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Did you enjoy your time at the treatment centre? | 0:00:00 | 0:00:02 | |
Cos that's where you're headed if you don't confess. | 0:00:02 | 0:00:04 | |
I didn't do it! | 0:00:04 | 0:00:06 | |
This programme contains some strong language and scenes which some viewers may find disturbing. | 0:00:06 | 0:00:11 | |
I can feel it again! I'm not turning rabid. | 0:00:10 | 0:00:12 | |
-You're scared of me? -I don't even recognise you any more. | 0:00:14 | 0:00:17 | |
This is who I am. | 0:00:17 | 0:00:19 | |
DOORBELL RINGS | 0:00:21 | 0:00:22 | |
I can't look at him when he's like that. | 0:00:22 | 0:00:23 | |
Jesus Christ. | 0:00:23 | 0:00:26 | |
What you doing? | 0:00:26 | 0:00:28 | |
I'm looking for Simon. Have you seen him? | 0:00:28 | 0:00:30 | |
That's the first person you saw rise from their grave? | 0:00:30 | 0:00:33 | |
It's Simon. I'm ready to follow him. | 0:00:33 | 0:00:38 | |
-JULIAN: -It has to be done, Simon. | 0:00:38 | 0:00:41 | |
You must sacrifice the First Risen | 0:00:41 | 0:00:43 | |
on the 12th hour of the 12th day of the 12th month. | 0:00:43 | 0:00:46 | |
The First Risen must be destroyed. | 0:00:46 | 0:00:49 | |
Only then can the second resurrection occur. | 0:00:49 | 0:00:52 | |
# "Morning Has Broken" by Cat Stevens | 0:00:53 | 0:00:55 | |
# Morning has broken | 0:01:05 | 0:01:10 | |
# Like the first morning... # | 0:01:10 | 0:01:13 | |
Hello. I'll be your waitress today. I'm a fully compliant PDS sufferer. | 0:01:13 | 0:01:17 | |
I have been administered Neurotriptyline in the last 24 hours | 0:01:17 | 0:01:20 | |
and will not enter a rabid state. | 0:01:20 | 0:01:21 | |
Oh. Ha-ha. That's good to know. | 0:01:21 | 0:01:24 | |
Tea or coffee? | 0:01:24 | 0:01:26 | |
Er...coffee, thanks. | 0:01:26 | 0:01:29 | |
# ...Praise for the springing... # | 0:01:30 | 0:01:34 | |
Don't fancy anything? | 0:01:35 | 0:01:36 | |
Still got three hours ahead of us till we reach Roarton. | 0:01:37 | 0:01:40 | |
I'm not a breakfast person. | 0:01:40 | 0:01:42 | |
Oh, it's the most important meal of the day. | 0:01:42 | 0:01:44 | |
You're going to need it. | 0:01:46 | 0:01:48 | |
Collections never go easy. | 0:01:48 | 0:01:51 | |
Always put up a fight. | 0:01:55 | 0:01:57 | |
I don't mind driving the rest of the way. | 0:01:58 | 0:02:00 | |
All right, it's your funeral. | 0:02:01 | 0:02:03 | |
# ...Where his feet pass... # | 0:02:03 | 0:02:07 | |
-MAN ON RADIO: -...to 12th December, and you all know what that means. | 0:02:31 | 0:02:34 | |
Roarton Village's winter fete extravaganza is upon us. | 0:02:34 | 0:02:38 | |
What's going on, Dad? | 0:02:50 | 0:02:52 | |
-Me and your mum have come to a decision. -A decision? -Mm. | 0:02:52 | 0:02:54 | |
Yeah, we think it's best, all things considered, | 0:02:54 | 0:02:57 | |
to let the council, you know, do what they're going to do. | 0:02:57 | 0:03:00 | |
You...you're letting them send me back to Norfolk? | 0:03:00 | 0:03:02 | |
Going back to t'treatment centre might be just what the doctor ordered. | 0:03:02 | 0:03:05 | |
KIEREN SNORTS | 0:03:05 | 0:03:06 | |
They're trained up to handle situations like this. | 0:03:06 | 0:03:09 | |
They'll be able to help you get back to your normal self. | 0:03:09 | 0:03:13 | |
This is my normal self. | 0:03:13 | 0:03:14 | |
Hm. It's time for a professional opinion. | 0:03:14 | 0:03:17 | |
So, you're...you're washing your hands of me? | 0:03:17 | 0:03:19 | |
No. We're doing what we believe is in your best interests. | 0:03:19 | 0:03:23 | |
Locking me in my bedroom until the men in white coats come along and drag me away? | 0:03:23 | 0:03:26 | |
That...that's in my best interests? | 0:03:26 | 0:03:29 | |
Well, I hope they won't have to drag you away. | 0:03:29 | 0:03:32 | |
Can I call Amy, at least? | 0:03:32 | 0:03:34 | |
She's part of the crowd that's been having a bad influence on you. | 0:03:34 | 0:03:37 | |
Well, I need to speak to her, Dad. Something's not right. | 0:03:37 | 0:03:39 | |
I'm worried about her, Dad. | 0:03:39 | 0:03:41 | |
You can come down for your shot after breakfast, OK? | 0:03:41 | 0:03:43 | |
Dad! | 0:03:43 | 0:03:45 | |
KNOCKING | 0:03:45 | 0:03:46 | |
Dad! | 0:03:46 | 0:03:48 | |
Dad. | 0:03:48 | 0:03:50 | |
KNOCKS | 0:03:50 | 0:03:52 | |
GASPS | 0:03:52 | 0:03:54 | |
GASPS | 0:03:56 | 0:03:58 | |
SCREAMING | 0:04:01 | 0:04:03 | |
KNOCKING ON DOOR | 0:04:04 | 0:04:06 | |
Jem? You getting ready to beat the bounds? | 0:04:06 | 0:04:09 | |
Yeah. | 0:04:12 | 0:04:14 | |
What's happening to me? | 0:04:33 | 0:04:35 | |
I'm not entirely sure, Amy. | 0:04:36 | 0:04:38 | |
It seems like your body's waking up, | 0:04:38 | 0:04:42 | |
or coming alive, | 0:04:42 | 0:04:44 | |
or something like that. | 0:04:44 | 0:04:47 | |
Why me? | 0:04:47 | 0:04:49 | |
I don't know. | 0:04:50 | 0:04:53 | |
-Maybe you're special. -Special? | 0:04:53 | 0:04:55 | |
My nan always said I was special, | 0:04:56 | 0:04:58 | |
