Nature under Constraint and Vexed Orphan Black


Nature under Constraint and Vexed

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Transcript


LineFromTo

-I saw a girl kill herself.

-Ew!

-Yeah, and she looked exactly like me.

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We're clones. We're like lab rats in an illegal experiment.

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If it were my experiment, I would put an observer

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close to the subject to keep tabs and accumulate data.

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-Where is Beth?

-She killed herself. I took her identity.

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You're her monitor, aren't you?

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Doctors came and medically examined her in her sleep.

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I know exactly who you are. You're a...a sleazy watcher spy!

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Aynsley?

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The German was sick. Should I be worried about that?

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I'm sick, Delphine.

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Art, you gotta see this. It's a match on the Jane Doe print.

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Why the hell does she look like Beth?

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Sarah Manning! Put your hands on your head! You're under arrest.

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-I didn't kill her, Art!

-Do you know who did?

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Detective, this interview is over.

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-This is Amelia.

-I'm your birth mother.

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I had twins. One to the state, and one to the judge.

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-Helena.

-I grew up pure in a convent in Ukraine.

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You killed someone I've been dreaming about my whole life.

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Sarah Manning.

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My name is Rachel Duncan, and we are going to come to terms.

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Sarah? You can't make a deal.

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Any freedom they promise is bullshit.

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-They've patented us.

-Sarah, they could claim Kira.

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Kira!

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This programme contains some violent scenes

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'Pick up, pick up. Leave it for Felix.'

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Fee! Shit.

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Fee, where are you? They took 'em.

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They took Kira and Mrs S.

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You look like you could use a coffee.

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Yeah, I'll take tea.

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Tea it is.

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'The number you have reached is not in service at this time.'

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'The number you have reached is not in service at this time.'

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'Hi, you've reached Paul Dierden. Please leave a message.

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Paul, what the hell is going on?

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Did Rachel just take my family? I need you to call me now.

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Nah, first one's on the house.

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Thanks. I appreciate that.

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PHONE RINGING

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-Paul?

-'Hello, Sarah.'

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There is a painless way

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to reunite with Siobhan and Kira.

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Simply surrender yourself.

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Rachel, you bitch. Me and Kira are not your bloody subjects.

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Neither is Siobhan.

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The terms of my offer still stand. We'll pretend you didn't run.

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Rachel, if you touch one hair on my daughter's head, I will...

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Evenin'.

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Evenin', fellas. What can I get ya?

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Are your eggs the domesticated type?

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What do you mean?

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I believe my friend is asking for free-range eggs.

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Undomesticated.

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No free-range, no free run. Just normal eggs.

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Then they're not normal.

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Your chickens have been interfered with.

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They're not my chickens, they're just my eggs.

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I bet you ordered up a whole mess of eggs.

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Who are you?

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-She's got the lilt.

-Yeah.

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This is the one.

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Uh-uh-uh.

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After you.

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I think we'll let the lady leave on her own.

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Ease on out now.

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Are you sure, Sarah?

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We've come here to take you to Kira.

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Where is she?

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Sarah!

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Sarah! There's nowhere to run!

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-Sarah!

-Shit.

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We're your best option.

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Ah!

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LOUD MUSIC

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-So, tonight you should be extra sweet to me.

-Fee!

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-Holy shit! Hi!

-Where have you been?

-Bloody hell, what?

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What are you doing? Is this why you haven't answered your phone?

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Yeah, cos I'm in the midst of a five way.

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We have an emergency, and you're high. You're kidding me!

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What are you wearing?

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-What? Sarah, what?

-They took Kira!

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Mrs S's truck was still there; her purse. The place was trashed

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-like they'd been dragged out...

-OK, wait.

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-Can we just, can we back up a sec, OK?

-No, we need to go, Fee!

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How do we know that this isn't Helena again, Sarah?

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-No, she's gone.

-She's gone where?

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Just gone, OK?

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PHONE RINGING

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Shit! OK. Wait. You said all their other phones have been disconnected.

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Well, why isn't yours disconnected?

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-Probably because they're tracking that stupid pink burner.

-Yeah.

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-Hello? Hello?

-'It's Paul, Sarah.'

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-Who else is listening?

-You know my situation.

