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This programme contains some strong language and some scenes which some viewers may find upsetting. | 0:00:03 | 0:00:08 | |
# But, uh-oh, I love her because... # | 0:00:08 | 0:00:11 | |
Tell me again. | 0:00:11 | 0:00:12 | |
He said that he can't go through with it. | 0:00:12 | 0:00:14 | |
Let's just get married. | 0:00:14 | 0:00:15 | |
I'm down for it. | 0:00:15 | 0:00:17 | |
'I am a British citizen being held hostage and will be executed | 0:00:17 | 0:00:22 | |
'at sundown tomorrow if all Al-Shabaab fighters | 0:00:22 | 0:00:24 | |
'are not released.' | 0:00:24 | 0:00:26 | |
That one white hostage, yeah, it should put us on the front page. | 0:00:26 | 0:00:29 | |
The situation has now escalated. | 0:00:29 | 0:00:31 | |
We're soon to be joined by special forces. | 0:00:31 | 0:00:33 | |
How can I possibly send you out on this? | 0:00:33 | 0:00:35 | |
It has to be me. | 0:00:35 | 0:00:36 | |
If they knew that I was a soldier, they'd behead me. | 0:00:36 | 0:00:39 | |
Lance Corporal Georgie Lane. | 0:00:50 | 0:00:52 | |
SHE CRIES INCOMPREHENSIBLY | 0:00:52 | 0:00:54 | |
Be prepared to die, yeah? Paradise awaits you, brother. | 0:00:55 | 0:00:58 | |
Praise be to Allah. | 0:00:58 | 0:01:00 | |
Primary recovered. Repeat - primary recovered. | 0:01:06 | 0:01:10 | |
Stay alive, no matter what occurs. I will find you. | 0:01:29 | 0:01:34 | |
No matter how far, no matter how long it takes. | 0:01:34 | 0:01:37 | |
I will find you. | 0:01:37 | 0:01:38 | |
Daniel Day-Lewis, Last Of The Mohicans. | 0:01:41 | 0:01:42 | |
Yeah, I know where it's from. | 0:01:42 | 0:01:44 | |
Bruising but no laceration. Need to get you checked out, though. | 0:01:46 | 0:01:50 | |
CT scan and X-ray for you. | 0:01:50 | 0:01:52 | |
Yeah, I'm fine. I can take a punch. | 0:01:52 | 0:01:53 | |
You can give one, and all. | 0:01:53 | 0:01:55 | |
Where we going? | 0:01:57 | 0:01:58 | |
Mombasa. | 0:01:58 | 0:02:00 | |
Medical and de-brief. | 0:02:00 | 0:02:01 | |
Is your vision OK? | 0:02:01 | 0:02:03 | |
No, I can still see him. | 0:02:03 | 0:02:06 | |
# Memories lie | 0:02:12 | 0:02:15 | |
# There's no such thing as a perfect life | 0:02:15 | 0:02:19 | |
# Oh, and I let it die | 0:02:22 | 0:02:26 | |
# But looking back I can't remember why | 0:02:26 | 0:02:30 | |
# Oh, my beautiful summer | 0:02:33 | 0:02:36 | |
# How the winter makes me wonder | 0:02:36 | 0:02:39 | |
# Where you've gone. # | 0:02:39 | 0:02:41 | |
You're significantly dehydrated. | 0:02:52 | 0:02:54 | |
Let's check your levels once we've got some fluid into you. | 0:02:54 | 0:02:57 | |
You might want to check my bloods as well. | 0:02:57 | 0:02:59 | |
I haven't passed urine for 12 hours. | 0:02:59 | 0:03:01 | |
OK. | 0:03:01 | 0:03:03 | |
SHE SPEAKS IN OWN LANGUAGE | 0:03:03 | 0:03:05 | |
I'm a bit bloody relieved to see you in one piece, Lane. | 0:03:11 | 0:03:14 | |