but I just figured that's something all nans say. | 0:04:58 | 0:05:00 | |
Philip, I'm freaking out. | 0:05:02 | 0:05:05 | |
Hey. Hey, hey. It's fine. | 0:05:05 | 0:05:08 | |
It's all right. You're all right. | 0:05:08 | 0:05:10 | |
Maybe we should get some proper medical advice on this. | 0:05:10 | 0:05:13 | |
See Dr Russo. What do you think? | 0:05:13 | 0:05:15 | |
No, bad idea. | 0:05:15 | 0:05:17 | |
What do you think would happen if we told Dr Russo I was...changing? | 0:05:19 | 0:05:25 | |
Do you think he'd just pat me on the back, give me a lolly and send me on my way? | 0:05:25 | 0:05:28 | |
He'd call the treatment centre, and then they'd cart me off to experiment on. | 0:05:28 | 0:05:33 | |
You know what the living are like. | 0:05:33 | 0:05:35 | |
You know what some of the living are like. | 0:05:35 | 0:05:39 | |
Got to keep this under our hats. | 0:05:40 | 0:05:43 | |
OK. | 0:05:45 | 0:05:47 | |
We can't just stay here. | 0:05:48 | 0:05:50 | |
-Why? -We'll die of hypothermia. | 0:05:50 | 0:05:52 | |
You're cold? | 0:05:52 | 0:05:54 | |
Aren't you? | 0:05:54 | 0:05:56 | |
I'm freezing. | 0:05:59 | 0:06:00 | |
Listen, listen. My teeth are chattering. | 0:06:04 | 0:06:06 | |
Mum, don't let them take me back. | 0:06:33 | 0:06:34 | |
It's for the best, Kier, all things considered. | 0:06:34 | 0:06:36 | |
Not if they take me back as a non-compliant... | 0:06:36 | 0:06:38 | |
CLICK | 0:06:38 | 0:06:39 | |
Look, Dad, I'm not going to do anything stupid, OK? | 0:06:43 | 0:06:46 | |
You've said that before, then it all goes horribly wrong. | 0:06:47 | 0:06:50 | |
No. Spending a bit of time in Norfolk will do you a tonne of good. | 0:06:50 | 0:06:53 | |
They know how to take care of you there, don't they, Sue? | 0:06:53 | 0:06:56 | |
Open your eyes! | 0:06:56 | 0:06:58 | |
You know what's going to happen to me if they take me back to the treatment centre. | 0:06:58 | 0:07:02 | |
I'm running late. | 0:07:02 | 0:07:04 | |
-Are you coming to the fete, Steve? -I've said I'll take Jem to t'march. -OK, then. | 0:07:04 | 0:07:07 | |
Kier, we'll be back later to see you off. | 0:07:07 | 0:07:10 | |
Oh. All right, then. | 0:07:10 | 0:07:11 | |
All right, Kier, back to your room. | 0:07:13 | 0:07:15 | |
Can I take this up with me, Dad? | 0:07:18 | 0:07:19 | |
Parish newsletter? | 0:07:19 | 0:07:22 | |
Reading material. | 0:07:22 | 0:07:24 | |
For He so loved the world, that He gave His one and only Son. | 0:08:01 | 0:08:05 | |
Whoever shall believe in him shall not perish but have eternal life. | 0:08:05 | 0:08:09 | |
Lead us not into temptation but deliver us from evil. | 0:08:09 | 0:08:12 | |
Give me the courage to do my duty, | 0:08:12 | 0:08:14 | |
to protect and defend my community from all harm. | 0:08:14 | 0:08:18 | |
So help me God. | 0:08:20 | 0:08:21 | |
Simon? | 0:08:38 | 0:08:39 | |
Yeah? | 0:08:39 | 0:08:41 | |
When the dead rise today, what will they be like? | 0:08:41 | 0:08:45 | |
The Second Risen will be... | 0:08:45 | 0:08:47 | |
Well, they're going to change things. | 0:08:50 | 0:08:53 | |
They're going to bring an end to the suffering and the persecution. | 0:08:53 | 0:08:56 | |
After the second Rising, we ain't going to be treated like dirt any more. | 0:08:56 | 0:09:00 | |
Can we help you do it, Simon? | 0:09:00 | 0:09:03 | |
I've got to do this alone. | 0:09:03 | 0:09:05 | |
-Well, what should we do? -Prepare. | 0:09:05 | 0:09:08 | |
OTHERS MURMUR | 0:09:08 | 0:09:10 | |
Lord, let the disciple complete his mission today. | 0:09:13 | 0:09:17 | |
Miss Martin. | 0:09:23 | 0:09:25 | |
I'm ready. | 0:09:25 | 0:09:26 | |
Ready? | 0:09:26 | 0:09:29 | |
To stop the threat. Just say the word. | 0:09:29 | 0:09:31 | |
Who's the threat? | 0:09:31 | 0:09:32 | |
The Irish rotter. The ULA extremist. | 0:09:32 | 0:09:34 | |
Leave it alone, Captain. | 0:09:36 | 0:09:38 | |
What you saying? He's planning an attack, Miss Martin. | 0:09:39 | 0:09:42 | |
Where's your proof? | 0:09:42 | 0:09:44 | |
Proof? You said it yourself. You got me to follow him and... | 0:09:44 | 0:09:48 | |
And nothing came of it. | 0:09:48 | 0:09:49 | |
No, that's not right. Something did come of it. | 0:09:49 | 0:09:51 | |
He went to that hotel. He met that other dead 'un. | 0:09:51 | 0:09:53 | |
I lifted the evidence off him. It all adds up. | 0:09:53 | 0:09:55 | |
He's going to pounce any minute if I don't track him down and... | 0:09:55 | 0:09:58 | |
You are not thinking straight, Captain. | 0:09:58 | 0:10:00 | |
He is not a threat. | 0:10:00 | 0:10:02 | |
Understand? | 0:10:02 | 0:10:04 | |
I am thinking straight. That Irish rotter needs to be stopped. | 0:10:06 | 0:10:09 | |
Go home, Gary. | 0:10:11 | 0:10:12 | |
That's an order. | 0:10:15 | 0:10:17 | |
Don't worry, Jem. This is the last time you have to see me. | 0:10:32 | 0:10:35 | |
Jem, can you at least look at me? | 0:10:37 | 0:10:39 | |
LOCK CLICKS | 0:10:45 | 0:10:47 | |
DOG BARKS | 0:10:49 | 0:10:51 | |
KNOCKS | 0:10:52 | 0:10:53 | |