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Tell 'em I want to talk to Mrs S.

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You're going to have to come in for that.

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-I don't see a better choice, Sarah.

-'I'll meet you alone.'

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Wait for my call.

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She's smarter than you think.

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Do one more thing to help her

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so I can put a bullet in your head.

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No, no. You can't meet Paul. No.

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-No, not in person, no.

-What...? Hey, ow! Shit. Sorry,

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Sorry.

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OK.

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Come on, get your shit together, you silly tit.

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I need you to make a side trip for me, yeah?

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Please just...come to the Dyad event.

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Hey, think what you're asking me to do.

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We can negotiate your position, but you need to start talking to Leekie.

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-We need the Dyad now.

-We?

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You. If you are sick.

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And our relationship can be whatever we want. We have leverage.

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You still work for Leekie.

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On your behalf, to protect you.

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These samples aren't gonna go to Dyad,

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and you can't tell them that we know about the patent either.

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I'd do my own research first.

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This is my biology, it's my decision. OK?

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OK.

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You're right.

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KNOCKING ON DOOR

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KNOCKING CONTINUES

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What the dickens?

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Rachel took Kira? She can't do that. We agreed to a code of conduct.

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-Yeah, well, Sarah didn't sign a deal, did she?

-Shh,

-shh. Sorry.

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I was supposed to ask you something, but I... Oh, can we borrow a gun?

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you need a gun. Apparently I'm the go to girl for guns, right?

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OK, Alison, come here. We...

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Holy shit.

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What is with the balls of your thumbs? They're so bouncy.

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Felix, are you high?

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Well, I didn't know there was gonna be a huge emergency, did I?

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Be quiet. My children are sleeping.

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Look, I do not keep guns in my house any more.

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They're at the range in my locker.

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-Could you maybe just go and fetch us one, please?

-Sarah can't...

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just go around shooting people with my guns, they're registered to me.

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I'm trying to get my family life back in order.

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I'm not drinking any more, no more...

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little helpers. I'm doing a musical.

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Oh, my God, not Cats.

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-KNOCKING ON DOOR

-Alison?

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Oh, my God.

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Hello, Donnie.

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-Who are you talking to?

-Um... I'm...

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I'm running lines for the play, obviously.

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At 4AM?

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I'm not in control of the muse.

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-The muse?

-Mm hmm.

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-You wouldn't understand.

-No, I don't think so.

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Just go to bed.

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Fine. Don't be long.

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OK.

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Ahh, ahh!

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What are you wearing?

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-Oh, yeah!

-No, no, no, no.

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Look, I might be able to help with a firearm...unregistered.

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-Seriously?

-Yes. I have a friend.

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Let's call him Ramon.

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You know a gun dealer named Ramon?

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He's a gun enthusiast.

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He has many jobs, he's very hardworking.

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-OK.

-Tell Sarah to meet me at Glendale Community Theatre, 4PM.

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Ja, die meisten der Patente wurden direkt

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nach der Entscheidung des Supreme Court eingereicht werden.

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Ja, sicher.

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Vielen Dank, Herr Schlessinger.

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PHONE RINGING

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Paul here.

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'Here's how this is gonna work.'

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You Paul?

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Yeah.

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20 bucks.

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PHONE RINGING

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Can't trust anyone these days.

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I knew they'd be all over you.

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'Yeah, you got about 30 seconds.'

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OK, well, now that nobody's listening, where exactly are they?

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'All they gave me is a message from Rachel.'

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Tomorrow morning, she's getting on a private plane, with Kira.

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You could be on that plane with them or not.

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What? She's just a child, Paul. How can they use her as leverage?

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Sarah, I can't tell you what to do,

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but tonight there's a big event at the Dyad. Rachel will be there.

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-OK, what else?

-She's, uh, insulated. Daniel rarely leaves her side.

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But now he's tasked with bringing you back. He's coming after you.

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She says, "Up yours."

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Hey, can I borrow your phone?

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Can I touch your boob?

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Cheeky.

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It's like a glitzy corporate event, Sarah.

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I don't see what good a gun is gonna do.

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-She's planning on gate crashing.

-'I don't have a plan yet.'

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-Cosima, where's Delphine?

-At the Dyad, getting ready.

