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This film contains some violent scenes | 0:00:01 | 0:00:08 | |
What is this? Project LEDA? | 0:00:10 | 0:00:12 | |
-She warned me about you. -I swear to you, I don't know who they are. | 0:00:12 | 0:00:15 | |
The birdwatchers. | 0:00:15 | 0:00:17 | |
-My old network. -Brenda. | 0:00:17 | 0:00:20 | |
You sold us to the proletheans. | 0:00:20 | 0:00:21 | |
Who is that? | 0:00:21 | 0:00:23 | |
'They found polyps on my lungs.' | 0:00:23 | 0:00:25 | |
-She all right? -She died. | 0:00:25 | 0:00:27 | |
There's loads of cabins and summer houses. | 0:00:27 | 0:00:30 | |
We'll just find an empty one and we'll hole up. | 0:00:30 | 0:00:31 | |
-You know him?! -Are you my dad? | 0:00:31 | 0:00:34 | |
He's completely disconnected from all the shit we're dealing with. | 0:00:34 | 0:00:37 | |
There's no place for me here. | 0:00:37 | 0:00:39 | |
Can't you stop running for a minute? | 0:00:40 | 0:00:42 | |
Today's performance is dedicated to our dearly departed Aynsley. | 0:00:44 | 0:00:48 | |
# I walk down the aisle... # | 0:00:48 | 0:00:51 | |
My God. | 0:00:51 | 0:00:52 | |
Get up! | 0:00:52 | 0:00:54 | |
Get in! | 0:00:56 | 0:00:57 | |
Where'd you get this? | 0:00:57 | 0:00:59 | |
Sarah! | 0:01:17 | 0:01:18 | |
Sarah! | 0:01:20 | 0:01:22 | |
Sarah. Sarah. | 0:01:22 | 0:01:24 | |
Shit! I'm sorry. Come on. | 0:01:24 | 0:01:26 | |
It was you? | 0:01:26 | 0:01:27 | |
Sorry. I didn't know what else to do. | 0:01:27 | 0:01:29 | |
Wh-where's Kira? Where's Kira? | 0:01:29 | 0:01:31 | |
She's not here. She's fine. She's fine. You hit your head. | 0:01:31 | 0:01:35 | |
I'm fine. I'm fine. | 0:01:35 | 0:01:36 | |
Come on. Come on. Come on. | 0:01:36 | 0:01:38 | |
What are you doing? Who the hell is this guy? | 0:01:40 | 0:01:42 | |
I... I think he's dead. | 0:01:45 | 0:01:47 | |
We got to call the police. | 0:01:47 | 0:01:48 | |
No, no, no cops! | 0:01:48 | 0:01:50 | |
He shot a cop in my yard! | 0:01:50 | 0:01:52 | |
Cal, Cal, no cops. I can't do cops. | 0:01:52 | 0:01:55 | |
We just need to get out of here, ow. | 0:01:55 | 0:01:56 | |
SIREN WAILS | 0:01:56 | 0:01:58 | |
Shit. | 0:01:59 | 0:02:01 | |
It's too late. | 0:02:01 | 0:02:02 | |
Sarah. | 0:02:08 | 0:02:09 | |
Sarah! | 0:02:09 | 0:02:11 | |
What were you going to do? | 0:02:17 | 0:02:18 | |
You're holding a murder weapon! | 0:02:20 | 0:02:22 | |
Shit. | 0:02:27 | 0:02:28 | |
Shit. | 0:02:28 | 0:02:29 | |
OK, we need to... We need to hide this. | 0:02:33 | 0:02:36 | |
-How long do you think you can hide this? -I just need a head start. | 0:02:36 | 0:02:39 | |
Help me, please. Please. | 0:02:39 | 0:02:42 | |
Bowman put out a call for backup. | 0:03:28 | 0:03:30 | |
So he's responding. | 0:03:30 | 0:03:32 | |
Jesus Christ. | 0:03:33 | 0:03:34 | |
Where's Kira? | 0:03:34 | 0:03:36 | |
She's safe. I told you. | 0:03:36 | 0:03:38 | |
Hey, you got to tell me what the hell's going on. | 0:03:38 | 0:03:41 | |
No, I'm not doing that. Can't do that. | 0:03:41 | 0:03:43 | |
You know, Tom was a friend of mine. | 0:03:43 | 0:03:46 | |
Shit. | 0:03:52 | 0:03:54 | |
Shit, I'm sorry. | 0:03:54 | 0:03:56 | |
I'm sorry. I'm sorry, Cal. | 0:03:56 | 0:03:58 | |
I didn't mean for this to happen. | 0:03:58 | 0:04:00 | |
As soon as I've got Kira, we're gone. | 0:04:00 | 0:04:02 | |
I'll deal with this on my own. | 0:04:02 | 0:04:04 | |
Whatever this is, I'm in it. | 0:04:04 | 0:04:06 | |
Just tell me what you did. | 0:04:06 | 0:04:08 | |
At least tell me... Is anyone else after you? | 0:04:09 | 0:04:13 | |
Jesus Christ. | 0:04:15 | 0:04:16 | |
We need to get rid of this truck. | 0:04:16 | 0:04:18 | |
Dad, it's awake. | 0:04:25 | 0:04:27 | |
She's awake. | 0:04:27 | 0:04:29 | |
She's making noises, | 0:04:29 | 0:04:31 | |
speaking in gibberish. | 0:04:31 | 0:04:33 | |
It's Ukrainian. She's part of the family, now, Gracie. | 0:04:33 | 0:04:37 | |
Understood? | 0:04:37 | 0:04:38 | |
Helena, easy, now. Easy, now. | 0:04:51 | 0:04:54 | |
My head hurts. | 0:04:54 | 0:04:56 | |
