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This programme contains some strong language | 0:00:02 | 0:00:07 | |
and scenes which some viewers may find upsetting | 0:00:07 | 0:00:10 | |
# Oh, and I let it die | 0:00:10 | 0:00:14 | |
# But looking back I can't remember why | 0:00:14 | 0:00:19 | |
# Oh, my beautiful summer | 0:00:22 | 0:00:24 | |
# How the winter makes me wonder where you've gone. # | 0:00:24 | 0:00:29 | |
Elvis? | 0:02:10 | 0:02:12 | |
HE CHUCKLES Now I'm going to kill you. | 0:02:12 | 0:02:13 | |
You know, I could get out of this but it would involve inflicting | 0:02:13 | 0:02:16 | |
much pain upon your personage. | 0:02:16 | 0:02:18 | |
You reckon? | 0:02:18 | 0:02:19 | |
SHE YELPS | 0:02:19 | 0:02:20 | |
Hi. Hi. | 0:02:22 | 0:02:24 | |
We're getting married tomorrow! | 0:02:26 | 0:02:28 | |
Mm-mm. No. Day after tomorrow. Are you sure? | 0:02:28 | 0:02:30 | |
Mm-hm. Are you sure? | 0:02:30 | 0:02:32 | |
Oh, no, shit. No, it is tomorrow. | 0:02:32 | 0:02:34 | |
SHE GIGGLES | 0:02:34 | 0:02:36 | |
Listen, when I'm done here, I've gotta get back, babe. | 0:02:36 | 0:02:38 | |
No, uh-uh. It's a full-on day. | 0:02:38 | 0:02:40 | |
I've got to bring the car back to London, I've got to try my suit on. | 0:02:40 | 0:02:43 | |
When you're done here? You cheeky bastard. | 0:02:43 | 0:02:46 | |
BANGING AND MOANING BEHIND WALL | 0:03:36 | 0:03:39 | |
Do you think when they're married, he'll still be sneaking in | 0:03:43 | 0:03:46 | |
her bedroom window? | 0:03:46 | 0:03:48 | |
They'll be in married quarters so he won't need to. | 0:03:48 | 0:03:51 | |
Can I go through my speech one more time? | 0:03:52 | 0:03:54 | |
No. Just go to sleep. | 0:03:54 | 0:03:56 | |
It's bloody good, though, isn't it? Moving and hilarious. | 0:03:56 | 0:04:00 | |
Yes, love. | 0:04:02 | 0:04:03 | |
MOANING | 0:04:04 | 0:04:06 | |
Oh, gross! | 0:04:06 | 0:04:07 | |
I'd rather listen to your speech than them bonking next door. | 0:04:08 | 0:04:12 | |
Hiya. What've you been up to, you dirty, horrible degenerate? | 0:04:19 | 0:04:22 | |
Nothing, just been, erm, practising my wedding dance with your sister. | 0:04:22 | 0:04:25 | |
Oh, yeah, bet you have(!) | 0:04:25 | 0:04:27 | |
Oi! Tarring me with your brush, again. Morning. | 0:04:27 | 0:04:29 | |
What's going on? | 0:04:29 | 0:04:30 | |
Erm, I am just about to head back to London, to try my glad rags on. | 0:04:30 | 0:04:33 | |
Not getting married in your birthday suit, then? | 0:04:33 | 0:04:35 | |
No, can't afford the bridesmaids fainting at the altar, can we? | 0:04:35 | 0:04:37 | |
They've been practising their wedding dance apparently. | 0:04:37 | 0:04:40 | |
Oh, aye? What's your wedding dance then, Elvis? | 0:04:40 | 0:04:42 | |
You going to be shaking your funky stuff on the dance floor, Elvis? | 0:04:42 | 0:04:45 | |
Can't tell you. Hey, are you going to serenade us? | 0:04:45 | 0:04:47 | |
I mean, your mum must have called you Elvis for a reason. | 0:04:47 | 0:04:50 | |
I can't tell you, it's classified! | 0:04:50 | 0:04:51 | |
I can hold a tune, me. | 0:04:51 | 0:04:53 | |
Yeah? Mm. Well, listen, it's our dance, | 0:04:53 | 0:04:55 | |
it's our special song and you lot are all going to love it. | 0:04:55 | 0:04:58 | |
Oooh! See you later. | 0:04:58 | 0:04:59 | |
MUSIC: She Moves In Her Own Way by The Kooks | 0:04:59 | 0:05:03 | |
SHE SINGS ALONG: # Paper dreams, honey | 0:05:03 | 0:05:06 | |
# Mmm-hm-hm | 0:05:06 | 0:05:08 | |
# So now you pour your heart out | 0:05:08 | 0:05:10 | |
# You're telling me you're far-out | 0:05:10 | 0:05:12 | |
# You're not about to lie down for your cause | 0:05:12 | 0:05:14 | |
# You don't pull my strings | 0:05:14 | 0:05:16 | |
# Cos I'm a better man... | 0:05:16 | 0:05:18 | |
# Moving on to better things | 0:05:18 | 0:05:21 | |
# Well, uh-oh, oh, I love her because she moves in her own way | 0:05:21 | 0:05:26 | |
# Well, uh-oh, oh, she came to my show just to hear about my day... | 0:05:26 | 0:05:33 | |
# And at the show on Tuesday She was in her mind-set | 0:05:36 | 0:05:39 | |
# Tempered furs and spangled boots | 0:05:39 | 0:05:42 | |
# Looks are deceiving Make me believe it | 0:05:42 | 0:05:45 | |
# And these tiresome paper dreams... # | 0:05:45 | 0:05:48 | |
Thanks. Thank you. | 0:05:50 | 0:05:51 | |
Pleasure. | 0:05:51 | 0:05:52 | |
Hey, can I just say... | 0:05:52 | 0:05:54 | |
Please don't say anything, Dad. If you make me cry, | 0:05:54 | 0:05:56 | |
my mascara runs, I look like a panda. | 0:05:56 | 0:05:58 | |
I'm going to get your train. Thank you. | 0:05:59 | 0:06:01 | |
So I think, when I get married, Dad, I'm going to have a horse and carriage. | 0:06:05 | 0:06:08 | |
That's what your dad wants for his funeral. | 0:06:08 | 0:06:10 | |
Well, maybe we can make a deal with the company and get a discount, eh? | 0:06:10 | 0:06:13 | |
Can we hurry up? My hair's going to frizzle. | 0:06:13 | 0:06:15 | |
Even with frizzled hair you're still too good for him. | 0:06:15 | 0:06:17 | |
Right, family, are we ready? | 0:06:17 | 0:06:19 | |
Are we ready? Come on! | 0:06:19 | 0:06:21 | |
# Yes, I wish that we never made it through all the summers... # | 0:06:23 | 0:06:28 | |
APPLAUSE | 0:06:28 | 0:06:30 | |
# Down through the suburbs | 0:06:33 | 0:06:36 | |
# Yes, I wish that we never made it through all the summers... # | 0:06:36 | 0:06:42 | |
Hi! | 0:06:42 | 0:06:44 | |
Good to see you. | 0:06:47 | 0:06:49 | |
Ahh, you look so smart. Nice to see you. | 0:06:49 | 0:06:53 | |
Thanks for coming. | 0:06:53 | 0:06:55 | |
You look gorgeous. | 0:07:16 | 0:07:17 | |
Dad, your jacket... There you go. | 0:07:17 | 0:07:20 | |
Thank you. | 0:07:20 | 0:07:22 | |
HE MOUTHS | 0:07:22 | 0:07:24 | |
Oh, I've had enough of this. | 0:07:31 | 0:07:33 | |
Oh, hello, Grandmother's coming! | 0:07:38 | 0:07:39 | |
Georgie, where is he? He is still coming, in't he? | 0:07:39 | 0:07:43 | |
He should be waiting for you, not you waiting for him! | 0:07:43 | 0:07:46 | |
Oh, he's always late on parade, it's fine. | 0:07:46 | 0:07:48 | |
The groom should be here before the bride, you know that, don't you? | 0:07:48 | 0:07:51 | |
Oh, I know. I know what he's like. | 0:07:51 | 0:07:53 | |
It's fine. | 0:08:01 | 0:08:02 | |
(Where is he, Dad? What time is it?) | 0:08:02 | 0:08:05 | |
It's only five past, we've got the place till half past, don't worry! | 0:08:05 | 0:08:08 | |