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She wants me to go to this thing.

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Maybe I should.

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I smell lesbians in my bed last night.

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Look, I'm not gonna apologise for my heart, OK?

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But I promise both of you guys that I'm not gonna get fooled again.

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Why don't I talk to them, Sarah?

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No, no, no, no. Just sit tight, OK?

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I'll feel better when I have a gun.

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This is totally crazy.

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Oh.

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-Morning, Mrs Hendrix.

-Hello, Ramon.

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Did I catch you on a break?

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Oh, customer service never takes a break at Econo-mart.

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So, uh...

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Avomax? Zaraphen?

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Something between A and Z?

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No, thank you. I'm actually taking a break.

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Oh. Mmm.

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-Kickin' it natural?

-Uh, no. No, no, no.

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Not interested in natural either. I have a...

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I have a friend who needs a piece...

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maker.

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Mrs Hendrix!

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I have a nice selection. All clean,

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numbers filed. If you like a revolver, this 45 is a, uh...

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pretty badass.

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Matte black.

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Is that a...lady grip?

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Hot.

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-Practical.

-Mmm.

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Thank you, Ramon.

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So, how's your mother?

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Hey, um, one subject is showing fresh symptoms.

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Do you think you could take a closer look at their profile for me?

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'The one with some kind of synthetic sequence you refuse to explain?'

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Yeah, that one.

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No, I can't, because you told me to erase the data.

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I'm sending you a new blood sample.

0:17:070:17:11

Dr Cormier.

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Dr Leekie asked me to escort you upstairs as soon as you arrived.

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Of course.

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Is there something going on I should know about?

0:17:320:17:35

Where is Cosima, Delphine?

0:17:360:17:38

Exactly where you want her -

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here in town, considering your employment offer.

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Be careful playing for the other team, Delphine.

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Cosima is scared of us. She's seen how you've persecuted Sarah.

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Sarah is not your subject.

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You're a eugenicist, Dr Cormier.

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-Is that a dirty word for you as a scientist?

-No.

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-I want Cosima here, full-time, starting tonight.

-So do I.

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324B21 is showing the same respiratory symptoms as the other two.

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Congratulations. I'm invested, which I'm sure is what you wanted.

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OK, people, listen up.

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Let's gather. Everyone, let's gather.

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Circle, please. Hands.

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Troupe, in three days, we move to the main stage for dress rehearsal.

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In four days, we open.

0:18:490:18:51

Losing Aynsley is...

0:18:530:18:55

..heartbreaking.

0:18:560:18:58

But we are not civilians.

0:19:000:19:02

This is the theatre,

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and we all know that the show must go on.

0:19:040:19:08

So... Kelsey is going to be stepping out of the wings

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to play Laura.

0:19:150:19:17

Um... Excuse me.

0:19:170:19:19

I'm your Laura.

0:19:190:19:21

No, Ali.

0:19:230:19:24

We all know how close you are to this.

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But you have rehearsed with Aynsley,

0:19:300:19:33

you know the part.

0:19:330:19:35

We want you to play Sheila.

0:19:350:19:37

You want me to be the lead?

0:19:390:19:41

Yes.

0:19:410:19:42

Give it up.

0:19:440:19:45

-You can do this.

-OK.

0:19:500:19:52

Show them, hmm? Shine.

0:19:520:19:55

OK, people, let's all shine onstage.

0:19:550:19:57

Let's pick it up from the point

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where everyone helps Sheila clean up after the unfortunate death.

0:19:590:20:04

All right? Mop.

0:20:040:20:06

-Mop.

-Lovely.

0:20:060:20:08

Stop crying, Carter. Deep breath.

0:20:080:20:11

One, two, three, four.

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# And we will sing sing, sing away the hours

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# Shout till our throats are sore

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# And we will raise our voices to the heavens

0:20:210:20:25

# God himself will hear our mighty roar

0:20:250:20:28

# And we will wipe, wipe, wipe away the plasma

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# Scrub off every stain

0:20:320:20:35

# Since I cannot control my asthma

0:20:350:20:38

# I'll stand by to entertain. #

0:20:380:20:41

Yes.

0:20:430:20:44

Brava! Bravissima!

0:20:440:20:46

Alison Hendrix is in a musical.

