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The care homes are yours, as long as you have the capital in place. | 0:00:02 | 0:00:05 | |
I have an investment partner. He's highly respectable. | 0:00:05 | 0:00:08 | |
Just me, the girl and a bed, tomorrow. Otherwise, no deal. | 0:00:08 | 0:00:11 | |
-You're nothing more than a bargaining chip. -If you profit from this, | 0:00:11 | 0:00:14 | |
why shouldn't I? | 0:00:14 | 0:00:15 | |
Stay back! Don't come any closer! | 0:00:15 | 0:00:18 | |
HE YELLS | 0:00:18 | 0:00:20 | |
I'm getting married in 48 hours. | 0:00:20 | 0:00:22 | |
It doesn't make any sense. | 0:00:22 | 0:00:23 | |
They're paying me. OK? | 0:00:23 | 0:00:25 | |
They get a visa, we get security for life. | 0:00:25 | 0:00:28 | |
And next time she leaves better be in a box. | 0:00:28 | 0:00:31 | |
Time to go home. | 0:00:31 | 0:00:33 | |
Animals. | 0:00:34 | 0:00:35 | |
You found me. | 0:00:35 | 0:00:37 | |
Yes, I found you. | 0:00:37 | 0:00:39 | |
-NOGGS: -'Things weren't going too well. | 0:01:26 | 0:01:30 | |
'Me? I'd got what I deserved. | 0:01:30 | 0:01:33 | |
'So had Hawkovsky.' | 0:01:33 | 0:01:35 | |
'But not Kat.' | 0:01:38 | 0:01:40 | |
'Not Nick. | 0:01:42 | 0:01:45 | |
'And not Mrs Smike. None of them deserved this.' | 0:01:45 | 0:01:48 | |
PHONE BEEPS | 0:01:51 | 0:01:53 | |
'Ralph Nickleby was the one who deserved to pay...' | 0:01:55 | 0:01:58 | |
'..but getting back at him | 0:02:02 | 0:02:04 | |
'was the last thing on Nick's mind right now.' | 0:02:04 | 0:02:06 | |
Nick? I came as soon as I could. | 0:02:12 | 0:02:15 | |
What was her name? | 0:02:30 | 0:02:32 | |
Mrs Smike. | 0:02:34 | 0:02:35 | |
I know this woman. | 0:02:38 | 0:02:40 | |
Her name was Sarah. Sarah Michaels. | 0:02:57 | 0:03:00 | |
A girl from the village, when I was young. | 0:03:00 | 0:03:03 | |
I didn't know much about her. | 0:03:03 | 0:03:05 | |
It was all hushed up, back then. | 0:03:05 | 0:03:06 | |
What was? | 0:03:06 | 0:03:08 | |
There was a baby. | 0:03:08 | 0:03:10 | |
My father was the doctor here then. He took care of her. | 0:03:13 | 0:03:17 | |
But he had to send her away. | 0:03:17 | 0:03:19 | |
To a madhouse. | 0:03:20 | 0:03:22 | |
The way she fell pregnant... She was very beautiful. | 0:03:24 | 0:03:28 | |
Some boys from the town came to a dance... | 0:03:30 | 0:03:33 | |
Don't tell me. | 0:03:33 | 0:03:36 | |
She was in no state to bring up a child. | 0:03:36 | 0:03:38 | |
She came back here. After they closed the care facilities. | 0:03:41 | 0:03:45 | |
She'd been living on the streets. In London, I think. | 0:03:45 | 0:03:49 | |
She was looking for the boy. | 0:03:49 | 0:03:51 | |
Do you recognise him? | 0:04:00 | 0:04:02 | |
It could be anybody. | 0:04:11 | 0:04:12 | |
Sleep well, Mr Nickleby? | 0:04:21 | 0:04:23 | |
Isn't Hawkovsky back yet? | 0:04:23 | 0:04:25 | |
Must be getting his money's worth. | 0:04:25 | 0:04:27 | |
Why don't you go to my flat, get them out of there | 0:04:27 | 0:04:29 | |
and get the place cleaned up? | 0:04:29 | 0:04:30 | |
Because I'm not a cleaner. | 0:04:30 | 0:04:33 | |
Imagine the bruises you'd have | 0:04:33 | 0:04:35 | |
if you had to work the streets, Ms Knag. | 0:04:35 | 0:04:38 | |
You'd dream of being a cleaner. | 0:04:38 | 0:04:40 | |
Good luck with the committee, sir. | 0:04:43 | 0:04:44 | |
I don't need luck. The care homes are mine. | 0:04:44 | 0:04:48 | |
Shall I bring the girl back here? | 0:04:48 | 0:04:50 | |
Give her a bunch of flowers. Get rid of her. | 0:04:50 | 0:04:53 | |
The ambulance is coming. | 0:04:59 | 0:05:01 | |
And the police. | 0:05:01 | 0:05:02 | |
Standard procedure. If you have to go, I'll look after her. | 0:05:04 | 0:05:08 | |
Thanks, doctor. | 0:05:08 | 0:05:09 | |
Will you look for her son? | 0:05:11 | 0:05:13 | |
That can wait. | 0:05:13 | 0:05:15 | |
Ralph can't. | 0:05:15 | 0:05:17 | |
HE SINGS | 0:05:22 | 0:05:23 | |
I've given them an extra dose so they won't cause you no bother | 0:05:23 | 0:05:26 | |
while I'm down in London. | 0:05:26 | 0:05:28 | |
Good thinking, Franniekins. | 0:05:28 | 0:05:30 | |
