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EXPLOSION MAN SCREAMING | 0:00:00 | 0:00:01 | |
- Keep still, private! - My legs! My legs! | 0:00:01 | 0:00:03 | |
- Keep looking at me. - Get me out! | 0:00:03 | 0:00:04 | |
Going to get you out of here, all right? | 0:00:04 | 0:00:06 | |
'My name's Molly Dawes. | 0:00:10 | 0:00:13 | |
'I live off the Portway with my three sisters, two brothers, | 0:00:13 | 0:00:17 | |
'my pregnant mum and...my tosspot of a dad.' | 0:00:17 | 0:00:21 | |
Oh, get off, Dave, you do stink. | 0:00:21 | 0:00:23 | |
SIREN BLARES | 0:00:23 | 0:00:25 | |
You love me. | 0:00:29 | 0:00:30 | |
Not as much as you love yourself. | 0:00:30 | 0:00:32 | |
Stop it. | 0:00:34 | 0:00:36 | |
If it's £10 to get in and drinks cost a fortune, | 0:00:39 | 0:00:41 | |
we just make sure we get trollied before we get in there. | 0:00:41 | 0:00:43 | |
Tin of Red Bull, yeah? | 0:00:43 | 0:00:45 | |
Pour half away, fill the rest up with vodka. | 0:00:45 | 0:00:48 | |
That is me sorted. | 0:00:48 | 0:00:50 | |
Well, that's 40 for you and your mum, Shaz. | 0:00:50 | 0:00:52 | |
The black, the black dress with the... | 0:00:52 | 0:00:54 | |
- Small varnish, please, love. - No, not today, Dad. | 0:00:54 | 0:00:56 | |
Yes, today. | 0:00:56 | 0:00:57 | |
Change for me 20? | 0:00:58 | 0:01:00 | |
MUSIC: Rather Be by Clean Bandit | 0:01:00 | 0:01:03 | |
SHAZ: He's such a tool. | 0:01:06 | 0:01:07 | |
# If you gave me a chance, I would take it | 0:01:07 | 0:01:10 | |
# It's a shot in the dark but... # | 0:01:10 | 0:01:14 | |
WOMAN IN TOILET: Oh! Oh, hi, Mol! You all right? Having a good night? | 0:01:14 | 0:01:17 | |
Yeah, wicked. Bung us an oily, Mare. | 0:01:17 | 0:01:20 | |
Oh, ta. | 0:01:20 | 0:01:22 | |
I'll see you at the table! | 0:01:22 | 0:01:24 | |
MAN GRUNTS | 0:01:25 | 0:01:27 | |
GROANING | 0:01:30 | 0:01:32 | |
SHE RETCHES | 0:01:35 | 0:01:38 | |
Got any leaflets, then? | 0:01:59 | 0:02:00 | |
I'm just checking out the options. | 0:02:00 | 0:02:02 | |
Don't be nervous. | 0:02:02 | 0:02:03 | |
Oh, I didn't think you'd want the likes of me joining up. | 0:02:03 | 0:02:06 | |
Take these home and have a butcher's at your leisure. | 0:02:06 | 0:02:08 | |
What do you have to do, then? | 0:02:10 | 0:02:12 | |
Well, first, you have to do the BARB test. | 0:02:12 | 0:02:14 | |
You can do it on the computer. | 0:02:14 | 0:02:15 | |
Someone of your intelligence, it'll be a piece of cake. | 0:02:15 | 0:02:17 | |
Me? I'm stupid. | 0:02:17 | 0:02:19 | |
Well, we can do the BARB test now if you like. | 0:02:19 | 0:02:22 | |
Find out just how stupid you are. | 0:02:22 | 0:02:24 | |
What, and I just do it on the computer? | 0:02:24 | 0:02:27 | |
Do you wanna do it now? | 0:02:27 | 0:02:28 | |
Ladies and gentlemen, | 0:02:32 | 0:02:33 | |
if I could have your attention for a moment, please. | 0:02:33 | 0:02:36 | |
These next two days are very important if you want to progress | 0:02:36 | 0:02:40 | |
in the British Army, so take every task seriously and try your best. | 0:02:40 | 0:02:44 | |
'So that was your sit-ups.' | 0:02:44 | 0:02:45 | |
'The technical selection test is basically a mathematical test.' | 0:02:45 | 0:02:48 | |
'You've then got your under grasp heave test...' | 0:02:48 | 0:02:50 | |
- '55 questions.' - '..power bag lift and rope climb. | 0:02:50 | 0:02:53 | |
