Browse content similar to Back to the Land. Check below for episodes and series from the same categories and more!
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Neoooow! | 0:00:43 | 0:00:44 | |
Woo-hoo! | 0:00:44 | 0:00:46 | |
Neoooow! | 0:00:46 | 0:00:50 | |
It can't be. | 0:01:12 | 0:01:14 | |
It's a bit late, | 0:01:29 | 0:01:30 | |
but I've got your birthday present. | 0:01:30 | 0:01:34 | |
Go on. | 0:01:37 | 0:01:38 | |
Mum? You know when it's my birthday? | 0:01:51 | 0:01:55 | |
No. | 0:01:55 | 0:01:57 | |
Come on everybody, back to work. | 0:02:38 | 0:02:42 | |
By the left, quick march. | 0:02:59 | 0:03:01 | |
And I'm telling you she won't mind. | 0:03:02 | 0:03:06 | |
That tweed is fabulous! | 0:03:06 | 0:03:09 | |
Just hand it over, there's a good girl. | 0:03:09 | 0:03:13 | |
My lady. | 0:03:14 | 0:03:15 | |
Is there a reason why you're purloining | 0:03:16 | 0:03:18 | |
my dead husband's clothes, Diana? | 0:03:18 | 0:03:20 | |
Just following the make do and mend policy, darling. | 0:03:20 | 0:03:24 | |
There's a little woman in Helmstead who'll turn this into the most divine skirt and jacket. | 0:03:24 | 0:03:29 | |
Words fail me. | 0:03:29 | 0:03:31 | |
You're always on at me about setting an example, | 0:03:31 | 0:03:34 | |
not flaunting our wealth. | 0:03:34 | 0:03:35 | |
My wealth. | 0:03:35 | 0:03:37 | |
Yes, I should be grateful, shouldn't I? | 0:03:37 | 0:03:40 | |
And speaking of fabric, I don't suppose you've spent | 0:03:40 | 0:03:43 | |
-any time acquiring the uniforms for the new land girls? -I've been busy. | 0:03:43 | 0:03:47 | |
-We'll let them work in their underwear, shall we? -I'll do it. | 0:03:47 | 0:03:50 | |
You're always saying you'll help. | 0:03:50 | 0:03:52 | |
Perhaps it's time you faced the music. | 0:03:52 | 0:03:54 | |
Went back to your husband instead? | 0:03:54 | 0:03:56 | |
But I can hardly leave you alone with all that you've been through. | 0:03:56 | 0:04:00 | |
Alone? Half the US military are here in case you hadn't noticed. | 0:04:00 | 0:04:04 | |
-All right, I'll help more if it makes you happy. -Let's hope you do. | 0:04:04 | 0:04:09 | |
Otherwise I may have to pack your bags myself. | 0:04:09 | 0:04:13 | |
Happy birthday. | 0:04:22 | 0:04:24 | |
Just the one candle mind, remember there's a war on. | 0:04:24 | 0:04:27 | |
Still, never thought | 0:04:27 | 0:04:30 | |
you'd | 0:04:30 | 0:04:33 | |
make it this far, did we? There we go, there we are. | 0:04:33 | 0:04:35 | |
Good lad. | 0:04:41 | 0:04:42 | |
-Oi! -Come on. -What? | 0:04:50 | 0:04:52 | |
Over the threshold. Cos' you didn't when we got married. | 0:04:52 | 0:04:55 | |
Oh, don't be daft. | 0:04:55 | 0:04:57 | |
CAR HORNS BEEP | 0:04:57 | 0:05:01 | |
# You leave the Pennsylvania Station 'bout a quarter to four | 0:05:04 | 0:05:07 | |
# Read a magazine and then you're in Baltimore | 0:05:07 | 0:05:10 | |
# Dinner in the diner nothing could be finer | 0:05:10 | 0:05:13 | |
# Than to have your ham and eggs in Carolina | 0:05:13 | 0:05:16 | |
# When you hear the whistle blowing eight to the bar | 0:05:16 | 0:05:18 | |
# Then you know that Tennessee is not very far | 0:05:18 | 0:05:22 | |
# Shovel all the coal in | 0:05:22 | 0:05:24 | |
# Got to keep it rolling | 0:05:24 | 0:05:25 | |
# Woo, woo Chattanooga there you are. # | 0:05:25 | 0:05:28 | |
Hey, baby! | 0:05:28 | 0:05:30 | |
Well, I've seen it all now. | 0:05:31 | 0:05:32 | |
All right sweetheart, give us a hand with my case, will you? | 0:05:32 | 0:05:35 | |
Clear off you lot. Haven't you got barracks to go to? | 0:05:35 | 0:05:38 | |
OK, OK, lady. | 0:05:38 | 0:05:41 | |
-Connie Carter? -The one and only, pleased to meet you. | 0:05:41 | 0:05:44 | |
-She's our new land girl. -Why were you kissing that Yank? | 0:05:44 | 0:05:47 | |
Small price to pay to save walking from the station. | 0:05:47 | 0:05:50 | |
Right, show's over. Come on. | 0:05:50 | 0:05:53 | |
Look, this was only ever a surprise visit. | 0:06:06 | 0:06:09 | |
I've got to get the old crate back to Condover. | 0:06:09 | 0:06:12 | |
Hmm, I suppose. | 0:06:12 | 0:06:15 | |
Il me faut bient't partir, cherie. | 0:06:15 | 0:06:18 | |
-What was that? -Been learning it. In case I meet any French birds. | 0:06:18 | 0:06:22 | |
-Oh! -It's part of the evasion training. | 0:06:22 | 0:06:24 | |
Yeah, well, you can evade those French birds for a start! | 0:06:24 | 0:06:27 | |
Give me a Coventry girl any time. | 0:06:27 | 0:06:29 | |