Well done. | 0:03:18 | 0:03:20 | |
I'm proud of you. | 0:03:22 | 0:03:24 | |
You must think I'm an emotional wreck. | 0:03:33 | 0:03:35 | |
What, you think I don't cry? | 0:03:35 | 0:03:37 | |
Look, I'm sorry about what happened to Kicki. | 0:03:43 | 0:03:47 | |
The thing with our job is, we can't unsee the things we've seen. | 0:03:47 | 0:03:51 | |
And I've seen. | 0:03:52 | 0:03:54 | |
Was it as hellish as I can imagine? | 0:03:56 | 0:03:58 | |
Oh... I just don't understand how people can be so evil. | 0:03:58 | 0:04:02 | |
When you speak to the psychiatrist, you must properly unload, OK? | 0:04:05 | 0:04:09 | |
What, don't you think I will? | 0:04:11 | 0:04:13 | |
I think you'll say you're fine | 0:04:13 | 0:04:16 | |
and that you want to get back to work ASAP. | 0:04:16 | 0:04:18 | |
Yeah, well, I AM fine. | 0:04:19 | 0:04:21 | |
I rest my case. | 0:04:22 | 0:04:24 | |
What does that mean? It means, | 0:04:24 | 0:04:26 | |
don't go giving it all "I'm fine". | 0:04:26 | 0:04:28 | |
Please, tell them everything. | 0:04:28 | 0:04:31 | |
You might end up with the psychiatrist in tears. | 0:04:31 | 0:04:34 | |
So be it. | 0:04:34 | 0:04:35 | |
You want to talk to him? | 0:04:45 | 0:04:46 | |
No. | 0:04:46 | 0:04:47 | |
Why him, boss? | 0:04:49 | 0:04:51 | |
It wasn't my call, Lane. Can you imagine how I felt? | 0:04:51 | 0:04:53 | |
Our first priority was to get you back safely. | 0:04:53 | 0:04:57 | |
Well, the second priority is to tell him to go. | 0:04:57 | 0:05:00 | |
Seriously. | 0:05:00 | 0:05:01 | |
Did Abu escape? | 0:05:34 | 0:05:35 | |
The British guy? | 0:05:38 | 0:05:40 | |
CHEERING AND APPLAUSE | 0:06:09 | 0:06:11 | |
Lads! | 0:06:15 | 0:06:16 | |
Come with me. | 0:06:16 | 0:06:18 | |
Missed you. | 0:06:25 | 0:06:27 | |
Stop making it weird, man. | 0:06:27 | 0:06:29 | |
Not too shabby, eh, Lane? | 0:06:36 | 0:06:37 | |
It's a completely safe zone. We expecting trouble? | 0:06:39 | 0:06:44 | |
Stay alert, stay alive. It's not just Al-Shabaab sympathisers. | 0:06:44 | 0:06:47 | |
Pirates work this coast too. Yeah, right! | 0:06:47 | 0:06:51 | |
Not eye-patch pirates, Lane. | 0:06:51 | 0:06:53 | |
They're just called pirates. | 0:06:53 | 0:06:55 | |
Basically make their living robbing ships on the high seas. | 0:06:55 | 0:06:58 | |
But some rob, kidnap and kill tourists, too. | 0:06:58 | 0:07:02 | |
Everyone has to make a living, I guess, boss. | 0:07:02 | 0:07:04 | |
There's always a price to pay for paradise. | 0:07:08 | 0:07:10 | |
Well, look who it is. After you. Thank you. | 0:07:30 | 0:07:34 | |
Hello! Hi! | 0:07:34 | 0:07:36 | |
Come on, then. Where have you been hiding, you little skiver? | 0:07:36 | 0:07:40 | |
What d'you do, Lane? | 0:07:40 | 0:07:42 | |
Whine at the Al-Shabaab like a Scouser till they let you go? | 0:07:42 | 0:07:44 | |
She isn't a Scouser, Monk. I'm a Manc, Monk. Same difference. | 0:07:44 | 0:07:47 | |