You sure it's all right for me to go, with Mrs Smike on the loose? | 0:05:30 | 0:05:32 | |
-If you want to look for her, I can always take... -No, I've been thinking. | 0:05:32 | 0:05:36 | |
The state she was in, she'll be dead in no time. | 0:05:36 | 0:05:39 | |
That's what Ralph wanted. Everyone's a winner. | 0:05:39 | 0:05:42 | |
Especially once I get our new client back here. | 0:05:42 | 0:05:44 | |
You just make sure that "Muzzy-moo" | 0:05:44 | 0:05:47 | |
signs all his forms before he swans off on his honeymoon. | 0:05:47 | 0:05:49 | |
We do not take clients in out of the goodness of our hearts, Franniekins. | 0:05:49 | 0:05:54 | |
Will do, Daddy-pie. | 0:05:54 | 0:05:56 | |
And don't put him off his nuptials. You do look rather fetching. | 0:05:56 | 0:06:02 | |
Aww. See ya. | 0:06:03 | 0:06:05 | |
DOOR BANGS | 0:06:10 | 0:06:11 | |
FOOTSTEPS APPROACH | 0:06:12 | 0:06:15 | |
I don't know what happened. | 0:06:20 | 0:06:22 | |
I only hit him with the umbrella. | 0:06:30 | 0:06:32 | |
I was going to call the police or an ambulance, | 0:06:40 | 0:06:43 | |
but it was too late... | 0:06:43 | 0:06:44 | |
I didn't want anyone to get into any trouble. | 0:06:44 | 0:06:47 | |
-Who are you calling? -Someone who'll know what to do. | 0:06:51 | 0:06:54 | |
PHONE RINGS | 0:07:03 | 0:07:06 | |
'Newman?' | 0:07:20 | 0:07:22 | |
Ms Knag? | 0:07:22 | 0:07:24 | |
'I need your help.' | 0:07:24 | 0:07:26 | |
Tell Verisopht the money's in the pipeline. It can all go... | 0:07:32 | 0:07:35 | |
Noggs. | 0:07:41 | 0:07:43 | |
Why aren't you here? | 0:07:43 | 0:07:45 | |
You'll thank me for this, Maia. | 0:08:10 | 0:08:13 | |
One day. | 0:08:13 | 0:08:16 | |
What have you got there? | 0:08:22 | 0:08:25 | |
'Noggs. Why aren't you here?' | 0:08:35 | 0:08:39 | |
SHE SCREAMS | 0:08:43 | 0:08:44 | |
-It's all right, it's all right. It's just me. -I know who it is, Mr Noggs. | 0:08:44 | 0:08:48 | |
Why do you think I was screaming? | 0:08:48 | 0:08:50 | |
You can't come barging in here like that. | 0:08:50 | 0:08:52 | |
I could've been in the altogether! | 0:08:52 | 0:08:53 | |
Kat's in trouble. | 0:08:53 | 0:08:55 | |
-Ralph's looking after her. -No, he's not. She needs you. | 0:08:55 | 0:09:01 | |
What's happened? | 0:09:01 | 0:09:03 | |
ENGINE SPLUTTERS | 0:09:13 | 0:09:16 | |
Mum? I'm in London. | 0:09:32 | 0:09:33 | |
I need to see you and Kat, away from the club. | 0:09:33 | 0:09:35 | |
Call me back. | 0:09:35 | 0:09:37 | |
PHONE RINGS | 0:09:40 | 0:09:43 | |
Maddy. Hi. | 0:09:43 | 0:09:45 | |
'Have you changed your mind about the wedding?' | 0:09:45 | 0:09:47 | |
No, I'm not ringing about that. I've found something of Mrs Smike's. | 0:09:47 | 0:09:50 | |
'Did you find her?' | 0:09:51 | 0:09:54 | |
What is it? | 0:09:54 | 0:09:55 | |
It's an envelope. Is she there? | 0:09:55 | 0:09:58 | |
I'll come and get it. | 0:09:58 | 0:10:00 | |
-You can't come round... -DIALTONE BEEPS | 0:10:00 | 0:10:02 | |
BABY CHATTERS | 0:10:06 | 0:10:08 | |
Come along, my dear. You have more important things today. | 0:10:08 | 0:10:13 | |
Our deal. | 0:10:13 | 0:10:15 | |
Your payment. Hello, Maia... | 0:10:15 | 0:10:19 | |
Thank you, Mrs Khenwigs. | 0:10:19 | 0:10:22 | |
Ah, ah, ah! After the wedding. | 0:10:22 | 0:10:24 | |
I will keep it nice and safe for you till then. | 0:10:24 | 0:10:27 | |
Now be a good girl and put these on. | 0:10:30 | 0:10:33 | |
Is Uncle Ralph going to get in trouble? | 0:10:41 | 0:10:44 | |
You still have no idea what he's really like, have you? | 0:10:44 | 0:10:47 | |
That's your payment from Uncle Ralph. | 0:10:51 | 0:10:54 | |
He didn't even give me the money for them. | 0:10:54 | 0:10:57 | |
Don't feel bad, Kitty Kat. It's what he does. | 0:11:01 | 0:11:05 | |
Uses us, sets us against each other. | 0:11:05 | 0:11:08 | |
And what are we to do? | 0:11:08 | 0:11:09 | |
There's no way out. | 0:11:09 | 0:11:12 | |
Until now. | 0:11:12 | 0:11:14 | |
What do you mean? | 0:11:14 | 0:11:16 | |
-If anyone deserves to go down for this... -We can't set Ralph up. | 0:11:16 | 0:11:19 | |