0:20:580:21:00

What? What musical?

0:21:010:21:04

It ain't Cats.

0:21:040:21:06

-I think she's playing the lead.

-Beth's dead, German's dead,

0:21:060:21:09

Sarah Manning gets sprung on the cusp of confessing,

0:21:090:21:12

-and we're left with Alison Hendrix, model citizen and thespian.

-Yeah.

0:21:120:21:16

-You're kidding me.

-It's her.

-Oh, shit.

0:21:210:21:24

We're not supposed to be on this thing, Angie.

0:21:240:21:27

Damn it.

0:21:290:21:31

Hey, long time no see.

0:21:310:21:34

-Sarah... Don't run.

-Come on.

0:21:340:21:37

What do you want with Alison Hendrix?

0:21:530:21:55

I just told you. They killed a man right in front of me, Art.

0:21:550:21:58

Hey, I'm talking to you. Tell me what you are to each other, to Beth.

0:21:580:22:01

We don't know. That's the whole point.

0:22:010:22:03

The diner, sounds like the two bodies Grigson and Diaz caught this morning.

0:22:030:22:07

I know. She probably does too.

0:22:070:22:09

Those are the people behind it. The same ones that got me out of jail.

0:22:090:22:12

She's making this stuff up.

0:22:120:22:14

Then arrest me. You can't, can you? Huh?

0:22:140:22:17

Just come on. Come on.

0:22:170:22:20

Let's go check her story out.

0:22:230:22:24

SPEAKING QUIETLY

0:22:290:22:31

It's a fortunate position you find yourself in, Paul.

0:22:340:22:37

How is that, Miss Duncan?

0:22:370:22:39

You're the only one who seems to know what makes Sarah tick.

0:22:390:22:44

I need your office this evening.

0:22:510:22:53

It's the Koreas.

0:22:530:22:55

-Both of them.

-Ah.

0:22:550:22:57

Well, good. Congratulations.

0:22:570:23:00

Paul, have you ever been to Taiwan?

0:23:020:23:06

-Taiwan, no.

-I don't suppose you speak Mandarin?

0:23:060:23:10

-No.

-Hm, pity. Pack a bag. We leave Tuesday.

0:23:110:23:16

Good luck, Paul.

0:23:160:23:19

Keeping him up close and personal?

0:23:260:23:28

Of course.

0:23:280:23:31

Rachel, did you seriously kidnap Sarah's people?

0:23:310:23:34

The less you know about it, the better.

0:23:370:23:40

The child may be a biological gold mine, but so is her mother.

0:23:400:23:44

Daniel will recover Sarah.

0:23:440:23:46

-Is that really necessary?

-Yes.

0:23:460:23:49

And not your concern.

0:23:500:23:53

We have a big evening. You need to be on point.

0:23:530:23:56

To combine is to create...

0:24:010:24:05

..to engineer, divine.

0:24:070:24:10

You'll do wonderfully, Aldous.

0:24:100:24:12

Come on, just go check it out.

0:24:200:24:21

She probably dropped those bodies herself.

0:24:210:24:23

They have my daughter, Art.

0:24:290:24:31

-Hey. So, what's up?

-Oh, best shooting we caught in two years,

0:24:350:24:38

and the federals walked in. Check it out.

0:24:380:24:41

-How you doin', Ange?

-So, what happened?

0:24:480:24:50

George Hudson, line cook.

0:24:500:24:52

45 to the sixth chakra.

0:24:520:24:54

Cowboy was still waiting, but shotgun to the midsection.

0:24:540:24:57

-What chakra is that?

-Uh, somewhere between the third and the fourth.

0:24:570:25:00

There's a possible eyewitness.

0:25:000:25:01

-A tea drinker.

-A tea drinker?

0:25:010:25:05

Yeah, digs out a wall, escapes out the back.

0:25:050:25:07

OK. Thanks, man.

0:25:090:25:11

Sarah, if your daughter's missing, we'll put out an amber alert.

0:25:110:25:14

These people are powerful. They got me out of jail.

0:25:140:25:17

You can't do anything.

0:25:170:25:19

Just let me go, please.

0:25:190:25:21

Just before the lawyer showed up, you were about to tell me everything,

0:25:210:25:26

-what this really is.

