
Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
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This programme contains some scenes which some viewers may find upsetting | 0:00:02 | 0:00:05 | |
-You want me, don't you? -I do. He made sure I'd have him, then he left. | 0:00:05 | 0:00:08 | |
Marry me, Mary. | 0:00:08 | 0:00:09 | |
Ned? He your sweetheart, is he? | 0:00:09 | 0:00:11 | |
He would be, if I'd have him. | 0:00:11 | 0:00:13 | |
You can tell Joss Merlyn that I won't rest until I see him hang. | 0:00:13 | 0:00:17 | |
You wreck ships on purpose? | 0:00:17 | 0:00:19 | |
Murder all the sailors. | 0:00:19 | 0:00:20 | |
I can tell you what time we'll be along the coast. | 0:00:20 | 0:00:23 | |
I'll put the barrels over the side. We'll split it 50/50. | 0:00:23 | 0:00:25 | |
Will's off today. | 0:00:25 | 0:00:27 | |
To France. | 0:00:27 | 0:00:28 | |
My aunt says there's someone else who works above my uncle. | 0:00:31 | 0:00:36 | |
Don't do it. | 0:00:36 | 0:00:37 | |
Want me to say no to him? | 0:00:37 | 0:00:40 | |
Is that it? | 0:00:40 | 0:00:41 | |
I know my uncle is a wrecker. | 0:00:41 | 0:00:43 | |
So the landlord talks when he's drunk. | 0:00:43 | 0:00:45 | |
Get in! You want to dress like a man? | 0:00:45 | 0:00:48 | |
Then come and do some man's work. | 0:00:48 | 0:00:50 | |
Some memories are best buried deep. | 0:01:37 | 0:01:39 | |
It was dawn when we reached the shore. | 0:01:47 | 0:01:50 | |
And my uncle told me, if I ran, they'd hunt me down. | 0:01:50 | 0:01:55 | |
When I saw the men luring the ship towards the rock with their false light, | 0:02:04 | 0:02:10 | |
I knew this was to be a wrecking. | 0:02:10 | 0:02:12 | |
But I did not know there was another who had come to watch. | 0:02:15 | 0:02:18 | |
As the horror of my uncle's words became real before my eyes, | 0:02:40 | 0:02:44 | |
I never imagined I would have to make a choice | 0:02:46 | 0:02:48 | |
between life and death. | 0:02:48 | 0:02:50 | |
Both on this day... | 0:02:52 | 0:02:53 | |
Stand up! | 0:02:53 | 0:02:55 | |
..and in the days to come. | 0:02:55 | 0:02:56 | |
CRASHING | 0:03:15 | 0:03:19 | |
DISTANT SHOUTS | 0:03:21 | 0:03:23 | |
SHOUTING AND SCREAMING | 0:03:59 | 0:04:01 | |
Get up! | 0:05:18 | 0:05:19 | |
Come on! | 0:05:19 | 0:05:20 | |
What are you doing? | 0:05:20 | 0:05:22 | |
It's your turn next. | 0:05:22 | 0:05:23 | |
I'm not... | 0:05:23 | 0:05:25 | |
-You'll kill the next one, or I swear I'll drown you myself. -You're mad! | 0:05:25 | 0:05:29 | |
I will show you who's mad, girl! | 0:05:29 | 0:05:32 | |
-Come on! -No! | 0:05:34 | 0:05:36 | |
Now you watch how Eli does it. | 0:05:46 | 0:05:48 | |
No! Don't touch him! | 0:05:48 | 0:05:51 | |
We have to do it, Mary! | 0:05:54 | 0:05:56 | |
A dead man tell no tales. | 0:05:56 | 0:05:57 | |
Do you understand me? | 0:05:57 | 0:05:59 | |
-Here! There's an easy one for you to start with. Come on! -No! | 0:06:03 | 0:06:06 | |
Oh, we all think we can't do it at first. | 0:06:08 | 0:06:11 | |
You have to shut your eyes, and you force yourself, girl! | 0:06:11 | 0:06:14 | |
You understand me? | 0:06:14 | 0:06:15 | |
No? You won't do it, eh? | 0:06:18 | 0:06:20 | |
God damn you! | 0:06:28 | 0:06:29 | |
Argh! I'll never do it! | 0:06:36 | 0:06:39 | |
No matter what you do to me, I'll never murder! | 0:06:39 | 0:06:42 | |
Die! Die! | 0:06:42 | 0:06:45 | |
Help! | 0:07:05 | 0:07:06 | |
Help me! | 0:07:08 | 0:07:09 | |
Will! | 0:07:09 | 0:07:11 | |
It's Will! | 0:07:11 | 0:07:12 | |
You spare him! | 0:07:14 | 0:07:17 | |
He told you about the ship himself! | 0:07:17 | 0:07:19 | |
