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This programme contains some strong language and some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:06 | |
I burnt the body. No-one'll find the bones. | 0:00:06 | 0:00:08 | |
Henry may have been involved with extremists | 0:00:08 | 0:00:09 | |
and made his way to one of their training camps. | 0:00:09 | 0:00:12 | |
AMY: Simon is one of the 12 disciples of the Undead Prophet. | 0:00:12 | 0:00:15 | |
-MAXINE: -Victus has been gathering intelligence on groups | 0:00:15 | 0:00:17 | |
looking to bring about another Rising. | 0:00:17 | 0:00:19 | |
They believe they need to find the First Risen before it can start. | 0:00:19 | 0:00:23 | |
Whoever this First Risen is, | 0:00:23 | 0:00:24 | |
we want to find them before anyone else does. | 0:00:24 | 0:00:27 | |
I don't like being here with you, I'd rather be with my friends. | 0:00:27 | 0:00:31 | |
-SHIRLEY: -You need to find a nice girl who'll take care of you. | 0:00:31 | 0:00:35 | |
The Goddess Ishtar. | 0:00:35 | 0:00:36 | |
Are you wanting the full girlfriend experience again? | 0:00:36 | 0:00:39 | |
Hiya, sweetheart. | 0:00:39 | 0:00:41 | |
How was your day? | 0:00:41 | 0:00:43 | |
Amy is someone who needs to see that she's loved. | 0:00:44 | 0:00:47 | |
So I show her love because I do love her. | 0:00:47 | 0:00:49 | |
This programme contains some strong language and some scenes which some viewers may find upsetting. | 0:00:54 | 0:01:00 | |
PHILIP: Hey, what's the matter? | 0:01:03 | 0:01:06 | |
Nothing, I just... | 0:01:06 | 0:01:07 | |
-Is it a bad thing that I want you all the time? -Sh. | 0:01:07 | 0:01:11 | |
It's perfectly normal. | 0:01:12 | 0:01:15 | |
I keep... | 0:01:16 | 0:01:18 | |
thinking about your hands... | 0:01:18 | 0:01:20 | |
touching me... | 0:01:20 | 0:01:22 | |
No, you mustn't be late for the departmental committee. | 0:01:22 | 0:01:25 | |
They can't start without me. | 0:01:25 | 0:01:26 | |
Of course! | 0:01:26 | 0:01:28 | |
Oh, my God, Philip. You're so adept. | 0:01:28 | 0:01:31 | |
Oh, wait. | 0:01:31 | 0:01:33 | |
Please, let me try. | 0:01:33 | 0:01:36 | |
I want to give you pleasure. | 0:01:36 | 0:01:38 | |
Teach me. | 0:01:42 | 0:01:44 | |
Very well... | 0:01:51 | 0:01:52 | |
-SHIRLEY: -Philip, we've got a visitor, Sylvia, can you come down? | 0:01:52 | 0:01:56 | |
What did you say? I can't hear you with all that noise. | 0:01:56 | 0:01:58 | |
Philip! Philip? | 0:01:58 | 0:02:00 | |
Philip, now! | 0:02:02 | 0:02:03 | |
Am I the only one in this house...? | 0:02:31 | 0:02:33 | |
SHE RETCHES What am I doing? | 0:02:47 | 0:02:49 | |
I called them at the school. I said, "Henry won't be in today, | 0:02:59 | 0:03:03 | |
"he's gone missing." | 0:03:03 | 0:03:05 | |
D'you know what they said to me? | 0:03:05 | 0:03:07 | |
"Thank you for your call," like it were nothing. | 0:03:07 | 0:03:09 | |
Here's Philip now. | 0:03:09 | 0:03:11 | |
It's like a bad dream, Shirley, | 0:03:11 | 0:03:12 | |
-I keep thinking I'll wake up and he'll have come back. -Oh, darling. | 0:03:12 | 0:03:15 | |
I assure you, Mrs Lonsdale, that everything that can be done... | 0:03:15 | 0:03:19 | |
I'm sorry, no, that Maxine Martin. | 0:03:19 | 0:03:22 | |
Well, I can tell when someone's lying to me face. | 0:03:22 | 0:03:24 | |
"Henry's run off to a training camp." | 0:03:24 | 0:03:26 | |
He's not in any training camp. | 0:03:26 | 0:03:28 | |
Henry wouldn't join Cub Scouts, | 0:03:28 | 0:03:29 | |
not even when you were troop leader, Philip. | 0:03:29 | 0:03:32 | |
I said to him, "Go with Phil from next door, | 0:03:32 | 0:03:35 | |
"He'll look after you." "No, playing Nintendo." | 0:03:35 | 0:03:37 | |
He's not a joiner. | 0:03:37 | 0:03:39 | |
The two things aren't necessarily... | 0:03:40 | 0:03:42 | |
Let me show you the knack with that, Philip. | 0:03:42 | 0:03:44 | |
One is Cub Scouts, the other's a terrorist training camp. | 0:03:44 | 0:03:47 | |
-Tell her you'll help her. -How? | 0:03:47 | 0:03:50 | |
Well, your big village meeting's today. Tell her you'll bring it up. | 0:03:50 | 0:03:53 | |
You're on the parish council, you must have some sway. | 0:03:53 | 0:03:55 | |
Sway... Of course I have. | 0:03:55 | 0:03:57 | |
I can't upset the order of business. | 0:03:57 | 0:03:59 | |
It's an extremely important meeting. | 0:03:59 | 0:04:01 | |
MRS LONSDALE SOBS | 0:04:01 | 0:04:03 | |
Ms Martin's going to be looking to me to... | 0:04:03 | 0:04:05 | |
Oh, Philip says he'll look into it. | 0:04:05 | 0:04:07 | |
-DEAN: -You're stood there like that. | 0:04:18 | 0:04:21 | |
I come in, I shake your hand... | 0:04:21 | 0:04:23 | |
Shake hands. | 0:04:23 | 0:04:24 | |
I'm alarmed. | 0:04:25 | 0:04:27 | |
Your skin is cold to the touch. | 0:04:27 | 0:04:29 | |
Sorry about that. | 0:04:29 | 0:04:30 | |
Like in the brochure. | 0:04:30 | 0:04:33 | |
I'm sorry I caused your anxiety... | 0:04:33 | 0:04:35 | |
Where's Simon and Amy? | 0:04:35 | 0:04:36 | |
Simon's got more important things to do, he's got a mission. | 0:04:36 | 0:04:41 | |
...and contact lenses on account of... | 0:04:41 | 0:04:44 | |
-To minimise. -"..to minimise distress caused to living people." | 0:04:44 | 0:04:49 | |
"I've been administered Neurotriptyline in the last 24 hours | 0:04:49 | 0:04:52 | |
"and will not enter a rabid state." | 0:04:52 | 0:04:53 | |
You have to have it off, otherwise what are you doing? | 0:04:53 | 0:04:57 | |
Scaring crap out of folk. | 0:05:00 | 0:05:01 | |
You need to work on your mousse application an' all. | 0:05:02 | 0:05:05 | |
Long, even strokes, yeah? | 0:05:05 | 0:05:08 | |
Sit down, I'm giving you a six, | 0:05:08 | 0:05:10 | |
and that's being generous. | 0:05:10 | 0:05:12 | |
-Next, Amy Dyer. -Not here. | 0:05:12 | 0:05:15 | |
Simon Monroe? | 0:05:17 | 0:05:18 | |
That's very clever, that, innit? See how clever they are | 0:05:20 | 0:05:23 | |
when they get put on a noncompliants list. | 0:05:23 | 0:05:25 | |
Lesson there for all of yous - don't take the piss. | 0:05:25 | 0:05:28 | |
What happens when you've got all the stamps? | 0:05:39 | 0:05:41 | |
Well, then, you've got all the stamps. | 0:05:41 | 0:05:43 | |
Get all five sheets and there's an awayday... | 0:05:43 | 0:05:47 | |
to the seaside. | 0:05:47 | 0:05:48 | |
And you, get your mousse on. | 0:05:51 | 0:05:53 | |
After every fete, I say, "Wind it round your arm, | 0:05:54 | 0:05:58 | |
