Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
# She's a rich and rare land | 0:00:07 | 0:00:10 | |
# Oh, she's a fresh and fair land | 0:00:10 | 0:00:14 | |
# She's a dear and rare land | 0:00:14 | 0:00:17 | |
# This native land of mine | 0:00:17 | 0:00:21 | |
# She's not a dull or cold land | 0:00:25 | 0:00:28 | |
# No, she's a warm and bold land | 0:00:28 | 0:00:32 | |
# Oh, she's a true and old land | 0:00:32 | 0:00:36 | |
# This native land of mine. # | 0:00:37 | 0:00:39 | |
HE PANTS | 0:00:50 | 0:00:52 | |
Dermott! | 0:01:16 | 0:01:17 | |
Help! | 0:01:19 | 0:01:20 | |
Iris! | 0:01:20 | 0:01:22 | |
What the hell was she thinking? | 0:01:25 | 0:01:28 | |
You know exactly what she was thinking. | 0:01:28 | 0:01:30 | |
Hello! | 0:01:31 | 0:01:33 | |
Sound your horn! | 0:01:35 | 0:01:37 | |
DISTANT VOICES CRY OUT | 0:01:40 | 0:01:43 | |
Mammy... | 0:01:50 | 0:01:51 | |
Stay awake. | 0:01:51 | 0:01:53 | |
Mammy! | 0:01:55 | 0:01:57 | |
Help! Please! Help! We're here! | 0:01:57 | 0:02:00 | |
Grandad! | 0:02:00 | 0:02:02 | |
It's all right! I see you! | 0:02:02 | 0:02:04 | |
Help! | 0:02:04 | 0:02:06 | |
Mam's hurt. | 0:02:08 | 0:02:09 | |
Hang on... | 0:02:09 | 0:02:10 | |
Boys, hold on! | 0:02:10 | 0:02:11 | |
I'm here, Iris! Hang on! | 0:02:14 | 0:02:17 | |
Jesus, you're bleeding! | 0:02:18 | 0:02:20 | |
Hang on! Hang on! | 0:02:20 | 0:02:22 | |
I can't get close enough. Hang on. I'll turn around. | 0:02:23 | 0:02:26 | |
Boys, hold on... | 0:02:27 | 0:02:28 | |
Where's Mouse? | 0:02:30 | 0:02:31 | |
She let go... She's gone. | 0:02:31 | 0:02:33 | |
Hold on! | 0:02:33 | 0:02:34 | |
Iris! Iris! | 0:02:41 | 0:02:44 | |
Oh, my God! | 0:02:45 | 0:02:46 | |
Here, Dermott. Get this on you. | 0:02:54 | 0:02:55 | |
Mouse! | 0:02:58 | 0:02:59 | |
Mouse! | 0:02:59 | 0:03:01 | |
HE ROARS IN FRUSTRATION | 0:03:05 | 0:03:06 | |
Come on, boys, you all right? | 0:03:08 | 0:03:10 | |
All right. Come on. | 0:03:10 | 0:03:13 | |
Now stay together, you two lads. | 0:03:14 | 0:03:16 | |
Keep yourselves warm. | 0:03:16 | 0:03:17 | |
So just then the old lady returned to find that nasty, greedy fox | 0:05:00 | 0:05:04 | |
bent low over the river, watching all the fish he'd been promised. | 0:05:04 | 0:05:08 | |
She poured the druid water over him until the fox could feel it scald... | 0:05:08 | 0:05:12 | |
What's "scald" mean? | 0:05:12 | 0:05:13 | |
Means it's not a happy ending. | 0:05:14 | 0:05:16 | |
And in a moment, that nasty fox had disappeared into a waft of smoke. | 0:05:16 | 0:05:21 | |
Is this it? | 0:05:21 | 0:05:22 | |
Yeah, this is it. | 0:05:22 | 0:05:24 | |
HE STRAINS | 0:05:24 | 0:05:26 | |
There you go. | 0:05:31 | 0:05:32 | |
HE SIGHS AND GROANS | 0:05:35 | 0:05:38 | |
Right. How much do I owe you? | 0:05:44 | 0:05:46 | |
Call it 30 euro. | 0:05:46 | 0:05:48 | |
-30... -Is there anything to stop Tommy falling off that cliff? | 0:05:49 | 0:05:53 | |
Er, best just stay away from the edge. | 0:05:53 | 0:05:57 | |
Oh, brilliant(!) | 0:05:57 | 0:05:58 | |
So, you going to get her started again? | 0:06:00 | 0:06:02 | |
On the hill back down. Well, I best be off. | 0:06:04 | 0:06:08 | |
Spring equinox, you know. | 0:06:08 | 0:06:09 | |
Oh, of course. Major event in our house(!) | 0:06:09 | 0:06:11 | |
Welcome to Redwater. | 0:06:13 | 0:06:14 | |
ALFIE CHUCKLES | 0:06:14 | 0:06:15 | |
Yeah, I know, I get it... I understand. | 0:06:22 | 0:06:24 | |
INDISTINCT VOICE ON PHONE | 0:06:24 | 0:06:25 | |
Ax... Axel, I tell you what, listen, listen, | 0:06:25 | 0:06:28 | |
just get me some building quotes, | 0:06:28 | 0:06:30 | |
e-mail me some numbers and we'll make a decision after that. All right? | 0:06:30 | 0:06:33 | |
Tommy! This ain't our house. | 0:06:33 | 0:06:35 | |
So if you break anything, hide it! | 0:06:35 | 0:06:37 | |
Everything all right? | 0:06:38 | 0:06:41 | |
Yeah, yeah, yeah, just a bit of dry rot in the bar. | 0:06:41 | 0:06:43 | |
Nothing to worry about. | 0:06:43 | 0:06:45 | |
Well, we're here. Feels weird, doesn't it? | 0:06:47 | 0:06:51 | |
Talking about it for so long... | 0:06:51 | 0:06:52 | |
But I know this is the right place, because I've got the postcard. | 0:06:54 | 0:06:57 | |
What you going to do, stand in the middle of the town square and shout, | 0:06:57 | 0:07:00 | |
"Any blokes out there just found out they've been adopted?"? | 0:07:00 | 0:07:02 | |
-Yeah, I might do that. -Even if he were, he's probably left. | 0:07:02 | 0:07:06 | |
Look, let's not do the "If he's emigrated or dead..." | 0:07:06 | 0:07:08 | |
I'm glad we're here. Honestly. | 0:07:11 | 0:07:13 | |
-Right, I'll go and put the kettle on. -Yeah. | 0:07:14 | 0:07:17 | |
What have you come as again? | 0:07:56 | 0:07:58 | |
Ninja Turtles. | 0:07:58 | 0:07:59 | |
Ninja Turtesses. | 0:07:59 | 0:08:01 | |
You look fantastic. Ha! "Ninja Turtesses." | 0:08:01 | 0:08:05 | |
It's the day of the sinner, Peter... | 0:08:05 | 0:08:07 | |
So... | 0:08:07 | 0:08:09 | |
What, I wonder, are we running as today, Dermott? | 0:08:09 | 0:08:13 | |
What's it look like? | 0:08:13 | 0:08:14 | |
I don't know. | 0:08:14 | 0:08:15 | |
I'm the next Pope. | 0:08:15 | 0:08:17 | |
HE LAUGHS | 0:08:17 | 0:08:18 | |
You've got an answer for everything, haven't yer! Come here. | 0:08:18 | 0:08:21 | |
THEY LAUGH | 0:08:21 | 0:08:23 | |
How much ice cream would we need to sell to buy me a new taxi? | 0:08:23 | 0:08:27 | |
Right, I'm off. | 0:08:29 | 0:08:30 | |
I'm showing some of my work up at the hall. | 0:08:30 | 0:08:32 | |
Oh, what sort of prices are you putting on them? | 0:08:32 | 0:08:35 | |
That's a good question, Ag. I haven't actually priced... | 0:08:35 | 0:08:39 | |
So how are you going to sell them? | 0:08:41 | 0:08:43 | |