That would be the sedative. | 0:04:56 | 0:04:59 | |
Water helps. | 0:04:59 | 0:05:01 | |
What did you do to me? | 0:05:01 | 0:05:03 | |
No, you're injured. | 0:05:03 | 0:05:05 | |
Remember? | 0:05:05 | 0:05:06 | |
We're trying to get you well. | 0:05:06 | 0:05:09 | |
There were people all around me. | 0:05:11 | 0:05:14 | |
That was just our family. | 0:05:14 | 0:05:15 | |
That's right, Helena. It's OK. | 0:05:15 | 0:05:18 | |
Everybody just came by to say hey, there. | 0:05:18 | 0:05:20 | |
Helena, I can't imagine the kind of life you've led up till now, | 0:05:20 | 0:05:24 | |
but that's all over and done with. | 0:05:24 | 0:05:25 | |
We're not like Tomas. | 0:05:25 | 0:05:27 | |
We love you for who you are. | 0:05:27 | 0:05:29 | |
You just rest. | 0:05:33 | 0:05:36 | |
Don't worry. | 0:05:36 | 0:05:37 | |
Your life is here now, with us. | 0:05:37 | 0:05:39 | |
Shh. | 0:05:40 | 0:05:42 | |
Shh. | 0:05:44 | 0:05:46 | |
VOMITING | 0:06:08 | 0:06:10 | |
Well! Bet you feel like shit. | 0:07:05 | 0:07:07 | |
You people can't do this to me. | 0:07:07 | 0:07:09 | |
-We have a contract. We have an agreement. -Not with me, you don't. | 0:07:09 | 0:07:12 | |
I... I... I demand to speak to Dr Leekie, right this second! | 0:07:12 | 0:07:15 | |
-This is totally unacceptable! -OK, back it up and sit your ass down. | 0:07:15 | 0:07:18 | |
I am not... | 0:07:18 | 0:07:20 | |
sitting my ass anywhere, | 0:07:20 | 0:07:21 | |
until I talk to Dr Leekie. | 0:07:21 | 0:07:23 | |
That your dealer? Because he ain't allowed in here. | 0:07:23 | 0:07:26 | |
My dealer? What are you talking about? This is the DYAD Institute. | 0:07:26 | 0:07:29 | |
Institute? This ain't no institute. | 0:07:29 | 0:07:30 | |
Where am I? | 0:07:30 | 0:07:32 | |
Girl, you're in the middle of your wake up call. | 0:07:32 | 0:07:34 | |
You in rehab. | 0:07:34 | 0:07:35 | |
Don't worry. The place is deserted. | 0:07:55 | 0:07:57 | |
Nobody's been here for years. | 0:07:57 | 0:07:59 | |
Monkey? | 0:08:05 | 0:08:07 | |
Mummy! | 0:08:08 | 0:08:10 | |
Hey. | 0:08:10 | 0:08:12 | |
Hey-ey. | 0:08:12 | 0:08:13 | |
Hey, baby. Hello. | 0:08:13 | 0:08:16 | |
Hello. | 0:08:16 | 0:08:18 | |
I thought you were gone. | 0:08:19 | 0:08:20 | |
I'm here, baby. | 0:08:20 | 0:08:22 | |
Hey. | 0:08:22 | 0:08:23 | |
-Cal told me to hide. -Good job, Kira. I couldn't see you at all. | 0:08:23 | 0:08:28 | |
Hey, thank you. | 0:08:28 | 0:08:29 | |
Yeah. | 0:08:31 | 0:08:32 | |
I have a surprise for you, Kira. | 0:08:32 | 0:08:34 | |
Come on. | 0:08:36 | 0:08:38 | |
A camper! | 0:08:41 | 0:08:43 | |
It's cool? | 0:08:43 | 0:08:44 | |
There's a kitchen and a bathroom. | 0:08:45 | 0:08:47 | |
-You want to look? -Yeah, go ahead. | 0:08:47 | 0:08:50 | |
Go ahead. | 0:08:52 | 0:08:55 | |
They'll be looking for my truck. | 0:08:55 | 0:08:57 | |
-I'll stash it inside and we'll keep going. -Is this yours? | 0:08:57 | 0:08:59 | |
You won't answer my questions. Don't ask your own. | 0:08:59 | 0:09:02 | |
If it's registered to you, they're going to be looking for it. | 0:09:02 | 0:09:05 | |
It's not in my name, all right? | 0:09:05 | 0:09:07 | |
Mummy! | 0:09:09 | 0:09:10 | |
There's a TV and a laptop | 0:09:10 | 0:09:12 | |
and a bed in the top! | 0:09:12 | 0:09:14 | |
Whoa! Let's check it out. | 0:09:14 | 0:09:16 | |
Let's check it out. | 0:09:16 | 0:09:17 | |
-Well... -Yeah. -What are we waiting for? | 0:09:17 | 0:09:23 | |
-He's out there again. -There's nothing to worry about, Bonnie. | 0:09:45 | 0:09:48 | |
They can take all the pictures they want. There's nothing to see here. | 0:09:48 | 0:09:51 | |
There wasn't, until a few days ago. | 0:09:51 | 0:09:53 | |
You don't think we should've brought her here? | 0:09:53 | 0:09:56 | |
I think it would've been easier on Gracie. | 0:09:56 | 0:09:59 | |
Gracie needs to open her heart. | 0:09:59 | 0:10:00 | |
And she will. | 0:10:00 | 0:10:02 | |
I just think another location would've been safer. | 0:10:02 | 0:10:04 | |
-At least, for a while. -Now, you let me worry about our safety. | 0:10:04 | 0:10:08 | |