You can't. But some of us have got nothing left to lose. | 0:11:19 | 0:11:22 | |
FOOTSTEPS APPROACH | 0:11:22 | 0:11:25 | |
I came as soon as I could. | 0:11:25 | 0:11:27 | |
Thank you. | 0:11:27 | 0:11:28 | |
Couldn't happen to a nicer bloke. | 0:11:34 | 0:11:36 | |
What are you going to do? | 0:11:36 | 0:11:38 | |
Don't you worry. You can go now. | 0:11:38 | 0:11:40 | |
Leave it to us. | 0:11:40 | 0:11:42 | |
Where do I go? | 0:11:42 | 0:11:44 | |
Congratulations, big boy. | 0:12:00 | 0:12:03 | |
Ooh, you look... | 0:12:04 | 0:12:07 | |
I know. | 0:12:07 | 0:12:08 | |
Is everything ready? | 0:12:08 | 0:12:10 | |
We'll have to be quick. Come, come! | 0:12:10 | 0:12:13 | |
This'll have to be quick. | 0:12:22 | 0:12:25 | |
You look... | 0:12:27 | 0:12:29 | |
No, I don't. | 0:12:29 | 0:12:30 | |
Where's Mrs Smike? | 0:12:31 | 0:12:33 | |
Thank you. | 0:12:48 | 0:12:50 | |
Kat, there you are. I was worried sick. | 0:12:55 | 0:12:59 | |
It was two for one, I haven't started yet. | 0:12:59 | 0:13:01 | |
Have you eaten? Need some sauces? | 0:13:01 | 0:13:04 | |
Kat? What is it? | 0:13:04 | 0:13:06 | |
Sweetheart? You can tell me. | 0:13:08 | 0:13:11 | |
Oh, come here, love. | 0:13:12 | 0:13:13 | |
Oh. | 0:13:13 | 0:13:15 | |
She was only here yesterday. I know she wasn't well, but... | 0:13:18 | 0:13:22 | |
Where did you find the envelope? | 0:13:22 | 0:13:24 | |
In the cot. She must've dropped it while they were playing. | 0:13:24 | 0:13:28 | |
She was so good with Maia. | 0:13:28 | 0:13:30 | |
I think Maia made her happy. | 0:13:32 | 0:13:33 | |
Don't tell my dad. He's in bits already today. | 0:13:35 | 0:13:38 | |
I don't blame him. | 0:13:38 | 0:13:39 | |
I'm doing this for him and Maia. | 0:13:39 | 0:13:42 | |
He'll understand, one day. | 0:13:42 | 0:13:45 | |
Have you got the envelope? | 0:13:47 | 0:13:49 | |
I think she meant for you to have it. | 0:13:55 | 0:13:57 | |
WOMAN SIGHS ON BABY MONITOR | 0:14:01 | 0:14:04 | |
What was that? | 0:14:04 | 0:14:05 | |
Mrs Khenwigs, I think. | 0:14:05 | 0:14:08 | |
He's half-dead already. | 0:14:13 | 0:14:15 | |
Going to be easy-peasy to nab him later. | 0:14:15 | 0:14:18 | |
Where's your fiancee? | 0:14:18 | 0:14:19 | |
Cooking. | 0:14:19 | 0:14:20 | |
Like a good little wifey. | 0:14:20 | 0:14:22 | |
Waste of time when all you need's to boil a kettle, eh? | 0:14:24 | 0:14:27 | |
I'll pack. | 0:14:27 | 0:14:29 | |
You sign the papers. | 0:14:30 | 0:14:32 | |
Maybe I should ask my amma, no? | 0:14:33 | 0:14:35 | |
No need, Muzzy-wuzz. | 0:14:35 | 0:14:37 | |
Just sign it and we'll take him off your hands. | 0:14:37 | 0:14:41 | |
-DOOR OPENS -Oh! | 0:14:41 | 0:14:43 | |
Hello, Frannie. | 0:14:43 | 0:14:44 | |
Muzzy. This man's a fugitive. | 0:14:47 | 0:14:50 | |
Thought you might want to know - | 0:14:50 | 0:14:52 | |
Mrs Smike's dead. You killed her. | 0:14:52 | 0:14:56 | |
You, and your dad and Ralph. | 0:14:56 | 0:14:59 | |
-Eh? -He's talking rot. Call the police. | 0:14:59 | 0:15:03 | |
What are you doing back here, anyway? Who's this for? | 0:15:03 | 0:15:06 | |
Mr Bhray? Going to put him in the cooler, too? | 0:15:08 | 0:15:11 | |
-You going to kill him? -Don't be so thick, Nicky. | 0:15:11 | 0:15:13 | |
Doesn't make sense to kill off our income stream, does it? | 0:15:13 | 0:15:16 | |
You're not taking Mr Bhray. | 0:15:16 | 0:15:17 | |
He's Muzz's responsibility. It's in the vows. | 0:15:17 | 0:15:21 | |
He has to take care of the whole family. | 0:15:21 | 0:15:24 | |
It's my responsibility. | 0:15:25 | 0:15:28 | |
Doesn't matter what's in the vows. | 0:15:28 | 0:15:29 | |
Maddy won't marry you when she hears about this. | 0:15:29 | 0:15:32 | |
She should be grateful, getting first-class care for her dad, | 0:15:32 | 0:15:35 | |
instead of leaving him here in this dump. | 0:15:35 | 0:15:39 | |
Someone should take the kid away, too. | 0:15:39 | 0:15:42 | |
Come on, big boy. | 0:15:44 | 0:15:46 | |
Dear, dear. | 0:15:46 | 0:15:47 | |
Put my dad's stuff down and get out of my house. | 0:15:49 | 0:15:52 | |