Glad to hear it. | 0:06:29 | 0:06:31 | |
So when do you have to go? | 0:06:31 | 0:06:33 | |
Soon. Ay, but you know what? I've fixed things so I can swing by | 0:06:33 | 0:06:36 | |
the farm again tomorrow evening, before I go. | 0:06:36 | 0:06:39 | |
Oh, I was planning on reading my Agatha Christie. | 0:06:39 | 0:06:43 | |
And, er before breakfast, I expect the eggs to be collected. | 0:06:48 | 0:06:52 | |
Now we have a rota so it's a different girl | 0:06:52 | 0:06:54 | |
does the honours each day. | 0:06:54 | 0:06:55 | |
And do you have names for all the hens? | 0:06:55 | 0:06:58 | |
It's a working farm, not Winnie the Pooh. | 0:06:58 | 0:07:00 | |
Er, still won't start. | 0:07:00 | 0:07:01 | |
Why doesn't that surprise me? | 0:07:01 | 0:07:04 | |
I don't know why you bought the tractor in the first place. | 0:07:04 | 0:07:05 | |
I wouldn't trust Vernon Storey as far as I could throw him. | 0:07:05 | 0:07:08 | |
Oh, I could have a look. I used to court a mechanic. | 0:07:08 | 0:07:11 | |
Some of it might have rubbed off. His oily hands certainly did. | 0:07:11 | 0:07:14 | |
Yes, well, you've got enough work to do, lady. | 0:07:14 | 0:07:17 | |
Oh, right. | 0:07:17 | 0:07:20 | |
Here's trouble. Come on. | 0:07:20 | 0:07:23 | |
We've already had the post, haven't we? | 0:07:26 | 0:07:28 | |
I'm not here as post mistress, child. I'm here in my other official role. | 0:07:28 | 0:07:32 | |
I have been asked, on behalf of the Parish Council, | 0:07:32 | 0:07:36 | |
to conduct an audit of livestock. | 0:07:36 | 0:07:38 | |
Well, you know what you can do with your audit. | 0:07:38 | 0:07:40 | |
Let's make a start shall we start, Mr Finch? | 0:07:40 | 0:07:43 | |
I'll need your inventory. | 0:07:43 | 0:07:44 | |
We never really talked about having a squadron of our own, did we? | 0:07:49 | 0:07:53 | |
No, war got in the way, didn't it? | 0:07:53 | 0:07:56 | |
And when it's over? | 0:07:56 | 0:07:57 | |
My mum was always on about grandchildren, wasn't she? | 0:08:03 | 0:08:07 | |
Well, she'll be looking down, glad we're talking about it now. | 0:08:07 | 0:08:11 | |
Can you imagine us, old and wrinkly? | 0:08:14 | 0:08:17 | |
House full of children | 0:08:18 | 0:08:21 | |
and grandchildren. | 0:08:21 | 0:08:23 | |
And we're all sat around the table eating Sunday lunch. | 0:08:23 | 0:08:28 | |
Plates are piled high. | 0:08:28 | 0:08:30 | |
Everyone's asking about the time you swept me away in a Tiger Moth. | 0:08:30 | 0:08:35 | |
The war will just be a distant memory, but... | 0:08:37 | 0:08:41 | |
we'll never forget today, will we? | 0:08:41 | 0:08:44 | |
I can't wait. | 0:08:44 | 0:08:47 | |
Well, it'll keep me going every time you go off risking your neck. | 0:08:47 | 0:08:50 | |
Hey, I'll always come back. | 0:08:50 | 0:08:53 | |
How many men have said that to their wives? | 0:08:53 | 0:08:55 | |
Hey. | 0:08:58 | 0:08:59 | |
Time for you to go already? | 0:09:00 | 0:09:02 | |
Hey, it's only au revoir. | 0:09:09 | 0:09:12 | |
We'll say our goodbyes tomorrow. | 0:09:13 | 0:09:15 | |
-General Garwood. -Mr Gillespie. It's a privilege. | 0:09:53 | 0:09:55 | |
Hope it wasn't a problem travelling with the gear myself. | 0:09:55 | 0:09:58 | |
I wanted to keep an eye on these babies all the way. | 0:09:58 | 0:10:01 | |
My men will take the utmost care. They'll be stored in a secure base | 0:10:01 | 0:10:04 | |
and I've requisitioned part of a country estate for a few weeks for testing and planning. | 0:10:04 | 0:10:08 | |
-In Helmstead? -Just outside. | 0:10:08 | 0:10:09 | |
-A place called Hoxley Manor. -Outstanding. -Here, let me. | 0:10:09 | 0:10:13 | |
Is there any news concerning my son? | 0:10:13 | 0:10:17 | |
We're pursuing a number of leads. I'm sure it's just a matter of time. | 0:10:17 | 0:10:20 | |
Make it a priority, | 0:10:20 | 0:10:22 | |
-I've got to be back in Chicago in three weeks, General. -Yes, Sir. | 0:10:22 | 0:10:26 | |
It's nice to see they've trusted you with the wotsit... the audit. | 0:10:28 | 0:10:33 | |
Ay, ay, must have recognised your true talents at last, eh? | 0:10:33 | 0:10:37 | |
Open it. | 0:10:37 | 0:10:40 | |
-Well, there's nothing... -Mr. Finch! | 0:10:40 | 0:10:42 | |
It says here your pigs went to slaughter last week, | 0:10:52 | 0:10:54 | |
why's this pig still here? | 0:10:54 | 0:10:56 | |
It's not a pig, it's Chamberlain. | 0:10:56 | 0:10:58 | |
Unhand me, sir! | 0:11:09 | 0:11:10 | |