All right? | 0:10:12 | 0:10:13 | |
She asleep? | 0:10:37 | 0:10:39 | |
Yeah. I don't know how she does it. | 0:10:39 | 0:10:42 | |
She's with her mom. She'll be OK. | 0:10:42 | 0:10:44 | |
-Where are you taking us? -Depends who's after ya. | 0:10:44 | 0:10:46 | |
-I mean, he wasn't just another angry mark, was he? -Cal, just... | 0:10:46 | 0:10:51 | |
I got to know what I'm dealing with. | 0:10:51 | 0:10:52 | |
All right. | 0:10:55 | 0:10:56 | |
That guy back there, he belonged to a very serious...bitch | 0:10:56 | 0:11:01 | |
at a very powerful corporation. | 0:11:01 | 0:11:03 | |
So you're scamming corporations now? | 0:11:03 | 0:11:06 | |
That's almost a relief. | 0:11:06 | 0:11:09 | |
-That the guy's phone? -Yeah. | 0:11:13 | 0:11:16 | |
I watched him unlock it. | 0:11:16 | 0:11:17 | |
It's her. As long as they think I'm still caught, | 0:11:21 | 0:11:25 | |
then they're not going to send anybody after us. | 0:11:25 | 0:11:28 | |
For a while. | 0:11:28 | 0:11:30 | |
Can you get me online? | 0:11:32 | 0:11:34 | |
Stop it! | 0:12:25 | 0:12:26 | |
Stop it! | 0:12:26 | 0:12:28 | |
Just leave us alone! | 0:12:28 | 0:12:30 | |
Stop it! | 0:12:34 | 0:12:35 | |
Go back to hell, where you belong. | 0:13:05 | 0:13:08 | |
You sleep now. | 0:13:22 | 0:13:24 | |
VOICES APPROACHING | 0:13:41 | 0:13:43 | |
Henrik! | 0:14:59 | 0:15:01 | |
Shit! | 0:15:17 | 0:15:18 | |
Hey. | 0:15:21 | 0:15:24 | |
Hey! | 0:15:24 | 0:15:26 | |
Hey! | 0:15:26 | 0:15:27 | |
Hello, gentlemen. | 0:15:42 | 0:15:44 | |
You're trespassing, Detective Bell. | 0:15:48 | 0:15:50 | |
No, I was just out for a hike, taking a few nature shots, | 0:15:50 | 0:15:53 | |
and I got a little turned around. | 0:15:53 | 0:15:55 | |
-This is private property. -Actually, your property line ends back there. | 0:15:55 | 0:15:58 | |
Which means all you boys have long-gun permits, as required by law, | 0:15:58 | 0:16:01 | |
to be packing these things on public land. Right? | 0:16:01 | 0:16:04 | |
Let's go. | 0:16:08 | 0:16:09 | |
-See ya again, Detective. -You bet. | 0:16:09 | 0:16:12 | |
Take the tree line. | 0:16:13 | 0:16:15 | |
'You know, | 0:16:23 | 0:16:25 | |
'the worst part of it is... | 0:16:25 | 0:16:27 | |
'..people looking at you | 0:16:30 | 0:16:32 | |
'when you tell them that you're sick. | 0:16:32 | 0:16:34 | |
'They're not sure how to react. | 0:16:34 | 0:16:37 | |
'Like, does she want me to cry, or, like, I don't care? Just feel...' | 0:16:37 | 0:16:44 | |
COMPUTER BEEPS | 0:16:44 | 0:16:46 | |
-Hey, Sarah. -Hey. | 0:16:46 | 0:16:49 | |
Where the hell are you? | 0:16:49 | 0:16:51 | |
I'm in my new lab. | 0:16:51 | 0:16:53 | |
Thank you very much. | 0:16:53 | 0:16:55 | |
They let you out? You look like you could use some sun, Cosima. | 0:16:55 | 0:16:59 | |
No. I'm good. I'm good. | 0:16:59 | 0:17:01 | |
Where the hell are you? | 0:17:01 | 0:17:02 | |
Why are we stopped out here? | 0:17:04 | 0:17:05 | |
Because your mom | 0:17:05 | 0:17:08 | |
wanted to talk to someone. | 0:17:08 | 0:17:10 | |
Aunt Cosima. | 0:17:10 | 0:17:12 | |
I guess. And, out here, it's so open, | 0:17:14 | 0:17:17 | |
we can pick up the signal for miles. | 0:17:17 | 0:17:20 | |
'Unit 14 clear.' | 0:17:20 | 0:17:22 | |
Are those police talking? | 0:17:22 | 0:17:24 | |
Look... | 0:17:24 | 0:17:26 | |
this is another cool trick I learned. | 0:17:26 | 0:17:28 | |
-'Holy shit, Sarah.' -Yeah, so, for now... | 0:17:30 | 0:17:33 | |
..I'm just texting as Daniel. | 0:17:35 | 0:17:37 | |
Rachel still thinks I'm caught. | 0:17:37 | 0:17:38 | |
OK, let me see that photo again. | 0:17:38 | 0:17:41 | |
Project LEDA. | 0:17:45 | 0:17:46 | |
You know the mythology of Leda and the swan? | 0:17:46 | 0:17:50 | |
Must've missed that class. | 0:17:50 | 0:17:52 | |
OK, so Zeus, the big guy of the gods, | 0:17:52 | 0:17:56 | |
he comes down from Mount Olympus in the guise of a swan and he gets it on | 0:17:56 | 0:18:00 | |
with this human queen called Leda. | 0:18:00 | 0:18:03 | |
They have twins and the kids | 0:18:03 | 0:18:06 | |