Both of you. | 0:15:52 | 0:15:53 | |
It was her idea. Please don't tell my amma. | 0:15:53 | 0:15:55 | |
We can still get married. | 0:15:55 | 0:15:57 | |
No, you can't. | 0:15:57 | 0:16:00 | |
MUZZ CRIES | 0:16:00 | 0:16:01 | |
What's all this noise, Maddy? | 0:16:01 | 0:16:04 | |
What's the matter, Muzz? | 0:16:04 | 0:16:05 | |
He's packing his stuff and leaving. And so are you. | 0:16:05 | 0:16:08 | |
Whatever's happened, we can come to some arrangement. | 0:16:08 | 0:16:10 | |
Shove your arrangements! I want you out of here. | 0:16:10 | 0:16:12 | |
We have a deal, my dear. You want my money. | 0:16:12 | 0:16:16 | |
Didn't you hear her? You can keep your money. | 0:16:16 | 0:16:20 | |
Sorry I done a botch, Daddy. | 0:16:26 | 0:16:29 | |
But it's not all bad news. | 0:16:29 | 0:16:32 | |
Mrs Smike is dead. | 0:16:32 | 0:16:34 | |
Dead? Are you sure? | 0:16:34 | 0:16:36 | |
He said it and she weren't there. | 0:16:36 | 0:16:38 | |
So she must be. Dead. | 0:16:38 | 0:16:41 | |
That's great news, Franniekins. | 0:16:41 | 0:16:43 | |
I'll be National Care Home Manager before you know it. | 0:16:43 | 0:16:46 | |
What about Nick? | 0:16:46 | 0:16:48 | |
'It was Noggs' job to get rid of him.' | 0:16:48 | 0:16:50 | |
If he's botched it, so what? Just makes us look even better. | 0:16:50 | 0:16:53 | |
You're not mad at me then, Daddy? | 0:16:53 | 0:16:55 | |
I'm going to make you your favourite trifle. Hurry home. | 0:16:55 | 0:17:00 | |
THEY MAKE KISSING NOISES | 0:17:00 | 0:17:03 | |
You see, Muzz, what London is like - no manners. | 0:17:08 | 0:17:11 | |
ENGINE STARTS | 0:17:11 | 0:17:13 | |
No hospitality. | 0:17:13 | 0:17:14 | |
Did you find it all OK? | 0:17:34 | 0:17:35 | |
It's quite the collection you've got here. | 0:17:37 | 0:17:40 | |
Let's have some fun. | 0:17:40 | 0:17:42 | |
I'll get him dressed. You do the Champagne. | 0:17:49 | 0:17:53 | |
Do you want a drink? | 0:18:01 | 0:18:04 | |
No, I'm trying to lay off it. | 0:18:04 | 0:18:07 | |
I'll do that. You do the rest of the fingerprints. | 0:18:09 | 0:18:13 | |
Cheers. | 0:18:17 | 0:18:19 | |
Maybe she's right. | 0:18:23 | 0:18:25 | |
Maybe he'd be better off out of here. | 0:18:25 | 0:18:29 | |
Not at Dotheolds Hall, trust me. You did the right thing. | 0:18:29 | 0:18:33 | |
Why does doing the right thing mean I always end up losing? | 0:18:33 | 0:18:36 | |
I don't know. | 0:18:36 | 0:18:38 | |
I don't know what I'm going to do. | 0:18:38 | 0:18:40 | |
Neither do I. But I've got to do something. | 0:18:40 | 0:18:45 | |
I'm not going to let them hurt anyone else. | 0:18:45 | 0:18:47 | |
You're a good man, Nick Nickleby. | 0:18:50 | 0:18:53 | |
You've more important things to do today. | 0:19:01 | 0:19:04 | |
-NOGGS: -'Nick walked through the city alone, | 0:19:11 | 0:19:14 | |
'trying to think of some way to make Ralph pay.' | 0:19:14 | 0:19:17 | |
'But as he walked, Nick felt he'd little ground for hope. | 0:19:18 | 0:19:24 | |
'He saw how crafty avarice grew rich | 0:19:24 | 0:19:28 | |
'and honest hearts were poor and sad. | 0:19:28 | 0:19:32 | |
'How few lived in stately houses | 0:19:32 | 0:19:34 | |
'and how many had no home to shelter them. | 0:19:34 | 0:19:38 | |
'Father and daughter, mother and son. | 0:19:38 | 0:19:43 | |
'How much injustice and misery and wrong there was, | 0:19:43 | 0:19:46 | |
'and how the world rolled on, | 0:19:46 | 0:19:49 | |
'careless and indifferent.' | 0:19:49 | 0:19:52 | |
'And yet, in spite of it all, | 0:19:58 | 0:20:00 | |
'the huge aggregate of distress and sorrow...' | 0:20:00 | 0:20:04 | |
'..there was hope. | 0:20:06 | 0:20:07 | |
'Just an utter.' | 0:20:07 | 0:20:09 | |
'Where are you?' | 0:20:22 | 0:20:25 | |
Noggs? | 0:20:31 | 0:20:33 | |
What are you doing here? | 0:20:34 | 0:20:36 | |
I just wanted to tell you, I've done a lovely job on your flat. | 0:20:36 | 0:20:40 | |
And sent the girl packing. | 0:20:42 | 0:20:43 | |
And Hawkovsky? | 0:20:45 | 0:20:46 | |
He had already gone. | 0:20:46 | 0:20:47 | |
Any word on your big deal? | 0:20:50 | 0:20:52 | |
