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'There once lived a man called Nicholas Nickleby. | 0:00:01 | 0:00:05 | |
'He was a good man. | 0:00:06 | 0:00:08 | |
'A family man and a farmer, with a loving wife, two loving children | 0:00:08 | 0:00:12 | |
'and a modest property in the county of Devonshire. | 0:00:12 | 0:00:14 | |
'Nicholas Nickleby had it all. | 0:00:16 | 0:00:18 | |
'Then he lost it.' | 0:00:19 | 0:00:20 | |
'His son, Nick, took after him in many ways. | 0:00:34 | 0:00:37 | |
'A good boy with a warm, young heart, kind and true. | 0:00:40 | 0:00:44 | |
'Bit of a temper, mind you.' | 0:00:47 | 0:00:49 | |
DOOR SLAMS | 0:00:49 | 0:00:50 | |
'Nick thought he was ready to step up | 0:00:59 | 0:01:01 | |
'and guide the family through their loss. | 0:01:01 | 0:01:03 | |
'But he didn't yet know just how much they'd lost. | 0:01:05 | 0:01:09 | |
'And how his life was going to change, for ever.' | 0:01:09 | 0:01:14 | |
He was a good man, Mrs Nickleby. | 0:01:55 | 0:01:57 | |
He was a saint, doctor. A saint. | 0:01:57 | 0:01:59 | |
But he worked too hard. | 0:01:59 | 0:02:01 | |
I kept telling him, stress is a killer. | 0:02:01 | 0:02:04 | |
I went on and on and on, | 0:02:04 | 0:02:06 | |
but he wouldn't listen - and now look at him! | 0:02:06 | 0:02:08 | |
What am I going to do without him? | 0:02:08 | 0:02:11 | |
Its all right, Mum. Everything's going to be all right. | 0:02:11 | 0:02:14 | |
HORN TOOTS | 0:02:14 | 0:02:17 | |
He says we're too late. They're putting the farm up for sale. | 0:02:25 | 0:02:28 | |
They can't! Tell him they can't. | 0:02:28 | 0:02:30 | |
We have to pay up or get out. Today. | 0:02:30 | 0:02:33 | |
-Today? -Can't we talk to the bank? | 0:02:33 | 0:02:35 | |
They're not going to help us. Dad was in debt. | 0:02:35 | 0:02:38 | |
-Something about the stock market. -How could he have done that? | 0:02:38 | 0:02:42 | |
He couldn't even put the card in the hole-in-the-wall | 0:02:42 | 0:02:45 | |
without it being eaten. | 0:02:45 | 0:02:47 | |
-He's lost everything! -I mean, he was a good man, | 0:02:47 | 0:02:49 | |
he was just clueless! | 0:02:49 | 0:02:53 | |
Ooh, these are nice. | 0:02:55 | 0:02:56 | |
It's a special balsam. | 0:02:56 | 0:02:58 | |
Oh, thanks. | 0:02:58 | 0:02:59 | |
There must be something we can do. | 0:03:01 | 0:03:03 | |
We don't know anybody with that kind of money. | 0:03:03 | 0:03:05 | |
Well, there is always Ralph. | 0:03:05 | 0:03:07 | |
Ralph who? | 0:03:08 | 0:03:10 | |
Your uncle. I know your father and he had their differences, | 0:03:10 | 0:03:13 | |
-but still, he is family. -I've never even met the man. | 0:03:13 | 0:03:16 | |
Your dad invited him to our wed... Oi! | 0:03:16 | 0:03:18 | |
Your dad invited him to our wedding and to both your christenings. | 0:03:18 | 0:03:23 | |
But he was always too busy to come, and he lives in London. | 0:03:23 | 0:03:27 | |
Does he know that Dad's died yet? | 0:03:27 | 0:03:29 | |
Well, I've been a little bit busy myself. | 0:03:29 | 0:03:32 | |
I believe he's done very well for himself in the City. | 0:03:32 | 0:03:34 | |
I don't even have the man's phone number. | 0:03:34 | 0:03:37 | |
Don't worry, Mum. I'll find it. | 0:03:37 | 0:03:40 | |
KEYS JANGLE | 0:03:40 | 0:03:41 | |
RINGING TONE | 0:03:41 | 0:03:43 | |
'This is the answering service for Ralph Nickleby Associates. | 0:03:43 | 0:03:45 | |
'Please leave a message after the tone.' | 0:03:45 | 0:03:48 | |
BEEP | 0:03:48 | 0:03:49 | |
Hi, there. I'm Mr Nickleby's nephew, Nick. | 0:03:49 | 0:03:55 | |
I need to speak to him about my dad. | 0:03:55 | 0:03:58 | |
I'm coming to London today. | 0:03:58 | 0:03:59 | |
I'll be back soon, Dad. | 0:04:06 | 0:04:08 | |
'Ralph Nickleby was very different to his brother. | 0:04:27 | 0:04:30 | |
'He wasn't a good man, a family man, or a farmer. | 0:04:30 | 0:04:33 | |
'Few people knew exactly what Ralph Nickleby did for a living. | 0:04:34 | 0:04:37 | |
'But he enjoyed the reputation of being immensely rich.' | 0:04:37 | 0:04:41 | |
Verisopht's here. | 0:04:41 | 0:04:43 | |
The Right Honourable Jeremy Verisopht MP. | 0:04:43 | 0:04:46 | |
Show the man a little respect, Noggs. | 0:04:47 | 0:04:50 | |
Shall I show him in? | 0:04:50 | 0:04:52 | |
No. | 0:04:52 | 0:04:53 | |
Let him wait. | 0:04:55 | 0:04:57 | |
'I knew him better than anyone else. | 0:04:57 | 0:05:00 | |
'Unfortunately.' | 0:05:00 | 0:05:01 | |
He's busy. | 0:05:12 | 0:05:14 | |
BEEP | 0:05:24 | 0:05:26 | |
