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This programme contains some strong language, | 0:00:02 | 0:00:06 | |
some scenes which some viewers may find upsetting | 0:00:06 | 0:00:11 | |
and some scenes of a sexual nature. | 0:00:11 | 0:00:14 | |
DISTANT SIREN WAILS | 0:00:48 | 0:00:51 | |
HORN, LOUD SIREN | 0:00:58 | 0:01:02 | |
Here, Mrs Flora. | 0:01:32 | 0:01:34 | |
Ooh. | 0:01:34 | 0:01:36 | |
Thank you. Bless you, Rita. | 0:01:36 | 0:01:38 | |
Now he's had his boosters, you can take him to the park | 0:01:50 | 0:01:53 | |
so he can play with his friends. | 0:01:53 | 0:01:55 | |
And, if you ask Amanda nicely, | 0:01:55 | 0:01:57 | |
she'll give him a treat cos he's been brave. | 0:01:57 | 0:01:59 | |
All right? | 0:01:59 | 0:02:00 | |
Go on! | 0:02:00 | 0:02:02 | |
Er, Myra Nicholson? | 0:02:02 | 0:02:03 | |
That's me. | 0:02:03 | 0:02:05 | |
But, er, you can call me Steve. | 0:02:05 | 0:02:08 | |
Hello, Myra. | 0:02:15 | 0:02:17 | |
There we go. | 0:02:18 | 0:02:20 | |
OK. | 0:02:20 | 0:02:21 | |
19's a good age, but her heart's given out. | 0:02:35 | 0:02:38 | |
We should put her to sleep to spare her suffering. | 0:02:39 | 0:02:42 | |
I hadn't realised how long I'd... | 0:02:47 | 0:02:49 | |
Do you need a moment? | 0:02:50 | 0:02:52 | |
No, it's fine. | 0:02:52 | 0:02:53 | |
I hadn't expected to... | 0:03:02 | 0:03:04 | |
CAT MEOWS | 0:03:04 | 0:03:07 | |
Bloody cat! | 0:03:10 | 0:03:12 | |
You know, she resented me from the start. | 0:03:14 | 0:03:17 | |
I'm sorry. | 0:03:19 | 0:03:20 | |
PHONE BEEPS | 0:03:23 | 0:03:25 | |
Ah. | 0:03:49 | 0:03:51 | |
GROANING AND SHOUTING | 0:03:51 | 0:03:54 | |
I'm off now, Mrs Flora. | 0:03:58 | 0:04:00 | |
Oh, goodnight. | 0:04:00 | 0:04:01 | |
-Buona notte. -Buona notte. I left shepherd's pie and broccoli for you. | 0:04:01 | 0:04:05 | |
I turn it down so it doesn't dry out. | 0:04:05 | 0:04:07 | |
-Oh, you spoil me. -Oh! | 0:04:07 | 0:04:09 | |
Home at last, Adam. | 0:04:17 | 0:04:18 | |
Night, Rita. All good with my granny? | 0:04:18 | 0:04:20 | |
Same old, same old. | 0:04:20 | 0:04:22 | |
Well, you could take the food out of the oven. | 0:04:23 | 0:04:26 | |
I love your plate warmer. | 0:04:37 | 0:04:38 | |
What? Don't you mock me! It's generational. | 0:04:38 | 0:04:43 | |
My generation has toast racks and plate warmers | 0:04:43 | 0:04:46 | |
and yours has double espresso machines and dating apps. | 0:04:46 | 0:04:51 | |
How do you know about dating apps? | 0:04:51 | 0:04:53 | |
Oh, you know. Rita's my Google. | 0:04:53 | 0:04:56 | |
By the way, that jacket needs to go to the dry cleaners - | 0:04:57 | 0:05:01 | |
something on the shoulder. | 0:05:01 | 0:05:02 | |
Really? | 0:05:02 | 0:05:04 | |
On the back. | 0:05:04 | 0:05:05 | |
I do hope this is all right. She always over-seasons. | 0:05:13 | 0:05:16 | |
Oh! | 0:05:16 | 0:05:17 | |
You're looking a bit flushed. | 0:05:19 | 0:05:21 | |
It's, er, it's London. | 0:05:21 | 0:05:24 | |
Hm. You're like me. I hate crowds. | 0:05:24 | 0:05:28 | |
Am I like you? | 0:05:28 | 0:05:29 | |
Of course you are. | 0:05:29 | 0:05:31 | |
Dinner with Claudie next week, before her twins arrive. | 0:05:34 | 0:05:38 | |
Oh! | 0:05:38 | 0:05:39 | |
Well, she'll make a better mother than I ever did. | 0:05:42 | 0:05:46 | |
You did all right with me. | 0:05:46 | 0:05:49 | |
I was lucky. Fate gave me a second chance. | 0:05:50 | 0:05:54 | |
My bridge cronies always asking me, "When is he going to settle down?" | 0:05:57 | 0:06:03 | |
and I say to them, "You know, some of us prefer our own company." | 0:06:03 | 0:06:09 | |
That's what I tell them. | 0:06:09 | 0:06:10 | |
WATER RUNS | 0:06:31 | 0:06:34 | |
PHONE BEEPS | 0:06:34 | 0:06:37 | |
RINGING | 0:06:49 | 0:06:51 | |
CLICK | 0:06:51 | 0:06:53 | |
Hi. It's-it's Adam again, from the vet's. | 0:06:53 | 0:06:55 | |
I've brought... | 0:06:55 | 0:06:56 | |
BUZZER | 0:06:56 | 0:06:58 | |
LIFT DINGS | 0:07:00 | 0:07:02 | |
You'd better come in. | 0:07:08 | 0:07:10 | |
Oh, hi. I was expecting Steve. | 0:07:11 | 0:07:12 | |
Of course you were. But I'm Caspar. | 0:07:12 | 0:07:15 | |
Do you live here, too? | 0:07:18 | 0:07:19 | |
I do, rather. | 0:07:19 | 0:07:20 | |
Oh, is that, er..? | 0:07:24 | 0:07:25 | |
Yes. I'm sorry it had to happen when you were away. | 0:07:25 | 0:07:28 | |
Hm. | 0:07:28 | 0:07:29 | |
Well, I have to nip to the post | 0:07:29 | 0:07:31 | |
but you'll find Steve in his study in need of distraction. | 0:07:31 | 0:07:34 | |
Hello? | 0:07:43 | 0:07:45 | |