Have you spoken to him this morning? | 0:08:08 | 0:08:10 | |
(No.) | 0:08:10 | 0:08:11 | |
What's going on? | 0:08:19 | 0:08:21 | |
Er...can we go somewhere private? | 0:08:29 | 0:08:32 | |
Yeah. | 0:08:35 | 0:08:36 | |
MAN: Is everything all right? Who's that? | 0:08:37 | 0:08:40 | |
I'm so sorry, Georgie. | 0:08:43 | 0:08:45 | |
He said... | 0:08:51 | 0:08:53 | |
Tell me again. | 0:08:54 | 0:08:55 | |
He said that he can't go through with it. | 0:08:57 | 0:08:59 | |
And that's it? | 0:09:04 | 0:09:06 | |
Why's he done this to me? | 0:09:13 | 0:09:15 | |
Dad! | 0:09:20 | 0:09:21 | |
It's all right. Let it out. Let it out. | 0:09:26 | 0:09:29 | |
So, on the cry of "man down", you get to the body as soon as you can, | 0:09:48 | 0:09:53 | |
making sure of your own personal safety. | 0:09:53 | 0:09:56 | |
Why, Jenkinson? | 0:09:56 | 0:09:58 | |
Erm, so... Sorry, I'm not sure, Staff. | 0:09:58 | 0:10:02 | |
Because a dead medic is no use to their platoon. | 0:10:02 | 0:10:05 | |
So once it is safe, and you've done your 5s, your 20s, | 0:10:05 | 0:10:09 | |
proceed to the casualty. | 0:10:09 | 0:10:11 | |
Carry out your primary survey - C, A, B, C. | 0:10:11 | 0:10:14 | |
Yeah? Catastrophic bleed, airway, breathing, circulation. | 0:10:14 | 0:10:21 | |
So what do we do, Cox? | 0:10:22 | 0:10:25 | |
HE CLEARS THROAT Yeah, erm, check the airwaves and then make sure... | 0:10:25 | 0:10:29 | |
Airway, Cox. Airway. | 0:10:29 | 0:10:31 | |
Erm... Erm... | 0:10:31 | 0:10:33 | |
Catastrophic bleed, airway, breathing, circulation... | 0:10:33 | 0:10:38 | |
..deformities, environment exposure. | 0:10:39 | 0:10:43 | |
Cox, airway. Now. | 0:10:44 | 0:10:46 | |
You're all right, relax. | 0:11:11 | 0:11:13 | |
Sir. Relax. | 0:11:13 | 0:11:15 | |
All right, Georgie, how have you been? | 0:11:19 | 0:11:21 | |
Yeah, good, thanks, sir. How's things with you? | 0:11:21 | 0:11:23 | |
Yeah, very well, thank you. Molly's back in Afghan. | 0:11:23 | 0:11:26 | |
Yeah, I heard. Facebook. | 0:11:26 | 0:11:29 | |
She's working with the training and advisory team. | 0:11:30 | 0:11:33 | |
You probably know that already. | 0:11:33 | 0:11:35 | |
So what you doing here? | 0:11:38 | 0:11:39 | |
Final mission-specific training on the moors before Kenya. | 0:11:39 | 0:11:42 | |
You going Kenya? | 0:11:42 | 0:11:44 | |
Humanitarian mission. | 0:11:44 | 0:11:46 | |
Outreach project in the refugee camps on the Somali border. | 0:11:46 | 0:11:50 | |
Well, some of us have to work for a living. SHE CHUCKLES | 0:11:50 | 0:11:54 | |
I've just had a word with your CO | 0:11:54 | 0:11:55 | |
and he thinks it's a sound idea. | 0:11:55 | 0:11:57 | |
What? | 0:11:58 | 0:11:59 | |
Need a medic. | 0:11:59 | 0:12:01 | |
Experienced. Top of the range, fully loaded, | 0:12:01 | 0:12:05 | |
and you fit the bill. | 0:12:05 | 0:12:07 | |
What do you think? | 0:12:08 | 0:12:10 | |
Actually, don't answer that now, you can chat it through with your | 0:12:11 | 0:12:14 | |
loved ones and tell me in the morning. | 0:12:14 | 0:12:16 | |
And you can say to your new chap that it's only six weeks | 0:12:16 | 0:12:18 | |
and you'll be back by Christmas. | 0:12:18 | 0:12:20 | |
Isn't that what they said when they headed out to the First World War? | 0:12:20 | 0:12:23 | |
I wouldn't know, Georgie. I'm not as old as I look. | 0:12:23 | 0:12:26 | |
How do you know that I've got a new chap? | 0:12:27 | 0:12:30 | |
Ah. Molly. | 0:12:30 | 0:12:32 | |
No secret is safe with social media. | 0:12:32 | 0:12:34 | |
No. | 0:12:34 | 0:12:36 | |
He's a doctor, I believe. | 0:12:36 | 0:12:38 | |
Mm-hm, a notch up from a squaddie. | 0:12:38 | 0:12:40 | |
HE CHUCKLES | 0:12:40 | 0:12:42 | |
Well, why don't you think that over? | 0:12:42 | 0:12:45 | |
You won't hear from me in the morning. | 0:12:51 | 0:12:53 | |
Why's that? | 0:12:55 | 0:12:56 | |
Because I can say "yes" now, sir. | 0:12:56 | 0:12:59 | |
Ooh... 14 hour, 12 minute shift. | 0:13:16 | 0:13:19 | |
Yeah! Apartment. Bath. Candles. | 0:13:19 | 0:13:22 | |
Wine. | 0:13:22 | 0:13:23 | |
I wish people would only get ill for eight hours a day. | 0:13:23 | 0:13:25 | |
What? It'd relieve the pressure on the NHS. | 0:13:25 | 0:13:28 | |
Well, funny you should say that, because in Afghan... | 0:13:28 | 0:13:30 | |
Oh, during the war... Yes. | 0:13:30 | 0:13:32 | |
Yeah... Heard it all before. | 0:13:32 | 0:13:34 | |
I got made a rather interesting proposition today. | 0:13:50 | 0:13:53 | |
Oi, you're marrying me. Tell all the other suitors to back off. | 0:13:53 | 0:13:56 | |
Yeah, well, it's not that interesting. It's, erm, work. | 0:13:56 | 0:13:57 | |
Yeah, well, it's not that interesting. It's, erm, work. | 0:13:57 | 0:14:01 | |
In Kenya. | 0:14:01 | 0:14:01 | |
A six-week humanitarian mission. | 0:14:03 | 0:14:05 | |
Well, I hope you told 'em where to stick it. | 0:14:05 | 0:14:07 | |
You're on a humanitarian mission in Manchester, looking after me. | 0:14:07 | 0:14:11 | |
Your eyes are rather beautiful. | 0:14:16 | 0:14:17 | |
Oh, yeah? Mm-hm. | 0:14:17 | 0:14:19 | |
Well, the sclera of your eyes are as white as virgin snow. | 0:14:19 | 0:14:24 | |
I can't... I'm sorry! What? | 0:14:24 | 0:14:26 | |
Come on, you see, I try to be romantic and you just throw it back in my face! | 0:14:26 | 0:14:29 | |
Everything is just medical with you. Yeah, military with you, young lady! | 0:14:29 | 0:14:33 | |
It's six weeks. OK? You're happy for me to go Kenya? | 0:14:34 | 0:14:37 | |
What have they got in Kenya they don't have in Preston? | 0:14:38 | 0:14:41 | |
All right, don't answer that. | 0:14:41 | 0:14:43 | |
And once we're married, I won't be doing any more tours away. | 0:14:46 | 0:14:49 | |
Maybe... Maybe we should set a date...to get married. | 0:14:49 | 0:14:53 | |
Look, I do want to marry you... | 0:14:55 | 0:14:58 | |
I do, it's just... It's just all the shiz that comes with it. | 0:14:58 | 0:15:01 | |
What shiz? Everything! | 0:15:01 | 0:15:03 | |
Yeah, but I thought after Sierra Leone you were going to stay based in the UK. Yes, and I will be. | 0:15:03 | 0:15:08 | |
You won't even know I've gone. | 0:15:08 | 0:15:10 | |
Hmm? | 0:15:10 | 0:15:11 | |
Yeah? | 0:15:11 | 0:15:13 | |
I know I'm not exactly Sigmund Freud or anything like that, but... | 0:15:21 | 0:15:25 | |
it's pretty clear to me that you are refusing to set a date for | 0:15:25 | 0:15:28 | |