are half-human, half-god. | 0:18:06 | 0:18:08 | |
Weird, right? | 0:18:08 | 0:18:10 | |
Yeah, very weird. What does that have to do with anything? | 0:18:10 | 0:18:13 | |
"Project LEDA" - I mean, it's total military-speak, isn't it? | 0:18:13 | 0:18:16 | |
And what's with that soldier in the background? | 0:18:16 | 0:18:19 | |
What, you think the military created us? | 0:18:19 | 0:18:21 | |
I don't know. I don't know. | 0:18:21 | 0:18:23 | |
But this could be key, Sarah. | 0:18:23 | 0:18:25 | |
There you go. Turn it around. | 0:18:26 | 0:18:28 | |
I'm going to come back tonight. | 0:18:30 | 0:18:32 | |
Ahem. Don't you think that's really dangerous? | 0:18:32 | 0:18:35 | |
Mrs S lied straight to my face about Project LEDA. | 0:18:35 | 0:18:39 | |
I need to know where she is. | 0:18:39 | 0:18:40 | |
I need to know what she knows. | 0:18:40 | 0:18:42 | |
She's the key to all of this. | 0:18:42 | 0:18:45 | |
OK, let me handle this LEDA stuff. You just take care. Bye. | 0:18:45 | 0:18:49 | |
Ta-da! | 0:18:56 | 0:18:58 | |
It's an angel! | 0:18:58 | 0:18:59 | |
Well, I thought it was a butterfly, but an angel will do. | 0:18:59 | 0:19:03 | |
-Thank you. -Sure. | 0:19:03 | 0:19:05 | |
How did you do that? | 0:19:09 | 0:19:11 | |
They put up roadblocks, but they're behind us. | 0:19:15 | 0:19:18 | |
There's a BOLO out on my truck. | 0:19:18 | 0:19:20 | |
A "be on the lookout". | 0:19:20 | 0:19:22 | |
Yeah, I know what it means. | 0:19:22 | 0:19:24 | |
I don't know why you're doing any of this, Cal. | 0:19:24 | 0:19:27 | |
I need a favour. | 0:19:30 | 0:19:32 | |
I have to go back home to find someone. | 0:19:32 | 0:19:34 | |
-Jesus. -Hello, Benjamin. | 0:19:45 | 0:19:49 | |
-Siobhan, you're OK. -Why wouldn't I be? | 0:19:49 | 0:19:51 | |
I heard that someone did the bird-watchers. | 0:19:51 | 0:19:54 | |
-You! -It was a trap. It backfired. | 0:19:55 | 0:19:59 | |
I didn't... | 0:19:59 | 0:20:01 | |
I had no idea. | 0:20:01 | 0:20:03 | |
If you had, we wouldn't be talking right now. | 0:20:03 | 0:20:06 | |
What do you want? | 0:20:08 | 0:20:09 | |
New papers. | 0:20:09 | 0:20:11 | |
I have to get to London, find somebody. | 0:20:12 | 0:20:15 | |
If it's who I think it is, you don't have to go to London. | 0:20:15 | 0:20:18 | |
He came through a week ago. Carlton's here. | 0:20:18 | 0:20:21 | |
Felix! | 0:20:41 | 0:20:42 | |
My God. Hi. So this is what the world looks like, sober. | 0:20:42 | 0:20:46 | |
Thank God you're here. | 0:20:46 | 0:20:48 | |
They won't let me out, unless somebody takes me. | 0:20:48 | 0:20:51 | |
-What do you mean? What about Donnie? -He put me here. | 0:20:51 | 0:20:54 | |
He's my...Monitor. | 0:20:54 | 0:20:56 | |
Are you sure? | 0:20:56 | 0:20:58 | |
Yes. Yes, yes, he institutionalised me. | 0:20:58 | 0:21:01 | |
No, darling, I mean that rehab usually requires some form of consent. | 0:21:01 | 0:21:06 | |
-This was my idea? -God. | 0:21:08 | 0:21:11 | |
OK, let's have a seat. | 0:21:11 | 0:21:13 | |
God. | 0:21:14 | 0:21:16 | |
I don't remember the curtain going up. Was I terrible? | 0:21:18 | 0:21:21 | |
People got their money's worth. | 0:21:21 | 0:21:24 | |
Look at my arm. I'm a mess. | 0:21:25 | 0:21:27 | |
OK, let's look at this | 0:21:27 | 0:21:30 | |
as a chance to relax. | 0:21:30 | 0:21:32 | |
I'm in rehab, Felix. | 0:21:32 | 0:21:34 | |
There are drunks, drug addicts. | 0:21:34 | 0:21:38 | |
I saw one shaving her armpits. | 0:21:38 | 0:21:40 | |
That's disturbing, | 0:21:40 | 0:21:42 | |
but sort of the point, love. | 0:21:42 | 0:21:44 | |
Look, a week here is not a bad thing. | 0:21:44 | 0:21:49 | |
You go away for a week, | 0:21:49 | 0:21:50 | |
you come back from the spa, | 0:21:50 | 0:21:51 | |
fresh as a daisy. | 0:21:51 | 0:21:53 | |
No-one's the wiser. | 0:21:53 | 0:21:55 | |
Plus, no Donnie. | 0:21:55 | 0:21:56 | |
OK, one week. | 0:22:01 | 0:22:02 | |
Brilliant. We'll celebrate with brunch and mimosas. | 0:22:02 | 0:22:05 | |
God. Or just brunch. | 0:22:05 | 0:22:07 | |
You and Cal are going to stay in the camper tonight. | 0:22:07 | 0:22:11 | |