Open up! | 0:10:53 | 0:10:54 | |
Open this bloody door or I'll bust it through! | 0:10:57 | 0:10:59 | |
OLIVER: God's own country. | 0:11:44 | 0:11:46 | |
Norfolk? Under four hours? | 0:11:54 | 0:11:57 | |
That is impressive. | 0:11:57 | 0:11:58 | |
Yeah, it's quite the drive. Her hands are still set at ten to two. Ha! | 0:11:58 | 0:12:02 | |
Is there a doctor in the house? | 0:12:02 | 0:12:04 | |
DR RUSSO LAUGHS | 0:12:04 | 0:12:05 | |
Hopefully, we won't be making multiple trips. | 0:12:05 | 0:12:08 | |
Well, sorry to be the bearer of bad news. | 0:12:08 | 0:12:13 | |
But I'm afraid it's just not possible. | 0:12:13 | 0:12:14 | |
I'd have told you that over the phone, if you'd have called. | 0:12:16 | 0:12:19 | |
Yeah, you see, Tom... Can I call you Tom? | 0:12:19 | 0:12:22 | |
You see, Tom, the tests you sent through were very interesting, | 0:12:22 | 0:12:24 | |
but it's not just us who needs to know. | 0:12:24 | 0:12:26 | |
It's Halperin & Weston. | 0:12:26 | 0:12:28 | |
Bit of a behemoth, bit of a juggernaut. | 0:12:28 | 0:12:30 | |
Big company. Don't need to remind me of that. | 0:12:30 | 0:12:33 | |
Once the old ball starts rolling at Norfolk, | 0:12:33 | 0:12:34 | |
it's nigh on impossible to stop the damn thing. | 0:12:34 | 0:12:36 | |
You studied at Norfolk, correct? | 0:12:36 | 0:12:39 | |
I had the privilege. | 0:12:40 | 0:12:41 | |
Well, Tom, you know, | 0:12:41 | 0:12:43 | |
if you could do us the privilege of getting that address, | 0:12:43 | 0:12:45 | |
that would be a massive help. | 0:12:45 | 0:12:47 | |
I'm sorry. I don't have the address. | 0:12:49 | 0:12:51 | |
-Really? -In between addresses, apparently. | 0:12:53 | 0:12:56 | |
And...and the medical records would state that, would they? | 0:12:56 | 0:12:59 | |
If you were to show them to us, which you're not going to do. | 0:12:59 | 0:13:03 | |
Like I said, I can't show you a patient's medical records. | 0:13:03 | 0:13:07 | |
Hm. | 0:13:07 | 0:13:08 | |
Sorry. Liked to have been of more help. | 0:13:11 | 0:13:14 | |
-What can you do? -You don't know where Amy Dyer lives. | 0:13:14 | 0:13:18 | |
Do you? | 0:13:20 | 0:13:23 | |
Afraid not. | 0:13:23 | 0:13:25 | |
We'll be in touch...Tom. | 0:13:28 | 0:13:30 | |
Are you still going to like me? | 0:13:38 | 0:13:40 | |
-What? -Now I'm, er...warming up? | 0:13:40 | 0:13:43 | |
You've only known me a bit deadly. You might not like me heated up. | 0:13:43 | 0:13:47 | |
Amy. | 0:13:49 | 0:13:50 | |
I'd like you cold. I'd like you hot. | 0:13:52 | 0:13:55 | |
I'd even like you tepid. | 0:13:56 | 0:13:58 | |
SHE LAUGHS | 0:13:58 | 0:13:59 | |
You're still you, dead or alive. | 0:13:59 | 0:14:02 | |
All right? | 0:14:02 | 0:14:04 | |
-What's wrong? -That way's the perimeter fence. | 0:14:10 | 0:14:13 | |
Today's the Beating of the Bounds march. | 0:14:13 | 0:14:15 | |
Best avoid it. | 0:14:17 | 0:14:19 | |
Dad, what's going to happen to Kier? | 0:14:24 | 0:14:27 | |
He's going to go back to the treatment centre for a bit | 0:14:28 | 0:14:31 | |
and they're going to help him get back to his old self. | 0:14:31 | 0:14:33 | |
They're not going to lock him up and do things to him, are they? | 0:14:35 | 0:14:39 | |
No. Where did you get that idea? | 0:14:39 | 0:14:41 | |
He'll be all right. Norfolk's a nice place to be. | 0:14:41 | 0:14:44 | |
Off to beat the bounds. He's in his room. | 0:14:44 | 0:14:47 | |
Got you. | 0:14:47 | 0:14:48 | |
LOW CHATTER | 0:15:07 | 0:15:09 | |
Not bad. | 0:15:13 | 0:15:15 | |
Amy, the march ends here. | 0:15:15 | 0:15:17 | |
We won't be long. I just want to touch more things. | 0:15:17 | 0:15:21 | |
You've got your ticket, haven't you? | 0:15:21 | 0:15:23 | |
Yeah. I suppose t'council were good for something. | 0:15:23 | 0:15:26 | |
Mrs Lamb. | 0:15:36 | 0:15:38 | |
Councillor. Or should I say ex-councillor? | 0:15:38 | 0:15:42 | |
Congratulations on your nomination to the parish council. | 0:15:44 | 0:15:46 | |
It's about time this village were represented by God-fearing folk, | 0:15:46 | 0:15:51 | |
instead of just a bunch of flailing wimps and filthy perverts. | 0:15:51 | 0:15:55 | |
Have a nice day. | 0:15:58 | 0:16:00 | |
Hold your horses! | 0:16:00 | 0:16:02 | |
She's not valid. | 0:16:02 | 0:16:04 | |
-I gave you my ticket. -You gave me a ticket. | 0:16:04 | 0:16:08 | |
Where's hers? | 0:16:09 | 0:16:12 | |
Mrs Lamb, if you check the fine print on the fete charter, | 0:16:14 | 0:16:17 | |
a charter I helped draft while I was in office, | 0:16:17 | 0:16:20 | |
you'll see a clause, and in that clause it states, | 0:16:20 | 0:16:22 | |
that all ticket holders to the winter fete are entitled to a plus-one. | 0:16:22 | 0:16:27 | |
Amy Dyer's my plus-one. | 0:16:30 | 0:16:32 | |
I can assure you, Councillor Elect, she is valid. | 0:16:32 | 0:16:36 | |
Beating the bounds is an ancient tradition here in Roarton. | 0:16:38 | 0:16:42 | |
-I'm thrilled to see people turn out. -Are all these really necessary? | 0:16:42 | 0:16:45 | |