What breed is that pig? | 0:11:19 | 0:11:20 | |
-Child? -Large white, Landrace Cross. | 0:11:23 | 0:11:27 | |
By the end of next week | 0:11:27 | 0:11:29 | |
you must surrender that | 0:11:29 | 0:11:31 | |
pig to slaughter. | 0:11:31 | 0:11:34 | |
And it's so cold up there I thought my face was going to freeze. | 0:11:48 | 0:11:52 | |
That explains why it's stuck in that smile. | 0:11:52 | 0:11:54 | |
Most romantic time I ever had involved an ARP warden and a blackout in Bermondsey. | 0:11:54 | 0:11:59 | |
What you writing? | 0:11:59 | 0:12:02 | |
It's a secret. | 0:12:02 | 0:12:04 | |
-So whereabouts in London are you from? -Stepney. In the East End. | 0:12:04 | 0:12:08 | |
-Was your street bombed then? -Best thing that ever happened to it. | 0:12:08 | 0:12:11 | |
I didn't think of it as my street. | 0:12:11 | 0:12:13 | |
It was just where... | 0:12:13 | 0:12:15 | |
I'd been gone a long time by then. | 0:12:15 | 0:12:16 | |
Here, you're not taking this down, are you? | 0:12:16 | 0:12:19 | |
Don't want my words turning up nowhere. | 0:12:19 | 0:12:22 | |
Actually, I'm writing clues. | 0:12:22 | 0:12:25 | |
-Oh, what for? -I'm going to surprise Billy. | 0:12:25 | 0:12:29 | |
-A picnic under his dad's tree. -Sounds dull. | 0:12:29 | 0:12:31 | |
-Dull-ightful. Romantic. -Yeah, it will be. | 0:12:33 | 0:12:37 | |
Billy has to work out the clues and find me. | 0:12:37 | 0:12:40 | |
It'd be easier to let him follow a trail of string, wouldn't it? | 0:12:40 | 0:12:43 | |
-What you going to wear? -I don't know. | 0:12:43 | 0:12:46 | |
After the baby they all need taking out a little bit. | 0:12:46 | 0:12:49 | |
I might have a dress you could borrow. | 0:12:49 | 0:12:51 | |
And maybe a pair of nylons. | 0:12:51 | 0:12:53 | |
-Really? -Used to have a fancy fella in London. He'd get me all sorts. | 0:12:53 | 0:12:56 | |
Hey, hey, my bag. | 0:13:00 | 0:13:04 | |
Doc, I've been looking all over for you. | 0:13:04 | 0:13:09 | |
Finch. Just because a man finds himself in loud disagreement | 0:13:09 | 0:13:15 | |
over the landlord's prices. | 0:13:15 | 0:13:17 | |
I need your help. | 0:13:17 | 0:13:20 | |
The County Show. Is it too late to enter Chamberlain for best pig? | 0:13:20 | 0:13:23 | |
But it's in two days time. | 0:13:23 | 0:13:26 | |
It's his only chance. | 0:13:26 | 0:13:28 | |
See, he's been given a notice for slaughter. | 0:13:28 | 0:13:30 | |
If he can win the County fair, | 0:13:30 | 0:13:32 | |
he'll be considered prime breeding stock, won't he? | 0:13:32 | 0:13:36 | |
Oh, and be exempt from a grisly end. | 0:13:36 | 0:13:39 | |
-Clever. -So? | 0:13:39 | 0:13:44 | |
Mine's a pint? | 0:13:44 | 0:13:47 | |
-No, the pig. -Oh. | 0:13:47 | 0:13:49 | |
I'm sure they'll let him enter late. | 0:13:49 | 0:13:52 | |
-What did he want? -It was... | 0:13:59 | 0:14:02 | |
a medical matter. | 0:14:02 | 0:14:04 | |
Don't lie to me or I'll paint you as guilty as him. | 0:14:04 | 0:14:07 | |
Now, I'll ask you one more time. | 0:14:07 | 0:14:10 | |
Has he worked it out yet? | 0:14:13 | 0:14:15 | |
To be honest, he looks a bit confused. | 0:14:15 | 0:14:18 | |
I told you the clue was too difficult. | 0:14:18 | 0:14:20 | |
"A big tea found with an R for romance." That's obvious. | 0:14:20 | 0:14:23 | |
It is to you cos you know the answer. | 0:14:23 | 0:14:25 | |
Tea with an R is tree! It's tree! | 0:14:25 | 0:14:30 | |
I know the answer. It's your husband you've got to worry about. | 0:14:30 | 0:14:33 | |
You're going to have to tell him. | 0:14:33 | 0:14:35 | |
No, that'll take the fun out of it. | 0:14:35 | 0:14:38 | |
I suppose, he's got until tonight to work it out. | 0:14:38 | 0:14:40 | |
I hope he does. | 0:14:40 | 0:14:42 | |
Last time I planned something, Finch's ferret was under the bed | 0:14:42 | 0:14:45 | |
and he spent all night trying to catch it. | 0:14:45 | 0:14:47 | |
Nearly forgot. | 0:14:47 | 0:14:50 | |
-Oh, thank you so much. -They have got seams! | 0:14:50 | 0:14:53 | |
No cold tea on your legs tonight. | 0:14:53 | 0:14:55 | |
So, your fella? The one in London. | 0:14:55 | 0:14:58 | |
What happened to him? | 0:14:58 | 0:15:00 | |
He's still there. | 0:15:00 | 0:15:02 | |
I'm not. | 0:15:02 | 0:15:04 | |
Right, come on you lot, back to work. | 0:15:04 | 0:15:07 | |
This isn't going to get the hay twined, is it? | 0:15:07 | 0:15:10 | |
And Connie, your uniform hasn't arrived yet. | 0:15:10 | 0:15:13 | |