Are you going to find Mrs S? | 0:22:11 | 0:22:12 | |
Yes, and make sure that uncle Felix isn't still angry at me. | 0:22:14 | 0:22:17 | |
Right? Yeah. | 0:22:17 | 0:22:19 | |
OK. | 0:22:23 | 0:22:24 | |
Bye, babes. | 0:22:24 | 0:22:25 | |
Here. | 0:22:25 | 0:22:27 | |
She'll keep you safe. | 0:22:27 | 0:22:29 | |
Thank you. | 0:22:30 | 0:22:31 | |
The bus can wait. | 0:22:34 | 0:22:36 | |
Are you sure about this? | 0:22:36 | 0:22:38 | |
Are you? | 0:22:38 | 0:22:40 | |
I've never really been a dad before. | 0:22:40 | 0:22:43 | |
Thank you. | 0:22:45 | 0:22:46 | |
-You should, you guys should get on the road. -Yeah yeah. | 0:22:51 | 0:22:54 | |
If anything happens, you just... | 0:22:54 | 0:22:55 | |
I'll text you a safe number. | 0:22:55 | 0:22:57 | |
I'll see you here in six hours. | 0:22:57 | 0:22:59 | |
Right. | 0:22:59 | 0:23:01 | |
What's the corporation? | 0:23:01 | 0:23:02 | |
Just give me the name. | 0:23:04 | 0:23:06 | |
DYAD group. | 0:23:08 | 0:23:09 | |
You must've really gotten under their skin. | 0:23:11 | 0:23:14 | |
They sort of got under mine, first. | 0:23:14 | 0:23:16 | |
-How'd you find me? -Heard you were in the neighbourhood, | 0:24:06 | 0:24:09 | |
so I looked for the nearest place to find a pint and a pair of tits. | 0:24:09 | 0:24:12 | |
-I do have my weaknesses. -Well, let me go, or you'll have a few more. | 0:24:12 | 0:24:17 | |
There they are - | 0:24:27 | 0:24:29 | |
eyes that could make me stab me own mum, if they asked. | 0:24:29 | 0:24:32 | |
Still a poet. | 0:24:32 | 0:24:34 | |
I wasn't sure I'd ever see you again. | 0:24:36 | 0:24:38 | |
Took me a long time to come to terms with that. | 0:24:38 | 0:24:41 | |
And now that you have... | 0:24:41 | 0:24:43 | |
seen me again? | 0:24:43 | 0:24:46 | |
Not sure this is wise at all. | 0:24:46 | 0:24:47 | |
God, I missed you, woman. | 0:24:50 | 0:24:52 | |
Might've thought about you, once or twice. | 0:24:52 | 0:24:55 | |
What about your friend upstairs? | 0:25:00 | 0:25:02 | |
Could ask her to join us. | 0:25:02 | 0:25:04 | |
Careful. | 0:25:04 | 0:25:06 | |
My room's round the corner. | 0:25:07 | 0:25:09 | |
Don't tell me you've gotten shy. | 0:25:09 | 0:25:11 | |
I'll have you know I'm versed in Krav Maga! | 0:25:42 | 0:25:44 | |
Shit! Fe! | 0:25:44 | 0:25:46 | |
You're a shite burglar. | 0:25:46 | 0:25:48 | |
Why the hell didn't you answer any of my texts? | 0:25:48 | 0:25:51 | |
-Texts from you? I must've been busy. -Ha-ha. | 0:25:51 | 0:25:54 | |
Where's my niece? | 0:25:54 | 0:25:55 | |
Shit hit the fan. | 0:25:55 | 0:25:58 | |
You left her with Cal? | 0:25:58 | 0:26:00 | |
Yeah. Yeah, yeah. I'll explain later. | 0:26:00 | 0:26:03 | |
Anything from Siobhan, anything? | 0:26:03 | 0:26:06 | |
Nothing from Mumsy, no. | 0:26:06 | 0:26:08 | |
Alison's in recovery. | 0:26:08 | 0:26:10 | |
Cosima and Delphine are locked in | 0:26:10 | 0:26:12 | |
some kind of transgressive lesbian geek spiral, bound to end in tears. | 0:26:12 | 0:26:15 | |
Wait, did you say "recovery"? | 0:26:15 | 0:26:17 | |
-Is she in rehab? -You know, I think it'll be good for her, | 0:26:17 | 0:26:20 | |
help her to get back some of her dignity. | 0:26:20 | 0:26:22 | |
Do you have to watch me tinkle every time? | 0:26:30 | 0:26:32 | |
Mm-hm. | 0:26:32 | 0:26:34 | |
Test every day. | 0:26:34 | 0:26:35 | |
So we're clear? No drugs or alcohol, of any kind. | 0:26:38 | 0:26:42 | |
Any prescribed medication, you get from the desk. | 0:26:42 | 0:26:44 | |
-We watch you take it. -I'm not on anything. | 0:26:44 | 0:26:47 | |
-No birth control? -No. That was never necessary. | 0:26:47 | 0:26:50 | |
Well, you won't need it in here, anyway, cos there's no relations, | 0:26:50 | 0:26:54 | |
especially with other residents. | 0:26:54 | 0:26:56 | |
God. I'm married. | 0:26:56 | 0:26:57 | |
You're also an addict! Addicts do stupid shit. | 0:26:57 | 0:27:00 | |
You get caught doing the nasty with anyone in here, | 0:27:00 | 0:27:03 | |
-you're out on your ass. -I don't believe I've ever done "the nasty". | 0:27:03 | 0:27:07 | |