You can't leave them there. | 0:07:55 | 0:07:56 | |
Oh, hi. | 0:07:56 | 0:07:58 | |
Caspar would have a fit. | 0:07:59 | 0:08:01 | |
Sorry, I... | 0:08:02 | 0:08:03 | |
I just thought I'd drop off Myra's ashes, er, on my way home. | 0:08:03 | 0:08:08 | |
I thought the box was quite nice. | 0:08:13 | 0:08:16 | |
Yeah, but it's not Biedermeier. | 0:08:16 | 0:08:19 | |
Caspar's been known to change hotels if the carpet upsets him. | 0:08:19 | 0:08:23 | |
Er, what are you working on? | 0:08:28 | 0:08:30 | |
A redesign of a perfect flat in Limehouse. | 0:08:30 | 0:08:34 | |
All my work gets undone. | 0:08:34 | 0:08:37 | |
I mean, if you heal a dog, right, it stays healed. | 0:08:37 | 0:08:40 | |
Er, unhappy people can have persistently unhappy pets. | 0:08:41 | 0:08:45 | |
So you're an architect? | 0:08:48 | 0:08:50 | |
No, erm... Caspar swept me off my feet before I qualified. | 0:08:50 | 0:08:55 | |
This place is really quite nice. | 0:08:59 | 0:09:01 | |
Your ten-minute call. | 0:09:02 | 0:09:04 | |
I'm sorry, erm... | 0:09:09 | 0:09:10 | |
So, Tracy and thingy want more bubbly, | 0:09:21 | 0:09:24 | |
and Gavin wants another glass of that stuff he likes. | 0:09:24 | 0:09:26 | |
OK. Who's "thingy"? | 0:09:26 | 0:09:28 | |
You know, the one with the... | 0:09:28 | 0:09:29 | |
-Hey. -Hey! | 0:09:29 | 0:09:33 | |
-You are vast. -I'm a whale. Twins. Nightmare. | 0:09:34 | 0:09:38 | |
What am I saying? It's brilliant! | 0:09:38 | 0:09:40 | |
It suits you. | 0:09:40 | 0:09:41 | |
Well, thank God it turns him on because it's made me so horny. | 0:09:41 | 0:09:44 | |
So, erm... | 0:09:45 | 0:09:46 | |
What? | 0:09:46 | 0:09:48 | |
I wanted to see you properly, but I've done that thing again. | 0:09:48 | 0:09:50 | |
I thought it was just going to be us. | 0:09:50 | 0:09:52 | |
Yeah, I know, but there's someone I want you to meet. | 0:09:52 | 0:09:55 | |
Hi, David. | 0:09:55 | 0:09:56 | |
His name is Dwight, he teaches drama. | 0:09:57 | 0:09:59 | |
CHATTER | 0:10:01 | 0:10:04 | |
So, Adrian. | 0:10:04 | 0:10:05 | |
Adam. | 0:10:05 | 0:10:07 | |
Yeah. How do you know David? | 0:10:07 | 0:10:09 | |
Er, I... Claudie was my girlfriend at uni. | 0:10:09 | 0:10:11 | |
Oh. Oh, but I thought you were... | 0:10:11 | 0:10:14 | |
Yeah, I am. | 0:10:16 | 0:10:18 | |
I turned him. | 0:10:18 | 0:10:20 | |
I love how relaxed you Brits are. | 0:10:22 | 0:10:24 | |
I was told you'd be all uptight and judgmental. | 0:10:24 | 0:10:28 | |
And two doubles with an overtrick. | 0:10:36 | 0:10:38 | |
Oh, that's, erm... Oh, I can't work it out. | 0:10:38 | 0:10:42 | |
Oh, with all this excitement, I've just got to pee. | 0:10:42 | 0:10:44 | |
They've been on two dates now! | 0:10:51 | 0:10:53 | |
What, to the theatre? | 0:10:53 | 0:10:55 | |
No, to a hotel. | 0:10:55 | 0:10:57 | |
She's on some pills. | 0:10:57 | 0:10:59 | |
It certainly helps her card play. | 0:10:59 | 0:11:01 | |
I don't understand. | 0:11:01 | 0:11:03 | |
I was... It was such a relief, when I could quietly give up. | 0:11:03 | 0:11:08 | |
But your Michael died so young. | 0:11:08 | 0:11:10 | |
No, he was 60. | 0:11:10 | 0:11:12 | |
Yes, but... | 0:11:12 | 0:11:13 | |
Oh, I'm just not wired that way. | 0:11:13 | 0:11:15 | |
Never have been. | 0:11:15 | 0:11:17 | |
Hey! | 0:11:35 | 0:11:36 | |
Hey. | 0:11:36 | 0:11:38 | |
We've hardly spoken. | 0:11:38 | 0:11:39 | |
Yeah, er, will you make my apologies, this is my round. | 0:11:39 | 0:11:41 | |
No, it's me you apologise to. | 0:11:41 | 0:11:45 | |
He better be worth it. | 0:11:45 | 0:11:46 | |
Let me see. | 0:11:46 | 0:11:47 | |
Yeah, and his face? | 0:11:49 | 0:11:50 | |
Oh! | 0:11:50 | 0:11:52 | |
Oh, yeah, he's hotter than Dwight. That voice! | 0:11:54 | 0:11:57 | |
It'd be like sleeping with a chainsaw. | 0:11:57 | 0:11:59 | |
Sorry. | 0:11:59 | 0:12:00 | |
I worry about you. That could be anyone. | 0:12:01 | 0:12:04 | |
Is that the cock of a serial killer? | 0:12:04 | 0:12:05 | |
This is so not OK. | 0:12:05 | 0:12:07 | |
You are leaving a table of friends just to fuck a complete stranger. | 0:12:07 | 0:12:10 | |
You used to envy me and now you're judging. | 0:12:10 | 0:12:12 | |
Hell, yes, I'm judging. It's not cool. | 0:12:12 | 0:12:14 | |
It's just weird. | 0:12:14 | 0:12:15 | |
I will give you a full report. | 0:12:15 | 0:12:16 | |
I'm not sure I want you to be godfather. | 0:12:19 | 0:12:21 | |
PHONE BEEPS | 0:12:23 | 0:12:24 | |
PANTING AND GRUNTING | 0:12:40 | 0:12:44 | |
-Ow! -Oh, sorry, sorry. | 0:13:03 | 0:13:05 | |
Yeah. This... | 0:13:07 | 0:13:09 | |