'Hi, there. I'm Mr Nickleby's nephew, Nick.' | 0:05:26 | 0:05:30 | |
I'm still busy. | 0:05:32 | 0:05:34 | |
A message from Nick Nickleby. | 0:05:34 | 0:05:36 | |
Is he bankrupt yet? | 0:05:36 | 0:05:37 | |
-A message from his son. -What does he want? | 0:05:37 | 0:05:40 | |
He sounded upset. He's coming to see you. | 0:05:40 | 0:05:43 | |
My brother must be too embarrassed to see me. | 0:05:43 | 0:05:46 | |
Maybe he thought he could trust your advice, him being your brother. | 0:05:46 | 0:05:49 | |
Why should I wave a magic wand and make his debts disappear? | 0:05:49 | 0:05:52 | |
What should I tell the kid? | 0:05:52 | 0:05:54 | |
I'm busy. Get rid of him. | 0:05:54 | 0:05:55 | |
Ralph, sorry. There's a vote in the House at three. | 0:05:57 | 0:06:00 | |
Certainly. I've got a couple of minutes. Do take a seat. | 0:06:00 | 0:06:02 | |
Ah, Hawkovsky. They say he's a first-rate businessman. | 0:06:04 | 0:06:08 | |
Even I would run a mile from Vladimir Hawkovsky. | 0:06:08 | 0:06:11 | |
And you know I'm not especially discerning. | 0:06:11 | 0:06:14 | |
How is our bid coming along? | 0:06:14 | 0:06:17 | |
Sorry I'm late, Mr Noggs. | 0:06:28 | 0:06:30 | |
Late again, Miss Bhray. | 0:06:30 | 0:06:32 | |
Maia was up all night. My dad's looking after her now. | 0:06:32 | 0:06:36 | |
I'll make up for it, work late. | 0:06:36 | 0:06:38 | |
I've already done up there. | 0:06:38 | 0:06:41 | |
Don't want to upset Mr Nickleby now, do we? | 0:06:41 | 0:06:43 | |
Oh, Mr Hawkovsky. Didn't hear the buzzer. | 0:06:47 | 0:06:50 | |
Have you got an appointment? | 0:06:50 | 0:06:52 | |
I do not need appointment. Your boss needs my money. | 0:06:52 | 0:06:56 | |
Perhaps you'd be more comfortable in the boardroom. | 0:06:56 | 0:07:00 | |
I've been working on the other committee members. | 0:07:02 | 0:07:05 | |
If we could award you the contract for the care homes now | 0:07:05 | 0:07:08 | |
we would, but we have to be seen to be going through the process. | 0:07:08 | 0:07:11 | |
But the committee is on side? I'm paying you handsomely enough. | 0:07:11 | 0:07:14 | |
The care homes are yours, as long as you have the capital in place. | 0:07:14 | 0:07:18 | |
I told you, I have an investment partner. | 0:07:18 | 0:07:21 | |
Highly respectable, but prefers to keep his good works anonymous. | 0:07:21 | 0:07:23 | |
The less I know about that the better. | 0:07:23 | 0:07:26 | |
I just want you to promise me it'll all look above board? | 0:07:26 | 0:07:30 | |
People will be all over this. | 0:07:30 | 0:07:32 | |
It's worth billions. | 0:07:32 | 0:07:35 | |
I can promise you, My Honourable Friend, | 0:07:35 | 0:07:38 | |
it will be as clean as the kitchen surfaces in my flagship care home. | 0:07:38 | 0:07:44 | |
Spotless. | 0:07:45 | 0:07:47 | |
Your dad just called. | 0:07:51 | 0:07:53 | |
I told him never to call here except in...emergencies. | 0:07:53 | 0:07:57 | |
Your daughter needs to go to hospital. | 0:07:59 | 0:08:02 | |
I'm so sorry. | 0:08:02 | 0:08:04 | |
So am I. | 0:08:04 | 0:08:05 | |
No... Mr Noggs, I need this job. Just give me a chance. | 0:08:05 | 0:08:11 | |
Pastoral issues aren't our strong point. | 0:08:11 | 0:08:13 | |
DOOR BUZZER | 0:08:13 | 0:08:14 | |
You'd better go. | 0:08:14 | 0:08:15 | |
Hello? | 0:08:19 | 0:08:20 | |
It's Nick Nickleby. | 0:08:20 | 0:08:22 | |
We're here to see Mr Nickleby. About his brother? | 0:08:22 | 0:08:25 | |
'He's busy.' | 0:08:25 | 0:08:27 | |
Associates. You could be one of those, Nick. | 0:08:30 | 0:08:34 | |
He can't even get us in the door. | 0:08:34 | 0:08:36 | |
"Nickleby & Nickleby." "Ralph Nickleby & Nephew." | 0:08:36 | 0:08:40 | |
-Excuse me, do you work here? -No, I don't. | 0:08:42 | 0:08:45 | |
We need to see Ralph Nickleby. I don't suppose... | 0:08:45 | 0:08:48 | |
I can't help you. | 0:08:48 | 0:08:50 | |
Are you all right? | 0:08:50 | 0:08:51 | |
I've got to go. | 0:08:53 | 0:08:55 | |
Can you take us to Hackney for...£3.68? | 0:08:57 | 0:09:00 | |
-Please. It's an emergency. -Here. | 0:09:00 | 0:09:03 | |
I don't even know you. | 0:09:05 | 0:09:06 | |
Nick Nickleby. | 0:09:06 | 0:09:08 | |
Will this get her to Hackney? | 0:09:08 | 0:09:10 | |
You'd better go. | 0:09:11 | 0:09:13 | |
Thanks, Nick Nickleby. | 0:09:14 | 0:09:17 | |
When you've stopped trying to pull, we still need to get in. | 0:09:27 | 0:09:30 | |
So if you'd just sign here... | 0:09:30 | 0:09:33 | |
All in good time, my friend. | 0:09:33 | 0:09:34 | |
But we've agreed terms. The committee meets on Friday. | 0:09:34 | 0:09:37 | |