"don't just put it away in a bunch." | 0:05:58 | 0:05:59 | |
"Don't bunch the bunting!" | 0:05:59 | 0:06:01 | |
I'm making a start on the fudge today if you fancied lending a hand? | 0:06:04 | 0:06:07 | |
I can't. | 0:06:07 | 0:06:08 | |
I've got to go on patrol. | 0:06:08 | 0:06:10 | |
I didn't know you were back on patrol. | 0:06:11 | 0:06:14 | |
Am from today, 12 o'clock. | 0:06:14 | 0:06:17 | |
All these decisions that you say nothing about. | 0:06:17 | 0:06:19 | |
How's going on patrol going to fix anything? | 0:06:19 | 0:06:22 | |
How's it looking after your future? | 0:06:22 | 0:06:24 | |
And how can I help you if you won't talk to me? | 0:06:26 | 0:06:29 | |
Mum, don't worry about me. | 0:06:29 | 0:06:31 | |
It's OK, I'm fine. | 0:06:31 | 0:06:34 | |
I'll be fine. | 0:06:34 | 0:06:35 | |
'Are you wanting the full girlfriend experience again? | 0:07:00 | 0:07:03 | |
-ECHOING: -'Again? Again?' | 0:07:03 | 0:07:05 | |
BUZZER RINGS | 0:07:16 | 0:07:18 | |
KNOCK AT DOOR | 0:07:57 | 0:08:00 | |
Come in. | 0:08:00 | 0:08:02 | |
You're here! | 0:08:06 | 0:08:08 | |
I was getting worried. | 0:08:08 | 0:08:10 | |
I wasn't sure you were coming. | 0:08:10 | 0:08:11 | |
Leave the money on the dresser. | 0:08:14 | 0:08:16 | |
Em, look... | 0:08:22 | 0:08:23 | |
Look, I can't stay long. | 0:08:23 | 0:08:25 | |
Oh, shame. | 0:08:25 | 0:08:26 | |
You off out, Kier? You only just got here. | 0:08:31 | 0:08:34 | |
Oh, yeah, I have to. | 0:08:34 | 0:08:35 | |
Anything to report from t'workshop? | 0:08:35 | 0:08:37 | |
Just Dean Halton's guide to becoming a civilised member of society. | 0:08:37 | 0:08:41 | |
All have to start somewhere, I suppose. | 0:08:41 | 0:08:43 | |
Yeah, I keep telling you, Dad, | 0:08:43 | 0:08:45 | |
it's not a start if it doesn't go anywhere. | 0:08:45 | 0:08:47 | |
It's just showing up for that day's humiliation. | 0:08:47 | 0:08:49 | |
That's the workplace for you. | 0:08:49 | 0:08:51 | |
You'll be back by three, won't you? | 0:08:51 | 0:08:52 | |
Course. | 0:08:52 | 0:08:54 | |
I don't think I can make it, Mum. | 0:08:55 | 0:08:57 | |
Why, where you off to? | 0:08:57 | 0:08:58 | |
-The bungalow. -Well, the plan was to have some family time, | 0:08:58 | 0:09:01 | |
all sit down together for Sunday lunch. | 0:09:01 | 0:09:03 | |
-Back by quarter to, then, eh? -Bring someone. -Who? | 0:09:03 | 0:09:06 | |
Well, one of your new friends. Maybe that... | 0:09:06 | 0:09:09 | |
Amy, that nice unconventional girl. They'd be very welcome. | 0:09:09 | 0:09:13 | |
Yeah, I'll see. CAR HORN HONKS | 0:09:13 | 0:09:16 | |
I thought it was going to be family time. | 0:09:16 | 0:09:19 | |
ENGINE IDLES | 0:09:27 | 0:09:30 | |
Look. | 0:09:35 | 0:09:37 | |
They're not complete. | 0:09:37 | 0:09:39 | |
"Time of Rising?" | 0:09:40 | 0:09:41 | |
Well, what if they don't know? | 0:09:41 | 0:09:43 | |
Then they find out. | 0:09:43 | 0:09:45 | |
Tell them if the forms aren't filled out correctly, | 0:09:45 | 0:09:48 | |
they'll be considered non-compliant. | 0:09:48 | 0:09:50 | |
MURMUR OF CONVERSATION | 0:09:55 | 0:09:57 | |
DOORBELL RINGS | 0:10:33 | 0:10:35 | |
Look at you, all done up and adorable! | 0:10:37 | 0:10:40 | |
Oh. Hi, Amy. | 0:10:40 | 0:10:43 | |
That's what happened the night I rose. | 0:10:43 | 0:10:45 | |
That's everything. That's all I remember. | 0:10:45 | 0:10:48 | |
Oh, yeah, you're late for church. | 0:10:48 | 0:10:50 | |
Thank you, Brian. It's a great feeling, isn't it? | 0:10:50 | 0:10:53 | |
You know why? | 0:10:54 | 0:10:55 | |
Because the living have tried to control us with shame, | 0:10:55 | 0:10:57 | |
telling our Rising stories... | 0:10:57 | 0:11:01 | |
is where we start to say no. | 0:11:01 | 0:11:03 | |
If we are serious about becoming free | 0:11:04 | 0:11:07 | |
the first shackle we have to throw off... | 0:11:07 | 0:11:10 | |
-is shame. -Yeah! | 0:11:10 | 0:11:12 | |
-ALL: -Yeah. | 0:11:12 | 0:11:13 | |
No Rising story should be left untold. | 0:11:13 | 0:11:16 | |
Thank you, Brian. | 0:11:16 | 0:11:18 | |
You made it. | 0:11:20 | 0:11:21 | |
Welcome. | 0:11:21 | 0:11:23 | |
Seriously? | 0:11:23 | 0:11:25 | |
If everyone'll take a seat as quick as you can, we'll get on. | 0:11:37 | 0:11:41 | |
Item number one on the agenda is to introduce you all | 0:11:45 | 0:11:49 | |
to the brave men and women of the Roarton Protection Service. | 0:11:49 | 0:11:53 | |
As you know, the RPS has been set up | 0:11:56 | 0:11:58 | |
in response to the alarming events of recent days, | 0:11:58 | 0:12:02 | |
some of which, thinking about them'd make your blood run cold. | 0:12:02 | 0:12:06 | |
There's Gary Kendal, he's the captain. | 0:12:06 | 0:12:10 | |
One or two other faces you'll know from Human Volunteer Force that was. | 0:12:10 | 0:12:14 | |
It's the same thing. | 0:12:14 | 0:12:16 | |
LAUGHTER | 0:12:16 | 0:12:18 | |
It's a new service. | 0:12:18 | 0:12:20 | |
It will be carrying out some of the same duties. | 0:12:20 | 0:12:22 | |
For instance, until the perimeter fence is complete, | 0:12:22 | 0:12:25 | |
there'll be regular patrols | 0:12:25 | 0:12:26 | |
of the woods and fields around the village. | 0:12:26 | 0:12:29 | |
And remember - they're relying on you as much as you are on them. | 0:12:29 | 0:12:34 | |
So eyes and ears open, and anything you see, pass it on. | 0:12:34 | 0:12:38 | |
Undead walking around without make-up and lenses on. | 0:12:38 | 0:12:41 | |
Not now. | 0:12:41 | 0:12:43 | |
-Lived here all my life. -Rose Orton, you wait your turn. | 0:12:43 | 0:12:45 | |
-I don't want to be seeing that. ALL: -No! | 0:12:45 | 0:12:48 | |
The idea behind calling this meeting | 0:12:48 | 0:12:50 | |
was for people to air their concerns | 0:12:50 | 0:12:53 | |
and for us to decide together, as a community, what to do. | 0:12:53 | 0:12:57 | |
Now... | 0:12:57 | 0:12:58 | |
...who'd like to talk? | 0:13:00 | 0:13:01 | |
What are we going to do about t' rotter knocking shop? | 0:13:04 | 0:13:07 | |
ALL MURMUR | 0:13:07 | 0:13:08 | |
Abigail Lamb told me all about it. | 0:13:08 | 0:13:10 | |
This is going on in Roarton? | 0:13:10 | 0:13:12 | |
The living...and those things?! | 0:13:12 | 0:13:15 | |
Why didn't you wake me? | 0:13:30 | 0:13:32 | |
I didn't like to. You seemed so peaceful. | 0:13:32 | 0:13:34 | |
Go on. | 0:13:41 | 0:13:42 | |
Abomination! | 0:13:52 | 0:13:54 | |
Those giving themselves over to fornication | 0:13:56 | 0:13:59 | |