-I think everyone's going overboard. -I'm thrilled to announce the completion, under budget and on time, | 0:16:45 | 0:16:50 | |
of Roarton's new perimeter fence. | 0:16:50 | 0:16:53 | |
We couldn't have achieved this construction | 0:16:53 | 0:16:55 | |
without the parish council adopting new policies | 0:16:55 | 0:16:58 | |
that will guarantee the safety of this community for generations to come. | 0:16:58 | 0:17:03 | |
-We couldn't have done it without you, Miss Martin. -Today isn't about me. | 0:17:03 | 0:17:06 | |
It's about all of us, embarking on a new beginning, a new dawn, | 0:17:06 | 0:17:12 | |
protected, proud and incorruptible. | 0:17:12 | 0:17:16 | |
Now...I should cut this ribbon so we can get a move on, eh? | 0:17:16 | 0:17:20 | |
Anyone got a sharp implement I can use? | 0:17:20 | 0:17:22 | |
LAUGHTER | 0:17:22 | 0:17:24 | |
Here you are, missus. | 0:17:24 | 0:17:26 | |
Thank you. | 0:17:26 | 0:17:27 | |
So, let the march commence! | 0:17:34 | 0:17:35 | |
MILITARY DRUMBEAT | 0:17:35 | 0:17:36 | |
Come on, then. | 0:17:36 | 0:17:39 | |
Here comes dickhead. | 0:17:48 | 0:17:50 | |
ENGINE OFF | 0:17:55 | 0:17:57 | |
-'Ey up. -'Ey up. | 0:17:59 | 0:18:01 | |
-Go on, then. Be off with you. -What? | 0:18:01 | 0:18:03 | |
I'm relieving you of your post, you tart. | 0:18:03 | 0:18:05 | |
I'm supposed to be on guard duty all day. | 0:18:05 | 0:18:08 | |
I've fiddled it. Thought you could do with t'day off. | 0:18:08 | 0:18:11 | |
Go to t'fete. Have a mulled wine on me. | 0:18:12 | 0:18:14 | |
Go on, then, before I see sense. | 0:18:16 | 0:18:18 | |
Ta, Gaz. You're all right. | 0:18:21 | 0:18:22 | |
Cheers, pal. | 0:18:22 | 0:18:24 | |
You going somewhere, dry rot? | 0:18:46 | 0:18:48 | |
KIEREN GRUNTS | 0:18:48 | 0:18:50 | |
Where's Simon? | 0:18:59 | 0:19:02 | |
GRUNTS | 0:19:03 | 0:19:05 | |
-Where is he? -I don't know. | 0:19:07 | 0:19:09 | |
GRUNTS | 0:19:10 | 0:19:12 | |
Bullshit. You and lover boy are like that. | 0:19:12 | 0:19:14 | |
I haven't seen him for days, Gary. | 0:19:14 | 0:19:16 | |
You know he's planning an attack, don't you? | 0:19:16 | 0:19:19 | |
No. | 0:19:19 | 0:19:20 | |
He fucking is. Today. I've sussed it out. | 0:19:20 | 0:19:23 | |
Is this the code for where he's going to do it? | 0:19:23 | 0:19:25 | |
"The dead shall rise again incorruptible." It's a Bible quote. | 0:19:25 | 0:19:29 | |
I know that, you cheeky bastard. | 0:19:29 | 0:19:31 | |
You know, all of you think I'm just some dumb grunt, don't you? | 0:19:32 | 0:19:35 | |
I don't think you're dumb, Gary. | 0:19:35 | 0:19:36 | |
I just think you're like everyone else around here, paranoid and delusional. | 0:19:36 | 0:19:40 | |
Is it any wonder with you ghouls walking about? | 0:19:40 | 0:19:42 | |
You know, my pap used to say there were no such thing as monsters. | 0:19:42 | 0:19:45 | |
Then you horror shows turn up and start tearing the world apart. | 0:19:45 | 0:19:48 | |
And who's expected to deal with it, eh? Me, that's who. | 0:19:48 | 0:19:51 | |
You think I wanted to fight? Do you think I wanted to see the things I saw? | 0:19:51 | 0:19:55 | |
You get off on all that shit, Gary. | 0:19:55 | 0:19:57 | |
I were ready to settle down before you fucking dead-heads turn up. | 0:19:57 | 0:20:01 | |
Then me and your sister had to strap on the brass and take care of business. | 0:20:01 | 0:20:05 | |
Cos if we didn't, people died. In our arms, no less. | 0:20:05 | 0:20:08 | |
GARY PANTS | 0:20:08 | 0:20:09 | |
That's not going to happen again. | 0:20:09 | 0:20:11 | |
I won't allow it. | 0:20:11 | 0:20:13 | |
So, I'm going to ask you for the last time. | 0:20:14 | 0:20:16 | |
Where's that Irish rotter? | 0:20:18 | 0:20:20 | |
MILITARY DRUMBEAT | 0:20:30 | 0:20:33 | |
Lieutenant. Think you can handle leading the march the rest of the way? | 0:20:37 | 0:20:41 | |
But shouldn't the Captain lead? | 0:20:41 | 0:20:42 | |
Well, he's not here, is he? Falls to you to take the reins. | 0:20:42 | 0:20:45 | |
# "The Family Of Man" by The Spinners | 0:21:03 | 0:21:05 | |
# It's a name every man should be proud he owns | 0:21:05 | 0:21:09 | |
# It's the family of man | 0:21:09 | 0:21:12 | |
# Keeps growing | 0:21:12 | 0:21:13 | |
# The family of man | 0:21:13 | 0:21:16 | |
# Keeps sowing | 0:21:16 | 0:21:18 | |
# The seeds of a new life... # | 0:21:18 | 0:21:19 | |
-Just one toffee apple, please. -I'll just get your change. | 0:21:19 | 0:21:23 | |
-All right, Sue? -Oh. Hi, Shirley. | 0:21:25 | 0:21:28 | |
You all right? | 0:21:28 | 0:21:30 | |
Aye, suppose. Philip's got me sprouting ulcers. | 0:21:30 | 0:21:34 | |
-Is he giving you a hard time? -Well, you know what they're like. | 0:21:34 | 0:21:37 | |
They get to a certain age, they become unrecognisable. | 0:21:37 | 0:21:41 | |
How's Kieren holding up? | 0:21:41 | 0:21:43 | |
Yeah. He's, er...being a bit difficult. | 0:21:43 | 0:21:46 | |
Disgusting what the council's threatening to do with him. | 0:21:46 | 0:21:50 | |