I thought people might show an interest | 0:08:43 | 0:08:45 | |
and...kind of inquire, you know. | 0:08:45 | 0:08:48 | |
Is that how a commercial artist makes a living? | 0:08:48 | 0:08:50 | |
I'm not a "commercial artist", Agnes. | 0:08:50 | 0:08:52 | |
No, but we're a commercial farm. | 0:08:52 | 0:08:54 | |
Might be nice to remember where the money has to come from. | 0:08:54 | 0:08:57 | |
-Good luck. -Yeah. | 0:08:57 | 0:08:58 | |
Good luck, you. | 0:08:59 | 0:09:00 | |
That fella walks around with a head full of sweedy mice. | 0:09:04 | 0:09:06 | |
Adeen. | 0:09:08 | 0:09:09 | |
Where's your dad? I'll need help today. | 0:09:10 | 0:09:12 | |
It'll be frantic with all the incomers. | 0:09:12 | 0:09:14 | |
I'm going out, Nan. | 0:09:14 | 0:09:15 | |
You are out! | 0:09:15 | 0:09:17 | |
No. "Out" out. | 0:09:17 | 0:09:18 | |
I need your dad here after the run. | 0:09:18 | 0:09:21 | |
I'm in a dead zone. Will you tell him? | 0:09:21 | 0:09:23 | |
She looks like an angry beetle. | 0:09:26 | 0:09:28 | |
They get bored. I was the same. | 0:09:29 | 0:09:31 | |
Were you? | 0:09:32 | 0:09:34 | |
Ahoy! Look at you fine ladies... | 0:09:34 | 0:09:37 | |
Well, lucky for you and Daddy it blew over, huh? | 0:09:37 | 0:09:41 | |
Oh, Roisin, not for you the neon lights and fast living of Kilkenny. | 0:09:41 | 0:09:46 | |
Don't look now but we're about to get mugged by Gryffindor. | 0:09:54 | 0:09:56 | |
THEY LAUGH | 0:09:56 | 0:09:58 | |
-Hello! -Hello, you all right? | 0:10:00 | 0:10:02 | |
Look out, Tommy... All right, girls? | 0:10:02 | 0:10:04 | |
You on your holidays? | 0:10:14 | 0:10:15 | |
Umm... Yeah. | 0:10:15 | 0:10:18 | |
Well...yeah. | 0:10:18 | 0:10:20 | |
-You don't sound too sure. -We're here for a couple of weeks. | 0:10:20 | 0:10:23 | |
I might miss school. And we had to leave the twins. | 0:10:23 | 0:10:26 | |
Yeah, they're really little and we needed a proper break. | 0:10:26 | 0:10:29 | |
There you go, buddy. Go and win me a teddy bear. Don't go too far, OK? Good boy! | 0:10:29 | 0:10:32 | |
A bit mad here, innit? | 0:10:32 | 0:10:35 | |
Normally you'll find it's quiet as the library. | 0:10:35 | 0:10:38 | |
You have Peter's house up on the bluff, don't you? | 0:10:38 | 0:10:41 | |
If you have any problems, he's always in the pub. | 0:10:41 | 0:10:44 | |
Typical Irishman, eh? | 0:10:44 | 0:10:45 | |
He's the landlord. | 0:10:45 | 0:10:46 | |
Landlord! That's a game and a half. | 0:10:48 | 0:10:50 | |
Yeah. It's good to see a lot of young people, though. | 0:10:50 | 0:10:52 | |
Are there a lot of families here? | 0:10:54 | 0:10:55 | |
A lot of people in their thirties an' that? | 0:10:55 | 0:10:58 | |
So what's all this about, today, then? | 0:10:59 | 0:11:01 | |
Old druid ceremony or something? | 0:11:01 | 0:11:03 | |
Oh, we thought we'd burn an outsider in a big wicker goat. | 0:11:03 | 0:11:06 | |
THEY CHUCKLE | 0:11:06 | 0:11:08 | |
It's Spring Carnival. Flight To The Sea. | 0:11:10 | 0:11:13 | |
To celebrate life and all its madness. | 0:11:13 | 0:11:15 | |
Why don't you sign up? | 0:11:15 | 0:11:17 | |
I ain't got a costume. | 0:11:17 | 0:11:19 | |
I'll have a go. | 0:11:19 | 0:11:20 | |
What? | 0:11:20 | 0:11:21 | |
-I'll do it. -What do you mean, "I'll do it"? You don't live here, Alfie, take a breather. | 0:11:21 | 0:11:25 | |
We're supposed to be relaxing, having fun, chilling, you know? | 0:11:25 | 0:11:28 | |
-Go on! Alfie, is it? -Yes, darling. | 0:11:28 | 0:11:30 | |
Yeah, get yourself up the hill. Celebrate life. | 0:11:30 | 0:11:33 | |
There he...! Andrew! Andy! | 0:11:33 | 0:11:35 | |
This is my son, he'll show you where to start. | 0:11:36 | 0:11:40 | |
Will you get Alfie here a costume? | 0:11:40 | 0:11:41 | |
Sure. Yeah. | 0:11:41 | 0:11:43 | |
-All right, buddy. -Yeah, get you kitted out, fella. | 0:11:43 | 0:11:45 | |
After that you're taking a turn on the stall. | 0:11:45 | 0:11:48 | |
What are you waiting for? Go on! | 0:11:48 | 0:11:50 | |
See you later. | 0:11:50 | 0:11:51 | |
Does he...? Does Andrew live here or is he just visiting? | 0:11:52 | 0:11:57 | |
He works with us on the farm. | 0:11:57 | 0:11:58 | |
Right. What, making ice cream? | 0:11:59 | 0:12:02 | |
Looking after the cows that make the milk that make the ice cream. | 0:12:02 | 0:12:05 | |
This is - it's just a sideline. | 0:12:05 | 0:12:07 | |
So he lives with you? | 0:12:07 | 0:12:09 | |
Right up there on the hill. We tend to stay close in this family. | 0:12:09 | 0:12:14 | |
Which is very nice for great-grandma here. | 0:12:14 | 0:12:17 | |
You? | 0:12:17 | 0:12:18 | |
I know, they broke the mould, right? | 0:12:18 | 0:12:20 | |
In fact, Andrew's just about to give her another great-grandchild. | 0:12:20 | 0:12:24 | |
Well, why don't you, er, soak up the day and enjoy yourselves? | 0:12:26 | 0:12:31 | |
Makes a nice change from that London, I'm sure. | 0:12:31 | 0:12:34 | |
How'd you know we're from London? | 0:12:34 | 0:12:35 | |
Well, er, you're the Moons and you've taken the cottage | 0:12:37 | 0:12:41 | |
for two weeks with an option for three. | 0:12:41 | 0:12:43 | |
You're from London but you live in Spain and, er, | 0:12:43 | 0:12:46 | |
you're not too sure whether you're here on holiday or not. | 0:12:46 | 0:12:49 | |
Er... I see. OK. | 0:12:54 | 0:12:57 | |
Drag it over, behind those rocks. | 0:12:59 | 0:13:01 | |
-Right. -Right. | 0:13:01 | 0:13:03 | |
We'll bury it later. | 0:13:03 | 0:13:04 | |
Doesn't quite fit with a celebration of life now, lads, does it? | 0:13:06 | 0:13:09 | |
That's it. That's it. | 0:13:11 | 0:13:13 | |
Oh! Ah, there he is. | 0:13:25 | 0:13:28 | |
Ah, Dr Kildare himself. | 0:13:28 | 0:13:29 | |
Alfie, meet my hugely annoying second cousin, Dermott. | 0:13:29 | 0:13:32 | |
-How are you? -And my decrepit old grand-daddy Lance. | 0:13:32 | 0:13:34 | |
