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OLDER FRANCIS: I saw a thing about Bing Crosby the other night | 0:00:09 | 0:00:12 | |
on one of those documentary channels. | 0:00:12 | 0:00:14 | |
It recounted how his version of Jingle Bells, | 0:00:14 | 0:00:17 | |
recorded in 1943 with the Andrew Sisters, | 0:00:17 | 0:00:20 | |
sold a million copies, | 0:00:20 | 0:00:23 | |
and it brought memories flooding back, | 0:00:23 | 0:00:26 | |
some that only make sense to me now, | 0:00:26 | 0:00:29 | |
of the first time I heard it, | 0:00:29 | 0:00:31 | |
on the rain-swept aerodrome in Moybeg at Christmas 1943, | 0:00:31 | 0:00:36 | |
a Christmas I will remember as long as I live. | 0:00:36 | 0:00:40 | |
PLANE ENGINES RUMBLE | 0:00:40 | 0:00:43 | |
Francis, that's your sandwich. Put it in your schoolbag. | 0:01:25 | 0:01:29 | |
-Mum. -Mum, where were you? | 0:01:32 | 0:01:34 | |
I went for a walk. | 0:01:34 | 0:01:36 | |
You must be freezing, Mrs Coyne. Would you like a cup of tea? | 0:01:36 | 0:01:39 | |
No, thank you, Sally. I've made myself late. | 0:01:39 | 0:01:42 | |
And why aren't you two off to school? | 0:01:42 | 0:01:44 | |
It's really cold and it's the last day. Can we not stay? | 0:01:44 | 0:01:48 | |
It's character forming. | 0:01:49 | 0:01:51 | |
And there's a surprise. | 0:01:51 | 0:01:52 | |
-At school? -Is it sweets? | 0:01:52 | 0:01:54 | |
It's a surprise. Not sweets. | 0:01:54 | 0:01:57 | |
Now go. | 0:01:57 | 0:01:59 | |
Mr Coyne. | 0:02:15 | 0:02:16 | |
I have the ring ready. I made it a size smaller. | 0:02:16 | 0:02:19 | |
Would you believe my wife and yours have the same size finger? | 0:02:19 | 0:02:22 | |
I took the liberty of letting her try it on. | 0:02:22 | 0:02:24 | |
-I hope you don't mind. -And did she approve? -She did, Michael. | 0:02:24 | 0:02:28 | |
She loves a romantic tale. I have a nice box for it here. | 0:02:28 | 0:02:31 | |
No, no, you take it home with you. Let her try it on, just in case. | 0:02:31 | 0:02:35 | |
How will you give it to her? | 0:02:37 | 0:02:39 | |
The traditional way? Down on one knee? | 0:02:39 | 0:02:41 | |
I might not be able to get up if I did that, Malachy. | 0:02:41 | 0:02:43 | |
The old joints creak a bit these days. | 0:02:43 | 0:02:46 | |
I'm sure I'll manage to find a moment that's right. | 0:02:46 | 0:02:49 | |
Michael Coyne? | 0:02:55 | 0:02:56 | |
I'm, erm, heading out your way. To see Kettie and the cub. | 0:02:58 | 0:03:01 | |
And the new daughter. | 0:03:01 | 0:03:03 | |
If she's mine, huh? | 0:03:03 | 0:03:05 | |
Well, I'm sure Kettie will be rightly pleased. | 0:03:05 | 0:03:07 | |
-Today? I could give you a lift. -No, no, not today. | 0:03:07 | 0:03:11 | |
Closer to Christmas, Michael. | 0:03:11 | 0:03:13 | |
I have some shopping to do first. | 0:03:13 | 0:03:15 | |
Something for Seamie, some catchpenny. | 0:03:15 | 0:03:18 | |
You...you couldn't lend us ten bob, could you, Michael? | 0:03:19 | 0:03:22 | |
I'll pay it back on Boxing Day. | 0:03:22 | 0:03:24 | |
I'll see if I have it. | 0:03:24 | 0:03:26 | |
Thanks, Michael. | 0:03:32 | 0:03:34 | |
Boxing Day. | 0:03:34 | 0:03:35 | |
Oh, aye. | 0:03:35 | 0:03:36 | |
-Boxing Day. -ENGINE STARTS UP | 0:03:43 | 0:03:45 | |
KNOCK ON DOOR | 0:04:05 | 0:04:06 | |
Come in, Master Corey. | 0:04:10 | 0:04:12 | |
Come on... One at a time. | 0:04:13 | 0:04:15 | |
Quiet. Everyone, please. Quiet. | 0:04:16 | 0:04:20 | |
Master Corey... | 0:04:22 | 0:04:25 | |
has an announcement to make. | 0:04:25 | 0:04:27 | |
You have all been invited to a Christmas party. | 0:04:27 | 0:04:30 | |
-CHEERING -Quiet! Quiet! | 0:04:30 | 0:04:33 | |
It's tomorrow, it's on the aerodrome and there might be sweets. | 0:04:33 | 0:04:38 | |
Now, I have a slip of paper here for each of you to give | 0:04:38 | 0:04:41 | |
to your mother when you get home. Arrangements and so on. | 0:04:41 | 0:04:44 | |
Now, it's all written down, it's all on here. | 0:04:44 | 0:04:47 | |
Now, you boys, | 0:04:47 | 0:04:49 | |
there'll be toilets there and I want you to use them. | 0:04:49 | 0:04:52 | |
This is Moybeg on view here. So I want manners, manners, manners. | 0:04:52 | 0:04:57 | |
-When you answer, it's yes...? -ALL: -Sir! -And yes...? -ALL: -Ma'am. | 0:04:57 | 0:05:02 | |
And when you greet someone, it's...? | 0:05:02 | 0:05:05 | |
-Hi, ye blade, ye. -LAUGHTER | 0:05:05 | 0:05:07 | |
Seamus Brady! | 0:05:09 | 0:05:10 | |
It's "hello, sir", "hello, madam". | 0:05:10 | 0:05:13 | |
Now, they've gone to a great deal of trouble for us | 0:05:13 | 0:05:16 | |
down on the aerodrome. | 0:05:16 | 0:05:17 | |
They're rolling out the red carpet for us. | 0:05:17 | 0:05:19 | |
So we want you all in the good clothes. | 0:05:19 | 0:05:22 | |
-Tell your mother, mind. -Who believes in Santa Claus? | 0:05:22 | 0:05:25 | |
Well, we'll see about that when you meet him. | 0:05:27 | 0:05:29 | |
Santa is going to be there in person. He will. | 0:05:29 | 0:05:33 | |
-Just you wait and see. -Go on now. | 0:05:33 | 0:05:35 | |
Off with you. | 0:05:36 | 0:05:37 | |
Boys! Boys! Single file. Go. | 0:05:37 | 0:05:40 | |
No, actually, back, back. | 0:05:40 | 0:05:42 | |
Girls first. | 0:05:42 | 0:05:44 | |
You can take your drawings if you want. | 0:05:45 | 0:05:48 | |
-I seen the doctor's car. -You SAW. | 0:05:56 | 0:05:59 | |
Don't be so snottery, Emma. | 0:05:59 | 0:06:01 | |
I saw the doctor's car on the road yesterday. | 0:06:03 | 0:06:06 | |
No sign of that son of his. | 0:06:06 | 0:06:09 | |
He's probably swotting. | 0:06:09 | 0:06:11 | |
I suppose he reads nothing but books. | 0:06:11 | 0:06:13 | |
Not sure what else he'd read, Barney. | 0:06:13 | 0:06:16 | |
Help me with this, will you? | 0:06:16 | 0:06:18 | |
He looks right stuck up in any way. | 0:06:36 | 0:06:38 | |
He's not a bit stuck up, as it happens. | 0:06:38 | 0:06:41 | |
That's what you think, Emma. | 0:06:41 | 0:06:43 | |