Then I have plenty of time to... What is it that you say? | 0:09:37 | 0:09:42 | |
..To sleep with it. | 0:09:42 | 0:09:43 | |
Vladimir, you're getting the deal of the century here. | 0:09:43 | 0:09:46 | |
I mean, it's better than oil, it's better than gas. | 0:09:46 | 0:09:49 | |
Old people will never run out. | 0:09:49 | 0:09:51 | |
I see. | 0:09:52 | 0:09:54 | |
(HE LAUGHS) I love this country! | 0:09:54 | 0:09:58 | |
Everybody's in such a hurry! | 0:09:58 | 0:10:00 | |
I will talk to my lawyers. I will sign your contract tomorrow. | 0:10:00 | 0:10:04 | |
Thank you. | 0:10:04 | 0:10:06 | |
And if you could avoid... | 0:10:06 | 0:10:07 | |
..some of your underage activities... | 0:10:09 | 0:10:12 | |
We wouldn't want anything to risk throwing this off course, would we? | 0:10:12 | 0:10:16 | |
The newspapers pay these silly girls to tell these lies. | 0:10:16 | 0:10:20 | |
Next time, I will pay them more to stay quiet. | 0:10:21 | 0:10:25 | |
Say you've forgotten your bag. Try to sound upset. | 0:10:25 | 0:10:29 | |
I've forgotten my bag. | 0:10:32 | 0:10:34 | |
DOOR BUZZES | 0:10:34 | 0:10:36 | |
Wait here. I won't be long. | 0:10:36 | 0:10:38 | |
Are you sure you left it in here? | 0:10:40 | 0:10:42 | |
Sorry. That was a bit of a lie. | 0:10:43 | 0:10:46 | |
I have to see my uncle. | 0:10:46 | 0:10:48 | |
-I told you already, he's busy! -Can I wait? It's important. | 0:10:48 | 0:10:52 | |
-He doesn't want to see you, or your dad. -My dad's dead! | 0:10:52 | 0:10:56 | |
What? | 0:10:56 | 0:10:58 | |
He died last week. | 0:10:58 | 0:11:00 | |
I didn't know. | 0:11:00 | 0:11:02 | |
Newman Noggs... | 0:11:03 | 0:11:06 | |
Your uncle's... | 0:11:06 | 0:11:08 | |
associate. | 0:11:08 | 0:11:09 | |
Good to meet you, Newman. | 0:11:09 | 0:11:11 | |
I really need to see my uncle. | 0:11:12 | 0:11:14 | |
You snuck past, OK? | 0:11:18 | 0:11:21 | |
It's nothing to do with me. | 0:11:21 | 0:11:23 | |
"Ralph Nickleby & Sons." | 0:11:25 | 0:11:28 | |
Your dad would've been so proud. | 0:11:29 | 0:11:32 | |
You have business with Mr Nickleby? | 0:11:42 | 0:11:45 | |
Um. Yeah. Hi, my name's Kat. | 0:11:45 | 0:11:48 | |
My uncle's Ralph Nickleby and my brother, he's gone in to see him | 0:11:48 | 0:11:52 | |
and left us out here, but I'm freezing my toes off, | 0:11:52 | 0:11:55 | |
so if you could just let us inside to wait? | 0:11:55 | 0:11:58 | |
Please? | 0:11:58 | 0:12:00 | |
For you, Katerina, anything. | 0:12:03 | 0:12:05 | |
Thanks! Mum! | 0:12:06 | 0:12:08 | |
Come on. | 0:12:08 | 0:12:10 | |
I hadn't expected him to die. So young... | 0:12:14 | 0:12:18 | |
I'm sorry. We should've told you straight away. | 0:12:18 | 0:12:22 | |
Brothers die every day. The world goes on. | 0:12:22 | 0:12:25 | |
They've taken everything, kicked us out, put the farm up for sale. | 0:12:26 | 0:12:30 | |
The farm is for sale? | 0:12:30 | 0:12:33 | |
We wondered if... | 0:12:33 | 0:12:35 | |
We were hoping that you might maybe lend us | 0:12:36 | 0:12:39 | |
the money to buy it back. | 0:12:39 | 0:12:41 | |
Do you think Nick'll be long? | 0:12:59 | 0:13:01 | |
I was the oldest brother. By rights, the farm should've come to me. | 0:13:05 | 0:13:08 | |
Wasn't it because Dad looked after Gran and Granddad? | 0:13:08 | 0:13:10 | |
Your father took my birthright, ran it into the ground | 0:13:10 | 0:13:13 | |
and then lost it all on some idiotic gamble, | 0:13:13 | 0:13:16 | |
and you want me to loan you hundreds of thousands of pounds | 0:13:16 | 0:13:19 | |
at zero interest with zero guarantee of getting repaid? | 0:13:19 | 0:13:24 | |
I'm sorry, I know it's a lot to ask, | 0:13:24 | 0:13:26 | |
but I've got my mum and my sister to look after. | 0:13:26 | 0:13:29 | |
I'd do anything. I could work for you. | 0:13:29 | 0:13:32 | |
Why would I hire you? | 0:13:32 | 0:13:33 | |
Because I'll work hard, and do a good job, and... | 0:13:33 | 0:13:36 | |
we're family. | 0:13:36 | 0:13:37 | |
Grinning skulls, that's all you are, | 0:13:37 | 0:13:40 | |
with your sob stories and your smiles. | 0:13:40 | 0:13:43 | |
Whatever it takes to get a free ride. | 0:13:43 | 0:13:45 | |
I just thought you wouldn't want to see us on the streets. | 0:13:45 | 0:13:49 | |
Why would I care? I don't know you. | 0:13:49 | 0:13:51 | |
I don't owe you anything. | 0:13:52 | 0:13:54 | |
I made my own way in this life and I suggest you do the same. | 0:13:54 | 0:13:57 | |
I will make my own way. | 0:13:57 | 0:14:00 | |
But I'll never end up like you! | 0:14:00 | 0:14:02 | |