Good job he's got you to fight his corner. | 0:21:50 | 0:21:52 | |
# ...The miner in the Rhondda The coolie in Peking... # | 0:21:54 | 0:21:57 | |
Your Philip looks like he's having a good time. | 0:21:57 | 0:22:00 | |
-Is that Amy Dyer? -What's she doing with that toffee apple? | 0:22:00 | 0:22:04 | |
Eating it. | 0:22:04 | 0:22:06 | |
# ...So, let's bridge the oceans and declare... # | 0:22:06 | 0:22:11 | |
Oh, Jesus Christ. No-one's planning anything, Gary! | 0:22:11 | 0:22:16 | |
Yeah, right(!) | 0:22:16 | 0:22:18 | |
And I play for United(!) | 0:22:18 | 0:22:20 | |
What is wrong with you?! | 0:22:22 | 0:22:24 | |
If Jem could see you now. My God! | 0:22:24 | 0:22:26 | |
You're a mess. You're coming apart at the seams. | 0:22:26 | 0:22:29 | |
Fuck me. Blue Oblivion. | 0:22:33 | 0:22:36 | |
It's you. It's been you all along. | 0:22:36 | 0:22:39 | |
Yeah, those aren't mine. I found them at the bungalow. | 0:22:39 | 0:22:42 | |
Hiding in plain sight. Where were you planning on taking 'em? | 0:22:42 | 0:22:45 | |
Legion? Village hall? | 0:22:45 | 0:22:48 | |
Fete? Going to go rabid in front of a bunch of kiddies, are you? | 0:22:49 | 0:22:53 | |
Sick bastard! | 0:22:53 | 0:22:55 | |
You may as well start singing now, cos you're fucked! | 0:22:55 | 0:22:57 | |
I'm already on my way back to the treatment centre. | 0:22:57 | 0:22:59 | |
There's nothing you can threaten me with. | 0:22:59 | 0:23:01 | |
Treatment centre? Dead-head holiday camp, more like. | 0:23:01 | 0:23:04 | |
Oh, no, you're not getting off that easy, rotter. | 0:23:04 | 0:23:07 | |
You want to go rabid? All right, let's go rabid. | 0:23:07 | 0:23:10 | |
-FOLLOWERS: -Rise. Rise. | 0:23:34 | 0:23:37 | |
Rise. Rise. | 0:23:37 | 0:23:40 | |
MUSIC PLAYING | 0:23:40 | 0:23:41 | |
LAUGHS | 0:23:41 | 0:23:43 | |
Ooh. Got the likeness down pat. | 0:23:48 | 0:23:51 | |
Next you can paint a scarlet letter on that one's chest. | 0:23:51 | 0:23:54 | |
Philip, win me the tiger, tiger. | 0:23:58 | 0:24:01 | |
Yes! | 0:24:03 | 0:24:04 | |
AMY LAUGHS | 0:24:04 | 0:24:06 | |
Hey, I got it. | 0:24:06 | 0:24:08 | |
See? Told you I'd win you something. | 0:24:10 | 0:24:12 | |
That is so sweet. | 0:24:12 | 0:24:14 | |
-Hello, Philip. -Mum. | 0:24:18 | 0:24:20 | |
Hi, love. How you doing? | 0:24:22 | 0:24:23 | |
I'm...I'm good, thanks, Mrs Wilson. | 0:24:23 | 0:24:25 | |
You sure you're all right, sweetheart? | 0:24:25 | 0:24:27 | |
I...I saw you munching on a toffee apple just now. | 0:24:27 | 0:24:29 | |
Oh. | 0:24:29 | 0:24:32 | |
Oh, yeah. | 0:24:32 | 0:24:33 | |
I forgot. I'm PDS. | 0:24:33 | 0:24:35 | |
Course. | 0:24:35 | 0:24:36 | |
I don't eat. Whoops. | 0:24:36 | 0:24:38 | |
Oh, dear. You all right? | 0:24:40 | 0:24:42 | |
Better get some air, Mum. | 0:24:42 | 0:24:44 | |
Um...Philip? | 0:24:44 | 0:24:46 | |
You've done good. | 0:24:50 | 0:24:52 | |
Thanks, Mum. | 0:24:55 | 0:24:57 | |
CLOCK TICKS | 0:25:01 | 0:25:03 | |
-FOLLOWERS: -Rise. Rise. | 0:25:03 | 0:25:06 | |
MILITARY DRUMBEAT | 0:25:06 | 0:25:07 | |
Rise. Rise. | 0:25:07 | 0:25:08 | |
The march. | 0:25:08 | 0:25:10 | |
Come on. | 0:25:13 | 0:25:14 | |
We can't let them inside! | 0:25:14 | 0:25:16 | |
DRUMBEAT GETS LOUDER | 0:25:30 | 0:25:32 | |
What the hell is all this? | 0:25:46 | 0:25:48 | |
MURMURING | 0:25:48 | 0:25:51 | |
-Gary! -Time to show 'em who you really are. | 0:26:23 | 0:26:26 | |
-No! -GROANS | 0:26:30 | 0:26:32 | |
A rotter's a rotter! | 0:26:38 | 0:26:40 | |
Drugs or no drugs! | 0:26:40 | 0:26:43 | |
PANTS | 0:26:43 | 0:26:45 | |
MOANS | 0:26:45 | 0:26:48 | |
COUGHS AND PANTS | 0:26:59 | 0:27:01 | |
COUGHS | 0:27:09 | 0:27:11 | |
GASPS | 0:27:12 | 0:27:15 | |
GRUNTS | 0:27:20 | 0:27:22 | |
-No living allowed on sacred ground. -Get out! | 0:27:36 | 0:27:39 | |
-Scum! -Get out! | 0:27:39 | 0:27:42 | |
MARCHERS SHOUT | 0:27:42 | 0:27:43 | |
I've got this. I've got this! | 0:27:43 | 0:27:46 | |
We ain't moving, pulse-beater. | 0:27:49 | 0:27:50 | |
-You really want a war? -Yeah, we do. | 0:27:50 | 0:27:53 | |
You're outnumbered. | 0:27:54 | 0:27:56 | |
You're the one who's going to be outnumbered in a minute. Rise! | 0:27:56 | 0:27:59 | |
-FOLLOWERS: -Rise! Rise! | 0:27:59 | 0:28:01 | |
MARCHERS SHOUT | 0:28:01 | 0:28:02 | |
Rise! Rise! Rise! | 0:28:02 | 0:28:04 | |
Rise! Rise! | 0:28:04 | 0:28:07 | |
MAXINE GASPS | 0:28:14 | 0:28:15 | |
Rise! Rise! | 0:28:15 | 0:28:17 | |
Time to wake up, little brother. | 0:28:18 | 0:28:20 | |
GRUNTS | 0:28:21 | 0:28:25 | |
Rise! Rise! Rise! | 0:28:28 | 0:28:29 | |
MARCHERS SHOUT | 0:28:29 | 0:28:31 | |
Jem, you copy? | 0:28:31 | 0:28:32 | |
Rise! Rise! Rise! | 0:28:32 | 0:28:34 | |
Gary, where are you? | 0:28:34 | 0:28:36 | |
Your brother's taken a shit-load of Blue Oblivion. | 0:28:36 | 0:28:38 | |
He's in the new graveyard right now. | 0:28:38 | 0:28:40 | |
Rise! Rise! Rise! | 0:28:40 | 0:28:42 | |
What...what do I do? | 0:28:42 | 0:28:45 | |
Gary? | 0:28:45 | 0:28:47 | |