But it's bred into them boys, them doctors' sons. | 0:06:43 | 0:06:46 | |
Well, that's good advice, Barney. | 0:06:46 | 0:06:48 | |
I'll be watching him like a hawk for incipient snobbery. | 0:06:48 | 0:06:52 | |
This fella, Dreyfuss, | 0:06:54 | 0:06:56 | |
he seems to be a man with good ideas about the parish. A thinker. | 0:06:56 | 0:07:01 | |
I have no idea what he thinks. | 0:07:01 | 0:07:03 | |
I've been dealing with Lieutenant Zeigler. | 0:07:03 | 0:07:06 | |
-The nurse? That minded poor Maisie? -The same. | 0:07:06 | 0:07:10 | |
Ah, she's very pretty now, I have to say. Vivacious. | 0:07:10 | 0:07:14 | |
She's like Peggy Lee, do you think? | 0:07:14 | 0:07:16 | |
If Peggy Lee is a proper bossy boots, | 0:07:16 | 0:07:18 | |
then she's definitely like Peggy Lee. | 0:07:18 | 0:07:20 | |
Ah, come on, now, you can't grumble about someone who is willing | 0:07:20 | 0:07:22 | |
to organise a Christmas party, all the same. | 0:07:22 | 0:07:25 | |
I'm willing to try, Jack. | 0:07:25 | 0:07:27 | |
Will you lock up? | 0:07:27 | 0:07:29 | |
Father Nolan's coming for the keys. | 0:07:29 | 0:07:31 | |
See you on the big night. | 0:07:31 | 0:07:33 | |
I was driving past the perimeter track... | 0:07:42 | 0:07:46 | |
Mrs Coyne. I heard music blaring out over the loudspeakers. | 0:07:46 | 0:07:50 | |
I hope they're not going to be playing that. | 0:07:50 | 0:07:52 | |
That was Jingle Bells, I think. | 0:07:52 | 0:07:54 | |
Silent Night would be better. | 0:07:54 | 0:07:57 | |
Or a nice Irish song. She Lived Beside The Anner. | 0:07:57 | 0:08:00 | |
It's not about Christmas as such, | 0:08:00 | 0:08:02 | |
but much more suitable for young minds. | 0:08:02 | 0:08:04 | |
I'll ask if they have | 0:08:04 | 0:08:06 | |
She Lived Beside the Anner in their record collection, Father. | 0:08:06 | 0:08:09 | |
-Meantime, I'd better be off. -Or The Holy City. | 0:08:09 | 0:08:11 | |
John McCormack does that lovely. | 0:08:11 | 0:08:14 | |
HENS CLUCK | 0:08:24 | 0:08:26 | |
You were right about the surprise, Mummy. Here. | 0:08:29 | 0:08:32 | |
I have one, too. | 0:08:32 | 0:08:34 | |
Christmas week, that's right and good. | 0:08:34 | 0:08:37 | |
How did you know about the surprise, Kettie? | 0:08:37 | 0:08:39 | |
Eh? | 0:08:39 | 0:08:41 | |
Seamie said you told him. | 0:08:41 | 0:08:42 | |
Seamie, show Francis the thing you found. He'll know what it is. Go on. | 0:08:42 | 0:08:47 | |
Aye. Come to the room. | 0:08:47 | 0:08:48 | |
What's this? | 0:08:56 | 0:08:57 | |
I don't know. | 0:08:59 | 0:09:00 | |
You got all this stuff from the dump? | 0:09:00 | 0:09:03 | |
Aye. | 0:09:03 | 0:09:04 | |
Look at this. | 0:09:05 | 0:09:07 | |
Well, young Francis? | 0:09:09 | 0:09:10 | |
It's a baseball glove. | 0:09:13 | 0:09:15 | |
They call it a mitt. | 0:09:15 | 0:09:17 | |
Bagful of brains, you are. | 0:09:17 | 0:09:19 | |
You could show it to your daddy, if he came home. | 0:09:19 | 0:09:22 | |
What put that idea into your mind? | 0:09:23 | 0:09:25 | |
People come home for Christmas. | 0:09:25 | 0:09:28 | |
Full of brains. Eh? | 0:09:31 | 0:09:33 | |
How was the town? | 0:09:41 | 0:09:42 | |
Quiet...for Christmas week. | 0:09:42 | 0:09:44 | |
The country's broke, I suppose. | 0:09:47 | 0:09:49 | |
I saw Martin Brady. | 0:09:51 | 0:09:52 | |
-Kettie's Martin? -The same. | 0:09:53 | 0:09:55 | |
-Does Kettie know he's about? -I think so. | 0:09:57 | 0:10:00 | |
He touched me for ten bob. | 0:10:00 | 0:10:02 | |
Said he was going to buy a present for Seamie. | 0:10:02 | 0:10:04 | |
Then he headed straight into the Red Hand. | 0:10:04 | 0:10:07 | |
Do you think Kettie will be happy to see him? | 0:10:09 | 0:10:11 | |
Maybe. For Seamie's sake. | 0:10:11 | 0:10:13 | |
But he's a dead loss, Rose. | 0:10:15 | 0:10:16 | |
She knows that. | 0:10:16 | 0:10:18 | |
Well... | 0:10:20 | 0:10:22 | |
I'd better take over in the pub. | 0:10:22 | 0:10:23 | |
Dad, can we go now? | 0:10:37 | 0:10:39 | |
Barney and I have exhausted the works of Emily Bronte | 0:10:39 | 0:10:42 | |
-as a topic for discussion. -You may. | 0:10:42 | 0:10:44 | |
-Any customers? -Jemmy Fox, two stouts. -Did he pay? -Yes! | 0:10:44 | 0:10:49 | |
There's a nuance. | 0:10:49 | 0:10:52 | |
And the post arrived. | 0:10:52 | 0:10:54 | |
Shoreham, that has to be Vera, and these for you. | 0:10:54 | 0:10:58 | |
Right, Ulster Pig, Christmas edition. | 0:10:58 | 0:11:01 | |
Poultry Journal. | 0:11:01 | 0:11:03 | |
Into the fire. | 0:11:03 | 0:11:04 | |
What's this? | 0:11:05 | 0:11:07 | |
Thanks for coming, James. | 0:11:34 | 0:11:36 | |
-Would you take a half 'un? -I won't, Michael. | 0:11:39 | 0:11:41 | |
Let's get on with this, if you don't mind. | 0:11:41 | 0:11:43 | |
I have here the, er, the letter from Vincent Coyne's solicitor. | 0:11:43 | 0:11:48 | |
-Vincent Coyne's your cousin, right? -On my father's side. | 0:11:48 | 0:11:51 | |
-And the licence on this premises is in his name? -Above the door. | 0:11:51 | 0:11:55 | |
And why is the licence in the name of your cousin? | 0:11:55 | 0:11:58 | |
-30 years ago, James, my mother... -Bella? | 0:11:58 | 0:12:02 | |
I remember her well. God rest her, she was a great woman. | 0:12:02 | 0:12:05 | |
Well, she applied for the job of teacher here. | 0:12:05 | 0:12:08 | |
Father Ryan, the parish priest at the time, | 0:12:08 | 0:12:11 | |
was a crabbed old woman-hater as well as being a closet drunk. | 0:12:11 | 0:12:16 | |
Now, he wouldn't hear of any woman teaching in his school | 0:12:16 | 0:12:19 | |
who was connected with the liquor trade. | 0:12:19 | 0:12:22 | |
So my father asked my uncle Edward to hold the licence for him. | 0:12:22 | 0:12:26 | |
Edward was in poor health. | 0:12:26 | 0:12:28 | |
Vincent, my cousin, was 22, pious, trustworthy, we thought. | 0:12:28 | 0:12:34 | |
So, pious, trustworthy Vincent Coyne wants you to buy back the licence? | 0:12:34 | 0:12:39 | |
