gets five years, | 0:39:51 | 0:39:53 | |
because the judge said that Partially Deceased people were only half a person. | 0:39:53 | 0:39:57 | |
Yeah, I don't agree with that either. | 0:39:57 | 0:39:59 | |
The Undead Liberation Army's about protecting the redeemed from the living. | 0:39:59 | 0:40:02 | |
Why? Because no-one else will. | 0:40:02 | 0:40:05 | |
"When injustice becomes law, resistance becomes duty." | 0:40:05 | 0:40:08 | |
-Exactly. -Yeah, well, | 0:40:08 | 0:40:09 | |
if you could keep your resisting to yourselves, that would be great. | 0:40:09 | 0:40:13 | |
You know, this place has had its troubles. | 0:40:13 | 0:40:15 | |
It's moved on and there's no need to cause more of it. | 0:40:15 | 0:40:17 | |
Well, how are we causing trouble? | 0:40:17 | 0:40:19 | |
-HE SNORTS -By going around like you are. | 0:40:19 | 0:40:23 | |
Like we are? | 0:40:23 | 0:40:24 | |
Yeah, with...you know, without your mousse and your contacts in. | 0:40:24 | 0:40:27 | |
-This is who we are, dumb-dumb. -Yes, I know, Amy. | 0:40:27 | 0:40:31 | |
It's who you are, Kieren, and running away won't change that. | 0:40:31 | 0:40:35 | |
I'm not running away. | 0:40:35 | 0:40:37 | |
I'm going to start a new life. | 0:40:38 | 0:40:39 | |
You've already been given a new life. | 0:40:39 | 0:40:42 | |
And you can live it here. Don't let anyone tell you any different. | 0:40:42 | 0:40:46 | |
We're all agreed with the allocations... | 0:40:52 | 0:40:54 | |
-MARTINE MURMURS -...of this month's funds. | 0:40:54 | 0:40:56 | |
You've nothing in the budget to fix the fence? | 0:40:56 | 0:40:59 | |
-How many times, Councillor? -I hear grumblings, Chairman. | 0:40:59 | 0:41:03 | |
Folks are worried that perimeter fence isn't secure enough. | 0:41:03 | 0:41:06 | |
It was maintained by Dean Halton not three months ago. | 0:41:06 | 0:41:08 | |
This the same Dean Halton that put a stile in the fence when it were first erected? | 0:41:08 | 0:41:13 | |
It's not secure. | 0:41:13 | 0:41:15 | |
I know that's true. | 0:41:15 | 0:41:16 | |
A rabid came into the back garden of the B&B last night. | 0:41:17 | 0:41:21 | |
-Almost killed Sandra Furness. -What did you do? | 0:41:21 | 0:41:24 | |
I had to deal with it myself. | 0:41:24 | 0:41:27 | |
-Deal with it? -Put it down. | 0:41:27 | 0:41:29 | |
Were...were it a he or a she? | 0:41:32 | 0:41:34 | |
It was skin and bones. | 0:41:34 | 0:41:37 | |
Was it a he or was it a she? | 0:41:37 | 0:41:40 | |
It was a he, and he wasn't a local, so no need to worry. | 0:41:40 | 0:41:45 | |
That rabid was someone's son. | 0:41:45 | 0:41:48 | |
-SHE SCOFFS -Oh, spare me. | 0:41:48 | 0:41:50 | |
That rabid was going to rip a person apart. | 0:41:50 | 0:41:53 | |
What should I have done, reasoned with it? | 0:41:53 | 0:41:55 | |
Rabids are people too. | 0:41:55 | 0:41:56 | |
Well, last time I checked, people don't go around trying to eat one another. | 0:41:56 | 0:42:00 | |
If the patrols were still active, I wouldn't have had to do it. | 0:42:00 | 0:42:03 | |
Hear, hear! | 0:42:03 | 0:42:04 | |
Proves my point. Something needs doing around perimeter fence. | 0:42:04 | 0:42:08 | |
I agree. I'll put in a call to HQ today. | 0:42:08 | 0:42:10 | |
DEPARTING FOOTSTEPS | 0:42:14 | 0:42:16 | |
