Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language. | 0:00:02 | 0:00:06 | |
-I'm Molly. -Molly? | 0:00:06 | 0:00:07 | |
That kid is spotting for the Taliban and reporting back. | 0:00:07 | 0:00:10 | |
GUNSHOTS | 0:00:10 | 0:00:11 | |
-Man down! -That's Smurf! | 0:00:11 | 0:00:13 | |
Sir, he's losing blood. I can get to him. | 0:00:13 | 0:00:16 | |
EXPLOSION Molly! | 0:00:16 | 0:00:18 | |
I was a dickhead. I'm telling you, I've learnt a big lesson. | 0:00:18 | 0:00:22 | |
I'm going to come back to you. | 0:00:22 | 0:00:24 | |
-Well done, Dawes. -Thank you, sir. | 0:00:24 | 0:00:26 | |
You're an excellent medic. | 0:00:26 | 0:00:27 | |
You're proving yourself. | 0:00:27 | 0:00:30 | |
VOICES TALK OVER EACH OTHER | 0:00:35 | 0:00:38 | |
Bashira. | 0:00:44 | 0:00:45 | |
You dropped this at the market. | 0:00:47 | 0:00:48 | |
I've been chasing you. | 0:00:48 | 0:00:50 | |
-Thank you. -That's all right. | 0:00:51 | 0:00:53 | |
That's what we're here for. | 0:00:53 | 0:00:54 | |
-Sang Chill Bazi? -Yeah, Sang Chill Bazi. | 0:00:54 | 0:00:58 | |
Come on, then. Oh... | 0:00:58 | 0:01:00 | |
Right, last time you beat me, so this time the revenge is mine. | 0:01:00 | 0:01:04 | |
-MOLLY GIGGLES -Right. | 0:01:04 | 0:01:07 | |
I'm rubbish at this. | 0:01:08 | 0:01:10 | |
-Ah, you beat me again! -BASHIRA LAUGHS | 0:01:13 | 0:01:16 | |
I tell you what... | 0:01:16 | 0:01:18 | |
the winner gets a sweet. | 0:01:18 | 0:01:20 | |
These are pang. | 0:01:20 | 0:01:22 | |
My mum sends these from London. | 0:01:22 | 0:01:24 | |
Pang? | 0:01:24 | 0:01:26 | |
Take these for Ron. | 0:01:26 | 0:01:28 | |
Later on? | 0:01:30 | 0:01:32 | |
I'm teaching you proper, good English here, Bashira. | 0:01:33 | 0:01:36 | |
See, me and you, we're soul sisters. | 0:01:36 | 0:01:38 | |
-Sisters? -Yeah. | 0:01:38 | 0:01:41 | |
MOLLY LAUGHS | 0:01:44 | 0:01:45 | |
You'd better get off to school. You're going to be late. | 0:01:45 | 0:01:47 | |
I was always late. | 0:01:47 | 0:01:49 | |
I spent more time writing in the late book | 0:01:49 | 0:01:51 | |
than I did in all my other lessons put together. | 0:01:51 | 0:01:53 | |
School. | 0:01:56 | 0:01:57 | |
My father say no school. | 0:01:57 | 0:02:00 | |
Why would he say that? | 0:02:00 | 0:02:02 | |
MAN SPEAKS IN PASHTO | 0:02:02 | 0:02:04 | |
Dawes! | 0:02:13 | 0:02:15 | |
Excuse me a second, when did Her Majesty die and make you the Queen? | 0:02:19 | 0:02:22 | |
-Sir? -You are not in charge. You do not wander off. | 0:02:22 | 0:02:25 | |
-Sorry, sir... -Do you realise how much danger you put yourself in? | 0:02:26 | 0:02:29 | |
-She'd dropped her scarf, I was... -You thought you'd risk your life to pick it up? | 0:02:29 | 0:02:33 | |
Sorry, sir. It's just she's become my little friend... | 0:02:33 | 0:02:35 | |
You do not involve yourself in the lives of the locals. | 0:02:35 | 0:02:38 | |
They must not become dependent on us in any way, shape or form. Do you understand? | 0:02:38 | 0:02:41 | |
-Yes, sir. -More importantly, you don't put yourself in jeopardy. | 0:02:41 | 0:02:45 | |
# The war rages on | 0:02:56 | 0:03:00 | |
# You'll be at my side | 0:03:00 | 0:03:03 | |
# Through it all | 0:03:03 | 0:03:08 | |
# Through hardships unseen | 0:03:10 | 0:03:13 | |
# We still survive | 0:03:13 | 0:03:17 | |
# Fortified... # | 0:03:17 | 0:03:22 | |
MUSIC FADES OUT | 0:03:26 | 0:03:28 | |
HE CHOKES | 0:03:33 | 0:03:34 | |
This dust is like smoking 40 fags a day, man! | 0:03:34 | 0:03:38 | |
-So with the 40 you actually smoke, that makes 80. -Yeah. | 0:03:38 | 0:03:42 | |
-I probably should quit, shouldn't I? -HE LAUGHS | 0:03:42 | 0:03:44 | |
Look who it is! | 0:03:48 | 0:03:49 | |
Our very own number one cock muppet is back on the firm. | 0:03:49 | 0:03:52 | |
-LAUGHTER -All right, shitheads! | 0:03:52 | 0:03:55 | |
CHEERING | 0:03:55 | 0:03:58 | |
Right, who wants to see my rusty bullet hole? | 0:03:58 | 0:04:00 | |
-Ooh! -Fingers first! | 0:04:00 | 0:04:02 | |
Molls, you want to cop a feel? | 0:04:02 | 0:04:04 | |
It's a shame he didn't shoot you in the head, put us all out of our misery. | 0:04:04 | 0:04:07 | |
LAUGHTER | 0:04:07 | 0:04:09 | |
-Proper rinsed, Smurf! -Oh, so she's flavour of the month now, is she? | 0:04:09 | 0:04:12 | |
Yes, SHE is. Deal with it. | 0:04:12 | 0:04:14 | |
THEY LAUGH | 0:04:14 | 0:04:16 | |
SOUND OF DISTANT HELICOPTER Glad to have you back. | 0:04:21 | 0:04:24 | |
I can't tell you how glad I am to be back, sir. | 0:04:24 | 0:04:26 | |
-I won't let you down again. -Correct. You won't. | 0:04:26 | 0:04:30 | |
-You were lucky it was just a flesh wound. -I know, sir. | 0:04:30 | 0:04:33 | |
Having said that, with the blood you lost, you would've died if it weren't for our medic. | 0:04:33 | 0:04:37 | |
-I know that too, sir. -And more importantly, | 0:04:37 | 0:04:39 | |
she risked her life to save yours. | 0:04:39 | 0:04:41 | |
I made a mistake. | 0:04:43 | 0:04:45 | |
We all make mistakes, Smurf. | 0:04:45 | 0:04:46 | |
It's what we do to rectify them that separates the shit from the clay. | 0:04:46 | 0:04:49 | |
Don't worry about me, sir. | 0:04:49 | 0:04:51 | |
I'll prove my worth. | 0:04:51 | 0:04:52 | |
As if "The Smurfoid Returns" wasn't treat enough, | 0:04:54 | 0:04:56 | |
by way of celebration, we have some very special guests arriving tomorrow. | 0:04:56 | 0:05:00 | |
-Who's that, sir? -I'm talking mega. Huge. -What, Prince Harry? | 0:05:00 | 0:05:04 | |
Prince Harry? He's gagging to get out here. | 0:05:04 | 0:05:07 | |
Are you telling us you've bagged us the Royal ginge, sir? | 0:05:07 | 0:05:10 | |
Ask me no questions, I'll tell you no lies, Dawes. | 0:05:10 | 0:05:12 | |
My mum says I've got MORE than a passing resemblance... | 0:05:12 | 0:05:14 | |
-ALL: -Shut up! | 0:05:14 | 0:05:16 | |
-Come on, Smurf, let's see your rusty bullet hole. -Yeah, man! | 0:05:16 | 0:05:19 | |
All right, all right. | 0:05:19 | 0:05:21 | |
Check it, boys. Gather round, gather round. | 0:05:21 | 0:05:23 | |
GAGGING AND LAUGHTER | 0:05:23 | 0:05:25 | |
Excuse me, sir. | 0:05:25 | 0:05:27 | |
If it is the Ginger Ninja, why haven't we had royal security round to check everything? | 0:05:27 | 0:05:31 | |
-I haven't said who it is, have I, Dawes? -It is him. | 0:05:31 | 0:05:33 | |
I can tell with you being all coy, like you're not supposed to say anything, but you can't help it. | 0:05:33 | 0:05:37 | |
-I'm like that. -HE LAUGHS | 0:05:37 | 0:05:39 | |
-SMURF CLEARS HIS THROAT -The doctor at Bastion says | 0:05:42 | 0:05:45 | |
the medic has to rub baby oil into my bullet hole every hour or I'll die. | 0:05:45 | 0:05:48 | |
