Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
My mother had rarefied tastes in poetry. | 0:00:02 | 0:00:04 | |
Though she had a biding fondness for Tennyson, | 0:00:04 | 0:00:07 | |
she read Auden to us, and Yeats, and Eliot. | 0:00:07 | 0:00:10 | |
My father liked his poetry simpler - | 0:00:10 | 0:00:13 | |
rousing stuff with a simple moral at its core. | 0:00:13 | 0:00:16 | |
He recited Dangerous Dan McGrew to us. | 0:00:16 | 0:00:19 | |
And Gunga Din, and If, | 0:00:21 | 0:00:23 | |
but his special favourite was a poem by J Milton Hayes. | 0:00:23 | 0:00:28 | |
I'm on my way! | 0:00:28 | 0:00:31 | |
A story of a stolen talisman, and the curse that came with it - | 0:00:31 | 0:00:37 | |
The Green Eye Of The Little Yellow God. | 0:00:37 | 0:00:41 | |
Halloween, ladies and gentlemen. | 0:01:18 | 0:01:24 | |
A time of ghouls and ghosts, | 0:01:24 | 0:01:28 | |
of spooks and spectres, | 0:01:28 | 0:01:32 | |
of whispers in empty rooms, | 0:01:32 | 0:01:37 | |
of menace and mayhem. | 0:01:37 | 0:01:40 | |
SINISTER LAUGH | 0:01:40 | 0:01:43 | |
Listen as if your life depended upon it. | 0:01:43 | 0:01:49 | |
Because, tonight... | 0:01:50 | 0:01:52 | |
it might. | 0:01:52 | 0:01:54 | |
There's a one-eyed yellow idol to the north of Kathmandu. | 0:01:58 | 0:02:03 | |
There's a little marble cross below the town. | 0:02:03 | 0:02:07 | |
There's a broken-hearted woman | 0:02:08 | 0:02:11 | |
tends the grave of Mad Carew, | 0:02:11 | 0:02:14 | |
and the Yellow God forever gazes down. | 0:02:14 | 0:02:18 | |
He was known as "Mad Carew" | 0:02:20 | 0:02:22 | |
by the subs at Kathmandu, | 0:02:22 | 0:02:24 | |
he was hotter than they felt inclined to tell. | 0:02:24 | 0:02:28 | |
But for all his foolish pranks, he was worshipped in the ranks, | 0:02:29 | 0:02:35 | |
and the colonel's daughter smiled on him as well. | 0:02:35 | 0:02:40 | |
He wrote and asked what present she would like from Mad Carew. | 0:02:41 | 0:02:46 | |
They met next day, as he dismissed a squad, | 0:02:46 | 0:02:50 | |
and jestingly she told him then, that nothing else would do, | 0:02:50 | 0:02:55 | |
but the green eye of the little Yellow God. | 0:02:55 | 0:03:00 | |
Wait till you hear the next bit. "He returned before the dawn..." | 0:03:00 | 0:03:04 | |
He returned before the dawn, with his shirt and tunic torn, | 0:03:04 | 0:03:09 | |
a gash across his temple dripping red. | 0:03:09 | 0:03:13 | |
He was patched up right away, and he slept through all the day, | 0:03:13 | 0:03:17 | |
and the colonel's daughter watched beside his bed. | 0:03:17 | 0:03:21 | |
He woke at last and asked if they could send his tunic through. | 0:03:22 | 0:03:28 | |
She brought it, and he thanked her with a nod. | 0:03:28 | 0:03:31 | |
He bade her search the pockets, saying, "That's from Mad Carew," | 0:03:33 | 0:03:39 | |
And she found the little green eye | 0:03:39 | 0:03:47 | |
of the god. | 0:03:47 | 0:03:49 | |
Oh, what's that? | 0:03:57 | 0:03:59 | |
Oh, it's Yellow Man. | 0:03:59 | 0:04:01 | |
I bought some for Kate, from the hideous child. | 0:04:01 | 0:04:04 | |
She wasn't hideous, poor little thing. | 0:04:04 | 0:04:08 | |
She was plucky. The way she worked that hall. | 0:04:08 | 0:04:10 | |
Yuck, though. | 0:04:10 | 0:04:12 | |
Who killed him, Dad? Who killed Mad Carew? | 0:04:13 | 0:04:17 | |
Well, that has me beat, Francis. And do you know what? | 0:04:17 | 0:04:20 | |
I'm not even sure you're meant to know. | 0:04:20 | 0:04:22 | |
Why not? | 0:04:22 | 0:04:23 | |
Well, that's the mystery. That's what keeps people guessing. | 0:04:23 | 0:04:26 | |
You know, was it the men who believed in the god, | 0:04:26 | 0:04:29 | |
or was it the god himself? | 0:04:29 | 0:04:31 | |
-It was the men. -Maybe. Or maybe it was the god's vengeance. | 0:04:31 | 0:04:36 | |
What it tells us is that there's a price to be paid | 0:04:37 | 0:04:40 | |
for everything taken from its rightful owner. | 0:04:40 | 0:04:43 | |
Or even from the place it's meant to be. | 0:04:43 | 0:04:46 | |
What? | 0:04:46 | 0:04:48 | |
Amen to that. Come on, let's get these hungry children home. | 0:04:48 | 0:04:53 | |
How do you feel now, Maisie? | 0:05:05 | 0:05:06 | |
Burning up, Mammy. | 0:05:07 | 0:05:09 | |
I sent in to Newtown for Dr Black. | 0:05:13 | 0:05:15 | |
He said he'll come if he has time. | 0:05:15 | 0:05:17 | |
She brought home them things yesterday. | 0:05:20 | 0:05:22 | |
From thon dump on the 'drome. Never off it. | 0:05:24 | 0:05:26 | |
I'm scared she's after picking up some disease at the same time. | 0:05:29 | 0:05:33 | |
Did they see us? | 0:05:38 | 0:05:40 | |
There's only one of them. And he didn't. | 0:05:42 | 0:05:45 | |
Come on. | 0:05:47 | 0:05:49 | |
Ah, come on, Francis. Don't be a feardy cat. | 0:05:55 | 0:05:58 | |
I'm not afraid. | 0:05:58 | 0:06:01 | |
Mum told me not to go. | 0:06:01 | 0:06:02 | |
Sure, she has to say that. | 0:06:04 | 0:06:07 | |
She's the mistress - but that doesn't mean you have to listen. | 0:06:07 | 0:06:10 | |
Come on. | 0:06:11 | 0:06:13 | |
Show us that. | 0:06:42 | 0:06:43 | |
Och. Why is it always you? That's the best yet. | 0:06:47 | 0:06:51 | |
I'll swap you. | 0:06:57 | 0:06:59 | |
-Seamie... -Shh. | 0:06:59 | 0:07:02 | |