- Oi! - Did you fucking "Oi" me? | 0:02:53 | 0:02:55 | |
My hand slipped, that's all. | 0:02:55 | 0:02:57 | |
The one-and-a-half-mile run is a very important test. | 0:02:57 | 0:02:59 | |
Fail and you may as well go home. | 0:02:59 | 0:03:01 | |
On your marks, go. | 0:03:01 | 0:03:02 | |
Agh! Agh, agh! | 0:03:06 | 0:03:07 | |
You all right, Katy? | 0:03:07 | 0:03:08 | |
- I hurt my ankle! - What are you doing? | 0:03:08 | 0:03:10 | |
Well, she's fell over. | 0:03:10 | 0:03:11 | |
What the fuck is this, Two Little Boys? Leave her! | 0:03:11 | 0:03:14 | |
That is an order! | 0:03:14 | 0:03:15 | |
How is it? | 0:03:15 | 0:03:16 | |
Oh, it's all right. Bit better. | 0:03:16 | 0:03:19 | |
Anyway, I think I might've made | 0:03:19 | 0:03:21 | |
a bit of a ricket on the clothes front. | 0:03:21 | 0:03:22 | |
Leggings. Have you got any of them? | 0:03:22 | 0:03:24 | |
Cos your skirt might be a bit short. | 0:03:24 | 0:03:26 | |
I ain't got any leggings. | 0:03:26 | 0:03:27 | |
Here y'are. Take them. | 0:03:27 | 0:03:30 | |
Go in there and fight for your life. | 0:03:30 | 0:03:33 | |
You want to join the Royal Army Medical Corps, I see. | 0:03:34 | 0:03:37 | |
You tell me why I should recommend you. | 0:03:40 | 0:03:42 | |
Just give me a chance. | 0:03:42 | 0:03:44 | |
And why should I do that? | 0:03:44 | 0:03:45 | |
Because I've never had one. | 0:03:45 | 0:03:46 | |
To be honest, I just wanted to talk to you, like, | 0:03:51 | 0:03:54 | |
outside the house, away from the noise. | 0:03:54 | 0:03:56 | |
Well, if it helps you out, we know. | 0:03:56 | 0:03:58 | |
Yeah, and we don't mind. | 0:03:58 | 0:04:00 | |
Really? | 0:04:00 | 0:04:01 | |
Well, you're our daughter, Mol, we love you. | 0:04:01 | 0:04:03 | |
You're not a little girl any more, so...fair play to you. | 0:04:03 | 0:04:05 | |
I ain't pregnant! Did you think I was pregnant? | 0:04:05 | 0:04:08 | |
No. | 0:04:08 | 0:04:10 | |
I'm joining the army. | 0:04:10 | 0:04:12 | |
Two Section, line, NOW. | 0:04:14 | 0:04:17 | |
My name is Corporal Geddings. | 0:04:17 | 0:04:19 | |
For the next 14 weeks, I am your mother, father, boyfriend, | 0:04:19 | 0:04:25 | |
grandma and your bloody god all rolled into one. | 0:04:25 | 0:04:28 | |
You are MINE. More importantly... | 0:04:28 | 0:04:31 | |
..I am yours. | 0:04:33 | 0:04:34 | |
I will do my best to make sure that each | 0:04:36 | 0:04:38 | |
and every one of you make the grade. | 0:04:38 | 0:04:40 | |
These next few weeks are gonna need your absolute concentration | 0:04:40 | 0:04:43 | |
and dedication. | 0:04:43 | 0:04:45 | |
You! Do not drag your kit along the ground! | 0:04:45 | 0:04:48 | |
Oh, Jesus wept! | 0:04:48 | 0:04:50 | |
Those determined enough will pass out. | 0:04:50 | 0:04:52 | |
- Come on, push yourself! - Come on! | 0:04:52 | 0:04:54 | |
Find the courage. Two weeks you've been here! | 0:04:54 | 0:04:56 | |
- Now, come on, it's embarrassing. - Don't be a waste of space. Run! | 0:04:56 | 0:04:59 | |
Those that aren't 100% focused will fail. | 0:04:59 | 0:05:03 | |
I promise you that as well. | 0:05:03 | 0:05:05 | |
- Right, come on, ladies! - Come on, girl, jump. | 0:05:05 | 0:05:07 | |
That's it, come on. | 0:05:07 | 0:05:08 | |
Lauren? | 0:05:08 | 0:05:09 | |
Lauren! | 0:05:10 | 0:05:12 | |
- Is she all right? - Yeah, she's all right. | 0:05:12 | 0:05:14 | |