-Looks like you're going to die then. -Charming. Cup of tea? | 0:05:48 | 0:05:51 | |
You owe me more than that. | 0:05:51 | 0:05:53 | |
That's true, saving my life has got to be worth at least a cup of tea and a bacon butty. | 0:05:53 | 0:05:57 | |
Don't push it, mate. Your life ain't worth a WHOLE bacon butty. | 0:05:57 | 0:06:01 | |
I'm there for you. Molls. | 0:06:05 | 0:06:07 | |
What? | 0:06:16 | 0:06:17 | |
Nothing. It's just that whenever anyone says, "I'm there for you", | 0:06:17 | 0:06:21 | |
it just makes me laugh. It's just one of them expressions, innit? | 0:06:21 | 0:06:23 | |
Yeah, I'm just letting you know, like, if you need me... | 0:06:23 | 0:06:27 | |
You're there. | 0:06:27 | 0:06:28 | |
Yeah. | 0:06:28 | 0:06:30 | |
For me? | 0:06:30 | 0:06:32 | |
-So, you got him to like you now, then? -What are you talking about? | 0:06:40 | 0:06:44 | |
Well, you know, he was a bit sort of...offish with you. | 0:06:44 | 0:06:47 | |
Are you making that tea, or what? | 0:06:47 | 0:06:49 | |
Kinders, if you go left and hug the poppy fields, | 0:07:06 | 0:07:08 | |
-we can get into the village that way. -Sir! | 0:07:08 | 0:07:11 | |
Swing it left here. | 0:07:11 | 0:07:13 | |
"In Flanders fields the poppies blow..." | 0:07:14 | 0:07:16 | |
Different type of poppies here, sir. | 0:07:16 | 0:07:18 | |
More smackheads here than Liverpool, eh, Brains? | 0:07:18 | 0:07:22 | |
Oh, don't stereotype us, | 0:07:22 | 0:07:23 | |
you leak-eating, daffodil-growing sheep-shagger. | 0:07:23 | 0:07:26 | |
Circle of rocks ahead, sir. | 0:07:26 | 0:07:28 | |
Nude-Nut, you're up. | 0:07:28 | 0:07:29 | |
My shout, sir. | 0:07:32 | 0:07:34 | |
Not on your first full day back, Smurf. | 0:07:34 | 0:07:36 | |
HE SHOUTS IN PASHTO | 0:07:44 | 0:07:46 | |
I'm all right, sir. | 0:07:49 | 0:07:51 | |
I know you are, Smurf. | 0:07:53 | 0:07:54 | |
It's just that it's your first full day back. | 0:07:54 | 0:07:57 | |
You just don't want to have to tell my mum she's lost another one, sir. | 0:07:57 | 0:08:01 | |
-Well, yeah, there is that. -Anything happens to me, | 0:08:01 | 0:08:05 | |
you might have to move to Newport yourself, sir. | 0:08:05 | 0:08:08 | |
That truly is a fate worse than death, Smurf. | 0:08:08 | 0:08:10 | |
# I'm Newport till I die | 0:08:12 | 0:08:14 | |
# I'm Newport till I die | 0:08:14 | 0:08:16 | |
# I knows I am, I'm sure I am | 0:08:16 | 0:08:18 | |
# I'm Newport till I die. # | 0:08:18 | 0:08:20 | |
You sad Welsh tosser. | 0:08:20 | 0:08:22 | |
They call Newport the Venice of Wales. | 0:08:22 | 0:08:25 | |
-Who does, Smurf? -My Aunt Linda, if you must know. | 0:08:25 | 0:08:27 | |
Although she's never been to Venice, | 0:08:27 | 0:08:29 | |
but she has got a tattoo of a gondola...on her arse. | 0:08:29 | 0:08:33 | |
NUDE-NUT OVER RADIO: 'All clear here, sir.' | 0:08:33 | 0:08:35 | |
All right, lads, close in. | 0:08:35 | 0:08:37 | |
Sir, I will be able to resume my duties as lead man, sir? | 0:08:38 | 0:08:42 | |
Well, I hope so, Smurf. | 0:08:42 | 0:08:44 | |
Lads, fall in on me. | 0:08:45 | 0:08:47 | |
That dicker's still around, then, is she? | 0:09:08 | 0:09:11 | |
Planted any devices around here lately? | 0:09:11 | 0:09:13 | |
Shut up, Smurf. | 0:09:13 | 0:09:15 | |
-What? -Trapping off. | 0:09:15 | 0:09:17 | |
I'm just saying. | 0:09:17 | 0:09:19 | |
It's funny how wherever we are, she seems to pop up like a meerkat. | 0:09:19 | 0:09:23 | |
She does seem to be ever present on our patrols. | 0:09:25 | 0:09:28 | |
I'm right, aren't I, boss? | 0:09:28 | 0:09:29 | |
Something about her that smells a bit rotten. | 0:09:29 | 0:09:31 | |
If she is the one you saw in the minefield, we should keep an eye on her. | 0:09:31 | 0:09:35 | |
Oh, you're back all right. | 0:09:38 | 0:09:40 | |
I'm talking sense, Molls, and you knows it. | 0:09:40 | 0:09:44 | |
Bashira, are you OK? | 0:09:51 | 0:09:54 | |
Well, what is it? | 0:09:55 | 0:09:57 | |
I won't let anyone hurt you, OK? | 0:09:57 | 0:10:00 | |
Why aren't you going to school? | 0:10:02 | 0:10:04 | |
That's the reason we're here. | 0:10:04 | 0:10:07 | |
I...I must leave. | 0:10:09 | 0:10:11 | |
I must go away. | 0:10:11 | 0:10:13 | |
-Go where? -My father has said. | 0:10:14 | 0:10:17 | |
He can't just send you away, can he? | 0:10:17 | 0:10:19 | |
I've been promised to a man. | 0:10:21 | 0:10:24 | |
What? | 0:10:24 | 0:10:26 | |
What do you mean, promised? | 0:10:27 | 0:10:29 | |
To be married. I must leave. | 0:10:30 | 0:10:33 | |
Is that what you want? | 0:10:37 | 0:10:39 | |
GUNFIRE AND SHOUTING | 0:10:42 | 0:10:44 | |
Get down! | 0:10:44 | 0:10:46 | |
Get down! | 0:10:48 | 0:10:50 | |
-To your right! -Watch your back. | 0:10:50 | 0:10:52 | |
SMURF: I think it came from the school over there, Corporal. | 0:10:52 | 0:10:55 | |
I don't understand, why the school? | 0:11:01 | 0:11:03 | |
The teacher says two Taliban came in, fired at the walls and went. | 0:11:04 | 0:11:09 | |
So who was in here? Was anybody hurt? | 0:11:09 | 0:11:11 | |
The elder was in his office, he came but they didn't harm him. | 0:11:11 | 0:11:14 | |
The children ain't coming back. | 0:11:14 | 0:11:16 | |
He thinks the presence of the soldiers has only made things worse. | 0:11:16 | 0:11:22 | |
He says this is just the first. | 0:11:22 | 0:11:24 | |
The first? | 0:11:24 | 0:11:26 | |
First thing they do. | 0:11:27 | 0:11:29 | |
Dawes. | 0:11:36 | 0:11:37 | |
Hey! > | 0:11:37 | 0:11:38 | |
-Is that for me, sir? -No. | 0:11:38 | 0:11:40 | |
THEY ALL LAUGH | 0:11:40 | 0:11:42 | |
But the letter on the top is. | 0:11:42 | 0:11:44 | |
Ah, it's from my sister, | 0:11:45 | 0:11:47 | |
so you can stick that parcel up your arse. | 0:11:47 | 0:11:49 | |
-This is better. Sir. -SOLDIERS: Ooh! | 0:11:49 | 0:11:52 | |
I doubt that, Dawes. | 0:11:52 | 0:11:53 | |
Gentlemen, this parcel is a package of mine from my mummy! | 0:11:53 | 0:11:57 | |
While you lot are sweating your nads off, | 0:11:57 | 0:11:59 | |
I will be bathing on the steps of my very own luxury swimming pool. | 0:11:59 | 0:12:04 | |
SOLDIERS: Ooh! | 0:12:04 | 0:12:06 | |
Two volunteers? | 0:12:06 | 0:12:07 | |
One to blow it up and one to get the water and fill it up. | 0:12:07 | 0:12:10 | |
Nude-Nut, Baz Vegas! | 0:12:10 | 0:12:12 | |
Oh, how I adore a keen and eager soldier! | 0:12:12 | 0:12:16 | |
Who's next? | 0:12:17 | 0:12:19 | |
Dangleberries. A heavy one. | 0:12:19 | 0:12:21 | |
What's all that about, sir? | 0:12:27 | 0:12:28 | |
I don't know. | 0:12:33 | 0:12:34 | |
Let's find out. | 0:12:36 | 0:12:37 | |
THEY SPEAK IN PASHTO | 0:12:45 | 0:12:48 | |
You making chai? | 0:12:52 | 0:12:54 | |
HE SPEAKS IN PASHTO | 0:12:56 | 0:12:58 | |