You're-You're very passionate. | 0:13:16 | 0:13:20 | |
Oh, sorry. | 0:13:20 | 0:13:21 | |
No, no, no, don't be stupid. It was hot. | 0:13:21 | 0:13:24 | |
What did you say your name was again? | 0:13:26 | 0:13:28 | |
Oh, I didn't. | 0:13:28 | 0:13:30 | |
Oh, well, I-I'm Bruno. | 0:13:31 | 0:13:34 | |
Hello, Bruno. | 0:13:34 | 0:13:36 | |
I'd like to do that again. | 0:13:38 | 0:13:40 | |
Anything's possible. | 0:13:44 | 0:13:46 | |
Sorry, but, er, after that, I need to go and use the bathroom. | 0:13:52 | 0:13:56 | |
So just, er, play some music, will you, or something? | 0:13:56 | 0:13:58 | |
Where've you gone now? | 0:14:36 | 0:14:39 | |
Just fixing your router. | 0:14:39 | 0:14:40 | |
Oh, can't it wait? | 0:14:40 | 0:14:43 | |
Almost done. | 0:14:43 | 0:14:44 | |
Well, it's really kind of you to get all that kit for me, | 0:14:44 | 0:14:48 | |
but, I mean, apart from e-mails, I never use the internet. | 0:14:48 | 0:14:53 | |
I know. But I do. | 0:14:53 | 0:14:55 | |
-Now, then, you sit down. Eat, while it's still warm. -OK. | 0:14:55 | 0:15:01 | |
Oh, no, not again. She puts chilli in, all the time. | 0:15:26 | 0:15:30 | |
Poor Rita. It's fine. | 0:15:30 | 0:15:32 | |
So, something important, you said. | 0:15:32 | 0:15:33 | |
Um, from the letting agents. | 0:15:33 | 0:15:37 | |
They're not going ahead with the cottage. | 0:15:37 | 0:15:40 | |
Says it's too much work to be done to be lettable. | 0:15:40 | 0:15:43 | |
So, I want to give you that cottage now, rather than you have it later. | 0:15:43 | 0:15:48 | |
You know, it's good for a man to have a project | 0:15:51 | 0:15:54 | |
and it'll get you out of the city. | 0:15:54 | 0:15:57 | |
HE SIGHS | 0:15:58 | 0:16:00 | |
God. Wow. | 0:16:02 | 0:16:05 | |
-Thank you. -Hm. -Thank you! | 0:16:05 | 0:16:08 | |
Oh, come on, there you go, eat while it's still warm, please. | 0:16:10 | 0:16:14 | |
You're a good boy, Merlin, all right, bye-bye. | 0:16:21 | 0:16:24 | |
Hello, Steve. | 0:16:43 | 0:16:45 | |
Yes. Yes, it is. | 0:16:45 | 0:16:46 | |
Er, look, erm, this is really unprofessional, but... | 0:16:46 | 0:16:50 | |
FOOTSTEPS | 0:17:33 | 0:17:35 | |
So, they never actually put central heating in, which is amazing! | 0:17:35 | 0:17:40 | |
There's a proper hole in one of the bedroom floors. | 0:17:40 | 0:17:43 | |
I should probably just sell it, as is. | 0:17:46 | 0:17:48 | |
No, no, no, it's brilliant. | 0:17:48 | 0:17:50 | |
You just have to dig past all the crap. | 0:17:50 | 0:17:52 | |
You...you can't sell. You're not seeing it. Oh... | 0:17:52 | 0:17:56 | |
So, erm, was it like your parents' weekend cottage, or...? | 0:17:59 | 0:18:04 | |
No. We never came here. | 0:18:04 | 0:18:06 | |
Perhaps Flora did before she let it, but I...really don't know. | 0:18:06 | 0:18:10 | |
Right who's...who's Flora? | 0:18:12 | 0:18:14 | |
Oh, my grandmother. Christ. All this depressing junk! | 0:18:14 | 0:18:19 | |
CLANKING | 0:18:19 | 0:18:21 | |
-Oh, that's nice. -You see? | 0:18:21 | 0:18:23 | |
I'd really, really like to do a job like this, Adam. | 0:18:27 | 0:18:30 | |
I... | 0:18:30 | 0:18:32 | |
It's like working on a site with my brothers when I was growing up. | 0:18:32 | 0:18:36 | |
The whole hands-on... | 0:18:39 | 0:18:41 | |
I'm bored of tarting up kitchens! | 0:18:42 | 0:18:45 | |
What would Caspar think of you working outside of London? | 0:18:45 | 0:18:48 | |
Well, we're not joined at the hip and, er, | 0:18:48 | 0:18:54 | |
and he's in Brighton with his latest app-squeeze. | 0:18:54 | 0:18:58 | |
-Oh, really? -Yeah. | 0:18:58 | 0:19:01 | |
You don't mind? | 0:19:01 | 0:19:03 | |
I don't own him. | 0:19:04 | 0:19:05 | |
What? | 0:19:17 | 0:19:19 | |
Do you mind kissing me? | 0:19:21 | 0:19:22 | |
BACKGROUND NOISE FADES TO SILENCE | 0:19:34 | 0:19:37 | |
ADAM SIGHS | 0:19:45 | 0:19:48 | |
Oh... | 0:19:59 | 0:20:01 | |
Am I, er... | 0:20:01 | 0:20:03 | |
-..am I barking up the wrong tree? -No. No. | 0:20:04 | 0:20:08 | |
Whoa! | 0:20:12 | 0:20:14 | |
What? | 0:20:16 | 0:20:17 | |
Well, it's not a porn film, I... | 0:20:17 | 0:20:19 | |
Listen, Adam, | 0:20:20 | 0:20:22 | |
there's a person in these jeans, OK? | 0:20:23 | 0:20:26 | |
I can't... | 0:20:50 | 0:20:51 | |
HE BREATHES HEAVILY | 0:20:51 | 0:20:54 | |
I can't. | 0:20:54 | 0:20:56 | |
This is... I'm sorry. | 0:20:56 | 0:20:59 | |
Sorry. Did I misread...? | 0:21:10 | 0:21:12 | |
-I should sell the place. It's such a lot of work. -Oh. | 0:21:12 | 0:21:15 | |
OK. | 0:21:15 | 0:21:17 | |
I'll make my own way from here. | 0:21:19 | 0:21:21 | |