For more than this building is worth, James. | 0:12:39 | 0:12:42 | |
-Can Andrew come? -No... | 0:12:43 | 0:12:45 | |
It's for children and teachers. No grown-ups. | 0:12:45 | 0:12:48 | |
I'm not a child. Mum, are you serious? | 0:12:48 | 0:12:51 | |
You're coming as a teacher's assistant, Emma. | 0:12:51 | 0:12:54 | |
-And Andrew isn't invited. -He should be. | 0:12:54 | 0:12:56 | |
He's a doctor. Nearly a doctor. | 0:12:56 | 0:12:59 | |
-And? -There'll be nosebleeds and general hysteria. | 0:12:59 | 0:13:02 | |
He'll be needed. | 0:13:02 | 0:13:04 | |
The place is teeming with real doctors. No! | 0:13:04 | 0:13:08 | |
And besides, is he even home? | 0:13:08 | 0:13:10 | |
SHE SIGHS | 0:13:15 | 0:13:16 | |
The thing is, James, that figure he's asking for... | 0:13:18 | 0:13:22 | |
I don't have it. | 0:13:23 | 0:13:25 | |
-Or anything like it. -Well, that's pub licences for you. | 0:13:25 | 0:13:29 | |
-Would Tomkins lend it to you down at the bank? -No. | 0:13:29 | 0:13:32 | |
You know how much debt my father handed down to me. | 0:13:32 | 0:13:35 | |
And the aerodrome came along just in time to save my bacon. | 0:13:35 | 0:13:39 | |
How in hell did Vincent Coyne manage to run the best wee drapery | 0:13:39 | 0:13:42 | |
in the country into the ground? | 0:13:42 | 0:13:44 | |
The answer's all around you, Michael. On the shelves. | 0:13:44 | 0:13:48 | |
Be thankful you didn't inherit the Coyne gene. | 0:13:48 | 0:13:51 | |
So, what do we do next? | 0:13:51 | 0:13:54 | |
-Solicitor's letter back to him? -I don't think that would be wise. | 0:13:55 | 0:13:59 | |
We've no actual legal case, Michael. | 0:13:59 | 0:14:02 | |
-You're going to have to appeal to his sense of decency. -Decency? | 0:14:02 | 0:14:06 | |
He's trying to take my livelihood away. | 0:14:06 | 0:14:09 | |
Still, you'll have to talk to him. Change his mind. | 0:14:09 | 0:14:13 | |
A solicitor's letter from me will just harden it up. | 0:14:13 | 0:14:16 | |
So, what? | 0:14:18 | 0:14:20 | |
Ask him to meet you here. I'll collect him. | 0:14:20 | 0:14:23 | |
He lives in Hilltown, not five miles away from me. | 0:14:23 | 0:14:26 | |
-Yeah, I thought you said no solicitors? -No solicitor's letter. | 0:14:26 | 0:14:29 | |
I'll be giving him a lift as a friend of you both. | 0:14:29 | 0:14:31 | |
I'll talk to him about the gee-gees. | 0:14:31 | 0:14:33 | |
HE LAUGHS WEAKLY | 0:14:33 | 0:14:35 | |
It wasn't the drink on the own that did it, Michael. | 0:14:35 | 0:14:38 | |
He likes the horses too. | 0:14:38 | 0:14:40 | |
Come on. | 0:14:42 | 0:14:43 | |
-Let's phone him. -Right now? | 0:14:44 | 0:14:46 | |
I see no pressing reason to keep her open. | 0:14:46 | 0:14:49 | |
Let's try and settle this | 0:14:51 | 0:14:53 | |
while it's still the season of goodwill. | 0:14:53 | 0:14:56 | |
I know, Vincent. No, I'll get you a lift. | 0:14:57 | 0:15:01 | |
Yeah. | 0:15:01 | 0:15:02 | |
Before tea time, maybe four or five? | 0:15:04 | 0:15:07 | |
Yeah, James Harrington. | 0:15:09 | 0:15:10 | |
Yeah. | 0:15:12 | 0:15:13 | |
But he's got a car and he'll bring you. | 0:15:13 | 0:15:16 | |
No, it'll just be you and me. | 0:15:17 | 0:15:19 | |
I know. | 0:15:21 | 0:15:23 | |
Yeah, I know what you want. | 0:15:23 | 0:15:25 | |
We'll talk it through, Vincent. | 0:15:26 | 0:15:28 | |
All right? | 0:15:28 | 0:15:30 | |
-The little blirt. -Calm, Michael. | 0:15:34 | 0:15:36 | |
Whatever you do, don't lose the bap. | 0:15:36 | 0:15:38 | |
Right. | 0:15:40 | 0:15:41 | |
VEHICLE PULLS UP | 0:15:45 | 0:15:47 | |
KNOCK ON DOOR | 0:16:05 | 0:16:07 | |
Captain Dreyfuss. | 0:16:26 | 0:16:28 | |
It's an unexpected visit. What can I do for you? | 0:16:28 | 0:16:32 | |
Uh... | 0:16:32 | 0:16:33 | |
I wanted to discuss the arrangements for the party. | 0:16:33 | 0:16:37 | |
But if it's inconvenient... | 0:16:37 | 0:16:39 | |
I'm...working rather hard. Christmas stuff. | 0:16:39 | 0:16:42 | |
Oh. | 0:16:44 | 0:16:46 | |
Erm, perhaps I can come back later, then? | 0:16:46 | 0:16:49 | |
Of course. | 0:16:49 | 0:16:51 | |
If you wish. If it suits your busy schedule. | 0:16:51 | 0:16:53 | |
I've become quite used to dealing with Nurse Zeigler | 0:16:53 | 0:16:56 | |
in the past few weeks, | 0:16:56 | 0:16:57 | |
so if it doesn't suit you, that will be fine. | 0:16:57 | 0:17:00 | |
Mrs Coyne... | 0:17:02 | 0:17:03 | |
-Rose... -Mrs Coyne will do perfectly well. So... | 0:17:06 | 0:17:10 | |
You idiot, Rose Coyne. | 0:17:16 | 0:17:18 | |
VEHICLE PULLS AWAY | 0:18:01 | 0:18:03 | |
FOOTSTEPS AND DOOR CLOSES | 0:18:29 | 0:18:31 | |
Mrs Coyne? | 0:18:31 | 0:18:33 | |
KNOCK ON DOOR | 0:18:39 | 0:18:41 | |
Oh, just a moment. | 0:18:41 | 0:18:42 | |
Come in. | 0:18:48 | 0:18:50 | |
I'm sorry, Mrs Coyne. | 0:18:52 | 0:18:54 | |
I was just coming in and I found this on the doorstep. | 0:18:55 | 0:18:59 | |
Thank you, Sally. Yes, it's, erm... | 0:18:59 | 0:19:02 | |
That'll be, erm, just stuff... | 0:19:02 | 0:19:05 | |
Instructions for the party on the aerodrome. | 0:19:05 | 0:19:09 | |
Thank you, Sally. | 0:19:11 | 0:19:13 | |
Scatty hens! | 0:19:31 | 0:19:33 | |
Why can't you lay in a proper nest, huh? | 0:19:33 | 0:19:36 | |
Hello. | 0:19:41 | 0:19:42 | |
Oh, gosh. | 0:19:44 | 0:19:46 | |
I'm collecting eggs and... | 0:19:46 | 0:19:48 | |
-How did you get here? -I cycled. | 0:19:48 | 0:19:50 | |
Does Mum know you're here? | 0:19:50 | 0:19:52 | |
I knocked on the door, there was no reply, so I searched. | 0:19:52 | 0:19:56 | |
And here you are. | 0:19:56 | 0:19:58 | |
THEY LAUGH NERVOUSLY | 0:19:58 | 0:20:00 | |
I have shoes, normally, for my feet. | 0:20:02 | 0:20:04 | |
Why have you come? | 0:20:06 | 0:20:08 | |
I mean, I'm quite pleased to see you, but... | 0:20:08 | 0:20:11 | |
I'm...I'm doing a study on egg production on Ulster farms, | 0:20:11 | 0:20:15 | |
for my PhD. | 0:20:15 | 0:20:17 | |
Oh. | 0:20:18 | 0:20:19 | |