Wait till we see here. | 0:07:04 | 0:07:06 | |
What do you like best of my stuff? | 0:07:06 | 0:07:10 | |
I don't want to swap. Really, I... WHISTLE BLASTS | 0:07:10 | 0:07:13 | |
-Run. It's Stagger. -Stagger? | 0:07:15 | 0:07:17 | |
-He's a Yankee peeler. Quick! -WHISTLE BLASTS | 0:07:17 | 0:07:21 | |
Come on, you eejit. Do you want to get catched? | 0:07:21 | 0:07:25 | |
You two! | 0:07:25 | 0:07:27 | |
-SINGSONG: -Stagger, Stagger, can't catch us. | 0:07:29 | 0:07:31 | |
-WHISTLE BLASTS -Hey! | 0:07:31 | 0:07:34 | |
Come on! | 0:07:34 | 0:07:35 | |
Well, I'll not keep you, Mrs Coyne. | 0:07:58 | 0:08:01 | |
I've been down in one of the cottages. | 0:08:01 | 0:08:03 | |
A girl there is ill. Really quite ill. | 0:08:03 | 0:08:05 | |
-Maisie Quinn? -Oh. | 0:08:05 | 0:08:08 | |
She may have scarlet fever. | 0:08:08 | 0:08:10 | |
I believe her sister works here as a maid. | 0:08:10 | 0:08:12 | |
Sally. Yes, her brother works on the farm, as well. | 0:08:12 | 0:08:16 | |
Well, they'll both have to stay away from this house, | 0:08:16 | 0:08:18 | |
Mrs Coyne, I'm afraid. | 0:08:18 | 0:08:19 | |
Scarlet fever is highly infectious to young children. | 0:08:19 | 0:08:22 | |
We can't take any chances. | 0:08:22 | 0:08:24 | |
Dr Black says you're both to stay away from Quinn's house. | 0:08:29 | 0:08:32 | |
Maisie Quinn is not very well. Keep Kate away from there. | 0:08:32 | 0:08:35 | |
Emma, that's your job. | 0:08:35 | 0:08:37 | |
Francis, don't pick up things you find on the road. | 0:08:37 | 0:08:40 | |
Wash your hands, and don't go near the dump. | 0:08:40 | 0:08:44 | |
Not that you ever would. All right? | 0:08:44 | 0:08:47 | |
Shouldn't Maisie be in hospital? | 0:08:48 | 0:08:49 | |
Well, I can't get her into Magherafelt at the present time. | 0:08:49 | 0:08:52 | |
Why not? | 0:08:52 | 0:08:53 | |
Her condition isn't sufficiently critical or, to be blunt, | 0:08:53 | 0:08:55 | |
she's not sick enough. | 0:08:55 | 0:08:56 | |
However, if it develops into scarlet fever, then they will admit her. | 0:08:56 | 0:08:59 | |
So you'll monitor her condition? | 0:08:59 | 0:09:01 | |
Mrs Coyne, I'm a doctor, not a nurse. | 0:09:01 | 0:09:03 | |
I've an outbreak of measles in Newtown, | 0:09:03 | 0:09:05 | |
and a great many house calls to make to people who pay me | 0:09:05 | 0:09:08 | |
and expect me to turn up. | 0:09:08 | 0:09:09 | |
-Dr Black... -Mrs Coyne, I will do what I can. | 0:09:09 | 0:09:13 | |
I'm sending Sally home until her sister gets better. | 0:09:27 | 0:09:30 | |
IF she gets better. Maisie Quinn is sickly. Always has been. | 0:09:30 | 0:09:35 | |
-She should be in hospital. -That is exactly what I said. | 0:09:37 | 0:09:40 | |
Apparently, if she gets really, really sick, | 0:09:40 | 0:09:42 | |
they'll deign to admit her. | 0:09:42 | 0:09:44 | |
How will they know, huh? | 0:09:44 | 0:09:46 | |
I asked Bloody Burgess Black if he would monitor her condition, | 0:09:48 | 0:09:51 | |
and he said, "Mrs Coyne, I'm not a nurse but I shall do what I can". | 0:09:51 | 0:09:57 | |
Some nurse! | 0:09:57 | 0:09:58 | |
Come here. | 0:09:59 | 0:10:01 | |
I'm being hard on old Burgess. | 0:10:02 | 0:10:05 | |
He says he'll try his best, and I know he does it pro bono. | 0:10:06 | 0:10:10 | |
They can't pay him, Rose. It's as simple as that. | 0:10:10 | 0:10:13 | |
I couldn't pay him, either, to come out every day. | 0:10:14 | 0:10:17 | |
And he might come out for you, because you're English, | 0:10:17 | 0:10:20 | |
but he's not going to work for free | 0:10:20 | 0:10:22 | |
for a wee know-nothing girl on a boggy shore. | 0:10:22 | 0:10:25 | |
Rose? | 0:10:27 | 0:10:29 | |
-What...? -Pen. | 0:10:30 | 0:10:32 | |
OK, what are you doing? | 0:10:35 | 0:10:39 | |
Writing a request. | 0:10:39 | 0:10:41 | |
For a nurse, to monitor Maisie. | 0:10:42 | 0:10:46 | |
To Santa Claus? | 0:10:46 | 0:10:48 | |
To there. | 0:10:48 | 0:10:50 | |
I'm certain that place up there is full of nurses. | 0:10:50 | 0:10:52 | |
We have quite a sick girl in the village. | 0:10:58 | 0:11:01 | |
Her parents cannot afford to have the doctor call out routinely, | 0:11:02 | 0:11:06 | |
but if a nurse were to check up on her each day - | 0:11:06 | 0:11:10 | |
I believe there are a number up here on the aerodrome - | 0:11:10 | 0:11:12 | |
it might save her life. | 0:11:12 | 0:11:15 | |
And it would be a huge gesture to the local people. | 0:11:15 | 0:11:18 | |
The Quinns are pillars of our little community. | 0:11:18 | 0:11:20 | |
I've written it all down, logically and sensibly, | 0:11:20 | 0:11:24 | |
so you can show it to whomever. | 0:11:24 | 0:11:26 | |
I will speak to Colonel Cresswell, and then to Tillie. | 0:11:28 | 0:11:32 | |
Tillie? | 0:11:33 | 0:11:34 | |
Lieutenant Zeigler. From the Nurse Corps. | 0:11:34 | 0:11:36 | |
She would nominate a nurse if this plan were agreeable to the Colonel. | 0:11:36 | 0:11:41 | |
As I'm sure it will be. | 0:11:41 | 0:11:42 | |
Rose. | 0:11:44 | 0:11:45 | |
Thank you. Thank you so much. | 0:11:47 | 0:11:51 | |
Mrs Coyne. | 0:12:12 | 0:12:14 | |
HE CLEARS HIS THROAT | 0:12:16 | 0:12:17 | |
What I have to tell you is a tad awkward. | 0:12:17 | 0:12:19 | |
Oh? | 0:12:19 | 0:12:20 | |
I thought I should perhaps revert to formality. | 0:12:20 | 0:12:23 | |