Really? | 0:21:21 | 0:21:23 | |
Yeah. | 0:21:23 | 0:21:24 | |
I'll pay for your time. | 0:21:26 | 0:21:28 | |
Whatever. | 0:21:28 | 0:21:29 | |
I'll wait! | 0:21:29 | 0:21:30 | |
Adam? How did it go? | 0:21:56 | 0:22:00 | |
You were late back. | 0:22:00 | 0:22:02 | |
I...I took a designer friend with me for a second opinion and, er, | 0:22:02 | 0:22:06 | |
he likes it, but I... | 0:22:06 | 0:22:08 | |
So, is your instinct, what, to sell? | 0:22:08 | 0:22:12 | |
Probably. | 0:22:12 | 0:22:13 | |
-Oh, that's a shame. -I'd better get on. | 0:22:13 | 0:22:16 | |
Perhaps we could... | 0:22:16 | 0:22:17 | |
Scooby's ashes are here when you want to collect them, OK? | 0:22:44 | 0:22:47 | |
All right, bye-bye. | 0:22:47 | 0:22:48 | |
Look, I know you want to sell, | 0:22:54 | 0:22:57 | |
but I couldn't stop thinking of all you could do there. | 0:22:57 | 0:22:59 | |
Can I show you? | 0:22:59 | 0:23:01 | |
Erm, not here. Erm, we've a backlog from this morning. | 0:23:01 | 0:23:05 | |
I finish at five. Erm, er... | 0:23:06 | 0:23:08 | |
There's a cafe down the street. | 0:23:08 | 0:23:10 | |
Er, could you please get me Amy's profile? | 0:23:15 | 0:23:17 | |
I wasn't sure you'd come. | 0:23:37 | 0:23:39 | |
I owe you an apology. For the weekend. I... | 0:23:42 | 0:23:44 | |
It doesn't matter. It was my fault, I... | 0:23:44 | 0:23:48 | |
Anyway... | 0:23:48 | 0:23:50 | |
Do what you like with these. | 0:23:50 | 0:23:52 | |
May even help you to sell it | 0:23:52 | 0:23:53 | |
if you can get someone to see past the hideous wallpaper... I'm talking too much. | 0:23:53 | 0:23:57 | |
Sorry. | 0:23:57 | 0:23:59 | |
I'll shut up. | 0:23:59 | 0:24:00 | |
These are beautiful. Seriously. | 0:24:07 | 0:24:10 | |
Thank you. | 0:24:12 | 0:24:14 | |
I was a prat on Sunday. | 0:24:18 | 0:24:20 | |
I'm not used to, erm... | 0:24:22 | 0:24:23 | |
..you know. | 0:24:26 | 0:24:27 | |
No, but... | 0:24:28 | 0:24:30 | |
Er, thanks for doing these. | 0:24:38 | 0:24:39 | |
I don't know what I want to do with the cottage, | 0:24:39 | 0:24:42 | |
but I should pay you. | 0:24:42 | 0:24:45 | |
That's fine. Erm... | 0:24:45 | 0:24:47 | |
They're a present. | 0:24:47 | 0:24:49 | |
Call me, er... | 0:24:49 | 0:24:50 | |
..if you change your mind, or whatever. | 0:24:52 | 0:24:54 | |
Coffee? | 0:25:15 | 0:25:16 | |
Thanks. | 0:25:16 | 0:25:17 | |
I saw Adam Berryman again today. | 0:25:28 | 0:25:30 | |
I want to do that cottage, Caspar. | 0:25:34 | 0:25:36 | |
Well, what about Hugo's new place? | 0:25:36 | 0:25:39 | |
Hugo needs therapy, not new taps. | 0:25:39 | 0:25:41 | |
It'll be a great opportunity for me. | 0:25:43 | 0:25:45 | |
But countryside, country people... | 0:25:46 | 0:25:50 | |
You're probably right to sell it. | 0:25:55 | 0:25:57 | |
Gin! | 0:26:02 | 0:26:03 | |
Gin again. | 0:26:05 | 0:26:06 | |
Who did you go with? | 0:26:12 | 0:26:14 | |
A friend I made through work. | 0:26:16 | 0:26:19 | |
Steve. | 0:26:19 | 0:26:21 | |
PHONE CLICKS | 0:26:40 | 0:26:43 | |
Hi. | 0:27:07 | 0:27:09 | |
Hey, boss. | 0:27:09 | 0:27:10 | |
Someone's happy. | 0:27:10 | 0:27:11 | |
Like you wouldn't believe! | 0:27:11 | 0:27:13 | |
I'm not redesigning another high-end kitchen. | 0:27:13 | 0:27:15 | |
I'm in heaven! | 0:27:15 | 0:27:17 | |
So... | 0:27:17 | 0:27:18 | |
You skiving? | 0:27:21 | 0:27:22 | |
Er... | 0:27:22 | 0:27:23 | |
Saturday surgery is only short and they owe me so much leave. | 0:27:25 | 0:27:28 | |
Good. | 0:27:28 | 0:27:30 | |
PHONE BEEPS | 0:27:30 | 0:27:32 | |
Mr Popular. | 0:27:33 | 0:27:35 | |
Trust me. | 0:27:36 | 0:27:37 | |
Living with Caspar, I could write a thesis on sex addiction. | 0:27:38 | 0:27:43 | |
So...was your dad tough on you? | 0:27:45 | 0:27:48 | |
Erm, let's just say his model of masculinity wasn't exactly | 0:27:48 | 0:27:53 | |
Lord Berners. | 0:27:53 | 0:27:55 | |
You've no idea who that is. | 0:27:55 | 0:27:56 | |
-LAUGHS: -No. | 0:27:56 | 0:27:57 | |
Just tell me that you can't explain the offside rule. | 0:27:59 | 0:28:03 | |
If you're closer to your opponents' goal line than both the ball and... | 0:28:03 | 0:28:06 | |
I so had you there. | 0:28:06 | 0:28:07 | |
ADAM LAUGHS | 0:28:07 | 0:28:09 | |
Bitch! | 0:28:09 | 0:28:11 | |
If beds could talk, eh? | 0:28:12 | 0:28:14 | |
I'm sure this had a quiet and blameless life. | 0:28:14 | 0:28:17 | |
It's getting late. | 0:28:33 | 0:28:36 | |
I should go. | 0:28:36 | 0:28:37 | |
Well, I got a lot more done with you here, so... | 0:28:40 | 0:28:43 | |