I take that as a yes? | 0:13:00 | 0:13:02 | |
-You want chai? -That'd be lovely. If you're offering? | 0:13:02 | 0:13:06 | |
You, sir, are a scholar and a gent. | 0:13:18 | 0:13:21 | |
Do you know anything about what happened | 0:13:22 | 0:13:24 | |
-up at the school this morning? -What happened? At the school? | 0:13:24 | 0:13:29 | |
You don't know? | 0:13:29 | 0:13:30 | |
Why should I know? | 0:13:33 | 0:13:35 | |
The Taliban went in and fired bullets into the walls. | 0:13:35 | 0:13:38 | |
Have you got a chai for our medic? | 0:13:42 | 0:13:45 | |
The female? | 0:13:47 | 0:13:49 | |
Well, we let them drink tea where we come from. | 0:13:49 | 0:13:52 | |
I know, mental or what(?) | 0:13:52 | 0:13:56 | |
All this... | 0:14:13 | 0:14:14 | |
..just to get the children to go to school? | 0:14:16 | 0:14:18 | |
You got a problem with that, soldier? | 0:14:19 | 0:14:22 | |
HE SPEAKS IN PASHTO | 0:14:24 | 0:14:27 | |
Yeah, that's why we're here, to make sure the children can go to school. | 0:14:27 | 0:14:31 | |
But they used to go to school before you arrive. | 0:14:31 | 0:14:33 | |
The boys did, yeah. | 0:14:33 | 0:14:35 | |
And now no-one will. | 0:14:35 | 0:14:36 | |
So... | 0:14:37 | 0:14:38 | |
..what have you achieved? | 0:14:41 | 0:14:44 | |
You go soon... | 0:14:46 | 0:14:48 | |
..and everything will go back to normal. | 0:14:49 | 0:14:52 | |
What exactly counts as normal round here, then? | 0:14:52 | 0:14:55 | |
Your normal isn't our normal. | 0:14:57 | 0:15:00 | |
And when you go, we will still be here. | 0:15:02 | 0:15:05 | |
Dawes...work to do, move. | 0:15:09 | 0:15:11 | |
We're supposed to be on the same side, | 0:15:21 | 0:15:23 | |
-but sometimes it really doesn't feel like that. -Agreed. | 0:15:23 | 0:15:26 | |
Did you see his face when you said about just the boys going to school? | 0:15:26 | 0:15:29 | |
See, when it all goes back to normal, | 0:15:29 | 0:15:31 | |
like what he's talking about, Bashira don't stand a chance. | 0:15:31 | 0:15:34 | |
-Repeat after me. Do... -Do. | 0:15:34 | 0:15:36 | |
-..Not... -..Not... -..Get... -..Get... -...In-fucking-volved. | 0:15:36 | 0:15:39 | |
Because I need you 100% by my side. | 0:15:39 | 0:15:42 | |
-I am, sir. -You can't be, if you're worrying about an individual child. | 0:15:42 | 0:15:46 | |
I'm 100% by your side. | 0:15:46 | 0:15:47 | |
Good. | 0:15:47 | 0:15:48 | |
Now go and read your letter. | 0:15:50 | 0:15:52 | |
Heavily armed insurgents | 0:16:00 | 0:16:01 | |
are controlling the area around the mountains and the village. | 0:16:01 | 0:16:04 | |
The ANA will remain at the checkpoint here, | 0:16:04 | 0:16:07 | |
and we will maintain a presence in the village itself | 0:16:07 | 0:16:09 | |
so that the kids can return back to school. | 0:16:09 | 0:16:11 | |
They are planning more attacks imminently. So be vigilant, guys. | 0:16:11 | 0:16:15 | |
The buildings opposite the school are empty. | 0:16:15 | 0:16:18 | |
To the rear of the school is a compound which we will also control. | 0:16:18 | 0:16:22 | |
We need the children to go back to school | 0:16:22 | 0:16:24 | |
or the entire mission here has been a waste of time. | 0:16:24 | 0:16:26 | |
We leave in two hours. | 0:16:26 | 0:16:28 | |
Be ready. | 0:16:28 | 0:16:30 | |
Sir... | 0:16:39 | 0:16:40 | |
..who'd win a fight out of you and Prince Harry? | 0:16:41 | 0:16:43 | |
We'll find out later. | 0:16:43 | 0:16:45 | |
Prince Harry isn't going to be the mystery guest! | 0:16:45 | 0:16:48 | |
I'm so nicking his beret and bunging it on eBay! | 0:16:48 | 0:16:51 | |
ALL: Benefits Street! | 0:16:51 | 0:16:53 | |
I'm from Aston, it's completely the other side of Birmingham! | 0:16:53 | 0:16:57 | |
Listen up you shit-for-brain lady-parts. | 0:16:57 | 0:16:59 | |
As soon as we get to the village compound, we secure the outside. | 0:16:59 | 0:17:02 | |
-Dawes, you go in and establish a med centre. -Sir. | 0:17:02 | 0:17:05 | |
-Understood? -ALL: Sir! | 0:17:05 | 0:17:06 | |
You can come to England now, can't you? | 0:17:12 | 0:17:15 | |
What do you mean? | 0:17:15 | 0:17:16 | |
After drawdown. | 0:17:16 | 0:17:17 | |
Is that what you want? | 0:17:18 | 0:17:20 | |
A peaceful Afghanistan is all I want. | 0:17:20 | 0:17:22 | |
-Good luck with that one. -Indeed. | 0:17:22 | 0:17:24 | |
How can she be promised, Qaseem? That's mad, innit? | 0:17:28 | 0:17:32 | |
Welcome to my country. | 0:17:32 | 0:17:34 | |
What did you do before you come and work for us? | 0:17:36 | 0:17:39 | |
I taught at the university in Kabul. English literature. | 0:17:39 | 0:17:44 | |
And working for us is better than the university? | 0:17:44 | 0:17:47 | |
I thought I could do more good. | 0:17:47 | 0:17:50 | |
They killed my wife and daughter. | 0:17:52 | 0:17:54 | |
Who, the Taliban? | 0:17:58 | 0:17:59 | |
So what is the worst that can happen to me now? | 0:18:01 | 0:18:04 | |
There is no worst. I've already had it. | 0:18:04 | 0:18:06 | |
Do you reckon Afghan will ever be peaceful? | 0:18:12 | 0:18:15 | |
Yes. One day. | 0:18:26 | 0:18:28 | |
I don't know when that day is but, of course, | 0:18:28 | 0:18:31 | |
one day Afghanistan will be peaceful | 0:18:31 | 0:18:33 | |
and the most beautiful place on the Earth to live. | 0:18:33 | 0:18:36 | |
One day. And every day is another day nearer. | 0:18:36 | 0:18:39 | |
SOBBING AND CONVERSATION | 0:18:51 | 0:18:54 | |
THEY SPEAK IN PASHTO | 0:18:57 | 0:19:00 | |
She is saying her daughter needs treatment. | 0:19:07 | 0:19:09 | |
Well, tell her to take her to a local hospital. | 0:19:09 | 0:19:11 | |
MAN TRANSLATES | 0:19:11 | 0:19:14 | |
She says she is looking to you as medic to help. | 0:19:18 | 0:19:20 | |
The local hospital is four hours away, and she has no transport. | 0:19:20 | 0:19:24 | |
-She's saying it's my fault, isn't she? -Yes, she is, but it's not. | 0:19:24 | 0:19:29 | |
A father hitting his child is wrong. | 0:19:29 | 0:19:31 | |
As wrong in Afghanistan as it is where you come from. | 0:19:31 | 0:19:33 | |
She has to go to her own hospital. Those are the rules. | 0:19:33 | 0:19:35 | |
-Yes, sir. Understood, sir. -WOMAN SOBS | 0:19:35 | 0:19:38 | |
Can I at least examine the eye to assess the damage? | 0:19:38 | 0:19:41 | |
-Sir, we have a responsibility. -SOBBING CONTINUES | 0:19:41 | 0:19:44 | |
Please, sir. It is my fault, if it was because I was talking to her. | 0:19:44 | 0:19:49 | |
Well, get the eye cleaned up and then I never want to see her again. | 0:19:50 | 0:19:54 | |
-You're not endearing yourself to me, Dawes. -Thank you, sir. | 0:19:55 | 0:19:58 | |
WOMAN SPEAKS IN PASHTO | 0:20:00 | 0:20:02 | |
I think you might going to need a stitch in that, Bashira. | 0:20:11 | 0:20:15 | |