So you'll have to make do till we get to the Manor. | 0:15:13 | 0:15:17 | |
He's going to be out there for a while. | 0:15:17 | 0:15:19 | |
As far as I'm concerned, you brave boys deserve to use the front door. | 0:15:50 | 0:15:54 | |
-Thank you very much, ma'am. -Thank you. | 0:15:54 | 0:15:56 | |
Lady Hoxley? Pleased to meet you. | 0:15:58 | 0:16:01 | |
That's what I call you, right? | 0:16:01 | 0:16:04 | |
You can call me anything you like. | 0:16:04 | 0:16:06 | |
And whom do I have the pleasure of addressing? | 0:16:06 | 0:16:09 | |
Mr Gillespie, I presume. | 0:16:12 | 0:16:14 | |
If you must smoke in my house, | 0:16:14 | 0:16:16 | |
does it have to smell like you're burning rolled-up carpets? | 0:16:16 | 0:16:20 | |
Ellen Hoxley. | 0:16:20 | 0:16:22 | |
Diana Granville. | 0:16:22 | 0:16:24 | |
My sister. | 0:16:24 | 0:16:26 | |
-Who I'm sure has work to do. -It's all in hand. | 0:16:26 | 0:16:28 | |
Lovely to meet you, Mr Gillespie. | 0:16:28 | 0:16:31 | |
Excuse me, we're ready in the ops room when you are. | 0:16:31 | 0:16:34 | |
Business calls. | 0:16:34 | 0:16:36 | |
Ladies. | 0:16:36 | 0:16:38 | |
What do you think you're doing? | 0:16:43 | 0:16:45 | |
Livening up this mausoleum. | 0:16:45 | 0:16:47 | |
So you grab it in your hand gently. | 0:16:50 | 0:16:53 | |
Ooh blimey. Doesn't feel like I thought it would. | 0:16:53 | 0:16:55 | |
That's what they all say. | 0:16:55 | 0:16:57 | |
Now, between your forefinger and thumb, squeeze. That's it. | 0:16:57 | 0:17:02 | |
So are you, er, doing anything special later? | 0:17:02 | 0:17:05 | |
Just concentrate on what you're doing. | 0:17:05 | 0:17:07 | |
No, silly, I mean you and Bea. | 0:17:07 | 0:17:10 | |
Look, I'll be straight with you. | 0:17:10 | 0:17:12 | |
She is planning a surprise and you've got to pretend that | 0:17:12 | 0:17:15 | |
you're surprised, even though I'm telling you about the surprise, OK? | 0:17:15 | 0:17:17 | |
-What are you talking about? -She's planning a picnic! | 0:17:17 | 0:17:20 | |
-Under your dad's tree. -Well, why's she doing that? | 0:17:20 | 0:17:23 | |
Because... girls need romance. | 0:17:23 | 0:17:26 | |
Look, come here. | 0:17:26 | 0:17:27 | |
You pull her close. | 0:17:27 | 0:17:30 | |
Tell her she's the most beautiful woman in the world. | 0:17:30 | 0:17:33 | |
Go on. Pretend I'm her. | 0:17:33 | 0:17:35 | |
You're the most beautiful woman in the world. | 0:17:37 | 0:17:41 | |
Then you hook your hand around her waist. Go on. | 0:17:41 | 0:17:44 | |
Now hold her close so all you can feel is her heart beat, she looks so | 0:17:44 | 0:17:50 | |
beautiful she takes your breath away and when the moment feels right, | 0:17:50 | 0:17:55 | |
lean in and... | 0:17:55 | 0:17:57 | |
Martin! | 0:18:04 | 0:18:06 | |
-Martin! -What happened? | 0:18:06 | 0:18:09 | |
He's not moving! Why's he not moving? | 0:18:09 | 0:18:11 | |
-Billy? -It was my fault. I opened the gate and just... | 0:18:11 | 0:18:17 | |
caught him. | 0:18:17 | 0:18:18 | |
Martin, sweetheart. | 0:18:18 | 0:18:22 | |
-Is this what they call "taking the air"? -It was. | 0:18:29 | 0:18:33 | |
Are you outside for a reason? | 0:18:37 | 0:18:39 | |
Think I asked first. | 0:18:39 | 0:18:41 | |
No, you didn't. | 0:18:41 | 0:18:43 | |
Well, apologies if I was being kind of cryptic. | 0:18:43 | 0:18:47 | |
Waiting for my car. You? | 0:18:48 | 0:18:51 | |
The same. | 0:18:51 | 0:18:53 | |
Want to save gas and share a ride? | 0:18:53 | 0:18:56 | |
No, thank you. | 0:18:57 | 0:18:59 | |
-I'm going a different way. -Of course. | 0:19:00 | 0:19:04 | |
You should have asked which way I was going first for that to work. | 0:19:06 | 0:19:10 | |
Could be a lot worse. | 0:19:21 | 0:19:25 | |
-Does he have a headache? -Well, why don't you ask him? | 0:19:25 | 0:19:30 | |
It hurts a bit. | 0:19:30 | 0:19:34 | |
-And I'm dizzy. -He took quite a belt. Didn't he, Billy? | 0:19:34 | 0:19:37 | |
Should go in a few days. | 0:19:37 | 0:19:39 | |
Bit of bed, bit of rest and then he'll be playing with his building | 0:19:39 | 0:19:44 | |
-blocks, tickedy boo, right as rain. -He's not three, you know. | 0:19:44 | 0:19:49 | |
-Love? -I'm fine. | 0:19:51 | 0:19:53 | |
You go upstairs and lie down then. | 0:19:53 | 0:19:55 | |
-I'll take him. -Save your legs, Joyce. I'll do it. | 0:19:55 | 0:19:58 | |
Don't you think you've done enough? Joyce. | 0:19:58 | 0:20:02 | |
Well? | 0:20:07 | 0:20:09 | |