SIGHS | 0:42:33 | 0:42:34 | |
-SUE: -Jem? I'm just popping out for a few bits and pieces. | 0:42:37 | 0:42:39 | |
-Do you want to come? -No, thanks! | 0:42:39 | 0:42:42 | |
OK, love. See you in a bit. | 0:42:42 | 0:42:44 | |
Mum? | 0:42:49 | 0:42:50 | |
Hang on a sec! | 0:42:50 | 0:42:52 | |
KNOCK AT DOOR | 0:42:54 | 0:42:55 | |
Come in. | 0:42:55 | 0:42:58 | |
I believe we might have got off on the wrong foot. | 0:42:58 | 0:43:01 | |
Are you a Scotch connoisseur at all, Miss Martin? | 0:43:02 | 0:43:06 | |
-I've been known to enjoy a dram or two. -A dram? | 0:43:06 | 0:43:09 | |
Good. Good. | 0:43:10 | 0:43:13 | |
Why don't you make your way over to the vicarage later? | 0:43:13 | 0:43:15 | |
-Say 7.30. -I'd like that, sir. | 0:43:15 | 0:43:19 | |
Well, I'm bloody skint. | 0:43:26 | 0:43:28 | |
Me and you both, and there's nowt down that Jobcentre. | 0:43:28 | 0:43:31 | |
Aye, cos every tart around here is employing those rotten bastards! | 0:43:31 | 0:43:34 | |
Oh, dear. I should watch my language, though, shouldn't I? | 0:43:34 | 0:43:37 | |
Can't even say boo to a goose these days. | 0:43:37 | 0:43:39 | |
You know, we saved the world once. You'd think that'd be worth summat. | 0:43:39 | 0:43:42 | |
It's like the Rising never happened. Aye, but it did. | 0:43:42 | 0:43:45 | |
And when it happens again, the whole village'll come crawling back. | 0:43:45 | 0:43:49 | |
-HIGH-PITCHED: -Help us, Gary...sir! | 0:43:49 | 0:43:51 | |
Dead 'uns are chewin' on me granny's head! | 0:43:51 | 0:43:53 | |
We'll get Jem Walker back in uniform. I heard she's in a uniform, | 0:43:53 | 0:43:57 | |
a school one. | 0:43:57 | 0:43:59 | |
Hey, that's a war hero you're talking about, Private. | 0:43:59 | 0:44:03 | |
No, for that show of disrespect, you're getting the drinks in. | 0:44:03 | 0:44:06 | |
Mum, can we hurry up? | 0:44:13 | 0:44:15 | |
Yeah, we've got quite a few things now, haven't we? | 0:44:15 | 0:44:17 | |
Um...definitely something else that I need on here now. | 0:44:17 | 0:44:20 | |
TANNOY BINGS | 0:44:20 | 0:44:21 | |
WOMAN: 'Clean-up in aisle four please! Clean-up in aisle four.' | 0:44:21 | 0:44:26 | |
-SOPHIE: -Hiya, Sue. | 0:44:26 | 0:44:27 | |
Oh, hi, Sophie. How are you? | 0:44:27 | 0:44:29 | |
I wanted to ask you a question about your Kieren, Sue. | 0:44:31 | 0:44:36 | |
-Oh? -Is he...gifted? | 0:44:36 | 0:44:39 | |
-SHE SNORTS -Well, we like to think so. | 0:44:39 | 0:44:41 | |
So's my Henry. | 0:44:41 | 0:44:43 | |
What sort of supernatural talent does your Kieren possess? | 0:44:43 | 0:44:46 | |
My Henry's psychic. | 0:44:46 | 0:44:49 | |
What with him passing over and coming back again, | 0:44:49 | 0:44:52 | |
he can now communicate with the dead, all sorts of the departed. | 0:44:52 | 0:44:55 | |
Young, old, good ones, bad ones. He can do 'em all. | 0:44:55 | 0:44:57 | |
Just the other day, I was going up the stairs and I heard... | 0:44:57 | 0:45:00 | |
Er...sorry. Yeah, carry on for us, would you, love? | 0:45:00 | 0:45:03 | |
-Sorry, Sue. -Yes, I heard this noise. | 0:45:06 | 0:45:08 | |
And I was just about to go in...I was just about to go into the bathroom, actually. | 0:45:08 | 0:45:11 | |
But something... | 0:45:11 | 0:45:13 | |