I know you have a conscience! | 0:07:19 | 0:07:21 | |
Come on, Mary! Come on! | 0:07:26 | 0:07:28 | |
I know there's good in you! | 0:07:30 | 0:07:34 | |
There must be! | 0:07:34 | 0:07:36 | |
I'm sorry! I tried to get it over the side. | 0:07:36 | 0:07:38 | |
I couldn't get the barrels over. No, please, Mr Merlyn, please! | 0:07:38 | 0:07:42 | |
Aargh! | 0:07:50 | 0:07:51 | |
Come on, Legassik. All this for a stolen horse? | 0:09:55 | 0:09:58 | |
A stolen horse might be what got you in here | 0:09:58 | 0:10:01 | |
but ten dead bodies on a beach is what you'll hang for! | 0:10:01 | 0:10:04 | |
What? | 0:10:04 | 0:10:06 | |
Oh, you know nothing of it. Course you don't. | 0:10:06 | 0:10:08 | |
Last night a ship was wrecked and all the sailors murdered. | 0:10:08 | 0:10:12 | |
Six seamen dead, a woman too. | 0:10:12 | 0:10:15 | |
You know I didn't do it, cos I've been locked up here since six last evening! | 0:10:17 | 0:10:21 | |
We believe it to be the work of your brother | 0:10:21 | 0:10:23 | |
and we know that you're involved. | 0:10:23 | 0:10:25 | |
Seems to me you got no proof. | 0:10:31 | 0:10:32 | |
But we have you. So you have a choice to make. | 0:10:35 | 0:10:39 | |
Turn King's evidence against your brother. | 0:10:39 | 0:10:43 | |
Or you can pay the price for both of you, and hang alone. | 0:10:43 | 0:10:46 | |
DOOR SLAMS | 0:10:59 | 0:11:00 | |
So you're with us, then. | 0:11:25 | 0:11:27 | |
You had me worried for a while. | 0:11:27 | 0:11:29 | |
Where is he? | 0:11:33 | 0:11:34 | |
You know what he did? You know what happened? | 0:11:34 | 0:11:37 | |
While you sat here, wishing him well, | 0:11:44 | 0:11:47 | |
wishing him back here, | 0:11:47 | 0:11:49 | |
your husband held men down while they drowned. | 0:11:49 | 0:11:52 | |
He betrayed a man he made a deal with. | 0:11:53 | 0:11:56 | |
And they killed him! | 0:11:56 | 0:11:57 | |
You hear something? | 0:12:04 | 0:12:06 | |
No. Did you? | 0:12:06 | 0:12:08 | |
Yeah. | 0:12:09 | 0:12:11 | |
I hope it's the law come for you. | 0:12:11 | 0:12:14 | |
They will not find nothing here to charge me with if they do. | 0:12:14 | 0:12:17 | |
Downstairs. | 0:12:23 | 0:12:24 | |
Both of you. | 0:12:26 | 0:12:27 | |
SHE SOBS | 0:13:22 | 0:13:24 | |
Got to make a run for it, Joss. | 0:13:44 | 0:13:46 | |
And what if he's out there waiting for us? | 0:13:46 | 0:13:48 | |
He'll want to make sure there is no-one left alive who can name him. | 0:13:48 | 0:13:51 | |
Well, we can't just sit here, can we? Like rats in a trap! | 0:13:51 | 0:13:54 | |
I'm not goin' on no bloody moors! | 0:13:54 | 0:13:56 | |
I am not! | 0:13:58 | 0:13:59 | |
I can't protect you out there. | 0:14:03 | 0:14:05 | |
We can get across to Devon. | 0:14:09 | 0:14:11 | |
Put the Tamar 'tween us. | 0:14:12 | 0:14:14 | |
If we wait, the Magistrate'll come! | 0:14:15 | 0:14:18 | |
He won't want to know the truth. | 0:14:19 | 0:14:21 | |
He just wants to see you hang. | 0:14:22 | 0:14:24 | |
CREAKING | 0:14:26 | 0:14:28 | |
(You bloody fool!) | 0:14:42 | 0:14:43 | |
You want a bullet in your guts, is that it? | 0:14:45 | 0:14:48 | |
Missus. Mary. | 0:14:56 | 0:14:57 | |
I just come to tell you, the law ain't coming for you, Joss. | 0:15:02 | 0:15:05 | |
But this man Bassatt's by the book. | 0:15:05 | 0:15:08 | |
He's waiting on his evidence. | 0:15:08 | 0:15:10 | |
So we could get away, then! | 0:15:10 | 0:15:11 | |
It's one chance in a million, Joss, but we've got it. | 0:15:13 | 0:15:16 | |
So, if you just tell me where you've hid the stuff, | 0:15:18 | 0:15:21 | |
I'll take my share and just be off. | 0:15:21 | 0:15:23 | |