the wedding because you're shitting yourself that Jamie's going to do an Elvis. | 0:15:28 | 0:15:33 | |
What's doing an Elvis? | 0:15:33 | 0:15:35 | |
"Forgetting" to turn up. | 0:15:35 | 0:15:37 | |
Jamie's not going to do that, Georgie, he dotes on you. | 0:15:38 | 0:15:41 | |
So if you ARE going to run off and abandon him, | 0:15:41 | 0:15:44 | |
can you please let me know first? Because...I'll be all over that boy. | 0:15:44 | 0:15:48 | |
All right. I'll give you first dibs. | 0:15:48 | 0:15:51 | |
Anyway, I'm not running away, Marie. | 0:15:51 | 0:15:54 | |
You can't bullshit a bullshitter, Georgie. I know exactly what's going on here, OK? | 0:15:54 | 0:15:58 | |
I did GCSE psychology, don't forget. | 0:15:58 | 0:16:00 | |
Yeah, and you failed it. | 0:16:00 | 0:16:02 | |
So then why haven't you told Jamie about Elvis? | 0:16:02 | 0:16:04 | |
Look, do you mind buggering off so I can concentrate on packing my kit, please? | 0:16:04 | 0:16:08 | |
Ooh... Back of the net! | 0:16:08 | 0:16:09 | |
What? You are running away, and you haven't told him about Elvis. | 0:16:09 | 0:16:13 | |
I don't give a toss about Elvis. | 0:16:13 | 0:16:14 | |
I ain't thought about him in years so... | 0:16:14 | 0:16:17 | |
Oh, really? | 0:16:17 | 0:16:18 | |
Yeah, it's a six-week humanitarian tour in Kenya, Marie, right? | 0:16:18 | 0:16:21 | |
And once we're back, we'll set a date for the wedding. | 0:16:21 | 0:16:24 | |
OK, and that's when you're going to tell him about Elvis, yeah? | 0:16:24 | 0:16:27 | |
Do you tell all your boyfriends about your previous relationships? | 0:16:27 | 0:16:30 | |
No! | 0:16:30 | 0:16:31 | |
And I didn't fail, I got a D! | 0:16:31 | 0:16:33 | |
Yeah, for demented! | 0:16:34 | 0:16:35 | |
What, into Nairobi? | 0:16:39 | 0:16:40 | |
Yeah. And then how many hours' drive? | 0:16:40 | 0:16:42 | |
About six, seven. | 0:16:42 | 0:16:44 | |
I bet. Bloody hell. | 0:16:44 | 0:16:45 | |
Oh! I love a woman in uniform! Come here. | 0:16:45 | 0:16:49 | |
Let me see you. You used to love ME that much, Mother. | 0:16:51 | 0:16:54 | |
In your dreams! | 0:16:54 | 0:16:55 | |
You look gorgeous. | 0:16:55 | 0:16:57 | |
No, I do not. Gorgeous. Thank you. | 0:16:57 | 0:17:01 | |
Right, guys, we're just going to update you on our current situation | 0:17:34 | 0:17:38 | |
and give you your missions and tasks. | 0:17:38 | 0:17:41 | |
We're going to be heading towards the Somali border, here. | 0:17:41 | 0:17:44 | |
We'll be imbedded with the Kenyan army, under the command of | 0:17:44 | 0:17:46 | |
Captain Osman, who was, incidentally, at Sandhurst with me. | 0:17:46 | 0:17:51 | |
Firstly, welcome. | 0:17:51 | 0:17:52 | |
I'm looking forward to working with you over the next few weeks. | 0:17:52 | 0:17:55 | |
We're going to be working closely with the Kenyan NGO | 0:17:55 | 0:17:58 | |
Kenya Crisis Care. | 0:17:58 | 0:18:00 | |
They are working here at the large refugee camp - | 0:18:00 | 0:18:03 | |
a breeding ground for Al Shabaab. Many NGOs have been killed, | 0:18:03 | 0:18:08 | |
many more have fled, leaving the camp very unstable. | 0:18:08 | 0:18:11 | |
Primarily, we'll be tasked with supporting the Kenyan army in | 0:18:11 | 0:18:15 | |
restoring order and assisting the Kenya Crisis Care with | 0:18:15 | 0:18:18 | |
delivering medical services to tens of thousands of inhabitants. | 0:18:18 | 0:18:21 | |
The insurgents have a ready supply of weapons from across | 0:18:21 | 0:18:25 | |
the Somali border and they are proficient at making IEDs. | 0:18:25 | 0:18:28 | |
We need to stay focused, stay alert and stay alive. | 0:18:30 | 0:18:34 | |
This is effectively a war zone. | 0:18:34 | 0:18:37 | |
Therefore, whilst our mission is primarily humanitarian, | 0:18:37 | 0:18:40 | |
we need to protect ourselves. | 0:18:40 | 0:18:42 | |
The situation on the Somali border is anything but straightforward. | 0:18:42 | 0:18:45 | |
When the Brits drew a border between countries, | 0:18:45 | 0:18:48 | |
they did it in a straight line... | 0:18:48 | 0:18:50 | |
which has resulted in the displacement of many ethnic Somalis. | 0:18:50 | 0:18:54 | |
Generally, inside the camps here, they are hostile to the military. | 0:18:54 | 0:18:58 | |
Their men with guns hate our men with guns. | 0:18:58 | 0:19:00 | |
Pretty much. | 0:19:00 | 0:19:02 | |
But also, the NGOs, needing to remain impartial so they can function within the camps, | 0:19:02 | 0:19:07 | |
cannot be seen as taking sides with us. | 0:19:07 | 0:19:10 | |
Albeit we're there to help them. | 0:19:10 | 0:19:12 | |
We don't want to add to the confusion within the camp. | 0:19:12 | 0:19:15 | |
We are there to help... | 0:19:15 | 0:19:17 | |
then we will withdraw to a military base three miles outside the camp. | 0:19:17 | 0:19:21 | |
That's where we'll be based and we'll move into the camp | 0:19:21 | 0:19:24 | |
for a specific purpose. | 0:19:24 | 0:19:26 | |
Any questions thus far? | 0:19:26 | 0:19:27 | |
ALL: No, boss. | 0:19:27 | 0:19:29 | |
Right, guys, get your heads down tonight. Breakfast tomorrow at 0530 | 0:19:29 | 0:19:32 | |
then we move out at 0600. | 0:19:32 | 0:19:34 | |
ALL: Sir. | 0:19:34 | 0:19:36 | |
I like our new medic, boss. | 0:19:46 | 0:19:48 | |
I've got to hand it to you, you've got moves like Jagger. | 0:19:48 | 0:19:51 | |
What does that even mean, Fingers, you weapon-grade scrotum? | 0:19:52 | 0:19:55 | |
All right, I'm just saying, hand on my heart, I've had worse. | 0:19:55 | 0:19:59 | |
Oh, so we choose our medics based on their appearance, | 0:19:59 | 0:20:02 | |
like a beauty contest? | 0:20:02 | 0:20:03 | |
I would. | 0:20:03 | 0:20:05 | |
That's exactly what I'd do. | 0:20:05 | 0:20:07 | |
That's cos you're a bell-end, Monk. | 0:20:07 | 0:20:09 | |
Thanks, boss. | 0:20:09 | 0:20:10 | |
When you're shot, you're unlikely to have a hard-on, | 0:20:10 | 0:20:13 | |
so we choose our medics based on their ability to deal with medical emergencies. | 0:20:13 | 0:20:17 | |
I don't know, I reckon I'd still have a raging boner. | 0:20:18 | 0:20:20 | |
All we need now is to get you shot, Monk, then we'll find out. | 0:20:20 | 0:20:24 | |
And that will be arranged if you two don't start getting a shift in! | 0:20:25 | 0:20:29 | |
You two shitheads need to switch on, sharpish. | 0:20:29 | 0:20:32 | |
Sir. | 0:20:32 | 0:20:33 | |