It's just a little, a little concussion. | 0:20:09 | 0:20:12 | |
No, it seems more than that, surely? | 0:20:12 | 0:20:15 | |
He can't even remember what happened. | 0:20:15 | 0:20:16 | |
Which, which, which one of us is the, is the doctor, Mrs Reeves? | 0:20:16 | 0:20:22 | |
Hmm? | 0:20:22 | 0:20:26 | |
Chamberlain? | 0:20:31 | 0:20:33 | |
I understand the case has collapsed. | 0:21:02 | 0:21:05 | |
Your Ladyship. | 0:21:05 | 0:21:08 | |
How convenient they can't find the trekker. | 0:21:08 | 0:21:11 | |
That's one of the troubles with them. No fixed abode. | 0:21:11 | 0:21:14 | |
As for Miss Morrell. | 0:21:15 | 0:21:18 | |
She's also proved to be... | 0:21:18 | 0:21:20 | |
untraceable. | 0:21:20 | 0:21:22 | |
Without anyone to dispute my version of events, | 0:21:23 | 0:21:26 | |
there wasn't a case, your ladyship. | 0:21:26 | 0:21:28 | |
Your version? | 0:21:28 | 0:21:31 | |
The truth... | 0:21:31 | 0:21:33 | |
what happened. | 0:21:33 | 0:21:35 | |
And you're the only one who knows. | 0:21:36 | 0:21:39 | |
The only one who was there in the final moments. | 0:21:39 | 0:21:41 | |
Yes. | 0:21:41 | 0:21:43 | |
Which is why I need to hear you say it. | 0:21:46 | 0:21:48 | |
I didn't kill your husband. | 0:21:53 | 0:21:55 | |
You all right, love? | 0:22:19 | 0:22:22 | |
I'm fine. | 0:22:22 | 0:22:23 | |
Do you remember what happened? | 0:22:23 | 0:22:25 | |
-Erm, it's to the bathroom and back today. -Mum! | 0:22:28 | 0:22:31 | |
You heard what Doctor Morgan said. | 0:22:31 | 0:22:35 | |
Now, drink your tea and read your comic. | 0:22:35 | 0:22:39 | |
-Did you get any sleep? -Thanks. | 0:22:45 | 0:22:47 | |
So how is he? | 0:22:54 | 0:22:55 | |
Same. | 0:22:55 | 0:22:58 | |
You know there's been one of his lot in my family | 0:22:58 | 0:23:00 | |
since my great grandfather's day. | 0:23:00 | 0:23:02 | |
He's the closest thing to a brother Billy's ever had. | 0:23:04 | 0:23:07 | |
-I can't lose him, Bea. -You won't. | 0:23:10 | 0:23:13 | |
See, he might just seem like a pig to you. | 0:23:14 | 0:23:18 | |
Someone poisoned him. | 0:23:21 | 0:23:24 | |
Come on. | 0:23:24 | 0:23:27 | |
I know what I know. | 0:23:27 | 0:23:28 | |
So you're here on business? | 0:23:33 | 0:23:36 | |
My sister loves to play the detective. | 0:23:36 | 0:23:39 | |
-Mostly. Yes. -And you must be very important? | 0:23:39 | 0:23:42 | |
-Must I? -Being flown about by the military like that. | 0:23:42 | 0:23:46 | |
Then yes, I'm very important. | 0:23:46 | 0:23:48 | |
And yet you're a civilian. | 0:23:48 | 0:23:50 | |
You could just ask why I'm here. | 0:23:50 | 0:23:51 | |
-And would you tell me? -You don't know until you try. | 0:23:51 | 0:23:54 | |
For goodness sake! Mr Gillespie, why are you here? | 0:23:54 | 0:23:57 | |
I'm head of a company. | 0:23:57 | 0:23:59 | |
We've got a contract to build something | 0:23:59 | 0:24:01 | |
-that everyone's very excited about. -The cocktail shaker! | 0:24:01 | 0:24:04 | |
The proximity fuse. | 0:24:04 | 0:24:07 | |
It's the most amazing innovation in this whole war. | 0:24:07 | 0:24:10 | |
I understand it works with radio waves? | 0:24:10 | 0:24:14 | |
OK, here's your shell. | 0:24:14 | 0:24:17 | |
In the old days, it'd hit the target and explode. | 0:24:17 | 0:24:20 | |
Not that accurate and minimal damage. | 0:24:20 | 0:24:23 | |
Still hurt your head, wouldn't it? | 0:24:23 | 0:24:25 | |
With this, the end of the shell sends out radio waves, | 0:24:25 | 0:24:28 | |
and, as it approaches the target, | 0:24:28 | 0:24:30 | |
the waves bounce back. And when they reach a particular frequency... | 0:24:30 | 0:24:33 | |
There's a big explosion? | 0:24:33 | 0:24:35 | |
Right. | 0:24:35 | 0:24:37 | |
I do love a big bang, don't you, Jack? | 0:24:37 | 0:24:41 | |
You look smart. | 0:24:52 | 0:24:55 | |
I was going to say the same. Have you used all the coupons? | 0:24:55 | 0:24:58 | |
It's Connie's. What do you think? | 0:24:58 | 0:25:02 | |
Nice. | 0:25:02 | 0:25:03 | |
So nice to be alone for a bit, eh? | 0:25:10 | 0:25:13 | |
We've been called in for the night shift. | 0:25:16 | 0:25:19 | |
A Jerry plane came down near Condover and we've got to, | 0:25:19 | 0:25:23 | |
got to search for survivors. | 0:25:23 | 0:25:24 | |
There goes my plan for tonight. | 0:25:27 | 0:25:29 | |
What plan? | 0:25:30 | 0:25:32 | |
You don't need clues for everything, do you? | 0:25:34 | 0:25:37 | |
Finest tonic known to man. | 0:25:41 | 0:25:44 | |
