Behind the Scenes: The Wedding Car It's My Shout: Short Films from Wales


Behind the Scenes: The Wedding Car

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The Wedding Car was the last of the six films

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It's My Shout, a film training scheme, made for BBC Wales.

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The idea came to first-time writer Catherine Kerr-Phillips

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when exploring the Gower Peninsula, near Swansea.

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She wanted to look at the concept of modern-day relationships.

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I was driving through the Gower and I saw a very clapped-out,

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little...I think it was a Peugeot 106 or something

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and it kind of made me laugh because it was a really old, little,

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tatty car but it had wedding ribbons on it.

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That made me notice the car and I was going to toot my horn at it.

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When I looked inside the car there were two fellas in the car,

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both wearing suits and it kind of got me thinking,

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"What was the story there?

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"What would happen if you lived in some kind of remote,

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"little village in the Gower and you were secretly gay?"

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The production team decided to base the film in a rural

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part of South Wales.

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They thought that such an area would provide a realistic setting

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for the main theme of the story.

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It's probably really hard for people.

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I mean, it's hard for anyone, probably, to come out as being gay.

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but if you've got all the pressure from what people expect from you,

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certain pressure from your community,

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from your family or whatever,

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maybe there are places, I don't know...

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I think the more remote the place, the harder it is for you to come out

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as being gay and say, "Look, I'm sorry but this is the way it is."

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I think, possibly, it wouldn't be as widely accepted.

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The main actors, Tom Murton and Shaun Llewelyn,

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study at the Royal Welsh College of Music and Drama.

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They were captured by the story's appeal

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and could see an almost comedic potential to the relationship.

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We first saw the script at the audition,

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just didn't really want to stop reading it.

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We did the read-through together and then

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when we actually did the audition we were put together as well.

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In a way that helped the chemistry be there from the start.

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It helps the characters' histories,

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as well, because how well they know each other, we can just use that,

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we don't have to make that up, cos it's already there.

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Filming was not without its problems,

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particularly when trying to find suitable locations.

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The original intention was to film the wedding scene in a church

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but the team found resistance, due to the homosexual themes of the film.

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When we were researching for the script,

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we were speaking to a lot of people and I think socially it's a lot more

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acceptable but I think we did suffer a few complications in trying

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to source certain locations.

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We were quite respectful to, obviously, faith,

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originally it was a church, we had to go processes like that.

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So, that was quite a difficult one.

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We ended up settling on a location here in Usk, it's got a lot

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more character to it and adds a lot more character to the story.

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Yeah, I think social acceptance,

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I think that's what we're trying to show in this film.

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The most difficult scene to film was the wedding ceremony.

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It included more than 50 supporting artists and the main actors.

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Becky, the bride, played by Hannah Barker, was jilted at the alter.

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Hannah explained how she would feel in a similar situation.

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I'd be gutted, I'd be absolutely gutted!

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Humiliated, obviously, not knowing that your fiancee's gay, erm,

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but then you'd also feel a bit guilty - why would you not know?

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So, I'd probably cry a lot and get very drunk!

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The most difficult task for the director was to keep the pace,

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tension and comedy of the film up until the climax kiss.

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He had to make this come as a surprise to the audience.

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I think the moment of the impact that we see in the final scene

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between Rob and Barry, I think

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there's a little bit of acceptance from the crowd.

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There's acceptance from people we meet along the way, as well,

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and we're trying to include that in the story.

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GASPS

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Sorry, we are going to get paid, aren't we?

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'It is showing the progress in the modern-day world, which is amazing!'

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It's not, sort of, it's not the '50s any more, people are normal people

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and it's how to play that without

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-giving anything away.

-Putting it in someone's face.

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There needs to be more stuff like this on the telly as well.

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Just because people are brought up and it's not

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seen as something that's normal and so seeing it

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and it being out there is better, really.

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