If you're not on the Tube, you're all Northern to me. | 0:07:47 | 0:07:49 | |
Monk could have been singing like a canary at the first thumbscrew. | 0:07:49 | 0:07:52 | |
I did actually waterboard my mate with lager. | 0:07:52 | 0:07:54 | |
So, you lager-boarded him, then? | 0:07:54 | 0:07:55 | |
Brilliant to have you back. Aw... Thanks for that. | 0:07:57 | 0:07:59 | |
Stiffy klaxon. Honk! | 0:07:59 | 0:08:01 | |
Aw, Kingy. Hi. Welcome back to the fold, Lance Corporal. Thank you. | 0:08:01 | 0:08:04 | |
Come on then, boss, what do you say, can we start drinking or what? | 0:08:04 | 0:08:07 | |
No, still on duty. | 0:08:07 | 0:08:09 | |
R R doesn't begin until Lane finishes her debriefing. | 0:08:09 | 0:08:12 | |
Then we R R together. | 0:08:12 | 0:08:14 | |
One in, all in, yeah? | 0:08:14 | 0:08:16 | |
That's correct, Monk. Easy. | 0:08:16 | 0:08:18 | |
Uh-uh. | 0:08:23 | 0:08:25 | |
No. | 0:08:26 | 0:08:27 | |
No. | 0:08:28 | 0:08:30 | |
Kenyan security are monitoring borders. | 0:08:30 | 0:08:33 | |
So, he's still in Kenya? Almost certainly. | 0:08:33 | 0:08:36 | |
Lying low in a safe house somewhere, not knowing who to trust. | 0:08:36 | 0:08:39 | |
Well, he'll be aware that we have covert agents | 0:08:39 | 0:08:41 | |
embedded in Al-Shabaab cells. | 0:08:41 | 0:08:43 | |
We know where he is? Or where he might be? | 0:08:43 | 0:08:45 | |
How many white converts have we got floating around? | 0:08:45 | 0:08:48 | |
We are aware of how urgent the current situation is. | 0:08:48 | 0:08:51 | |
You hold the most significant of all intel. | 0:08:51 | 0:08:54 | |
You can identify the entire cell. | 0:08:54 | 0:08:56 | |
Not just Abu but his superiors in their chain of command. | 0:08:56 | 0:08:59 | |
Not just Abu but his superiors in their chain of command. | 0:08:59 | 0:09:00 | |
I didn't have much time in their ops room. | 0:09:00 | 0:09:02 | |
But enough time to see detailed plans of this shopping mall. | 0:09:02 | 0:09:05 | |
After what happened in Nairobi in the Westgate Mall... | 0:09:05 | 0:09:08 | |
Well, that's why you need to be as precise as you can be, | 0:09:08 | 0:09:10 | |
so we can identify the target. | 0:09:10 | 0:09:12 | |
I saw photos of a, erm... | 0:09:12 | 0:09:16 | |
..a...a bird, I think. Poppies... | 0:09:17 | 0:09:20 | |
You think a bird? Yes, sir. A statue. But I'm not 100% sure. | 0:09:20 | 0:09:25 | |
I saw, erm, Google images. | 0:09:27 | 0:09:30 | |
Aerial photographs printed from an internet type of thing. | 0:09:31 | 0:09:35 | |
You'd definitely recognise him? | 0:09:35 | 0:09:37 | |
Intelligence suggests he's from London. | 0:09:37 | 0:09:39 | |
Yes, sir. It's London. | 0:09:39 | 0:09:41 | |
All video surveillance from Kenya and across the Somali border | 0:09:41 | 0:09:44 | |
is being scrutinised for white insurgents. | 0:09:44 | 0:09:46 | |
He will be found. It's just a matter of time. Exactly. | 0:09:46 | 0:09:49 | |