It's only Sunday tomorrow. | 0:28:45 | 0:28:47 | |
Or do you have a hot date? | 0:28:48 | 0:28:49 | |
That old sofa, erm, folds out into a bed, of sorts. | 0:28:52 | 0:28:56 | |
Oh, this is so good. How did you...? | 0:29:05 | 0:29:08 | |
Pepper, salt, lemon... | 0:29:09 | 0:29:13 | |
It's just steak! | 0:29:13 | 0:29:15 | |
Do you both cook? | 0:29:16 | 0:29:17 | |
What? | 0:29:20 | 0:29:22 | |
Sorry. Erm, yes, we both enjoy cooking when we're in. | 0:29:22 | 0:29:27 | |
Thanks. We go out...a lot. | 0:29:27 | 0:29:30 | |
Do you mind me asking you all these questions? | 0:29:32 | 0:29:35 | |
I never get a chance to... | 0:29:35 | 0:29:36 | |
Stick around long enough to make conversation? | 0:29:36 | 0:29:38 | |
I'm sorry. That was mean. | 0:29:38 | 0:29:40 | |
Erm... | 0:29:40 | 0:29:42 | |
You're not even out, are you? | 0:29:43 | 0:29:45 | |
I bet you've still not told your granny. | 0:29:47 | 0:29:50 | |
Oh, Flora is so not a granny. | 0:29:50 | 0:29:51 | |
Not in so many words. She's... | 0:29:57 | 0:29:59 | |
..she's never invited confidences. | 0:29:59 | 0:30:01 | |
And you're scared she'd... | 0:30:05 | 0:30:06 | |
I, erm... I-I-I don't know. | 0:30:10 | 0:30:13 | |
Is that rain? | 0:30:15 | 0:30:16 | |
No. | 0:30:19 | 0:30:20 | |
This is nice. | 0:30:29 | 0:30:30 | |
Yeah. | 0:30:33 | 0:30:34 | |
-Steve. -Yeah? -It's a picture. | 0:31:22 | 0:31:24 | |
Yeah. No. erm, you have grease on your hands. | 0:31:26 | 0:31:30 | |
Oh. | 0:31:30 | 0:31:31 | |
You're better off just blowing. Close your eyes. | 0:31:31 | 0:31:34 | |
One, two, three. | 0:31:34 | 0:31:37 | |
Wow. | 0:31:41 | 0:31:42 | |
HE SIGHS | 0:31:46 | 0:31:47 | |
KNOCK ON DOOR Adam, can I come in? | 0:31:49 | 0:31:51 | |
Hm, come in. | 0:31:51 | 0:31:52 | |
Now, erm... | 0:32:07 | 0:32:10 | |
No, you're...you're going to spoil your appetite if you eat all this. | 0:32:10 | 0:32:14 | |
Oh, no, I've been working so hard all weekend, I'm starving. | 0:32:14 | 0:32:17 | |
Steve has a real vision for how we can... | 0:32:20 | 0:32:24 | |
Now, doesn't he have a life in London? | 0:32:24 | 0:32:27 | |
Er, no. Well, it's complicated. | 0:32:27 | 0:32:29 | |
He has Caspar. | 0:32:29 | 0:32:32 | |
Erm, an art dealer, but they're what Steve calls semidetached, so... | 0:32:32 | 0:32:36 | |
SHE LAUGHS | 0:32:38 | 0:32:41 | |
I have to show you this. | 0:32:41 | 0:32:42 | |
We found it in the cupboard. | 0:32:42 | 0:32:45 | |
I thought it was really rather lovely, you know. | 0:32:45 | 0:32:47 | |
It might have been... | 0:32:47 | 0:32:49 | |
I don't remember that. | 0:32:55 | 0:32:57 | |
It must have belonged to the Brewers. | 0:32:57 | 0:32:59 | |
Well, it's addressed to you and Grandpa. | 0:32:59 | 0:33:03 | |
"To Flora and Michael | 0:33:03 | 0:33:05 | |
"in the hope the enclosed might one day hang | 0:33:05 | 0:33:07 | |
"in your drawing room. | 0:33:07 | 0:33:08 | |
"Thomas." | 0:33:08 | 0:33:10 | |
Who was Thomas? | 0:33:10 | 0:33:11 | |
Oh, he was a friend of your grandfather's. | 0:33:11 | 0:33:15 | |
But we didn't like the picture and, erm, | 0:33:18 | 0:33:21 | |
we put it away, chucked it out. | 0:33:21 | 0:33:24 | |
Why did you just pretend that you...? | 0:33:36 | 0:33:38 | |
I can forgive. | 0:33:42 | 0:33:44 | |
Hm... It's how you're made. | 0:33:46 | 0:33:48 | |
I wish you would be discreet, | 0:33:48 | 0:33:52 | |
but of course, that's my age. | 0:33:52 | 0:33:55 | |
What? | 0:33:55 | 0:33:57 | |
You and the man. | 0:33:57 | 0:33:58 | |
There's nothing between... There's nothing... | 0:33:58 | 0:34:01 | |
Well, I never expected when I gave you the cottage | 0:34:01 | 0:34:05 | |
that you'd turn it into somewhere that you'd bring your latest... | 0:34:05 | 0:34:08 | |
-Stop. -..pick-up. -Just stop, right there. | 0:34:08 | 0:34:10 | |
-You're using your father's money... -Just stop! | 0:34:12 | 0:34:15 | |
I'm 34 years old. | 0:34:15 | 0:34:17 | |
And I'm still hiding in your basement. | 0:34:17 | 0:34:19 | |
Is it any wonder...? | 0:34:19 | 0:34:20 | |
It's no business of yours who I fuck. | 0:34:24 | 0:34:27 | |
I don't need to hear this. | 0:34:27 | 0:34:29 | |
I'm sorry. Silly of me to forget | 0:34:29 | 0:34:31 | |
that anything below the neck disgusts you! | 0:34:31 | 0:34:33 | |
I mean, do you ever lose control? | 0:34:33 | 0:34:36 | |
-What do you mean? -Well, did you ever need to give yourself... | 0:34:37 | 0:34:40 | |
I loved your grandfather! | 0:34:40 | 0:34:42 | |
Yes, but passion! | 0:34:42 | 0:34:44 | |
Yes! | 0:34:44 | 0:34:46 | |
I loved him! | 0:34:46 | 0:34:47 | |