and going after strange flesh! | 0:13:59 | 0:14:02 | |
I'll tell what you do. | 0:14:02 | 0:14:04 | |
I'll tell everyone! | 0:14:04 | 0:14:05 | |
What happened to Roarton? | 0:14:10 | 0:14:12 | |
Did we stop being who we were, | 0:14:12 | 0:14:15 | |
what we were known for the country over? | 0:14:15 | 0:14:17 | |
Are we like everyone else now? | 0:14:17 | 0:14:18 | |
-When did she become "we"? -Do we tolerate this, | 0:14:18 | 0:14:21 | |
just put up with it? | 0:14:21 | 0:14:23 | |
ALL PROTEST | 0:14:23 | 0:14:24 | |
We used to be proud, vigilant! | 0:14:24 | 0:14:27 | |
We used to be an example to others. | 0:14:27 | 0:14:29 | |
Are we going to let this pass? | 0:14:29 | 0:14:31 | |
Maybe this was the wake-up that we needed. | 0:14:31 | 0:14:34 | |
I think we put a stop to this as soon as we can. | 0:14:34 | 0:14:37 | |
I think we get organised, we get down there tonight. | 0:14:37 | 0:14:40 | |
What...about...Henry...Lonsdale? | 0:14:40 | 0:14:42 | |
What...about... Henry...Lonsdale? | 0:14:42 | 0:14:45 | |
What about Henry? | 0:14:45 | 0:14:47 | |
Three days since my son's been home. | 0:14:47 | 0:14:50 | |
Mrs Lonsdale, everyone here sympathises. | 0:14:50 | 0:14:52 | |
I'm not talking to you. | 0:14:52 | 0:14:54 | |
Every word out of your mouth's been a lie from day one. | 0:14:54 | 0:14:56 | |
I'm finished with you. | 0:14:56 | 0:14:57 | |
Philip Wilson said he'd speak up for me. | 0:14:57 | 0:14:59 | |
Seeing as he's not here, | 0:14:59 | 0:15:00 | |
I'll speak for myself to you, my neighbours and my friends. | 0:15:00 | 0:15:04 | |
Out of the lot of you, who's tried to find him? | 0:15:04 | 0:15:07 | |
Not one. | 0:15:08 | 0:15:10 | |
I have explained that we cannot afford to devote our resources | 0:15:10 | 0:15:13 | |
to searching for someone who has gone missing of his own volition. | 0:15:13 | 0:15:17 | |
That's more of it! More lies spread against him. | 0:15:17 | 0:15:19 | |
What if it were your child you didn't know were alive or dead | 0:15:19 | 0:15:22 | |
and when you asked for help people just turn their backs, | 0:15:22 | 0:15:24 | |
don't even ask after him or mention his name, | 0:15:24 | 0:15:26 | |
just carry on like he were never here?! | 0:15:26 | 0:15:28 | |
MURMURING | 0:15:28 | 0:15:31 | |
By the way, they're making a list of noncompliants. | 0:15:35 | 0:15:38 | |
So not showing up to Give Back | 0:15:38 | 0:15:40 | |
probably isn't the great idea you think it is, | 0:15:40 | 0:15:42 | |
or sending your followers to it without cover-up on. | 0:15:42 | 0:15:46 | |
My followers? | 0:15:47 | 0:15:48 | |
All these brainwashed people everywhere. | 0:15:48 | 0:15:51 | |
Why? | 0:15:51 | 0:15:52 | |
Because they have something to believe in? | 0:15:52 | 0:15:55 | |
To me, Kieren, you're the one that's brainwashed, | 0:15:55 | 0:15:58 | |
-just over a longer period. -Yeah, don't do that. | 0:15:58 | 0:16:01 | |
What am I doing? | 0:16:01 | 0:16:02 | |
Whatever conversion technique you're trying, I'm not up for it. | 0:16:02 | 0:16:05 | |
I'm not doing anything to you. | 0:16:05 | 0:16:07 | |
Do you know what's so annoying? | 0:16:07 | 0:16:10 | |
Is that you could be great... | 0:16:10 | 0:16:12 | |
if you could just be a normal person for two seconds. | 0:16:12 | 0:16:16 | |
What do normal people do? | 0:16:16 | 0:16:18 | |
I'm serious! | 0:16:19 | 0:16:21 | |
I'm serious. | 0:16:24 | 0:16:26 | |
Tell me what you want. | 0:16:27 | 0:16:29 | |
I'll do anything I can to give it to you. | 0:16:30 | 0:16:33 | |
Because there's what I believe... | 0:16:35 | 0:16:37 | |
..and then there's you. | 0:16:40 | 0:16:42 | |
OK. | 0:16:46 | 0:16:47 | |
(OK.) | 0:16:50 | 0:16:52 | |
No. | 0:16:56 | 0:16:58 | |
You two are not allowed to argue. | 0:16:58 | 0:17:00 | |
You're going to feel so silly about this | 0:17:02 | 0:17:03 | |
when the three of us are best friends. | 0:17:03 | 0:17:05 | |
You're going to say, "Oh, we should have listened to Amy. | 0:17:05 | 0:17:08 | |
"Amy, the beautiful genius!" | 0:17:08 | 0:17:10 | |
You filled that half an hour ago. | 0:17:13 | 0:17:15 | |
-Did I? -Yeah. | 0:17:15 | 0:17:17 | |
I'll just have to put it back out again. | 0:17:17 | 0:17:19 | |
What am I like? | 0:17:19 | 0:17:21 | |
Oh, no, no, no. | 0:17:27 | 0:17:28 | |
Hang on. | 0:17:36 | 0:17:37 | |
She's right out there. | 0:17:37 | 0:17:39 | |
I...I...Well, then she'll know. | 0:17:40 | 0:17:43 | |
(Look, if this is something we're doing, | 0:17:43 | 0:17:45 | |
(I don't want her to find out like that. | 0:17:45 | 0:17:47 | |
(I want to tell her.) | 0:17:47 | 0:17:49 | |
Yeah. | 0:17:50 | 0:17:52 | |
Yeah. Yeah, fine. | 0:17:52 | 0:17:54 | |
Just tell her soon, will you? | 0:17:54 | 0:17:55 | |
I am so sorry. | 0:17:59 | 0:18:01 | |
I was held up. | 0:18:01 | 0:18:03 | |
Did you know there was a PDS brothel in Roarton? | 0:18:05 | 0:18:08 | |
No. No, I didn't. | 0:18:09 | 0:18:12 | |
-That's very concerning. -You would have... | 0:18:14 | 0:18:17 | |
if you hadn't missed a highly important meeting... | 0:18:17 | 0:18:20 | |
entirely. | 0:18:20 | 0:18:22 | |
Mrs Lamb has evidence. | 0:18:23 | 0:18:25 | |
So there won't be one for long. | 0:18:25 | 0:18:27 | |
Good. The reason that I was late... | 0:18:27 | 0:18:30 | |
So you wouldn't have to bring up the Henry Lonsdale situation. | 0:18:30 | 0:18:33 | |
Why you would commit to that in the first place... | 0:18:33 | 0:18:35 | |
The mother turned up...here, shouting her head off. | 0:18:35 | 0:18:38 | |
It's getting out of hand. | 0:18:38 | 0:18:40 | |
She won't accept the facts. | 0:18:40 | 0:18:43 | |
This whole thing is disrupting what we're trying to achieve. | 0:18:43 | 0:18:45 | |
You're her neighbour, right? | 0:18:48 | 0:18:50 | |
I grew up next door to her. | 0:18:50 | 0:18:52 | |
OK, then. | 0:18:52 | 0:18:53 | |
Go to her. | 0:18:54 | 0:18:56 | |
Tell her I got you security clearance | 0:18:56 | 0:18:58 | |
and that you've seen the intelligence, | 0:18:58 | 0:19:00 | |
a confirmed sighting of Henry in a training camp, | 0:19:00 | 0:19:03 | |
from a reliable source. | 0:19:03 | 0:19:05 | |
What source? | 0:19:05 | 0:19:07 | |
You don't understand. | 0:19:10 | 0:19:12 | |
We're at a crucial point now. | 0:19:12 | 0:19:15 | |
There are real dangers and we need to protect ourselves. | 0:19:15 | 0:19:18 | |
We're galvanising now. | 0:19:18 | 0:19:20 | |