-All right, Lance. -How you doing? | 0:13:34 | 0:13:36 | |
So, you're going to take the flight with us, then, are you? | 0:13:36 | 0:13:38 | |
-Well, you know, I'm going to try. -Do. Or do not. There is no "try". | 0:13:38 | 0:13:43 | |
What's that, an Old Irish saying, then? | 0:13:43 | 0:13:45 | |
That's Yoda. | 0:13:45 | 0:13:46 | |
He's just winding you up. | 0:13:46 | 0:13:48 | |
Ah, there she is. | 0:13:49 | 0:13:50 | |
Ah... Hang on a minute there. | 0:13:50 | 0:13:53 | |
Helloooo! | 0:13:53 | 0:13:55 | |
Bloody hell! Back away, civilian. | 0:13:55 | 0:13:59 | |
I need my hat. | 0:14:02 | 0:14:03 | |
HE CHUCKLES | 0:14:03 | 0:14:04 | |
Can you believe it's my last bloody week? | 0:14:06 | 0:14:09 | |
I am not equipped to handle this lot. | 0:14:09 | 0:14:11 | |
Hey, love, have you got any gear for that fella to run in? | 0:14:11 | 0:14:13 | |
It's illegal to impersonate a Garda. | 0:14:13 | 0:14:15 | |
Yeah. | 0:14:15 | 0:14:17 | |
I know. Got something in the boot. | 0:14:17 | 0:14:18 | |
Ready? | 0:14:25 | 0:14:26 | |
Last one... | 0:14:39 | 0:14:40 | |
Yes! | 0:14:42 | 0:14:44 | |
-Oh, yeah... -I'm ready. | 0:14:46 | 0:14:47 | |
Now... Now here you go, son - all the food groups in a glass. | 0:14:47 | 0:14:51 | |
-Slainte. -Slainte. | 0:14:51 | 0:14:53 | |
-Away you go, then! -Good man. Good man. Good man. | 0:14:53 | 0:14:55 | |
Right, away you go, come on, all in one, come on, you can do it. | 0:14:55 | 0:14:59 | |
-Come on, keep it going. -Come on, yes. -That's it. | 0:14:59 | 0:15:02 | |
Yes...! | 0:15:02 | 0:15:03 | |
Hey, hey, hey. You're one of the gang. | 0:15:04 | 0:15:07 | |
Now let's all go and make prize arses of ourselves. Eh? | 0:15:07 | 0:15:10 | |
Yes! | 0:15:10 | 0:15:12 | |
OK, are we ready? | 0:15:15 | 0:15:17 | |
THEY CHEER | 0:15:17 | 0:15:18 | |
On your marks, get set, go! | 0:15:18 | 0:15:22 | |
Faster! | 0:15:33 | 0:15:34 | |
HE CRIES OUT IN PAIN | 0:15:44 | 0:15:45 | |
How bad is it? | 0:15:47 | 0:15:48 | |
Jarred my ankle. | 0:15:48 | 0:15:50 | |
Here, ladies, no time for a chat. | 0:15:50 | 0:15:52 | |
No, no, I knew this would happen one day. Go on, off you go... | 0:15:52 | 0:15:56 | |
What are you-what are you doing? | 0:15:56 | 0:15:57 | |
Now be quiet, you eejit. | 0:15:57 | 0:15:59 | |
Oh, Jesus, eh. | 0:15:59 | 0:16:00 | |
Hey-hey! | 0:16:07 | 0:16:09 | |
Here we go! Haha! | 0:16:24 | 0:16:26 | |
Jesus! | 0:16:30 | 0:16:32 | |
Stop, boy! Stop, you bugger! Stop! | 0:16:33 | 0:16:36 | |
Feel the fear and do it anyway! | 0:16:36 | 0:16:38 | |
Oh! | 0:16:48 | 0:16:49 | |
Don't get sand in your phone. | 0:16:52 | 0:16:54 | |
Ooh! Gets fast down that hill, I tell you. | 0:16:57 | 0:16:59 | |
It's the old inertia - doesn't let up. | 0:16:59 | 0:17:01 | |
Andrew! Andrew, love... Well done! | 0:17:01 | 0:17:04 | |
Still thinks I'm about nine. | 0:17:04 | 0:17:05 | |
She adores you, don't she? | 0:17:06 | 0:17:08 | |
Ah. You know mams. | 0:17:08 | 0:17:09 | |
Oh, listen - so is it nice, then, working on the farm with your family? | 0:17:09 | 0:17:13 | |
Making ice cream...? | 0:17:13 | 0:17:14 | |
I know, right, what sort of farm makes ice cream? | 0:17:14 | 0:17:16 | |
But you've got to keep thinking outside the box. | 0:17:16 | 0:17:18 | |
Keep the place ticking over, you know? | 0:17:18 | 0:17:21 | |
Anyway, everybody's going to be piling into the pub later, | 0:17:21 | 0:17:23 | |
so maybe see you there. | 0:17:23 | 0:17:25 | |
Yeah, you count on it. | 0:17:25 | 0:17:26 | |
It's just his face... and that black hair. | 0:17:32 | 0:17:36 | |
I know I'm not going to find him in the first ten minutes, but... | 0:17:38 | 0:17:41 | |
I think that's going to happen quite a bit, Kat. | 0:17:41 | 0:17:44 | |
There's going to be blokes like that all over the place. We've just got to tread carefully. | 0:17:44 | 0:17:47 | |
I mean, there's a chance he may not even know about you. | 0:17:49 | 0:17:51 | |
You're like a tornado at the best of times, eh? | 0:17:53 | 0:17:55 | |
Maybe should have gone through social services. | 0:17:57 | 0:17:59 | |
Maybe it's best you take Tommy back so you don't see me make a mess of things. | 0:17:59 | 0:18:02 | |
Stick to the plan. | 0:18:02 | 0:18:04 | |
We keep our ears and eyes open. Make friends. | 0:18:05 | 0:18:09 | |
See if we can learn something. | 0:18:09 | 0:18:10 | |
You know, when the time's right, we'll ask a few questions. | 0:18:11 | 0:18:15 | |
Don't have to rush anything. | 0:18:15 | 0:18:16 | |
But now we're here, I just want this so badly. | 0:18:18 | 0:18:20 | |
I know you do. | 0:18:23 | 0:18:25 | |
I know. | 0:18:25 | 0:18:26 | |
But we agreed, right? | 0:18:26 | 0:18:27 | |
Stick to the plan, yeah? Yeah. Good girl. | 0:18:27 | 0:18:30 | |
Right, Tommy, I'm West Ham. | 0:18:30 | 0:18:32 | |
Carroll with the dummy and it's out to Lanzini... | 0:18:35 | 0:18:38 | |
Good boy, Tommy! | 0:18:38 | 0:18:40 | |
Here's what I think - the boy's not his. | 0:18:54 | 0:18:59 | |
They've run off together. | 0:18:59 | 0:19:01 | |
They're both called Moon. | 0:19:01 | 0:19:03 | |
Ah, Moon! Sounds made up. | 0:19:03 | 0:19:06 | |
Well, what if they HAVE run off, Nanna? | 0:19:06 | 0:19:08 | |
Oh, none of my business. That's modern life. | 0:19:08 | 0:19:11 | |
I'll leave it there. | 0:19:12 | 0:19:14 | |
Just saw the look in her eyes. Something shifty... | 0:19:20 | 0:19:23 | |
Oh, come on, Mam. | 0:19:23 | 0:19:25 | |
No, now, him - now, he's just a big teddy bear. | 0:19:25 | 0:19:27 | |
But her, that Kathleen one, oh... She's got secrets. | 0:19:27 | 0:19:32 | |
Well, it takes one to know one. | 0:19:32 | 0:19:34 | |
I liked her. | 0:19:34 | 0:19:35 | |
And she liked you. | 0:19:35 | 0:19:37 | |