It's all done. Everything's a formality now. | 0:20:52 | 0:20:55 | |
You should celebrate. Get Mr Verisopht over to your place. | 0:20:55 | 0:21:00 | |
I could even be there to help entertain him, if you like? | 0:21:00 | 0:21:04 | |
I wouldn't have thought you'd like to. | 0:21:04 | 0:21:07 | |
If you were to get photos of me and him tonight, | 0:21:07 | 0:21:09 | |
then you wouldn't have to pay him his cut. | 0:21:09 | 0:21:11 | |
Only a small fee for my services. | 0:21:11 | 0:21:15 | |
How very astute of you, Ms Knag. | 0:21:18 | 0:21:20 | |
See? I'm not just a good cleaner. | 0:21:20 | 0:21:23 | |
Do we have a deal? | 0:21:23 | 0:21:26 | |
You deserve it, sir. | 0:21:28 | 0:21:29 | |
TV: 'And welcome back to On The Road, the programme that brings you...' | 0:21:33 | 0:21:38 | |
Afternoon, everyone. Glad to see you're behaving yourselves. | 0:21:38 | 0:21:43 | |
Cos if you don't, here's a cautionary tale for you. | 0:21:43 | 0:21:47 | |
Mrs Smike is dead. | 0:21:49 | 0:21:52 | |
GASPS | 0:21:52 | 0:21:54 | |
Yep. That's right. Dead. | 0:21:54 | 0:21:59 | |
As dead as... | 0:21:59 | 0:22:01 | |
as dead as you'll all be, if you don't do as you're told. | 0:22:01 | 0:22:06 | |
So there. | 0:22:06 | 0:22:08 | |
Good. Well, then... | 0:22:12 | 0:22:15 | |
..as you were. | 0:22:18 | 0:22:19 | |
Poor Mrs Smike. | 0:22:28 | 0:22:30 | |
She sounds like a special lady. I wish I had have met her. | 0:22:30 | 0:22:34 | |
Why didn't she just tell you about it? Would've been easier. | 0:22:34 | 0:22:38 | |
She told me some things hurt too much to say. | 0:22:38 | 0:22:41 | |
Open it, Nick. Go on. | 0:22:43 | 0:22:46 | |
-Are you filming? -Yes. | 0:22:50 | 0:22:52 | |
Well, this is where Mr Squeers kept Mrs Smike, locked up all night long. | 0:22:52 | 0:23:00 | |
Someone had better be lookout. | 0:23:02 | 0:23:05 | |
And he did the same to me. To teach me a lesson. | 0:23:05 | 0:23:08 | |
But Mrs Smike never learned. | 0:23:10 | 0:23:13 | |
And now she's gone. | 0:23:14 | 0:23:16 | |
All this waffle. She could never have deciphered it. | 0:23:24 | 0:23:28 | |
-Does her letter say anything? -It explains why she never told us. | 0:23:28 | 0:23:31 | |
Why? | 0:23:31 | 0:23:32 | |
She didn't want him found, not while she was alive at least. | 0:23:32 | 0:23:37 | |
We can't find him now anyway. | 0:23:37 | 0:23:39 | |
-No, we can't. He's gone. -What? | 0:23:39 | 0:23:43 | |
Look, in the adoption papers. Her little boy. | 0:23:43 | 0:23:46 | |
I think he was your dad. | 0:23:49 | 0:23:51 | |
We'd better get back, before he notices we're gone. | 0:23:55 | 0:23:58 | |
What's the rush, boys and girls? | 0:24:00 | 0:24:02 | |
If you like it so much down here, why don't you stay all day? | 0:24:02 | 0:24:06 | |
We only wanted to say a prayer. For Mrs Smike. | 0:24:06 | 0:24:10 | |
Why don't you have a candlelit vigil for her instead? | 0:24:11 | 0:24:15 | |
All night. With no candles. | 0:24:15 | 0:24:17 | |
I'm sorry, Mr Squeers. We know we shouldn't be down here. | 0:24:19 | 0:24:24 | |
If you have to punish us perhaps you could make us | 0:24:24 | 0:24:28 | |
carry all the powdered stuff back. | 0:24:28 | 0:24:32 | |
With Frannie away, it'd be more helpful to you, wouldn't it? | 0:24:32 | 0:24:35 | |
Why would you want to be helpful? | 0:24:35 | 0:24:38 | |
Because...we don't want to end up like Mrs Smike. | 0:24:38 | 0:24:42 | |
We know what you did to her. | 0:24:43 | 0:24:46 | |
Locking her down here, tying her to the chair, hours on end. | 0:24:46 | 0:24:50 | |
I don't want to die like she did. | 0:24:50 | 0:24:52 | |
Too right. You'd better do exactly as I say then. | 0:24:54 | 0:24:59 | |
Porridge. Custard. Mash. Be quick about it. | 0:24:59 | 0:25:03 | |
BOTH: Yes, sir. | 0:25:03 | 0:25:04 | |
PHONE BEEPS | 0:25:17 | 0:25:18 | |
PHONE BEEPS | 0:25:20 | 0:25:23 | |
There's no signal. | 0:25:24 | 0:25:25 | |
It all makes sense now. | 0:25:30 | 0:25:33 | |
The way his mum and dad treated him. | 0:25:33 | 0:25:36 | |
Ralph was always the golden boy. | 0:25:36 | 0:25:38 | |