Goodbye, Uncle Ralph! | 0:14:02 | 0:14:03 | |
We don't need Uncle Ralph's help. | 0:14:11 | 0:14:13 | |
Er, yeah, we do! You should've let me talk to him. | 0:14:13 | 0:14:16 | |
I did say we should've got returns. | 0:14:16 | 0:14:18 | |
It was only a pound more for off-peak. | 0:14:18 | 0:14:21 | |
Returns to what? | 0:14:21 | 0:14:22 | |
Higher Moor Farm. | 0:14:24 | 0:14:27 | |
-What? -Our old family home in Devon. | 0:14:27 | 0:14:29 | |
Nice name for a care home, don't you think? | 0:14:29 | 0:14:31 | |
Won't you have enough of those with this deal? | 0:14:31 | 0:14:33 | |
Yes, but this one would give me particular satisfaction. | 0:14:33 | 0:14:36 | |
Find the agent. | 0:14:36 | 0:14:37 | |
Snap it up. | 0:14:39 | 0:14:40 | |
MOBILE PHONE RINGS | 0:14:40 | 0:14:42 | |
Vladimir, what can I do for you? | 0:14:44 | 0:14:46 | |
Kat who? | 0:14:49 | 0:14:51 | |
I'm not sure I understand. | 0:14:53 | 0:14:54 | |
-We've got to find the girl. -What girl? | 0:14:57 | 0:14:59 | |
Kat Nickleby. The sister. Come on. Put her up at the club | 0:14:59 | 0:15:02 | |
for a couple of nights. | 0:15:02 | 0:15:03 | |
-What about Nick and the mother? -I don't care about them. | 0:15:03 | 0:15:06 | |
-Don't you think Kat might? -Ah right. Well, I can take care of the mother. | 0:15:06 | 0:15:09 | |
But the boy is trouble. Got to get rid of him. Come! | 0:15:09 | 0:15:12 | |
You go that way. If you find her, give me a call. | 0:15:15 | 0:15:18 | |
-What do you want her for? -Hawkovsky. | 0:15:18 | 0:15:20 | |
-She's your niece! -This is business. | 0:15:20 | 0:15:22 | |
If you think I'm going to let this deal fall apart | 0:15:22 | 0:15:24 | |
over some girl I've never met, you've got... | 0:15:24 | 0:15:27 | |
Grief... affects us all in many ways. | 0:15:31 | 0:15:34 | |
I may have been a bit harsh. | 0:15:34 | 0:15:36 | |
Just a bit. | 0:15:36 | 0:15:37 | |
Your father was better at showing his feelings. He was a good man. | 0:15:37 | 0:15:40 | |
He was a saint, Ralph. A saint. | 0:15:40 | 0:15:42 | |
Hopefully, my actions today | 0:15:42 | 0:15:45 | |
will show you I'm not all bad. | 0:15:45 | 0:15:47 | |
You'll help us get the farm back? | 0:15:47 | 0:15:49 | |
I've made some enquiries. The farm has already been sold. | 0:15:49 | 0:15:53 | |
-Sold? -Some local developer. I'm sorry. | 0:15:53 | 0:15:55 | |
But... it can't be. | 0:15:55 | 0:15:57 | |
Please, do not upset yourselves. I have decided to... | 0:15:57 | 0:16:00 | |
pay all your remaining debts | 0:16:00 | 0:16:02 | |
and provide you with a home here in London. | 0:16:02 | 0:16:05 | |
-In London? -Really? | 0:16:05 | 0:16:07 | |
Thanks, Uncle Ralph. | 0:16:07 | 0:16:09 | |
And I have decided to give you a job, | 0:16:09 | 0:16:12 | |
in my flagship care home, Dotheolds Hall, in Yorkshire. | 0:16:12 | 0:16:16 | |
-Yorkshire? -Yes. It's a fabulous opportunity. | 0:16:16 | 0:16:19 | |
You start at the bottom, work your way up. | 0:16:19 | 0:16:21 | |
You did promise to pay me back, didn't you? | 0:16:21 | 0:16:25 | |
Yeah. Yorkshire. No, that's... great. | 0:16:25 | 0:16:28 | |
-You can start tomorrow morning. -Tomorrow? | 0:16:28 | 0:16:30 | |
I thought it'd be less of a wrench if he started straight away. | 0:16:30 | 0:16:33 | |
Mr Noggs can take you to the coach station, | 0:16:33 | 0:16:35 | |
and I can get us a cab to your new London home. | 0:16:35 | 0:16:38 | |
Oh! I'm so proud of you, Nick. | 0:16:38 | 0:16:40 | |
"Nick Nickleby Associates"! | 0:16:40 | 0:16:43 | |
SHE SOBS | 0:16:43 | 0:16:46 | |
Here... | 0:16:46 | 0:16:48 | |
SHE SOBS | 0:16:48 | 0:16:51 | |
Ooh, is it silk? | 0:16:51 | 0:16:52 | |
Yes. Come. Come! | 0:16:52 | 0:16:55 | |
Right, then. | 0:16:59 | 0:17:01 | |
-How did you get...? -I'm not completely useless. | 0:17:14 | 0:17:16 | |
Ms Nickleby? > | 0:17:16 | 0:17:17 | |
So...what's it like, then? | 0:17:28 | 0:17:31 | |
Dotheolds Hall? | 0:17:31 | 0:17:33 | |
We'd better get a move on. | 0:17:33 | 0:17:34 | |
Dad. | 0:17:48 | 0:17:50 | |
You should be asleep. | 0:17:50 | 0:17:52 | |
Is Maia all right? | 0:17:52 | 0:17:54 | |
It's just an infection. | 0:17:56 | 0:17:59 | |
I shouldn't have called you. | 0:18:00 | 0:18:02 | |
No, you did the right thing. | 0:18:02 | 0:18:04 | |
And now... I'm going to do the right thing too. | 0:18:05 | 0:18:09 | |
No, Maddy. You promised not to go through with that. | 0:18:11 | 0:18:15 | |
Things have changed. | 0:18:15 | 0:18:16 | |
I can look after Maia. I'm fine. | 0:18:16 | 0:18:19 | |