Yes, making eyes at my grandson | 0:19:37 | 0:19:39 | |
when she's only just eloped with another woman's husband. | 0:19:39 | 0:19:42 | |
I thought you were "out" out?! | 0:20:06 | 0:20:07 | |
Our eldest unmarried is in a major sulk. | 0:20:15 | 0:20:18 | |
I told Mary we'd pick Jonjo up in the morning | 0:20:19 | 0:20:22 | |
so he's now beside himself with a sleepover. | 0:20:22 | 0:20:24 | |
Good. | 0:20:24 | 0:20:25 | |
Sure Mary and Graham won't get a wink of sleep. | 0:20:25 | 0:20:27 | |
Not that I'll be getting a full night ever again. | 0:20:27 | 0:20:30 | |
I'm going to need more cheese and onion. | 0:20:33 | 0:20:35 | |
How many? | 0:20:35 | 0:20:37 | |
Six packets? And some Worcester sauce. So I can smother 'em. | 0:20:37 | 0:20:41 | |
Really? | 0:20:41 | 0:20:42 | |
Yeah. | 0:20:42 | 0:20:43 | |
My tenant, there you are now. Settling in? | 0:20:50 | 0:20:52 | |
Yeah, thanks. | 0:20:52 | 0:20:54 | |
You like shells, don't you? | 0:20:54 | 0:20:55 | |
-Sorry? -All the shells in the house. | 0:20:55 | 0:20:58 | |
I thought every house had shells. | 0:20:58 | 0:20:59 | |
What else do you decorate a house with if not seashells? | 0:20:59 | 0:21:01 | |
Ah, stop winding her up, Dad. Your old man did good today. | 0:21:01 | 0:21:05 | |
Though, er, he does need to learn where the brake is, doesn't he? | 0:21:05 | 0:21:08 | |
Alfie's never known where the brake is. | 0:21:08 | 0:21:10 | |
You all right? | 0:21:12 | 0:21:13 | |
You said everyone came down here so... | 0:21:14 | 0:21:17 | |
I came down. | 0:21:17 | 0:21:18 | |
Yeah, grand. | 0:21:18 | 0:21:20 | |
Can I get you a drink? | 0:21:20 | 0:21:21 | |
Ah-ah-ah, this one's on me. What are you having, love? | 0:21:21 | 0:21:24 | |
We're on pints and whiskey chasers. | 0:21:24 | 0:21:26 | |
Yeah, I'm up for that. | 0:21:26 | 0:21:28 | |
DOG WHINES IN THE DISTANCE | 0:21:31 | 0:21:34 | |
DOG BARKS | 0:22:12 | 0:22:14 | |
Oh! Oh, Jesus, no... | 0:22:17 | 0:22:19 | |
I'm an East End girl. We pour this stuff on our cornflakes. | 0:22:36 | 0:22:39 | |
Oh, I like her, Dermott. I like her a lot. | 0:22:40 | 0:22:42 | |
PHONE BUZZES | 0:22:42 | 0:22:44 | |
So, Lance. How old are you? | 0:22:46 | 0:22:48 | |
He's 86. | 0:22:48 | 0:22:50 | |
Go on. Take your best shot. | 0:22:51 | 0:22:52 | |
60? | 0:22:52 | 0:22:53 | |
I changed me mind - I don't like you. | 0:22:53 | 0:22:56 | |
I bloody love the bones of you! | 0:22:56 | 0:22:59 | |
Here, Kathleen. See Andrew over there? That's his grandson. | 0:22:59 | 0:23:03 | |
How old is Andrew? | 0:23:03 | 0:23:06 | |
33, same as me. | 0:23:06 | 0:23:07 | |
Kathleen, I'll take you out of your misery - I'm 70 this year. | 0:23:10 | 0:23:14 | |
There ain't any men I know that look as good as you at 70. | 0:23:14 | 0:23:19 | |
Our Lance swims the ocean every day. All weathers. | 0:23:19 | 0:23:22 | |
He's superhuman. | 0:23:22 | 0:23:23 | |
Will you shut up? | 0:23:23 | 0:23:24 | |
Why haven't you taken your costume off yet? | 0:23:24 | 0:23:27 | |
BOTH MEN LAUGH | 0:23:27 | 0:23:29 | |
What? | 0:23:29 | 0:23:30 | |
It's not a costume. | 0:23:30 | 0:23:32 | |
Dermott's our priest. | 0:23:32 | 0:23:33 | |
Oh! | 0:23:33 | 0:23:35 | |
So, Kathleen Moon, are you a good Catholic girl? | 0:23:35 | 0:23:37 | |
SHE CHUCKLES WEAKLY | 0:23:38 | 0:23:39 | |
That English woman keeps looking at you. | 0:23:41 | 0:23:43 | |
LANCE TAPS ON HIS GLASS | 0:23:43 | 0:23:45 | |
Ladies and gentlemen... | 0:23:45 | 0:23:47 | |
Oh, I forgot, | 0:23:47 | 0:23:48 | |
this is Redwater so we have neither. | 0:23:48 | 0:23:51 | |
LAUGHTER | 0:23:51 | 0:23:52 | |
But today, with the sun shining and all that laughter carrying | 0:23:55 | 0:23:59 | |
on the spring breeze, it occurred to me... | 0:23:59 | 0:24:03 | |
"She's a rich and rare land | 0:24:04 | 0:24:06 | |
"Oh, she is a fresh and fair land | 0:24:06 | 0:24:09 | |
"She's a dear and rare land This native land of mine | 0:24:09 | 0:24:13 | |
"She's not a dull or cold land | 0:24:13 | 0:24:17 | |
"No, she's a warm and bold land | 0:24:17 | 0:24:19 | |
"Oh, she's a true and old land This native land of mine." | 0:24:20 | 0:24:26 | |
CHEERING | 0:24:26 | 0:24:29 | |
Times change. | 0:24:34 | 0:24:36 | |
The days of living and dying in one place are gone. | 0:24:36 | 0:24:38 | |
Quite right too. | 0:24:38 | 0:24:40 | |
I say this especially to the younger ones. | 0:24:40 | 0:24:43 | |
You should be restless and looking to break free. | 0:24:44 | 0:24:47 | |
It's natural. | 0:24:49 | 0:24:50 | |
See the world. Have adventures. | 0:24:51 | 0:24:54 | |
But keep this town in your pocket and take her with you. | 0:24:55 | 0:25:00 | |
Cos she's special. | 0:25:00 | 0:25:02 | |
And with that, I ask you all to raise your glasses. | 0:25:03 | 0:25:06 | |
Are we raised? | 0:25:07 | 0:25:09 | |
Up your hole with a big jam roll! | 0:25:09 | 0:25:11 | |
ALL: Up your hole with a big jam roll! | 0:25:11 | 0:25:13 | |
DOOR OPENS | 0:25:22 | 0:25:24 | |
Oh, there you are. Too many shots? | 0:25:25 | 0:25:28 | |
Or was it my poetry? | 0:25:30 | 0:25:32 | |
No, I'm just tired. | 0:25:32 | 0:25:34 | |
Look at you, love, you're trembling. | 0:25:34 | 0:25:36 | |
What am I meant to do? | 0:25:36 | 0:25:39 | |
Alfie said that we should get to know people first. | 0:25:39 | 0:25:41 | |
But what's the point? Why wait? | 0:25:41 | 0:25:43 | |
I've been waiting my whole life. | 0:25:43 | 0:25:46 | |
We're not here on holiday. | 0:25:46 | 0:25:47 | |
I'm here because... | 0:25:49 | 0:25:50 | |
We're here because we're looking for someone. | 0:25:52 | 0:25:54 | |
When I was just a child myself, I had a child. | 0:25:56 | 0:26:00 | |
A son. | 0:26:00 | 0:26:02 | |
And they wouldn't let me keep him. | 0:26:02 | 0:26:04 | |
And I know he was adopted, because there's this postcard, | 0:26:06 | 0:26:09 | |