Do you understand? | 0:20:15 | 0:20:16 | |
Of course she doesn't understand, I barely understood. | 0:20:16 | 0:20:19 | |
-I thought your English was better than hers, sir. -Mine is. | 0:20:19 | 0:20:22 | |
Yours... "Might going to need a stitch"? | 0:20:22 | 0:20:25 | |
What's that even supposed to mean? | 0:20:25 | 0:20:27 | |
She might going to need a stitch. | 0:20:27 | 0:20:29 | |
I'll try putting butterfly stitches in it to hold it together. | 0:20:29 | 0:20:33 | |
She has come looking to you instead of her local hospital. It's wrong. | 0:20:35 | 0:20:39 | |
Sir, we have a duty of care for loss of life, limb or eye. | 0:20:39 | 0:20:42 | |
-Are you telling me the rules of the British Army now, are you? -No, sir. | 0:20:42 | 0:20:45 | |
It's my fourth tour, Dawes, and where it goes wrong | 0:20:45 | 0:20:48 | |
is where soft fools start to get personally involved. | 0:20:48 | 0:20:50 | |
I'm not soft, sir. | 0:20:50 | 0:20:52 | |
Well, get her cleaned up, and then she'll need to see her own doctor | 0:20:54 | 0:20:59 | |
in her own hospital. | 0:20:59 | 0:21:00 | |
Thank you, sir. | 0:21:00 | 0:21:02 | |
Who done this to your face, Bashira? | 0:21:08 | 0:21:11 | |
Was it your dad? | 0:21:11 | 0:21:13 | |
He say I love America. | 0:21:16 | 0:21:18 | |
We're not American. | 0:21:18 | 0:21:20 | |
We're British. | 0:21:20 | 0:21:22 | |
It's a whole different ball bag. | 0:21:23 | 0:21:25 | |
Look, I'm going to do all I can to make sure this never happens again. | 0:21:27 | 0:21:31 | |
That's what we're here for. | 0:21:33 | 0:21:34 | |
To make sure there isn't a next time for things like this. | 0:21:35 | 0:21:39 | |
Do you understand? | 0:21:39 | 0:21:41 | |
Hurry it up, Dawes! | 0:21:41 | 0:21:43 | |
Can you get to a hospital? | 0:21:44 | 0:21:46 | |
Show the doctor your face, show him your eye. | 0:21:46 | 0:21:49 | |
I'll try and keep the wound tight for as long as I can. | 0:21:49 | 0:21:51 | |
Thank you. | 0:21:51 | 0:21:53 | |
I won't let them numpties hurt you. | 0:21:54 | 0:21:57 | |
Numpties? | 0:21:57 | 0:21:59 | |
-Dawes! -I'm just coming, sir. | 0:21:59 | 0:22:03 | |
Look, we're here to stop the Taliban from coming to the village. | 0:22:04 | 0:22:08 | |
And they won't attack the mountain if we're there too. OK? | 0:22:08 | 0:22:12 | |
Do not go to the mountains. | 0:22:18 | 0:22:20 | |
Why? What about the mountains? | 0:22:20 | 0:22:22 | |
You must not go to the mountains tomorrow. | 0:22:23 | 0:22:26 | |
Are you saying that something bad is going to happen at the mountains? | 0:22:26 | 0:22:29 | |
-Oi, gently! -She must go. | 0:22:31 | 0:22:35 | |
You all right? | 0:23:25 | 0:23:27 | |
Why wouldn't I be? | 0:23:27 | 0:23:28 | |
You just seem a bit... | 0:23:28 | 0:23:30 | |
What's wrong? | 0:23:32 | 0:23:33 | |
It's just Bashira. | 0:23:35 | 0:23:37 | |
I think she was trying to warn me about something. | 0:23:37 | 0:23:39 | |
-Warn you about what? -She told me not to go to the mountains so... | 0:23:39 | 0:23:43 | |
the checkpoint, I suppose. | 0:23:43 | 0:23:45 | |
But maybe she's just trying to... I don't know. | 0:23:45 | 0:23:49 | |
She said something's going to happen at the CP? | 0:23:49 | 0:23:52 | |
If you've got intelligence, we need to tell James. | 0:23:54 | 0:23:57 | |
There are Afghan soldiers up there. | 0:23:57 | 0:23:59 | |
We're risking their lives if we don't report it. | 0:23:59 | 0:24:02 | |
Come on. | 0:24:02 | 0:24:03 | |
Any chance of a word, sir? | 0:24:17 | 0:24:18 | |
You've got ten seconds, Smurf, cos I am trying to relax here. | 0:24:19 | 0:24:22 | |
HELICOPTER APPROACHES | 0:24:22 | 0:24:25 | |
CHEERING | 0:24:25 | 0:24:27 | |
-Our special guests! Yeah! -Sir, we really need a word. | 0:24:31 | 0:24:34 | |
Going to have to wait. | 0:24:34 | 0:24:36 | |
Maybe Prince Harry's going to have to wait, sir, because.... | 0:24:36 | 0:24:38 | |
SOLDIERS LAUGH AND SHOUT | 0:24:38 | 0:24:41 | |
# God save our gracious Queen | 0:24:51 | 0:24:54 | |
# Long live our noble Queen | 0:24:54 | 0:24:59 | |
# God save our Queen... # | 0:24:59 | 0:25:02 | |
Right. | 0:25:02 | 0:25:04 | |
Ladies and gentlemen, we have got a special treat | 0:25:04 | 0:25:07 | |
arranged for you today. | 0:25:07 | 0:25:08 | |
It is my great honour and privilege to introduce to you... | 0:25:08 | 0:25:12 | |
the Corps of Army Music! | 0:25:12 | 0:25:14 | |
SOLDIERS FALL SILENT | 0:25:14 | 0:25:16 | |
-Where's Harry, sir? -And that is just them warming up! | 0:25:16 | 0:25:19 | |
Imagine how good they're going to be. | 0:25:19 | 0:25:21 | |
INSTRUMENTS BEING TUNED | 0:25:21 | 0:25:23 | |
Oh, yeah. | 0:25:28 | 0:25:30 | |
MUSIC: "Valerie" by Mark Ronson | 0:25:33 | 0:25:36 | |
Oh! Oh, sound familiar? | 0:25:38 | 0:25:41 | |
Yeah! | 0:25:41 | 0:25:42 | |
# Well, sometimes I go out by myself | 0:25:42 | 0:25:46 | |
ALL: # And I look across the water | 0:25:46 | 0:25:50 | |
# And I think of all the things What you're doing | 0:25:53 | 0:25:56 | |
# And in my head I paint a picture | 0:25:56 | 0:25:59 | |
# Since I've come on home Well, my body's been a mess | 0:26:02 | 0:26:06 | |
# And I've missed your ginger hair And the way you like to dress | 0:26:06 | 0:26:11 | |
# Won't you come on over? | 0:26:11 | 0:26:14 | |
# Stop making a fool out of me | 0:26:14 | 0:26:18 | |
# Why don't you come on over, Valerie? # | 0:26:19 | 0:26:21 | |
How'd you like my mandem, Nude-Nut? | 0:26:21 | 0:26:23 | |
Banging, sir! | 0:26:23 | 0:26:25 | |
# ..Valerie... # | 0:26:25 | 0:26:28 | |
You impressed, Smurf? | 0:26:28 | 0:26:29 | |
Sir. | 0:26:29 | 0:26:30 | |
Excuse me, sir. I think I've received intel | 0:26:30 | 0:26:33 | |
about an attack on the mountain CP tomorrow. | 0:26:33 | 0:26:36 | |
-Sir. -Ops tent now. Both of you. | 0:26:38 | 0:26:42 | |
Sir. | 0:26:44 | 0:26:46 | |
What makes you think it's credible? | 0:26:48 | 0:26:50 | |
I've got a good relationship with the kid, sir. | 0:26:50 | 0:26:52 | |
There's a possibility that she's telling the truth. | 0:26:52 | 0:26:55 | |
I'm pretty sure her dad's Taliban, sir. | 0:26:55 | 0:26:57 | |
You're making yourself vulnerable, Dawes. | 0:26:57 | 0:26:59 | |
That is a possibility too, but I was just being kind. | 0:26:59 | 0:27:02 | |
She just told me. I don't think she meant to. | 0:27:02 | 0:27:04 | |
Sir, I could see it in her eyes, she was telling the truth. | 0:27:04 | 0:27:07 | |
Her eye was a right old mess, though, to be fair. | 0:27:07 | 0:27:09 | |
That kid really trusts her, sir. | 0:27:09 | 0:27:12 | |
You've obviously got close enough so she can confide in you. | 0:27:12 | 0:27:14 | |