Time. | 0:09:49 | 0:09:51 | |
We need to get him before he gets us. | 0:09:52 | 0:09:54 | |
I'd recognise him, sir. | 0:09:58 | 0:10:00 | |
Without a doubt. | 0:10:00 | 0:10:01 | |
Never forget those eyes. | 0:10:04 | 0:10:05 | |
Stop. | 0:10:12 | 0:10:13 | |
Is it him? | 0:10:17 | 0:10:18 | |
Obviously he looked different. He...he had a beard. | 0:10:18 | 0:10:21 | |
Are you sure? | 0:10:23 | 0:10:24 | |
Yeah. Yeah, it's him, sir. | 0:10:27 | 0:10:29 | |
Who is he? | 0:10:30 | 0:10:31 | |
Jason Raynott. Born north London. | 0:10:32 | 0:10:35 | |
University of Manchester. | 0:10:35 | 0:10:37 | |
Converted to Islam as an undergraduate. | 0:10:37 | 0:10:40 | |
Last known whereabouts, flew from Heathrow to Ethiopia | 0:10:40 | 0:10:43 | |
on a tourist visa on 14/4/2016. | 0:10:43 | 0:10:45 | |
No trace since. | 0:10:45 | 0:10:47 | |
We're getting somewhere, Lane. | 0:10:47 | 0:10:49 | |
APP RINGS | 0:10:51 | 0:10:54 | |
Got you. | 0:10:54 | 0:10:56 | |
At last. | 0:10:56 | 0:10:57 | |
Oh, the connection's so bad here. | 0:10:57 | 0:10:59 | |
No, no, I can see you. Fantastic. Are you OK? | 0:10:59 | 0:11:02 | |
Yeah. Yeah, you know me. | 0:11:02 | 0:11:04 | |
You had a full check at the hospital? Yes, everything's fine. | 0:11:04 | 0:11:07 | |
Level's stabilised now? | 0:11:07 | 0:11:09 | |
Hm, honestly, I'm fine, I'm fine. | 0:11:09 | 0:11:11 | |
I'm as normal as I've ever been. | 0:11:11 | 0:11:14 | |
Your text from the hospital said they were taking bloods? | 0:11:14 | 0:11:16 | |
Yeah, well, that was just, you know, a precaution cos of the dehydration. | 0:11:16 | 0:11:20 | |
Did they put you on a saline drip? | 0:11:20 | 0:11:23 | |
Yes, as soon as I got to the hospital. | 0:11:23 | 0:11:26 | |
Any headaches since? No. I'm fine. | 0:11:26 | 0:11:29 | |
Look, get them to send me your blood results so I can get them | 0:11:29 | 0:11:32 | |
to a hospital here for when you get home. | 0:11:32 | 0:11:33 | |
Stop fussing. I'm fine. | 0:11:33 | 0:11:36 | |
Right, tell me, tell me, you know, how is everyone? | 0:11:36 | 0:11:39 | |
Tell me how you are. | 0:11:39 | 0:11:41 | |
We've been at panic stations. | 0:11:42 | 0:11:44 | |
But I can see you so it makes me feel a whole lot better. | 0:11:46 | 0:11:50 | |
I'm so looking forward to getting home now. | 0:11:53 | 0:11:55 | |
I bet. You look tired. | 0:11:55 | 0:11:59 | |
Thanks. | 0:12:00 | 0:12:02 | |
I heard about your... your fellow hostage. | 0:12:02 | 0:12:05 | |
I hope you didn't have to see any of that. | 0:12:06 | 0:12:08 | |
Thank God they got you out. | 0:12:10 | 0:12:11 | |
Those boys who rescued you, they... | 0:12:13 | 0:12:15 | |
they... | 0:12:15 | 0:12:18 | |
they know what they're doing, huh? | 0:12:18 | 0:12:20 | |
We owe them a pint or three. | 0:12:21 | 0:12:23 | |
Well, knock me down with a feather. | 0:12:36 | 0:12:38 | |
Did you sort this out? So you could be in the room next door to me? | 0:12:39 | 0:12:42 | |