Gosh, formality? | 0:12:23 | 0:12:25 | |
It's OK, Mrs Coyne. | 0:12:25 | 0:12:26 | |
Erm, a quantity of paint has gone missing from stores. | 0:12:27 | 0:12:32 | |
The military police are going to be searching local land and buildings, | 0:12:32 | 0:12:36 | |
including your husband's. | 0:12:36 | 0:12:38 | |
They're friendly, despite their fearsome white helmets. | 0:12:39 | 0:12:42 | |
They'll be accompanied by your local constabulary. | 0:12:42 | 0:12:45 | |
And, of course, you have nothing to fear, Mrs Coyne. | 0:12:45 | 0:12:47 | |
No, of course not. | 0:12:47 | 0:12:48 | |
And I'm going to talk to Colonel Cresswell right now | 0:12:50 | 0:12:55 | |
and get permission to talk to Lieutenant Zeigler | 0:12:55 | 0:12:58 | |
about your request for a nurse officer. | 0:12:58 | 0:13:01 | |
Tillie. | 0:13:01 | 0:13:02 | |
Yes. Short for Matilda, I believe. | 0:13:02 | 0:13:06 | |
You can call me Rose again, now that you're not warning me. | 0:13:06 | 0:13:10 | |
Short for... | 0:13:10 | 0:13:12 | |
Rose. | 0:13:12 | 0:13:13 | |
Goodbye, Captain Dreyfuss. | 0:13:15 | 0:13:16 | |
Rose. | 0:13:16 | 0:13:18 | |
Kettie. | 0:13:50 | 0:13:51 | |
Mrs Coyne. | 0:13:51 | 0:13:53 | |
I was just passing. | 0:13:54 | 0:13:56 | |
I seen you. | 0:13:56 | 0:13:57 | |
-Well, I thought I'd... -Call in? | 0:13:57 | 0:13:59 | |
-See how the baby was. -BABY CRIES | 0:13:59 | 0:14:02 | |
Aye, that's her. Betty. She has a cold. | 0:14:02 | 0:14:06 | |
Oh, no... | 0:14:06 | 0:14:07 | |
Poor thing. | 0:14:10 | 0:14:12 | |
Is she getting enough, erm...? | 0:14:12 | 0:14:15 | |
No. Likely not. | 0:14:15 | 0:14:17 | |
I have some things of Kate's. | 0:14:19 | 0:14:22 | |
-They're warm, and I can't use them. -BABY CRIES | 0:14:22 | 0:14:25 | |
I thought I might drop in with them. | 0:14:25 | 0:14:28 | |
Aye. Surely. | 0:14:28 | 0:14:29 | |
Next time I'm by, then. | 0:14:33 | 0:14:35 | |
BABY CRIES | 0:14:38 | 0:14:41 | |
Mammy, where's Sally? | 0:14:58 | 0:15:00 | |
We won't be seeing her for a little while. | 0:15:00 | 0:15:02 | |
She went home last night to look after Maisie. So... | 0:15:02 | 0:15:06 | |
..I'll be cooking. | 0:15:07 | 0:15:09 | |
And if things are different to what you're used to with Sally, | 0:15:09 | 0:15:11 | |
no complaints. | 0:15:11 | 0:15:13 | |
Even about the tea? | 0:15:13 | 0:15:15 | |
I admit, I cannot compete there. | 0:15:15 | 0:15:17 | |
She is the Wizard of a Quarter Oz. Ta-da! | 0:15:17 | 0:15:20 | |
-Did you make that up yourself? -Of course. | 0:15:22 | 0:15:24 | |
Smart girl. | 0:15:24 | 0:15:26 | |
I married a smart girl, children. | 0:15:26 | 0:15:28 | |
KNOCK AT DOOR | 0:15:28 | 0:15:30 | |
Who's calling at this hour? | 0:15:30 | 0:15:32 | |
I'll get it. | 0:15:32 | 0:15:33 | |
-Mrs Coyne? -Yes. | 0:15:40 | 0:15:43 | |
-You're the nurse! -Lieutenant Zeigler. Tillie. | 0:15:43 | 0:15:46 | |
Rose. Rose Coyne. | 0:15:46 | 0:15:48 | |
Captain Dreyfuss said I should call by. | 0:15:48 | 0:15:50 | |
That is so quick. I have tea on the table. Would you like a cup? | 0:15:50 | 0:15:54 | |
Thanks. I'd better get going. | 0:15:54 | 0:15:55 | |
I can't be off base for too long. | 0:15:55 | 0:15:57 | |
Which house is it? | 0:15:57 | 0:15:59 | |
It's the cottage. I'll show you. | 0:15:59 | 0:16:01 | |
Do you want me to walk down with you? | 0:16:01 | 0:16:02 | |
-I have a Jeep. -Of course. Gosh! | 0:16:02 | 0:16:06 | |
But, I mean, you don't need to walk, it's just the one at the end. | 0:16:06 | 0:16:10 | |
You're so good to come. | 0:16:10 | 0:16:12 | |
Thank Ron Dreyfuss. He's a tough guy to say no to. | 0:16:12 | 0:16:15 | |
Captain Dreyfuss - do you like him? | 0:16:15 | 0:16:18 | |
I mean, as a superior officer? | 0:16:18 | 0:16:20 | |
Well, he's not technically my superior. I'm in the Nurse Corps. | 0:16:20 | 0:16:24 | |
But do I like him? | 0:16:24 | 0:16:25 | |
You bet. | 0:16:26 | 0:16:27 | |
He's kind of cute. | 0:16:28 | 0:16:30 | |
-The cottage? -Yes. | 0:16:31 | 0:16:33 | |
"You bet. He's kind of cute." | 0:16:41 | 0:16:44 | |
Rose Coyne, you're a fool. | 0:16:44 | 0:16:46 | |
Want a drop, young Coyne? | 0:16:57 | 0:16:59 | |
I'll try a drop. | 0:17:01 | 0:17:03 | |
HE CHUCKLES | 0:17:08 | 0:17:11 | |
I'd say you would, Kettie Brady's cub, | 0:17:12 | 0:17:15 | |
if you're anything like your da. | 0:17:15 | 0:17:16 | |
-VOICE ON RADIO: -'Germany calling. German calling. Germany calling.' | 0:17:19 | 0:17:23 | |
What's Germany calling about, the night? | 0:17:23 | 0:17:25 | |
'You are about to hear our news link. | 0:17:25 | 0:17:27 | |
'To say the British Empire is in danger today...' | 0:17:28 | 0:17:32 | |
Turn thon oul blirt off. | 0:17:32 | 0:17:34 | |
'..would be a very feeble understatement.' | 0:17:34 | 0:17:36 | |
The Germans are bait, no matter what he says. | 0:17:39 | 0:17:42 | |
Give us Athlone. | 0:17:44 | 0:17:45 | |
MUSIC PLAYS Aye. That'll do. | 0:17:49 | 0:17:52 | |
Did you see thon nurse the day? | 0:17:54 | 0:17:55 | |
The one that's looking after Maisie Quinn? | 0:17:57 | 0:17:59 | |
I seen her. Driving a Jeep. | 0:17:59 | 0:18:02 | |
She'd make a great wife that one, huh? Drive you everywhere, huh? | 0:18:03 | 0:18:07 | |
Drive you astray in the head, I'd say. She's a yank. | 0:18:08 | 0:18:11 | |