With this brothel thing and the steps against noncompliants, | 0:19:20 | 0:19:24 | |
Henry Lonsdale is a distraction. | 0:19:24 | 0:19:26 | |
We cannot have that. | 0:19:26 | 0:19:28 | |
We cannot have distractions! | 0:19:28 | 0:19:30 | |
Things need to be ready. | 0:19:30 | 0:19:32 | |
What's the source? | 0:19:34 | 0:19:36 | |
I'm going to need you to do this, Philip. | 0:19:39 | 0:19:41 | |
If there's no source... | 0:19:44 | 0:19:45 | |
My understanding was that you wanted to get ahead. | 0:19:45 | 0:19:48 | |
Did I get that wrong? | 0:19:48 | 0:19:49 | |
-No. -Well, then. | 0:19:49 | 0:19:52 | |
It's just... | 0:19:53 | 0:19:54 | |
..there are limits, aren't there? | 0:19:56 | 0:19:58 | |
It's a simple instruction. | 0:20:01 | 0:20:02 | |
I tell you what, why don't I give you some time | 0:20:05 | 0:20:08 | |
to think about your future? | 0:20:08 | 0:20:10 | |
There's to be a protest outside the brothel. | 0:20:11 | 0:20:13 | |
You can meet me here just beforehand. | 0:20:13 | 0:20:16 | |
That gives you about... | 0:20:16 | 0:20:18 | |
five hours to decide what it is you think you're doing. | 0:20:18 | 0:20:21 | |
There she is. | 0:20:39 | 0:20:41 | |
Stone-cold, shit-kicking, badass fox. | 0:20:41 | 0:20:45 | |
Shut up. | 0:20:45 | 0:20:46 | |
Excuse me. You can't talk like that to your commanding officer. | 0:20:47 | 0:20:51 | |
-Forgot about that, didn't you? -Never said I was joining up. | 0:20:51 | 0:20:54 | |
But if you were to, I'd get to see you in this every day. | 0:20:54 | 0:20:56 | |
I mean, it's good to have Dean back and everything. | 0:20:56 | 0:20:58 | |
I'm not saying he's not a sexy bloke but... | 0:20:58 | 0:21:00 | |
it's not quite the same thing, is it? | 0:21:00 | 0:21:02 | |
So it looks like we have no choice in the matter. | 0:21:04 | 0:21:06 | |
It's out of our hands. | 0:21:08 | 0:21:09 | |
He said I looked like freedom. | 0:21:13 | 0:21:15 | |
You don't think that might have been more a metaphor? | 0:21:15 | 0:21:17 | |
I'm not a metaphor, Brian. He was looking right at me. | 0:21:17 | 0:21:21 | |
Simon expects... | 0:21:21 | 0:21:22 | |
-What are you going to do? -I'm... | 0:21:22 | 0:21:25 | |
I tell you what I'm going to do. | 0:21:32 | 0:21:34 | |
I'm going to make Simon proud. | 0:21:34 | 0:21:37 | |
-MAXINE: -You did the right thing getting in touch, Mrs Lamb. | 0:22:10 | 0:22:13 | |
The tapes will take some sifting. | 0:22:15 | 0:22:18 | |
There are some people in this village in for a nasty shock. | 0:22:21 | 0:22:24 | |
I'm sure that evidence of yours will have a very deep impact. | 0:22:24 | 0:22:27 | |
I'll be around this afternoon with a car to pick it up. | 0:22:27 | 0:22:30 | |
You going to be OK with this? | 0:23:02 | 0:23:03 | |
It's a patrol. | 0:23:03 | 0:23:05 | |
Are you sure? | 0:23:05 | 0:23:06 | |
Cos we don't have to go anywhere near where Henry... | 0:23:06 | 0:23:09 | |
where it happened. | 0:23:09 | 0:23:10 | |
Right, good. | 0:23:13 | 0:23:14 | |
I reckon if we move fast, we're out of here in half an hour. | 0:23:14 | 0:23:17 | |
15 minutes if we split up. | 0:23:17 | 0:23:19 | |
-Eh? -You take that way, I'll take this. | 0:23:20 | 0:23:23 | |
Meet back here at ten to. | 0:23:23 | 0:23:26 | |
All right. Whatever you say. | 0:23:26 | 0:23:28 | |
Told you you're badass. | 0:23:30 | 0:23:31 | |
WIND RISES | 0:23:34 | 0:23:37 | |
SHE BREATHES HEAVILY | 0:23:59 | 0:24:01 | |
BIRD CAWS | 0:24:02 | 0:24:05 | |
BIRD CAWS AGAIN | 0:24:07 | 0:24:09 | |
Gary? | 0:24:12 | 0:24:13 | |
Who's that? | 0:24:20 | 0:24:21 | |
Hey, wait. | 0:24:23 | 0:24:24 | |
Stop. | 0:24:25 | 0:24:27 | |
It's OK. It's OK. | 0:25:00 | 0:25:01 | |
SHE PANTS | 0:25:01 | 0:25:03 | |
You're OK. | 0:25:03 | 0:25:04 | |
So, nosebleeds, tremor following administration. | 0:25:05 | 0:25:09 | |
Any other symptoms at all? | 0:25:09 | 0:25:11 | |
-This morning I tried to make myself breakfast. -Hm. | 0:25:11 | 0:25:14 | |
-We don't eat. -Oh! -I'd forgotten. | 0:25:14 | 0:25:17 | |
I'm forgetting a lot. | 0:25:17 | 0:25:19 | |
Thanks for seeing me here. | 0:25:19 | 0:25:21 | |
Didn't want to go back to Dr Russo because he's weird. | 0:25:21 | 0:25:23 | |
Oh, I think it's mainly shyness. | 0:25:23 | 0:25:25 | |
I didn't want the people I live with to worry | 0:25:25 | 0:25:27 | |
and think that something's wrong... | 0:25:27 | 0:25:29 | |
if something IS wrong. | 0:25:29 | 0:25:31 | |
I'm not seeing any mention | 0:25:31 | 0:25:33 | |
of your particular combination of symptoms or side effects, | 0:25:33 | 0:25:36 | |
whichever they are. What we might do is tweak your medication. | 0:25:36 | 0:25:39 | |
Sometimes that works. | 0:25:39 | 0:25:41 | |
Now, here we go. Look. | 0:25:41 | 0:25:42 | |
"Halperin & Weston announce positive results in clinical trials | 0:25:42 | 0:25:45 | |
"for next-generation PDS treatments. | 0:25:45 | 0:25:47 | |
"Subjects taking Neurotriptyline Plus | 0:25:47 | 0:25:50 | |
"reported decreased incidence of anxiety or nervousness, | 0:25:50 | 0:25:54 | |
"lengthened sleep durations | 0:25:54 | 0:25:56 | |
"and less interpersonal distress | 0:25:56 | 0:25:59 | |
"compared to placebo." They've been busy! | 0:25:59 | 0:26:02 | |
"Active ingredients are Neurotriptyline lactose..." | 0:26:02 | 0:26:05 | |
SHE MUTTERS QUIETLY | 0:26:05 | 0:26:08 | |
It's more of the same, if I'm honest. | 0:26:08 | 0:26:11 | |
Give it a go. | 0:26:11 | 0:26:12 | |
BANGS WORKTOP | 0:26:24 | 0:26:26 | |
SHIRLEY: There you go. See if that does the trick. | 0:26:26 | 0:26:30 | |
If not, pop back again, OK? | 0:26:30 | 0:26:32 | |
SIZZLING | 0:26:34 | 0:26:36 | |
Ow! | 0:26:40 | 0:26:41 | |
Shit! Bloody shit! | 0:26:43 | 0:26:45 | |
-Philip! -Yes? | 0:26:45 | 0:26:47 | |
-This is... -Already acquainted. -Yes. | 0:26:49 | 0:26:52 | |
Sorry. | 0:26:53 | 0:26:54 | |
No. Good to show 'em who's boss every now and then. | 0:26:54 | 0:26:57 | |
I had a clock-radio once. | 0:26:57 | 0:26:59 | |
I let it get out of line. Hm. | 0:26:59 | 0:27:01 | |
It's my own fault, really. | 0:27:01 | 0:27:03 | |
I'd leave it alone for long periods... | 0:27:03 | 0:27:05 | |
during the day. | 0:27:05 | 0:27:07 | |
Right, then. | 0:27:07 | 0:27:08 | |
CLATTERING BEHIND DOOR | 0:27:19 | 0:27:20 | |
You OK? | 0:27:20 | 0:27:22 | |
-SIMON: -Just give me a second. | 0:27:22 | 0:27:24 | |
You don't have to do this. We can forget all about it. | 0:27:25 | 0:27:27 | |