No, you're not! | 0:18:19 | 0:18:20 | |
And I don't want you getting any worse any faster. | 0:18:20 | 0:18:23 | |
-I need to look after you both. -You don't have to sell yourself! | 0:18:23 | 0:18:26 | |
It's a business arrangement. | 0:18:26 | 0:18:27 | |
It's an arranged marriage. I never wanted this for you. | 0:18:27 | 0:18:31 | |
They get a visa, we get security for life. | 0:18:31 | 0:18:34 | |
It's not legal. | 0:18:34 | 0:18:36 | |
If anyone finds out... | 0:18:36 | 0:18:38 | |
No-one's going to find out. It's perfect. | 0:18:38 | 0:18:40 | |
I'm lucky to have this opportunity. | 0:18:42 | 0:18:45 | |
The sooner it's done, the happier I'll be. | 0:18:46 | 0:18:48 | |
I am sorry. | 0:18:51 | 0:18:52 | |
Dad. | 0:18:53 | 0:18:55 | |
Please... | 0:18:55 | 0:18:56 | |
go to bed. | 0:18:56 | 0:18:59 | |
Letters from home... | 0:20:29 | 0:20:31 | |
Mr Cobbey? | 0:20:31 | 0:20:32 | |
-HE CLICKS HIS FINGERS -Mr Cobbey! | 0:20:32 | 0:20:36 | |
Your daughter sends her love. | 0:20:38 | 0:20:40 | |
She's sorry she's had to rent out your flat | 0:20:40 | 0:20:43 | |
and sell all your furniture to pay for your keep here... | 0:20:43 | 0:20:47 | |
But hey, ho, such is life. | 0:20:47 | 0:20:49 | |
Mrs Graymarsh? | 0:20:51 | 0:20:53 | |
Your sister's dead. | 0:20:55 | 0:20:56 | |
But... | 0:20:58 | 0:20:59 | |
she's left you £100! | 0:20:59 | 0:21:02 | |
Which will go towards the cost of replacing that vase you broke. | 0:21:02 | 0:21:07 | |
A wedding present it was, | 0:21:07 | 0:21:09 | |
to me and the late Mrs Squeers. | 0:21:09 | 0:21:12 | |
Irreplaceable. | 0:21:12 | 0:21:14 | |
HE INHALES SHARPLY | 0:21:14 | 0:21:16 | |
But! A hundred quid's a start. | 0:21:16 | 0:21:19 | |
PHONE RINGS | 0:21:22 | 0:21:24 | |
Mrs Smike? | 0:21:42 | 0:21:44 | |
-Only kidding. -HE LAUGHS | 0:21:45 | 0:21:48 | |
Every time! | 0:21:48 | 0:21:50 | |
Oh, dear! | 0:21:51 | 0:21:53 | |
Mr Bolder? | 0:21:53 | 0:21:55 | |
Your son is very concerned. | 0:21:55 | 0:21:59 | |
He wants you to come home at once... | 0:21:59 | 0:22:02 | |
-What have you been telling him? -Nothing, honest. | 0:22:08 | 0:22:10 | |
I mean, why would I? | 0:22:10 | 0:22:13 | |
I think it were because the last time he saw me, | 0:22:13 | 0:22:16 | |
he said he thought I were... | 0:22:16 | 0:22:20 | |
losing weight. | 0:22:20 | 0:22:21 | |
Oh, did he, now? | 0:22:21 | 0:22:23 | |
Well, we'll have to do something about that, then, won't we? | 0:22:23 | 0:22:26 | |
Before you're allowed to see him again. | 0:22:26 | 0:22:29 | |
HE GROANS | 0:22:29 | 0:22:31 | |
CUTLERY CLATTERS | 0:22:31 | 0:22:33 | |
Double portions from now on. | 0:22:36 | 0:22:38 | |
And nothing for you! | 0:22:39 | 0:22:41 | |
Put her in her room! For the rest of the day. | 0:22:41 | 0:22:44 | |
May I help you, sir? | 0:23:06 | 0:23:08 | |
Oh. | 0:23:08 | 0:23:09 | |
I'm starting work here today. Nick Nickleby. | 0:23:09 | 0:23:12 | |
Frannie Squeers. My daddy's Wackford. | 0:23:12 | 0:23:15 | |
Sorry? | 0:23:15 | 0:23:16 | |
Wackford Squeers. | 0:23:16 | 0:23:18 | |
The boss here. | 0:23:18 | 0:23:19 | |
Oh. My uncle's Ralph Nickleby. | 0:23:19 | 0:23:21 | |
Your dad's boss, in London. | 0:23:21 | 0:23:23 | |
Well, well, | 0:23:23 | 0:23:25 | |
Nick Nickleby, | 0:23:25 | 0:23:28 | |
I think you'd better come with me. | 0:23:28 | 0:23:31 | |
HE EXHALES | 0:23:36 | 0:23:37 | |
CAMERA CLICKS | 0:23:41 | 0:23:43 | |
You'll have seen the ads in the national quality press. | 0:23:43 | 0:23:46 | |
People flock here from far and wide. | 0:23:46 | 0:23:49 | |
We are a beacon of excellence. | 0:23:49 | 0:23:52 | |
Awarded five stars from CRAaPU. | 0:23:54 | 0:23:57 | |
The Care Review Assessment and Policy Unit. | 0:23:59 | 0:24:01 | |
They labelled us "a flagship for the future of care in the UK." | 0:24:02 | 0:24:07 | |
Wow! | 0:24:07 | 0:24:09 | |
And the most remarkable thing is we've achieved all this | 0:24:09 | 0:24:12 | |
whilst having the lowest overheads in the industry... | 0:24:12 | 0:24:15 | |
..and the highest profits. | 0:24:16 | 0:24:18 | |
This is a cutting-edge business, my boy. | 0:24:18 | 0:24:21 | |
Frannie. | 0:24:22 | 0:24:24 | |
So... | 0:24:24 | 0:24:25 | |
Have you any experience working in care before? | 0:24:25 | 0:24:27 | |
No. | 0:24:27 | 0:24:28 | |
-Any training courses, qualifications? -None. | 0:24:28 | 0:24:31 | |
Voluntary placements? Informal care for an elderly relative? | 0:24:31 | 0:24:35 | |
Nothing, I'm sorry. | 0:24:35 | 0:24:36 | |
Okey dokey. | 0:24:37 | 0:24:38 | |