All right, babe, you need a hand? | 0:20:36 | 0:20:38 | |
No, I'm all right, thanks. | 0:20:38 | 0:20:39 | |
You married? | 0:20:42 | 0:20:43 | |
Just thought I'd get straight to the point. | 0:20:43 | 0:20:45 | |
You'd better crack on, hadn't you? | 0:20:45 | 0:20:47 | |
Crack on to you, that's what I'm saying. | 0:20:47 | 0:20:49 | |
I'm engaged. | 0:20:49 | 0:20:50 | |
And I'm here to work. | 0:20:50 | 0:20:52 | |
Got that? | 0:20:53 | 0:20:54 | |
I like you already. | 0:20:56 | 0:20:58 | |
Welcome aboard. | 0:20:58 | 0:20:59 | |
Kicki, the soldiers are here. Did they bring the equipment? | 0:23:33 | 0:23:36 | |
I'm sure. They're only just parking up now. | 0:23:36 | 0:23:38 | |
OK, let's go. | 0:23:38 | 0:23:39 | |
Everyone off. You all all right? All good, boss. | 0:23:39 | 0:23:42 | |
Hey. | 0:23:46 | 0:23:48 | |
Hey, Kicki, how are you? All right, and you? | 0:23:49 | 0:23:51 | |
Good. Nafula... | 0:23:51 | 0:23:52 | |
Captain Osman. | 0:23:52 | 0:23:54 | |
Let me introduce you to Captain James. | 0:23:54 | 0:23:56 | |
SCREAMING | 0:23:58 | 0:24:00 | |
Right, C Operation now! Lane, on me! | 0:24:01 | 0:24:05 | |
COMMANDS CONTINUE | 0:24:05 | 0:24:09 | |
HE SCREAMS | 0:24:12 | 0:24:14 | |
Help! Help! | 0:24:14 | 0:24:16 | |
Approximately...eight casualties. Kicki, come on. | 0:24:25 | 0:24:29 | |
Lift them and get them into triage. Quickly! | 0:24:31 | 0:24:33 | |
Don't move them until they've been assessed! | 0:24:33 | 0:24:35 | |
Let's get 'em stable first. | 0:24:35 | 0:24:37 | |
I need tourniquets and morphine from my med Bergan...ASAP. | 0:24:37 | 0:24:40 | |
Come on, move. We become a target here! | 0:24:40 | 0:24:43 | |
RAPID GUNFIRE | 0:24:43 | 0:24:45 | |
Get down! | 0:24:47 | 0:24:48 | |
Contact? | 0:24:48 | 0:24:50 | |
Has anybody got eyes on? | 0:24:50 | 0:24:52 | |
I think one shooter! No, three, 200 metres, hillside! | 0:24:52 | 0:24:57 | |
Don't shoot until you're sure! | 0:24:57 | 0:24:59 | |
We need to get them extracted, now! Into triage, quickly! | 0:24:59 | 0:25:03 | |
Escort casualties! | 0:25:03 | 0:25:05 | |
Lift on three. Yeah? | 0:25:07 | 0:25:09 | |
One, two, three... Go! | 0:25:09 | 0:25:11 | |
Right, mate, we'll take over. | 0:25:11 | 0:25:14 | |
Hi, sir. Hi, can you hear me? | 0:25:14 | 0:25:17 | |
Can you tell me your name? Soon as he's off... | 0:25:17 | 0:25:20 | |
..I want you back outside. We're going to get you to a doctor as soon as we can, OK? | 0:25:22 | 0:25:25 | |
Put pressure there for me, yeah? Push down. | 0:25:25 | 0:25:28 | |
Push down, yeah? One, two, three... | 0:25:28 | 0:25:30 | |
GROANING | 0:25:30 | 0:25:31 | |
We have to take his blood pressure. | 0:25:35 | 0:25:37 | |
I have been in this camp for ten years. | 0:25:41 | 0:25:44 | |
Which I think beats your seven minutes. | 0:25:44 | 0:25:46 | |
I was worried, all right? | 0:25:46 | 0:25:48 | |
If we moved him he would've bled out. | 0:25:48 | 0:25:50 | |
Not moving them would have resulted in a bullet in the head. | 0:25:50 | 0:25:53 | |
For them as well as us. | 0:25:53 | 0:25:54 | |
We've got morphine so we can give them pain relief until the doctor arrives. Doctors? | 0:25:54 | 0:25:59 | |
We... We treat them as best we can | 0:25:59 | 0:26:01 | |
until it's safe to get the most seriously injured to hospital. | 0:26:01 | 0:26:04 | |
Where are the doctors? | 0:26:04 | 0:26:06 | |
Gone. | 0:26:06 | 0:26:07 | |
Gone? | 0:26:07 | 0:26:09 | |
German doctor was taken hostage last week and the rest of her team | 0:26:10 | 0:26:14 | |
withdrew to the hospital in the city. | 0:26:14 | 0:26:16 | |
That's the reality... | 0:26:16 | 0:26:18 | |
Lane. | 0:26:18 | 0:26:20 | |
Kicki, we need you. | 0:26:22 | 0:26:24 | |
We have a head trauma that I don't understand. I'm here. | 0:26:24 | 0:26:27 | |
What, from the fire? Why would you have it from the fire? | 0:27:05 | 0:27:09 | |
Right, night, lads. | 0:27:15 | 0:27:17 | |
Night. Goodnight. | 0:27:17 | 0:27:18 | |
Give us a shout if you get lonely, sugar tits. | 0:27:21 | 0:27:23 | |
Monk! | 0:27:23 | 0:27:24 | |
I don't want you to think I'm a humourless Northern bird... | 0:27:29 | 0:27:32 | |
but one more comment from you and I will inject you with | 0:27:32 | 0:27:35 | |
a serum to make your cock shrivel to the size of your brain. | 0:27:35 | 0:27:38 | |
You just got told! | 0:27:42 | 0:27:44 | |
She can handle herself. | 0:27:44 | 0:27:46 | |
Oh, yeah, she's good. | 0:27:46 | 0:27:47 | |
Like, everything's a bit out of control. | 0:27:51 | 0:27:53 | |
'My grandparents went to Kenya, said it was lovely.' | 0:27:53 | 0:27:56 | |
Well, we're in a bit of Kenya that I doubt your grandparents came to! | 0:27:56 | 0:27:59 | |
'Can't be as bad as Afghan, can it?' | 0:27:59 | 0:28:03 | |
Erm... It's... It's different. | 0:28:03 | 0:28:06 | |
'Are you OK?' | 0:28:07 | 0:28:09 | |
Yeah, miss you. | 0:28:09 | 0:28:10 | |
'I miss you too. Look, tell me everything's all right out there.' | 0:28:10 | 0:28:15 | |
Maybe I can do something good. | 0:28:16 | 0:28:18 | |
Medic, are you decent? | 0:28:18 | 0:28:19 | |
I've gotta go, OK? Love you. | 0:28:19 | 0:28:21 | |
'All right. Stay safe.' | 0:28:21 | 0:28:22 | |
Yeah, come in. | 0:28:23 | 0:28:24 | |
Sorry to disturb you, Medic, have you got any painkillers? | 0:28:25 | 0:28:28 | |
Yeah, yeah. What's the matter? | 0:28:28 | 0:28:30 | |
Oh, I've just got a headache. It's the heat and lack of sleep... | 0:28:30 | 0:28:33 | |
All right, keep hydrated, yeah? | 0:28:33 | 0:28:35 | |
I just wanted to...check you were OK. | 0:28:37 | 0:28:39 | |
You know, what with Kicki and that. | 0:28:39 | 0:28:41 | |
I thought you were 100% right, if that's any help. | 0:28:41 | 0:28:43 | |
I'm fine. Thanks, Brains. | 0:28:43 | 0:28:45 | |
You know, under normal circs we shouldn't have moved those people till they'd been assessed. | 0:28:45 | 0:28:49 | |
Well, I don't think that normal circs exist round here. | 0:28:49 | 0:28:52 | |
Everything all right here, Brains? | 0:28:54 | 0:28:57 | |
Yeah, boss. Sorry, boss. | 0:28:57 | 0:28:59 | |
Is everything all right? | 0:29:03 | 0:29:05 | |
Yeah. Yeah. I'm just getting everything ready for tomorrow. | 0:29:05 | 0:29:08 | |
Do you think it's safe to leave supplies in camp? | 0:29:08 | 0:29:10 | |
Ah, we can ask Kicki about that in the morning. | 0:29:10 | 0:29:12 | |
Well, she has been here for ten years, boss. | 0:29:12 | 0:29:14 | |