With passion! | 0:34:49 | 0:34:50 | |
Shit! | 0:34:52 | 0:34:54 | |
All right. You win. | 0:34:58 | 0:35:00 | |
I've been ashamed...all my life. | 0:35:02 | 0:35:06 | |
-And I wonder why that was! -Yes, you should be ashamed. | 0:35:06 | 0:35:09 | |
Because it is terrible, it's disgusting to live | 0:35:09 | 0:35:12 | |
with other people, as if you were animals. | 0:35:12 | 0:35:15 | |
Animals? | 0:35:16 | 0:35:18 | |
Yes! ANIMALS! | 0:35:18 | 0:35:21 | |
Argh! | 0:35:21 | 0:35:22 | |
I always feel as if I'm in the wrong. It's not fair. | 0:35:29 | 0:35:33 | |
RINGING | 0:35:41 | 0:35:43 | |
Come on, Steve, come on. | 0:35:46 | 0:35:47 | |
-ANSWERING SERVICE: -The person you are calling is not available. | 0:35:47 | 0:35:50 | |
Shit! | 0:35:50 | 0:35:51 | |
Fuck! | 0:35:56 | 0:35:57 | |
MOTOR STARTS | 0:35:59 | 0:36:01 | |
# We are strong | 0:36:05 | 0:36:07 | |
# We're not looking for where we belong | 0:36:07 | 0:36:10 | |
# We're not cool... # | 0:36:10 | 0:36:12 | |
Have you got somewhere we can go that isn't halfway to Gatwick? | 0:36:18 | 0:36:21 | |
-Yeah. -Good. | 0:36:21 | 0:36:23 | |
-PHONE BEEPS -You want another drink? | 0:36:23 | 0:36:25 | |
Where do you think you're going? | 0:36:30 | 0:36:31 | |
If that was you. Here I am. | 0:36:33 | 0:36:35 | |
Let's go. | 0:36:35 | 0:36:37 | |
No, mate. | 0:36:38 | 0:36:40 | |
Well, what are you waiting for? Fuck off. | 0:36:40 | 0:36:44 | |
MAN URINATES | 0:36:48 | 0:36:51 | |
HE SCOFFS You want some? | 0:36:55 | 0:36:57 | |
Ah, yes, that's right, take it. | 0:37:04 | 0:37:06 | |
-MUFFLED: -No... Fuck! | 0:37:06 | 0:37:09 | |
ADAM CHOKES | 0:37:09 | 0:37:12 | |
CAR APPROACHES | 0:38:01 | 0:38:02 | |
CAR DOOR CLOSES | 0:38:08 | 0:38:10 | |
BANGING ON DOOR | 0:38:13 | 0:38:14 | |
Hey, I...I'm sorry. I didn't know where else to go. | 0:38:17 | 0:38:20 | |
I-I had a huge row with... | 0:38:20 | 0:38:22 | |
and then I... I'm sorry. | 0:38:22 | 0:38:24 | |
It's your place. | 0:38:24 | 0:38:25 | |
God, I must stink. I need a shower. | 0:38:25 | 0:38:28 | |
I-I-I left a message at work. | 0:38:28 | 0:38:30 | |
I've taken tomorrow off. I'm sorry for waking you. | 0:38:30 | 0:38:33 | |
-Even the shower's not working. -Oh, shit. -New pump comes tomorrow... | 0:38:33 | 0:38:36 | |
Yeah, I-I... The sink is fine. Just go to bed. | 0:38:36 | 0:38:38 | |
-Have you...? -Go to bed. | 0:38:38 | 0:38:40 | |
RAPID SCRUBBING | 0:38:49 | 0:38:52 | |
SCRUBBING CONTINUES | 0:39:09 | 0:39:12 | |
ADAM SIGHS | 0:39:36 | 0:39:38 | |
It's OK. | 0:39:40 | 0:39:41 | |
It's not OK. | 0:39:42 | 0:39:43 | |
It'll be OK. | 0:39:46 | 0:39:47 | |
Here. | 0:39:55 | 0:39:57 | |
Don't you want to talk? | 0:40:13 | 0:40:15 | |
I wouldn't know where to start. | 0:40:21 | 0:40:22 | |
OK. | 0:40:25 | 0:40:26 | |
-WHISPERS: -Bloody hell. Bloody hell. | 0:41:06 | 0:41:11 | |
-I'm sorry, I... -Shh, shh. | 0:41:21 | 0:41:23 | |
I don't think I can. | 0:41:24 | 0:41:25 | |
Could you just hold me... | 0:41:30 | 0:41:31 | |
..until I sleep? | 0:41:33 | 0:41:34 | |
Sure. | 0:41:38 | 0:41:40 | |
ADAM SIGHS | 0:41:40 | 0:41:42 | |
Sure. | 0:41:43 | 0:41:44 | |
BIRDS CHIRP | 0:42:01 | 0:42:04 | |
HE SIGHS | 0:42:25 | 0:42:27 | |
HE SIGHS | 0:42:42 | 0:42:44 | |
So, what happens now? | 0:42:56 | 0:42:58 | |
I want you. | 0:43:01 | 0:43:03 | |
But I'm going to have to tell him. | 0:43:05 | 0:43:08 | |
I don't do casual. I-I can't do app sex. | 0:43:08 | 0:43:11 | |
I need more. | 0:43:13 | 0:43:14 | |
OK. | 0:43:34 | 0:43:35 | |
No, really, I ca... | 0:43:37 | 0:43:39 | |
..I can't share you. | 0:43:40 | 0:43:42 | |
Look. Deleted it. | 0:43:54 | 0:43:56 | |
It's just going to feel weird me...me paying you... | 0:44:14 | 0:44:17 | |
No. You're just humping the help. | 0:44:17 | 0:44:19 | |
-I will tell you when it gets weird. -Yeah? | 0:44:21 | 0:44:24 | |
The trouble with open relationships is | 0:44:38 | 0:44:40 | |
they don't end with a satisfying, plate-smashing row. | 0:44:40 | 0:44:44 | |
They just become about coffee beans and cat litter. | 0:44:44 | 0:44:48 | |
Yeah. | 0:44:52 | 0:44:54 | |
He is so inexperienced. | 0:44:59 | 0:45:00 | |
Oh, is that what they call it nowadays? | 0:45:00 | 0:45:02 | |
You know what I mean. | 0:45:02 | 0:45:04 | |
CASPAR CHUCKLES | 0:45:04 | 0:45:06 | |
Just promise me you don't think you can save him from himself. | 0:45:08 | 0:45:12 | |
You saved me. | 0:45:16 | 0:45:17 | |
You just needed pointing in the right direction. | 0:45:20 | 0:45:22 | |
Oh, it was a lovely send-off - perfect music | 0:45:29 | 0:45:33 | |