Rise! Rise! Rise! | 0:28:48 | 0:28:50 | |
Rise! Rise! Rise! | 0:28:50 | 0:28:53 | |
Rise! Rise! Rise! | 0:28:53 | 0:28:55 | |
Rise! Rise! Rise! | 0:28:55 | 0:28:57 | |
Rise! Rise! Rise! | 0:28:57 | 0:28:59 | |
-Rise! Rise! Rise! -Stay here. | 0:28:59 | 0:29:01 | |
-Rise! -GUN COCKS | 0:29:01 | 0:29:03 | |
Move. | 0:29:03 | 0:29:04 | |
Kieren? | 0:29:19 | 0:29:20 | |
KIEREN GASPS | 0:29:31 | 0:29:33 | |
SNARLS | 0:29:38 | 0:29:40 | |
GROWLS | 0:29:41 | 0:29:43 | |
CROWD MURMURS | 0:29:43 | 0:29:45 | |
Kieren! | 0:29:45 | 0:29:46 | |
Dad, go away. You shouldn't have to see this. | 0:29:46 | 0:29:48 | |
Why, son? | 0:29:50 | 0:29:52 | |
RASPS | 0:29:52 | 0:29:54 | |
CROWD MURMURS | 0:29:54 | 0:29:57 | |
Can you hear me, son? | 0:29:57 | 0:29:58 | |
Dad, what are you doing? | 0:29:58 | 0:30:00 | |
He's not going to hurt anyone. He knows me. He knows me. | 0:30:00 | 0:30:05 | |
GASPS AND GRUNTS | 0:30:05 | 0:30:07 | |
He's fighting it. | 0:30:07 | 0:30:09 | |
You need to get out of the way right now. | 0:30:09 | 0:30:11 | |
He's not gone. I know he's in there. | 0:30:11 | 0:30:13 | |
I've got to believe you can hear me, Kier. | 0:30:14 | 0:30:16 | |
GRUNTS | 0:30:19 | 0:30:21 | |
I know we haven't seen eye to eye lately. | 0:30:21 | 0:30:23 | |
That doesn't mean I don't love you, no matter what you are. | 0:30:24 | 0:30:27 | |
GASPS | 0:30:27 | 0:30:29 | |
I was wrong but I know now. | 0:30:29 | 0:30:30 | |
WHEEZES | 0:30:30 | 0:30:32 | |
I won't let 'em take you away. You're my son. | 0:30:32 | 0:30:36 | |
CLOCK CHIMES | 0:30:36 | 0:30:38 | |
CLOCK CHIMES | 0:30:41 | 0:30:42 | |
CLOCK CHIMES | 0:30:44 | 0:30:45 | |
Ah. | 0:30:45 | 0:30:47 | |
Got you. | 0:30:47 | 0:30:48 | |
CLOCK CHIMES | 0:30:48 | 0:30:50 | |
Dad! | 0:30:50 | 0:30:51 | |
CLOCK CHIMES | 0:30:54 | 0:30:56 | |
Dad! | 0:30:56 | 0:30:57 | |
CLOCK CHIMES | 0:30:57 | 0:31:00 | |
CLOCK CHIMES | 0:31:02 | 0:31:03 | |
KIEREN GROANS | 0:31:03 | 0:31:04 | |
CLOCK CHIMES | 0:31:07 | 0:31:09 | |
CLOCK CHIMES | 0:31:11 | 0:31:13 | |
CLOCK CHIMES | 0:31:14 | 0:31:16 | |
GUNSHOT | 0:31:16 | 0:31:17 | |
CLOCK CHIMES | 0:31:19 | 0:31:21 | |
SIGHS | 0:31:23 | 0:31:25 | |
CLOCK CHIMES | 0:31:25 | 0:31:27 | |
Wake up, Danny. | 0:31:32 | 0:31:34 | |
Come on, Danny. | 0:31:40 | 0:31:42 | |
Please. | 0:31:42 | 0:31:43 | |
SOBS | 0:31:53 | 0:31:55 | |
SOBS | 0:32:01 | 0:32:03 | |
PHILIP: Who am I meeting, Amy? | 0:32:08 | 0:32:10 | |
SIMON GASPS | 0:32:30 | 0:32:32 | |
SIMON GASPS | 0:32:37 | 0:32:38 | |
Hey. | 0:32:46 | 0:32:48 | |
It's all right. You're all right. | 0:32:49 | 0:32:52 | |
-Did I...did I hurt anyone? -No. | 0:32:52 | 0:32:55 | |
No, you didn't. You beat it. | 0:32:55 | 0:32:58 | |
CHUCKLES | 0:32:58 | 0:33:00 | |
OK. | 0:33:00 | 0:33:01 | |
Let's get you up. Let's go. | 0:33:03 | 0:33:06 | |
OK? | 0:33:06 | 0:33:07 | |
It's OK, it's OK. | 0:33:07 | 0:33:10 | |
Simon, the second Rising... | 0:33:13 | 0:33:15 | |
It's not happening. | 0:33:15 | 0:33:16 | |
But it's got to happen! | 0:33:16 | 0:33:18 | |
The second Rising has to happen! | 0:33:18 | 0:33:21 | |
And, um...that's about it for my hobbies. | 0:33:22 | 0:33:25 | |
He's also a very good sportsman, Nan. | 0:33:25 | 0:33:27 | |
-Amy, you're embarrassing me. -Aw, so modest. | 0:33:27 | 0:33:29 | |
SHE CHUCKLES | 0:33:29 | 0:33:31 | |
Are you OK? | 0:33:36 | 0:33:38 | |
I...I think... | 0:33:39 | 0:33:41 | |
I think my heart... | 0:33:43 | 0:33:45 | |
SHE GASPS | 0:33:50 | 0:33:52 | |
It's beating. | 0:33:53 | 0:33:55 | |
Amy Dyer! | 0:33:59 | 0:34:01 | |
You are the first and the last. | 0:34:01 | 0:34:03 | |
Oh! | 0:34:03 | 0:34:06 | |
CHATTER AND LAUGHTER | 0:34:06 | 0:34:08 | |
KEYS JINGLE | 0:34:14 | 0:34:16 | |
-What you want me to do with these? -Lock up after. | 0:34:16 | 0:34:19 | |
I've got to stop them taking Kieren. | 0:34:19 | 0:34:20 | |
He just went rabid. Pearl shot him. | 0:34:20 | 0:34:22 | |
Simon took the bullet. | 0:34:26 | 0:34:28 | |
What's happened? | 0:34:30 | 0:34:32 | |
KIEREN SIGHS | 0:34:35 | 0:34:38 | |
What? | 0:34:47 | 0:34:48 | |
I've never seen anyone fight against Blue Oblivion before. | 0:34:49 | 0:34:52 | |
SIGHS | 0:34:52 | 0:34:53 | |
Well, if you live long enough, you'll see all sorts. | 0:34:53 | 0:34:57 | |
You're incredible, Kieren. | 0:34:57 | 0:34:59 | |
No, I'm not. | 0:34:59 | 0:35:02 | |
I...I'm just a person who didn't want to do any more harm. | 0:35:02 | 0:35:05 | |
Don't start getting all mystical on me, OK? | 0:35:05 | 0:35:08 | |
I'm not the Messiah. | 0:35:08 | 0:35:09 | |
I don't have any special powers... | 0:35:09 | 0:35:11 | |
...unlike some people. | 0:35:12 | 0:35:14 | |
Well, I don't have any special powers. | 0:35:15 | 0:35:17 | |
You have the power to disappear. | 0:35:17 | 0:35:19 | |
You left. I searched everywhere for you. Where did you go? | 0:35:21 | 0:35:25 | |
The city. | 0:35:27 | 0:35:29 | |
Why? | 0:35:29 | 0:35:30 | |
Help! Someone help! | 0:35:30 | 0:35:33 | |