Even after he swanned off to the city | 0:25:38 | 0:25:40 | |
and your dad was left to look after the farm. | 0:25:40 | 0:25:42 | |
He always felt second best and he was right | 0:25:42 | 0:25:45 | |
because he wasn't really theirs. | 0:25:45 | 0:25:47 | |
What about this? | 0:25:47 | 0:25:48 | |
Ah, it looks just like him. | 0:25:54 | 0:25:56 | |
-Dad. -They weren't our gran and granddad, were they? | 0:25:56 | 0:26:00 | |
Not if dad wasn't really theirs. Mrs Smike was our gran. | 0:26:00 | 0:26:06 | |
That makes sense. Of a lot of things. | 0:26:07 | 0:26:10 | |
PHONE BEEPS | 0:26:12 | 0:26:13 | |
RINGTONE CHIMES | 0:26:13 | 0:26:15 | |
Hello? | 0:26:18 | 0:26:20 | |
Nick? Is that you? | 0:26:20 | 0:26:22 | |
No, it's me. | 0:26:22 | 0:26:25 | |
-We should go back home. To Devon. -I don't care if we're homeless. | 0:26:27 | 0:26:31 | |
At least people down there might actually care. | 0:26:31 | 0:26:34 | |
We're not leaving like this. We have to do something. | 0:26:34 | 0:26:38 | |
You already have, didn't work. | 0:26:38 | 0:26:41 | |
Ralph's right, people like him run the world. Leave them to it. | 0:26:41 | 0:26:46 | |
How can you say that when you know what he did? | 0:26:46 | 0:26:49 | |
I can't do any more, Nick. | 0:26:49 | 0:26:52 | |
We can start over again. | 0:26:52 | 0:26:53 | |
I'll find a job and get a home. | 0:26:53 | 0:26:55 | |
It won't be anything fancy, but there's no crime in poverty. | 0:26:55 | 0:26:58 | |
Mrs Smike wanted me to find her son. To give him this letter. | 0:26:59 | 0:27:04 | |
I can't do that, so I'll have to give it to someone else. | 0:27:04 | 0:27:07 | |
To the man who ruined her son. | 0:27:07 | 0:27:10 | |
He doesn't care, Nick. | 0:27:10 | 0:27:12 | |
No, but she did. | 0:27:12 | 0:27:15 | |
Are you coming with me? | 0:27:18 | 0:27:20 | |
PHONE BEEPS | 0:27:20 | 0:27:22 | |
'Locking her down here, tying her to the chair, hours on end.' | 0:27:26 | 0:27:32 | |
'I don't want to die like she did.' | 0:27:32 | 0:27:35 | |
'Too right. You'd better do exactly as I say then. | 0:27:35 | 0:27:39 | |
'Porridge, custard, mash.' | 0:27:39 | 0:27:42 | |
What are you going to do with it? | 0:27:42 | 0:27:45 | |
Newman. And Ms Knag? | 0:27:45 | 0:27:48 | |
Thanks for looking after my sister. | 0:27:48 | 0:27:50 | |
It's all taken care of now. | 0:27:50 | 0:27:52 | |
He still thinks you're dead. | 0:27:56 | 0:27:58 | |
You're free to go as far away as you can. | 0:27:58 | 0:28:01 | |
Where's Mrs Smike? | 0:28:01 | 0:28:03 | |
I was too late. | 0:28:04 | 0:28:05 | |
He will get what's coming. | 0:28:08 | 0:28:10 | |
Framing him is no good. He has to see what he's done. | 0:28:10 | 0:28:14 | |
He won't change. | 0:28:14 | 0:28:15 | |
Once this gets out, he might not have a choice. | 0:28:16 | 0:28:19 | |
PHONE BEEPS | 0:28:21 | 0:28:22 | |
MONITOR BEEPS | 0:28:24 | 0:28:26 | |
'Locking her down here, tying her to the...' | 0:28:35 | 0:28:39 | |
There's a press conference in the morning | 0:28:39 | 0:28:41 | |
so we mustn't get too squiffy. | 0:28:41 | 0:28:42 | |
You won't be wanting any Champagne, then, or, er... | 0:28:42 | 0:28:46 | |
Ms Knag? | 0:28:46 | 0:28:48 | |
Again? | 0:28:48 | 0:28:50 | |
Well, she had such a good time. | 0:28:50 | 0:28:52 | |
Well, it is only a press conference. The deal is done. | 0:28:52 | 0:28:57 | |
We all deserve a little treat. | 0:28:57 | 0:28:59 | |
Your investor must be a very wealthy man. | 0:29:03 | 0:29:05 | |
Yes, well, more of a silent partner... | 0:29:07 | 0:29:09 | |
Hawkovsky?! | 0:29:11 | 0:29:13 | |
What? | 0:29:15 | 0:29:16 | |
It's a set-up. Someone has set me up. | 0:29:22 | 0:29:24 | |
This won't affect the deal. | 0:29:24 | 0:29:26 | |
-Afraid it might, old chap. -I can fix this. Really, I can fix it! | 0:29:26 | 0:29:29 | |
Not this time, Ralph. Sorry. | 0:29:29 | 0:29:31 | |
It was the ground floor apartment. Sounds of shouting, a struggle. | 0:29:37 | 0:29:41 | |
Didn't sound good. | 0:29:41 | 0:29:44 | |
No, I don't wish to be contacted. | 0:29:44 | 0:29:47 | |
The police are on their way. You should quit while you're ahead. | 0:29:47 | 0:29:51 | |