Good work, Dawes. | 0:05:14 | 0:05:15 | |
THEY SCREAM | 0:05:15 | 0:05:16 | |
ALL SING: # Why is everybody so serious | 0:05:16 | 0:05:18 | |
# Acting so damn mysterious? | 0:05:18 | 0:05:20 | |
# You got shades on your eyes and your heels so high | 0:05:20 | 0:05:23 | |
# That you can't even have a good time | 0:05:23 | 0:05:25 | |
# Everybody look to the left | 0:05:25 | 0:05:27 | |
# To the left | 0:05:27 | 0:05:28 | |
# Everybody look to the right | 0:05:28 | 0:05:30 | |
# Can you feel that? Yeah! | 0:05:30 | 0:05:32 | |
# We're paying with love tonight | 0:05:32 | 0:05:34 | |
# It's not about the money, money, money | 0:05:34 | 0:05:37 | |
# We don't need your money, money, money | 0:05:37 | 0:05:39 | |
# We just wanna make the world dance | 0:05:39 | 0:05:42 | |
# Forget about the price tag... # | 0:05:42 | 0:05:45 | |
TRAFFIC NOISE | 0:05:45 | 0:05:46 | |
Left, right, left, right. | 0:05:46 | 0:05:48 | |
We're gonna have to do so much drill when we get back. | 0:05:48 | 0:05:50 | |
Three, two, one! | 0:05:50 | 0:05:52 | |
Her face! | 0:05:53 | 0:05:54 | |
I've been at work. Let's talk. | 0:05:56 | 0:05:58 | |
Molly, I know I haven't always loved you well. | 0:05:59 | 0:06:02 | |
What, you mean shagging other people? | 0:06:02 | 0:06:04 | |
I always come back to you. | 0:06:04 | 0:06:07 | |
- Stop doing that! - What? | 0:06:07 | 0:06:08 | |
Always grabbing my face! | 0:06:08 | 0:06:10 | |
You don't get to touch my face any more! Just go away. | 0:06:10 | 0:06:12 | |
What's going on? | 0:06:14 | 0:06:15 | |
What do you mean, "What's going on?" | 0:06:15 | 0:06:17 | |
He's been bang up on you coming home and you're treating him like shit! | 0:06:17 | 0:06:20 | |
What's going on with you? | 0:06:20 | 0:06:21 | |
Just fucking marry him, Molly, for Daddy. | 0:06:21 | 0:06:23 | |
We've come up with a way to make us...well, not rich, but sorted. | 0:06:23 | 0:06:27 | |
You and Artan? | 0:06:27 | 0:06:28 | |
Exactly. I've got a start with a Russian firm building on Aldgate. | 0:06:28 | 0:06:31 | |
Artan's got a cousin working there. | 0:06:31 | 0:06:33 | |
Now, if I can persuade you to marry him, | 0:06:33 | 0:06:34 | |
his cousin'll put a nail gun through me hand. | 0:06:34 | 0:06:36 | |
Fucking hell, Dad. | 0:06:36 | 0:06:37 | |
I'll get a huge wedge of compensation from the Russians | 0:06:37 | 0:06:40 | |
and I'll be on the sick for life. | 0:06:40 | 0:06:41 | |
If you don't, Mol, there will be very serious repercussions | 0:06:41 | 0:06:44 | |
for the whole family, yeah? | 0:06:44 | 0:06:45 | |
I promise you, you won't see any of us again. | 0:06:47 | 0:06:50 | |
PHONE RINGTONE | 0:06:52 | 0:06:54 | |
Who was that? | 0:06:56 | 0:06:58 | |
Oh, it's my sister. I didn't feel like chatting. | 0:06:58 | 0:07:01 | |
Mum, it's only me. | 0:07:01 | 0:07:04 | |
If that was Molly, she's been told. | 0:07:04 | 0:07:05 | |
We don't want nothing to do with her no more. | 0:07:05 | 0:07:08 | |
You will come to passing out, won't you, Mum? | 0:07:08 | 0:07:10 | |
If she ever rings, you put the phone straight down, yeah? | 0:07:10 | 0:07:13 | |
Yes. | 0:07:13 | 0:07:14 | |
Please try. It's a big deal. | 0:07:14 | 0:07:16 | |
It's important. | 0:07:18 | 0:07:19 | |
MARCHING BAND PLAYS | 0:07:24 | 0:07:27 | |
RADIO: '..devastating blast triggered by just one man | 0:07:29 | 0:07:31 | |