PHILIP GROANS | 0:35:34 | 0:35:35 | |
Amy? | 0:35:35 | 0:35:37 | |
PHILIP HOWLS | 0:35:37 | 0:35:39 | |
CHATTER | 0:35:39 | 0:35:42 | |
Excuse me. | 0:35:54 | 0:35:55 | |
CHATTER | 0:35:55 | 0:35:57 | |
Excuse me. | 0:35:57 | 0:35:59 | |
Excuse me! | 0:36:00 | 0:36:02 | |
CHATTER FADES | 0:36:02 | 0:36:05 | |
MAXINE PANTS | 0:36:08 | 0:36:11 | |
I...have a message of hope | 0:36:12 | 0:36:16 | |
for all of you. | 0:36:16 | 0:36:18 | |
We can... | 0:36:20 | 0:36:22 | |
we can conquer our greatest enemy today. | 0:36:22 | 0:36:27 | |
We can conquer death. | 0:36:28 | 0:36:30 | |
What? | 0:36:30 | 0:36:31 | |
MURMURING | 0:36:31 | 0:36:32 | |
My brother died here when he was very young. | 0:36:32 | 0:36:37 | |
It was an accident. They said it was my... | 0:36:38 | 0:36:41 | |
It was an accident. | 0:36:44 | 0:36:45 | |
He shouldn't have been... He fell. | 0:36:45 | 0:36:48 | |
All the...the terrible things we've done can be wiped clean. | 0:36:49 | 0:36:56 | |
A fresh start. | 0:36:57 | 0:36:59 | |
No more grief. | 0:36:59 | 0:37:02 | |
No more guilt. | 0:37:02 | 0:37:04 | |
And all that needs to happen is the second Rising. | 0:37:04 | 0:37:09 | |
MURMURING | 0:37:09 | 0:37:10 | |
I know I said I didn't want another one but it won't be like the first Rising. | 0:37:10 | 0:37:14 | |
The second Rising will bring back the good and...and righteous. | 0:37:14 | 0:37:18 | |
They'll come back whole | 0:37:18 | 0:37:20 | |
and...and pure | 0:37:20 | 0:37:22 | |
and everything will be better, so much better. | 0:37:22 | 0:37:26 | |
I can promise you that. | 0:37:26 | 0:37:28 | |
SOBS | 0:37:30 | 0:37:32 | |
My little brother... | 0:37:34 | 0:37:36 | |
...is in the ground. | 0:37:38 | 0:37:40 | |
SOBS | 0:37:41 | 0:37:42 | |
Cold... | 0:37:42 | 0:37:43 | |
...and alone. | 0:37:44 | 0:37:47 | |
He doesn't deserve to be there. He deserves to be up here with me. | 0:37:47 | 0:37:50 | |
Alive and well. | 0:37:50 | 0:37:52 | |
SOBS | 0:37:52 | 0:37:54 | |
The second Rising will happen | 0:37:54 | 0:37:57 | |
when the First Risen is sacrificed. | 0:37:57 | 0:38:01 | |
MURMURING | 0:38:01 | 0:38:02 | |
The disciple was meant... He was meant to do it. | 0:38:02 | 0:38:05 | |
He didn't. I...I thought it was the girl. | 0:38:05 | 0:38:08 | |
MURMURING | 0:38:08 | 0:38:11 | |
I took care of her, and nothing. Nothing. | 0:38:12 | 0:38:15 | |
Still nothing. | 0:38:16 | 0:38:18 | |
WHISPERING | 0:38:19 | 0:38:20 | |
I, er... | 0:38:20 | 0:38:21 | |
SNIFFS | 0:38:21 | 0:38:22 | |
One of the undead in this village must be the First Risen, | 0:38:22 | 0:38:28 | |
and I am asking you to join with me | 0:38:28 | 0:38:32 | |
in leaving no stone unturned. | 0:38:32 | 0:38:35 | |
Every PDS sufferer in Roarton must be destroyed. | 0:38:36 | 0:38:41 | |
RAISED VOICES | 0:38:41 | 0:38:43 | |
Right now. | 0:38:47 | 0:38:49 | |
SNIFFS | 0:38:51 | 0:38:53 | |
Stop it! | 0:38:53 | 0:38:54 | |
SCREAMS | 0:38:57 | 0:39:00 | |
ELECTRIC FIZZING | 0:39:00 | 0:39:02 | |
-She's tapped. -You're right there. | 0:39:03 | 0:39:05 | |
We were at the graveyard and Miss Martin comes up to us | 0:39:05 | 0:39:08 | |
-and says something about Amy being the first and the last. -Oh! Aah! | 0:39:08 | 0:39:11 | |
-And then Maxine just stabbed her. -She's bleeding. | 0:39:11 | 0:39:15 | |
-You've got to do something. -I don't understand. | 0:39:15 | 0:39:17 | |
Amy, please. | 0:39:17 | 0:39:20 | |
Oh! | 0:39:20 | 0:39:22 | |
Please, Amy. | 0:39:22 | 0:39:23 | |
You're not allowed to leave like this. | 0:39:23 | 0:39:26 | |
You're my best dead friend for ever. OK? Forever. | 0:39:26 | 0:39:29 | |
That is...that is non-negotiable. | 0:39:29 | 0:39:31 | |
Oh! Oh! | 0:39:31 | 0:39:32 | |
-She's lost too much blood. -You've got to do something. | 0:39:35 | 0:39:38 | |
Her pupils have changed. | 0:39:40 | 0:39:42 | |
What are you doing? | 0:39:58 | 0:40:00 | |
She's gone. | 0:40:02 | 0:40:04 | |
No. | 0:40:05 | 0:40:07 | |
No, she's not. | 0:40:07 | 0:40:09 | |
# "You" by Keaton Henson | 0:40:09 | 0:40:12 | |
SOBS | 0:40:19 | 0:40:21 | |
# If you must wait | 0:40:26 | 0:40:29 | |
# Wait for them here in my arms as I shake | 0:40:30 | 0:40:35 | |
# If you must weep | 0:40:42 | 0:40:45 | |
# Do it right here in my bed as I sleep | 0:40:47 | 0:40:52 | |
# If you must mourn, my love | 0:40:58 | 0:41:02 | |
-# Mourn with the moon and the stars up above... -# | 0:41:02 | 0:41:07 | |
Where's your outfit? | 0:41:15 | 0:41:16 | |
It's in my room. | 0:41:16 | 0:41:18 | |
Everyone at the funeral has to wear classy, more-geous outfits. | 0:41:22 | 0:41:26 | |
No boring black suits or dresses. | 0:41:26 | 0:41:30 | |
It's part of her "totally cool send-off". | 0:41:32 | 0:41:34 | |
I don't even know if I should be going. | 0:41:37 | 0:41:39 | |
Yes, you should. You're on the VIP guest list. | 0:41:39 | 0:41:42 | |
OK. | 0:41:47 | 0:41:49 | |
He's not invited. | 0:41:49 | 0:41:50 | |
We broke up. I broke up with him. | 0:41:58 | 0:42:01 | |