With a bite of bread, if you've got it for me, Missus. | 0:15:23 | 0:15:26 | |
I haven't touched food since yesterday. | 0:15:26 | 0:15:28 | |
If my finger slips, | 0:15:30 | 0:15:33 | |
you'll lose your windpipe, | 0:15:33 | 0:15:36 | |
like Abe did. | 0:15:36 | 0:15:37 | |
What are you doing, Joss? | 0:15:40 | 0:15:41 | |
I come this way to tell you we've got a chance! | 0:15:42 | 0:15:45 | |
Then why didn't you come and knock on my door, eh? | 0:15:47 | 0:15:50 | |
Why did you come scratching at the window | 0:15:50 | 0:15:52 | |
like you are some robber in the night? | 0:15:52 | 0:15:54 | |
I just... | 0:15:56 | 0:15:57 | |
Thought you might be sleeping. | 0:15:57 | 0:16:00 | |
Sleeping, is it? Or is it a trick? Hmm? | 0:16:00 | 0:16:03 | |
You got someone waiting outside, waiting for you to let him in | 0:16:06 | 0:16:09 | |
-so they can put a bullet in my heart, is that it, old man? -No! | 0:16:09 | 0:16:12 | |
You'd do that to me? | 0:16:12 | 0:16:13 | |
No, Joss. I'd never do that to you. | 0:16:13 | 0:16:15 | |
Get this old man his bread. And check those kitchen windows. | 0:16:25 | 0:16:29 | |
Make sure we got no company. | 0:16:30 | 0:16:33 | |
Come on, both of you. | 0:16:33 | 0:16:35 | |
Aunt Patience, you and I must fetch the law. | 0:16:48 | 0:16:52 | |
Whatever my uncle may have been to you, he is inhuman now. | 0:16:52 | 0:16:56 | |
He is my husband! And you won't talk of him like that. | 0:16:56 | 0:17:01 | |
Then you will hang with him | 0:17:03 | 0:17:04 | |
-because your loyalty won't save him from the noose! -So be it, then. | 0:17:04 | 0:17:08 | |
You wouldn't understand it, would you? | 0:17:11 | 0:17:13 | |
With your highfalutin' judgments. | 0:17:13 | 0:17:15 | |
Love isn't something that you choose. | 0:17:16 | 0:17:20 | |
Maybe when you've got a man yourself, you'll know that. | 0:17:20 | 0:17:22 | |
And Mary? You needn't think he'll let you leave. | 0:17:24 | 0:17:27 | |
He'll kill you if you try to. | 0:17:27 | 0:17:30 | |
I'm not afraid of him. | 0:17:31 | 0:17:33 | |
Well, Merlyn? Have you thought about it? | 0:17:39 | 0:17:41 | |
I didn't need to. | 0:17:41 | 0:17:42 | |
Whatever else Joss might have done, he is still my blood. | 0:17:44 | 0:17:48 | |
So you can snap my neck but I won't rat on him. | 0:17:48 | 0:17:51 | |
But what I can give you... | 0:17:52 | 0:17:54 | |
is someone else. | 0:17:56 | 0:17:57 | |
Above my brother. | 0:17:59 | 0:18:00 | |
Joss Merlyn is the leader of this racket. | 0:18:01 | 0:18:03 | |
So where's his stash, then? | 0:18:03 | 0:18:05 | |
Cos every time you turn up at his inn, you can't lay your hands on it. | 0:18:05 | 0:18:08 | |
So what's his name, then, this king of smugglers? | 0:18:08 | 0:18:12 | |
You let me out, I'll get you the name. | 0:18:13 | 0:18:16 | |
Joss'll tell me, if he knows it's that or hang. | 0:18:16 | 0:18:18 | |
But the deal is, when you got him me and Joss get jail time. | 0:18:20 | 0:18:24 | |
Not the noose. | 0:18:24 | 0:18:25 | |
If you'd any proof you'd be down there, smashing in his doors. | 0:18:27 | 0:18:31 | |
Weren't you sent down here to clean this up? | 0:18:33 | 0:18:35 | |
So do it right. | 0:18:36 | 0:18:37 | |
A loaded pistol will be on your tail the whole way there and back. | 0:18:40 | 0:18:44 | |
So much as blink, and you're a dead man. | 0:18:46 | 0:18:49 | |
Poor souls. | 0:19:14 | 0:19:15 | |
Where's Harry gone? | 0:19:49 | 0:19:50 | |
He came to take the lot for himself. | 0:19:55 | 0:19:57 | |
So he's gone, then? Made a run for it? | 0:19:59 | 0:20:02 | |
I've changed my mind. | 0:20:06 | 0:20:07 | |
We'll leave for Devon. | 0:20:09 | 0:20:10 | |