The finest gin known to man. | 0:25:46 | 0:25:49 | |
Thanks, doc. | 0:25:49 | 0:25:51 | |
Will he, erm, | 0:25:51 | 0:25:53 | |
will he make it? | 0:25:53 | 0:25:55 | |
Trust me, | 0:25:55 | 0:25:57 | |
I'm a doctor. | 0:25:57 | 0:25:59 | |
The only place I could find was on the edge of town. | 0:26:04 | 0:26:06 | |
And although I booked a double room, I didn't realise I'd be sharing. | 0:26:06 | 0:26:09 | |
Place is infested with rodents. | 0:26:09 | 0:26:13 | |
Heck, they eat more room service than I do! | 0:26:13 | 0:26:16 | |
-Ghastly. -You can't stay all the way out there in that flea pit. | 0:26:16 | 0:26:21 | |
Well, there's nowhere else. | 0:26:21 | 0:26:22 | |
Believe me, I've knocked on more doors than Joseph and Mary. | 0:26:22 | 0:26:26 | |
Well, there is... another option. | 0:26:26 | 0:26:29 | |
Isn't that right, Ellen? | 0:26:29 | 0:26:31 | |
You can't be serious? | 0:26:31 | 0:26:32 | |
The place is crawling with yanks already. | 0:26:32 | 0:26:34 | |
What difference will one more make? | 0:26:34 | 0:26:36 | |
You'll love it here. | 0:26:36 | 0:26:39 | |
Just get my cigarettes. | 0:26:39 | 0:26:42 | |
You'll have to excuse my sister. | 0:26:46 | 0:26:48 | |
She was dropped on her head as a child. | 0:26:48 | 0:26:52 | |
She's one full-on dame, that's for sure. | 0:26:52 | 0:26:55 | |
I appreciate the offer, | 0:26:58 | 0:27:00 | |
and if you're ever in Chicago... | 0:27:00 | 0:27:04 | |
I don't think I'll be travelling anywhere. | 0:27:04 | 0:27:06 | |
I'm sorry to hear about your husband. | 0:27:08 | 0:27:11 | |
Thank you. | 0:27:11 | 0:27:12 | |
You miss him? | 0:27:15 | 0:27:17 | |
If it's any consolation, I know what you're going through. | 0:27:17 | 0:27:21 | |
Maybe I should take up your offer. | 0:27:24 | 0:27:27 | |
Stay here. Save a lot of time. | 0:27:27 | 0:27:30 | |
It'd mean I could sort out... | 0:27:30 | 0:27:32 | |
everything. What do you think? | 0:27:32 | 0:27:34 | |
Well, I suppose we are allies. | 0:27:36 | 0:27:39 | |
What have I missed? | 0:27:41 | 0:27:43 | |
Were you talking about me? | 0:27:43 | 0:27:46 | |
Joyce may have all the excitement, | 0:27:48 | 0:27:51 | |
but at least I've got you here all | 0:27:51 | 0:27:53 | |
-the time. -Oh, thanks. I think. | 0:27:53 | 0:27:56 | |
No, I don't know what I'd do. | 0:27:56 | 0:27:58 | |
I mean, it's one thing dealing with the baby and living under your dad's | 0:27:59 | 0:28:04 | |
roof when you're here, but if you went away I'd... | 0:28:04 | 0:28:08 | |
Hey, I'm not going anywhere, all right. | 0:28:08 | 0:28:11 | |
And I'll have that back. | 0:28:14 | 0:28:16 | |
Hey. Tomorrow afternoon in the hayloft. | 0:28:19 | 0:28:21 | |
Don't be late. | 0:28:21 | 0:28:24 | |
OK, see you later. | 0:28:24 | 0:28:27 | |
Well, come on, I don't want to miss John. | 0:28:32 | 0:28:34 | |
Oh, but this place is beautiful. | 0:28:34 | 0:28:35 | |
In the home when I was small, | 0:28:35 | 0:28:37 | |
I used to pretend I was a lady in a house like this. | 0:28:37 | 0:28:39 | |
-All this space. And the quiet. -You were in a children's home? | 0:28:39 | 0:28:44 | |
We can't all have parents, you know. | 0:28:44 | 0:28:46 | |
You look lovely, now come on. | 0:28:48 | 0:28:51 | |
And if you require any laundry, please leave it out for Sarah. | 0:28:51 | 0:28:55 | |
Swell. | 0:28:55 | 0:28:56 | |
Mr Gillespie? | 0:28:56 | 0:28:59 | |
I don't want you to feel obliged. | 0:29:00 | 0:29:02 | |
Your sister backing you into a corner over this. | 0:29:02 | 0:29:05 | |
As long as you're house trained, I'm sure it'll be fine. | 0:29:05 | 0:29:09 | |
Ah, Joyce, I wondered if I might have | 0:29:11 | 0:29:13 | |
-a word? -Yes, your ladyship? | 0:29:13 | 0:29:14 | |
I was going to send a messenger, but you'll save me the trip. | 0:29:14 | 0:29:18 | |
-So, are you... a land girl? -What gave it away? | 0:29:18 | 0:29:21 | |
Have you been here for long? | 0:29:21 | 0:29:23 | |
Long enough to get back ache. | 0:29:23 | 0:29:27 | |
-Are there just the two of you? -I thought you Yanks knew everything. | 0:29:27 | 0:29:31 | |
There's a lot I've got to learn. | 0:29:31 | 0:29:33 | |
John's not coming. | 0:29:35 | 0:29:36 | |
He's been called away a day early. | 0:29:36 | 0:29:38 | |
You'll see him soon though, eh? | 0:29:38 | 0:29:40 | |
You don't understand. | 0:29:42 | 0:29:43 | |
We never got to say goodbye. | 0:29:43 | 0:29:44 | |
Afternoon, sleepy head. Did you find anything? | 0:30:07 | 0:30:10 | |