I know! | 0:29:14 | 0:29:15 | |
I imagine six weeks is going to feel like a lifetime to us. | 0:29:15 | 0:29:18 | |
It's good to have you on the team, Lane. | 0:29:20 | 0:29:22 | |
I was worried you might say no because of the friends I keep. | 0:29:22 | 0:29:25 | |
He's not Voldemort, you can actually mention his name, you know. | 0:29:25 | 0:29:28 | |
Well, it was horrible and I think Elvis could have handled it better. | 0:29:28 | 0:29:32 | |
It was the best thing that never happened to me. | 0:29:32 | 0:29:34 | |
Have you heard from Elvis at all, caught up on his news? | 0:29:34 | 0:29:38 | |
Nope. Honestly, boss, I'm so not interested. | 0:29:38 | 0:29:41 | |
Look, I know he's a complete tosser but... | 0:29:42 | 0:29:44 | |
But he's your mate. I know. | 0:29:44 | 0:29:46 | |
Yeah, he's a good mate. | 0:29:46 | 0:29:48 | |
Not a good boyfriend, obviously, but as a mate... | 0:29:49 | 0:29:51 | |
Can we... Can we just get on with the tour? | 0:29:51 | 0:29:54 | |
I realise he's your mate but can we just shut the door on yesterday, | 0:29:54 | 0:29:57 | |
please, boss? | 0:29:57 | 0:29:59 | |
Get some shuteye. Tomorrow may well be momentous. | 0:29:59 | 0:30:03 | |
Lane? | 0:30:36 | 0:30:37 | |
HE KNOCKS Lane... | 0:30:39 | 0:30:40 | |
Lane. | 0:30:47 | 0:30:49 | |
Lane, you need to wake up. | 0:30:50 | 0:30:52 | |
What's happened? What is it? | 0:30:52 | 0:30:54 | |
They've taken Kicki. | 0:30:54 | 0:30:55 | |
What do you mean? | 0:30:56 | 0:30:58 | |
They smashed their way into the Kenya Crisis Care base. | 0:30:58 | 0:31:00 | |
She's been taken hostage by terrorists as yet unknown. | 0:31:00 | 0:31:03 | |
We need to get down there and calm the situation. | 0:31:03 | 0:31:06 | |
ASAP, please, Lane. Boss. | 0:31:06 | 0:31:08 | |
Right, guys, debus. | 0:31:36 | 0:31:38 | |
We're supporting the Kenyans with crowd control. | 0:31:38 | 0:31:40 | |
Calm the situation and get these people away from the med centre. | 0:31:40 | 0:31:44 | |
SHOUTING | 0:31:46 | 0:31:48 | |
Lane. | 0:31:50 | 0:31:51 | |
'How? | 0:31:53 | 0:31:54 | |
'How can anybody do this?' | 0:31:55 | 0:31:57 | |
If you guys hadn't have come, maybe none of this would have happened. | 0:32:01 | 0:32:05 | |
Your presence with your guns has stirred their anger... | 0:32:05 | 0:32:09 | |
We're here to help. | 0:32:09 | 0:32:10 | |
Well, it hasn't helped. Everything's ruined! | 0:32:10 | 0:32:14 | |
Look... | 0:32:14 | 0:32:15 | |
I don't know how things are ever going to get better. | 0:32:23 | 0:32:25 | |
Or how to carry on any more. | 0:32:25 | 0:32:27 | |
Right, guys, in here now! | 0:32:27 | 0:32:29 | |
We'll bring in all med re-supplies, get you back up and running. | 0:32:29 | 0:32:33 | |
FINGERS WHISTLES House party carnage! | 0:32:33 | 0:32:35 | |
Learn when to keep quiet, Fingers. | 0:32:35 | 0:32:37 | |
Right, you and Monk go and get a truck. | 0:32:37 | 0:32:39 | |
Bring it down here and start loading this up and get this place | 0:32:39 | 0:32:41 | |
cleared ASAP. Sir. Kingy. | 0:32:41 | 0:32:43 | |
Right, fellas, you know what to do. | 0:32:43 | 0:32:45 | |
Weapons and helmets down here, let's get this squared away! | 0:32:45 | 0:32:48 | |
Lane... Captain James. | 0:32:48 | 0:32:51 | |
Intelligence suggests an Al Shabaab-inspired group, | 0:32:51 | 0:32:54 | |
but possibly a breakaway faction working on their own. | 0:32:54 | 0:32:57 | |
MoD up to speed on all events. | 0:32:57 | 0:32:59 | |
Our special forces are out looking already. | 0:32:59 | 0:33:01 | |
We've got to get this facility up and running today, boss. | 0:33:01 | 0:33:04 | |
People will die without this care. | 0:33:04 | 0:33:06 | |
MEN JOKE AND LAUGH | 0:33:09 | 0:33:13 | |
You're in your own time now. | 0:33:19 | 0:33:21 | |
They've been onto the Swiss Embassy. | 0:33:34 | 0:33:37 | |
They're trying to contact her family. | 0:33:37 | 0:33:39 | |
But we're her family. I'm her family. | 0:33:40 | 0:33:43 | |
You know, this was her life... | 0:33:51 | 0:33:53 | |
We were all that she knew, all that she cared about. | 0:33:53 | 0:33:56 | |
Without her... | 0:33:56 | 0:33:57 | |
She'll be looking at you to carry on, Nafula. | 0:34:16 | 0:34:19 | |
Every minute of every day, she was saving lives. | 0:34:21 | 0:34:25 | |
We're not just going to let her life's work go to waste, Nafula. | 0:34:25 | 0:34:29 | |
Let's bring all the supplies in, yeah? | 0:34:34 | 0:34:36 | |
See as many patients as we can. | 0:34:36 | 0:34:38 | |
They took the computer. | 0:34:39 | 0:34:41 | |
Kicki and others were working on a database of patients... | 0:34:41 | 0:34:44 | |
How long have you been working here? | 0:34:46 | 0:34:49 | |
Not as long as Kicki, but this is my life too. | 0:34:49 | 0:34:53 | |
What's this? | 0:34:59 | 0:35:00 | |
Kicki's Dictaphone. | 0:35:02 | 0:35:04 | |
Maybe it's not broken. | 0:35:04 | 0:35:05 | |
RAISED VOICES AND CRYING ON TAPE | 0:35:09 | 0:35:11 | |
Is that Kicki? | 0:35:15 | 0:35:17 | |
KICKI SCREAMS AND SOBS ON TAPE | 0:35:17 | 0:35:20 | |
RAISED VOICES AND CRYING ON TAPE | 0:35:26 | 0:35:29 | |
Thank you, Lane. | 0:35:35 | 0:35:36 | |
Boss. She was dictating notes when they came in. | 0:35:36 | 0:35:39 | |
She obviously had the gumption to leave it running. | 0:35:39 | 0:35:41 | |
Captain Osman will now be passing this to Kenyan intelligence. | 0:35:41 | 0:35:45 | |
Where is she, what are they doing with her? | 0:35:45 | 0:35:48 | |
Undercover Kenyan special forces are imbedded in Al Shabaab. | 0:35:48 | 0:35:51 | |
They'll find out where she's being kept and we'll do all we can | 0:35:51 | 0:35:54 | |
to bring her back alive. | 0:35:54 | 0:35:56 | |
SHE SCOFFS | 0:35:56 | 0:35:57 | |
You don't exactly sound massively optimistic! | 0:35:57 | 0:36:01 | |
Right. On me. | 0:36:01 | 0:36:03 | |
SHOUTING AND QUARRELLING | 0:36:05 | 0:36:07 | |
They're trying to stop a flood with... | 0:36:11 | 0:36:14 | |
I dunno, a fishing net. | 0:36:14 | 0:36:16 | |
We're here to do a job, Lane. | 0:36:16 | 0:36:18 | |
Let's focus on the task in hand. | 0:36:18 | 0:36:20 | |
I don't even know what that means any more. | 0:36:20 | 0:36:23 | |
NAFULA SPEAKS IN LOCAL LANGUAGE | 0:36:30 | 0:36:33 | |
What can I do? | 0:36:35 | 0:36:36 | |
We need to do a quick assessment, divide them into urgent and | 0:36:36 | 0:36:40 | |
non-urgent cases. | 0:36:40 | 0:36:41 | |