Go tonight. | 0:20:12 | 0:20:13 | |
SHE SOBS: Aye! | 0:20:15 | 0:20:16 | |
Thank you, Joss! | 0:20:19 | 0:20:20 | |
Thank you. | 0:20:21 | 0:20:22 | |
I'll see him in hell before I'm beaten. | 0:20:28 | 0:20:30 | |
You'll drive your own carriage there, you'll see. | 0:20:36 | 0:20:38 | |
And big feathers in your bonnet. | 0:20:41 | 0:20:43 | |
And I'll go to church on Sundays. | 0:20:46 | 0:20:48 | |
If we're travelling tonight then my aunt and I should rest. | 0:21:07 | 0:21:11 | |
Your aunt here needs to pack. | 0:21:12 | 0:21:13 | |
RATTLING | 0:21:37 | 0:21:39 | |
Aunt Patience?! | 0:21:43 | 0:21:44 | |
Just to see no harm comes to you. | 0:21:45 | 0:21:47 | |
Aunt Patience! | 0:21:49 | 0:21:51 | |
I remember when you gave me this. | 0:22:00 | 0:22:02 | |
Before he had his hooks in us. | 0:22:18 | 0:22:20 | |
You need to stay here. | 0:22:40 | 0:22:41 | |
It's me, Jem. | 0:23:07 | 0:23:08 | |
What d'you want, Jem? | 0:23:26 | 0:23:28 | |
You need to tell me who it is. | 0:23:28 | 0:23:30 | |
Whoever's got you by the balls. | 0:23:30 | 0:23:32 | |
They're coming for you if you don't! | 0:23:39 | 0:23:41 | |
Christ's sake, Joss. Just give me the name! | 0:23:43 | 0:23:45 | |
This is a chance to save yourself. | 0:23:48 | 0:23:50 | |
There's no-one else I'm working for, you understand me, Jem? | 0:23:54 | 0:23:57 | |
It's me. | 0:23:57 | 0:23:59 | |
Always been me. | 0:24:02 | 0:24:03 | |
No-one else. | 0:24:05 | 0:24:06 | |
You say any different, you're a dead man. | 0:24:08 | 0:24:10 | |
I need you to let me in. | 0:24:28 | 0:24:29 | |
I can't. Even if I wanted to, I'm locked inside my room. | 0:24:29 | 0:24:33 | |
Here. | 0:24:34 | 0:24:35 | |
Who did this to you? | 0:25:04 | 0:25:05 | |
Who do you think? | 0:25:08 | 0:25:09 | |
You were with them? | 0:25:11 | 0:25:12 | |
On the beach? | 0:25:12 | 0:25:14 | |
So where were you? | 0:25:18 | 0:25:20 | |
I've been in jail. | 0:25:22 | 0:25:23 | |
Legassik caught me when I went downstairs to pay. | 0:25:25 | 0:25:28 | |
I...wish I could have spared you this. | 0:25:32 | 0:25:34 | |
They let you go soon enough though, didn't they? | 0:25:38 | 0:25:40 | |
They wanted me to turn King's evidence against my brother. | 0:25:43 | 0:25:46 | |
I told them that I never would. | 0:25:46 | 0:25:49 | |
But if I can give them the man Joss answers to | 0:25:49 | 0:25:52 | |
then they might at least spare me and him from swinging. | 0:25:52 | 0:25:54 | |
-So? Who is he? -It was you who told me there's someone else. | 0:25:54 | 0:25:58 | |
You must know who he is! | 0:25:58 | 0:25:59 | |
I don't know any more than you do. | 0:25:59 | 0:26:02 | |
I saw his feet in a storeroom once. | 0:26:02 | 0:26:06 | |
And your brother thinks he's coming here to kill him. | 0:26:06 | 0:26:08 | |
Why are you caught up in this? | 0:26:15 | 0:26:16 | |
Don't waste your sympathies on me. | 0:26:19 | 0:26:21 | |
I can look after myself. | 0:26:21 | 0:26:23 | |
All I know is that your brother has to hang for what he's done. | 0:26:25 | 0:26:28 | |
And all I know is I have to save him. | 0:26:33 | 0:26:35 | |
We have to go to the beach. | 0:26:43 | 0:26:44 | |
SHE SNIFFS | 0:27:57 | 0:27:59 | |
He went for me. | 0:28:00 | 0:28:01 | |
So we could marry. | 0:28:02 | 0:28:04 | |
It's my fault he's dead! | 0:28:05 | 0:28:07 | |
I am the first and last, the beginning and the end. | 0:28:11 | 0:28:14 | |
I hold the keys of hell and death. | 0:28:14 | 0:28:16 | |
I am Alpha and Omega. The Almighty. | 0:28:16 | 0:28:18 | |
SHE SOBS | 0:28:18 | 0:28:20 | |
Lift him onto the wagon. | 0:28:20 | 0:28:22 | |
HORSE SNORTS | 0:28:37 | 0:28:39 | |