-Do you know what she's called? -No. | 0:18:13 | 0:18:16 | |
Same name as that lamp there. | 0:18:19 | 0:18:21 | |
Hurricane? | 0:18:23 | 0:18:25 | |
HE LAUGHS | 0:18:25 | 0:18:26 | |
Tilley, you ganch! Nurse Tillie! | 0:18:26 | 0:18:30 | |
THEY SHOUT INDISTINCTLY Enough! | 0:18:33 | 0:18:37 | |
The pair of yous. | 0:18:37 | 0:18:38 | |
You wouldn't need a nurse if it wasn't for thon place up there. | 0:18:38 | 0:18:42 | |
First they drive us off our land, | 0:18:43 | 0:18:46 | |
and then they infect us with disease and pestilence. | 0:18:46 | 0:18:51 | |
What? | 0:18:51 | 0:18:52 | |
Maisie Quinn. | 0:18:55 | 0:18:56 | |
Sure, everyone knows she caught that scarlet fever from the dump. | 0:18:57 | 0:19:02 | |
I never heard that. | 0:19:02 | 0:19:04 | |
I never heard that either. | 0:19:04 | 0:19:06 | |
Sure, she was never off it. | 0:19:06 | 0:19:07 | |
Morning, noon and night, hunting for bangles and musk. | 0:19:09 | 0:19:13 | |
I tell you one thing - | 0:19:16 | 0:19:18 | |
scarlet fever's not the worst thing you could catch up there. | 0:19:18 | 0:19:23 | |
-Excuse me, please. I have to go. -Francis! | 0:19:23 | 0:19:26 | |
And what's wrong with him? | 0:19:27 | 0:19:30 | |
It's order, that cub's getting. | 0:19:30 | 0:19:32 | |
Bed. | 0:20:19 | 0:20:21 | |
Is that Dettol? | 0:20:23 | 0:20:25 | |
Yes. | 0:20:25 | 0:20:26 | |
I, uh, washed my hands specially, like you told us, with the... | 0:20:26 | 0:20:31 | |
Maisie being sick and everything. | 0:20:31 | 0:20:33 | |
Good. | 0:20:35 | 0:20:36 | |
Now, wash your teeth, just as carefully, though not with Dettol. | 0:20:36 | 0:20:40 | |
HE IMITATES PLANE ENGINE AND GUNSHOTS | 0:20:47 | 0:20:52 | |
ENGINES APPROACH | 0:20:55 | 0:20:57 | |
All right, let us do this, gentlemen. | 0:21:08 | 0:21:10 | |
And let courtesy be our watchword. | 0:21:10 | 0:21:12 | |
-Sergeant. -Sergeant Steiger. | 0:21:12 | 0:21:14 | |
KNOCK AT DOOR | 0:21:24 | 0:21:26 | |
-Mrs Coyne. -Oh. | 0:21:31 | 0:21:33 | |
I'll get... I'll go and get Michael. | 0:21:33 | 0:21:36 | |
With you now, gentlemen. | 0:21:36 | 0:21:38 | |
If you could show us the sheds, Mr Coyne. | 0:21:38 | 0:21:40 | |
I'll just get my keys. | 0:21:40 | 0:21:41 | |
Well, Michael... | 0:21:45 | 0:21:46 | |
Make sure you check at the back of the house. | 0:21:52 | 0:21:54 | |
Why are you hiding? | 0:21:58 | 0:21:59 | |
I'm not hiding. | 0:21:59 | 0:22:01 | |
I think he's after me. And Seamie. | 0:22:03 | 0:22:06 | |
Both of you, I should think. But why? | 0:22:06 | 0:22:09 | |
Seamie shouted at him. The big one. | 0:22:10 | 0:22:13 | |
"Stagger", he called him. | 0:22:13 | 0:22:15 | |
Seamie's a cretin. | 0:22:15 | 0:22:17 | |
I don't think he recognised me, but if he gives Dad a description... | 0:22:17 | 0:22:20 | |
Calm down, small boy. | 0:22:20 | 0:22:21 | |
They're not after you, or Seamie. | 0:22:21 | 0:22:24 | |
Then why are they here? | 0:22:25 | 0:22:26 | |
They're searching. | 0:22:26 | 0:22:27 | |
For a plane? | 0:22:27 | 0:22:28 | |
Yes, a plane(!) | 0:22:28 | 0:22:30 | |
Dad's gone and hid a bomber down in the duckhouse(!) | 0:22:30 | 0:22:33 | |
Didn't you notice it last time you were down there? | 0:22:33 | 0:22:36 | |
Yeah, that'd be silly. | 0:22:36 | 0:22:37 | |
So what are they searching for? | 0:22:38 | 0:22:40 | |
Stuff that got stolen. Mum told me. | 0:22:40 | 0:22:43 | |
She's very cross about it. | 0:22:43 | 0:22:45 | |
Says it's "draconian", | 0:22:45 | 0:22:47 | |
which she hopes I'll have to look up, as usual. | 0:22:47 | 0:22:51 | |
I'm going to snoop. Are you coming? | 0:22:51 | 0:22:53 | |
What kind of stuff? | 0:22:55 | 0:22:56 | |
That's for me to know and you to find out. | 0:22:57 | 0:23:00 | |
I'm sorry about this, Michael. I... I know you're not involved. | 0:23:06 | 0:23:10 | |
There's nothing in here. | 0:23:16 | 0:23:18 | |
Except for us chickens! | 0:23:22 | 0:23:24 | |
-Cheers. -To the US Air Force. | 0:23:28 | 0:23:30 | |
Apologise for any inconvenience caused to you, Mr Coyne. | 0:23:32 | 0:23:35 | |
Mrs Coyne. | 0:23:35 | 0:23:36 | |
Why were they searching here? | 0:23:43 | 0:23:45 | |
What Dreyfuss said. White paint. | 0:23:45 | 0:23:47 | |
I know what they were looking FOR, Michael. | 0:23:47 | 0:23:49 | |
I want to know why they were looking for it here. | 0:23:49 | 0:23:51 | |
Well, I suppose they're searching every place. | 0:23:51 | 0:23:55 | |
They're not searching Rosie's, or Tommy John's - | 0:23:55 | 0:23:58 | |
or even the Hanlons', and they're as shady as you could wish. | 0:23:58 | 0:24:01 | |
Any chance of two bottles of stout, Michael, for the way home? | 0:24:01 | 0:24:05 | |
With you now, Failey! | 0:24:05 | 0:24:06 | |
-I'll see to him. -It's OK, I'm... | 0:24:06 | 0:24:08 | |
Give me your keys. | 0:24:08 | 0:24:10 | |
I'll get you your drink, Failey. | 0:24:10 | 0:24:12 | |
Straight to Magherafelt. The fever ward. | 0:24:24 | 0:24:27 | |
Can I go with her? | 0:24:27 | 0:24:29 | |
Sorry, kid. Army personnel only. Right, Lieutenant? | 0:24:29 | 0:24:32 | |
I'm saying nothing. | 0:24:32 | 0:24:33 | |
OK. This one time. | 0:24:34 | 0:24:36 | |
Heard it coming. | 0:24:46 | 0:24:47 | |
Maisie's away, then? | 0:24:53 | 0:24:55 | |
She'll be fine. | 0:24:55 | 0:24:56 | |