and readings by all the grandchildren. | 0:45:33 | 0:45:36 | |
Oh, but we all knew that relations had broken down | 0:45:38 | 0:45:41 | |
between her and their parents years ago. | 0:45:41 | 0:45:44 | |
You're lucky Adam's so close. | 0:45:46 | 0:45:49 | |
Yes, I am, aren't I? | 0:45:49 | 0:45:52 | |
Flora? | 0:45:58 | 0:45:59 | |
Oh, sorry. Miles away. Where are we? | 0:46:01 | 0:46:05 | |
Agnes passed, I opened a heart and Geraldine said two clubs. | 0:46:05 | 0:46:10 | |
Are you quite well, dear? | 0:46:15 | 0:46:17 | |
Thank you. | 0:46:28 | 0:46:29 | |
DISTANT LAUGHTER | 0:46:39 | 0:46:42 | |
SHE SIGHS | 0:46:44 | 0:46:46 | |
LAUGHTER RESUMES | 0:46:55 | 0:46:58 | |
-CASPAR: -You are a mysterious... | 0:47:03 | 0:47:05 | |
GLASSES CLINK | 0:47:05 | 0:47:08 | |
Look, I just want to say, I am so happy that you are all able | 0:47:08 | 0:47:12 | |
to help us celebrate finally getting sewage mains. | 0:47:12 | 0:47:16 | |
Erm, but seriously, erm, | 0:47:16 | 0:47:19 | |
it's good to meet Adam's surprisingly wholesome friends. | 0:47:19 | 0:47:24 | |
And, er, and I just... | 0:47:24 | 0:47:26 | |
You didn't tell me you were inviting Flora. | 0:47:26 | 0:47:28 | |
Flora! | 0:47:28 | 0:47:29 | |
Hi! | 0:47:29 | 0:47:31 | |
Hello. | 0:47:34 | 0:47:35 | |
I'm sorry, I should have rung. | 0:47:43 | 0:47:45 | |
D-Don't be silly. | 0:47:46 | 0:47:48 | |
It's good to see you. | 0:47:50 | 0:47:51 | |
Yes. | 0:47:55 | 0:47:57 | |
I came to bring you this. | 0:47:57 | 0:47:59 | |
Well, it belongs here. With you. | 0:48:01 | 0:48:03 | |
Thank you. | 0:48:14 | 0:48:15 | |
Come and meet Steve. | 0:48:20 | 0:48:21 | |
They're so sweet when they're new. | 0:48:27 | 0:48:30 | |
When they're sleeping. Or they've just been fed, yeah. | 0:48:30 | 0:48:33 | |
THEY LAUGH | 0:48:33 | 0:48:35 | |
Steve's a honey. | 0:48:39 | 0:48:41 | |
-You must be really glad Adam's finally met someone. -Hm. | 0:48:42 | 0:48:46 | |
He's very... | 0:48:46 | 0:48:48 | |
I-I'm trying to adjust, | 0:48:49 | 0:48:52 | |
Claudie, I can't turn overnight into a liberal. | 0:48:52 | 0:48:55 | |
This is rather good, you know. March has become very collectable. | 0:48:55 | 0:49:00 | |
Oh, I see. | 0:49:00 | 0:49:01 | |
I wish I hadn't told Michael to throw away his painting. | 0:49:03 | 0:49:08 | |
So how well did you know Thomas March? | 0:49:08 | 0:49:10 | |
Not at all well. | 0:49:10 | 0:49:12 | |
They were at school together and in the Army. | 0:49:12 | 0:49:15 | |
"To Flora and Michael, in the hope that one day the enclosed | 0:49:17 | 0:49:20 | |
"might hang in your drawing room." | 0:49:20 | 0:49:22 | |
What was enclosed with it? | 0:49:22 | 0:49:24 | |
Oh, Thomas was probably drunk. | 0:49:24 | 0:49:27 | |
He must have meant the painting. | 0:49:27 | 0:49:30 | |
Can I have some wine? | 0:49:30 | 0:49:31 | |
Yes, of course. | 0:49:31 | 0:49:32 | |
Would you mind? I think there's something peculiar about the frame | 0:49:32 | 0:49:36 | |
-There is? -Something odd going on. | 0:49:36 | 0:49:38 | |
And it's just a hunch. | 0:49:38 | 0:49:40 | |
Oh, my goodness. | 0:49:41 | 0:49:42 | |
Yeah. There's definitely a second painting under there. | 0:49:54 | 0:49:57 | |
WHISTLING | 0:50:01 | 0:50:03 | |
It's Grandpa, isn't it? | 0:50:08 | 0:50:10 | |
SHE WHIMPERS | 0:50:15 | 0:50:17 | |
Hey, it's OK. Hey... | 0:50:17 | 0:50:20 | |
Here. | 0:50:34 | 0:50:35 | |
I thought I'd won. | 0:50:45 | 0:50:46 | |
Won what? | 0:50:50 | 0:50:52 | |
His love. | 0:50:52 | 0:50:53 | |
But Thomas March loved Michael, | 0:50:56 | 0:50:58 | |
and Michael loved Thomas March. | 0:50:58 | 0:51:01 | |
Grandpa was gay. | 0:51:04 | 0:51:07 | |
Yes. | 0:51:07 | 0:51:08 | |
Grandpa was gay. | 0:51:10 | 0:51:12 | |
He loved me, but he married me to be like everybody else. | 0:51:16 | 0:51:22 | |
How did you find out? | 0:51:24 | 0:51:26 | |
Oh, his love letters. | 0:51:26 | 0:51:28 | |
They were beautiful. | 0:51:28 | 0:51:29 | |
And I burnt them. | 0:51:29 | 0:51:31 | |
You burnt them? | 0:51:34 | 0:51:35 | |
I was angry and scared that Michael would be sent to prison. | 0:51:36 | 0:51:41 | |
Thomas was. | 0:51:41 | 0:51:43 | |
I thought I'd won. | 0:51:46 | 0:51:47 | |
I ruined both of their lives. | 0:52:01 | 0:52:04 | |
They hurt you, too. | 0:52:09 | 0:52:10 | |
WHISPERS: Yes. | 0:52:16 | 0:52:18 | |
I wish I'd known him. | 0:52:32 | 0:52:33 | |
Oh, thank you. | 0:52:48 | 0:52:49 | |
Could you ever imagine... | 0:53:00 | 0:53:02 | |
What? | 0:53:06 | 0:53:07 | |