Ambrose. I need to talk to you. | 0:28:45 | 0:28:47 | |
Who does Joss take his orders from? | 0:28:49 | 0:28:52 | |
Don't make me ask in front of them. | 0:28:52 | 0:28:54 | |
I know you're in it with my brother. | 0:28:54 | 0:28:56 | |
For God's sake, I'm a schoolteacher! | 0:28:56 | 0:28:58 | |
-Come to see your handiwork, have you? -What? I didn't do this! | 0:28:58 | 0:29:02 | |
Everybody's known for years what you Merlyns have been up to. | 0:29:02 | 0:29:05 | |
It's a play for time. But we'll see him hang him nice and slow for this. | 0:29:05 | 0:29:07 | |
Joss says he's going to the inn to kill him. | 0:29:07 | 0:29:09 | |
At least think of the women. | 0:29:09 | 0:29:11 | |
SHE KNOCKS | 0:29:28 | 0:29:29 | |
Mr Davey? | 0:29:32 | 0:29:35 | |
Hannah? | 0:29:35 | 0:29:36 | |
Mr Davey? | 0:29:45 | 0:29:46 | |
Mr Davey? | 0:29:49 | 0:29:50 | |
Mr Davey? | 0:29:53 | 0:29:54 | |
Joss? | 0:30:16 | 0:30:17 | |
Aunt Patience? | 0:32:08 | 0:32:09 | |
They're dead. | 0:32:59 | 0:33:01 | |
It's too late. | 0:33:02 | 0:33:03 | |
Have you found the villain? | 0:33:20 | 0:33:22 | |
I ain't done nothing. I've been locked in. | 0:33:24 | 0:33:27 | |
Door was locked from the outside. | 0:33:27 | 0:33:29 | |
The landlord put me there, Joss Merlyn. | 0:33:29 | 0:33:32 | |
Ask him, he'll tell ye. | 0:33:32 | 0:33:33 | |
You're not aware the landlord's dead, and so is his wife? | 0:33:33 | 0:33:36 | |
Both stabbed to death. | 0:33:36 | 0:33:38 | |
We're told that there's a man that Joss Merlyn took his orders from. | 0:33:40 | 0:33:44 | |
Do you know his name? | 0:33:44 | 0:33:45 | |
I don't know nothing about no other man. | 0:33:47 | 0:33:49 | |
This is no place for a girl to be. | 0:34:08 | 0:34:10 | |
Is there somewhere we can take you? | 0:34:12 | 0:34:14 | |
I am sorry to impose on you. | 0:34:51 | 0:34:53 | |
We are sorry for your loss. | 0:34:53 | 0:34:54 | |
We are glad you came here, Mary. | 0:34:54 | 0:34:57 | |
Please, sit. | 0:34:59 | 0:35:00 | |
You've had a terrible shock. | 0:35:00 | 0:35:02 | |
Here. | 0:35:07 | 0:35:08 | |
It will help you to sleep. | 0:35:09 | 0:35:11 | |
What will happen to my aunt? | 0:35:23 | 0:35:25 | |
They will both be brought here to be buried. | 0:35:25 | 0:35:28 | |
You've no idea who the murderer may be? | 0:35:29 | 0:35:32 | |
The magistrate believes he is a local man. | 0:35:35 | 0:35:38 | |
He intends to question every man within ten miles, so the net will | 0:35:38 | 0:35:43 | |
close around the murderer and if he tarries long, he will be caught. | 0:35:43 | 0:35:48 | |
Mr Davey? | 0:35:48 | 0:35:50 | |
MUFFLED SHOUTING | 0:36:12 | 0:36:13 | |
Mr Davey, why must you for ever flaunt yourself to her? | 0:36:13 | 0:36:17 | |
Whatever happens, there is a course of anguish. | 0:36:17 | 0:36:19 | |
The girl has brought herself to us and shown her trust. | 0:36:19 | 0:36:22 | |
She needs to sleep - she needs to sleep and not think any more. | 0:36:22 | 0:36:25 | |
Mary? | 0:37:27 | 0:37:28 | |
There's no longer any need for pretence between us, Mary. | 0:37:53 | 0:37:56 | |
We can be frank now. | 0:37:58 | 0:37:59 | |
It was I who killed your uncle and your aunt. | 0:38:01 | 0:38:04 | |
That's right. | 0:38:13 | 0:38:15 | |
You sleep now. | 0:38:15 | 0:38:16 | |
CELL DOOR OPENS | 0:38:24 | 0:38:26 | |
DOOR SLAMS | 0:38:33 | 0:38:35 | |
I'm sorry, Jem. | 0:38:35 | 0:38:36 | |
He's gone. | 0:38:36 | 0:38:39 | |
He's stabbed. | 0:38:39 | 0:38:41 | |
He's dead, Jem. | 0:38:41 | 0:38:42 | |
Mrs Merlyn, too. | 0:38:43 | 0:38:45 | |
And Mary? | 0:38:45 | 0:38:47 | |
She's safe. She's with the vicar. | 0:38:47 | 0:38:49 | |