Emma, I came to see you. | 0:20:19 | 0:20:22 | |
"Where you dwell among the peasants..." | 0:20:24 | 0:20:27 | |
I mean, "Among the untrodden ways." | 0:20:27 | 0:20:31 | |
That's Barney. | 0:20:31 | 0:20:33 | |
And he's not a peasant. He's very smart in his own way. | 0:20:33 | 0:20:36 | |
You're not a snob, are you? I'd hate it if you were a snob. | 0:20:36 | 0:20:40 | |
No, my chum Nicky, he's a terrific snob. I'm not. | 0:20:40 | 0:20:45 | |
No, look, look... | 0:20:45 | 0:20:47 | |
Hey. Hey, Barney. | 0:20:47 | 0:20:48 | |
Well, I tried. | 0:20:52 | 0:20:54 | |
You don't think he's jealous, do you? | 0:20:57 | 0:20:59 | |
This is a test. | 0:21:01 | 0:21:02 | |
A test? | 0:21:02 | 0:21:04 | |
Terrifically crucial. Mum doesn't approve. | 0:21:04 | 0:21:06 | |
-Of me? -Of us. | 0:21:06 | 0:21:08 | |
Of us, is it? | 0:21:08 | 0:21:10 | |
Oh, you're very sure of yourself, Miss Emma Coyne. | 0:21:10 | 0:21:13 | |
All right, let's get this test over with. | 0:21:19 | 0:21:21 | |
You'd better come in. | 0:21:24 | 0:21:26 | |
Barney, I'm going inside! | 0:21:26 | 0:21:28 | |
INDISTINCT SPEECH OUTSIDE | 0:21:28 | 0:21:31 | |
Mum? | 0:21:42 | 0:21:44 | |
Mum! Mum? | 0:21:46 | 0:21:48 | |
I've...I've no idea where Mum's gone. | 0:21:51 | 0:21:54 | |
I suppose, erm, I should go on? | 0:21:54 | 0:21:57 | |
Ah! | 0:22:08 | 0:22:09 | |
-CHILD LAUGHS -Go on. You'd better run! | 0:22:11 | 0:22:13 | |
LAUGHTER | 0:22:13 | 0:22:14 | |
Here, come back, you cheeky little scamp! | 0:22:14 | 0:22:16 | |
Here, you! Yankee boys. | 0:22:35 | 0:22:38 | |
What's this party craic? | 0:22:38 | 0:22:40 | |
We decided to do something nice for the kids. | 0:22:40 | 0:22:43 | |
Yeah, take their minds off this dump. | 0:22:43 | 0:22:45 | |
-LAUGHTER -Tio, easy. | 0:22:45 | 0:22:47 | |
Yeah, we had a whip around. Got them some good stuff. | 0:22:47 | 0:22:50 | |
And you never thought of asking us? | 0:22:50 | 0:22:52 | |
Yeah, we did. And then we decided not to. | 0:22:52 | 0:22:55 | |
LAUGHTER | 0:22:55 | 0:22:57 | |
Well, I'm going anyhow. Asked or not. | 0:22:57 | 0:22:59 | |
-You won't get in, Ned. -We'll see about that, Failey. | 0:22:59 | 0:23:03 | |
-Maybe I'll see you boys up there. -All right, old-timer. | 0:23:04 | 0:23:08 | |
Michael, you're very quiet tonight. | 0:23:12 | 0:23:14 | |
I'm all right, Failey. | 0:23:16 | 0:23:17 | |
Ludo for Francis. | 0:23:40 | 0:23:42 | |
Doll for Kate, courtesy of Auntie Vera. | 0:23:42 | 0:23:45 | |
-There's something for Emma too from that same giver. -Oh. | 0:23:45 | 0:23:47 | |
Sweet Auntie Vera. What is it? | 0:23:47 | 0:23:50 | |
-Santa knows. -Mum! | 0:23:50 | 0:23:53 | |
Did Andrew bring you something? | 0:23:58 | 0:24:00 | |
Andrew? | 0:24:00 | 0:24:01 | |
How did you know he was here? Mum? | 0:24:01 | 0:24:04 | |
-Were you snooping? -I wasn't snooping. | 0:24:04 | 0:24:07 | |
I saw you, that's all. | 0:24:07 | 0:24:10 | |
He came to see me. | 0:24:14 | 0:24:16 | |
That's better than any present. | 0:24:16 | 0:24:18 | |
Yes. | 0:24:18 | 0:24:20 | |
He seems like a nice boy. | 0:24:20 | 0:24:22 | |
Emma, you have to be careful. | 0:24:23 | 0:24:25 | |
Love is a funny thing. | 0:24:26 | 0:24:28 | |
DOOR OPENS | 0:24:34 | 0:24:36 | |
Michael. | 0:24:36 | 0:24:37 | |
You look wrung out, poor thing. | 0:24:40 | 0:24:42 | |
-Tea? -Aye. | 0:24:42 | 0:24:44 | |
Rose... I need to talk to you. | 0:24:52 | 0:24:55 | |
-About? -The pub. | 0:24:58 | 0:25:00 | |
You know the licence is held in my cousin Vincent's name? | 0:25:04 | 0:25:07 | |
Well, the doomsday thing has happened. | 0:25:09 | 0:25:12 | |
Vincent is broke. | 0:25:12 | 0:25:15 | |
And he wants me to buy it back. | 0:25:15 | 0:25:16 | |
Your own licence? | 0:25:18 | 0:25:19 | |
My licence... | 0:25:21 | 0:25:22 | |
..your licence and Emma's and Francis's and Kate's... | 0:25:24 | 0:25:28 | |
And can you? | 0:25:28 | 0:25:30 | |
-Buy it back? -Well, why should I have to, Rose? | 0:25:30 | 0:25:34 | |
This is family, this is trust. | 0:25:34 | 0:25:36 | |
This is everything I believe in. | 0:25:39 | 0:25:41 | |
And it's been thrown in my face. | 0:25:43 | 0:25:45 | |
Michael. | 0:25:50 | 0:25:51 | |
I don't know what to say. | 0:25:53 | 0:25:55 | |
I can't bear to see you betrayed by... | 0:25:55 | 0:25:57 | |
..by someone you trust. | 0:25:58 | 0:26:00 | |
Oh, God, Michael. | 0:26:03 | 0:26:04 | |
Do you think that's stuff for the party? | 0:26:18 | 0:26:20 | |
What do you think's up there? | 0:26:22 | 0:26:24 | |
There's everything, Francis. | 0:26:25 | 0:26:27 | |
Everything. | 0:26:27 | 0:26:28 | |
-Look at Steiger! -Ho-ho-ho! | 0:26:38 | 0:26:41 | |
Hey, guys, it's scary Santa! | 0:26:41 | 0:26:42 | |
Oh, you don't look scary, Mitch. | 0:26:42 | 0:26:45 | |
You look cuddly. | 0:26:45 | 0:26:47 | |
And you got a real Aladdin's cave waiting for you out there. | 0:26:47 | 0:26:50 | |
Well, good, because we're going to have ourselves 40 thieves - minimum. | 0:26:50 | 0:26:54 | |
I reckon I might finally get my hands on a few little reprobates | 0:26:54 | 0:26:58 | |
I've only ever seen running away. | 0:26:58 | 0:27:01 | |
Now! | 0:27:01 | 0:27:02 | |
To my sleigh! | 0:27:02 | 0:27:04 | |
THEY GIGGLE | 0:27:04 | 0:27:06 | |
Michael. | 0:27:23 | 0:27:24 | |
Well? | 0:27:26 | 0:27:27 | |
I'm picking him up. A bit later than you asked, seven. | 0:27:27 | 0:27:30 | |
OK. | 0:27:31 | 0:27:33 | |
What I'll do, James, is I'll close the pub for an hour or so, | 0:27:33 | 0:27:37 | |
bring Vincent over to the house. | 0:27:37 | 0:27:39 | |
Rose and them will be at the party. | 0:27:39 | 0:27:41 | |
That way I can talk to him. | 0:27:41 | 0:27:43 | |
The blirt. | 0:27:43 | 0:27:44 | |
How does your wife get along with Vincent Coyne? | 0:27:45 | 0:27:48 | |
Would it be better he talk to her? | 0:27:48 | 0:27:50 | |
I don't think that'd be a good idea. | 0:27:50 | 0:27:53 | |