Little you care, Failey. | 0:24:56 | 0:24:58 | |
You couldn't even be there for us this one time. | 0:24:59 | 0:25:02 | |
Mrs Coyle? | 0:25:10 | 0:25:11 | |
It's Coyne. | 0:25:13 | 0:25:14 | |
What can I do for you? | 0:25:15 | 0:25:17 | |
Sean Hamill said to call around. | 0:25:17 | 0:25:19 | |
I don't know anyone called Sean Hamill. | 0:25:20 | 0:25:23 | |
Well, Mr Coyle does. | 0:25:23 | 0:25:25 | |
Does he? | 0:25:25 | 0:25:27 | |
And is Sean Hamill one of his suppliers? | 0:25:27 | 0:25:29 | |
Oh, he'd be that, OK. | 0:25:29 | 0:25:31 | |
Look, Hamill said Mr Coyle would be interested in some cigarettes. | 0:25:32 | 0:25:36 | |
What kind of cigarettes? | 0:25:36 | 0:25:38 | |
Ah, look, do you want me to spell it out? | 0:25:38 | 0:25:42 | |
Free State cigarettes. Sweet Afton, Players. | 0:25:42 | 0:25:45 | |
Hamill said you'd be interested. If you're not... | 0:25:45 | 0:25:47 | |
My husband may be. I'm not. | 0:25:47 | 0:25:50 | |
Suit yourself. | 0:25:51 | 0:25:53 | |
And tell Mr Hamill, if you see him, | 0:25:55 | 0:25:56 | |
not to call by here any more, either. | 0:25:56 | 0:25:58 | |
Maisie off safe? | 0:26:03 | 0:26:04 | |
You know, all the time she was over there, God forgive me, | 0:26:06 | 0:26:12 | |
I couldn't help thinking that one of ours might catch it. | 0:26:12 | 0:26:15 | |
Sean Hamill? | 0:26:15 | 0:26:16 | |
Was he here? | 0:26:19 | 0:26:21 | |
Someone was here who Hamill sent round. | 0:26:21 | 0:26:24 | |
So Coyne's shop is obviously on the map | 0:26:24 | 0:26:26 | |
as far as the profiteers are concerned. | 0:26:26 | 0:26:28 | |
Rose, "profiteers"? That's Pathe News stuff. | 0:26:28 | 0:26:32 | |
Now everyone, every wee shop between here and Magherafelt, is on the map. | 0:26:32 | 0:26:37 | |
-And lucky to get on it. -We're off it. | 0:26:37 | 0:26:40 | |
Rose, what are you after doing? | 0:26:40 | 0:26:42 | |
I told him, whoever he was, not to call by here any more, | 0:26:42 | 0:26:46 | |
and to tell his friend Hamill to do the same. | 0:26:46 | 0:26:48 | |
If we can't do this honestly, then we shouldn't do it at all. | 0:26:48 | 0:26:51 | |
You'd think I was a... I don't know what. | 0:26:54 | 0:26:57 | |
Murderer, or something. | 0:26:59 | 0:27:00 | |
Why is nobody talking? | 0:27:15 | 0:27:17 | |
What do you mean? | 0:27:20 | 0:27:21 | |
You and Dad. | 0:27:21 | 0:27:22 | |
I can tell when you're not talking. | 0:27:22 | 0:27:24 | |
I'm talking. | 0:27:26 | 0:27:27 | |
If anybody would talk to me. | 0:27:28 | 0:27:31 | |
Why don't you tell the children why we're not talking, Michael? | 0:27:31 | 0:27:35 | |
So they can see the rights and wrongs. | 0:27:35 | 0:27:38 | |
So it's not just two stupid adults, | 0:27:38 | 0:27:40 | |
rowing about something that's not important. | 0:27:40 | 0:27:42 | |
Go on. Explain to them. | 0:27:45 | 0:27:48 | |
Rose, a word. | 0:27:58 | 0:28:00 | |
Excuse me, children. | 0:28:03 | 0:28:05 | |
Don't do that to me, Rose. | 0:28:12 | 0:28:14 | |
Do what? | 0:28:14 | 0:28:16 | |
Make you confront your actions? | 0:28:16 | 0:28:18 | |
Worry the children with some sort of mystery about right and wrong. | 0:28:18 | 0:28:22 | |
It isn't a mystery, Rose. | 0:28:22 | 0:28:24 | |
And the rights and wrongs aren't as right and wrong | 0:28:24 | 0:28:26 | |
as you're making them out to be. | 0:28:26 | 0:28:28 | |
Now, I'm trying to keep us afloat here, Rose. | 0:28:28 | 0:28:32 | |
Is that what you want me to confront? | 0:28:33 | 0:28:35 | |
It's a stout there, Michael. | 0:28:50 | 0:28:52 | |
Freezing on the lough the day. | 0:29:00 | 0:29:02 | |
Slack evening without the pilots, huh? | 0:29:11 | 0:29:13 | |
Your doing, Davey. | 0:29:16 | 0:29:18 | |
KNOCK AT DOOR | 0:29:41 | 0:29:43 | |
Captain Dreyfuss. | 0:29:48 | 0:29:50 | |
It's a little bit late, I know. | 0:29:50 | 0:29:52 | |
Hard day up on the base. Erm... | 0:29:52 | 0:29:56 | |
I was just on my way to Quinn's cottage, | 0:29:56 | 0:29:58 | |
and I thought I should call by to tell you | 0:29:58 | 0:30:00 | |
that Lieutenant Zeigler managed to get the girl into the hospital. | 0:30:00 | 0:30:03 | |
I know. We saw the ambulance. | 0:30:03 | 0:30:06 | |
Thank you. | 0:30:07 | 0:30:08 | |
You may have saved Maisie's life, and the community will be grateful. | 0:30:08 | 0:30:12 | |
Won't you step in? | 0:30:12 | 0:30:13 | |
-Your husband? -My husband is working... | 0:30:14 | 0:30:18 | |
but he'd want me to invite you in. | 0:30:18 | 0:30:19 | |
-I'm afraid we don't... -A cup of coffee would... | 0:30:25 | 0:30:27 | |
THEY LAUGH | 0:30:27 | 0:30:29 | |
Plan B. I know Americans don't much like tea. | 0:30:30 | 0:30:35 | |
We have some whiskey. | 0:30:35 | 0:30:36 | |
Tea's fine. I would love a cup of tea. | 0:30:38 | 0:30:41 | |
Then I must go. | 0:30:50 | 0:30:51 | |
I'm glad you called by, about Maisie, | 0:31:01 | 0:31:04 | |
although we already knew. We saw the ambulance. | 0:31:04 | 0:31:08 | |
Clang, clang, clang. | 0:31:10 | 0:31:12 | |
It formed a suitable backdrop to our own little...drama. | 0:31:12 | 0:31:15 | |
You don't want to hear about domestic ups and downs. | 0:31:20 | 0:31:24 | |
Well... | 0:31:24 | 0:31:26 | |
Maybe not the downs... | 0:31:26 | 0:31:28 | |