We're done for if they take us to London. | 0:39:01 | 0:39:05 | |
The King will have us swinging at Newgate. | 0:39:05 | 0:39:07 | |
I wouldn't care. As long as I could take him with me. | 0:39:07 | 0:39:11 | |
Whoever killed my brother. | 0:39:12 | 0:39:14 | |
I would've saved him if I could, Jem. | 0:39:14 | 0:39:17 | |
He was my friend, all's said and done. | 0:39:17 | 0:39:21 | |
There must have been something you heard? | 0:39:21 | 0:39:23 | |
Or saw. | 0:39:23 | 0:39:25 | |
He'd have had to come right past you in that storeroom. | 0:39:25 | 0:39:29 | |
I didn't like to say before, in case he thought me daft. | 0:39:29 | 0:39:33 | |
But there's this tiny crack. I put my eye to it. | 0:39:33 | 0:39:37 | |
And? | 0:39:37 | 0:39:38 | |
I sees this person dressed in black. | 0:39:38 | 0:39:41 | |
And there's this smell... | 0:39:43 | 0:39:45 | |
Ain't perfume. | 0:39:45 | 0:39:46 | |
But sweet, sickly. | 0:39:48 | 0:39:50 | |
Incense. You smelt incense. | 0:39:53 | 0:39:57 | |
Legassik! | 0:39:57 | 0:39:59 | |
Legassik! | 0:39:59 | 0:40:01 | |
Wake up. | 0:40:19 | 0:40:20 | |
MARY MURMURS | 0:40:21 | 0:40:23 | |
Wake up. | 0:40:23 | 0:40:25 | |
You needn't fear. | 0:40:37 | 0:40:38 | |
How could you? | 0:40:42 | 0:40:44 | |
You knew what he was doing. | 0:40:44 | 0:40:45 | |
-Or you helped him! -Of course I did. | 0:40:46 | 0:40:49 | |
I'll arrange our passage. | 0:40:49 | 0:40:51 | |
Come. I promised I'd show you God. | 0:40:51 | 0:40:55 | |
It's Davey. He's the murderer. | 0:41:08 | 0:41:10 | |
Harry saw him through the door. | 0:41:10 | 0:41:12 | |
Mary Yellan's with him now and she's in danger. | 0:41:14 | 0:41:16 | |
Oh, yeah? And he just forgot to mention it before, then, did he? | 0:41:16 | 0:41:19 | |
It's London and the gallows for you. | 0:41:19 | 0:41:21 | |
Get the keys. | 0:41:27 | 0:41:28 | |
HE GROANS | 0:41:29 | 0:41:31 | |
It was you who said your uncle talks when he is drunk. | 0:41:41 | 0:41:44 | |
You told me I should kill him. | 0:41:44 | 0:41:46 | |
I told you to set the law on him! | 0:41:46 | 0:41:48 | |
You can't blame me for what you did! | 0:41:48 | 0:41:51 | |
And if the law had come, they would have hung him. | 0:41:51 | 0:41:53 | |
What difference then if I should do it sooner? | 0:41:53 | 0:41:55 | |
Because you're the one that made him kill! | 0:41:55 | 0:41:57 | |
My aunt was innocent! | 0:41:57 | 0:41:59 | |
Your aunt was with your uncle | 0:41:59 | 0:42:01 | |
as surely as if she'd smashed those sailors' skulls in on her own. | 0:42:01 | 0:42:04 | |
Come, Mary Yellan, you cannot be naive on that. | 0:42:04 | 0:42:07 | |
You think that you are God | 0:42:09 | 0:42:11 | |
and that life and death is yours to give and take! | 0:42:11 | 0:42:14 | |
I like that I revolt you. | 0:42:15 | 0:42:18 | |
There is a dash of fire about you that the women of old possessed. | 0:42:18 | 0:42:23 | |
And yet you would have killed me too, if I'd been at the inn. | 0:42:24 | 0:42:27 | |
No. | 0:42:27 | 0:42:29 | |
We would still be here and climbing Roughtor. | 0:42:29 | 0:42:33 | |
FOOTSTEPS | 0:42:42 | 0:42:44 | |
Where is Mary Yellan? | 0:42:48 | 0:42:49 | |
Peace is very hard to find these days. | 0:42:57 | 0:43:00 | |
I thought to find it in the Christian Church | 0:43:01 | 0:43:03 | |
but the dogma sickened me. | 0:43:03 | 0:43:06 | |
It's built on lies, its followers are like sheep. | 0:43:06 | 0:43:09 | |
But the old pagan barbarism is honest and clean. | 0:43:10 | 0:43:14 | |
The Druids understood human sacrifice. | 0:43:15 | 0:43:18 | |
One soul for many. | 0:43:19 | 0:43:20 | |
No. No. | 0:43:30 | 0:43:31 | |