-SIMON: -No, you said you wanted me to see your world, so... | 0:27:27 | 0:27:30 | |
I'm not holding you to anything. | 0:27:30 | 0:27:31 | |
SIMON: I said I'd do it. I'll do it. It's part of the... | 0:27:31 | 0:27:34 | |
getting to know you. | 0:27:34 | 0:27:35 | |
Jesus Christ. | 0:27:35 | 0:27:37 | |
Is anyone around? | 0:27:37 | 0:27:39 | |
No. | 0:27:49 | 0:27:50 | |
-SIMON: -There'd better not be. | 0:27:50 | 0:27:51 | |
DOOR OPENS | 0:27:51 | 0:27:53 | |
Yeah, yeah. Start walking. | 0:27:54 | 0:27:56 | |
-How do I look? -So bad. | 0:28:05 | 0:28:08 | |
Yeah. | 0:28:08 | 0:28:09 | |
-Thank you. -It's OK. | 0:28:09 | 0:28:12 | |
He was looking right at me. It's like he was asking me why. | 0:28:37 | 0:28:40 | |
Jem, keep it down. | 0:28:40 | 0:28:41 | |
I thought they were after me. All of them. Everyone we ever did. | 0:28:42 | 0:28:45 | |
Do you want another? | 0:28:46 | 0:28:47 | |
Yeah. | 0:28:49 | 0:28:51 | |
Same again, please, Pearl. | 0:28:56 | 0:28:57 | |
Those are on me, Pearl. | 0:29:01 | 0:29:03 | |
That's very kind of you. | 0:29:03 | 0:29:04 | |
Debt of gratitude, mate. | 0:29:04 | 0:29:07 | |
Feel safer already, knowing you lot are out there. | 0:29:07 | 0:29:09 | |
As far as I'm concerned, that hand doesn't go in your pocket. | 0:29:09 | 0:29:12 | |
So as you know, that's not a house policy. | 0:29:12 | 0:29:16 | |
-Cheers, then. -ALL: Cheers. | 0:29:17 | 0:29:19 | |
Good man. | 0:29:21 | 0:29:22 | |
I keep having bad dreams. | 0:29:29 | 0:29:30 | |
Henry is in them an' all. | 0:29:30 | 0:29:32 | |
Jem, look. | 0:29:32 | 0:29:35 | |
Henry's gone. | 0:29:35 | 0:29:36 | |
You just need to be in the here and now. | 0:29:36 | 0:29:40 | |
I mean, fuck's sake, we've all done stuff. | 0:29:40 | 0:29:42 | |
But dwelling on it is only going to weaken us. | 0:29:42 | 0:29:44 | |
So, listen. Here and now we're together and we're alive, | 0:29:45 | 0:29:49 | |
and that's two boxes ticked for me already. Yeah? | 0:29:49 | 0:29:52 | |
Looks like there's a free piss-up in the offing as well. | 0:29:54 | 0:29:57 | |
So knock that one back quick and look thirsty. | 0:29:57 | 0:29:59 | |
SANDRA: Can't believe it didn't record. | 0:30:05 | 0:30:07 | |
You're a life-saver, Mrs Lamb. Bereft I was. | 0:30:07 | 0:30:10 | |
I'll get this back to you as soon as I've watched it. | 0:30:10 | 0:30:12 | |
Bye, now. | 0:30:12 | 0:30:13 | |
DOORBELL RINGS | 0:30:17 | 0:30:18 | |
Mrs Lamb? | 0:30:22 | 0:30:23 | |
No, I was wondering if you and I could have a quick word. Please. | 0:30:23 | 0:30:27 | |
Look, I implore you. | 0:30:28 | 0:30:29 | |
Well? | 0:31:06 | 0:31:08 | |
There's something you need to know. | 0:31:14 | 0:31:16 | |
It's not too late to back out. | 0:31:19 | 0:31:20 | |
Can you stop saying that? Please. I'm fine. I'm completely relaxed. | 0:31:20 | 0:31:25 | |
Is that your dad? Shit. | 0:31:25 | 0:31:28 | |
KIEREN: Say you like his jeans. | 0:31:28 | 0:31:30 | |
What? | 0:31:30 | 0:31:31 | |
-All right. -Hey, Dad. | 0:31:32 | 0:31:34 | |
Simon, this is my dad, Steve. | 0:31:35 | 0:31:38 | |
Hi, Steve. | 0:31:38 | 0:31:40 | |
Like your jeans. | 0:31:42 | 0:31:43 | |
Thanks very much. | 0:31:45 | 0:31:46 | |
Er... | 0:31:47 | 0:31:49 | |
Sue, Kieren's brought a mate back. Simon. | 0:31:53 | 0:31:57 | |
Very nice. | 0:31:57 | 0:32:00 | |
Hello, Sue. | 0:32:00 | 0:32:01 | |
-Thanks for having me. -Lovely to have you here. | 0:32:01 | 0:32:04 | |
Well, I hope you like lunch, Simon. | 0:32:05 | 0:32:08 | |
Er...sure. Er... | 0:32:11 | 0:32:13 | |
It's definitely in his top three meals we don't eat. | 0:32:13 | 0:32:16 | |
MAN ON TV: You're happy to stick with that finding, are you? | 0:32:38 | 0:32:41 | |
-WOMAN ON TV: -What are you implying, Detective Inspector? | 0:32:41 | 0:32:44 | |
-Ms Martin! -I'm terrible, aren't I? This time of day. | 0:32:44 | 0:32:47 | |
VIDEO PLAYER STOPS | 0:32:47 | 0:32:48 | |
I thought I was Roarton's biggest Hard Graft fan. | 0:32:48 | 0:32:51 | |
-Abigail Lamb records them all. -Mm-hm... | 0:32:51 | 0:32:53 | |
You've got the message, then? Patrick Hughes. Victus central office. | 0:32:53 | 0:32:57 | |
A man with a very brusque tone, I must say. | 0:32:57 | 0:33:01 | |
MAN ON TV: I can understand our friend here sustaining | 0:33:01 | 0:33:03 | |
one accidental bullet wound while cleaning his gun, but two... | 0:33:03 | 0:33:07 | |
VIDEO PLAYER HISSES | 0:33:07 | 0:33:09 | |
Oh, no! | 0:33:09 | 0:33:10 | |
You've got to be joking. | 0:33:11 | 0:33:13 | |
What is this? | 0:33:13 | 0:33:15 | |
Where did you get this tape? | 0:33:17 | 0:33:19 | |
You should be very proud. | 0:33:21 | 0:33:23 | |
That's a fine, religious young man you've raised. | 0:33:23 | 0:33:25 | |
Giving all that time to his outreach work. | 0:33:25 | 0:33:29 | |
All his good deeds in secret, too. | 0:33:29 | 0:33:31 | |
Trying to convince women to turn away from sin. | 0:33:31 | 0:33:34 | |
He told me all about it. Do you know, | 0:33:34 | 0:33:36 | |
I don't think he would've said a word if he hadn't had to come | 0:33:36 | 0:33:39 | |
and ask me for those tapes. | 0:33:39 | 0:33:40 | |
Still, we couldn't have people | 0:33:40 | 0:33:43 | |
thinking the wrong thing, could we? | 0:33:43 | 0:33:46 | |
ALARM BLARES | 0:33:53 | 0:33:55 | |
GROWLING | 0:33:55 | 0:33:56 | |
Come on. | 0:33:58 | 0:34:00 | |
Simon is going to love this. He is going to freak when he finds out. | 0:34:02 | 0:34:07 | |
-In a good way? -What do you think a blow for freedom is, Brian? | 0:34:07 | 0:34:10 | |
GROWLING | 0:34:12 | 0:34:14 | |
Hey, there. | 0:34:14 | 0:34:15 | |
Get the lock off. | 0:34:15 | 0:34:17 | |
We're friends. We're like you. | 0:34:21 | 0:34:24 | |
ALARM STILL BLARING | 0:34:28 | 0:34:31 | |
GROWLS | 0:34:35 | 0:34:37 | |
Quick as you can, then, Zoe. | 0:34:40 | 0:34:42 | |
-You're free. Yes, freedom. -Probably make a move sometime around now. | 0:34:46 | 0:34:50 | |
You're scaring them. | 0:34:50 | 0:34:53 | |
-Come, please. -Zoe, seriously. | 0:34:53 | 0:34:55 | |
GROWLING | 0:35:03 | 0:35:04 | |
ALARM STILL BLARING | 0:35:04 | 0:35:06 | |
Slow down, Brian. You look like an amateur. | 0:35:12 | 0:35:15 | |
Cut-price alarm system! | 0:35:22 | 0:35:23 | |
My Sunday afternoon up in smoke. | 0:35:32 | 0:35:35 | |
ALARM OFF | 0:35:35 | 0:35:36 | |
SPRAY CAN HISSES | 0:35:40 | 0:35:42 | |
HISS | 0:35:42 | 0:35:43 | |
REPEATED HISSING | 0:35:44 | 0:35:46 | |