He'll find a way to twist things. | 0:29:51 | 0:29:53 | |
That's why I need to talk to him, make him see. He has to stop. | 0:29:53 | 0:29:56 | |
-PHONE RINGS -It's him. | 0:29:56 | 0:29:59 | |
Answer it. | 0:29:59 | 0:30:00 | |
'Ms Knag has set me up.' | 0:30:03 | 0:30:05 | |
You need to sort it out. Get over to my flat now. | 0:30:05 | 0:30:08 | |
It's too late, Ralph. The police will be there any minute. | 0:30:08 | 0:30:10 | |
-The police? -I called them. | 0:30:10 | 0:30:13 | |
You...I'll show them your file. | 0:30:14 | 0:30:17 | |
Do your worst. | 0:30:17 | 0:30:19 | |
He'll go to the office. | 0:30:28 | 0:30:30 | |
They might as well arrest us both at once. Get it over with. | 0:30:30 | 0:30:33 | |
We'll all go. | 0:30:33 | 0:30:35 | |
Mr Cheerybles. You're just in time for trifle. | 0:30:44 | 0:30:47 | |
I'm not here for trifle! | 0:30:47 | 0:30:49 | |
SIREN WAILS | 0:30:49 | 0:30:51 | |
Noggs? | 0:31:04 | 0:31:06 | |
Hello, Uncle Ralph. | 0:31:10 | 0:31:13 | |
I thought you were dead. | 0:31:13 | 0:31:15 | |
Hope you don't mind, I've brought a few people with me. | 0:31:15 | 0:31:19 | |
How nice. The whole family, and the hangers-on, I see. | 0:31:21 | 0:31:26 | |
Perhaps you and I should have a little chat, Noggs. | 0:31:26 | 0:31:30 | |
Not now, Ralph. Nick has something to show you. | 0:31:30 | 0:31:34 | |
Perhaps you should sit back, watch? | 0:31:35 | 0:31:40 | |
I think you'll find it interesting. | 0:31:40 | 0:31:42 | |
'We don't want to end up like Mrs Smike.' | 0:31:56 | 0:31:59 | |
CHEERING AND APPLAUSE | 0:32:01 | 0:32:04 | |
We only do what we're told! It's Mr Nickleby you want! | 0:32:06 | 0:32:09 | |
-BOOING AND HECKLING -Ralph Nickleby! | 0:32:09 | 0:32:12 | |
CHEERING AND APPLAUSE | 0:32:16 | 0:32:18 | |
'I don't want to die like she did.' | 0:32:20 | 0:32:22 | |
'You'd better do exactly as I say, then.' | 0:32:22 | 0:32:25 | |
Your business is dead. As it should be. | 0:32:25 | 0:32:27 | |
You shouldn't be allowed to care for anyone. All you care about is money. | 0:32:27 | 0:32:31 | |
That's all that anybody cares about. | 0:32:31 | 0:32:34 | |
Haven't you learned yet how the world works? | 0:32:34 | 0:32:36 | |
I'll tell you how it works. You're going to prison. | 0:32:36 | 0:32:38 | |
I haven't done anything. | 0:32:38 | 0:32:40 | |
You know it isn't right, Uncle Ralph. | 0:32:40 | 0:32:42 | |
What's not? Giving you a home? | 0:32:42 | 0:32:45 | |
Opportunities? | 0:32:45 | 0:32:48 | |
If you screwed it up, that's your fault. | 0:32:48 | 0:32:50 | |
We'll soon find out who really killed Hawkovsky. | 0:32:50 | 0:32:53 | |
No-one killed him. It was an accident. | 0:32:53 | 0:32:57 | |
Really? We'll see about that. | 0:32:57 | 0:32:59 | |
The police are on their way, Noggs. Very little time. | 0:32:59 | 0:33:02 | |
Squeers will go down for what happened at Dotheolds. | 0:33:02 | 0:33:06 | |
This lot will go down for what happened with Hawkovsky. | 0:33:07 | 0:33:10 | |
So unless you want to join them, you had better do exactly as I say. | 0:33:10 | 0:33:14 | |
Not this time, Ralph. | 0:33:20 | 0:33:21 | |
How terribly noble of you! | 0:33:26 | 0:33:28 | |
Utterly stupid. | 0:33:29 | 0:33:31 | |
My hands are clean. | 0:33:32 | 0:33:34 | |
You can lie to everyone else | 0:33:34 | 0:33:35 | |
but don't tell me you really believe that! | 0:33:35 | 0:33:38 | |
If it wasn't for you, Mrs Smike would still be alive. | 0:33:38 | 0:33:41 | |
I never even met the woman. | 0:33:41 | 0:33:42 | |
She was our grandmother. | 0:33:42 | 0:33:44 | |
It may suit you to throw all the evils of the world on me, Nick, | 0:33:47 | 0:33:52 | |
but your grandmother was dead before you were born. | 0:33:52 | 0:33:56 | |
No, she wasn't. Our dad was adopted. Mrs Smike was his mother. | 0:33:56 | 0:33:59 | |
No, he wasn't. | 0:33:59 | 0:34:01 | |
I remember my mother showing off her belly like a prize heifer. | 0:34:01 | 0:34:05 | |
He was. He had to have been. Look. | 0:34:05 | 0:34:09 | |
Your parents took him in, tried to give him a better life, | 0:34:17 | 0:34:20 | |