Hmm, taken the news bad? | 0:27:53 | 0:27:55 | |
Bad or good, James, is beside the point. | 0:27:55 | 0:27:58 | |
It was me who brought her over to this place. | 0:27:58 | 0:28:01 | |
I can't let it fall down around her. | 0:28:01 | 0:28:04 | |
Higher! | 0:28:04 | 0:28:05 | |
SHE SQUEALS | 0:28:05 | 0:28:07 | |
ENGINE APPROACHES | 0:28:07 | 0:28:09 | |
-Emma. -Barney? | 0:28:14 | 0:28:16 | |
-Your man is here. -Huh? | 0:28:16 | 0:28:18 | |
It's the doctor's car. | 0:28:18 | 0:28:20 | |
Oh, gosh! Is Andrew here? | 0:28:20 | 0:28:21 | |
Emma. | 0:28:24 | 0:28:25 | |
Gosh. | 0:28:25 | 0:28:26 | |
Dad wanted me to get some fish, so I was passing and... | 0:28:26 | 0:28:30 | |
Francis, Kate, into the house and get ready. Seamie, home. | 0:28:30 | 0:28:33 | |
I be to go as well, then, eh? | 0:28:33 | 0:28:35 | |
-Ow! -Sorry! | 0:28:35 | 0:28:37 | |
You did that on purpose, you stupid bloody peasant! | 0:28:37 | 0:28:41 | |
He's not a peasant! | 0:28:41 | 0:28:42 | |
He's my friend! He reads and he knows a lot of things! | 0:28:42 | 0:28:46 | |
And I'm sorry you hurt your arm, and you are a snob! | 0:28:46 | 0:28:49 | |
Emma, I... | 0:28:49 | 0:28:51 | |
Who's the pheasant now, ye boy ye? | 0:28:53 | 0:28:56 | |
Emma, you shouldn't be coming, you're not at school. | 0:29:04 | 0:29:07 | |
Emma's going to be Mum's assistant. | 0:29:07 | 0:29:09 | |
-What's a sistant? -It means you better do what you're told. | 0:29:09 | 0:29:13 | |
Come on. We need to get going. | 0:29:15 | 0:29:18 | |
I don't want to go. | 0:29:18 | 0:29:19 | |
What's wrong? | 0:29:19 | 0:29:21 | |
Nothing. | 0:29:21 | 0:29:22 | |
Emma, what's wrong? | 0:29:23 | 0:29:25 | |
Andrew. I shouted at him. | 0:29:25 | 0:29:27 | |
He called Barney a bird's name. What was it, Francis? | 0:29:27 | 0:29:31 | |
A peasant. | 0:29:31 | 0:29:33 | |
Well, that's not right. | 0:29:34 | 0:29:36 | |
We're all peasants, Mum. | 0:29:36 | 0:29:38 | |
Barney is a peasant, but he's my peasant and Andrew had | 0:29:38 | 0:29:41 | |
no right to say what he did, and I got so cross with him | 0:29:41 | 0:29:45 | |
and he drove away and I'll probably never see him again. | 0:29:45 | 0:29:49 | |
You've a good moral compass, Emma. | 0:29:49 | 0:29:51 | |
I'm proud of you. | 0:29:51 | 0:29:53 | |
I don't want a moral compass, Mum. I want Andrew! | 0:29:53 | 0:29:56 | |
Michael. | 0:30:23 | 0:30:25 | |
When you have a minute. | 0:30:25 | 0:30:26 | |
With you now, Ned. | 0:30:26 | 0:30:28 | |
You having a wee whisky there, Michael? | 0:30:31 | 0:30:34 | |
I thought it didn't agree with you? | 0:30:34 | 0:30:36 | |
EXCITED CHATTER | 0:30:41 | 0:30:44 | |
Look at this. | 0:30:45 | 0:30:47 | |
Is that your one? | 0:30:47 | 0:30:48 | |
Here you are. | 0:30:50 | 0:30:51 | |
You'd better get going. You'll miss it! | 0:30:51 | 0:30:53 | |
That's the way to do it, boys. | 0:30:53 | 0:30:55 | |
I'd say there'll be craic up there, Failey. | 0:30:55 | 0:30:57 | |
Would you say there'll be drink? | 0:30:57 | 0:30:59 | |
I doubt it, Jimmy. It's full of scholars. | 0:30:59 | 0:31:01 | |
I'd say there'd be cake, but... | 0:31:01 | 0:31:04 | |
Cake, and maybe some Yankee whisky. | 0:31:04 | 0:31:06 | |
Well, boys, I'll give yous a full report when I get back. | 0:31:06 | 0:31:09 | |
You said you wouldn't. | 0:31:47 | 0:31:49 | |
You said you'd be sober... | 0:31:50 | 0:31:52 | |
for once in your life. | 0:31:52 | 0:31:54 | |
Oh, come here. I'm fine. | 0:31:54 | 0:31:55 | |
You swore you'd be sober. | 0:31:55 | 0:31:57 | |
And you'd bring him a present. | 0:31:59 | 0:32:01 | |
-Come here to me, Kettie. -No! | 0:32:04 | 0:32:06 | |
BABY CRIES | 0:32:10 | 0:32:12 | |
She'll service every bloody Yank in the country! | 0:32:23 | 0:32:26 | |
You won't come near your husband when | 0:32:26 | 0:32:28 | |
he comes to visit you at Christmas? | 0:32:28 | 0:32:30 | |
Is that it, Kettie?! | 0:32:31 | 0:32:33 | |
Boys! Boys! | 0:32:38 | 0:32:41 | |
CHATTER | 0:32:41 | 0:32:42 | |
Boys! | 0:32:42 | 0:32:44 | |
CHATTER CONTINUES | 0:32:44 | 0:32:46 | |
Boys! | 0:32:48 | 0:32:50 | |
I have to close her for an hour. | 0:32:52 | 0:32:53 | |
GROANS | 0:32:53 | 0:32:55 | |
I have something that needs doing. | 0:32:55 | 0:32:57 | |
You going to thon party, Michael? | 0:32:57 | 0:33:00 | |
Meeting Ned at the bandstand? | 0:33:00 | 0:33:02 | |
Michael, you wouldn't shape at putting us out, would you? | 0:33:02 | 0:33:05 | |
This is our party here. | 0:33:05 | 0:33:06 | |
I have to, Failey. | 0:33:06 | 0:33:08 | |
Boys, look, I'll open her up again in an hour sharp. | 0:33:08 | 0:33:10 | |
That's a guarantee. Now, come on! | 0:33:10 | 0:33:12 | |
I'm taking that glass, Jimmy. | 0:33:15 | 0:33:16 | |
I know the fresh air will do you good, lads. | 0:33:16 | 0:33:19 | |
EXCITED CHATTER | 0:33:24 | 0:33:26 | |
DANCE MUSIC PLAYS | 0:33:46 | 0:33:49 | |
Listen to thon music. | 0:33:49 | 0:33:51 | |
Jitterbug! | 0:33:51 | 0:33:52 | |
I've got the jitters. | 0:33:52 | 0:33:54 | |
Martin. | 0:34:05 | 0:34:06 | |
-One at a time! -Yeah, come on! | 0:34:11 | 0:34:12 | |
Slowly! Slowly now, slowly. | 0:34:12 | 0:34:15 | |
Francis, come on! | 0:34:15 | 0:34:16 | |
Go get you some cake, come on! | 0:34:16 | 0:34:18 | |
-Merry Christmas! -PARTY BLOWER HONKS | 0:34:22 | 0:34:25 | |
Wow. | 0:34:28 | 0:34:29 | |
Whoa. | 0:34:29 | 0:34:30 | |
EXCITED CHATTER | 0:34:32 | 0:34:35 | |
There you go, sugar! Here's a hat for you! | 0:34:45 | 0:34:48 | |
-HORN BLARES -Ho-ho-ho! Merry Christmas! | 0:34:57 | 0:35:00 | |
EXCITED CHATTER AND CHEERING | 0:35:00 | 0:35:02 | |
There's so many of them! Hello, hello! | 0:35:04 | 0:35:06 | |
Have you been good for your mum and dad this year? | 0:35:06 | 0:35:09 | |
Hello! Merry Christmas! | 0:35:09 | 0:35:12 | |
It's a proper martini. Vermouth, decent gin. | 0:35:12 | 0:35:15 | |
I haven't tasted one in years. | 0:35:15 | 0:35:17 | |