And if that confidence leads to us | 0:27:16 | 0:27:17 | |
being able to halt this little group of insurgents... | 0:27:17 | 0:27:20 | |
Then it could work out brilliantly, sir. Agreed. | 0:27:20 | 0:27:22 | |
You two, wait outside. | 0:27:24 | 0:27:25 | |
-Thank you, sir. -Thank you, sir. | 0:27:25 | 0:27:27 | |
Well, whichever way this works, | 0:27:29 | 0:27:31 | |
an insurgent attack is clearly imminent. | 0:27:31 | 0:27:33 | |
Either they're luring us in or something else is going to happen. | 0:27:33 | 0:27:36 | |
Certainly looks that way. | 0:27:36 | 0:27:38 | |
MUSIC: "She Said" by Plan B | 0:27:40 | 0:27:43 | |
How good are the music corps? | 0:27:48 | 0:27:50 | |
# She said I love you, boy I love you so | 0:27:52 | 0:27:55 | |
# She said I love you, baby Oh, oh, oh, oh, oh... # | 0:27:55 | 0:27:58 | |
What's going to happen to Bashira? | 0:27:58 | 0:28:00 | |
What do you mean? | 0:28:00 | 0:28:02 | |
Well, if she's right and we act on her intel, things aren't going to be very clever for her. | 0:28:02 | 0:28:06 | |
Thanks for... For that in there. | 0:28:10 | 0:28:12 | |
You saved my sorry arse out there. | 0:28:14 | 0:28:16 | |
I owe you one. | 0:28:18 | 0:28:19 | |
# ..She said I love you, baby Oh, oh, oh, oh, oh... # | 0:28:21 | 0:28:25 | |
I can take 2 Section to the CP to support Captain Azizi | 0:28:25 | 0:28:28 | |
and the Afghan Special Forces that are flying in. | 0:28:28 | 0:28:31 | |
I'll liaise with the Fire Support Group. | 0:28:31 | 0:28:32 | |
Special Forces arriving 23:00. | 0:28:32 | 0:28:34 | |
# ..She said I love you more than words can say | 0:28:40 | 0:28:43 | |
# She said I love you... # | 0:28:43 | 0:28:45 | |
You did the right thing, Molls. | 0:28:45 | 0:28:47 | |
MAN SPEAKS IN PASHTO | 0:28:55 | 0:28:58 | |
Right, listen up. | 0:29:11 | 0:29:12 | |
Relax. There's only about half a dozen of them nasty Taliban | 0:29:14 | 0:29:18 | |
and with this bad boy mini me, we are not going to have a problem. | 0:29:18 | 0:29:21 | |
You all right, Smurf? | 0:29:25 | 0:29:28 | |
Why wouldn't I be? | 0:29:28 | 0:29:29 | |
Well, the last time you saw the mountain CP, | 0:29:29 | 0:29:32 | |
you were hanging off the end of a rope, bleeding to death. | 0:29:32 | 0:29:35 | |
SOLDIERS LAUGH Casualty of war. | 0:29:35 | 0:29:38 | |
Casualty of fuck-muppetry! | 0:29:38 | 0:29:39 | |
Listen in, guys. | 0:29:39 | 0:29:41 | |
01.30 - we get there, we dig in straight away. | 0:29:43 | 0:29:46 | |
Remember, stay focused, | 0:29:46 | 0:29:48 | |
stay alert, stay alive. | 0:29:48 | 0:29:51 | |
Just get all that stuff squared away over there, fellas. | 0:29:58 | 0:30:01 | |
They think there was someone in that compound yesterday. | 0:30:03 | 0:30:07 | |
-Do they think they're still there? -Not sure. | 0:30:07 | 0:30:10 | |
Anything? | 0:30:12 | 0:30:14 | |
-Kinders? -Sir. | 0:30:14 | 0:30:16 | |
I want locks down that compound now. | 0:30:16 | 0:30:18 | |
-Helmets at all times, gentlemen. -ALL: Sir. | 0:30:19 | 0:30:22 | |
Nice kettle, mate. | 0:30:47 | 0:30:49 | |
-Rolex. -You sure about that, mate? | 0:30:54 | 0:30:56 | |
If it is, they've spelt "Tuesday" wrong. | 0:30:56 | 0:30:59 | |
Rolex. | 0:31:01 | 0:31:03 | |
Won it from an American playing cards! | 0:31:03 | 0:31:05 | |
Rolex. Proper Rolex. | 0:31:05 | 0:31:07 | |
How old are you? | 0:31:07 | 0:31:09 | |
-18. -Well, you're old enough to know that Americans are full of shit. | 0:31:09 | 0:31:13 | |
LAUGHTER | 0:31:13 | 0:31:15 | |
HE SPEAKS IN PASHTO | 0:31:21 | 0:31:23 | |
LAUGHTER | 0:31:23 | 0:31:24 | |
Sir. | 0:31:30 | 0:31:32 | |
No, you're all right, Dawes. | 0:31:32 | 0:31:34 | |
Talk about easy targets. | 0:31:34 | 0:31:36 | |
I hope your intel's right on this one. | 0:31:36 | 0:31:38 | |
Sir, if I am right, I'm a bit worried about the girl. | 0:31:38 | 0:31:42 | |
Maybe we've compromised her. | 0:31:42 | 0:31:43 | |
-We'll worry about that later. -Yes, sir. | 0:31:43 | 0:31:46 | |
-Dangles. -Cheers, Dawesy. | 0:31:48 | 0:31:50 | |
How are you feeling, Smurf? | 0:31:55 | 0:31:57 | |
No heroics from me this time, sir, | 0:31:57 | 0:31:59 | |
if that's what you're worried about. | 0:31:59 | 0:32:01 | |
-I promised your mum I'd wrap you up in cotton wool. -Sir. | 0:32:01 | 0:32:05 | |
Keep your helmet on and your head down. | 0:32:05 | 0:32:08 | |
She's been surrounded by soldiers her whole life. Imagine that. | 0:32:08 | 0:32:12 | |
-Ain't normal, is it. -Eh? | 0:32:12 | 0:32:14 | |
Bashira. | 0:32:14 | 0:32:15 | |
Yeah, well, we'll be gone soon. | 0:32:17 | 0:32:19 | |
It's a shame we can't take kids like her home with us. | 0:32:20 | 0:32:23 | |
Sir, do you get the feeling that Dawes is the type to bring | 0:32:23 | 0:32:25 | |
-a donkey home from Spain? -Like queen of the lost cause, Dawes? | 0:32:25 | 0:32:28 | |
No, sir, I'm hard as nails, me. | 0:32:28 | 0:32:32 | |
It's just sometimes it all seems a bit...unfair. | 0:32:32 | 0:32:35 | |
It's luck. | 0:32:35 | 0:32:37 | |
-What is, boss? -Everything. | 0:32:37 | 0:32:39 | |
The whole world and everything in it. It's luck. | 0:32:40 | 0:32:43 | |
My brother weren't so lucky. | 0:32:43 | 0:32:45 | |
-Out there. -No, but you were. | 0:32:45 | 0:32:47 | |
-There you go. -So you think it's all just luck... | 0:32:48 | 0:32:51 | |
Luck. Fluke. Chance. | 0:32:51 | 0:32:54 | |
Where you're born, who you're born to... | 0:32:54 | 0:32:57 | |
Rich man, poor man, beggar man, thief. | 0:32:57 | 0:32:59 | |
Well, three out of four ain't bad with my dad. | 0:32:59 | 0:33:02 | |
No-one at home would believe me but this is proper nice. | 0:33:05 | 0:33:08 | |
-What? -Afghan. I've never seen anywhere so beautiful. | 0:33:11 | 0:33:14 | |
If you think this is nice, you're going to shitting love Newport. | 0:33:14 | 0:33:18 | |
If it weren't so, like, bloody war and all that, | 0:33:18 | 0:33:21 | |
then I'd live in a little place in the mountains here. | 0:33:21 | 0:33:24 | |
-You'd need wi-fi, though. -Well, yeah, obviously. -And Sky TV. | 0:33:24 | 0:33:28 | |
And a Top Shop. And Starbucks round the corner. | 0:33:28 | 0:33:30 | |
Bashira weren't born into much luck, was she? | 0:33:34 | 0:33:37 | |
-A dad that beats the crap out of her and... -Dawes. | 0:33:37 | 0:33:39 | |
Shut the fuck up. | 0:33:39 | 0:33:42 | |
Sorry, sir. | 0:33:42 | 0:33:43 | |
Sir, there's movement in the bunker. | 0:33:48 | 0:33:50 | |
-How many, Kinders? -Definitely a couple. Maybe more. | 0:33:51 | 0:33:54 | |
Everybody stay low and out of sight. | 0:33:58 | 0:34:00 | |
Sir, there's someone heading into that store. | 0:34:01 | 0:34:04 | |
Dangles, get me Zero on the radio now. | 0:34:04 | 0:34:06 | |