Alison. | 0:27:10 | 0:27:11 | |
Um, no, I don't want to talk to him. | 0:27:12 | 0:27:15 | |
He's an enabler, Yvonne. | 0:27:15 | 0:27:17 | |
You want I should check his crevices? | 0:27:17 | 0:27:19 | |
You put me in here. | 0:27:26 | 0:27:27 | |
You agreed. I just want what's best for you. | 0:27:27 | 0:27:31 | |
I can leave at any time I want. | 0:27:31 | 0:27:33 | |
-I don't think that'd be such a great idea. -Really, Donnie? | 0:27:33 | 0:27:37 | |
Spying, leeching Donnie. | 0:27:38 | 0:27:40 | |
Ali, you have issues. | 0:27:40 | 0:27:42 | |
And, until you get those sorted out, | 0:27:44 | 0:27:46 | |
I don't think you should be around the children. | 0:27:46 | 0:27:48 | |
That is not your decision to make. | 0:27:48 | 0:27:50 | |
It is, if you leave rehab before the programme's finished. | 0:27:50 | 0:27:53 | |
At least, that's what my lawyer says. | 0:27:53 | 0:27:56 | |
Get well, Ali. | 0:27:57 | 0:27:59 | |
So, what, exactly, do we expect to find down memory lane? | 0:28:04 | 0:28:07 | |
Something about S's network. | 0:28:07 | 0:28:11 | |
Well, she's got to be somewhere, yeah? | 0:28:11 | 0:28:13 | |
Maybe it's with one of these people in here. | 0:28:13 | 0:28:16 | |
Hello, Stallion. | 0:28:16 | 0:28:18 | |
Yeah, that's Carlton. | 0:28:18 | 0:28:20 | |
He brought me to S when I was a kid. | 0:28:20 | 0:28:22 | |
-She said he was in prison. -Oi. | 0:28:22 | 0:28:25 | |
What's this? | 0:28:25 | 0:28:26 | |
Carlton Redding, human-smuggler. | 0:28:29 | 0:28:31 | |
Yeah, his pipeline. | 0:28:31 | 0:28:33 | |
He used to hide people. | 0:28:34 | 0:28:37 | |
He got 15 years for it. | 0:28:37 | 0:28:38 | |
"Six scientists incinerated in lab explosion | 0:28:40 | 0:28:43 | |
"while working on a medical research project | 0:28:43 | 0:28:46 | |
"spearheaded by Professor Susan and Ethan Duncan". | 0:28:46 | 0:28:49 | |
Duncan? | 0:28:49 | 0:28:52 | |
As in Rachel Duncan? | 0:28:52 | 0:28:54 | |
Is this them, then? | 0:29:00 | 0:29:02 | |
Project LEDA. | 0:29:02 | 0:29:03 | |
Holy shit. | 0:29:03 | 0:29:05 | |
These were Rachel's parents. | 0:29:05 | 0:29:07 | |
Does that mean that Mrs S knew the whole time? | 0:29:07 | 0:29:09 | |
What else is she not bloody telling us? | 0:29:09 | 0:29:12 | |
You're still bloody spectacular. | 0:29:15 | 0:29:17 | |
Well, you have been locked up for a really long time, but, | 0:29:17 | 0:29:21 | |
yeah, I am. | 0:29:21 | 0:29:23 | |
Still, you didn't cross the pond | 0:29:26 | 0:29:29 | |
just to see me, did you? | 0:29:29 | 0:29:31 | |
Brenda was compromised. | 0:29:31 | 0:29:33 | |
I heard that, too. | 0:29:34 | 0:29:36 | |
Amelia came back, after all this time. | 0:29:38 | 0:29:41 | |
So you know why I'm here. | 0:29:43 | 0:29:45 | |
Leda. | 0:29:45 | 0:29:46 | |
Kasov was the ferryman. | 0:29:48 | 0:29:49 | |
I need more than that. | 0:29:49 | 0:29:51 | |
The ferryman's all I have. | 0:29:51 | 0:29:53 | |
20 years ago, you brought an orphan to my door. | 0:29:54 | 0:29:56 | |
"Put her in the black," you said, "as black as it gets," | 0:29:56 | 0:29:59 | |
and I didn't ask much, but now I know. | 0:29:59 | 0:30:02 | |
I know what she is, old friend. | 0:30:02 | 0:30:05 | |
Then you know more than me. And I don't want to hear it. | 0:30:06 | 0:30:09 | |
At least, take me as far as Kasov. | 0:30:13 | 0:30:15 | |
If Sarah digs any further into this, | 0:30:15 | 0:30:18 | |
God knows, a whole world of shit is going to unravel. | 0:30:18 | 0:30:23 | |
So I take it you're going back to Kira and that Davy Crockett. | 0:30:27 | 0:30:30 | |
Yeah, I am. | 0:30:30 | 0:30:32 | |
PHONE BEEPS | 0:30:32 | 0:30:33 | |
Is that Rachel? | 0:30:33 | 0:30:35 | |
Yeah. | 0:30:35 | 0:30:36 | |
Still got time. | 0:30:38 | 0:30:39 | |
Time for what? | 0:30:39 | 0:30:40 | |
What's the first rule of war, Fe? | 0:30:40 | 0:30:43 | |
Don't mix your camouflage? | 0:30:43 | 0:30:44 | |
Know your enemy. | 0:30:44 | 0:30:46 | |
Rachel's got an apartment at the Cameron Arms. | 0:30:47 | 0:30:51 | |
Nice digs. Those are executive suites. | 0:30:51 | 0:30:54 | |