Can I have a sip? | 0:35:19 | 0:35:20 | |
A sip. | 0:35:20 | 0:35:22 | |
Gosh. | 0:35:26 | 0:35:28 | |
I can see Vera's point now. | 0:35:28 | 0:35:30 | |
Hey, welcome to our night. Hope you have the greatest time. | 0:35:30 | 0:35:33 | |
When I grow up... | 0:35:36 | 0:35:38 | |
Oh! So, Ron, what do you think? | 0:35:41 | 0:35:43 | |
It looks great. It's a credit to you and the others. | 0:35:44 | 0:35:48 | |
Well, a certain liaison officer thought it up. | 0:35:48 | 0:35:53 | |
And he's either too cool or too modest to take any credit. | 0:35:53 | 0:35:57 | |
So, which is it? | 0:35:58 | 0:36:01 | |
Cool or modest? | 0:36:02 | 0:36:03 | |
Definitely not cool! | 0:36:05 | 0:36:07 | |
You're blushing, Ron Dreyfuss. You look like Rudolph. | 0:36:07 | 0:36:10 | |
What? | 0:36:12 | 0:36:13 | |
Mrs Coyne. | 0:36:15 | 0:36:17 | |
I called to discuss the arrangements with her. | 0:36:17 | 0:36:20 | |
She was a little frosty. | 0:36:20 | 0:36:22 | |
You... | 0:36:22 | 0:36:24 | |
You did tell her, like I asked? | 0:36:24 | 0:36:26 | |
Sure. | 0:36:26 | 0:36:28 | |
You know what? | 0:36:31 | 0:36:32 | |
I may not have. | 0:36:32 | 0:36:34 | |
Hey, I did. | 0:36:37 | 0:36:38 | |
Sure! I did. | 0:36:38 | 0:36:40 | |
Gotta go be a chorus girl. | 0:36:41 | 0:36:43 | |
Stuck-up English bitch. | 0:36:44 | 0:36:46 | |
-Mrs Coyne. -Kettie? | 0:36:56 | 0:36:58 | |
How did you get in? | 0:36:58 | 0:37:00 | |
One of the soldiers knows me. | 0:37:00 | 0:37:03 | |
Oh. | 0:37:05 | 0:37:06 | |
Seamie's father came back. | 0:37:06 | 0:37:08 | |
Oh, Kettie! That's a brilliant surprise. | 0:37:10 | 0:37:13 | |
Somebody gave him a feed of poteen. | 0:37:13 | 0:37:15 | |
He came in drunk. | 0:37:16 | 0:37:18 | |
Oh. | 0:37:20 | 0:37:22 | |
Mrs Coyne, I don't want Seamie to see me like this. | 0:37:22 | 0:37:26 | |
Will I keep Seamie tonight? | 0:37:26 | 0:37:28 | |
I will. | 0:37:28 | 0:37:30 | |
Let me see. | 0:37:32 | 0:37:33 | |
Kettie. | 0:37:36 | 0:37:38 | |
It'll heal, Mrs Coyne. | 0:37:38 | 0:37:40 | |
It always heals. | 0:37:41 | 0:37:43 | |
I have him in good shape, Michael. Play it handy. | 0:37:55 | 0:37:58 | |
I'd say he'd like a whisky to warm him. | 0:37:58 | 0:38:01 | |
Maybe had one already. | 0:38:01 | 0:38:03 | |
Or two. OK? | 0:38:03 | 0:38:05 | |
Vincent. | 0:38:06 | 0:38:08 | |
DISTANT CHATTER AND LAUGHTER | 0:38:41 | 0:38:44 | |
Sir, you are under arrest! | 0:39:01 | 0:39:03 | |
Hey, hey, hey, get your hands off me! | 0:39:03 | 0:39:06 | |
Emma, everything tickety-boo? | 0:39:08 | 0:39:11 | |
Everything is absolutely terrible. | 0:39:11 | 0:39:13 | |
I have been surrounded by wild little beasts, | 0:39:13 | 0:39:15 | |
and I'll probably never see Andrew again. | 0:39:15 | 0:39:18 | |
I should be relieved about that, but, God, what do I know? | 0:39:18 | 0:39:21 | |
Seamie is staying with us tonight. | 0:39:21 | 0:39:23 | |
Is there some logical connection I'm supposed to find | 0:39:23 | 0:39:26 | |
between those two statements? | 0:39:26 | 0:39:27 | |
Mum? | 0:39:27 | 0:39:29 | |
Mrs Coyne. | 0:39:42 | 0:39:44 | |
Captain Dreyfuss. | 0:39:44 | 0:39:45 | |
A moment. | 0:39:46 | 0:39:48 | |
What's this? | 0:39:50 | 0:39:52 | |
-Mrs Coyne, it's a present. -It's so inappropriate. | 0:39:52 | 0:39:55 | |
It's for the family, the table. | 0:39:57 | 0:39:59 | |
I brought it back from Connecticut, from my leave. I thought... | 0:39:59 | 0:40:02 | |
Leave? | 0:40:02 | 0:40:03 | |
You've been on leave? | 0:40:04 | 0:40:06 | |
I've been on leave for two weeks, nearer three. | 0:40:06 | 0:40:09 | |
Back home in New Canaan, Connecticut. I thought... | 0:40:09 | 0:40:12 | |
Tillie didn't tell you, did she? | 0:40:12 | 0:40:15 | |
Oh, gosh. | 0:40:18 | 0:40:19 | |
No, she didn't. | 0:40:20 | 0:40:22 | |
I had no idea. | 0:40:22 | 0:40:23 | |
That's why I was so... | 0:40:23 | 0:40:25 | |
Cold. | 0:40:27 | 0:40:28 | |
I thought you'd simply cut me dead. | 0:40:28 | 0:40:31 | |
I had no business thinking any of it. | 0:40:31 | 0:40:33 | |
Yes, you had, Rose. | 0:40:33 | 0:40:35 | |
Can I call you Rose again? | 0:40:35 | 0:40:37 | |
Yes. | 0:40:37 | 0:40:38 | |
Oh, God, yes, call me anything. | 0:40:38 | 0:40:41 | |
You were away, and you thought I knew and... | 0:40:41 | 0:40:44 | |
Captain. | 0:40:44 | 0:40:46 | |
We have an incident out here. They're looking for you. | 0:40:46 | 0:40:49 | |
I'm on it. | 0:40:49 | 0:40:51 | |
Perhaps we could discuss this further when I'm through with this? | 0:40:56 | 0:40:59 | |
It's the man from the pub, isn't it, Francis? | 0:41:09 | 0:41:12 | |
Ned Hanlon. | 0:41:12 | 0:41:14 | |
I hope he doesn't spoil Christmas. | 0:41:14 | 0:41:16 | |
Thank you, Sergeant. | 0:41:21 | 0:41:22 | |
Mr Hanlon. | 0:41:27 | 0:41:28 | |
I know you. | 0:41:30 | 0:41:32 | |
Yes, you do. Captain Dreyfuss, liaison officer. | 0:41:32 | 0:41:35 | |
Whatever that means! | 0:41:35 | 0:41:36 | |
Mr Hanlon, I would be happy to entertain you, | 0:41:38 | 0:41:40 | |
but this is a matter of security. | 0:41:40 | 0:41:43 | |
I'm going to have to ask the sergeant to escort you. | 0:41:43 | 0:41:46 | |
I came to see my house. I'll not be thrown out! | 0:41:46 | 0:41:49 | |
We will not throw you out, Mr Hanlon. | 0:41:49 | 0:41:51 | |
The sergeant will walk with you as far as the gatehouse. | 0:41:51 | 0:41:55 | |
Well... | 0:41:58 | 0:41:59 | |
I lived here, Captain, | 0:42:02 | 0:42:04 | |
and my father and his father lived here | 0:42:04 | 0:42:08 | |
long before your country was even discovered. | 0:42:08 | 0:42:12 | |
And when yous have gone... | 0:42:12 | 0:42:14 | |
..my people may live here again. | 0:42:15 | 0:42:18 | |
Amen to that, Mr Hanlon. | 0:42:19 | 0:42:20 | |
Now, on your way out, all I can | 0:42:22 | 0:42:24 | |
offer you is a glass of soda, I'm afraid. | 0:42:24 | 0:42:27 | |
Soda? | 0:42:27 | 0:42:28 | |
Sure, soda would be no good to me, son. | 0:42:29 | 0:42:32 | |