Just a burnt out Jerry plane. Probably no survivors. | 0:30:10 | 0:30:12 | |
That's one bit of good news. | 0:30:12 | 0:30:14 | |
-What do you mean? -Martin has started to remember. | 0:30:14 | 0:30:19 | |
Well, bits of it. He's chirping on about being outside the cow shed. | 0:30:19 | 0:30:23 | |
Have you seen my dad? | 0:30:25 | 0:30:27 | |
With the pig. | 0:30:27 | 0:30:28 | |
Is he well enough to compete? | 0:31:00 | 0:31:01 | |
I hope he's well enough to win. | 0:31:01 | 0:31:03 | |
Otherwise... | 0:31:03 | 0:31:05 | |
Oh, I knew I should have put up that no trespassing sign. | 0:31:05 | 0:31:09 | |
Where are you taking that pig? | 0:31:09 | 0:31:12 | |
-Mind your own. -Can't take him to the show. He's ill. | 0:31:12 | 0:31:15 | |
Oh, and what would you know about that then? | 0:31:15 | 0:31:19 | |
I don't know what you're talking about. | 0:31:19 | 0:31:21 | |
Come a cropper now, haven't you? | 0:31:21 | 0:31:24 | |
-I'm not through yet. -Give it up, woman. | 0:31:24 | 0:31:27 | |
Not letting you cheat people out of food. | 0:31:27 | 0:31:29 | |
Stealing from others, and in times of need. | 0:31:29 | 0:31:33 | |
If those judges knew he didn't officially exist, | 0:31:33 | 0:31:37 | |
they wouldn't let him enter. | 0:31:37 | 0:31:39 | |
There's no time to lose. | 0:31:42 | 0:31:44 | |
I got to get there before she does! | 0:31:44 | 0:31:46 | |
Come on, come on! | 0:31:46 | 0:31:48 | |
Is that one of your dad's? | 0:31:58 | 0:31:59 | |
We'll have to write to him won't we, | 0:32:09 | 0:32:12 | |
tell him about your little accident? | 0:32:12 | 0:32:14 | |
You read it to me, go on. | 0:32:17 | 0:32:19 | |
No, you do it. | 0:32:20 | 0:32:23 | |
I can't see it. | 0:32:23 | 0:32:25 | |
-Chamberlain. Pasture Farm. -Ah yes, late entry. | 0:32:44 | 0:32:47 | |
Go on, go on, lad. | 0:32:49 | 0:32:53 | |
Can be a bit stubborn sometimes. | 0:32:53 | 0:32:55 | |
Check the details. | 0:33:35 | 0:33:37 | |
Back... | 0:33:42 | 0:33:44 | |
back. | 0:33:44 | 0:33:45 | |
Pasture Farm. | 0:33:45 | 0:33:48 | |
Five large white. | 0:33:49 | 0:33:51 | |
One large white. | 0:33:51 | 0:33:53 | |
Well, well, well. | 0:34:01 | 0:34:03 | |
Why can't I go out? | 0:34:40 | 0:34:41 | |
Cos your mum said. Now get your laughing gear round this. | 0:34:41 | 0:34:45 | |
Has anyone seen Billy? | 0:34:47 | 0:34:48 | |
You have used up all the rations in the larder, haven't you? | 0:34:51 | 0:34:55 | |
We live on a farm. | 0:34:55 | 0:34:57 | |
And a little gift for after. | 0:35:00 | 0:35:03 | |
-Thanks. -No, it's, "Gee, thanks!" | 0:35:03 | 0:35:08 | |
You kissed Billy! | 0:35:11 | 0:35:13 | |
Settle, settle down. | 0:35:19 | 0:35:20 | |
Shh, settle down! | 0:35:20 | 0:35:22 | |
And here to announce the winner, | 0:35:22 | 0:35:26 | |
the generous lady who has allowed us | 0:35:26 | 0:35:30 | |
to pitch our tent on her land. | 0:35:30 | 0:35:33 | |
Lady Hoxley. | 0:35:33 | 0:35:36 | |
Come on lad. Come on... | 0:35:39 | 0:35:41 | |
Not now, son. | 0:35:43 | 0:35:44 | |
And | 0:35:46 | 0:35:47 | |
the winner is... | 0:35:47 | 0:35:49 | |
Chamberlain. | 0:35:51 | 0:35:53 | |
You kissed my husband? | 0:36:13 | 0:36:15 | |
Why would I want to do that? | 0:36:15 | 0:36:17 | |
Did you, or didn't you? | 0:36:17 | 0:36:18 | |
All right, but it was just a peck! | 0:36:19 | 0:36:21 | |
You keep your filthy hands off him. | 0:36:21 | 0:36:24 | |
I was trying to help you, stupid. | 0:36:24 | 0:36:26 | |
-Come on. -Oh, go and take a running jump at yourself! | 0:36:26 | 0:36:28 | |
You are making a big mistake, girl. | 0:36:28 | 0:36:30 | |
Stop it, stop it right now. Stop it. | 0:36:34 | 0:36:36 | |
Do you both want to be digging silage till the end of the war? | 0:36:36 | 0:36:40 | |
You stay away from him. | 0:36:40 | 0:36:43 | |
Where's Martin? | 0:36:44 | 0:36:46 | |
I am so proud of you. | 0:36:55 | 0:36:57 | |
Not putting him on your inventory. | 0:37:05 | 0:37:06 | |
That could just be slap dash book keeping. | 0:37:06 | 0:37:09 | |
But actually lying in the Parish records. | 0:37:09 | 0:37:13 | |
That could get you put away for quite some time. | 0:37:13 | 0:37:16 | |
You told me he died at birth. | 0:37:16 | 0:37:18 | |
It's no big crime. | 0:37:18 | 0:37:21 | |
We didn't think he'd pull through. Poorly little thing he was. | 0:37:21 | 0:37:25 | |
-What are you going to do about it? -It's not what I'm going to do. | 0:37:26 | 0:37:30 | |