-You don't want to know everything, Art.

0:25:260:25:29

You don't want Angie to know anything.

0:25:320:25:34

Feds took over the scene from Grigson and Diaz.

0:25:390:25:42

-Which feds?

-I didn't get an acronym.

0:25:420:25:45

Seriously?

0:25:520:25:53

We're off the case. It doesn't exist, Angie.

0:25:530:25:57

You want to walk her in there and hand her over, you go right ahead.

0:25:570:26:00

Come on, you.

0:26:030:26:04

Thank you.

0:26:080:26:10

Thank you? You miss us? You miss Beth's life, you little grifter?

0:26:100:26:14

She almost trusts me, Angie.

0:26:200:26:22

No, I'm not letting you turn yourself over to neolutionists.

0:26:250:26:28

What am I meant to do, Fee? Hey?

0:26:280:26:31

If Rachel's got Kira on a plane, I have to be with her.

0:26:310:26:34

Look, look, Sarah, Delphine put me on the list

0:26:340:26:36

for the Dyad tonight, OK?

0:26:360:26:37

I can go in there and, like, demand that Rachel let them go.

0:26:370:26:41

Rachel doesn't take demands, Cosima.

0:26:410:26:43

That's why I needed the bloody gun.

0:26:430:26:45

KNOCKING ON DOOR

0:26:450:26:47

Anybody in the house?

0:26:470:26:50

It's Ramon.

0:26:500:26:52

Ramon?

0:26:520:26:54

Delivery from Mrs Hendrix.

0:26:540:26:56

Well, those are so Alison.

0:26:560:26:58

It's what inside that counts.

0:26:580:27:00

Huh? Am I wrong, sailor?

0:27:000:27:03

Whoa.

0:27:060:27:08

Ah. Seriously, Sarah? What good is that gonna do?

0:27:140:27:19

-Alison, you know some very strange people.

-'Oh, they look nice.

0:27:190:27:23

'Sorry I couldn't bring them in person.

0:27:230:27:26

'I have scads of costumes to alter.'

0:27:260:27:28

-Hey, thanks for the card too.

-'Are you making fun of me?'

0:27:280:27:30

-I made that!

-'No, no, no, no.'

0:27:300:27:33

-It's good to see you, Alison.

-We love you, Alison.

0:27:330:27:38

Well, normally I'd say don't do anything rash,

0:27:380:27:40

'but rash seems to be a genetic trait, so...

0:27:400:27:44

'Go get Kira.'

0:27:440:27:46

Believe me, right now is the time to resist our predisposition

0:27:460:27:50

to impulsive behaviour. We need a plan.

0:27:500:27:53

'You don't have a plan?'

0:27:530:27:54

No, the plan's a bit of an issue.

0:27:540:27:56

Hey, I know where Rachel is. That's enough.

0:27:560:27:59

Sarah, what are you gonna do?

0:27:590:28:01

-Walk into the Dyad with a gun and just start shooting people?

-Yeah.

0:28:010:28:05

'Uh, tut tut tut tut. I don't want to know anything.

0:28:050:28:08

'Leave me out of it.'

0:28:080:28:10

Plausible deniability.

0:28:100:28:12

-Yeah, sure.

-I have to be at Sara Stubbs at 9PM

0:28:120:28:15

to do a fitting and run lines, so...

0:28:150:28:19

-break a leg, Sarah.

-'Thanks again.'

0:28:190:28:22

This thing at the Dyad, it's, like, a big deal, yeah?

0:28:220:28:25

Yeah, big pharma, big agro, VIPs, security.

0:28:250:28:29

That's good, that's good. That will be helpful. They'll be busy.

0:28:290:28:33

OK, what are you on to?

0:28:330:28:35

Plausible deniability.

0:28:360:28:38

-Oh, no.

-No, it's easiest just to give Rachel what she wants, yeah?

0:28:380:28:44

Me. Just not how she's expecting it.

0:28:440:28:46

OK, even if I agree with what I think you're thinking,

0:28:460:28:49

how do you next to Rachel with Daniel in the way?

0:28:490:28:52

Alison's not gonna like it.

0:28:540:28:55

PHONE VIBRATING

0:29:000:29:02

Paul Dierden.