and you took it away. | 0:34:20 | 0:34:22 | |
What is it? | 0:34:32 | 0:34:34 | |
It's me. | 0:34:37 | 0:34:40 | |
What? | 0:34:40 | 0:34:42 | |
The mark, you see. | 0:34:45 | 0:34:46 | |
My brother didn't have one. | 0:34:48 | 0:34:50 | |
He wasn't my brother. | 0:34:51 | 0:34:53 | |
It can't be you. | 0:34:53 | 0:34:54 | |
She was my mother. | 0:34:58 | 0:35:00 | |
Then this is for you. | 0:35:10 | 0:35:11 | |
'I don't know your name. I'm sorry we never met. | 0:35:18 | 0:35:21 | |
'I didn't want to bother you. | 0:35:21 | 0:35:25 | |
'I know you're better off without me. 'But I wanted you to know, | 0:35:25 | 0:35:31 | |
'I always loved you, and I'll always be proud of you, | 0:35:31 | 0:35:37 | |
'whoever you are and whatever you've done. | 0:35:37 | 0:35:41 | |
'Mrs Smike.' | 0:35:41 | 0:35:44 | |
If you tell them the truth we'll stick by you. | 0:35:54 | 0:35:56 | |
I know you're not our real family, but she loved you. | 0:35:56 | 0:36:00 | |
And so did my grandparents. My dad. | 0:36:01 | 0:36:05 | |
Grinning skulls. That's all you are. | 0:36:09 | 0:36:12 | |
That's all you are! Out for whatever you can get. | 0:36:14 | 0:36:17 | |
You came to me, begging for help! | 0:36:17 | 0:36:19 | |
And now you're with this...this boy. | 0:36:19 | 0:36:21 | |
-Now you know. -What difference does it make? | 0:36:21 | 0:36:24 | |
The love of some dead old woman? | 0:36:27 | 0:36:31 | |
I'd rather die than be like you. | 0:36:32 | 0:36:35 | |
-Stop him! Newman! He'll lie to them! Show them your file! -Look. | 0:36:36 | 0:36:40 | |
It's all been a lie. | 0:36:44 | 0:36:45 | |
-He never had anything. -So what is he doing? | 0:36:47 | 0:36:50 | |
SIRENS BLARE | 0:36:51 | 0:36:54 | |
TYRES SCREECH | 0:36:59 | 0:37:02 | |
Grinning skulls. | 0:37:04 | 0:37:06 | |
Uncle Ralph! Wait! | 0:37:13 | 0:37:16 | |
No! | 0:37:16 | 0:37:18 | |
DISTANT SCREAMS | 0:37:20 | 0:37:22 | |
NICK SOBS | 0:37:28 | 0:37:30 | |
Maddy? | 0:38:16 | 0:38:18 | |
I read about it in the papers. Are you all right? | 0:38:20 | 0:38:24 | |
What about you? | 0:38:24 | 0:38:25 | |
I'm working on it. | 0:38:26 | 0:38:27 | |
Have you thought about taking in any more lodgers? | 0:38:27 | 0:38:31 | |
-I'm not a bad babysitter. -That might be an idea. | 0:38:31 | 0:38:34 | |
Newman? I thought you weren't coming. | 0:38:34 | 0:38:38 | |
I've just been to the lawyers. | 0:38:38 | 0:38:40 | |
Ralph didn't have a will, and you're still his closest relatives. | 0:38:40 | 0:38:43 | |
We don't want his money. | 0:38:43 | 0:38:45 | |
It's up to you what you do with it. | 0:38:45 | 0:38:47 | |
I just thought you might want to go back to the farm. | 0:38:47 | 0:38:50 | |
The farm was sold. | 0:38:50 | 0:38:51 | |
Yeah. To Ralph. | 0:38:51 | 0:38:54 | |
It's still rightfully yours, though, don't you think? | 0:38:54 | 0:38:57 | |
CHEERING | 0:39:22 | 0:39:24 | |
CHEERING | 0:39:27 | 0:39:29 | |
POPPING CORK AND CHEERING | 0:39:34 | 0:39:37 | |
To Mr and Mrs Knag-Noggs. | 0:39:37 | 0:39:39 | |
ALL: Knag-Noggs! | 0:39:39 | 0:39:43 | |
KARAOKE MACHINE PLAYS "One Night In Heaven" by M People | 0:39:43 | 0:39:46 | |
# One night in heaven One night in heaven | 0:39:46 | 0:39:49 | |
# One night in heaven One night in heaven | 0:39:50 | 0:39:53 | |
# Sometimes I get to thinking | 0:39:57 | 0:39:59 | |
# While you are far away | 0:39:59 | 0:40:01 | |
# Just how much I missed you | 0:40:01 | 0:40:03 | |
# And how time it ticks away | 0:40:03 | 0:40:06 | |
# So sad when we are fighting... | 0:40:06 | 0:40:08 | |
CAR HORN BEEPS | 0:40:08 | 0:40:11 | |
# Sometimes I need reminding before it gets too late | 0:40:11 | 0:40:15 | |
# Just one moment in my day, yeah | 0:40:15 | 0:40:19 | |
# Take me up to a place | 0:40:22 | 0:40:25 | |
# So far away in your heavenly space | 0:40:25 | 0:40:29 | |
# One night, one night | 0:40:29 | 0:40:31 | |
# Mmm | 0:40:31 | 0:40:33 | |
# One night in heaven... # | 0:40:33 | 0:40:36 | |
BABY CHATTERS AND LAUGHS | 0:41:05 | 0:41:07 | |
Subtitles by Red Bee Media Ltd | 0:41:57 | 0:41:59 |