and it was posted from Redwater, | 0:26:09 | 0:26:12 | |
7th of December 1983. | 0:26:12 | 0:26:14 | |
And it says that he's safe and well | 0:26:14 | 0:26:18 | |
so I think that maybe | 0:26:18 | 0:26:21 | |
my little boy is here and... | 0:26:21 | 0:26:27 | |
They wouldn't let me keep him. | 0:26:30 | 0:26:33 | |
I can't imagine the hole that must... | 0:26:35 | 0:26:39 | |
you know... | 0:26:39 | 0:26:40 | |
must be in your heart, like. | 0:26:40 | 0:26:42 | |
I love the way you talk. | 0:26:43 | 0:26:44 | |
It's like you've swallowed | 0:26:44 | 0:26:46 | |
a book of poems. | 0:26:46 | 0:26:48 | |
I shouldn't have told you. | 0:26:53 | 0:26:55 | |
No, no, it's fine. | 0:26:55 | 0:26:57 | |
I wasn't supposed to say anything. | 0:26:57 | 0:27:00 | |
Mum's the word. | 0:27:00 | 0:27:03 | |
Thank you. Goodnight. | 0:27:03 | 0:27:04 | |
Can you say goodnight to everybody for me? | 0:27:04 | 0:27:08 | |
Yeah. Course. | 0:27:08 | 0:27:09 | |
Oh, bollocks. | 0:27:14 | 0:27:16 | |
Why didn't you phone me? | 0:27:33 | 0:27:35 | |
Something's wrong. | 0:27:43 | 0:27:45 | |
I can feel it in you. | 0:27:45 | 0:27:46 | |
Your body's all tense. | 0:27:46 | 0:27:48 | |
I think I'm seeing things. | 0:27:49 | 0:27:51 | |
What? | 0:27:52 | 0:27:53 | |
I got scared tonight... | 0:27:57 | 0:27:58 | |
..like, um, something was coming. Something horrible... | 0:27:59 | 0:28:04 | |
The doctors said these visions and things, | 0:28:06 | 0:28:08 | |
they could fade eventually. | 0:28:08 | 0:28:10 | |
Yeah. Yeah, yeah, maybe I'm just rattled about the bar, y'know. | 0:28:10 | 0:28:16 | |
Oh, the bar! The bar! | 0:28:16 | 0:28:19 | |
Then go home, Alfie! Go and talk to the builders! | 0:28:19 | 0:28:23 | |
I am not making you stay here! | 0:28:23 | 0:28:24 | |
HOOVES THUNDER ON THE SAND | 0:28:34 | 0:28:40 | |
Old Irish saying. | 0:30:05 | 0:30:06 | |
We're good at those. | 0:30:08 | 0:30:09 | |
Good night last night, then? | 0:30:10 | 0:30:12 | |
Yeah. I love it when the whole town comes together like that. | 0:30:12 | 0:30:16 | |
There will be some sore heads this morning, I'm telling you. | 0:30:16 | 0:30:19 | |
-Yeah, there are. Yours too? -Ah, no, I'm OK. | 0:30:19 | 0:30:22 | |
I just have mornings when I get a bit restless. | 0:30:22 | 0:30:25 | |
It can be a bit claustrophobic sometimes in my line of work, | 0:30:25 | 0:30:27 | |
you know. | 0:30:27 | 0:30:30 | |
As soon as you're out of the house, folk want a piece of you. | 0:30:30 | 0:30:33 | |
You're looking a bit careworn yourself, there. | 0:30:35 | 0:30:38 | |
Well, it's a strange night, you know. | 0:30:38 | 0:30:41 | |
Mind turning over and...stuff. | 0:30:41 | 0:30:45 | |
Yeah, the sound of the sea will do that. | 0:30:45 | 0:30:47 | |
So what's this? It's not a grave, is it? | 0:30:47 | 0:30:50 | |
-It's a memorial. -Right. | 0:30:50 | 0:30:52 | |
There was a boat accident two miles offshore, | 0:30:52 | 0:30:55 | |
over 20 years ago now. A couple of people died. | 0:30:55 | 0:30:58 | |
Oh, don't tell me, what was it... | 0:30:58 | 0:31:00 | |
old drunken tourists on one of those, what is it, mackerel trips? | 0:31:00 | 0:31:03 | |
Well, er... there was some alcohol involved. | 0:31:05 | 0:31:08 | |
But, er, there were other factors too. | 0:31:08 | 0:31:12 | |
A child and a woman were drowned. | 0:31:12 | 0:31:14 | |
Did you know 'em? | 0:31:17 | 0:31:19 | |
The child was my cousin, Aoife. Mouse, we called her. | 0:31:20 | 0:31:25 | |
And the, er, woman was my mother. | 0:31:27 | 0:31:28 | |
I'm sorry. | 0:31:31 | 0:31:33 | |
No. | 0:31:33 | 0:31:34 | |
Ah. Seems to be fine. | 0:31:42 | 0:31:43 | |
It can get cold up here, even in the summer. Thanks a million. | 0:31:43 | 0:31:47 | |
You were just like one of the locals down there last night. | 0:31:49 | 0:31:52 | |
That's all thanks to Lance. And that son of yours. | 0:31:52 | 0:31:55 | |
He's like no vicar I've ever met. | 0:31:55 | 0:31:57 | |
Dermott's... He's an amazing young man, you know? Smart, too. | 0:31:57 | 0:32:02 | |
Ferocious mind. Could've gone anywhere - anywhere at all. | 0:32:02 | 0:32:05 | |
It's hard to stay and minister to your own, | 0:32:05 | 0:32:08 | |
to drink and laugh with someone and then be placing the wafer | 0:32:08 | 0:32:11 | |
on their tongue the next day. | 0:32:11 | 0:32:13 | |
He calls it his own special brand of schizophrenia. | 0:32:13 | 0:32:17 | |
He's good-looking an' all. | 0:32:17 | 0:32:18 | |
Seems a waste, him being a priest. | 0:32:18 | 0:32:20 | |
Well, he broke some hearts the day he went to seminary school. | 0:32:20 | 0:32:24 | |
Takes after his mum, then. | 0:32:24 | 0:32:25 | |
Yeah, his mam was... difficult to describe. Quite tough. | 0:32:27 | 0:32:32 | |
Could've run a small South American country without too much bother. | 0:32:32 | 0:32:35 | |
You two went your separate ways? | 0:32:35 | 0:32:37 | |
Yeah, I went into the pub business. | 0:32:37 | 0:32:40 | |
She went to the grave. | 0:32:40 | 0:32:42 | |
Hard on Dermott - he was only a little fella at the time. | 0:32:42 | 0:32:44 | |
Seems like a close community, though. | 0:32:46 | 0:32:47 | |
Yeah. | 0:32:47 | 0:32:49 | |
I think that's why I like it here so much. | 0:32:49 | 0:32:51 | |
Where I used to live, we was in each other's houses, | 0:32:51 | 0:32:54 | |
each other's business... each other's knickers... | 0:32:54 | 0:32:57 | |
Oh, well, if that's what you're used to, then let's crack on upstairs. | 0:32:57 | 0:33:01 | |
Anyway, I'm grateful Dermott stayed in Redwater. | 0:33:03 | 0:33:07 | |
Yeah. Family's everything. | 0:33:07 | 0:33:10 | |
Without it, we're just out there, aren't we? | 0:33:11 | 0:33:14 | |
Adeen. Adeen, love, listen to me. Adeen. Listen to me now. | 0:33:47 | 0:33:50 | |