Now, if you'll just sign here... | 0:24:39 | 0:24:41 | |
tick here, and here. | 0:24:41 | 0:24:43 | |
And now it's official. | 0:24:50 | 0:24:52 | |
Is that it? | 0:24:54 | 0:24:56 | |
Franniekins can show you everything else on the job. | 0:24:56 | 0:24:59 | |
SHE GIGGLES | 0:24:59 | 0:25:02 | |
How do you know whose clothes are whose? | 0:25:09 | 0:25:11 | |
Just bung them whatever. They like a surprise. | 0:25:11 | 0:25:14 | |
FAINT GROANING | 0:25:14 | 0:25:16 | |
Hello. | 0:25:21 | 0:25:23 | |
Hi. I'm Nick. | 0:25:23 | 0:25:25 | |
-I'm Mrs Smi... -Mrs Smike! | 0:25:25 | 0:25:28 | |
You're not allowed to be in here. Go to the day room. | 0:25:28 | 0:25:32 | |
I have to stay in here all day. | 0:25:32 | 0:25:34 | |
Mr Squeers said. | 0:25:34 | 0:25:36 | |
Well, I'm saying you have to go. | 0:25:36 | 0:25:39 | |
Now! | 0:25:39 | 0:25:40 | |
Daddy? | 0:25:43 | 0:25:44 | |
Why do you have to stay in here? | 0:25:51 | 0:25:53 | |
I saw you outside. | 0:25:54 | 0:25:56 | |
Yeah. It's my first day. | 0:25:56 | 0:25:58 | |
Looked like you wanted to leg it. | 0:25:58 | 0:26:00 | |
No! | 0:26:00 | 0:26:02 | |
I don't mind, really. | 0:26:02 | 0:26:04 | |
Don't be sad. | 0:26:07 | 0:26:08 | |
I'm not. | 0:26:10 | 0:26:11 | |
You don't have to say, if you don't want. | 0:26:13 | 0:26:16 | |
FAINT GROANING | 0:26:17 | 0:26:19 | |
My dad... | 0:26:22 | 0:26:24 | |
Get off him, you loon! Has she hurt you? | 0:26:28 | 0:26:32 | |
No. We were just talking. | 0:26:32 | 0:26:33 | |
Daddy? | 0:26:34 | 0:26:36 | |
-Mrs Smike. You do as you're told... or else. -Or else what? | 0:26:36 | 0:26:41 | |
-Step outside, please, Nick. -Not until we've sorted this... | 0:26:41 | 0:26:44 | |
Outside. Now. | 0:26:44 | 0:26:46 | |
I'm sorry. | 0:26:56 | 0:26:58 | |
Shhh, Mrs Smike. | 0:26:58 | 0:27:01 | |
Or else. | 0:27:01 | 0:27:02 | |
Interested in Mrs Smike, are we? | 0:27:56 | 0:27:59 | |
-Is she all right? -She's senile. | 0:27:59 | 0:28:01 | |
History of violence. | 0:28:01 | 0:28:02 | |
It doesn't say that in here. | 0:28:02 | 0:28:04 | |
It doesn't say anything. | 0:28:04 | 0:28:06 | |
This is an archive. | 0:28:06 | 0:28:08 | |
Our records are computerised, | 0:28:08 | 0:28:10 | |
accessible only to authorised personnel. | 0:28:10 | 0:28:14 | |
She doesn't seem senile to me. | 0:28:14 | 0:28:16 | |
She seems scared. | 0:28:16 | 0:28:17 | |
Leave Mrs Smike to us experts, Nick. | 0:28:17 | 0:28:20 | |
You're not a doctor. | 0:28:20 | 0:28:22 | |
You're not even NVQ Level 1. | 0:28:22 | 0:28:24 | |
You're a young man of impetuous temper and little or no experience. | 0:28:24 | 0:28:29 | |
But, | 0:28:29 | 0:28:31 | |
one day, | 0:28:31 | 0:28:32 | |
all of this could be yours. | 0:28:32 | 0:28:35 | |
Your uncle's told me that your dad's dead | 0:28:35 | 0:28:37 | |
and he's had to take you under his wing, as it were. | 0:28:37 | 0:28:41 | |
Now, to my knowledge, he doesn't have any other heirs. | 0:28:41 | 0:28:43 | |
Doesn't take a genius to work out what he's doing, sending you here. | 0:28:43 | 0:28:47 | |
A kind of... | 0:28:47 | 0:28:48 | |
apprentice. | 0:28:48 | 0:28:50 | |
So, learn from me. | 0:28:50 | 0:28:52 | |
Impress me, | 0:28:52 | 0:28:54 | |
and we can both impress your uncle. | 0:28:54 | 0:28:56 | |
Do you see? | 0:28:56 | 0:28:58 | |
Why don't you come for dinner with us tonight? | 0:28:59 | 0:29:03 | |
I know my little girl would like that. | 0:29:03 | 0:29:05 | |
And it could be beneficial for us all. | 0:29:05 | 0:29:08 | |
MELLOW MUSIC PLAYS | 0:29:11 | 0:29:15 | |
KNOCK AT DOOR | 0:29:17 | 0:29:19 | |
-Come! -SHE GIGGLES | 0:29:23 | 0:29:26 | |
I thought... | 0:29:32 | 0:29:33 | |
-Mr Squeers... -Daddy's gone to bed. | 0:29:33 | 0:29:36 | |
Tired out, poor thing. | 0:29:36 | 0:29:37 | |
And he thought it'd be better, just us two. | 0:29:37 | 0:29:41 | |
-I'm pretty tired myself, actually... -That's why I thought we'd just... | 0:29:42 | 0:29:46 | |
chill out. | 0:29:46 | 0:29:48 | |
Watch some telly... | 0:29:48 | 0:29:50 | |
have some dinner... | 0:29:50 | 0:29:51 | |
Come and get comfy. | 0:29:53 | 0:29:54 | |
Have a dip. | 0:29:58 | 0:30:00 | |
Hope it's posh enough for you. | 0:30:04 | 0:30:05 | |
Daddy reckons you're like... a millionaire. | 0:30:05 | 0:30:09 | |
Your dad might be a bit confused. | 0:30:11 | 0:30:13 | |
But my uncle did ask me to keep an eye on things. | 0:30:17 | 0:30:21 | |
Report back to him. | 0:30:21 | 0:30:22 | |
And what rating would you give me? | 0:30:22 | 0:30:26 | |