No. No. | 0:43:31 | 0:43:32 | |
My ship of fools. | 0:43:35 | 0:43:36 | |
Oh, God. Oh, God. | 0:43:36 | 0:43:38 | |
Oh, God. | 0:43:38 | 0:43:39 | |
You hide behind the cross | 0:44:05 | 0:44:08 | |
and people trust you, | 0:44:08 | 0:44:10 | |
but everything about you is a lie. | 0:44:11 | 0:44:14 | |
Come with me, Mary. | 0:44:16 | 0:44:17 | |
I will teach you how to live. | 0:44:19 | 0:44:21 | |
There is not a thing you can teach me. | 0:44:21 | 0:44:25 | |
But I have already. I've taught you that you have been wrong | 0:44:25 | 0:44:30 | |
in trusting me because I wear the cloth. | 0:44:30 | 0:44:32 | |
And so you've learned that truth cannot be found in trappings | 0:44:33 | 0:44:38 | |
but only from within. | 0:44:38 | 0:44:39 | |
You will forget these moors, | 0:44:41 | 0:44:42 | |
and Jamaica Inn, | 0:44:44 | 0:44:46 | |
and your tears for Jem Merlyn. | 0:44:46 | 0:44:48 | |
If only you will trust... | 0:44:51 | 0:44:52 | |
in here. | 0:44:54 | 0:44:55 | |
Your brother used to twist his hat in hand to us, like he was a boy. | 0:45:01 | 0:45:05 | |
The terror of the countryside, but to us he was a snivelling child. | 0:45:05 | 0:45:11 | |
You shut up! | 0:45:11 | 0:45:12 | |
It was his vanity that kept us safe. | 0:45:15 | 0:45:18 | |
The more notorious we made him, the better pleased he was. | 0:45:18 | 0:45:21 | |
You didn't know him. You made him suffer. | 0:45:21 | 0:45:24 | |
You'll beg even more than he did at the end. | 0:45:24 | 0:45:27 | |
And that stupid girl can watch you die, | 0:45:27 | 0:45:29 | |
if she isn't already in a dozen pieces. | 0:45:29 | 0:45:31 | |
SHE PANTS | 0:45:31 | 0:45:33 | |
SHE GROWLS | 0:45:46 | 0:45:47 | |
Davey, | 0:45:56 | 0:45:58 | |
where are you? | 0:45:58 | 0:45:59 | |
Davey? | 0:46:13 | 0:46:14 | |
Jem? | 0:46:14 | 0:46:15 | |
You should've killed her. | 0:46:15 | 0:46:17 | |
Mary? Are you hurt? | 0:46:17 | 0:46:19 | |
No. I'm not hurt. | 0:46:19 | 0:46:21 | |
Davey, I know you killed my brother. | 0:46:24 | 0:46:27 | |
So now I've got your sister. | 0:46:28 | 0:46:30 | |
He won't shoot me. He hasn't got the courage. | 0:46:30 | 0:46:33 | |
-WHISPERS: -He'll kill you. | 0:46:33 | 0:46:34 | |
Davey, I'll make a deal with you. | 0:46:34 | 0:46:36 | |
You send Mary out and I'll let your sister go. | 0:46:37 | 0:46:41 | |
The both of you can leave unharmed. | 0:46:42 | 0:46:44 | |
Jem, he's got a gun. | 0:46:52 | 0:46:53 | |
Davey? | 0:46:55 | 0:46:57 | |
I'm going to let your sister go. | 0:46:57 | 0:47:00 | |
But first you send Mary out. | 0:47:00 | 0:47:03 | |
Davey? Do you hear me? | 0:47:07 | 0:47:09 | |
You don't think you can beat him, do you? | 0:47:18 | 0:47:20 | |
You're vain, just like your brother was. | 0:47:20 | 0:47:23 | |
Davey? | 0:47:26 | 0:47:28 | |
I'm letting Hannah go. | 0:47:28 | 0:47:29 | |
Will you send Mary out? | 0:47:31 | 0:47:33 | |
Eurgh... | 0:47:34 | 0:47:36 | |
My sister is dead. | 0:47:57 | 0:47:58 | |
MARY WHIMPERS | 0:48:08 | 0:48:10 | |
Davey! Mary is an innocent in this. | 0:48:18 | 0:48:20 | |
I'll take her place, but you let her go. | 0:48:22 | 0:48:25 | |
Davey? | 0:48:30 | 0:48:33 | |
Kill me instead. Please. | 0:48:33 | 0:48:35 | |
Would you have me accept his offer? | 0:48:39 | 0:48:41 | |
You know you can't escape from here. | 0:48:42 | 0:48:45 | |
They will catch you, and you'll be brought to justice. | 0:48:45 | 0:48:48 | |
You're not...special. | 0:48:50 | 0:48:52 | |
You're just a man. | 0:48:54 | 0:48:56 | |
I shan't escape. | 0:48:59 | 0:49:00 | |
But one of us must die here first. | 0:49:02 | 0:49:05 | |
Who do you choose? | 0:49:08 | 0:49:09 | |