Cos that is really fucking creepy, and 100% you all over. | 0:12:42 | 0:12:46 | |
That vein thing on your forehead's happening again. | 0:12:49 | 0:12:51 | |
What? Remember. I told you whenever you used to cry, | 0:12:51 | 0:12:53 | |
that vein thing used to pop up on your forehead. | 0:12:53 | 0:12:56 | |
Yeah, well, I'm not crying so don't flatter yourself, OK? | 0:12:56 | 0:12:58 | |
Yeah, well, I'm not crying so don't flatter yourself, OK? | 0:12:58 | 0:12:58 | |
Listen, Georgie... Elvis, no. | 0:13:06 | 0:13:07 | |
You won't even give me one minute to explain, will ya? | 0:13:09 | 0:13:12 | |
Raisins! Can you do me some chips? Oh, this bacon is... | 0:13:41 | 0:13:44 | |
Get in my belly. Look at that. All right, lads? Here, Georgie. | 0:13:44 | 0:13:47 | |
Fill your boots. We're all inclusive. What we got? | 0:13:47 | 0:13:50 | |
Better than that slop you're having as a hostage. | 0:13:50 | 0:13:52 | |
Most of what I had was better than rations. Thank you. | 0:13:52 | 0:13:55 | |
Fruit and coffee for me. | 0:13:55 | 0:13:56 | |
Eye of the needle, Klaxon. | 0:13:56 | 0:13:58 | |
They can do you eggs any which way you fancy. | 0:13:58 | 0:14:00 | |
I know, I've got me omelette cooking, all the trimmings. | 0:14:00 | 0:14:02 | |
What are the trimmings? I think chips. But they won't be as good as they are at home. | 0:14:02 | 0:14:05 | |
Well, there's no curry sauce, is there? Yeah, they've got ketchup. | 0:14:05 | 0:14:08 | |
No. You're not putting that on your fruit, are you, Brains? | 0:14:08 | 0:14:12 | |
Lane. Come here. | 0:14:13 | 0:14:15 | |
Oh. Boss. Lost her again. | 0:14:15 | 0:14:18 | |
We think we've located Abu and his cell. | 0:14:19 | 0:14:21 | |
Credible intel of a gathering, possible council of war. | 0:14:21 | 0:14:25 | |
Now, we don't have a target but while intercepting phone calls, | 0:14:25 | 0:14:27 | |
we picked up several keywords signifying an attack. | 0:14:27 | 0:14:30 | |
And all indications are that the attack is imminent. | 0:14:30 | 0:14:33 | |
We're going to join close observations and wait for | 0:14:33 | 0:14:35 | |
them all to be assembled in one place together. | 0:14:35 | 0:14:37 | |
Then we'll eliminate the target. | 0:14:37 | 0:14:38 | |
One option is for special forces to go in and try to send back | 0:14:38 | 0:14:41 | |
images of cell members for you to identify. | 0:14:41 | 0:14:44 | |
That's going to rely on satellite imagery | 0:14:44 | 0:14:46 | |
which is intermittent, at best. | 0:14:46 | 0:14:47 | |
We could send you out on another mission with them. | 0:14:47 | 0:14:50 | |
Purely for observation and identification purposes. | 0:14:50 | 0:14:52 | |
We will not be engaging. | 0:14:52 | 0:14:54 | |
I'll be fine to go, boss, if that's what you're asking. | 0:14:54 | 0:14:56 | |
It's not a necessity, Lane. | 0:14:56 | 0:14:57 | |
Well, it makes logical sense. I can ID them and | 0:14:57 | 0:15:01 | |