CONVERSATION FADES | 0:45:13 | 0:45:14 | |
SIGHS | 0:45:41 | 0:45:43 | |
Excuse me. | 0:45:52 | 0:45:54 | |
Excuse me. I'm sorry, I'm looking for, um... | 0:45:54 | 0:45:56 | |
Don't. | 0:45:57 | 0:45:58 | |
Don't, don't, don't. Please, please. Please. Turn away, turn away, please! | 0:45:58 | 0:46:02 | |
JEM GASPS | 0:46:05 | 0:46:06 | |
Is it cos of my eyes? I'm sorry. | 0:46:06 | 0:46:08 | |
I had to take them out. They were killing me. | 0:46:08 | 0:46:11 | |
JEM GASPS | 0:46:14 | 0:46:16 | |
MUSIC: "Beekeeper" by Keaton Henson | 0:46:18 | 0:46:21 | |
# Believe me | 0:46:25 | 0:46:26 | |
# Believe me | 0:46:30 | 0:46:32 | |
# This loneliness won't go away | 0:46:32 | 0:46:36 | |
# Hear me, oh, woman that has gone astray | 0:46:41 | 0:46:47 | |
# Gone astray | 0:46:48 | 0:46:49 | |
# Your friends | 0:47:01 | 0:47:02 | |
# Your friends will always just be in your way | 0:47:06 | 0:47:11 | |
# Trust me... # | 0:47:14 | 0:47:15 | |
-SIMON: -Come in. | 0:47:15 | 0:47:17 | |
-# Darling, either way... -# | 0:47:17 | 0:47:19 | |
What do you think? | 0:47:21 | 0:47:23 | |
Oh, stunning. | 0:47:23 | 0:47:25 | |
# ...You all say I've crossed a line | 0:47:27 | 0:47:31 | |
# But the sad fact is I've lost my mind... # | 0:47:32 | 0:47:36 | |
# They moan, they shuffle Wanna eat our brains! | 0:47:37 | 0:47:40 | |
# We'll never surrender | 0:47:40 | 0:47:42 | |
-# We'll never be tamed... -# All right, Gaz, easy now. | 0:47:42 | 0:47:45 | |
Ah, bugger 'em, man. That's what everyone's thinking. | 0:47:45 | 0:47:48 | |
I've just got balls to say it. | 0:47:48 | 0:47:50 | |
HE CHUCKLES | 0:47:50 | 0:47:51 | |
That one's not finished. | 0:47:51 | 0:47:53 | |
-Yeah, that one ain't dead yet. -CRONIES LAUGH | 0:47:53 | 0:47:55 | |
Did you hear me say that to him? I'm dead funny, me. | 0:47:55 | 0:47:59 | |
-What are you doing here? -I work in here. What are you doing here? | 0:48:09 | 0:48:12 | |
We're on a night out. | 0:48:12 | 0:48:15 | |
DOORBELL RINGS | 0:48:44 | 0:48:46 | |
To the future. | 0:49:20 | 0:49:22 | |
With your powerful connections | 0:49:24 | 0:49:27 | |
and my robust leadership, | 0:49:27 | 0:49:29 | |
I think we can bring this community back from the brink, | 0:49:29 | 0:49:33 | |
get those walking abominations judged, | 0:49:33 | 0:49:36 | |
and then...well, then, hallelujah. | 0:49:36 | 0:49:39 | |
Judged? | 0:49:39 | 0:49:40 | |
HE CHUCKLES | 0:49:40 | 0:49:41 | |
Yes, of course. | 0:49:41 | 0:49:43 | |
Mustn't spill the beans till the end is nigh. | 0:49:43 | 0:49:47 | |
I'd like to show you something very special, if I may. | 0:49:49 | 0:49:53 | |
Summat stinks rotten in here. Am I right? | 0:50:00 | 0:50:02 | |
-MURMURS: -All right, guys, you've made your point. | 0:50:02 | 0:50:04 | |
We should be free to go wherever we want, however we want. | 0:50:04 | 0:50:07 | |
-Basic human rights, hon. -Don't rock the boat, Amy. | 0:50:07 | 0:50:09 | |
-GARY: -That's right, you tell 'em. | 0:50:09 | 0:50:11 | |
Cover up or get the hell out, you fucking rotters! | 0:50:11 | 0:50:14 | |
All right, Gary, get out. | 0:50:16 | 0:50:18 | |
-HE SNIGGERS -You what? | 0:50:18 | 0:50:19 | |
You can't be talking like that. Get out. | 0:50:19 | 0:50:22 | |
Are you going to make me, dry rot? | 0:50:22 | 0:50:24 | |