Urgent on the right and we'll try to see them today. | 0:36:41 | 0:36:44 | |
Life-threatening at the front. | 0:36:44 | 0:36:46 | |
We're doing all we can, Nafula. | 0:36:47 | 0:36:49 | |
Mother with babies here... Go on. | 0:36:51 | 0:36:53 | |
It's worse than Manchester Royal Infirmary on a Friday night, mate. | 0:36:57 | 0:37:01 | |
All right, boys, look, your Amazon delivery is here. | 0:37:04 | 0:37:08 | |
Guys, how about helping with the fridge? | 0:37:08 | 0:37:11 | |
And the med kit needs to be taken into the triage ASAP. | 0:37:11 | 0:37:13 | |
You struggling? | 0:37:15 | 0:37:16 | |
Shut up, Monk. | 0:37:16 | 0:37:18 | |
We had one fridge all the way through my childhood. | 0:37:19 | 0:37:22 | |
You must have been poor, then, Dangles. | 0:37:22 | 0:37:24 | |
I always thought we were quite rich until I started going out with Glynis. | 0:37:24 | 0:37:28 | |
You're joking! What's wrong with Glynis, man? | 0:37:28 | 0:37:31 | |
We've all seen Glynis... THEY LAUGH | 0:37:31 | 0:37:33 | |
Please keep calm. | 0:37:34 | 0:37:36 | |
What is that? | 0:37:40 | 0:37:41 | |
Is that a Tic Tac? | 0:37:44 | 0:37:45 | |
Kicki's idea. Not everyone, but some people just need a little pill. | 0:37:45 | 0:37:49 | |
My mother, for a start. | 0:37:49 | 0:37:50 | |
Really? | 0:37:52 | 0:37:53 | |
It seems to keep them quiet and makes them feel better. | 0:37:53 | 0:37:56 | |
Tic Tac! | 0:38:00 | 0:38:01 | |
Good tac-tics, eh, Lane(?) | 0:38:03 | 0:38:04 | |
Can you ask him how long he's had this? | 0:38:06 | 0:38:08 | |
SHE TRANSLATES IN HIS LANGUAGE | 0:38:08 | 0:38:10 | |
HE RESPONDS IN OWN LANGUAGE | 0:38:10 | 0:38:11 | |
Two years. Two years. | 0:38:11 | 0:38:13 | |
Right, let's clean it up and dress it as best we can. | 0:38:13 | 0:38:17 | |
Have you got any antibiotics? Just flip him over for me. | 0:38:17 | 0:38:19 | |
Going to flip you over, sir. There you go. | 0:38:19 | 0:38:22 | |
Just hold that nice and tight for me, there. Thank you. | 0:38:23 | 0:38:26 | |
Keep it down. | 0:38:30 | 0:38:32 | |
Thank you. | 0:38:33 | 0:38:34 | |
SHE SPEAKS IN PATIENT'S LANGUAGE | 0:38:41 | 0:38:43 | |
Thank you. | 0:38:47 | 0:38:48 | |
No. Thank you, Georgie. | 0:38:48 | 0:38:50 | |
Got a kid with a mouthful of maggots, Medic. | 0:38:55 | 0:38:57 | |
We're walking past this kid and I smiled at him, | 0:38:57 | 0:38:59 | |
and when he smiled back all these maggots fell out. | 0:38:59 | 0:39:02 | |
Straight up, boss. My dad was a fisherman, boss. 24-carat maggots. | 0:39:02 | 0:39:05 | |
MAN SPEAKS IN OWN LANGUAGE | 0:39:05 | 0:39:07 | |
We're here to help. Calm, calm. | 0:39:07 | 0:39:09 | |
SHE SPEAKS IN MAN'S LANGUAGE | 0:39:09 | 0:39:12 | |
OK. Come here. | 0:39:15 | 0:39:17 | |
OK. What's your name, darling? | 0:39:21 | 0:39:23 | |
NAFULA ASKS IN BOY'S LANGUAGE | 0:39:23 | 0:39:25 | |
Jomo. Jomo. | 0:39:25 | 0:39:26 | |
Jono? Jomo. | 0:39:26 | 0:39:28 | |
OK, Jomo. | 0:39:28 | 0:39:29 | |
Bit of a pen and ink in the old north and south, eh, Georgie? | 0:39:29 | 0:39:33 | |
OK. | 0:39:34 | 0:39:36 | |
I'm going to look after your son, sir. | 0:39:36 | 0:39:38 | |
Lie back for me, darling. | 0:39:38 | 0:39:41 | |
There you go. Yeah. Open your mouth. | 0:39:41 | 0:39:45 | |
Your mouth. | 0:39:45 | 0:39:46 | |
Open your mouth for me. | 0:39:48 | 0:39:49 | |
Yeah, the tooth is very loose. I'm going to have to extract. | 0:39:57 | 0:40:01 | |
Erm, will you get me some lignocaine gel, please? | 0:40:01 | 0:40:03 | |
Have you ever done an extraction before, Lane? | 0:40:03 | 0:40:05 | |
Erm, only on myself, but I was seven years old. | 0:40:05 | 0:40:08 | |
All right, I'll pull the tooth out, then we'll flush the infected area out with saline, OK? | 0:40:08 | 0:40:13 | |
Can I have the forceps, please? Need a hand, Lane? | 0:40:13 | 0:40:15 | |
Yeah, Monk. | 0:40:15 | 0:40:17 | |
There you go, darling, thank you. What do you want me to do? | 0:40:17 | 0:40:19 | |
Just hold his head, very gently, yeah? | 0:40:19 | 0:40:22 | |
There you go, darling. HE MOANS | 0:40:22 | 0:40:23 | |
That's good, thank you. | 0:40:23 | 0:40:25 | |
I'll try and get as many of the maggots out as we can. | 0:40:25 | 0:40:27 | |
OK, keep your mouth wide for me. OK? | 0:40:27 | 0:40:30 | |
HE CRIES | 0:40:30 | 0:40:31 | |
That's it. | 0:40:31 | 0:40:32 | |
You're going to be all right. You're going to be eating crisps in no time. | 0:40:32 | 0:40:36 | |
Shh, shh, shh. | 0:40:36 | 0:40:38 | |
There you go. A few more, a few more, it's OK. | 0:40:39 | 0:40:43 | |
That's it. | 0:40:46 | 0:40:48 | |
Right, just keep him really still, OK? | 0:40:48 | 0:40:51 | |
You're going to feel a little tiny bit of pain | 0:40:51 | 0:40:53 | |
and then you're going to be fine. | 0:40:53 | 0:40:55 | |
Yeah, it's going to be over. Yeah? OK. | 0:40:55 | 0:40:57 | |
Right. Monk, just hold his head tight for me, yeah? Reassure him. | 0:40:57 | 0:41:01 | |
What? | 0:41:01 | 0:41:02 | |
Reassure him. | 0:41:02 | 0:41:03 | |
HE BEATBOXES | 0:41:05 | 0:41:07 | |
Shh! Reassure him. | 0:41:07 | 0:41:10 | |
# She came from Greece She had a thirst for knowledge | 0:41:12 | 0:41:15 | |
# She studied sculpture at Saint Martin's College | 0:41:15 | 0:41:18 | |
# That's when I... # | 0:41:18 | 0:41:19 | |
HE HUMS | 0:41:19 | 0:41:20 | |
# Caught her eye... # | 0:41:20 | 0:41:22 | |
Gauze in. There you go. | 0:41:22 | 0:41:25 | |
Monk, you've stopped singing. | 0:41:25 | 0:41:26 | |
A maggot landed on my hand, you threw me out of my stride. | 0:41:26 | 0:41:31 | |
Did Kicki go home often? | 0:41:36 | 0:41:38 | |
Back to Switzerland? No. | 0:41:38 | 0:41:41 | |
Why? | 0:41:41 | 0:41:43 | |
There's never a quiet moment in the camp. | 0:41:43 | 0:41:45 | |
How about you? Do you manage to get back home? | 0:41:45 | 0:41:48 | |
Let's just say that when my grandfather passed away, | 0:41:49 | 0:41:51 | |
we had an outbreak of malaria. | 0:41:51 | 0:41:55 | |
You didn't go back home? | 0:41:55 | 0:41:56 | |
I couldn't leave Kicki. | 0:41:57 | 0:41:59 | |
You need to sort your work/life balance out, young lady. | 0:42:00 | 0:42:04 | |
What does that mean? | 0:42:05 | 0:42:06 | |
Seriously, you need to find some time for you. | 0:42:06 | 0:42:10 | |
But there's work to be done. | 0:42:10 | 0:42:12 | |
Well, are you going to get married, have your own family? | 0:42:12 | 0:42:16 | |