You've been there? | 0:30:54 | 0:30:55 | |
Well, I can't really divulge, beyond the sordid, | 0:30:55 | 0:30:59 | |
but there was this really cute concierge named Troy | 0:30:59 | 0:31:01 | |
and I can distract... | 0:31:01 | 0:31:03 | |
No, no, no, no, no, no. | 0:31:03 | 0:31:05 | |
You need to bring these to Cosima. | 0:31:05 | 0:31:07 | |
-Tell her to find out what she can about the Duncans. -Right. | 0:31:07 | 0:31:11 | |
Yes, Miss Duncan. | 0:31:25 | 0:31:26 | |
O-f course, Miss Duncan. I'm almost there. | 0:31:26 | 0:31:29 | |
Yes. Yes. | 0:31:29 | 0:31:32 | |
I'd like the lights on and the suite to be a perfect 68 degrees. | 0:31:32 | 0:31:36 | |
Is that clear, Troy? | 0:31:36 | 0:31:37 | |
Absolutely, Miss Duncan. I'm taking care of it right now. | 0:31:37 | 0:31:41 | |
And don't linger, Troy. | 0:31:41 | 0:31:43 | |
I'll know if you do. | 0:31:43 | 0:31:45 | |
Of course not. I... W... | 0:31:45 | 0:31:47 | |
PHONE VIBRATES | 0:32:12 | 0:32:15 | |
Yeah. | 0:32:15 | 0:32:17 | |
Hey. Hey. Are you in? What's it like? | 0:32:17 | 0:32:19 | |
-Straight out of Cold Bitch Digest. -Let me talk to her. -OK. | 0:32:19 | 0:32:23 | |
Sarah, are you seriously in the inner sanctum? | 0:32:23 | 0:32:28 | |
Yeah. What'd you find out about the professors? | 0:32:28 | 0:32:30 | |
OK, Susan and Ethan Duncan, they were geneticists, | 0:32:30 | 0:32:34 | |
both British citizens. | 0:32:34 | 0:32:36 | |
They went to Cambridge for molecular biology. | 0:32:36 | 0:32:39 | |
In '74, they joint-published a paper on recombinant DNA, | 0:32:39 | 0:32:44 | |
and there were several more papers that they published after that, | 0:32:44 | 0:32:47 | |
-until the last one, in '76. -Is that when they started Project LEDA? | 0:32:47 | 0:32:51 | |
Yeah, well, it makes sense | 0:32:51 | 0:32:52 | |
that they were working on something totally top-secret | 0:32:52 | 0:32:55 | |
because they kind of disappear, until the big lab explosion. | 0:32:55 | 0:32:58 | |
So they were Rachel's parents, then. | 0:32:58 | 0:33:01 | |
Adoptive parents. I mean, | 0:33:01 | 0:33:02 | |
Amelia carried you for them, until she hid you, | 0:33:02 | 0:33:05 | |
and then they somehow ended up with Rachel, instead. | 0:33:05 | 0:33:08 | |
Just think, Sarah. | 0:33:08 | 0:33:09 | |
You could've been Rachel. | 0:33:09 | 0:33:11 | |
She's got good taste. | 0:33:11 | 0:33:13 | |
-And a boytoy. -Really?! | 0:33:17 | 0:33:19 | |
Well, at least she's got feelings somewhere in her body. | 0:33:19 | 0:33:22 | |
Yeah, just not in her soul. | 0:33:22 | 0:33:24 | |
You know, she would've been raised totally self-aware | 0:33:24 | 0:33:28 | |
and that sense of being the only self-aware clone | 0:33:28 | 0:33:31 | |
might've created a very profound sense of narcissism. | 0:33:31 | 0:33:34 | |
She probably thinks that she's elite. | 0:33:34 | 0:33:36 | |
I feel like the whole thing | 0:33:36 | 0:33:38 | |
would've been very clinical. | 0:33:38 | 0:33:40 | |
Every aspect of her life totally controlled | 0:33:40 | 0:33:43 | |
for one, singular purpose. | 0:33:43 | 0:33:45 | |
She would've been raised without | 0:33:45 | 0:33:46 | |
any emotional attachment, | 0:33:46 | 0:33:48 | |
so that she could be the perfect, like, corporate leader, | 0:33:48 | 0:33:51 | |
totally able to make decisions | 0:33:51 | 0:33:52 | |
based solely on strategic advantage. | 0:33:52 | 0:33:55 | |
So Rachel's evil because Mummy and Daddy didn't hug her enough? | 0:33:55 | 0:33:58 | |
'I love you, too, Daddy.' | 0:33:58 | 0:34:00 | |
-I don't think so. -Well, the psychology makes sense, Sarah. | 0:34:01 | 0:34:05 | |
DOOR CLOSES | 0:34:05 | 0:34:06 | |
(Shit. I got to go.) | 0:34:06 | 0:34:08 | |
It's me. | 0:34:16 | 0:34:17 | |
Yeah, well, there's been a problem. Sarah Manning's gone. | 0:34:17 | 0:34:20 | |
I did, and now I don't. | 0:34:20 | 0:34:23 | |
There was an accident. | 0:34:24 | 0:34:26 | |
She took it with her. | 0:34:26 | 0:34:27 | |
I don't know. | 0:34:27 | 0:34:29 | |
No, Rachel's not back till morning. | 0:34:29 | 0:34:31 | |