Zero, this is Amber 3-0 Bravo, sighting two possible insurgents. | 0:34:06 | 0:34:10 | |
Wait out. | 0:34:10 | 0:34:12 | |
Down! RPG! | 0:34:16 | 0:34:18 | |
Zero, this is Amber 3-0 Bravo. Contact explosion. | 0:34:20 | 0:34:24 | |
CONFUSED SHOUTING | 0:34:24 | 0:34:26 | |
You all right? You all right? You all right, Fingers? | 0:34:26 | 0:34:29 | |
Rapid fire! | 0:34:29 | 0:34:31 | |
Back down. | 0:34:39 | 0:34:41 | |
Back in! | 0:34:41 | 0:34:42 | |
Incoming from the compound now! | 0:34:48 | 0:34:50 | |
Contact! Contact, wait out! | 0:34:54 | 0:34:56 | |
Hold your fire! | 0:35:02 | 0:35:04 | |
-Hold your fire! Hold your fire! -Hold your fire! | 0:35:04 | 0:35:07 | |
What's happening, sir? | 0:35:14 | 0:35:16 | |
Keep your eyes on the bunker. | 0:35:16 | 0:35:18 | |
PLANES OVERHEAD | 0:35:18 | 0:35:20 | |
CHEERING | 0:35:26 | 0:35:29 | |
Did you see that? | 0:35:29 | 0:35:31 | |
Beautiful. | 0:35:31 | 0:35:33 | |
That has gotta be more than a dead leg, that! | 0:35:33 | 0:35:35 | |
-I would love to see them walk that off. -Keep your heads down! | 0:35:35 | 0:35:38 | |
Taj, take your guys down and check both positions? We'll give support. | 0:35:40 | 0:35:44 | |
HE SHOUTS IN PASHTO | 0:35:44 | 0:35:46 | |
They're all dead, Corporal. | 0:35:54 | 0:35:56 | |
Dangleberries, confirm dead insurgents aren't booby-trapped. | 0:35:56 | 0:35:59 | |
Move. | 0:36:02 | 0:36:03 | |
Clear. | 0:36:08 | 0:36:10 | |
Clear. | 0:36:14 | 0:36:16 | |
Clear. | 0:36:22 | 0:36:25 | |
Store is clear, Captain. Bravo 1 and 2 jackpot. | 0:36:25 | 0:36:29 | |
Bravo 1 and 2 jackpot. Roger that, Kinders. | 0:36:29 | 0:36:32 | |
GROANING | 0:36:33 | 0:36:35 | |
Baz! Enemy casualty, sir! | 0:36:35 | 0:36:37 | |
Cover him. | 0:36:37 | 0:36:38 | |
One times enemy casualty, sir. | 0:36:38 | 0:36:40 | |
Sorry, mate. | 0:36:44 | 0:36:46 | |
Sorry about this. | 0:36:46 | 0:36:47 | |
Clear. | 0:36:48 | 0:36:50 | |
Dawes. | 0:36:50 | 0:36:51 | |
Hold still, mate, we're going to sort you out. | 0:36:53 | 0:36:56 | |
Sir, I'm going to need my morphine out my med bergan. | 0:36:56 | 0:36:59 | |
You all right, mate? | 0:36:59 | 0:37:01 | |
Just hold still for me. We're going to sort you out, all right? | 0:37:01 | 0:37:05 | |
Sir, we're going to have to medivac him out of here, he's pissing blood. | 0:37:05 | 0:37:09 | |
Zero, urgent medivac required, | 0:37:11 | 0:37:14 | |
Bravo 3 to Alpha, Bravo 4 jackpot. | 0:37:14 | 0:37:16 | |
-MAN GROANS -Just keep making noises for me, that's it. | 0:37:16 | 0:37:19 | |
-Two more jackpot over here, sir. -Nude-Nut, cover him. | 0:37:19 | 0:37:21 | |
GROANING CONTINUES | 0:37:21 | 0:37:24 | |
Clear! | 0:37:24 | 0:37:26 | |
That's it, mate. Just stay with me, all right? Stay with me. | 0:37:32 | 0:37:35 | |
Clear. | 0:37:38 | 0:37:40 | |
Bravo 5 and 6, jackpot. | 0:37:41 | 0:37:43 | |
SHE SPEAKS IN PASHTO | 0:37:43 | 0:37:46 | |
Squeeze my hand if you can hear me. | 0:37:52 | 0:37:55 | |
Qaseem! | 0:37:55 | 0:37:57 | |
MAN MUMBLES | 0:37:57 | 0:37:59 | |
-What's that? -Water. Water. | 0:37:59 | 0:38:01 | |
Grab the water. Front pocket. That's it, mate. | 0:38:01 | 0:38:05 | |
HE GASPS AND GROANS | 0:38:05 | 0:38:07 | |
You stay with me, mate. Keep talking. Keep talking. | 0:38:08 | 0:38:11 | |
Just tap it in his mouth. That's it. | 0:38:14 | 0:38:16 | |
HE SPEAKS IN PASHTO | 0:38:16 | 0:38:18 | |
HELICOPTER STARTS UP | 0:38:24 | 0:38:27 | |
I can't believe Bashira's father weren't one of the six. | 0:38:37 | 0:38:40 | |
I really thought he was Taliban. | 0:38:40 | 0:38:42 | |
Your work has been above and beyond, Dawes. | 0:38:42 | 0:38:44 | |
-What the intel, or saving that bloke? -Both. | 0:38:44 | 0:38:47 | |
Just doing my job, sir. | 0:38:47 | 0:38:49 | |
Yeah, well, it takes a fair amount to impress me. | 0:38:49 | 0:38:52 | |
Thank you, sir. | 0:38:52 | 0:38:54 | |
They can go back to school now, yeah? | 0:39:07 | 0:39:10 | |
Let's hope Bashira can, too. | 0:39:10 | 0:39:12 | |
I do not want to get out my paddling pool for the rest of this tour. | 0:39:12 | 0:39:15 | |
Do not even look at her, Dawes. | 0:39:20 | 0:39:22 | |
Eyes on Dickers's left. | 0:39:37 | 0:39:39 | |
Oh... You could fry a pissing egg on my head right now, man. | 0:39:47 | 0:39:51 | |
Please can we try that when we get back? | 0:39:51 | 0:39:54 | |
He's right, you should not get involved. | 0:39:56 | 0:39:59 | |
But we are involved, aren't we? | 0:39:59 | 0:40:01 | |
What are we, if we're not involved? | 0:40:01 | 0:40:03 | |
-Debrief, Molls. -I'm coming. | 0:40:13 | 0:40:15 | |
Anyway, sorry. | 0:40:19 | 0:40:22 | |
What? | 0:40:23 | 0:40:24 | |
You were right. | 0:40:24 | 0:40:26 | |
About the girl. | 0:40:26 | 0:40:27 | |
I know I was. | 0:40:27 | 0:40:29 | |
Yeah, well, I know too now. | 0:40:29 | 0:40:31 | |
There was no way that she was Taliban. | 0:40:31 | 0:40:34 | |
I was sure that we were going to find her dad in them six. | 0:40:34 | 0:40:36 | |
I'm sure he's rotten. | 0:40:36 | 0:40:38 | |
Maybe he's just normal rotten, instead of rotten rotten. | 0:40:38 | 0:40:43 | |
Reckon you must be winning James over now, though. | 0:40:44 | 0:40:47 | |
Don't know about that, mate. | 0:40:47 | 0:40:49 | |
He notices everything. | 0:40:49 | 0:40:51 | |
And you've done good. | 0:40:51 | 0:40:52 | |
Have I, though? | 0:40:52 | 0:40:54 | |
I've compromised that girl. | 0:40:54 | 0:40:55 | |
If anything happens to her, Smurf, then... | 0:40:55 | 0:40:58 | |
It don't bear thinking about. | 0:40:58 | 0:41:00 | |
Easy, you Newport numpty. | 0:41:05 | 0:41:07 | |
Good work today. All of you. You did your platoon proud. | 0:41:12 | 0:41:15 | |
-Everyone happy? -ALL: Sir! | 0:41:16 | 0:41:19 | |
Private Dawes, high likelihood of mention in dispatches. | 0:41:20 | 0:41:24 | |
Heard from Bastion, and without your excellent care | 0:41:24 | 0:41:27 | |
the doctors say there's no way the insurgent would have survived. | 0:41:27 | 0:41:30 | |
Sir. | 0:41:30 | 0:41:32 | |
Carry on. | 0:41:32 | 0:41:34 | |
Right lads, relax. | 0:41:36 | 0:41:37 | |
And may I just remind you that tomorrow night, | 0:41:37 | 0:41:40 | |
it's 2 Section's turn to lay on the entertainment. | 0:41:40 | 0:41:42 | |
-Aw... We still doing that? -Yes! | 0:41:42 | 0:41:44 | |
Now, I will be singing a duet so I need one female volunteer. | 0:41:44 | 0:41:49 | |
Dawes, lovely. | 0:41:51 | 0:41:53 | |
And can I just say, that I will be singing with such majesty | 0:41:53 | 0:41:56 | |
that the Corps of Army Music will be | 0:41:56 | 0:41:58 | |
practically begging me to swell their ranks. | 0:41:58 | 0:42:00 | |
-We know what song you'll be singing, sir. -What song? | 0:42:00 | 0:42:03 | |