That's not for me to decide. | 0:42:17 | 0:42:20 | |
Your parents? | 0:42:20 | 0:42:21 | |
No, Allah. | 0:42:21 | 0:42:23 | |
Are you married? | 0:42:26 | 0:42:27 | |
Erm, well, no, I'm engaged. To a doctor. | 0:42:27 | 0:42:30 | |
He should come out here. Is he a nice man? | 0:42:30 | 0:42:33 | |
Of course! I wouldn't be marrying him if he wasn't pretty perfect. | 0:42:33 | 0:42:37 | |
He's perfect? | 0:42:39 | 0:42:41 | |
Yeah. Yeah, he is, Nafula. Perfect for me anyway. | 0:42:43 | 0:42:49 | |
I think I might end up married to the Kenyan Crisis Care... | 0:42:50 | 0:42:54 | |
like Kicki. | 0:42:54 | 0:42:55 | |
Yeah, but look at Kicki. | 0:42:56 | 0:42:57 | |
Sacrificed everything and... | 0:42:59 | 0:43:01 | |
Life is about sacrifice. | 0:43:05 | 0:43:07 | |
But it shouldn't be about regret, should it? | 0:43:09 | 0:43:13 | |
No. | 0:43:13 | 0:43:14 | |
Kicki's watch. Mm? | 0:43:23 | 0:43:25 | |
This one. | 0:43:25 | 0:43:27 | |
She was very proud of that. It was very special. | 0:43:27 | 0:43:30 | |
She said it kept absolute perfect time, | 0:43:32 | 0:43:34 | |
although she always kept it five minutes fast. | 0:43:34 | 0:43:37 | |
I need to go and see Captain James. | 0:43:38 | 0:43:40 | |
Are you all right here on your own for a sec? | 0:43:40 | 0:43:42 | |
I'm hardly on my own... I've half the Kenyan army outside. | 0:43:42 | 0:43:46 | |
Jomo's father had that watch! | 0:43:46 | 0:43:48 | |
Or one like it. | 0:43:48 | 0:43:50 | |
No, I'm pretty sure it was that one, boss. | 0:43:50 | 0:43:52 | |
It's not in our remit to start investigating petty theft, Lane. | 0:43:52 | 0:43:55 | |
But it's not exactly petty theft, though, is it? | 0:43:55 | 0:43:57 | |
He must know something about her abduction. | 0:43:57 | 0:44:00 | |
Let's get Kenyan intelligence to investigate. | 0:44:02 | 0:44:05 | |
We can't just abandon her, boss. We're not abandoning her. | 0:44:06 | 0:44:08 | |
But it feels like she's been abandoned to me. | 0:44:08 | 0:44:10 | |
Then you don't understand. | 0:44:10 | 0:44:12 | |
Our sources are looking at likely safe houses... | 0:44:12 | 0:44:15 | |
So, are we going to investigate? | 0:44:16 | 0:44:19 | |
Once we've ascertained for sure, we move in. | 0:44:19 | 0:44:23 | |
Your passion and your information are appreciated. | 0:44:23 | 0:44:26 | |
As I've already said, Lane, | 0:44:27 | 0:44:29 | |
we're here to do a job on this camp. | 0:44:29 | 0:44:31 | |
And that job is so colossal we need to focus on that. | 0:44:31 | 0:44:34 | |
And that job will be made a whole lot easier if we find Kicki. | 0:44:34 | 0:44:37 | |
Thank you, Lane. | 0:44:37 | 0:44:38 | |
'There were these clowns in the cancer ward today.' | 0:45:05 | 0:45:07 | |
Clowns? | 0:45:07 | 0:45:09 | |
'Yeah, yeah, but we're not allowed to call them clowns.' | 0:45:09 | 0:45:11 | |
Why not? | 0:45:11 | 0:45:13 | |
'Well, cos so many people have clown phobias.' | 0:45:13 | 0:45:16 | |
So what do you call them, then? | 0:45:16 | 0:45:17 | |
'Er...chuckle monsters.' | 0:45:17 | 0:45:20 | |
You taking the piss?! | 0:45:20 | 0:45:22 | |
'No!' | 0:45:22 | 0:45:24 | |
All right, well...I think I might have a chuckle-monster phobia. | 0:45:24 | 0:45:28 | |
'Oh, yeah? Well, I think I might become a chuckle monster.' | 0:45:28 | 0:45:31 | |
Why not? | 0:45:31 | 0:45:33 | |
If we're not careful, life's going to slip through our hands | 0:45:33 | 0:45:36 | |
without us realising. | 0:45:36 | 0:45:37 | |
'Oh, what?! | 0:45:37 | 0:45:39 | |
'What, do you... do you feel like life is slipping though your hands?' | 0:45:39 | 0:45:43 | |
Erm... | 0:45:43 | 0:45:44 | |
Today I do, yeah. | 0:45:45 | 0:45:46 | |
'Have you been putting your sunblock on?' | 0:45:46 | 0:45:49 | |
Yeah...the sun's got to me! | 0:45:49 | 0:45:51 | |
Let's just get married. | 0:45:53 | 0:45:55 | |
As soon as I get back. | 0:45:55 | 0:45:56 | |
'You serious?' | 0:45:56 | 0:45:58 | |
Mm-hm! You know, I don't want a huge thing. | 0:45:58 | 0:46:02 | |
'I'm down for it.' | 0:46:02 | 0:46:03 | |
How many babies we going to have? | 0:46:06 | 0:46:08 | |
'I'll think about it and text you.' | 0:46:09 | 0:46:11 | |
OK. | 0:46:11 | 0:46:12 | |
Lane, you decent? | 0:46:14 | 0:46:16 | |
Got to go. Lane? | 0:46:16 | 0:46:18 | |
Yes, boss. Come in, boss. | 0:46:18 | 0:46:20 | |
As you were, Lane. | 0:46:23 | 0:46:25 | |
I've got some very interesting intel coming in. Boss? | 0:46:25 | 0:46:28 | |
An eyewitness has seen a Western woman being taken into a dwelling. | 0:46:28 | 0:46:31 | |
Kicki? | 0:46:31 | 0:46:33 | |
It's looking hopeful, Lane. | 0:46:33 | 0:46:35 | |
And this individual has been seen frequenting the place. | 0:46:35 | 0:46:39 | |
Jomo's father. | 0:46:41 | 0:46:43 | |
O Group, mission briefing 0600. | 0:46:43 | 0:46:46 | |
Mission briefing? | 0:46:46 | 0:46:47 | |
Need a combat medic. Full battle. | 0:46:47 | 0:46:49 | |
Well done, Lane. | 0:46:53 | 0:46:55 | |
Thank you, boss. | 0:46:55 | 0:46:56 | |
Gents, sit up! | 0:46:59 | 0:47:00 | |
Relax, guys. | 0:47:03 | 0:47:04 | |
We're about to embark on an operation to help | 0:47:04 | 0:47:07 | |
Captain Osman and his men. | 0:47:07 | 0:47:09 | |
Kenyan intelligence have got eyes on this dwelling. | 0:47:09 | 0:47:12 | |
It's an Al Shabaab dwelling known to be frequented | 0:47:12 | 0:47:15 | |
by Mr Sidiq, among others. | 0:47:15 | 0:47:17 | |
He is well known around camp and has many contacts there, | 0:47:17 | 0:47:21 | |
that's why this morning's operation needs to be swift... | 0:47:21 | 0:47:24 | |
the element of surprise on our side. | 0:47:24 | 0:47:27 | |
As the Kenyan army always do the morning sweep around town, | 0:47:27 | 0:47:30 | |
our presence will not be unexpected. | 0:47:30 | 0:47:32 | |
Any questions? | 0:47:32 | 0:47:34 | |
ALL: No, sir. | 0:47:34 | 0:47:36 | |
ETA two minutes. Focus, guys. | 0:48:19 | 0:48:21 | |
Prepare to move... | 0:48:40 | 0:48:41 | |
Two alphas. Keep eyes on. | 0:48:41 | 0:48:42 | |
'I repeat, keep eyes on.' | 0:48:42 | 0:48:44 | |
HE SPEAKS OWN LANGUAGE | 0:48:51 | 0:48:53 | |
RAPID GUNFIRE | 0:48:59 | 0:49:01 | |
Perimeter secure. | 0:49:09 | 0:49:11 | |
Right, we're searching and clearing. Charlie Fire team on me. | 0:49:15 | 0:49:18 | |
Delta, right-flank it. Prepare to move... Move! | 0:49:18 | 0:49:21 | |
Lane. Two fatalities here and attend to this one. | 0:49:25 | 0:49:29 | |
Yes, boss! | 0:49:29 | 0:49:31 | |