the mission can be completed. | 0:15:01 | 0:15:03 | |
It save's faffing around and sending pictures back and forward. | 0:15:03 | 0:15:06 | |
Right, well, we'd like you to pop and see the doctor before you go. | 0:15:06 | 0:15:09 | |
If you're happy to go. | 0:15:09 | 0:15:12 | |
Seriously, Lane, no-one would doubt your bravery. | 0:15:12 | 0:15:14 | |
Perhaps you could do without another mission so soon after. | 0:15:14 | 0:15:17 | |
I'm fine. | 0:15:17 | 0:15:19 | |
I'll be sat in the back of a truck IDing people. | 0:15:19 | 0:15:21 | |
Unless you don't think I can do it because I'm a woman? | 0:15:21 | 0:15:24 | |
No-one is suggesting that. Good. | 0:15:24 | 0:15:27 | |
Then I best go and pack my kit in readiness. | 0:15:27 | 0:15:31 | |
It's near the refugee camp so we can use the Kenyan base there. | 0:15:31 | 0:15:33 | |
It's 110% safe. | 0:15:33 | 0:15:35 | |
OK. | 0:15:35 | 0:15:37 | |
The sooner we can conclude this, the sooner I can go home. | 0:15:37 | 0:15:40 | |
To be honest, this is the best thing that could have happened, | 0:15:40 | 0:15:44 | |
full stop, sir. | 0:15:44 | 0:15:46 | |
Close surveillance have been monitoring this house | 0:15:50 | 0:15:53 | |
for Al-Shabaab activity. | 0:15:53 | 0:15:55 | |
He was smuggled into the dwelling a couple of hours ago. | 0:15:55 | 0:16:00 | |
I'm sure that's him. | 0:16:01 | 0:16:03 | |
That's him. That's Abu? Yeah. | 0:16:07 | 0:16:09 | |
100%, Lane? No room for error. | 0:16:09 | 0:16:12 | |
Can you confirm that's a positive ID? That's him? | 0:16:12 | 0:16:15 | |
Yeah. That's Abu. | 0:16:16 | 0:16:17 | |
Confirm. | 0:16:17 | 0:16:18 | |
Visitors. | 0:17:16 | 0:17:17 | |
SHUTTER OPENS AND CLOSES | 0:17:28 | 0:17:31 | |
OK, zoom in. What have we got? | 0:17:40 | 0:17:42 | |
That's Gaani. He's the cell commander. | 0:17:44 | 0:17:46 | |
Anything on the one on the left? | 0:17:46 | 0:17:48 | |
Yeah, he was definitely there. | 0:17:48 | 0:17:50 | |
But I had no direct contact with him. | 0:17:50 | 0:17:52 | |
He's Al-Shabaab? | 0:17:54 | 0:17:55 | |
Yeah. | 0:17:55 | 0:17:56 | |
Good stuff, Lane. | 0:17:56 | 0:17:58 | |
Eh, don't start feeling sorry for him yet, Georgie. | 0:18:00 | 0:18:02 | |
I'm not feeling sorry for 'im, Spanner. | 0:18:02 | 0:18:04 | |
I'm feeling sorry for Kicki. Right? | 0:18:04 | 0:18:07 | |
Picking anything up yet, boss? | 0:18:07 | 0:18:08 | |
Nothing. Sound's too muffled. | 0:18:08 | 0:18:10 | |
Any English? | 0:18:10 | 0:18:12 | |
Don't know, it's too hard to tell. We need to get in closer. | 0:18:12 | 0:18:14 | |
SPEAKS IN OWN LANGUAGE THROUGH RADIO | 0:18:14 | 0:18:17 | |
Osman, can we get in closer? | 0:18:17 | 0:18:19 | |
We know it's him. Lane has confirmed as much. | 0:18:19 | 0:18:22 | |
Not worth trying to find out what their target was, no? | 0:18:22 | 0:18:24 | |
We want to send in air support. | 0:18:24 | 0:18:27 | |