0:29:040:29:06

'Paul, it's Sarah. Let me speak to her.'

0:29:060:29:08

She wants Rachel.

0:29:110:29:12

Hi, Sarah. This is Daniel. I speak for Rachel.

0:29:170:29:20

'I'm ready to make a deal, face to face.'

0:29:200:29:22

Well, Rachel's a very busy woman,

0:29:220:29:25

but if you tell me where you are, I'll bring you to her.

0:29:250:29:28

'All right. I'll meet you at 9PM. I'll be driving the red minivan.'

0:29:280:29:33

Ah! Oh, my God. Oh, my God!

0:29:470:29:49

Let go! Ugh!

0:29:490:29:51

Ugh!

0:29:520:29:54

BLOWS WHISTLE

0:29:580:30:00

Ah! Ah!

0:30:140:30:16

Who in the hell are you?

0:30:160:30:19

This is unacceptable. I need to talk to Dr Leekie right away.

0:30:190:30:22

That won't be necessary, ma'am. This is our mistake.

0:30:220:30:25

It won't happen again.

0:30:250:30:27

Thank you.

0:30:400:30:41

Elise!

0:30:430:30:44

Shite.

0:30:560:30:58

-Cosima.

-Hey.

-You came.

0:31:380:31:41

You won't regret this. I promise.

0:31:460:31:48

Aldous! Look who it is.

0:31:480:31:51

-Uh, no, no.

-No, no, no, come, come, come.

0:31:510:31:53

Mon adversaire. I wasn't as sure as Delphine that you'd come.

0:31:530:31:58

Here I am. Um, doesn't mean I'm gonna sign your contract, though.

0:31:580:32:02

A starting point.

0:32:020:32:04

We're in uncharted waters. Really, it's all up to you.

0:32:040:32:07

OK. Then I want my own lab.

0:32:090:32:11

ANNOUNCEMENT: In a moment,

0:32:110:32:13

Dr Leekie will be welcoming you to the Dyad Institute. Please stand by.

0:32:130:32:17

That's my cue. Cosima...

0:32:170:32:19

..you have a bright future ahead of you.

0:32:210:32:24

This is the best place you could be right now.

0:32:260:32:28

Thank you, Dr Leekie.

0:32:290:32:31

-Enjoy yourself.

-Mm.

0:32:390:32:40

You're Sarah.

0:32:440:32:46

Yeah, nice to meet you too.

0:32:460:32:48

-Does Cosima know you're doing this?

-Depends if I get caught.

0:32:480:32:52

Now, where are Kira and Siobhan?

0:32:530:32:55

-What?

-Don't play stupid.

0:32:570:32:58

Rachel kidnapped my family. Where are they?

0:32:580:33:01

-How would I know? I've never even seen Rachel.

-I've seen her.

0:33:010:33:04

And if you want to keep Cosima out of this,

0:33:040:33:08

you're gonna tell me where she is. OK?

0:33:080:33:11

There is serious business going on right now behind the scenes,

0:33:110:33:15

and so my guess is that she's using Leekie's wing.

0:33:150:33:19

-Where is that?

-Down there.

0:33:190:33:22

It's impossible to get down there.

0:33:220:33:24

-You need a specific swipe card for the 10th floor.

-Like this?

0:33:240:33:27

You're going to get yourself killed.

0:33:270:33:29

Miss Cormier?

0:33:290:33:32

< Please welcome Dr Leekie.

0:33:320:33:34

APPLAUSE

0:33:340:33:36

Thank you, everyone.

0:33:380:33:40

I am Dr Aldous Leekie,

0:33:400:33:43

director of the Dyad Institute,

0:33:430:33:45

and it is my great pleasure to welcome you here

0:33:450:33:49

on behalf of the entire Dyad group of companies.

0:33:490:33:54

The keystone...of the original Dyad Institute was set here in 1918.

0:33:540:34:01

Today, worldwide, the overwhelming majority of bio tech research

0:34:040:34:10

is funded by private capital,

0:34:100:34:13

and today, the Dyad Group spans the globe.

0:34:130:34:16

We employ 27,000 souls

0:34:160:34:19

in 134 countries,

0:34:190:34:22

including Vatican City.