Not today. He'll be fractious and he'll throw you. | 0:33:50 | 0:33:53 | |
What's up? | 0:33:53 | 0:33:54 | |
Double G says Enbarr's too tired to ride out. | 0:33:54 | 0:33:56 | |
That's because your great-grandfather thought it | 0:33:56 | 0:33:59 | |
was a great idea to go riding him at one o'clock this morning. | 0:33:59 | 0:34:01 | |
What made him go riding in the middle of the night? | 0:34:01 | 0:34:04 | |
Well, that's the men in this family for you, love. | 0:34:04 | 0:34:08 | |
One likes to go on midnight gallops. | 0:34:08 | 0:34:11 | |
The other likes to turn tree trunks into ballet dancers. | 0:34:11 | 0:34:15 | |
Meanwhile, this place goes to pot. | 0:34:15 | 0:34:18 | |
I call this one The Final Embrace. | 0:34:18 | 0:34:20 | |
AGNES SIGHS | 0:34:23 | 0:34:25 | |
WATER GOES OFF | 0:34:42 | 0:34:43 | |
I know why the London girl's here. | 0:34:45 | 0:34:47 | |
And it's not because she's eloped. | 0:34:49 | 0:34:51 | |
Oh, did you make a pass at her last night? | 0:34:51 | 0:34:53 | |
That what all the histrionics were about? | 0:34:53 | 0:34:56 | |
You groped her derriere and she slapped your face? | 0:34:56 | 0:35:01 | |
She's here to find her son. She had a baby boy. | 0:35:01 | 0:35:04 | |
He was taken into the convent. This was in east London, Agnes. | 0:35:04 | 0:35:08 | |
You know when. | 0:35:09 | 0:35:10 | |
-Switch the water on. -She told me. | 0:35:16 | 0:35:18 | |
And what did you tell her? | 0:35:18 | 0:35:19 | |
Nothing. | 0:35:19 | 0:35:20 | |
But maybe I should. | 0:35:22 | 0:35:23 | |
She's in pain. | 0:35:26 | 0:35:27 | |
Oh, no good will come of what she's doing. | 0:35:27 | 0:35:29 | |
How can you say that? She's looking for her child. | 0:35:29 | 0:35:33 | |
No, she's looking for a man who has a life, | 0:35:33 | 0:35:35 | |
who knows nothing about her and most certainly does not need her! | 0:35:35 | 0:35:39 | |
Agnes, that is so unfair. | 0:35:39 | 0:35:41 | |
Kathleen Moon gets nothing from us. | 0:35:41 | 0:35:43 | |
I don't understand, Agnes. Why is this woman so wrong? | 0:35:43 | 0:35:47 | |
Because she's the wrong person in the wrong place at the wrong time. | 0:35:47 | 0:35:49 | |
Oh, come on... | 0:35:49 | 0:35:51 | |
It would ruin him. And that'd just be the start. | 0:35:51 | 0:35:54 | |
It would unravel everything we've built here. | 0:35:59 | 0:36:03 | |
Hello again. | 0:36:33 | 0:36:34 | |
You all right? | 0:36:34 | 0:36:35 | |
-Yeah. -You all right yourself? | 0:36:35 | 0:36:38 | |
Got any more stories for me, then? | 0:36:38 | 0:36:40 | |
Ah, I've got a million. | 0:36:40 | 0:36:43 | |
All involving cruelty to animals and small children, though. | 0:36:43 | 0:36:46 | |
How can we help? | 0:36:46 | 0:36:48 | |
-I thought I might buy a tub of your amazing ice cream. -Oh! | 0:36:48 | 0:36:51 | |
We don't sell it here at the farm. | 0:36:51 | 0:36:53 | |
We have the stall two or three times a year and the rest of it | 0:36:53 | 0:36:55 | |
just goes round the country in the shops. | 0:36:55 | 0:36:58 | |
That's a shame. | 0:36:58 | 0:37:00 | |
You've got a hell of a place here. It's beautiful. | 0:37:00 | 0:37:02 | |
Beautifully hard work. For some. | 0:37:03 | 0:37:06 | |
Well, it beats London. | 0:37:06 | 0:37:07 | |
You ever been? To London? | 0:37:09 | 0:37:11 | |
It's not for me. I'll pass, sight unseen. | 0:37:11 | 0:37:15 | |
Roisin went, though. | 0:37:16 | 0:37:17 | |
I been once. Visiting friends. | 0:37:18 | 0:37:21 | |
When were you there, then? | 0:37:21 | 0:37:24 | |
She wants ice cream, Mam. We made a new convert. | 0:37:24 | 0:37:27 | |
I'll have some sent up to the cottage. | 0:37:27 | 0:37:30 | |
It's a gift. | 0:37:30 | 0:37:32 | |
Well, we'd best get on. | 0:37:32 | 0:37:35 | |
The farm doesn't run itself. | 0:37:35 | 0:37:37 | |
Shame about the rain. For your holiday an' all. | 0:37:42 | 0:37:45 | |
Hello, there. | 0:38:01 | 0:38:04 | |
You lost? | 0:38:04 | 0:38:06 | |
No, I thought I'd get out and explore. | 0:38:06 | 0:38:08 | |
SHE LAUGHS | 0:38:08 | 0:38:10 | |
What's funny? | 0:38:11 | 0:38:12 | |
Oh, it's just a long time ago I had this image in my head of something | 0:38:12 | 0:38:15 | |
and it's funny because it's just happened. | 0:38:15 | 0:38:17 | |
So this is home. | 0:38:21 | 0:38:23 | |
-Yeah. -Where you grew up. | 0:38:23 | 0:38:26 | |
Where you were born. | 0:38:26 | 0:38:28 | |
See over there? | 0:38:28 | 0:38:31 | |
Agnes wants us to build a greenhouse and grow chillies. | 0:38:31 | 0:38:34 | |
What, like, hot chillies? | 0:38:34 | 0:38:36 | |
Next big thing, Kathleen. Adapt and survive, you know? | 0:38:36 | 0:38:40 | |
Yeah, I know all about that. | 0:38:40 | 0:38:43 | |
So...do you see all this as your whole life? | 0:38:43 | 0:38:46 | |
-This farm? -I know it may seem that way. | 0:38:46 | 0:38:49 | |
But Redwater, I don't think it's the be-all and end-all for me. | 0:38:49 | 0:38:54 | |
I think once the new baby's a bit older, | 0:38:54 | 0:38:57 | |
it'll be time for a new adventure, you know. | 0:38:57 | 0:38:59 | |
My auntie Eileen did it, she moved off to America. So... | 0:38:59 | 0:39:02 | |
That'll upset the apple-cart. | 0:39:02 | 0:39:04 | |
I'm the secret black sheep. | 0:39:04 | 0:39:06 | |
I'd like to hear more about your family sometime. | 0:39:08 | 0:39:11 | |
If you fancy meeting up for a drink or...whatever. | 0:39:11 | 0:39:17 | |
Well, yeah, I mean... | 0:39:18 | 0:39:20 | |
Oh, Kathleen, don't take this the wrong way but, erm... | 0:39:20 | 0:39:22 | |
Oh, I'm making you feel uncomfortable. | 0:39:22 | 0:39:24 | |
Oh, no, no, you seem really great and all but I'm not sure. | 0:39:24 | 0:39:27 | |
No, no, I didn't mean it to sound... | 0:39:27 | 0:39:29 | |
No. Of course. Look, I'm just... | 0:39:29 | 0:39:31 | |