Yourself? | 0:49:10 | 0:49:12 | |
Jem Merlyn? | 0:49:12 | 0:49:14 | |
Or me? | 0:49:14 | 0:49:15 | |
What do you mean? | 0:49:17 | 0:49:18 | |
There is no law here with us today. | 0:49:19 | 0:49:22 | |
There is just you, and I, and him. | 0:49:24 | 0:49:26 | |
Will you leave it up to fate? | 0:49:27 | 0:49:29 | |
Or will you choose who lives or dies? | 0:49:30 | 0:49:34 | |
If I am just a man, | 0:49:43 | 0:49:45 | |
it is you who must be God. | 0:49:47 | 0:49:48 | |
Who do you choose? | 0:49:51 | 0:49:53 | |
Aargh! | 0:50:10 | 0:50:12 | |
You. | 0:50:15 | 0:50:16 | |
You must die. | 0:50:20 | 0:50:22 | |
See, Mary? | 0:50:25 | 0:50:28 | |
I was right about you. | 0:50:28 | 0:50:30 | |
GUNSHOT | 0:51:17 | 0:51:19 | |
Mary? | 0:51:57 | 0:51:59 | |
There's someone here to see you. | 0:52:00 | 0:52:02 | |
Ned. | 0:52:07 | 0:52:08 | |
Hello, Mary. | 0:52:20 | 0:52:21 | |
His brother isn't here, I see. | 0:52:50 | 0:52:53 | |
The man is godless - can you be surprised? | 0:52:53 | 0:52:56 | |
Your farm's been taken over by new folks. | 0:53:26 | 0:53:28 | |
But my mother says that you're to come and stop with us. | 0:53:29 | 0:53:33 | |
How much land does your family have? | 0:53:33 | 0:53:36 | |
200 acres. | 0:53:36 | 0:53:38 | |
We've orchards, too. | 0:53:38 | 0:53:39 | |
Go and see him off, dear. | 0:53:42 | 0:53:43 | |
I'll talk to him. | 0:53:46 | 0:53:47 | |
You didn't come to the funeral. | 0:54:03 | 0:54:05 | |
I said goodbye in my own way. | 0:54:08 | 0:54:10 | |
I came to see you. | 0:54:14 | 0:54:15 | |
The Bassatts wouldn't let me up. | 0:54:18 | 0:54:20 | |
There's a rumour you're to move in with them, | 0:54:22 | 0:54:24 | |
-play nanny to their children. -I'm going home, Jem. | 0:54:24 | 0:54:27 | |
I want to be back in my own fields. | 0:54:29 | 0:54:32 | |
Well, go on, then. | 0:54:34 | 0:54:35 | |
You'll get there by tomorrow if you hurry. | 0:54:36 | 0:54:39 | |
You're harsh today. | 0:54:40 | 0:54:42 | |
I'm harsh to all my horses, too. | 0:54:44 | 0:54:46 | |
It don't mean I love them any less. | 0:54:49 | 0:54:51 | |
What will you do? | 0:54:55 | 0:54:56 | |
Roam God's country, same as always. | 0:55:01 | 0:55:04 | |
If you were a man, | 0:55:08 | 0:55:09 | |
I'd ask you to come with me. | 0:55:11 | 0:55:13 | |
We could travel the road together. | 0:55:13 | 0:55:16 | |
And if you were a woman, I'd have you run the farm with me. | 0:55:16 | 0:55:21 | |
You'd be grateful for the peace. | 0:55:21 | 0:55:23 | |
God damn it, Mary, that's no life for you! | 0:55:23 | 0:55:26 | |
Trapped in some village | 0:55:26 | 0:55:28 | |
and if you put a foot wrong there's hell to pay! | 0:55:28 | 0:55:31 | |
I can't survive you, Jem. | 0:55:32 | 0:55:34 | |
We speak a different language, you and I. | 0:55:37 | 0:55:39 | |
He'd be in jail now if it weren't for me, | 0:56:22 | 0:56:25 | |
but do I get one word of thanks? | 0:56:25 | 0:56:28 | |
But...does she care for him? | 0:56:28 | 0:56:30 | |
Of course she doesn't. | 0:56:30 | 0:56:32 | |
The man's a filthy gypsy. | 0:56:32 | 0:56:33 | |
There has never been a Merlyn come to any good. | 0:56:35 | 0:56:39 | |
Mary's had a terrible ordeal - | 0:56:39 | 0:56:42 | |
she is not herself. | 0:56:42 | 0:56:44 | |
Once you're married, she will settle down, you'll see. | 0:56:45 | 0:56:49 | |
I'm sure I've got some ribbons you can take to dress her bonnet. | 0:56:49 | 0:56:52 | |
There you are. | 0:57:40 | 0:57:41 | |
Where are we headed? | 0:57:44 | 0:57:46 | |
So do I have your heart, Mary Yellan? | 0:57:57 | 0:57:59 | |
I think you do, Jem Merlyn. | 0:58:02 | 0:58:04 | |
I know you do. | 0:58:06 | 0:58:08 |