though I guess they come with the territory. | 0:31:28 | 0:31:31 | |
Come to think of it, I'm not that familiar with "domestic" either. | 0:31:32 | 0:31:35 | |
You don't walk any more. | 0:31:42 | 0:31:43 | |
Don't I? | 0:31:46 | 0:31:47 | |
Not at the Far Rock, where we met that day. | 0:31:48 | 0:31:51 | |
I walk there occasionally. | 0:31:51 | 0:31:53 | |
I didn't want to scare the natives. Plus it's getting really chilly. | 0:31:55 | 0:31:59 | |
I'm not a native. | 0:31:59 | 0:32:01 | |
A stranger, like you, and this can be a very strange... | 0:32:01 | 0:32:04 | |
SHE SOBS | 0:32:04 | 0:32:06 | |
I'm sorry. It's been a trying day. | 0:32:11 | 0:32:14 | |
You're upset. I should go. | 0:32:17 | 0:32:18 | |
Oh, God. Sorry. | 0:32:18 | 0:32:21 | |
It's Maisie, and... just a lot of things, | 0:32:23 | 0:32:26 | |
ordinary stuff I ought to be able to cope with. | 0:32:26 | 0:32:29 | |
Sorry. I don't know what came over me. | 0:32:30 | 0:32:32 | |
I feel like I should be able to make you stop being sad. | 0:32:36 | 0:32:42 | |
No, you can't do that. | 0:32:44 | 0:32:46 | |
You've done enough for the strange inhabitants of Moybeg. | 0:32:49 | 0:32:53 | |
For one day, at least. | 0:32:53 | 0:32:54 | |
ENGINE STARTS | 0:33:23 | 0:33:25 | |
Your man called late. | 0:34:37 | 0:34:38 | |
What was his errand? | 0:35:02 | 0:35:04 | |
He called by to tell us about Maisie. | 0:35:07 | 0:35:09 | |
I hope he got better manners than me. | 0:35:13 | 0:35:16 | |
PIGS OINK | 0:35:41 | 0:35:43 | |
Oh, piggy! | 0:35:43 | 0:35:45 | |
Oh, you're such fat boys, piggies! | 0:35:45 | 0:35:48 | |
And you smell horrible. | 0:35:48 | 0:35:50 | |
Oh, I feel sick. | 0:35:54 | 0:35:55 | |
Me, too. They stink. | 0:35:55 | 0:35:58 | |
Are you all right, Katie? No? Come on, let's go. | 0:36:02 | 0:36:06 | |
Mum! Mum! | 0:36:08 | 0:36:12 | |
Mum! Kate vomited. | 0:36:12 | 0:36:15 | |
I think it was that pig of hers. | 0:36:15 | 0:36:16 | |
Oh, poor thing. Let's bring her to the table. | 0:36:16 | 0:36:19 | |
Get that dress off her, Emma. | 0:36:19 | 0:36:22 | |
What happened, Katie? | 0:36:22 | 0:36:24 | |
The pigs smelt so bad, I almost vomited myself. | 0:36:24 | 0:36:27 | |
Emma... | 0:36:35 | 0:36:37 | |
I need you to get to the post office and call Dr Black. | 0:36:37 | 0:36:41 | |
His number. | 0:36:41 | 0:36:42 | |
Newtown 28. Can you remember that? | 0:36:42 | 0:36:44 | |
Ask him to come out as quickly as he can. | 0:36:44 | 0:36:46 | |
Here. Pennies. Here, for the phone. | 0:36:48 | 0:36:50 | |
Go on. Quick. | 0:36:50 | 0:36:52 | |
And ask your father to come over as soon as he can. | 0:36:52 | 0:36:55 | |
OK. | 0:36:55 | 0:36:56 | |
Good girl. | 0:36:56 | 0:36:58 | |
Do you want to lie down on the table for me, Katie? | 0:36:59 | 0:37:02 | |
Now I need you to let me see under your arm. | 0:37:04 | 0:37:07 | |
ROSE GASPS | 0:37:11 | 0:37:12 | |
Now, I know you're very cold. We need to keep you warm. | 0:37:14 | 0:37:18 | |
Need to keep you warm. | 0:37:18 | 0:37:20 | |
Mrs Coyne. Michael. | 0:37:22 | 0:37:24 | |
Well, she has scarlet fever, and she needs to go to the hospital, now. | 0:37:27 | 0:37:31 | |
I'll bring her. Would you carry her out to the car, please, Mrs Coyne? | 0:37:31 | 0:37:35 | |
Mum? | 0:37:44 | 0:37:46 | |
Dr Black is taking Kate to the hospital. | 0:37:46 | 0:37:48 | |
-Oh, God, Mum. Is it...? -Ssh. | 0:37:48 | 0:37:50 | |
It's going to be fine. | 0:37:50 | 0:37:52 | |
Seamie! | 0:38:03 | 0:38:05 | |
You have to stay away from the people. | 0:38:05 | 0:38:07 | |
-I am away. -Further. | 0:38:07 | 0:38:10 | |
Listen, my sister's got scarlet fever. It's our fault. | 0:38:13 | 0:38:16 | |
It may be your fault... | 0:38:16 | 0:38:18 | |
but it's not my fault. | 0:38:18 | 0:38:20 | |
How's it my fault? | 0:38:20 | 0:38:22 | |
Maisie got it from the dump, | 0:38:22 | 0:38:23 | |
so Kate must have got it from the dump. | 0:38:23 | 0:38:25 | |
Aye. And who brought home thon plane from the dump? | 0:38:25 | 0:38:28 | |
I did. | 0:38:28 | 0:38:30 | |
So, whose fault is it, then? | 0:38:31 | 0:38:35 | |
Who's that you're talking to? | 0:38:35 | 0:38:37 | |
Francis Coyne. | 0:38:37 | 0:38:39 | |
Francis, you know you're supposed to stay away from Seamie | 0:38:39 | 0:38:41 | |
till this clears up, don't you? | 0:38:41 | 0:38:44 | |
Well, go on home, then. | 0:38:44 | 0:38:45 | |
Tell the mistress I'm sorry about the wee girl. | 0:38:49 | 0:38:52 | |
Well, they think they've identified the source | 0:39:13 | 0:39:16 | |
-of Maisie Quinn's infection, and Kate's. -Oh. | 0:39:16 | 0:39:19 | |
A child was admitted | 0:39:19 | 0:39:20 | |
to the infirmary in Londonderry, Tuesday last. | 0:39:20 | 0:39:23 | |
She was the daughter of an actor | 0:39:23 | 0:39:25 | |
-from a travelling players company. -Marsden's? | 0:39:25 | 0:39:28 | |
That's the name. And, of course, the company had visited Moybeg. | 0:39:28 | 0:39:32 | |
That's the girl, Michael. The little one with the tray. | 0:39:32 | 0:39:35 | |
She sold that awful yellow sweet to Kate. | 0:39:35 | 0:39:37 | |
Well, the child's infection had a very long incubation, | 0:39:37 | 0:39:40 | |
but they got her to hospital | 0:39:40 | 0:39:41 | |
as soon as it was clear that she had scarlet fever. | 0:39:41 | 0:39:44 | |