HISSING | 0:35:49 | 0:35:50 | |
Oh, no. | 0:35:51 | 0:35:53 | |
SHE SHRIEKS, IT GROWLS | 0:35:53 | 0:35:55 | |
DRAWN-OUT SHRIEK | 0:35:55 | 0:35:57 | |
This is nice. Thank you. | 0:36:01 | 0:36:04 | |
I always say you can't beat a good bit of beef. | 0:36:04 | 0:36:07 | |
That sister of yours said she'd be here by three. | 0:36:09 | 0:36:12 | |
Which, if previous experience is anything to go by, | 0:36:12 | 0:36:15 | |
means any time between now and midnight. | 0:36:15 | 0:36:17 | |
No point in letting it go cold. | 0:36:20 | 0:36:22 | |
So, Steve, how did you and Sue meet? | 0:36:26 | 0:36:29 | |
Work. | 0:36:30 | 0:36:31 | |
Work. | 0:36:35 | 0:36:36 | |
What about the two of you? | 0:36:38 | 0:36:40 | |
The same. Work. | 0:36:40 | 0:36:42 | |
I like the way he gave back. | 0:36:44 | 0:36:46 | |
SIMON: Yeah... | 0:36:47 | 0:36:48 | |
DOORBELL RINGS | 0:36:48 | 0:36:49 | |
-You make me feel good. -Do I? Back at yer. | 0:36:56 | 0:36:59 | |
All right, Dad. | 0:37:03 | 0:37:04 | |
Gary's come for lunch. | 0:37:04 | 0:37:06 | |
If that's OK with you, Steve. | 0:37:07 | 0:37:09 | |
No problem at all. Very nice. Kieren's brought his mate back. | 0:37:09 | 0:37:12 | |
Jem, do you want to change at all before eating? | 0:37:12 | 0:37:16 | |
Not really. I'm starving. | 0:37:16 | 0:37:17 | |
Get stuck in is probably the best plan. | 0:37:17 | 0:37:20 | |
Cheers, Steve. | 0:37:20 | 0:37:21 | |
We've had a few pints, as it happens. | 0:37:21 | 0:37:23 | |
BOTH LAUGH | 0:37:25 | 0:37:27 | |
-STEVE: -This is Kieren's mate Simon. | 0:37:30 | 0:37:32 | |
Jem. And Gary. | 0:37:32 | 0:37:35 | |
All right. | 0:37:35 | 0:37:36 | |
There we are. More, the merrier. | 0:37:42 | 0:37:45 | |
Yeah, plenty to go around. | 0:37:46 | 0:37:47 | |
Yeah, well, there would be, wouldn't there? | 0:37:47 | 0:37:50 | |
Shall we keep it cool, guys, while we're here? | 0:37:59 | 0:38:03 | |
No problem this end, pal. | 0:38:04 | 0:38:05 | |
Oi. Cheeky sod. | 0:38:10 | 0:38:12 | |
Did you manage to get all the knots out of the bunting, Mum? | 0:38:14 | 0:38:17 | |
Finally. | 0:38:17 | 0:38:18 | |
They keeping you busy, Sue? | 0:38:18 | 0:38:21 | |
Sue's on the planning committee for the village fete. | 0:38:21 | 0:38:24 | |
It's all go, in't it? | 0:38:24 | 0:38:25 | |
-Oh, yeah, plenty to do. -Not helped by a certain Maxine Martin. | 0:38:25 | 0:38:28 | |
What's Maxine done? | 0:38:30 | 0:38:31 | |
She thinks the fete should have a stand to commemorate the Rising. | 0:38:32 | 0:38:35 | |
As if they haven't got enough to worry about. | 0:38:35 | 0:38:38 | |
Well, what's the problem there, Sue? | 0:38:38 | 0:38:40 | |
Well, most years we try to avoid anything divisive. | 0:38:40 | 0:38:43 | |
It's worth commemorating, though, in't it? | 0:38:44 | 0:38:46 | |
Worth a little backwards glance. | 0:38:46 | 0:38:47 | |
People making the ultimate sacrifice, acts of valour and that, | 0:38:47 | 0:38:50 | |
Jems here, included. | 0:38:50 | 0:38:51 | |
They should have umpteen stands, all Jem's heroic deeds. | 0:38:51 | 0:38:55 | |
Well, it's mostly jams. | 0:38:55 | 0:38:57 | |
Have one for that time in the Kitsons' place. | 0:38:57 | 0:39:00 | |
Do you remember that? We were at t'Kitsons'. | 0:39:00 | 0:39:02 | |
There was nothing much to show up there. I'm caught short, | 0:39:02 | 0:39:05 | |
so I nip upstairs to use the loo, leaving my weapon, right? Big mistake. | 0:39:05 | 0:39:08 | |
And I shout down to you, don't I? | 0:39:08 | 0:39:10 | |
"Summat's up wi' drains." Cos the smell's that bad. | 0:39:10 | 0:39:12 | |
Don't know how much toilet talk we want at the dinner table. | 0:39:12 | 0:39:15 | |
I look round and there's this massive big bloody rabid just coming right at me. | 0:39:15 | 0:39:19 | |
Must have been, what, 18st of him. | 0:39:19 | 0:39:22 | |
Been having a nap in t'bath. | 0:39:22 | 0:39:24 | |
You've outdone yourself here, Sue. | 0:39:24 | 0:39:25 | |
It explains the smell anyway. But I'm backing into a corner. | 0:39:25 | 0:39:28 | |
Who else thinks Mum's outdone herself? | 0:39:28 | 0:39:30 | |
I'm climbing up on t'toilet bowl with nothing but an electric toothbrush to defend myself with | 0:39:30 | 0:39:34 | |
when two more of them turn up. This one shows up, Colt in hand... Boom! | 0:39:34 | 0:39:38 | |
Pops the first one there. Brains across the tiles. | 0:39:38 | 0:39:40 | |
Everyone OK for creamed leeks? | 0:39:40 | 0:39:42 | |
Second one, top of neck. Fat lad's still coming at me, in't he? | 0:39:42 | 0:39:46 | |
Me wi' me trusty toothbrush. She walks up to it... | 0:39:46 | 0:39:48 | |
Click. Gun jams. | 0:39:48 | 0:39:50 | |
I'm like, "All right, OK, good night, Saigon!" | 0:39:51 | 0:39:54 | |
Cool as you like, she rips down t'shower pole... | 0:39:54 | 0:39:57 | |
Boom! Straight through t'eye hole. | 0:39:57 | 0:39:59 | |
But wait, no, no, no, no. That's not it. This... | 0:40:00 | 0:40:03 | |
This rabid, this PDS sufferer, | 0:40:03 | 0:40:05 | |
starts going over like this. | 0:40:05 | 0:40:07 | |
"Argh!" Only t'pole's still stuck in its head. | 0:40:07 | 0:40:10 | |
Hits me on t'way down. | 0:40:10 | 0:40:12 | |
I lose my balance, don't I? Both feet end up in t'toilet bowl. | 0:40:12 | 0:40:15 | |
Boots wet, socks wet. | 0:40:15 | 0:40:16 | |
That what you did in the war, is it? Kill people? | 0:40:18 | 0:40:22 | |
-Leave it. -No, no, I won't. | 0:40:22 | 0:40:24 | |
I killed people, too. | 0:40:25 | 0:40:26 | |
I've a funny story of my own, actually. | 0:40:26 | 0:40:29 | |
I rose from the dead. | 0:40:29 | 0:40:32 | |
-And, then, after that I ripped people apart. -Kieren... | 0:40:32 | 0:40:36 | |
OK, maybe it's not that funny but you can sit there and listen to it anyway, like we did with you. | 0:40:38 | 0:40:42 | |
-Kieren, don't. -Nah, you're all right, mate. | 0:40:42 | 0:40:45 | |
Listen to the story! | 0:40:45 | 0:40:46 | |
It's weird. First because all there is is just darkness. | 0:40:47 | 0:40:51 | |
It's so dark. | 0:40:52 | 0:40:54 | |
Doesn't make a difference if your eyes are open or closed. | 0:40:54 | 0:40:56 | |
What you think is that you've been buried alive. | 0:40:57 | 0:40:59 | |
Kieren, please. | 0:40:59 | 0:41:01 | |
Not ideal. | 0:41:02 | 0:41:03 | |
That's proper...proper panic, that. You know. | 0:41:03 | 0:41:07 | |
You hit out at the lid of the coffin even though you know there's no way. | 0:41:07 | 0:41:11 | |