I've just come to see the farm. | 0:39:31 | 0:39:33 | |
I'm going to go now... | 0:39:33 | 0:39:35 | |
-I've upset you. -No, no, you haven't upset me. | 0:39:36 | 0:39:38 | |
I don't look at you like that, Andrew. | 0:39:39 | 0:39:41 | |
I'm...I'm just interested in... I dunno...your life here... | 0:39:44 | 0:39:48 | |
I'm sorry. | 0:39:50 | 0:39:52 | |
Here comes Wyatt Earp. | 0:39:53 | 0:39:55 | |
-I don't get that woman one bit. -What did she say? | 0:40:09 | 0:40:12 | |
Asking about me, the farm... | 0:40:13 | 0:40:15 | |
Andy, do me a favour, don't encourage her. | 0:40:19 | 0:40:22 | |
Give those people a wide berth for now. I'm dealing with it. | 0:40:23 | 0:40:27 | |
Dealing with what? What have they done? | 0:40:27 | 0:40:30 | |
It's just a...a misunderstanding. | 0:40:30 | 0:40:33 | |
You don't know them. So how can you say...? | 0:40:34 | 0:40:36 | |
Andrew. Leave it to me. | 0:40:36 | 0:40:40 | |
Enbarr... Hey, beauty. | 0:41:25 | 0:41:27 | |
Has he tired you out? | 0:41:27 | 0:41:29 | |
Ah, to hell with it. | 0:41:34 | 0:41:37 | |
Bloody woman. | 0:41:39 | 0:41:41 | |
Always knows best! | 0:41:43 | 0:41:45 | |
Hey, Tommy. Some proper little flat rocks in here, buddy. | 0:41:47 | 0:41:51 | |
Look, some really good ones... | 0:41:51 | 0:41:53 | |
Tommy? | 0:41:55 | 0:41:56 | |
Tommy? | 0:41:59 | 0:42:00 | |
-Tom - Tommy? -Dad! | 0:42:03 | 0:42:05 | |
Tommy, what are you doing? Right! Just stay where you are! | 0:42:05 | 0:42:08 | |
-Dad! -Stay where you are, buddy. | 0:42:08 | 0:42:11 | |
I-I'm on my way up. | 0:42:11 | 0:42:13 | |
Don't move! Don't move! | 0:42:14 | 0:42:17 | |
It's all right, Tommy. Daddy's coming. | 0:42:21 | 0:42:23 | |
Almost there. | 0:42:32 | 0:42:35 | |
All right, almost there, buddy... OK. | 0:42:35 | 0:42:38 | |
There! I gotcha. | 0:42:44 | 0:42:45 | |
Ah. Here you are. | 0:42:45 | 0:42:48 | |
Good boy. OK, now. | 0:42:48 | 0:42:50 | |
This is what we're going to do. We're going to go down. | 0:42:50 | 0:42:53 | |
No! | 0:42:53 | 0:42:54 | |
You don't want to go down? | 0:42:58 | 0:43:00 | |
No, me neither. | 0:43:02 | 0:43:04 | |
Right, here's the plan. | 0:43:04 | 0:43:05 | |
We're going to go up to the top, all right, buddy? | 0:43:05 | 0:43:08 | |
We're going up to the top. I'm going to help you. | 0:43:08 | 0:43:10 | |
Don't worry about it. I'm going to push you over the top. | 0:43:10 | 0:43:12 | |
-We'll be like superheroes conquering the mountain. Yeah? -All right. | 0:43:12 | 0:43:15 | |
We'll do that, OK? Good boy! OK, don't worry, I'm behind you. | 0:43:15 | 0:43:18 | |
There you go, pal. That's it. | 0:43:18 | 0:43:19 | |
Get your foot in there. | 0:43:26 | 0:43:28 | |
Grab the top, grab the top. | 0:43:28 | 0:43:29 | |
-Ah... -Dad! | 0:43:34 | 0:43:36 | |
Dad? | 0:43:38 | 0:43:39 | |
Just stay away from the edge! | 0:43:40 | 0:43:41 | |
Come on up, mate. | 0:44:03 | 0:44:05 | |
-No! I can't. -Sure you can. | 0:44:05 | 0:44:07 | |
I'm bloody sure I can't! All right! | 0:44:07 | 0:44:09 | |
Alfie...listen to me. I've got this. | 0:44:09 | 0:44:11 | |
-I'm going to...I'm going to fall... -No, you're not. | 0:44:11 | 0:44:14 | |
And I'll tell you why you're not - because I've got this. | 0:44:14 | 0:44:17 | |
All right? Now trust me. | 0:44:17 | 0:44:19 | |
Don't look down. Look at the rock. | 0:44:19 | 0:44:22 | |
All right? Now listen to my voice. | 0:44:22 | 0:44:24 | |
It's an easy climb. Come on. | 0:44:24 | 0:44:26 | |
-It's easy for you to say. -Put your hand up. | 0:44:26 | 0:44:28 | |
Good... Don't look down. | 0:44:30 | 0:44:32 | |
Just look at the rock. | 0:44:32 | 0:44:34 | |
Just look up to me slowly. | 0:44:35 | 0:44:36 | |
No sudden moves. Give me your hand. | 0:44:36 | 0:44:38 | |
Don't let me go. Get my hand. | 0:44:38 | 0:44:40 | |
Yes, I've got you. | 0:44:40 | 0:44:42 | |
I've got you. I'm not letting you go. | 0:44:42 | 0:44:43 | |
You beauty! Yes, yes. Yes. | 0:44:43 | 0:44:45 | |
Yes... Yes! | 0:44:45 | 0:44:48 | |
-Oh, Dermott, Dermott. I love you, man. -Woohoo! | 0:44:48 | 0:44:52 | |
I love you. | 0:44:52 | 0:44:54 | |
I think I'm ready to become a Catholic. | 0:44:56 | 0:44:58 | |
Tommy, come here, bud. | 0:44:58 | 0:45:00 | |
Oh, good boy. | 0:45:00 | 0:45:02 | |
-Alfie? -I'm in here. | 0:45:14 | 0:45:16 | |
Listen! Don't be mad at me, right... | 0:45:16 | 0:45:18 | |
-Kat... -..but I went to see him... -Hang on. -There's something there, I know there is. | 0:45:18 | 0:45:23 | |
I wasn't just imagining it. | 0:45:23 | 0:45:25 | |
Er... | 0:45:25 | 0:45:26 | |
Tommy got into a little bit of trouble on the rocks and | 0:45:26 | 0:45:29 | |
thankfully Dermott was here to help. | 0:45:29 | 0:45:31 | |
-Is he all right? -He's right as rain. | 0:45:31 | 0:45:33 | |
I was just bringing him this, er, | 0:45:33 | 0:45:34 | |
book on fossils and I saw them there on the cliff, so... | 0:45:34 | 0:45:37 | |
Anyway, I'll be getting back. | 0:45:39 | 0:45:41 | |
Yeah. Thanks, Dermott. I appreciate it, mate. | 0:45:41 | 0:45:43 | |
I can confirm you into the Catholic faith | 0:45:43 | 0:45:45 | |
around nine o'clock tomorrow - is that good for you? | 0:45:45 | 0:45:47 | |
Do what? | 0:45:47 | 0:45:49 | |
You...you told me you wanted to become a Catholic. | 0:45:49 | 0:45:51 | |
Alfie, that's a solemn vow. | 0:45:53 | 0:45:54 | |
If you break it, you go to Hell. | 0:45:54 | 0:45:56 | |
I'll take a rain-check, yeah? | 0:45:57 | 0:45:59 | |
Ah! What are you like, eh? | 0:45:59 | 0:46:01 | |
Bye, Kathleen. Say goodbye to Tommy. | 0:46:01 | 0:46:03 | |
He's a brave little boy. | 0:46:03 | 0:46:05 | |
Cheers, Dermott, see you, mate. | 0:46:05 | 0:46:07 | |
Yeah. | 0:46:07 | 0:46:08 | |
What is wrong with you, Kat? | 0:46:10 | 0:46:12 | |