And... Well, how is she? | 0:39:44 | 0:39:47 | |
I'm afraid she died. | 0:39:47 | 0:39:48 | |
Oh, poor, plucky, little thing. | 0:39:52 | 0:39:56 | |
Yes. | 0:39:56 | 0:39:57 | |
So, the next two days are going to be the big hurdle for Kate. | 0:39:57 | 0:40:01 | |
DOOR OPENS | 0:40:19 | 0:40:22 | |
Little pale fellow. | 0:41:02 | 0:41:04 | |
How do you feel? | 0:41:11 | 0:41:12 | |
I'm all right, Mammy. | 0:41:13 | 0:41:16 | |
What about Kate? | 0:41:16 | 0:41:17 | |
Kate is going to be fine. | 0:41:17 | 0:41:19 | |
Captain Dreyfuss. | 0:41:43 | 0:41:45 | |
I brought you some gas. | 0:41:45 | 0:41:46 | |
Gas? | 0:41:48 | 0:41:49 | |
Petrol. I keep forgetting we're in England. | 0:41:49 | 0:41:51 | |
Ireland! | 0:41:51 | 0:41:53 | |
Michael! Come and see... | 0:41:55 | 0:41:57 | |
It's about four gallons. | 0:41:57 | 0:41:59 | |
It should be enough to get you to the hospital a few times, | 0:41:59 | 0:42:01 | |
to see your daughter. | 0:42:01 | 0:42:03 | |
Captain Dreyfuss has brought us petrol, | 0:42:04 | 0:42:07 | |
so we can get to Magherafelt. I don't know what to say. | 0:42:07 | 0:42:10 | |
Thank you, Captain Dreyfuss. | 0:42:10 | 0:42:12 | |
-We're very grateful. -Let me help you. | 0:42:13 | 0:42:16 | |
I'll put it in the barn loft. | 0:42:17 | 0:42:19 | |
I won't forget this. | 0:42:21 | 0:42:22 | |
Mum! | 0:42:53 | 0:42:54 | |
Mum! Mum! I found... | 0:42:54 | 0:42:57 | |
-Where's Mum? -Upstairs. | 0:42:58 | 0:43:01 | |
I'm glad YOU'RE happy. | 0:43:07 | 0:43:09 | |
I wasn't happy. I was excited. | 0:43:09 | 0:43:12 | |
-Mum! -Francis. | 0:43:19 | 0:43:21 | |
Can I tell you something? | 0:43:22 | 0:43:23 | |
Why is this happening to us? | 0:43:29 | 0:43:31 | |
I don't know. | 0:43:32 | 0:43:34 | |
Maybe, just maybe, we could start with those tins in the cupboard... | 0:43:36 | 0:43:40 | |
Och... | 0:43:40 | 0:43:42 | |
And the men I don't know who come calling | 0:43:42 | 0:43:45 | |
with stuff I don't know about. | 0:43:45 | 0:43:47 | |
And the paint... | 0:43:47 | 0:43:50 | |
I have no paint. They searched. You saw. | 0:43:50 | 0:43:53 | |
They didn't search the lint hole. | 0:43:56 | 0:43:58 | |
Francis found them. | 0:44:07 | 0:44:10 | |
He doesn't know YOU hid them. | 0:44:10 | 0:44:12 | |
You have to stop, Michael. | 0:44:14 | 0:44:15 | |
I'll lose my customers. | 0:44:18 | 0:44:19 | |
Then lose them! | 0:44:19 | 0:44:21 | |
And you won't, as it happens. | 0:44:22 | 0:44:24 | |
It's their ration books that tie them to you, | 0:44:24 | 0:44:25 | |
not stolen goods, for God's sake. | 0:44:25 | 0:44:27 | |
You have to stop. | 0:44:29 | 0:44:31 | |
All I know is that we're paying the price for something right now, | 0:44:31 | 0:44:33 | |
-whatever it is. -"Whatever it is." | 0:44:33 | 0:44:36 | |
I'll tell you what it's not. | 0:44:38 | 0:44:41 | |
It's not a few fags and some corned beef. | 0:44:41 | 0:44:43 | |
And half a dozen tins of paint that I didn't even want, that Podalski - | 0:44:44 | 0:44:48 | |
or whatever his name is - left down instead of bloody paying me. | 0:44:48 | 0:44:51 | |
KATE MURMURS | 0:44:53 | 0:44:54 | |
And how is it always me that's doing the wrong thing? | 0:44:57 | 0:45:00 | |
Why is it never you? | 0:45:02 | 0:45:03 | |
There's a nice head on that stout, Michael. | 0:45:23 | 0:45:26 | |
It's too fizzy sometimes. | 0:45:26 | 0:45:28 | |
You heard about young Maisie Quinn? | 0:45:30 | 0:45:33 | |
-What? -Did you not hear? | 0:45:33 | 0:45:35 | |
She died today. | 0:45:37 | 0:45:38 | |
BELLS TOLL | 0:45:58 | 0:46:01 | |
What? | 0:46:37 | 0:46:38 | |
I'm stopping, OK? | 0:46:44 | 0:46:46 | |
Me too. | 0:46:49 | 0:46:51 | |
Sure, what have you to stop? | 0:46:56 | 0:46:58 | |
Bless me, father, for I have sinned. | 0:47:19 | 0:47:21 | |
Three months since my last confession. | 0:47:22 | 0:47:24 | |
I dealt in stolen goods. | 0:47:29 | 0:47:30 | |
Stolen goods. What do you mean - cigarettes? | 0:47:34 | 0:47:36 | |
Meat. And paint. | 0:47:38 | 0:47:40 | |
Paint? Stolen from where? | 0:47:42 | 0:47:46 | |
The 'drome. | 0:47:47 | 0:47:49 | |
How many tins? | 0:47:51 | 0:47:53 | |
Five, six. Six tins. Cans. | 0:47:56 | 0:48:00 | |
And what colour? | 0:48:03 | 0:48:04 | |
Huh? | 0:48:06 | 0:48:07 | |
Material attribute of the sin. What colour was the paint? | 0:48:07 | 0:48:12 | |
White. | 0:48:12 | 0:48:13 | |
White. | 0:48:14 | 0:48:15 | |
Anything else? | 0:48:18 | 0:48:20 | |
Cursed a number of times. | 0:48:22 | 0:48:23 | |
Lost my temper. | 0:48:24 | 0:48:26 | |
Three Hail Marys. | 0:48:26 | 0:48:27 | |
Oh, have you made restitution? | 0:48:29 | 0:48:31 | |
Restitution? | 0:48:33 | 0:48:34 | |
Have you given the paint back yet? | 0:48:34 | 0:48:36 | |
Not yet. | 0:48:39 | 0:48:40 | |
But I will. | 0:48:41 | 0:48:43 | |
Good. | 0:48:43 | 0:48:44 | |
All in good time. | 0:48:47 | 0:48:48 | |
-Nightmare? -Oh, Mum. | 0:49:13 | 0:49:15 | |
Poor man. What's happened? | 0:49:15 | 0:49:17 | |
It's all my fault. Kate being sick. | 0:49:18 | 0:49:20 | |
I went to the dump with Seamie, | 0:49:21 | 0:49:23 | |
and I brought back a thing, and now Kate's caught scarlet fever from it, | 0:49:23 | 0:49:27 | |
-the way Maisie did. -Listen... | 0:49:27 | 0:49:29 | |
-Now she's going to die. -Francis, listen. | 0:49:29 | 0:49:33 | |