What happened with Mrs Smike? | 0:30:26 | 0:30:28 | |
-Do you fancy her or something? -Is she really senile? | 0:30:29 | 0:30:32 | |
She's nuts! | 0:30:32 | 0:30:34 | |
She can't read or write. | 0:30:34 | 0:30:36 | |
Zonked out half the time, | 0:30:36 | 0:30:37 | |
then, when she likes, she can be sneaky as anything. | 0:30:37 | 0:30:40 | |
They get like that, proper cunning, when they've been in the loony bins. | 0:30:40 | 0:30:44 | |
What loony bins? | 0:30:44 | 0:30:45 | |
Been locked up all her life, that one. | 0:30:45 | 0:30:47 | |
Padded cells. Bzzz! The works. | 0:30:47 | 0:30:50 | |
What for? | 0:30:50 | 0:30:52 | |
Cos she's nuts. | 0:30:52 | 0:30:54 | |
Poor Nickybobs. | 0:30:55 | 0:30:57 | |
This is all new to you, isn't it? | 0:30:57 | 0:31:00 | |
But you'll learn. | 0:31:00 | 0:31:02 | |
You can't go around caring about them all. | 0:31:02 | 0:31:05 | |
Isn't that the job? | 0:31:05 | 0:31:07 | |
Well, if you spend all day caring, | 0:31:07 | 0:31:09 | |
you'll never have nothing left for them what really matter. | 0:31:09 | 0:31:12 | |
Frannie, I... | 0:31:12 | 0:31:14 | |
Forget about biddies. | 0:31:14 | 0:31:16 | |
Let's make babies! | 0:31:16 | 0:31:18 | |
I... I really like you, Frannie... | 0:31:18 | 0:31:20 | |
And I really like you, Nickywicky. | 0:31:20 | 0:31:24 | |
..but if it's going to mean something, something special, | 0:31:24 | 0:31:26 | |
let's take it slow, OK? | 0:31:26 | 0:31:28 | |
OK then. | 0:31:36 | 0:31:37 | |
Tomorrow. | 0:31:40 | 0:31:42 | |
CLOCK TICKS | 0:31:43 | 0:31:46 | |
KNOCK AT DOOR | 0:31:47 | 0:31:50 | |
DOOR CREAKS | 0:31:50 | 0:31:51 | |
Mrs Smike? | 0:31:52 | 0:31:54 | |
Sorry, I know it's late. | 0:31:54 | 0:31:56 | |
I just wanted to make sure you're all right? | 0:31:57 | 0:32:00 | |
-SLURRED: -I'm all right. | 0:32:00 | 0:32:02 | |
Just sleepy. | 0:32:02 | 0:32:04 | |
Have you ever seen a doctor here? | 0:32:16 | 0:32:18 | |
There's nothing wrong with me! | 0:32:18 | 0:32:20 | |
That's what I thought. | 0:32:20 | 0:32:22 | |
I don't like doctors. | 0:32:22 | 0:32:24 | |
What happened to you, Mrs Smike? | 0:32:24 | 0:32:26 | |
I don't... I don't want to die in here. | 0:32:26 | 0:32:28 | |
You won't let me, will you? | 0:32:30 | 0:32:32 | |
No, of course not. | 0:32:32 | 0:32:33 | |
But you've got to tell me what's going on. | 0:32:33 | 0:32:36 | |
What did Squeers do to you? | 0:32:36 | 0:32:38 | |
I just need to go to sleep. | 0:32:39 | 0:32:41 | |
I looked in your file. | 0:32:44 | 0:32:45 | |
There was no diagnosis, nothing, | 0:32:45 | 0:32:48 | |
just blank pages and a locket. | 0:32:48 | 0:32:50 | |
Frannie said you... | 0:32:50 | 0:32:51 | |
A locket? | 0:32:51 | 0:32:52 | |
I was looking for... | 0:32:52 | 0:32:54 | |
evidence, I suppose, | 0:32:54 | 0:32:57 | |
of how you're being treated. | 0:32:57 | 0:32:59 | |
But if you can just tell me, | 0:32:59 | 0:33:00 | |
I could talk to my uncle or the inspectors or someone. | 0:33:00 | 0:33:04 | |
It won't make any difference. | 0:33:06 | 0:33:09 | |
But you have. | 0:33:12 | 0:33:14 | |
SHE SIGHS | 0:33:18 | 0:33:20 | |
SHE SNORES | 0:33:20 | 0:33:23 | |
-RINGING TONE -'This is the answering service for Ralph Nickleby Associates. | 0:33:46 | 0:33:50 | |
-'Please leave a message after the tone.' -BEEP | 0:33:50 | 0:33:53 | |
Hi, Newman. It's Nick. | 0:33:53 | 0:33:55 | |
I'm at Dotheolds and I'm a bit concerned. | 0:33:55 | 0:33:59 | |
Can Uncle Ralph give me a call, please? | 0:33:59 | 0:34:01 | |
HE GROANS | 0:34:26 | 0:34:28 | |
HE SIGHS | 0:34:34 | 0:34:36 | |
Good evening, Ms Nickleby. | 0:35:01 | 0:35:04 | |
It's still Mrs, if you don't mind, Ralph. It's early days yet. | 0:35:04 | 0:35:07 | |
And anyway, my maiden name was Hoops. | 0:35:07 | 0:35:10 | |
I hope you're enjoying yourself here? | 0:35:10 | 0:35:12 | |
Oh, we love it, Ralph! We love it. | 0:35:12 | 0:35:15 | |
It's just our kind of place. | 0:35:15 | 0:35:16 | |
PHONE PLAYS LOUD ROCK TUNE | 0:35:16 | 0:35:22 | |
Sorry! | 0:35:22 | 0:35:24 | |
Why don't I buy you a drink? Gin and tonic and a... | 0:35:24 | 0:35:27 | |
vodka and Coke? | 0:35:27 | 0:35:29 | |
Thanks, Uncle Ralph. | 0:35:29 | 0:35:31 | |
It's Kat, by the way. | 0:35:32 | 0:35:35 | |
Kat. | 0:35:35 | 0:35:36 | |
RINGING TONE 'The person you are calling is unavail...' | 0:35:40 | 0:35:43 | |
PHONE KEYPAD BEEPS | 0:36:02 | 0:36:05 | |
'Hi, Maddy. It's Nick Nickleby. | 0:36:05 | 0:36:08 | |
'Are you OK?' | 0:36:08 | 0:36:10 | |
PHONE BEEPS | 0:36:29 | 0:36:31 | |