But then it starts to give. | 0:41:11 | 0:41:13 | |
You have to push your way through all the soil. | 0:41:13 | 0:41:17 | |
Takes ages, doesn't it? Takes so long. | 0:41:17 | 0:41:20 | |
-Kieren... -But then suddenly... | 0:41:20 | 0:41:23 | |
...something's different. You feel the wind on the tips of your fingers, | 0:41:24 | 0:41:27 | |
and the rain. | 0:41:27 | 0:41:29 | |
Because before that you're not really sure where you are but... | 0:41:29 | 0:41:33 | |
but now you know. And you're pushing through | 0:41:33 | 0:41:35 | |
and then all this stuff at once. The moon... | 0:41:35 | 0:41:38 | |
And this incredible storm blowing. | 0:41:38 | 0:41:41 | |
And the clock chiming midnight and you're just standing there. | 0:41:41 | 0:41:44 | |
Nobody else around. | 0:41:44 | 0:41:46 | |
And all of it pushing into me. | 0:41:46 | 0:41:47 | |
No-one else. Are you sure? | 0:41:47 | 0:41:49 | |
No. But you know what I felt? | 0:41:49 | 0:41:52 | |
Were any other graves open? | 0:41:52 | 0:41:53 | |
No, the other graves are fine. I'm trying to say something. | 0:41:53 | 0:41:56 | |
That feeling... | 0:41:56 | 0:41:58 | |
..it's like what being born must be like. | 0:41:59 | 0:42:02 | |
Except you've got context. | 0:42:02 | 0:42:03 | |
Because, honestly, | 0:42:03 | 0:42:05 | |
dead... | 0:42:05 | 0:42:06 | |
Everything...up until then was fear. Everything. | 0:42:06 | 0:42:12 | |
Even when I was alive, just different levels of fear. | 0:42:12 | 0:42:15 | |
And then it's gone. | 0:42:17 | 0:42:19 | |
And you're like, "Yeah, come on, give it to me, fill me up!" | 0:42:19 | 0:42:22 | |
And you know what, Gary? | 0:42:22 | 0:42:24 | |
This hunger, this appetite, | 0:42:24 | 0:42:27 | |
I could not wait to get started. | 0:42:27 | 0:42:29 | |
That's enough! | 0:42:29 | 0:42:31 | |
Do you hear me? I will not have it. | 0:42:31 | 0:42:33 | |
-Did I cross the line, Dad? -Kieren, please. | 0:42:33 | 0:42:35 | |
While they sit around and high-five each other | 0:42:35 | 0:42:38 | |
about killing us, like it's a big joke! | 0:42:38 | 0:42:40 | |
Oh, no, that's fine with everyone! | 0:42:40 | 0:42:42 | |
I say one thing and that is indecent?! I'm sorry, | 0:42:42 | 0:42:45 | |
but that is bullshit! | 0:42:45 | 0:42:46 | |
Come on, Simon. | 0:42:48 | 0:42:49 | |
-Come on! -Yeah. | 0:42:50 | 0:42:52 | |
You do know I'm proud of you, Philip? | 0:43:15 | 0:43:18 | |
You'll do what's right by Sylvia and Henry, won't you? | 0:43:18 | 0:43:21 | |
Yes, I will. | 0:43:21 | 0:43:23 | |
-PHILIP: -Miss Martin? I've decided I'm not going... | 0:44:06 | 0:44:09 | |
Sandra Furness got this tape from a friend of hers, | 0:44:09 | 0:44:11 | |
a woman called Abigail Lamb. | 0:44:11 | 0:44:14 | |
Mrs Lamb's had a bit of a run on video tapes recently. | 0:44:14 | 0:44:17 | |
I expect that's why she forgot what was on this one. | 0:44:19 | 0:44:21 | |
VIDEO PLAYER: '..Sustaining one accidental bullet wound | 0:44:24 | 0:44:27 | |
'while cleaning his gun, but two...' | 0:44:27 | 0:44:29 | |
VIDEO PLAYER HISSES | 0:44:29 | 0:44:31 | |
MAXINE SIGHS | 0:44:57 | 0:44:58 | |
Suddenly everything has become very simple, hasn't it, Philip? | 0:44:58 | 0:45:02 | |
You tell lies all the time. | 0:45:02 | 0:45:04 | |
All you need to do now is just tell one more. | 0:45:06 | 0:45:09 | |
And afterwards you can come to the protest, maybe even say a few words. | 0:45:09 | 0:45:13 | |
And go back to being the person you say you are. | 0:45:13 | 0:45:17 | |
You know where Mrs Lonsdale lives. | 0:45:21 | 0:45:23 | |
Time you got on with it. | 0:45:26 | 0:45:28 | |
TV ON | 0:45:43 | 0:45:45 | |
KNOCK AT DOOR | 0:45:50 | 0:45:52 | |
It's probably your brother... | 0:45:59 | 0:46:00 | |
..with another one of his funny stories. | 0:46:02 | 0:46:04 | |
Come on. Brothel protest. | 0:46:13 | 0:46:15 | |
We're not on tonight. It's not going to take more than | 0:46:15 | 0:46:18 | |
one or two on security. I already spoke to Maxine. | 0:46:18 | 0:46:21 | |
-Yeah, well, now she wants everyone there. -Why? | 0:46:21 | 0:46:23 | |
In case tarts attack? I don't know. Come on. | 0:46:23 | 0:46:26 | |
FAINT SHOUTING | 0:46:50 | 0:46:52 | |
-WOMAN: -Your poor mam! -MAN: -No shame! | 0:46:56 | 0:46:58 | |
SHOUTING | 0:46:58 | 0:47:00 | |
GARY: Right, we're here to give out a signal. | 0:47:01 | 0:47:03 | |
Let's get the job done. And we don't engage. | 0:47:03 | 0:47:05 | |
We're not here for conversation. | 0:47:05 | 0:47:07 | |
You and Craig go round the back, me, Sam and Andy'll go in the front. | 0:47:07 | 0:47:10 | |
-All right, mate. -Let's bag some rotters. | 0:47:10 | 0:47:12 | |
DOORBELL RINGS | 0:47:18 | 0:47:20 | |
Philip... | 0:47:25 | 0:47:27 | |
-Sorry to call so... -Come in, Philip. | 0:47:27 | 0:47:29 | |
Is this what they meant when they told us to integrate? | 0:47:34 | 0:47:37 | |
MAN: Of course not! CROWD SHOUTS | 0:47:37 | 0:47:39 | |
Thank God we're waking up, is all I can say, | 0:47:39 | 0:47:42 | |
because this is only a start. | 0:47:42 | 0:47:44 | |
As long as this illness goes untreated, | 0:47:44 | 0:47:47 | |
we are vulnerable! | 0:47:47 | 0:47:49 | |
CROWD SHOUTS IN AGREEMENT | 0:47:49 | 0:47:51 | |
Wait here. I'll go and find out what's happening. | 0:48:02 | 0:48:05 | |
You, in. | 0:48:07 | 0:48:08 | |
Get in there. | 0:48:10 | 0:48:11 | |
Get up now. Get up now. | 0:48:11 | 0:48:13 | |
Keep them here. | 0:48:13 | 0:48:14 | |
-Come on, Jem, shake a leg. -What are we doing? | 0:48:17 | 0:48:20 | |
The right thing, what everyone wants. | 0:48:20 | 0:48:22 | |
You heard 'em down pub. Folks are counting on us again. | 0:48:22 | 0:48:25 | |
Listen, please. You don't understand. | 0:48:30 | 0:48:33 | |
If I go out there, I'll lose everything! | 0:48:33 | 0:48:36 | |
Not confused by that at all, friend. Put him with the rest. | 0:48:36 | 0:48:38 | |
-I'm going. -Let's see if we can hurry things along, then, shall we? | 0:48:41 | 0:48:44 | |
Come on, Jem. | 0:48:44 | 0:48:46 | |
CROWD SHOUTS | 0:48:54 | 0:48:56 | |
CHEERING | 0:48:57 | 0:48:59 | |
We've had some more information. | 0:49:17 | 0:49:19 | |
-There... -Just...before... | 0:49:21 | 0:49:24 | |
Please sit down. Come on. | 0:49:24 | 0:49:27 | |
I tried to stop her, Philip, | 0:49:34 | 0:49:36 | |
but she's...she's put these lies in my head that... | 0:49:36 | 0:49:39 | |
..Henry's maybe still out there. | 0:49:40 | 0:49:42 | |
It's not hope, it's the worst feeling. | 0:49:42 | 0:49:45 | |