She has no idea and she's not going to find out. | 0:34:34 | 0:34:37 | |
Leekie, relax. | 0:34:37 | 0:34:39 | |
I will find Sarah and I will find out what she knows. | 0:34:39 | 0:34:42 | |
Gently, yes. | 0:34:44 | 0:34:46 | |
Yes. | 0:34:46 | 0:34:47 | |
Shit! | 0:34:53 | 0:34:55 | |
Well, look who it is. | 0:34:55 | 0:34:56 | |
You can't shoot me, can you? | 0:34:56 | 0:34:58 | |
You're not allowed to. Right? | 0:34:58 | 0:35:00 | |
You're right. | 0:35:05 | 0:35:07 | |
My mum's not coming tonight, is she? | 0:35:30 | 0:35:33 | |
She's late. | 0:35:33 | 0:35:34 | |
Probably not. | 0:35:34 | 0:35:36 | |
We'll talk to her tomorrow. | 0:35:40 | 0:35:42 | |
Are you sad? | 0:35:45 | 0:35:47 | |
Sad's OK sometimes. | 0:35:48 | 0:35:50 | |
Just don't be worried. | 0:35:50 | 0:35:51 | |
I'm not. She has a guardian angel. | 0:35:51 | 0:35:55 | |
Cute. | 0:36:06 | 0:36:08 | |
Thought this would be a good place to talk. | 0:36:10 | 0:36:13 | |
Easier to clean up after. | 0:36:13 | 0:36:15 | |
Tell me where you got this and who else knows about it. | 0:36:19 | 0:36:21 | |
Better idea... | 0:36:21 | 0:36:23 | |
Eat me. | 0:36:25 | 0:36:26 | |
You're not really the smartest clone, are you? | 0:36:33 | 0:36:35 | |
Smart enough to know you're shagging Rachel. | 0:36:35 | 0:36:38 | |
The way you operate, that means you're her monitor, right? | 0:36:38 | 0:36:43 | |
You report to Leekie on her. | 0:36:43 | 0:36:46 | |
I thought it would be somebody higher up. | 0:36:46 | 0:36:48 | |
Somebody who looks like me. | 0:36:50 | 0:36:52 | |
Well, don't flatter yourself. | 0:36:55 | 0:36:57 | |
There's already too many of you. | 0:36:57 | 0:36:58 | |
Daniel... | 0:37:01 | 0:37:04 | |
what are you so scared for us to find out about Project LEDA? | 0:37:04 | 0:37:07 | |
What makes you think | 0:37:09 | 0:37:10 | |
you're going to be able to tell anyone when we're done? | 0:37:10 | 0:37:13 | |
You wouldn't. | 0:37:16 | 0:37:17 | |
Daniel. Daniel. | 0:37:19 | 0:37:21 | |
-What? -I look like her. Don't I? | 0:37:21 | 0:37:24 | |
I look just like her. | 0:37:24 | 0:37:26 | |
This is happening. | 0:37:27 | 0:37:29 | |
You wouldn't. | 0:37:30 | 0:37:32 | |
Leekie wouldn't. | 0:37:32 | 0:37:33 | |
Rachel might. But this? | 0:37:33 | 0:37:35 | |
This is for me. | 0:37:35 | 0:37:37 | |
No! | 0:37:37 | 0:37:38 | |
-No! -Don't fight. | 0:37:38 | 0:37:40 | |
SHE SCREAMS | 0:37:42 | 0:37:43 | |
MUSIC STARTS TO PLAY | 0:37:44 | 0:37:46 | |
Don't go anywhere. | 0:37:50 | 0:37:52 | |
< CRASHING | 0:38:05 | 0:38:06 | |
SHE SCREAMS | 0:38:43 | 0:38:45 | |
Ssh. | 0:38:55 | 0:38:57 | |
Hello, sestra. | 0:38:59 | 0:39:01 | |
Good to see you. | 0:39:01 | 0:39:03 | |
Helena, what are you doing here?! | 0:39:03 | 0:39:05 | |
I followed you from Mother's house. | 0:39:07 | 0:39:09 | |
I shot you! You were dead! | 0:39:09 | 0:39:11 | |
You were dead! | 0:39:11 | 0:39:13 | |
Yes, you did. | 0:39:13 | 0:39:14 | |
It's a miracle. | 0:39:16 | 0:39:17 | |
We were meant to be together. | 0:39:20 | 0:39:21 | |
Stay away from me! | 0:39:21 | 0:39:23 | |
Please, sestra. | 0:39:26 | 0:39:28 | |
I need your help. | 0:39:30 | 0:39:32 | |
Don't send me back. | 0:39:32 | 0:39:34 | |
I was married. | 0:39:34 | 0:39:37 | |
I think he took something | 0:39:37 | 0:39:40 | |
from inside of me. | 0:39:40 | 0:39:42 | |
Gracie's sleeping. | 0:40:25 | 0:40:27 | |
We searched everywhere, but... | 0:40:27 | 0:40:30 | |
we lost Helena. | 0:40:30 | 0:40:33 | |
Well, just when the night is darkest, he shines a light. | 0:40:35 | 0:40:38 | |
And a new life begins. | 0:40:41 | 0:40:43 | |
Hallelujah. | 0:40:49 | 0:40:50 | |
I didn't think your mom had any sisters. | 0:40:54 | 0:40:56 | |
They're new. | 0:40:56 | 0:40:57 | |
A little emotional. | 0:40:57 | 0:40:59 | |
Are you reminding me I have no choice? | 0:40:59 | 0:41:01 | |
You're safe here. | 0:41:01 | 0:41:02 | |
-She wants to help you and Sarah. -Shut down the test. | 0:41:02 | 0:41:05 | |
Until Sarah comes to heel, Cosima will suffer. | 0:41:05 | 0:41:09 |