I'd take a wee bit of cake, though. | 0:42:34 | 0:42:36 | |
I hope you have a result for me, Michael. | 0:42:47 | 0:42:50 | |
Michael, where is he? | 0:42:56 | 0:42:58 | |
What's after happening here? | 0:42:58 | 0:43:00 | |
It came home to me just what Vincent Coyne's game is. | 0:43:00 | 0:43:04 | |
The betrayal of a sacred trust - his father's and mine - for money. | 0:43:04 | 0:43:08 | |
Michael, for heaven's sake. | 0:43:08 | 0:43:09 | |
I needed you to come to an arrangement with him. | 0:43:09 | 0:43:12 | |
I came to an arrangement. I told him I'd see him in court! | 0:43:12 | 0:43:15 | |
Michael. | 0:43:15 | 0:43:17 | |
I had one drink to stiffen my nerve. | 0:43:17 | 0:43:19 | |
One drink. | 0:43:22 | 0:43:24 | |
Yeah, one. | 0:43:24 | 0:43:25 | |
And where is your cousin? | 0:43:25 | 0:43:27 | |
Waiting for you under a tree, I suppose. | 0:43:28 | 0:43:30 | |
Michael, did you put him out? In the cold? | 0:43:30 | 0:43:33 | |
Where are you going? | 0:43:35 | 0:43:37 | |
To find him! | 0:43:37 | 0:43:39 | |
See if I can salvage anything, see if I can save your pub! | 0:43:39 | 0:43:43 | |
# Jingle bells, jingle bells Jingle all the way | 0:43:48 | 0:43:51 | |
# Oh, what fun it is to ride in a one-horse open sleigh | 0:43:51 | 0:43:55 | |
# Jingle bells, jingle bells Jingle all the way | 0:43:56 | 0:43:59 | |
# What fun to ride a sleigh in a one-horse open sleigh | 0:43:59 | 0:44:04 | |
# Dashing through the snow in a one-horse open sleigh | 0:44:04 | 0:44:07 | |
# O'er the fields we go Happy all the way | 0:44:07 | 0:44:11 | |
# Bells on bobtails ring Making spirits bright | 0:44:11 | 0:44:15 | |
# What fun to ride and sing a sleighing song tonight | 0:44:15 | 0:44:20 | |
# Jingle bells, jingle bells | 0:44:20 | 0:44:23 | |
# Jingle all the way | 0:44:23 | 0:44:26 | |
# Oh, what fun it is to ride in a one-horse open sleigh | 0:44:27 | 0:44:34 | |
# Ba-da-da-da-da-brap | 0:44:34 | 0:44:36 | |
# Jingle bells, j-j-j-jingle bells | 0:44:36 | 0:44:39 | |
# Jingle all the way | 0:44:40 | 0:44:42 | |
# Oh, what fun it is to ride in a one-horse open sleigh | 0:44:43 | 0:44:51 | |
# Jingle bells, jingle bells Jingle all the way | 0:45:07 | 0:45:11 | |
# Oh, what fun it is to ride in a one-horse open sleigh... # | 0:45:11 | 0:45:21 | |
CHEERING | 0:45:23 | 0:45:25 | |
-What are we going to do? -Rose... | 0:45:33 | 0:45:35 | |
I tried to convince myself that you not caring for me was for the best. | 0:45:35 | 0:45:39 | |
-It was for the best. -Yes. | 0:45:39 | 0:45:41 | |
And here in my head I knew that, and so I didn't ask Tillie about you | 0:45:41 | 0:45:44 | |
and yet every time I met her, I wanted to tug at her sleeve | 0:45:44 | 0:45:46 | |
and say, "Where is he? Why doesn't he love me any more?" | 0:45:46 | 0:45:50 | |
while my heart screamed out, "..As I love him." | 0:45:50 | 0:45:53 | |
And all the while, I have children who love me, and a good man | 0:45:53 | 0:45:56 | |
who doesn't tell me, but who I know loves me, | 0:45:56 | 0:45:58 | |
and every day I am unfaithful to him in my mind. | 0:45:58 | 0:46:00 | |
Oh, hey! | 0:46:00 | 0:46:02 | |
What a surprise. Captain Dreyfuss and Mrs Coyne. | 0:46:02 | 0:46:06 | |
I'm guessing you missed the Tillie Girls' moment of fame. | 0:46:07 | 0:46:10 | |
You didn't tell Mrs Coyne that I was on leave. | 0:46:10 | 0:46:13 | |
I forgot. | 0:46:15 | 0:46:17 | |
You worked with me for two weeks on the planning of this party. | 0:46:17 | 0:46:20 | |
How could you forget? | 0:46:20 | 0:46:22 | |
I didn't think it would be that important for Mrs Coyne, | 0:46:22 | 0:46:26 | |
so it slipped my mind. | 0:46:26 | 0:46:28 | |
I was busy. | 0:46:29 | 0:46:31 | |
Busy, busy. I'm sorry, Captain. | 0:46:31 | 0:46:33 | |
Now, I've got to take you away. | 0:46:33 | 0:46:35 | |
We need you downstairs doing your job, | 0:46:35 | 0:46:37 | |
saying good night to the kids and thanking the good people | 0:46:37 | 0:46:40 | |
who organised and executed this party. | 0:46:40 | 0:46:43 | |
I need to go home early. | 0:47:00 | 0:47:02 | |
Mum? | 0:47:02 | 0:47:03 | |
Will you bring Francis and Kate? | 0:47:03 | 0:47:04 | |
And Seamie. | 0:47:04 | 0:47:05 | |
Mum, what is happening? | 0:47:05 | 0:47:07 | |
CHEERING AND APPLAUSE | 0:47:09 | 0:47:11 | |
Well, boys and girls of Moybeg, I hope you had a night to remember. | 0:47:16 | 0:47:20 | |
CHEERING | 0:47:20 | 0:47:23 | |
I hope each and every one of you got all the candies and cookies | 0:47:26 | 0:47:29 | |
and soda you could handle, and the present you always wanted. | 0:47:29 | 0:47:33 | |
Sadly, it's time to go home. | 0:47:33 | 0:47:34 | |
GROANING | 0:47:34 | 0:47:36 | |
So, on your behalf, I want to thank the teachers who brought you here | 0:47:36 | 0:47:39 | |
and who are going to see you back to the guardhouse. | 0:47:39 | 0:47:42 | |
And all the boys and girls from Station 328, | 0:47:42 | 0:47:44 | |
Tillie and the Tillie Girls... | 0:47:44 | 0:47:47 | |
all the singers and dancers, the band. | 0:47:47 | 0:47:51 | |
FANFARE PLAYS | 0:47:51 | 0:47:53 | |
Snow White, Santa Claus, can't forget him. | 0:47:54 | 0:47:57 | |
You boys and girls gave the kids a good time, and I believe | 0:47:59 | 0:48:02 | |
enhanced the image and standing of Station 328 in the community | 0:48:02 | 0:48:06 | |
of Moybeg. | 0:48:06 | 0:48:07 | |
I want to thank all of you for your effort, for your dedication, | 0:48:07 | 0:48:11 | |
for your... | 0:48:11 | 0:48:12 | |
-Hear! Hear! -..sense of optimism and fun in these dark times. | 0:48:12 | 0:48:18 | |
We can tidy up in the morning. | 0:48:18 | 0:48:19 | |
For now, I think you can allow yourselves to take a bow, | 0:48:19 | 0:48:22 | |
and a drink while you're at it. | 0:48:22 | 0:48:24 | |
Good night, kids. Safe home. | 0:48:29 | 0:48:32 | |
Happy Christmas! | 0:48:32 | 0:48:33 | |
Good words. | 0:48:37 | 0:48:39 | |