# Da-da-da-da-da... # | 0:42:05 | 0:42:07 | |
What's going on? | 0:42:07 | 0:42:10 | |
(Cuppa tea?) | 0:42:37 | 0:42:38 | |
Shitting hell, Smurf. You nearly give me a Julius seizure. | 0:42:38 | 0:42:42 | |
This your secret cubbyhole? | 0:42:56 | 0:42:57 | |
No, it's the roof of the shitter, | 0:42:57 | 0:42:59 | |
but it's the only place that I get peace and quiet | 0:42:59 | 0:43:02 | |
from you lot asking for after-sun and Pop-Tarts. | 0:43:02 | 0:43:05 | |
-You all right? -Yeah. Why wouldn't I be? | 0:43:11 | 0:43:14 | |
You don't need to bite my head off for everything. | 0:43:14 | 0:43:16 | |
-I'm trying to be nice. -No, you're being a pain. | 0:43:16 | 0:43:19 | |
I was trying to read my little sister's letter. | 0:43:19 | 0:43:22 | |
I've never seen a dead body before today, have you? | 0:43:29 | 0:43:32 | |
I had the opportunity when my brother died. | 0:43:35 | 0:43:38 | |
My mum said, "Let's remember him how he was." | 0:43:38 | 0:43:42 | |
Maybe James is right. | 0:43:45 | 0:43:47 | |
Maybe he was just unlucky. | 0:43:47 | 0:43:49 | |
Like some of the kids out here. | 0:43:51 | 0:43:53 | |
Guess they don't know what's going on when their house gets bombed. | 0:43:54 | 0:43:58 | |
Or when they're playing out and... | 0:43:58 | 0:44:00 | |
Nice cup of tea. | 0:44:10 | 0:44:12 | |
Sod off and leave me alone. | 0:44:17 | 0:44:19 | |
Oh, and by the way, | 0:44:29 | 0:44:31 | |
someone's spunked in the ear piece in Sanga two | 0:44:31 | 0:44:34 | |
so if you're in there and the phone rings, don't pick up. | 0:44:34 | 0:44:37 | |
Only a man would find that remotely funny. | 0:44:37 | 0:44:40 | |
It was Micklar from 3 Section. | 0:44:40 | 0:44:42 | |
Is that what they call amusement in Leicester(?) | 0:44:42 | 0:44:45 | |
-JAMES: -Dawes! | 0:45:01 | 0:45:03 | |
Just going to hit my pit, sir. I'm knackered. | 0:45:06 | 0:45:09 | |
I'll be asleep before the springs hit the floor. | 0:45:09 | 0:45:12 | |
What does that mean? | 0:45:12 | 0:45:13 | |
Don't know, but my grandad used to say it every night. | 0:45:13 | 0:45:16 | |
Lyrics. Learn them and we'll do the tune tomorrow. | 0:45:18 | 0:45:21 | |
Dangleberries is accompanying us on the keyboard, so no pressure. | 0:45:21 | 0:45:25 | |
Sir. | 0:45:25 | 0:45:26 | |
Um...excuse me, sir. | 0:45:28 | 0:45:30 | |
I've been thinking... | 0:45:32 | 0:45:33 | |
Oh, dear, that does sound dangerous, Dawes. | 0:45:34 | 0:45:38 | |
Well, my teachers did say if I had half a brain, I'd be dangerous. | 0:45:38 | 0:45:42 | |
You've been thinking about Bashira. | 0:45:44 | 0:45:47 | |
If you feel she's been compromised in some way, | 0:45:48 | 0:45:51 | |
then we have a moral obligation to keep her safe. | 0:45:51 | 0:45:54 | |
-Do we? -Of course we do. -What are we going to do? | 0:45:54 | 0:45:56 | |
Well, you're going to bed and learn those lyrics. | 0:45:56 | 0:46:00 | |
Piss off, Dawesy. | 0:46:02 | 0:46:04 | |
You just called me "Dawesy". | 0:46:04 | 0:46:06 | |
I'm clearly winning you round with my incredible charm and magnetism. | 0:46:06 | 0:46:11 | |
(Dawes. Dawes. | 0:46:32 | 0:46:34 | |
-(Ops tent now.) -Have I overslept? | 0:46:36 | 0:46:38 | |
We'll have checkpoints at either end of the street. | 0:46:59 | 0:47:02 | |
-Now, the ASF will be coming in here... -What's happened, sir? | 0:47:02 | 0:47:06 | |
Sorry to summon you from your pit at such an ungodly, Dawes. | 0:47:06 | 0:47:10 | |
We've had Bashira's house under surveillance | 0:47:10 | 0:47:12 | |
-since the contact in the mountains. -Sir. | 0:47:12 | 0:47:14 | |
Intercepted conversations mean a plan is to be implemented ASAP. | 0:47:14 | 0:47:18 | |
Has something happened to Bashira? | 0:47:18 | 0:47:20 | |
We know that an action is imminent. | 0:47:21 | 0:47:23 | |
Action? I thought we accounted for all six insurgents? | 0:47:23 | 0:47:27 | |
Bashira's father is clearly in league with the insurgency. | 0:47:27 | 0:47:29 | |
It would appear that he owed certain taxes to the Taliban | 0:47:29 | 0:47:32 | |
which he has been unable to pay. | 0:47:32 | 0:47:34 | |
As the only soldier who has eyeballed him, | 0:47:34 | 0:47:36 | |
your role in the operation is crucial. | 0:47:36 | 0:47:38 | |
A man who has been driven to extremes. | 0:47:38 | 0:47:40 | |
Thus, we need to extract Bashira. | 0:47:40 | 0:47:42 | |
Well, do they know that our intel came from her? | 0:47:42 | 0:47:45 | |
That's why we're going in. | 0:47:45 | 0:47:46 | |
These gentlemen here are, to all intents and purposes, | 0:47:46 | 0:47:49 | |
and for shorthand, Afghan social services. | 0:47:49 | 0:47:52 | |
HE SPEAKS IN PASHTO | 0:47:52 | 0:47:54 | |
They are willing to help facilitate the removal of Bashira | 0:47:57 | 0:47:59 | |
from her family and into a safe house in Kabul. | 0:47:59 | 0:48:02 | |
HE SPEAKS IN PASHTO | 0:48:02 | 0:48:04 | |
You learnt your lady part, Dawesy? | 0:48:22 | 0:48:24 | |
Do they know what song we're singing, sir? | 0:48:24 | 0:48:27 | |
He only sang it all the way through training. | 0:48:27 | 0:48:30 | |
Yeah. And he made me sing the female bit once, didn't you, sir? | 0:48:30 | 0:48:33 | |
You know why, cos you don't look like Prince Harry, | 0:48:33 | 0:48:36 | |
you look like Sarah Ferguson! | 0:48:36 | 0:48:38 | |
Never heard of her but I'm guessing she's either from Mansfield | 0:48:38 | 0:48:41 | |
or she's got a ginger head. | 0:48:41 | 0:48:43 | |
-I can see the compound, sir. -Roger that, Kinders. | 0:48:46 | 0:48:49 | |
Zero One Alpha to Taj. We have eyes on the compound. | 0:48:49 | 0:48:52 | |
-We'll secure the perimeter before you go in. -OVER RADIO: 'Yes, sir.' | 0:48:52 | 0:48:55 | |
Special Forces will go in, apprehend Badrai and get Bashira out and away. | 0:48:55 | 0:48:59 | |
Not before we go in and secure the area. Any questions? | 0:48:59 | 0:49:02 | |
-Sir, they won't just go in firing, will they? It's just... -Let's go. | 0:49:02 | 0:49:06 | |
Prepare to move. | 0:49:16 | 0:49:17 | |
Move! | 0:49:17 | 0:49:18 | |
-Clear. -Move. | 0:49:42 | 0:49:44 | |
Set. Go, go, go! | 0:49:58 | 0:50:00 | |
SHOUTING | 0:50:00 | 0:50:03 | |
She ain't in there. | 0:50:07 | 0:50:09 | |
She ain't here, sir. | 0:50:18 | 0:50:20 | |
-Where have they taken her? -I don't know, Dawes. | 0:50:20 | 0:50:23 | |
DANGLEBERRIES OVER RADIO: 'I have eyes on the girl. | 0:50:23 | 0:50:25 | |
'Something's not right, sir. | 0:50:25 | 0:50:27 | |
-'The locals are anxious.' -Go! | 0:50:27 | 0:50:30 | |
Where? | 0:50:35 | 0:50:36 | |
Where? | 0:50:36 | 0:50:38 | |
Bashira, stay where you are. Stop! | 0:50:40 | 0:50:42 | |
Bashira, stay where you are! | 0:50:44 | 0:50:46 | |