Leave. | 0:50:25 | 0:50:27 | |
HE TUTS | 0:50:37 | 0:50:38 | |
I don't take orders from a lad who wears make-up. | 0:50:38 | 0:50:42 | |
CRONIES LAUGH | 0:50:42 | 0:50:43 | |
Oi! | 0:50:44 | 0:50:46 | |
-Fucking rotter! -Are you all right, Gaz? Go on. | 0:50:46 | 0:50:50 | |
Aah! Aah! | 0:50:50 | 0:50:52 | |
Off him! | 0:50:54 | 0:50:55 | |
CHOKING | 0:50:55 | 0:50:56 | |
Get off him! | 0:50:56 | 0:50:58 | |
-CHOKING -Shoot him, Pearl! | 0:50:58 | 0:51:01 | |
Shoot it! | 0:51:01 | 0:51:03 | |
Shoot the rot! You gave him fair warning! | 0:51:03 | 0:51:05 | |
GUN COCKS Everybody stay where they are. | 0:51:05 | 0:51:09 | |
GARY CHOKING | 0:51:09 | 0:51:11 | |
I said, stay where you are! | 0:51:15 | 0:51:17 | |
GARY GROANS | 0:51:17 | 0:51:19 | |
GARY CHOKES | 0:51:19 | 0:51:21 | |
KEYS JINGLE | 0:51:23 | 0:51:26 | |
GARY CHOKING | 0:51:26 | 0:51:28 | |
-SIMON: -Kieren. | 0:51:28 | 0:51:30 | |
GARY CHOKING | 0:51:32 | 0:51:34 | |
GROANS | 0:51:34 | 0:51:37 | |
When the first risen are vanquished, | 0:51:39 | 0:51:42 | |
the trumpet shall sound | 0:51:42 | 0:51:44 | |
and the dead shall rise incorruptible. | 0:51:44 | 0:51:47 | |
This bunker will keep me and Helen safe in the inevitable war. | 0:51:48 | 0:51:54 | |
-Helen? -My wife. | 0:51:54 | 0:51:57 | |
She will be returning, come the second resurrection. | 0:51:57 | 0:52:00 | |
There's room for more. | 0:52:01 | 0:52:03 | |
You don't have to pretend with me. | 0:52:04 | 0:52:07 | |
I know who you are. | 0:52:08 | 0:52:10 | |
I know why you're really here. | 0:52:10 | 0:52:13 | |
We keep very thorough records in this parish. | 0:52:14 | 0:52:18 | |
Don't worry. | 0:52:19 | 0:52:21 | |
When the first risen are completely destroyed, we'll both get what we want. | 0:52:21 | 0:52:26 | |
Completely destroyed? | 0:52:26 | 0:52:28 | |
Eliminated, killed, all of them. | 0:52:28 | 0:52:31 | |
It's the only way to bring about the second Rising. | 0:52:31 | 0:52:35 | |
You've got it so wrong. | 0:52:35 | 0:52:37 | |
-I beg your pardon? -You've gone insane. | 0:52:37 | 0:52:39 | |
How dare you? | 0:52:39 | 0:52:40 | |
I don't want a second Rising. That's the last thing I want. | 0:52:40 | 0:52:44 | |
You've managed to turn this village upside-down. | 0:52:44 | 0:52:48 | |
This community used to be a beacon of hope and now it's in chaos. | 0:52:48 | 0:52:51 | |
You're letting the first risen roam free! What's the matter with you? | 0:52:51 | 0:52:55 | |
-I won't be spoken to like this. -You're through, Vicar. | 0:52:55 | 0:52:59 | |
Through? I am the authority in this village! | 0:52:59 | 0:53:03 | |
I'm the one that kept the hordes at bay! You trumped-up... | 0:53:03 | 0:53:07 | |
CHOKES | 0:53:07 | 0:53:08 | |
GASPS | 0:53:11 | 0:53:13 | |
CHOKES | 0:53:14 | 0:53:17 | |
VICAR GASPS AND WHEEZES | 0:53:32 | 0:53:34 | |
-You came. -Yeah. | 0:54:34 | 0:54:35 | |
MUSIC POUNDS | 0:54:35 | 0:54:38 | |
I'm going to try and stop a certain Roarton riser from leaving. | 0:54:39 | 0:54:43 | |
I have your birth date and your death date | 0:54:49 | 0:54:52 | |
but I don't have your time of rising. | 0:54:52 | 0:54:54 | |
What do you want to know? | 0:55:02 | 0:55:03 | |
ROARS | 0:55:04 | 0:55:06 | |
SCREAMS | 0:55:06 | 0:55:07 |