It's what you're going to do. | 0:37:30 | 0:37:32 | |
From this day forth, you will dance to the Lord's tune. | 0:37:32 | 0:37:37 | |
No more drinking. No more gambling. | 0:37:37 | 0:37:40 | |
No missing church. | 0:37:40 | 0:37:42 | |
No slothfulness. | 0:37:42 | 0:37:45 | |
From now on, you lead a pure life. | 0:37:45 | 0:37:48 | |
You trade so much as a button | 0:37:49 | 0:37:52 | |
and I will send the inventory to the authorities. | 0:37:52 | 0:37:56 | |
You'll be inside, and he'll be pork chops. | 0:37:56 | 0:38:00 | |
Did you find him? | 0:38:12 | 0:38:14 | |
He's ill and you were supposed to keep him in. | 0:38:14 | 0:38:18 | |
Why's it always my fault? Bea went for me but you don't crib at her. | 0:38:18 | 0:38:21 | |
Because she didn't hurt my son and lie about it, did she? | 0:38:21 | 0:38:25 | |
You had better buck your ideas up, girl, or you're going to have me to deal with. | 0:38:25 | 0:38:29 | |
I've half a mind to send you straight back to London. | 0:38:29 | 0:38:32 | |
-Please don't do that. -Give me one good reason. | 0:38:32 | 0:38:35 | |
You won't hear another peep out of me. | 0:38:35 | 0:38:37 | |
Good, well, we'll start tomorrow with a clean slate. | 0:38:39 | 0:38:42 | |
I've got to find my son. | 0:38:42 | 0:38:44 | |
I lost my son. My only son. | 0:38:55 | 0:39:01 | |
He's all I had. | 0:39:02 | 0:39:04 | |
I'm sorry. | 0:39:06 | 0:39:09 | |
He didn't come back from the battle at Kasserine Pass. | 0:39:09 | 0:39:13 | |
Truth is, I could have sent someone else to deliver the munitions, | 0:39:13 | 0:39:17 | |
but I wanted to see Helmstead. | 0:39:17 | 0:39:19 | |
See where he was first stationed, | 0:39:21 | 0:39:23 | |
breathe the same air. | 0:39:26 | 0:39:30 | |
The same place... | 0:39:30 | 0:39:31 | |
father and son. | 0:39:33 | 0:39:35 | |
Here at separate times. | 0:39:37 | 0:39:39 | |
Like different grooves on the same 78. | 0:39:40 | 0:39:44 | |
If there's anything I can do? | 0:39:48 | 0:39:50 | |
Maybe. | 0:39:52 | 0:39:53 | |
He may have got a local girl pregnant. | 0:39:56 | 0:39:59 | |
But I don't know whether she kept the baby or even where she is now. | 0:39:59 | 0:40:03 | |
All I know is that at some point she was here. | 0:40:05 | 0:40:08 | |
And she was a land girl. | 0:40:10 | 0:40:14 | |
Bea? | 0:40:23 | 0:40:25 | |
There's something I need to tell you. | 0:40:25 | 0:40:29 | |
I already know. | 0:40:29 | 0:40:32 | |
Where do you want to start? | 0:40:32 | 0:40:34 | |
The fact that you lied to me? | 0:40:36 | 0:40:38 | |
That you lied to Esther? | 0:40:38 | 0:40:40 | |
Or the fact that your head can be turned by any woman who isn't me? | 0:40:42 | 0:40:47 | |
Come on, William. | 0:40:47 | 0:40:49 | |
According to our source, the fight concerned a local girl. | 0:40:58 | 0:41:02 | |
Does your source know who she is? | 0:41:02 | 0:41:04 | |
He's not the most reliable. | 0:41:04 | 0:41:06 | |
Drink problem. | 0:41:06 | 0:41:07 | |
At the moment, that drunk is the only lead I've got. | 0:41:07 | 0:41:10 | |
So you lean on him. | 0:41:10 | 0:41:11 | |
Find out if he knows something or whether he's just angling for a free drink. Do whatever it takes. | 0:41:11 | 0:41:16 | |
-Do you understand? -Yes, sir. | 0:41:16 | 0:41:20 | |
Hey, he only went and won! | 0:41:34 | 0:41:37 | |
Good to know your priorities. | 0:41:37 | 0:41:39 | |
He's obviously ahead of me in the pecking order. | 0:41:39 | 0:41:42 | |
Don't be daft. | 0:41:42 | 0:41:44 | |
I tried to talk to you earlier, | 0:41:44 | 0:41:47 | |
but, but you didn't have time, did you? | 0:41:47 | 0:41:50 | |
Yeah, well, I had things on me mind. | 0:41:50 | 0:41:53 | |
That makes two of us. | 0:41:53 | 0:41:55 | |
Well, tell me now. | 0:41:57 | 0:41:59 | |
Son? | 0:42:02 | 0:42:04 | |
I got my papers today. | 0:42:08 | 0:42:10 | |
I've been called up. | 0:42:13 | 0:42:15 | |
Martin? | 0:42:20 | 0:42:23 | |
Martin? | 0:42:29 | 0:42:31 | |
TWIG SNAPS | 0:42:37 | 0:42:39 | |
Hello? | 0:42:39 | 0:42:41 | |
Is someone there? | 0:42:43 | 0:42:46 | |
BUCKET CLANGS | 0:42:49 | 0:42:51 | |
# While we're away we dream | 0:43:22 | 0:43:27 | |
# The way all soldiers do | 0:43:27 | 0:43:32 | |
# We dream of loving you | 0:43:32 | 0:43:36 | |
# While we're away | 0:43:36 | 0:43:41 | |
# We dream of loving you | 0:43:41 | 0:43:46 | |
# While we're | 0:43:46 | 0:43:48 | |
# Away. # | 0:43:48 | 0:43:56 | |
Email [email protected] | 0:43:56 | 0:43:59 |