Bashira, stay where you are! Stop! Do not move! | 0:50:46 | 0:50:49 | |
Do not move! Stay there! | 0:50:49 | 0:50:51 | |
Lift your arms up! | 0:50:51 | 0:50:53 | |
Lift your arms up! | 0:50:53 | 0:50:54 | |
HE SHOUTS IN PASHTO | 0:50:54 | 0:50:57 | |
THEY ALL SHOUT | 0:50:59 | 0:51:01 | |
Kinders, I want all mobile signals blocked. | 0:51:01 | 0:51:03 | |
All mobile signals blocked, sir! | 0:51:03 | 0:51:05 | |
We need bomb disposal here now! | 0:51:05 | 0:51:07 | |
They need five minutes, sir. | 0:51:07 | 0:51:09 | |
We don't have that long. | 0:51:09 | 0:51:11 | |
Dawes, what are you doing? Get down now! | 0:51:11 | 0:51:15 | |
What are you doing? | 0:51:15 | 0:51:16 | |
THEY ALL SHOUT | 0:51:16 | 0:51:18 | |
Please, sir, you're going to scare her. Just let me do it. | 0:51:18 | 0:51:21 | |
I need to keep her calm, sir. | 0:51:21 | 0:51:23 | |
Kinders, is the ECM blocking all signals? | 0:51:23 | 0:51:25 | |
It is, sir, but she still needs to keep still. It could still blow. | 0:51:25 | 0:51:28 | |
Do NOT touch the device, Dawes! Wait for bomb disposal. | 0:51:28 | 0:51:31 | |
Hello, you. | 0:51:31 | 0:51:33 | |
It's all right. I'm here now. | 0:51:34 | 0:51:37 | |
Everything's going to be all right. | 0:51:37 | 0:51:39 | |
I just need you to stay calm | 0:51:39 | 0:51:41 | |
and stay really, really still for me, OK? | 0:51:41 | 0:51:43 | |
We're going to get that vest off, and everything will be all right. | 0:51:43 | 0:51:47 | |
You're the bravest, bravest girl ever. | 0:51:48 | 0:51:51 | |
Your dad can't beat you. | 0:51:53 | 0:51:55 | |
You stood up to him. | 0:51:57 | 0:51:58 | |
You showed him, you showed all of us, | 0:51:58 | 0:52:00 | |
what a brave, brave girl you are. | 0:52:00 | 0:52:02 | |
Everything will be all right. | 0:52:04 | 0:52:07 | |
-Qaseem, have you tracked them yet? -400 metres, sir. | 0:52:07 | 0:52:10 | |
Northwest. | 0:52:10 | 0:52:12 | |
What can you hear? | 0:52:12 | 0:52:13 | |
They are trying to detonate the bomb. | 0:52:13 | 0:52:16 | |
They are trying to detonate, sir. | 0:52:16 | 0:52:17 | |
We're going to play Sang Chill Bazi. | 0:52:17 | 0:52:20 | |
Me and you, we're going to play Sang Chill Bazi, | 0:52:20 | 0:52:23 | |
and I'm going to beat you. | 0:52:23 | 0:52:25 | |
We're soul sisters. | 0:52:26 | 0:52:28 | |
-Sisters? -Yeah. | 0:52:30 | 0:52:31 | |
Soul sisters for ever. | 0:52:31 | 0:52:34 | |
A-Am I going to die? | 0:52:58 | 0:53:01 | |
No. | 0:53:01 | 0:53:03 | |
No, you're not going to die. | 0:53:03 | 0:53:05 | |
Dawes, I need you to step away now. | 0:53:06 | 0:53:10 | |
He's going to remove the vest over her shoulders. | 0:53:11 | 0:53:15 | |
She needs to stay calm and still. | 0:53:15 | 0:53:17 | |
Dawes, step away now, understand? | 0:53:17 | 0:53:20 | |
Just stay still, Bashira, stay still. | 0:53:24 | 0:53:26 | |
Dawes, get back! | 0:53:51 | 0:53:52 | |
Move! Dawes, move! | 0:53:52 | 0:53:54 | |
Move! | 0:53:54 | 0:53:56 | |
Move! | 0:53:57 | 0:53:58 | |
Kinders, I need to send a ten-liner. Turn off the ECM. | 0:53:58 | 0:54:01 | |
ECM's off so we can establish comms. Dangles, tell... | 0:54:01 | 0:54:04 | |
CAR ENGINE STARTS | 0:54:07 | 0:54:10 | |
Is that any better? | 0:54:59 | 0:55:00 | |
A bit. | 0:55:00 | 0:55:01 | |
Well, it's a bit of a waste of an eye drop, sir, | 0:55:01 | 0:55:04 | |
but seeing as it's you. | 0:55:04 | 0:55:07 | |
Crack on, Dawes, or you'll be up on a charge. | 0:55:07 | 0:55:09 | |
Where have they taken her, sir? | 0:55:13 | 0:55:15 | |
I don't know. | 0:55:15 | 0:55:17 | |
I don't care. | 0:55:17 | 0:55:19 | |
That's a bit heartless, sir. | 0:55:19 | 0:55:21 | |
It's not heartless. I just.. | 0:55:21 | 0:55:23 | |
I don't get emotionally involved. | 0:55:23 | 0:55:26 | |
Anyway, I make you right about luck. | 0:55:28 | 0:55:31 | |
A millimetre to the left and you'd have lost an eye. | 0:55:31 | 0:55:34 | |
That's fate, Dawes. | 0:55:34 | 0:55:36 | |
Just like getting that vest off in time. | 0:55:36 | 0:55:38 | |
Things could've all been so different, couldn't they, sir? | 0:55:38 | 0:55:42 | |
If that vest would have blown, then Bashira would have been red-misted. | 0:55:42 | 0:55:47 | |
And so would you. | 0:55:47 | 0:55:48 | |
I would never have forgiven myself. | 0:55:50 | 0:55:52 | |
Lady Luck was smiling on us. | 0:55:55 | 0:55:57 | |
This time. | 0:55:57 | 0:55:58 | |
Indeed. | 0:55:58 | 0:56:00 | |
Ladies and gentlemen, welcome to the stage Miss Molly Dawes. | 0:56:06 | 0:56:09 | |
CHEERING AND WHOOPING | 0:56:09 | 0:56:12 | |
And on the keys, Mr Dangleberries! | 0:56:13 | 0:56:15 | |
MUSIC: Don't Go Breaking My Heart by Elton John and Bernie Taupin | 0:56:15 | 0:56:19 | |
# Don't go breaking my heart... # | 0:56:20 | 0:56:22 | |
THEY CHEER | 0:56:22 | 0:56:24 | |
# ..I couldn't if I tried | 0:56:24 | 0:56:27 | |
# Oh, honey, if I get restless | 0:56:27 | 0:56:32 | |
# Baby, you're not that kind | 0:56:32 | 0:56:34 | |
# Don't go breaking my heart | 0:56:37 | 0:56:40 | |
# You take the weight off of me | 0:56:41 | 0:56:44 | |
# Oh, when you knock on my door, baby | 0:56:45 | 0:56:49 | |
# I gave you my keys... # | 0:56:49 | 0:56:51 | |
You know what's coming, boys! | 0:56:51 | 0:56:54 | |
ALL: # ..Ooh, ooh | 0:56:54 | 0:56:56 | |
# Nobody knows it, nobody knows... # | 0:56:56 | 0:57:01 | |
SINGING FADES | 0:57:01 | 0:57:04 | |
# Excuse me for a while | 0:57:08 | 0:57:11 | |
# While I'm wide-eyed | 0:57:11 | 0:57:13 | |
# And I'm so down caught in the middle | 0:57:13 | 0:57:16 | |
# I've excused you for a while | 0:57:18 | 0:57:23 | |
# While I'm wide-eyed | 0:57:23 | 0:57:25 | |
# And I'm so down caught in the middle | 0:57:25 | 0:57:27 | |
# And a lion... # | 0:57:32 | 0:57:35 | |
We are going on our bloody holidays, so would you lot kindly... | 0:57:35 | 0:57:39 | |
THEY CHEER | 0:57:39 | 0:57:40 | |
Come back to me. I will. | 0:57:40 | 0:57:43 | |
CHEERING | 0:57:45 | 0:57:46 | |
-I just want everything to be the same, Mum. -Well, you're not. | 0:57:46 | 0:57:51 | |
-Fate's thrown us together. -Captain James? | 0:57:51 | 0:57:53 | |
Me and you. | 0:57:53 | 0:57:55 | |
You haven't said anything happened, other than what actually happened? | 0:57:55 | 0:57:59 | |
-I haven't said anything. -So, this is the end, yeah? | 0:57:59 | 0:58:02 | |
# ..I've never been so wrong | 0:58:02 | 0:58:06 | |
# Yeah, I might seem so strong | 0:58:09 | 0:58:12 | |
# Yeah, I might speak so long | 0:58:12 | 0:58:15 | |
# I've never been so wrong | 0:58:15 | 0:58:18 | |
# Excuse me for a while | 0:58:21 | 0:58:24 | |
# Turn a blind eye | 0:58:24 | 0:58:26 | |
# With a stare caught right in the middle... # | 0:58:26 | 0:58:29 |