It's dragging it out. | 0:49:45 | 0:49:46 | |
I know they're lies, but I can't let them go on my own, | 0:49:48 | 0:49:52 | |
even though I know. | 0:49:52 | 0:49:54 | |
I know. | 0:49:56 | 0:49:57 | |
You've always been such a serious boy. | 0:49:59 | 0:50:01 | |
I'd see you playing out, even as a toddler. | 0:50:03 | 0:50:05 | |
Big frown on your face, like something had just made you very angry. | 0:50:05 | 0:50:08 | |
Never saw you lash out, though. | 0:50:10 | 0:50:12 | |
Never saw you do the cruel things, so I know you're a good boy. | 0:50:12 | 0:50:16 | |
All I need is some truth, Philip. | 0:50:18 | 0:50:20 | |
Please. | 0:50:21 | 0:50:22 | |
CROWD SHOUTS OUTSIDE | 0:50:54 | 0:50:56 | |
Right, then. | 0:50:58 | 0:50:59 | |
Let's have 'em. | 0:50:59 | 0:51:01 | |
CROWD SHOUTS | 0:51:09 | 0:51:11 | |
MAN: Disgusting! Swine! | 0:51:11 | 0:51:13 | |
Rotters this side, prozzies this side. | 0:51:14 | 0:51:17 | |
Nice, neat rows. Let everyone see your faces. | 0:51:17 | 0:51:20 | |
CROWD SHOUTING | 0:51:22 | 0:51:25 | |
Can I have your attention, please? Please, can I have your attention? | 0:51:45 | 0:51:48 | |
Thank you. | 0:51:48 | 0:51:49 | |
Thank you. | 0:51:50 | 0:51:51 | |
I think we should stop this. | 0:51:54 | 0:51:55 | |
MAN: Eh? Stop it? | 0:51:56 | 0:51:58 | |
-I think we should all stop pretending. WOMAN: -Pretending? | 0:51:58 | 0:52:00 | |
You can only pretend for so long, and then you're back stuck with yourself. | 0:52:00 | 0:52:04 | |
-MAN: -About what? -What I'm trying to explain is that... | 0:52:04 | 0:52:07 | |
if the idea that you were ever a pure person, | 0:52:07 | 0:52:09 | |
it just makes everything else so much worse. | 0:52:09 | 0:52:12 | |
It makes you so disappointing. | 0:52:12 | 0:52:14 | |
CROWD PROTESTS | 0:52:14 | 0:52:16 | |
People aren't pure. | 0:52:17 | 0:52:19 | |
We are not good any more than they're evil or they're inhuman. | 0:52:19 | 0:52:22 | |
CROWD PROTESTS | 0:52:22 | 0:52:23 | |
Maybe we only have to pretend they're bad because we have to pretend | 0:52:23 | 0:52:27 | |
we're good. But if we could just accept our real selves | 0:52:27 | 0:52:30 | |
and live with who we really are and love ourselves, then maybe... | 0:52:30 | 0:52:33 | |
CROWD PROTESTS | 0:52:33 | 0:52:34 | |
..maybe we could accept and live with and... | 0:52:34 | 0:52:38 | |
..and love. | 0:52:40 | 0:52:41 | |
CROWD SHOUTS | 0:52:41 | 0:52:43 | |
Forget it. | 0:52:49 | 0:52:51 | |
-MAN: -Hey, what are you doing over there? | 0:52:57 | 0:53:00 | |
He's been at it with rotters! | 0:53:00 | 0:53:02 | |
-WOMAN: -No, go on, get out! | 0:53:02 | 0:53:04 | |
CROWD SHOUTS | 0:53:04 | 0:53:06 | |
Big smiles, everyone. | 0:53:07 | 0:53:09 | |
Disgusting. | 0:53:09 | 0:53:10 | |
GLASS SMASHES | 0:54:42 | 0:54:44 | |
Who's there? Who is it? | 0:54:46 | 0:54:47 | |
-(RASPING) -A zombie! | 0:54:47 | 0:54:49 | |
Worse than a zombie! | 0:54:49 | 0:54:52 | |
What's worse than a zombie? | 0:54:52 | 0:54:53 | |
Two? | 0:54:53 | 0:54:55 | |
A drunk zombie. | 0:54:55 | 0:54:57 | |
Terrible news about the full disclosure of your sex life, by the way. | 0:55:00 | 0:55:05 | |
Not going down brilliantly with the townsfolk. | 0:55:05 | 0:55:07 | |
Your reputation's in tatters, what with...necrophilia | 0:55:07 | 0:55:11 | |
and fancying rotters. | 0:55:11 | 0:55:14 | |
Nice boys don't do that! | 0:55:14 | 0:55:16 | |
No, thank you. I know where that mouth's been. | 0:55:18 | 0:55:21 | |
How can you be drunk? | 0:55:21 | 0:55:23 | |
Power of suggestion? | 0:55:23 | 0:55:25 | |
Sense memory? | 0:55:25 | 0:55:26 | |
And I'm not really. I'd say prepare yourself | 0:55:28 | 0:55:30 | |
for some sort of lynching or social ostracism. | 0:55:30 | 0:55:34 | |
You're talking to me. | 0:55:34 | 0:55:35 | |
I'm very nice, though. | 0:55:35 | 0:55:37 | |
I also have a high tolerance for idiots just now, | 0:55:37 | 0:55:40 | |
especially disappointed idiots. | 0:55:40 | 0:55:43 | |
I don't fancy people with PDS... | 0:55:44 | 0:55:47 | |
-as such. -Right, just the sex workers. | 0:55:47 | 0:55:49 | |
I went to one sex worker. | 0:55:49 | 0:55:51 | |
One! What's one(?) | 0:55:51 | 0:55:53 | |
-Because she reminded me of someone. -Who's counting? | 0:55:53 | 0:55:57 | |
Because I do like some people with PDS. | 0:55:57 | 0:55:59 | |
Very few. | 0:55:59 | 0:56:00 | |
You...in fact. | 0:56:02 | 0:56:04 | |
# So this is where you wanted to be | 0:56:11 | 0:56:17 | |
# It's a goddamn shame that you're not here with me... # | 0:56:17 | 0:56:22 | |
Don't worry. Not long now. | 0:56:22 | 0:56:25 | |
# And I can't see your face any more | 0:56:25 | 0:56:29 | |
# If I could it wouldn't look like before | 0:56:31 | 0:56:36 | |
# Look like... # | 0:56:37 | 0:56:38 | |
I'm awake, too, so it's no good thinking about gnawing your own arm off. | 0:56:43 | 0:56:47 | |
I thought maybe I could leave that to you, given... | 0:56:48 | 0:56:51 | |
I didn't know you made jokes. | 0:56:53 | 0:56:55 | |
I don't. | 0:56:55 | 0:56:56 | |
PHONE RINGING TONE | 0:56:59 | 0:57:01 | |
PHONE PICKED UP | 0:57:08 | 0:57:09 | |
SIMON: I've found the First Risen. | 0:57:09 | 0:57:11 | |
You should see him. | 0:57:14 | 0:57:15 | |
He's beautiful. | 0:57:16 | 0:57:18 | |
LINE GOES DEAD | 0:57:19 | 0:57:21 | |
SIMON SIGHS | 0:57:27 | 0:57:28 | |
# Damn, I love... # | 0:57:30 | 0:57:33 | |
PEARL: Admit your guilt and we'll hand you a suspended sentence. | 0:57:33 | 0:57:36 | |
-KIEREN: -I didn't do it, Dad. -They've threatened to send him back to Norfolk. -I didn't do it! | 0:57:36 | 0:57:42 | |
# Damn, I love... # | 0:57:42 | 0:57:46 | |
There's a cure? | 0:57:46 | 0:57:47 | |
With your help, there could be. | 0:57:47 | 0:57:49 | |
Is all this necessary, John? | 0:57:49 | 0:57:51 | |
What did I do to her?! | 0:57:51 | 0:57:52 | |
ELECTRIC FIZZING | 0:57:52 | 0:57:54 | |
He's not turning rabid. He's had some bad news. | 0:57:54 | 0:57:56 | |
# Damn, I love... # | 0:57:56 | 0:58:02 | |
-AMY: -I don't want to live as a rabid. It's no kind of life. | 0:58:02 | 0:58:05 | |
You're fine, you're fine, you're fine, you're fine. | 0:58:05 | 0:58:07 | |
-# Damn, I love... -# | 0:58:07 | 0:58:09 | |
Simon, my son, my 12th disciple. | 0:58:09 | 0:58:13 | |
I've chosen you to change history. | 0:58:13 | 0:58:16 | |
# Damn, I love... | 0:58:18 | 0:58:20 | |
# ..you. # | 0:58:23 | 0:58:25 |