HE SIGHS | 0:36:35 | 0:36:36 | |
BANGING | 0:36:38 | 0:36:40 | |
LOW-LEVEL CHATTER FROM TELEVISION | 0:36:47 | 0:36:52 | |
DOOR OPENS | 0:36:59 | 0:37:02 | |
Fancy taking me round the back for a fag? | 0:37:05 | 0:37:08 | |
I don't smoke. | 0:37:08 | 0:37:10 | |
I've got chocolate fingers. | 0:37:10 | 0:37:11 | |
You go. | 0:37:14 | 0:37:15 | |
I'll be there in a bit. | 0:37:15 | 0:37:17 | |
SHE GIGGLES | 0:37:17 | 0:37:19 | |
Oi! | 0:37:33 | 0:37:34 | |
Sorry, Mr Cobbey. | 0:37:34 | 0:37:36 | |
I thought we'd do something different today, | 0:37:36 | 0:37:38 | |
help cheer us all up. | 0:37:38 | 0:37:40 | |
What do you want to do? | 0:37:40 | 0:37:42 | |
How about a sing-song? | 0:37:44 | 0:37:47 | |
What songs do you know? | 0:37:47 | 0:37:50 | |
Mrs Graymarsh? | 0:37:50 | 0:37:51 | |
Mr Bolder? | 0:37:51 | 0:37:53 | |
Anyone? | 0:37:55 | 0:37:56 | |
OK. I'll start, and you join in. | 0:37:57 | 0:38:01 | |
# Pack up your troubles in your old kit bag | 0:38:03 | 0:38:07 | |
# And smile, smile, smile | 0:38:07 | 0:38:11 | |
# La-la-la... # | 0:38:11 | 0:38:14 | |
Does anyone know the words? | 0:38:14 | 0:38:15 | |
How about this? | 0:38:17 | 0:38:19 | |
# It's a long way to Tipperary | 0:38:19 | 0:38:24 | |
# It's a long way to go | 0:38:24 | 0:38:28 | |
# It's a long way to Tipper... # | 0:38:28 | 0:38:31 | |
OK. | 0:38:32 | 0:38:33 | |
Maybe not, then. | 0:38:34 | 0:38:35 | |
# Well, since my baby left me | 0:38:38 | 0:38:41 | |
# I've found a new place to dwell | 0:38:41 | 0:38:44 | |
# It's right at the end of Lonely Street | 0:38:44 | 0:38:47 | |
# It's Heartbreak Hotel | 0:38:47 | 0:38:51 | |
# I'm feelin' so lonely, baby | 0:38:51 | 0:38:53 | |
# I'm feelin' so lonely... # | 0:38:53 | 0:38:56 | |
ALL: # I'm feelin' so lonely, I could die. # | 0:38:56 | 0:39:00 | |
LAUGHTER AND APPLAUSE | 0:39:00 | 0:39:02 | |
Who's next? | 0:39:05 | 0:39:06 | |
# How do you do what you do to me? | 0:39:09 | 0:39:13 | |
# I wish I knew | 0:39:13 | 0:39:15 | |
# If I knew how you do it to me | 0:39:15 | 0:39:18 | |
# I would do it to you | 0:39:18 | 0:39:20 | |
# You give me a feeling in my heart | 0:39:20 | 0:39:23 | |
# Like an arrow going through it | 0:39:23 | 0:39:25 | |
# I suppose you... # | 0:39:25 | 0:39:27 | |
FAINT SINGING | 0:39:32 | 0:39:35 | |
# How do you do what you do to me? | 0:39:45 | 0:39:48 | |
# I wish I knew... # | 0:39:48 | 0:39:50 | |
DOOR BANGS | 0:40:36 | 0:40:39 | |
Can I help you, Mrs Smike? | 0:40:39 | 0:40:41 | |
# Woopah, oh, yeah, yeah | 0:40:42 | 0:40:45 | |
# I never knew that I'd miss you | 0:40:45 | 0:40:49 | |
# Now I know just what to do | 0:40:49 | 0:40:53 | |
# Walking back to happiness | 0:40:53 | 0:40:56 | |
# I shared with you. # | 0:40:56 | 0:41:00 | |
-DOOR BANGS -Oi! What's going on? | 0:41:00 | 0:41:02 | |
That'll do now. | 0:41:02 | 0:41:05 | |
Break it up! | 0:41:05 | 0:41:07 | |
-It's not doing any harm, Frannie. -You've already lost one resident. | 0:41:07 | 0:41:10 | |
Told you she was cunning. | 0:41:10 | 0:41:12 | |
Mrs Smike. | 0:41:12 | 0:41:14 | |
It's all right. | 0:41:14 | 0:41:15 | |
Daddy's taking care of her. | 0:41:15 | 0:41:18 | |
We can take a break. | 0:41:18 | 0:41:20 | |
You must find her. | 0:41:23 | 0:41:25 | |
Come on. | 0:41:27 | 0:41:29 | |
Get off me. | 0:41:29 | 0:41:30 | |
Nickybobs? | 0:41:30 | 0:41:33 | |
It's for your own good, Mrs Smike. You have to learn. | 0:41:34 | 0:41:38 | |
I won't do it again. | 0:41:38 | 0:41:39 | |
I know you won't. I'll make sure of that. | 0:41:39 | 0:41:41 | |
Sit down. | 0:41:44 | 0:41:46 | |
-Let her go. -I don't care who your uncle is... | 0:41:54 | 0:41:57 | |
-I said let her go! -..I'm in charge here. | 0:41:57 | 0:42:00 | |
HE GROANS | 0:42:00 | 0:42:02 | |
FRANNIE SCREAMS | 0:42:02 | 0:42:04 | |
CRASHING | 0:42:07 | 0:42:10 | |
Nick! Behind you! | 0:42:10 | 0:42:11 | |
CRASHING | 0:42:11 | 0:42:13 | |
Are you all right? | 0:42:15 | 0:42:17 | |
Thanks for coming. | 0:42:18 | 0:42:20 | |
Franniekins, call the police. | 0:42:20 | 0:42:23 | |
I think we'd better get out of here. | 0:42:24 | 0:42:26 | |
Just do whatever it takes. | 0:42:43 | 0:42:44 | |
Oi! | 0:42:44 | 0:42:46 | |
Why did they lock you up? | 0:42:48 | 0:42:49 | |
Nick! | 0:42:49 | 0:42:50 | |
All that remains is for you to sign. | 0:42:50 | 0:42:53 | |
I think I will go and see the lovely Katrina first. | 0:42:53 | 0:42:57 | |
Goodbye, Nick Nickleby. | 0:42:57 | 0:43:00 | |
Subtitles by Red Bee Media Ltd | 0:43:18 | 0:43:21 |