Delta Fire team, push up. | 0:49:31 | 0:49:33 | |
Keep your hand pressed down firmly on your neck for me, all right? | 0:49:33 | 0:49:36 | |
There we go, keep the pressure on. | 0:49:36 | 0:49:38 | |
Delta Fire team, push up. | 0:49:40 | 0:49:41 | |
Cut! | 0:49:44 | 0:49:45 | |
Clear. Clear. Clear. | 0:49:59 | 0:50:01 | |
Charlie team! | 0:50:01 | 0:50:03 | |
Dangles, cover this door. Mansfield, Monk, on me. | 0:50:03 | 0:50:07 | |
Eyes for hostage. Check for captive. | 0:50:07 | 0:50:10 | |
(One, two, three...) | 0:50:12 | 0:50:14 | |
Monk, on me. | 0:50:14 | 0:50:16 | |
Move! Move! | 0:50:17 | 0:50:19 | |
Move! | 0:50:19 | 0:50:21 | |
SHOUTING | 0:50:21 | 0:50:24 | |
SOLDIERS SHOUT INSTRUCTIONS | 0:50:26 | 0:50:29 | |
Go onto the balcony! Balcony clear. Stand up slowly! | 0:50:29 | 0:50:32 | |
Stand up now! Stand up...now! Get up, get your hands on your head. | 0:50:32 | 0:50:36 | |
Put your hands on your head. Turn tound now! | 0:50:36 | 0:50:40 | |
Brains, turn him to me now. | 0:50:40 | 0:50:42 | |
Positive ID. | 0:50:42 | 0:50:44 | |
Right, that's dressed, that should staunch the bleed... | 0:50:47 | 0:50:50 | |
Let's give you something for the pain. | 0:50:50 | 0:50:52 | |
Dwelling clear! | 0:50:55 | 0:50:57 | |
Lane, need you. | 0:50:57 | 0:51:00 | |
Jomo. | 0:51:02 | 0:51:03 | |
Jomo. Jomo. Hey, it's all right... Remember me? | 0:51:05 | 0:51:09 | |
Remember me, yeah? | 0:51:09 | 0:51:12 | |
We obviously had to search him in case he was booby-trapped. Hence his distress. | 0:51:12 | 0:51:15 | |
It's all right. Your father's all right, I've seen him. | 0:51:15 | 0:51:18 | |
He's alive, they're just taking him to the police station. | 0:51:18 | 0:51:20 | |
Does he speak English, Lane? | 0:51:20 | 0:51:22 | |
You understand me, don't you, Jomo? | 0:51:22 | 0:51:24 | |
It's all right. Let's get you looked after. | 0:51:25 | 0:51:28 | |
OK? Where's your mother? | 0:51:28 | 0:51:29 | |
Dead. | 0:51:31 | 0:51:32 | |
HORN SOUNDS TWICE OUTSIDE I'll be outside. | 0:51:33 | 0:51:36 | |
All right... We'll take you back to the camp, with Nafula. | 0:51:39 | 0:51:43 | |
Do you remember Nafula? | 0:51:44 | 0:51:46 | |
They're looking for a lady from the camp... | 0:51:47 | 0:51:49 | |
Kicki. Do you know Kicki? | 0:51:49 | 0:51:52 | |
Was Kicki here? | 0:51:54 | 0:51:56 | |
Is she still here now? | 0:51:59 | 0:52:01 | |
Where was she? | 0:52:03 | 0:52:04 | |
Boss! Boss! | 0:52:32 | 0:52:34 | |
Right, this is now a crime scene. No-one contaminate anything. | 0:52:41 | 0:52:45 | |
I'll leave the police here on guard. | 0:52:45 | 0:52:48 | |
Let's get the injured to hospital. | 0:52:48 | 0:52:50 | |
Kenya Crisis Care ambulance on the way, boss. ETA three minutes. | 0:52:52 | 0:52:56 | |
Nice one, Kingy. | 0:52:56 | 0:52:57 | |
Right, guys, listen in. Good work out there today. | 0:52:59 | 0:53:03 | |
If I had to single out a man of the match, | 0:53:03 | 0:53:05 | |
I'd give it to Lance Corporal Lane. | 0:53:05 | 0:53:07 | |
Thanks, boss. You've always had a thing for the medic, boss. | 0:53:08 | 0:53:11 | |
Strike one, Fingers. | 0:53:11 | 0:53:13 | |
Sorry. Her interventions led to the arrest of several | 0:53:13 | 0:53:16 | |
Al Shabaab figures in there today. | 0:53:16 | 0:53:17 | |
This is exactly how it started with Molly. | 0:53:17 | 0:53:19 | |
Strike two, Fingers. | 0:53:19 | 0:53:21 | |
Right, guys, stay here. | 0:53:21 | 0:53:23 | |
Lane, on me. | 0:53:23 | 0:53:25 | |
I'll need to go with him, boss. | 0:53:30 | 0:53:32 | |
If he crashes and there's no-one medical in the ambulance... | 0:53:32 | 0:53:34 | |
You do know he's Al Shabaab, Lane? | 0:53:34 | 0:53:36 | |
I need to keep him stable... | 0:53:36 | 0:53:38 | |
get him to the hospital alive. | 0:53:38 | 0:53:40 | |
We can't just let him die, boss, whoever he is. | 0:53:40 | 0:53:44 | |
Kingy, get 'em all loaded up, we're escorting the ambulance to hospital. | 0:53:44 | 0:53:48 | |
Boss? Lane can't do this on her own. | 0:53:48 | 0:53:50 | |
Mansfield, jump up front in the ambulance. | 0:53:50 | 0:53:52 | |
Kingy, in front of the truck with me. Eyes on the ambulance throughout. Let's go! | 0:53:52 | 0:53:55 | |
Right, guys, you heard the boss. Let's go! | 0:53:55 | 0:53:57 | |
Good luck, Lane. | 0:53:57 | 0:53:59 | |
SIREN BLARES | 0:54:02 | 0:54:04 | |
Right, that's all done. | 0:54:10 | 0:54:12 | |
TEXT ALERT | 0:54:14 | 0:54:16 | |
Shit. | 0:54:23 | 0:54:25 | |
STEADY BEEP Fuck! | 0:54:25 | 0:54:27 | |
You all right back there, Georgie? He's crashed on me. | 0:54:27 | 0:54:30 | |
Anything I can help with? | 0:54:30 | 0:54:31 | |
Fuck all, mate. Let's just get him to the hospital ASAP. | 0:54:31 | 0:54:34 | |
Right, come on, put your foot down. | 0:54:34 | 0:54:36 | |
Slow down. Slow down! | 0:54:43 | 0:54:45 | |
Watch out. Move! | 0:54:46 | 0:54:48 | |
Get to the right. Get to the right. | 0:54:49 | 0:54:51 | |
HORN BLARES | 0:54:51 | 0:54:53 | |
What's he doing? No idea. | 0:54:54 | 0:54:57 | |
What's going on? | 0:55:07 | 0:55:08 | |
Is everybody OK? | 0:55:08 | 0:55:10 | |
Captain Osman, find out what's going on. | 0:55:10 | 0:55:12 | |
HE SPEAKS IN LOCAL LANGUAGE | 0:55:14 | 0:55:17 | |
What the hell's he doing?! | 0:55:32 | 0:55:34 | |
Contact. Yeah. | 0:55:39 | 0:55:41 | |
SHE CRIES OUT | 0:55:54 | 0:55:56 | |
Take the doctor. | 0:55:57 | 0:55:59 | |
HE YELLS | 0:56:01 | 0:56:03 | |
Has anyone got eyes on Lane? | 0:57:04 | 0:57:07 | |
'I am a British citizen being held hostage and will be executed | 0:57:07 | 0:57:12 | |
'at sundown tomorrow if all Al Shabaab fighters' | 0:57:12 | 0:57:14 | |
are not released. | 0:57:14 | 0:57:17 | |
You release our fighters... or we cut off her head. | 0:57:17 | 0:57:21 | |
The situation has now escalated. | 0:57:21 | 0:57:22 | |
We're soon to be joined by special forces. | 0:57:22 | 0:57:24 | |
TWO GUNSHOTS | 0:57:24 | 0:57:26 | |
What's going to happen to me now? | 0:57:29 | 0:57:31 | |
Pow! | 0:57:31 | 0:57:32 | |
Please, I'm a medical person. I can help you and your brothers. | 0:57:32 | 0:57:35 | |
Please. Please! | 0:57:35 | 0:57:36 | |
You're under arrest. | 0:58:12 | 0:58:13 | |
You're going to prison. | 0:58:13 | 0:58:15 | |
In what sense are you free? | 0:58:15 | 0:58:18 | |
I live at a level of intensity | 0:58:18 | 0:58:20 | |
unknown to you and others of your type. | 0:58:20 | 0:58:23 |