0:34:220:34:25

The age of biotechnology is upon us.

0:34:290:34:32

It is the moral responsibility of visionaries like us

0:34:320:34:37

to continue healing, feeding, and fuelling

0:34:370:34:43

the future of humanity.

0:34:430:34:46

The recent supreme court decision...

0:34:490:34:51

SPEECH IS TRANSLATED INTO KOREAN

0:34:510:34:53

..characterising the legal status

0:34:530:34:56

of natural versus synthetic DNA

0:34:560:34:58

was the successful result

0:34:580:35:01

of our lobbying strategies.

0:35:010:35:03

We are proceeding with the next tranche of patent claims.

0:35:060:35:12

Good, you made it.

0:35:470:35:49

-I want my daughter.

-Of

0:35:500:35:52

course, and we want you to be together,

0:35:540:35:58

but my people found your foster mother's house overturned.

0:35:580:36:01

They were gone when we got there.

0:36:010:36:03

-You're lying.

-I lied to get you here. But we don't have them.

0:36:030:36:07

Kira's here, and I want to see her now.

0:36:100:36:14

You're not going to shoot me, Sarah.

0:36:150:36:17

If you don't have her, you're dead!

0:36:190:36:21

There are other forces vying for our fate, Sarah.

0:36:210:36:24

We'll get Kira back together.

0:36:240:36:27

Nobody lays hands on me.

0:36:310:36:34

You don't own us.

0:36:340:36:35

Sarah, put it down.

0:36:400:36:42

-Where is Kira?

-They don't have her.

0:36:550:36:57

They were playing me too. Now lower the gun.

0:36:570:37:00

And what are you, her bodyguard now?

0:37:000:37:03

It's you they want. It is over, Sarah.

0:37:030:37:05

Turn around.

0:37:070:37:09

In the face.

0:37:230:37:24

Sorry.

0:37:240:37:26

Go. I'll figure out something to tell 'em.

0:37:300:37:33

Hey, it's me.

0:37:560:37:58

Jesus Christ. You are like a bad smell.

0:37:580:38:00

Look, I didn't know where else to go.

0:38:000:38:02

Maggie Chen?

0:38:200:38:21

What, you're not having one?

0:38:310:38:33

I want it straight up.

0:38:330:38:34

It wasn't them, Art, the Dyad people. Somebody else took Kira.

0:38:390:38:43

I know.

0:38:450:38:46

What?

0:38:500:38:51

The feds are calling the diner thing domestic terrorism.

0:38:510:38:54

The cowboy that took the shotgun blast was a religious extremist,

0:38:540:38:58

like Maggie Chen,

0:38:580:38:59

a prolethean.

0:38:590:39:01

Helena's people.

0:39:030:39:04

Why don't we start with that?

0:39:060:39:08

Who is Helena?

0:39:130:39:15

Are you sure you want to know what this is all about?

0:39:180:39:21

I guess we'll find out.

0:39:230:39:25

Excuse me.

0:39:470:39:49

My sister shot me.

0:39:490:39:51

I need some help here! Trauma team!

0:39:530:39:55

OK, no, we need a nurse here right now.

0:39:550:39:58

Gunshot wound. Call it in, call it in!

0:39:580:40:00

Pressure! Gunshot through the back.

0:40:000:40:03

Get her up. Ready? Now.

0:40:030:40:07

We need to get her in... Move it!

0:40:100:40:13

Look at the camera.

0:40:340:40:36

Shot point blank in the chest and she walks in?

0:40:390:40:42

-How is she even alive?

-We remember Aynsley's warmth.

0:40:420:40:44

-I killed Aynsley!

-I watched it happen, Felix.

0:40:440:40:47

They didn't do anything about it.

0:40:470:40:50

The old wing is where our most sensitive research takes place.

0:40:500:40:53

This is where you keep the clones.

0:40:530:40:55

Rachel takes insult very personally.

0:40:550:40:58

-Would you leave us, please?

-Yes, of course.

0:40:580:41:00

Kira? Hello?

0:41:000:41:02

They're gone. Young girl matching Kira's description with some guy.

0:41:020:41:04

-Get your hands on the car.

-You're gonna regret this.

0:41:040:41:08

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