What the hell did you do? | 0:46:12 | 0:46:14 | |
I went to the farm, to see Andrew, | 0:46:14 | 0:46:15 | |
but don't worry, I was really careful. | 0:46:15 | 0:46:17 | |
This is exactly what I was afraid you were going to do. | 0:46:17 | 0:46:20 | |
-What must Dermott think right now? Eh? -Who cares? | 0:46:20 | 0:46:22 | |
This is my son we're talking about here. | 0:46:22 | 0:46:24 | |
No. This is a man that you think is your son | 0:46:24 | 0:46:25 | |
and that is not the same thing! | 0:46:25 | 0:46:26 | |
You get this wrong and we're going to get slung out | 0:46:26 | 0:46:29 | |
of this bloody town! | 0:46:29 | 0:46:30 | |
You... I want to be here, I really do, I want to be here for you. | 0:46:34 | 0:46:40 | |
But, Kat, please don't mess this up. | 0:46:43 | 0:46:45 | |
Oh, it's funny... | 0:46:45 | 0:46:49 | |
It's just as I pictured it. | 0:46:49 | 0:46:52 | |
Do you remember when I said that I was seeing him driving along | 0:46:52 | 0:46:55 | |
on his farm and I'd come rocking up? | 0:46:55 | 0:46:57 | |
Do you know why I've left it so long to come out here? | 0:47:01 | 0:47:04 | |
Because I'm scared. | 0:47:04 | 0:47:05 | |
Not scared of telling him. | 0:47:08 | 0:47:09 | |
I'm not scared of telling him. | 0:47:09 | 0:47:11 | |
I'm just scared of seeing how disappointed he'll be. | 0:47:14 | 0:47:17 | |
In me! | 0:47:20 | 0:47:22 | |
Afternoon. | 0:47:29 | 0:47:31 | |
What's wrong? | 0:47:36 | 0:47:37 | |
I, erm... | 0:47:41 | 0:47:42 | |
Sit down. Sit down. Come on. Come on, grab a seat. | 0:47:43 | 0:47:47 | |
Just talk. It's all good. | 0:47:49 | 0:47:51 | |
It's very difficult. | 0:47:54 | 0:47:55 | |
You can tell me anything, you know that! | 0:47:56 | 0:47:58 | |
Well, I have to do this even if she won't. | 0:48:01 | 0:48:03 | |
You must've noticed there's something odd about them - | 0:48:04 | 0:48:08 | |
the Moons. | 0:48:08 | 0:48:10 | |
I know what it is. | 0:48:10 | 0:48:11 | |
I know why they're here. | 0:48:13 | 0:48:14 | |
Where to start? Where to start? | 0:48:20 | 0:48:23 | |
Peter isn't your real father. | 0:48:28 | 0:48:30 | |
Iris wasn't your birth mother. | 0:48:31 | 0:48:33 | |
Kathleen Moon...she's your mother. | 0:48:33 | 0:48:35 | |
I know this must be impossible to get your head around. | 0:48:44 | 0:48:47 | |
Do you want a moment? | 0:48:47 | 0:48:49 | |
Your mam - I mean, Iris - was expecting. | 0:48:51 | 0:48:53 | |
She was expecting a baby. | 0:48:53 | 0:48:54 | |
But she and Peter, they weren't getting on at all. | 0:48:56 | 0:49:00 | |
So she... She ran off to London and she had me there. | 0:49:00 | 0:49:03 | |
She lost the baby in London. | 0:49:04 | 0:49:09 | |
But Agnes... I don't know | 0:49:10 | 0:49:13 | |
how she persuaded her... | 0:49:13 | 0:49:15 | |
Iris was scared, I guess... | 0:49:17 | 0:49:18 | |
Kathleen's baby was... She was only a kid when she had you. | 0:49:20 | 0:49:24 | |
The convent arranged it all. | 0:49:24 | 0:49:27 | |
So Kathleen had me, | 0:49:27 | 0:49:32 | |
she gave me up... | 0:49:32 | 0:49:34 | |
..and Iris brought me back to Redwater as her own. | 0:49:38 | 0:49:44 | |
And she loved you so much. | 0:49:44 | 0:49:46 | |
And does Dad...? | 0:49:46 | 0:49:48 | |
Does Peter know? | 0:49:52 | 0:49:53 | |
No. | 0:49:57 | 0:49:58 | |
Oh. | 0:50:00 | 0:50:02 | |
Funny old day this has turned out to be. | 0:50:05 | 0:50:07 | |
Now look... I could... | 0:50:11 | 0:50:14 | |
I could mediate between you and her if you wanted it. | 0:50:14 | 0:50:18 | |
Look... | 0:50:21 | 0:50:22 | |
For what it's worth, I always wanted you to know. | 0:50:25 | 0:50:29 | |
But I was outvoted by my wife. | 0:50:29 | 0:50:33 | |
But that's not... I'm not shirking the blame. Mea culpa. | 0:50:34 | 0:50:40 | |
Jesus looked upon Jerusalem and he wept. | 0:50:49 | 0:50:52 | |
What? | 0:50:52 | 0:50:54 | |
We live in a fallen world, Lance. | 0:50:55 | 0:50:57 | |
This must've been so hard for you. | 0:51:15 | 0:51:17 | |
What do you want to do? | 0:51:17 | 0:51:19 | |
Whatever it is, I support you. | 0:51:20 | 0:51:22 | |
Just say it and I'm there all the way. | 0:51:22 | 0:51:25 | |
I'm just going to think and pray on it tonight. | 0:51:25 | 0:51:29 | |
We'll see each other again tomorrow in the morning. | 0:51:29 | 0:51:32 | |
I love you, boy. | 0:51:33 | 0:51:34 | |
So where were you all afternoon? | 0:52:18 | 0:52:20 | |
Just walking. | 0:52:22 | 0:52:23 | |
Agnes. | 0:52:30 | 0:52:31 | |
Lance, you'll make me too warm. | 0:52:34 | 0:52:40 | |
Hey, Enbarr. | 0:53:30 | 0:53:31 | |
Come on, boy, let's you and I go for that ride now. | 0:53:34 | 0:53:38 | |
Dermott...what are you doing? | 0:54:35 | 0:54:37 | |
God, boy, you look shattered. | 0:54:41 | 0:54:43 | |
No sleep. | 0:54:43 | 0:54:45 | |
Do you want to get a coffee? | 0:54:45 | 0:54:47 | |
Come on...let's get out of the sea. | 0:54:49 | 0:54:51 | |
You seen Enbarr anywhere? | 0:54:53 | 0:54:54 | |
We can work this out together. | 0:55:00 | 0:55:03 | |
Trust me. | 0:55:04 | 0:55:06 | |
Take it. | 0:55:12 | 0:55:14 | |
What? | 0:55:15 | 0:55:16 | |
Just eat it, Lance. Eat it. | 0:55:18 | 0:55:21 | |
Are you all right? | 0:55:33 | 0:55:34 | |
What are you doing? | 0:55:40 | 0:55:41 | |
-Don't let go. Save me. -No. | 0:55:47 | 0:55:50 | |
I offer you the Lamb of God, | 0:56:02 | 0:56:03 | |
who takes away the sins of the world. | 0:56:03 | 0:56:06 | |
May Jesus Christ protect you and lead you to eternal life. | 0:56:06 | 0:56:09 | |
I love you too. | 0:56:23 | 0:56:24 | |
And I forgive you. | 0:56:27 | 0:56:28 | |
# She's a rich and rare land | 0:57:30 | 0:57:33 | |
# Oh, she's a warm and bold land | 0:57:33 | 0:57:36 | |
# Oh, she's a true and old land | 0:57:37 | 0:57:40 | |
# This native land of mine. # | 0:57:41 | 0:57:44 |