..having kids with me? | 0:53:09 | 0:53:11 | |
I so could. | 0:53:14 | 0:53:16 | |
I got so broody today with those twins around. | 0:53:20 | 0:53:23 | |
Me, too. | 0:53:23 | 0:53:25 | |
Thanks for making today so special. | 0:53:29 | 0:53:31 | |
Teamwork. | 0:53:33 | 0:53:35 | |
PHONE BEEPS | 0:53:37 | 0:53:39 | |
I'm so sorry. It's just I... | 0:53:42 | 0:53:45 | |
Wished you'd left it on silent? | 0:53:45 | 0:53:46 | |
I did delete it. | 0:53:46 | 0:53:48 | |
Yeah, but then you put it... | 0:53:48 | 0:53:49 | |
Steve, it's a habit. | 0:53:51 | 0:53:53 | |
I didn't... I haven't... | 0:53:55 | 0:53:56 | |
OK. | 0:53:58 | 0:54:00 | |
Steve? Steve! | 0:54:00 | 0:54:01 | |
Hey, Steve, come on! Steve?! | 0:54:01 | 0:54:04 | |
PHONE BEEPS | 0:54:10 | 0:54:12 | |
Shit! | 0:54:12 | 0:54:13 | |
-SHOUTS: -Shit! | 0:54:16 | 0:54:18 | |
HE BREATHES HEAVILY | 0:54:35 | 0:54:38 | |
My God, are you all right? | 0:54:38 | 0:54:40 | |
What's happened? | 0:54:40 | 0:54:43 | |
What's happened? Are you hurt? | 0:54:43 | 0:54:44 | |
HE SOBS Come on. | 0:54:44 | 0:54:47 | |
Come on now. Now, let's sit down. | 0:54:48 | 0:54:51 | |
Here we go. There we go. | 0:54:53 | 0:54:55 | |
I'm sorry. He left me. | 0:54:55 | 0:54:59 | |
Oh... | 0:54:59 | 0:55:00 | |
It's all my fault. | 0:55:00 | 0:55:02 | |
It's all my fucking-around fault. | 0:55:02 | 0:55:04 | |
Weren't you...weren't you happy together? | 0:55:04 | 0:55:06 | |
I've never been so happy in my life. | 0:55:06 | 0:55:08 | |
Oh, you must go after him. | 0:55:10 | 0:55:13 | |
You can't lose him. | 0:55:13 | 0:55:15 | |
I'm sorry...I'm sorry for waking you. | 0:55:16 | 0:55:17 | |
No. I'm glad you came to me. | 0:55:17 | 0:55:19 | |
I just thought of something. | 0:55:19 | 0:55:23 | |
I-I thought of something. | 0:55:23 | 0:55:25 | |
I'd forgotten all about it until I-I saw the painting. | 0:55:25 | 0:55:29 | |
Erm, here. | 0:55:29 | 0:55:33 | |
When I thought I was losing Michael, | 0:55:33 | 0:55:36 | |
oh, I fought like a tigress. | 0:55:36 | 0:55:39 | |
To get him back, I was all ferocity. | 0:55:40 | 0:55:44 | |
Oh, I was. There was no pride. | 0:55:44 | 0:55:48 | |
Now, this is a letter your grandfather Michael wrote, | 0:55:49 | 0:55:53 | |
he never sent it. | 0:55:53 | 0:55:54 | |
I found it after he died. | 0:55:54 | 0:55:57 | |
Well, you'll see. I want you to keep it. | 0:55:57 | 0:56:00 | |
Keep everything. | 0:56:00 | 0:56:01 | |
And, you know, whatever happens, | 0:56:01 | 0:56:04 | |
I know that your grandfather Michael and Thomas would have been | 0:56:04 | 0:56:09 | |
very, very proud of you. | 0:56:09 | 0:56:10 | |
Oh, darling. | 0:56:20 | 0:56:22 | |
Thank you. | 0:56:25 | 0:56:26 | |
HE SIGHS | 0:56:41 | 0:56:43 | |
HE CLEARS THROAT | 0:56:58 | 0:56:59 | |
"My darling Thomas. I'm at work. | 0:57:03 | 0:57:06 | |
"Nobody knows I'm writing to you here. | 0:57:08 | 0:57:10 | |
"You refuse my visits, | 0:57:12 | 0:57:14 | |
"so you're probably tearing up my letters, too. | 0:57:14 | 0:57:17 | |
"But there's nothing else I can do but keep trying. | 0:57:19 | 0:57:22 | |
"It's beyond my control, do you see? | 0:57:22 | 0:57:24 | |
"All those months ago, when I had nothing to lose, really, | 0:57:26 | 0:57:31 | |
"I wrote to you in my head | 0:57:31 | 0:57:32 | |
"but was too cowardly to set more than lies on paper. | 0:57:32 | 0:57:35 | |
"And now, I find I no longer care. | 0:57:36 | 0:57:39 | |
"The love I feel for you runs through me like grain through wood. | 0:57:42 | 0:57:45 | |
"I love you, Thomas. | 0:57:48 | 0:57:50 | |
"Your face, your voice, your touch | 0:57:54 | 0:57:56 | |
"enter my mind at the least opportune moments | 0:57:56 | 0:58:00 | |
"and I find I have no power to withstand them. | 0:58:00 | 0:58:03 | |
"No desire to. | 0:58:03 | 0:58:05 | |
"I want us to be together, as we were in the cottage. | 0:58:08 | 0:58:11 | |
"Only for ever, not just a weekend. | 0:58:11 | 0:58:14 | |
"I want it to go on so long that it feels normal. | 0:58:19 | 0:58:22 | |
"I think of you constantly. | 0:58:24 | 0:58:26 | |
"Your face, your breath on my neck at night. | 0:58:26 | 0:58:29 | |
"I want to do all the ordinary, | 0:58:32 | 0:58:34 | |
"un-bedroomy things we never got around to doing. | 0:58:34 | 0:58:38 | |
"Making toast. Raking leaves. | 0:58:38 | 0:58:42 | |
"Sitting in silence. | 0:58:42 | 0:58:44 | |
"I love you, Thomas. | 0:58:48 | 0:58:50 | |
"I've always loved you. | 0:58:52 | 0:58:53 | |
"I see that now. | 0:58:54 | 0:58:56 | |
"Tell me I'm not too late." | 0:58:57 | 0:58:59 |