You were told not to go to the dump, and you went, | 0:49:34 | 0:49:37 | |
and you have paid a price, and the price is fear and pain, | 0:49:37 | 0:49:40 | |
but not scarlet fever. | 0:49:40 | 0:49:41 | |
Not your sister's illness. They are not the price of going to the dump. | 0:49:42 | 0:49:47 | |
We know where the scarlet fever came from, | 0:49:49 | 0:49:52 | |
and it did not come from the dump. All right? | 0:49:52 | 0:49:55 | |
-Promise? -Promise. | 0:49:55 | 0:49:57 | |
Think you'll be able to sleep now? | 0:50:00 | 0:50:02 | |
Off to bed. | 0:50:04 | 0:50:05 | |
What was the thing you brought back? | 0:50:11 | 0:50:14 | |
A toy plane. But I washed it. I promise. | 0:50:14 | 0:50:17 | |
-ROSE SIGHS -With Dettol! | 0:50:17 | 0:50:20 | |
That was the smell. | 0:50:20 | 0:50:22 | |
You can show it to me tomorrow. | 0:50:23 | 0:50:25 | |
We'll make sure it's clean. | 0:50:25 | 0:50:27 | |
Now, bed. | 0:50:28 | 0:50:30 | |
I'll be in in a minute. | 0:50:32 | 0:50:34 | |
ROSE TAKES A DEEP BREATH, SIGHS | 0:50:44 | 0:50:47 | |
Francis, Emma, I'm better! | 0:52:50 | 0:52:52 | |
All right, you two, don't smother her... | 0:52:57 | 0:53:01 | |
MICHAEL CHUCKLES | 0:53:01 | 0:53:03 | |
Michael! | 0:53:17 | 0:53:18 | |
Father. | 0:53:18 | 0:53:20 | |
You know, I've been thinking, Michael. | 0:53:20 | 0:53:24 | |
The, er... | 0:53:24 | 0:53:26 | |
The church could do with a coat of paint. | 0:53:26 | 0:53:27 | |
It's got rather shabby in recent years, do you not think? | 0:53:29 | 0:53:33 | |
I couldn't afford to paint the church, Father. | 0:53:33 | 0:53:35 | |
I could make a donation, | 0:53:35 | 0:53:36 | |
but the whole church - that's a lot of paint. | 0:53:36 | 0:53:39 | |
I know, Michael. | 0:53:39 | 0:53:41 | |
I know that. | 0:53:41 | 0:53:42 | |
I recognised your voice, Michael. | 0:53:45 | 0:53:47 | |
What about the confidentiality of the confession box? | 0:53:50 | 0:53:53 | |
Well, this is confidential, Michael. | 0:53:53 | 0:53:55 | |
This is between you and me ... | 0:53:55 | 0:53:57 | |
and God. | 0:53:57 | 0:53:59 | |
And his rundown chapel. | 0:53:59 | 0:54:01 | |
I'm taking the paint back. Making restitution, like you said. | 0:54:01 | 0:54:05 | |
Michael, restitution is going to be difficult. | 0:54:06 | 0:54:09 | |
Smuggling tins of paint back onto a heavily guarded base... | 0:54:09 | 0:54:12 | |
I wouldn't like to try it. | 0:54:14 | 0:54:15 | |
But, er, theologically speaking, I think I can help you here. | 0:54:17 | 0:54:23 | |
You see, when you make restitution, | 0:54:25 | 0:54:30 | |
it means you have to remove yourself from benefitting from your actions. | 0:54:30 | 0:54:34 | |
It doesn't necessarily mean you have to give it back | 0:54:34 | 0:54:37 | |
to where it came from. | 0:54:37 | 0:54:40 | |
As such. | 0:54:40 | 0:54:41 | |
So... | 0:54:43 | 0:54:45 | |
Tomorrow? | 0:54:45 | 0:54:47 | |
Early. | 0:54:48 | 0:54:49 | |
Say, before you open? | 0:54:50 | 0:54:52 | |
Aye. | 0:54:53 | 0:54:54 | |
It's just a little treacherous here, Michael. | 0:55:18 | 0:55:21 | |
Aye. | 0:55:21 | 0:55:22 | |
They're in here. Let's have a look. | 0:55:25 | 0:55:28 | |
Well, they WERE in here. | 0:55:34 | 0:55:36 | |
Somebody's after lifting them. | 0:55:38 | 0:55:40 | |
You're not, er, not playing a trick here, Michael? | 0:55:44 | 0:55:47 | |
Not, er, jesting? | 0:55:49 | 0:55:50 | |
They were in there. Half a dozen of them. | 0:55:50 | 0:55:52 | |
Ah, this parish is full of thieves. Do you know that? | 0:55:56 | 0:55:59 | |
Full of thieves. | 0:56:02 | 0:56:04 | |
Aye. | 0:56:08 | 0:56:09 | |
OLDER FRANCIS: My mother never told me | 0:56:10 | 0:56:12 | |
who had put the tins of paint in the lint hole - | 0:56:12 | 0:56:15 | |
though I worked it out myself many years later - | 0:56:15 | 0:56:18 | |
only that we were going to do the right thing and put them back. | 0:56:18 | 0:56:22 | |
And so we brought them, that evening, to the perimeter fence | 0:56:22 | 0:56:25 | |
by the Bombstore Road, | 0:56:25 | 0:56:26 | |
to the hole where Seamie and I used to wriggle through, | 0:56:26 | 0:56:29 | |
and we stacked them there, | 0:56:29 | 0:56:31 | |
knowing that the military police patrolled that area every day, | 0:56:31 | 0:56:35 | |
and would find them. | 0:56:35 | 0:56:36 | |
And then we went home together | 0:56:38 | 0:56:41 | |
in the twilight, | 0:56:41 | 0:56:43 | |
my mother and I. | 0:56:43 | 0:56:45 | |
Auntie Vera! | 0:56:53 | 0:56:54 | |
You know, I was thinking, | 0:56:54 | 0:56:56 | |
you're even improved since the last visit. | 0:56:56 | 0:56:59 | |
Look, I'm very fond of her. Why wouldn't I? | 0:56:59 | 0:57:01 | |
She's Rose's sister, but she's a loose cannon. | 0:57:01 | 0:57:03 | |
Her and drink don't mix. | 0:57:03 | 0:57:05 | |
-Good morning. -Oh, my gosh! | 0:57:07 | 0:57:10 | |
He is so gorgeous! | 0:57:10 | 0:57:12 | |
Rose! | 0:57:12 | 0:57:14 | |
You're married. | 0:57:14 | 0:57:16 | |
To a man who does not entirely fill your inner space. | 0:57:16 | 0:57:20 | |
I made a promise to get over you, and then I broke it. | 0:57:27 | 0:57:29 | |
and then I thought I'd been saved despite myself and now... | 0:57:29 | 0:57:33 | |
now I'm lost again. | 0:57:33 | 0:57:35 |