If it's his word against yours, then I choose yours. | 0:42:02 | 0:42:07 | |
# If you must mourn, my love | 0:42:19 | 0:42:22 | |
# Mourn with the moon and the stars up above | 0:42:22 | 0:42:28 | |
# If you must mourn | 0:42:37 | 0:42:40 | |
# Don't do it alone | 0:42:41 | 0:42:45 | |
# If you must leave | 0:42:51 | 0:42:54 | |
# Leave as though fire burns under your feet | 0:42:55 | 0:43:00 | |
# If you must speak | 0:43:07 | 0:43:11 | |
# Speak every word as though it were unique | 0:43:11 | 0:43:16 | |
# If you must die, sweetheart | 0:43:22 | 0:43:26 | |
# Die knowing your life was my life's best part | 0:43:26 | 0:43:31 | |
# If you must die... | 0:43:40 | 0:43:43 | |
LOW CHATTER | 0:43:52 | 0:43:54 | |
I heard Maxine Martin's been committed. | 0:44:02 | 0:44:05 | |
Thanks. | 0:44:07 | 0:44:08 | |
-Where's Philip? -He won't leave her graveside. | 0:44:11 | 0:44:15 | |
You've got to have faith. | 0:44:16 | 0:44:18 | |
Yeah. | 0:44:18 | 0:44:19 | |
SNORTS | 0:45:02 | 0:45:03 | |
I am never voting for them again. | 0:45:03 | 0:45:06 | |
LOW CHATTER | 0:45:08 | 0:45:09 | |
That's it. Oh, we're going to play it like that, are we? | 0:45:09 | 0:45:13 | |
Right. OK. | 0:45:13 | 0:45:15 | |
I didn't know your kind could drink liquids. | 0:45:28 | 0:45:31 | |
We can't. Just getting 'em in so people feel comfortable. | 0:45:31 | 0:45:34 | |
Oh, that's very considerate of you, love. | 0:45:34 | 0:45:36 | |
Those pinprick eyes. | 0:45:39 | 0:45:41 | |
-I were almost sick in me mouth. -Ooh. | 0:45:42 | 0:45:46 | |
I can't believe Pearl lets those things in here. | 0:45:46 | 0:45:48 | |
She only does it out of guilt. | 0:45:48 | 0:45:50 | |
I don't care what happened. A rotter... | 0:45:50 | 0:45:52 | |
-Is a rotter. -You said it, love. | 0:45:52 | 0:45:55 | |
The living make me want to puke black bile. | 0:45:57 | 0:45:59 | |
Pulse-beating scum. | 0:45:59 | 0:46:01 | |
I guess we're stuck here existing next to them. | 0:46:01 | 0:46:03 | |
SIGHS | 0:46:03 | 0:46:04 | |
Not for long. | 0:46:04 | 0:46:05 | |
You heard from the Prophet? | 0:46:05 | 0:46:08 | |
What did he say? | 0:46:08 | 0:46:09 | |
Simon's a traitor. | 0:46:09 | 0:46:12 | |
What about the second Rising? | 0:46:12 | 0:46:13 | |
The First Risen's still out there. | 0:46:14 | 0:46:17 | |
KNOCK AT DOOR | 0:47:14 | 0:47:15 | |
-Hey. -Hey. | 0:47:18 | 0:47:21 | |
Is this yours? | 0:47:21 | 0:47:23 | |
Used to be. Present from Gary. | 0:47:25 | 0:47:27 | |
-How did he get it? -He made it for me. | 0:47:28 | 0:47:32 | |
No, Jem. | 0:47:33 | 0:47:34 | |
Henry Lonsdale made this bracelet for you. | 0:47:36 | 0:47:40 | |
He showed it to me the night he disappeared. | 0:47:40 | 0:47:42 | |
SOBS | 0:47:44 | 0:47:46 | |
Do you know what happened to him, Jem? | 0:47:54 | 0:47:57 | |
SNIFFS | 0:48:00 | 0:48:01 | |
SOBS | 0:48:01 | 0:48:02 | |
It...it was an accident. | 0:48:02 | 0:48:04 | |
It was dark, I was on patrol in the woods, and I... | 0:48:05 | 0:48:09 | |
I thought he was rabid. | 0:48:09 | 0:48:11 | |
What do you want to do, Jem? | 0:48:19 | 0:48:21 | |
I think I need some help, Kier. | 0:48:22 | 0:48:25 | |
OK. OK. | 0:48:25 | 0:48:26 | |
SOBS | 0:48:28 | 0:48:29 | |
Let's get you some help, then. | 0:48:29 | 0:48:31 | |
CHATTER | 0:48:34 | 0:48:37 | |
CLEARS THROAT | 0:48:41 | 0:48:42 | |
Come and see Mum and Dad. | 0:48:42 | 0:48:45 | |
No. | 0:48:45 | 0:48:46 | |
They blame me. | 0:48:47 | 0:48:49 | |
-No, they don't. -If Amy hadn't have come back here with me... | 0:48:49 | 0:48:52 | |
No, it wasn't your fault. | 0:48:52 | 0:48:53 | |
Maxine Martin killed her over some...insane belief. | 0:48:54 | 0:48:59 | |
Hm. | 0:49:02 | 0:49:04 | |
After this, we should go. | 0:49:04 | 0:49:06 | |
Go? Go where? | 0:49:07 | 0:49:09 | |
Away from here. | 0:49:09 | 0:49:11 | |
It's not safe, Kieren. | 0:49:11 | 0:49:14 | |
I can't leave. | 0:49:17 | 0:49:18 | |
-Isn't leaving what you wanted to do? -Yeah, it was. | 0:49:19 | 0:49:23 | |
Amy once asked me | 0:49:23 | 0:49:25 | |
how many miles I'd have to go before I could be OK with myself. | 0:49:25 | 0:49:29 | |
I thought I'd have to go around the whole world. | 0:49:29 | 0:49:32 | |
And I don't think that any more. | 0:49:34 | 0:49:36 | |
I'm OK here. | 0:49:38 | 0:49:40 | |
OK. | 0:49:42 | 0:49:44 | |
CLEARS THROAT | 0:49:45 | 0:49:47 | |
Simon. | 0:49:48 | 0:49:49 | |
I wanted to thank you. | 0:49:49 | 0:49:51 | |
-Thank me? -You saved Kier's life. | 0:49:51 | 0:49:55 | |
Reflex. | 0:50:01 | 0:50:02 | |
Have you got somewhere to stay? | 0:50:05 | 0:50:07 | |
Yeah. Yeah, I'm...I'm staying up at Amy's bungalow at the moment, so... | 0:50:07 | 0:50:12 | |
Not going away, I hope? | 0:50:12 | 0:50:13 | |
No. | 0:50:17 | 0:50:19 | |
No, I'm staying put. | 0:50:19 | 0:50:20 | |
SCUFFLING | 0:51:21 | 0:51:23 | |
Finally. | 0:51:46 | 0:51:49 | |
Is there still time? | 0:51:57 | 0:51:59 | |
There's still time. | 0:52:01 | 0:52:03 | |
Bag it. | 0:52:12 | 0:52:14 |