'wearing a suicide belt.' | 0:07:31 | 0:07:33 | |
- Very well, sir. - And all the very best in the RAMC. | 0:07:33 | 0:07:36 | |
- Thank you, sir. - Well done. | 0:07:36 | 0:07:37 | |
BUSTLING VOICES | 0:07:39 | 0:07:41 | |
EXPLOSION MAN SCREAMING | 0:07:45 | 0:07:47 | |
- Keep still, private! - My legs! My legs! | 0:07:47 | 0:07:49 | |
- Keep looking at me. - Get me out! | 0:07:49 | 0:07:50 | |
Gonna get you out of here, all right? | 0:07:50 | 0:07:52 | |
Right now, I'm in charge, all right? Man up! | 0:07:52 | 0:07:55 | |
WHISTLE BLOWS | 0:07:55 | 0:07:57 | |
Hey, good work, private. | 0:07:58 | 0:08:00 | |
Thanks, Sarge. | 0:08:00 | 0:08:01 | |
So, why did you pick the private? | 0:08:01 | 0:08:03 | |
Well, he lost both legs, was losing a lot of blood. | 0:08:03 | 0:08:05 | |
- I had to make a decision quickly. - What about me? | 0:08:05 | 0:08:07 | |
Took full impact of the blast. Assessed, unable to survive. | 0:08:07 | 0:08:10 | |
No, seriously, when you were screaming your nut off, | 0:08:12 | 0:08:14 | |
I thought something really happened! | 0:08:14 | 0:08:16 | |
No, seriously... | 0:08:16 | 0:08:17 | |
Private Dawes! You got a visitor down the guardroom. | 0:08:17 | 0:08:19 | |
Mum? Ooh! | 0:08:19 | 0:08:22 | |
- How did you get here? - The train. | 0:08:24 | 0:08:26 | |
- Does Dad know you're here? - No. | 0:08:26 | 0:08:29 | |
You never come to passing out. | 0:08:29 | 0:08:31 | |
Well, it was difficult with your dad. | 0:08:31 | 0:08:34 | |
Does he hate me? | 0:08:35 | 0:08:36 | |
Oh, he loves you, Molly. I had to see you. | 0:08:36 | 0:08:39 | |
I had to touch you. | 0:08:39 | 0:08:41 | |
Don't, you'll set me off, Mum. You know what I'm like. | 0:08:41 | 0:08:44 | |
SHE SOBS | 0:08:44 | 0:08:45 | |
Do you have to go? | 0:08:45 | 0:08:47 | |
I want to go. | 0:08:47 | 0:08:49 | |
In Flanders fields the poppies blow | 0:08:51 | 0:08:54 | |
Between the crosses, row on row | 0:08:54 | 0:08:57 | |
That mark our place, and in the sky | 0:08:58 | 0:09:03 | |
The larks, still bravely singing, fly | 0:09:03 | 0:09:08 | |
Scarce heard amid the guns below. | 0:09:08 | 0:09:10 | |
We are the dead; scarce days ago | 0:09:12 | 0:09:16 | |
We lived, felt dawn, saw sunset glow | 0:09:16 | 0:09:22 | |
Loved and were loved, and now we lie | 0:09:22 | 0:09:28 | |
In Flanders fields. | 0:09:28 | 0:09:30 | |
Take up our quarrel with the foe! | 0:09:33 | 0:09:35 | |
To you from failing hands we throw | 0:09:36 | 0:09:40 | |
The torch; be yours to hold it high! | 0:09:40 | 0:09:45 | |
If ye break faith with us who die | 0:09:46 | 0:09:48 | |
We shall not sleep, though poppies grow | 0:09:48 | 0:09:52 | |
In Flanders fields. | 0:09:54 | 0:09:56 | |
Our girl'll be all right. | 0:09:56 | 0:09:58 | |
I'm Molly, by the way. | 0:10:17 | 0:10:19 | |
Me and you, we're soul sisters. | 0:10:21 | 0:10:23 | |
They are saying they are targeting the females. | 0:10:23 | 0:10:26 | |
I don't want special treatment, I'm the medic, I should go. | 0:10:26 | 0:10:29 | |
Come on, talk to me, I've come to save you! | 0:10:29 | 0:10:31 | |
Dawes, are you OK? | 0:10:32 | 0:10:33 | |
# And if you're still bleeding, you're the lucky ones... # | 0:10:35 | 0:10:39 | |
I'll always be there for you. | 0:10:39 | 0:10:41 | |
# ..Cos most of our feelings, they are dead and they are gone... # | 0:10:41 | 0:10:47 |