Don't be angry, Ron. | 0:48:42 | 0:48:44 | |
Why would I be angry? | 0:48:44 | 0:48:46 | |
About my not telling Rose Coyne you went on leave. | 0:48:47 | 0:48:50 | |
You know what? | 0:48:54 | 0:48:56 | |
I did it to save her from herself. | 0:48:56 | 0:48:59 | |
She was a jackrabbit in the headlights. | 0:49:01 | 0:49:03 | |
Not that I blame her. | 0:49:05 | 0:49:06 | |
But she's a married woman. | 0:49:08 | 0:49:11 | |
As I am a married man. | 0:49:13 | 0:49:15 | |
My wife Rhonda has fought a long battle with mental illness. | 0:49:18 | 0:49:22 | |
My three weeks' leave was for her attempted suicide. | 0:49:22 | 0:49:25 | |
So, you're right. | 0:49:26 | 0:49:28 | |
It probably didn't matter if Mrs Coyne knew I was away. | 0:49:28 | 0:49:31 | |
Probably for the best. | 0:49:33 | 0:49:35 | |
I feel sick. The podcorm. | 0:49:40 | 0:49:43 | |
Popcorn. | 0:49:43 | 0:49:44 | |
Emma! Emma! | 0:49:44 | 0:49:46 | |
You're here! | 0:49:46 | 0:49:47 | |
I came to tell you I'm so, so sorry. | 0:49:47 | 0:49:49 | |
I even apologised to Barney. THUNDER RUMBLES | 0:49:49 | 0:49:51 | |
He wasn't much mollified, but ... | 0:49:51 | 0:49:54 | |
Would you please, please forgive me? | 0:49:54 | 0:49:56 | |
If you knew how sad I was. | 0:49:56 | 0:49:58 | |
-Yes! -Yes? Yes! | 0:49:58 | 0:50:00 | |
Oh, I can give you a lift home. I can give you a life home, yeah? | 0:50:00 | 0:50:03 | |
Yes! | 0:50:03 | 0:50:05 | |
Come on, guys, let's get in. Oh, muddy shoes! | 0:50:05 | 0:50:08 | |
Dad is gonna to kill me. Come on, in you go. | 0:50:08 | 0:50:10 | |
Rose! | 0:50:14 | 0:50:15 | |
Rose! | 0:50:17 | 0:50:19 | |
I'm sorry. I thought Rose might be... | 0:50:21 | 0:50:24 | |
Mum's gone home. | 0:50:24 | 0:50:25 | |
I just wanted to say... | 0:50:25 | 0:50:27 | |
..good night. | 0:50:29 | 0:50:31 | |
Shall I tell her? | 0:50:31 | 0:50:32 | |
Rose. | 0:51:33 | 0:51:34 | |
You're soaked. | 0:51:34 | 0:51:36 | |
Yes. Need to change. | 0:51:36 | 0:51:38 | |
Where are the children? | 0:51:38 | 0:51:40 | |
Emma's bringing them home. | 0:51:40 | 0:51:41 | |
Here. | 0:51:50 | 0:51:51 | |
Let me. | 0:51:52 | 0:51:54 | |
Why aren't you at the pub? | 0:52:00 | 0:52:01 | |
I closed it. | 0:52:03 | 0:52:05 | |
I took the night off. | 0:52:05 | 0:52:07 | |
Michael, have you been drinking? | 0:52:09 | 0:52:11 | |
One. To give me courage. | 0:52:13 | 0:52:15 | |
Courage? | 0:52:16 | 0:52:18 | |
Oh, Lord, what... | 0:52:18 | 0:52:20 | |
What do you... | 0:52:20 | 0:52:22 | |
What do you know? | 0:52:22 | 0:52:24 | |
DOOR OPENS | 0:52:24 | 0:52:26 | |
The children, thank God! | 0:52:26 | 0:52:28 | |
Mum, we're here! | 0:52:30 | 0:52:32 | |
Andrew brought us home. | 0:52:39 | 0:52:40 | |
Dry as bones. | 0:52:40 | 0:52:42 | |
I bet he'd like a cup of tea. | 0:52:42 | 0:52:44 | |
Er, yes, that'd be lovely. | 0:52:44 | 0:52:46 | |
He'd better be getting off home. | 0:52:46 | 0:52:48 | |
Get the children upstairs. | 0:52:48 | 0:52:50 | |
Good night, Andrew. | 0:52:50 | 0:52:52 | |
Daddy, we saw Santa and a cowboy and a pretty girl | 0:52:52 | 0:52:54 | |
and the drunk man from the pub. | 0:52:54 | 0:52:57 | |
Snow White. | 0:52:57 | 0:52:58 | |
And Ned Hanlon. | 0:52:58 | 0:53:00 | |
I'll come up and hear everything in a minute, I promise. | 0:53:00 | 0:53:03 | |
Upstairs now. | 0:53:03 | 0:53:05 | |
Rose, please. | 0:53:05 | 0:53:07 | |
Oh, peasant. | 0:53:08 | 0:53:09 | |
Rose Coyne, I, erm... | 0:53:21 | 0:53:24 | |
..I have something to give you. | 0:53:26 | 0:53:28 | |
I should have given it to you years ago. | 0:53:28 | 0:53:30 | |
-It's for the one I never got you. -Oh, God, no. -Take it. | 0:53:36 | 0:53:39 | |
It's beautiful. | 0:53:42 | 0:53:44 | |
I don't deserve such a thing. | 0:53:44 | 0:53:46 | |
Put it on. | 0:53:46 | 0:53:48 | |
I... | 0:53:48 | 0:53:49 | |
I don't deserve it. | 0:53:51 | 0:53:52 | |
-I don't deserve you. -VEHICLE PULLS UP | 0:53:54 | 0:53:57 | |
-I... -Don't say "I love you". I know you do, Rose. | 0:53:57 | 0:54:00 | |
It's Harrington! | 0:54:02 | 0:54:04 | |
There's someone at the door, grown-ups! | 0:54:16 | 0:54:19 | |
Dammit! | 0:54:22 | 0:54:24 | |
James. | 0:54:33 | 0:54:34 | |
I had to come back, Michael. | 0:54:34 | 0:54:36 | |
Oh, hello, Mrs Coyne. | 0:54:39 | 0:54:41 | |
Just go through there. | 0:54:41 | 0:54:42 | |
I spoke to him. | 0:54:45 | 0:54:47 | |
He's bulling mad, Michael. | 0:54:47 | 0:54:48 | |
He says he's not letting you buy it back. | 0:54:48 | 0:54:51 | |
He's putting it on the open market. | 0:54:51 | 0:54:53 | |
To sell to allcomers? | 0:54:53 | 0:54:55 | |
He'd sell the licence to a stranger over our head? | 0:54:57 | 0:55:00 | |
Well, that seems to be his mind-set, I'm afraid. | 0:55:00 | 0:55:03 | |
Oh, happy Christmas. | 0:55:07 | 0:55:09 | |
Oh, God. | 0:55:11 | 0:55:13 | |
Good night, Mr Coyne, Mrs Coyne. | 0:55:13 | 0:55:15 | |
Andrew, good night. | 0:55:15 | 0:55:17 | |
This house is like a French farce. | 0:55:19 | 0:55:21 | |
People emerging from cupboards. | 0:55:21 | 0:55:23 | |
Where do I put Seamie? | 0:55:23 | 0:55:24 | |
Anywhere. | 0:55:25 | 0:55:27 | |
Rose? | 0:55:34 | 0:55:35 | |
I... | 0:55:36 | 0:55:37 | |
I forgot something. | 0:55:42 | 0:55:44 | |
Rose! | 0:55:45 | 0:55:46 | |
It's called a dressing table. | 0:55:46 | 0:55:48 | |
I think Mammy's getting one of them. | 0:55:48 | 0:55:50 | |
Rose! | 0:56:08 | 0:56:10 | |
ENGINE TURNS OVER | 0:56:21 | 0:56:24 | |
Rose! | 0:56:33 | 0:56:34 | |
ENGINE TURNS OVER | 0:56:35 | 0:56:39 | |
Rose! | 0:56:39 | 0:56:40 | |
I came to tell you... | 0:57:11 | 0:57:13 | |
I know. I need to go. | 0:57:13 | 0:57:15 | |
Yes! | 0:57:15 | 0:57:17 | |
A posting...far away... | 0:57:17 | 0:57:19 | |
-to save us both. -Yes. | 0:57:19 | 0:57:21 | |
Far away. | 0:57:21 | 0:57:23 | |
No! | 0:57:30 | 0:57:32 | |
Rose... | 0:57:32 | 0:57:34 | |
No, never leave me. | 0:57:34 | 0:57:36 |