The house is on its own, boss. No collateral. | 0:18:27 | 0:18:30 | |
Ruhusa ya kutumia jet, Tambua. Bomb. | 0:18:32 | 0:18:36 | |
JETS APPROACH QUICKLY | 0:18:54 | 0:18:56 | |
Shit. | 0:19:08 | 0:19:10 | |
Jambo. | 0:19:12 | 0:19:13 | |
Think that's what they call a bull's-eye. | 0:19:15 | 0:19:17 | |
All clear. | 0:19:17 | 0:19:19 | |
That must have felt very fucking good, Georgie. | 0:19:35 | 0:19:38 | |
Knowing that twat's been red misted? | 0:19:38 | 0:19:40 | |
I'd have preferred him brought back to the UK, made him face up | 0:19:40 | 0:19:43 | |
to what he'd done. | 0:19:43 | 0:19:45 | |
Really? | 0:19:45 | 0:19:46 | |
He got off easy. | 0:19:49 | 0:19:50 | |
Over in a second and... | 0:19:51 | 0:19:53 | |
..I'll have him in there a lifetime. | 0:19:54 | 0:19:56 | |
And that's not right. | 0:19:56 | 0:19:58 | |
Oi. | 0:20:00 | 0:20:02 | |
He's still got to face his God, though, eh? | 0:20:02 | 0:20:04 | |
It's our job, Georgie. | 0:20:16 | 0:20:18 | |
You know what I mean? Hm. | 0:20:18 | 0:20:19 | |
We serve our country, George. It's what we do. | 0:20:20 | 0:20:22 | |
Do you ever doubt why we do it? | 0:20:22 | 0:20:25 | |
Listen, we've both lost people in the past. | 0:20:28 | 0:20:30 | |
If I could go back and save them, I would. | 0:20:30 | 0:20:33 | |
But I've never doubted what I've done. | 0:20:33 | 0:20:34 | |
And neither should you. | 0:20:34 | 0:20:36 | |
We do our duty, don't we? | 0:20:39 | 0:20:40 | |
It's what makes us. | 0:20:41 | 0:20:43 | |
I need to do something to get closure. It won't delay us. | 0:20:44 | 0:20:47 | |
OK. | 0:20:47 | 0:20:49 | |
You don't know what it is. | 0:20:50 | 0:20:52 | |
You want to go back to the refugee camp and see Nafula. | 0:20:53 | 0:20:56 | |
Come on, what else would it have been? | 0:20:59 | 0:21:02 | |
I read the brief and your role in it. | 0:21:02 | 0:21:04 | |
I'm sure Kicki would have wanted Nafula to have this. | 0:21:15 | 0:21:17 | |
I know what I'm doing. I know. | 0:21:51 | 0:21:55 | |
I didn't think you'd come back. | 0:22:17 | 0:22:19 | |
Well, I was just passing. | 0:22:19 | 0:22:20 | |
I can't believe they shot her. | 0:22:22 | 0:22:24 | |
Why? | 0:22:24 | 0:22:26 | |
Unforgivable. | 0:22:26 | 0:22:28 | |
My friend, I need you to understand this has nothing to do with Islam. | 0:22:28 | 0:22:33 | |
This is just...a madness. | 0:22:33 | 0:22:35 | |
It's made us stronger. | 0:22:35 | 0:22:37 | |
And one day we will defeat them. | 0:22:37 | 0:22:39 | |
But we can't beat them, can we? | 0:22:42 | 0:22:44 | |
We can never beat those extreme people. | 0:22:44 | 0:22:46 | |
We can. And we will. | 0:22:46 | 0:22:48 | |
If people like you carry on doing exactly what you're doing, | 0:22:48 | 0:22:51 | |
making sure the good outweighs the bad. | 0:22:51 | 0:22:53 | |
But they will never stop. | 0:22:53 | 0:22:54 | |
Neither will we. We try to stop the fear. | 0:22:54 | 0:22:58 | |
The fear? | 0:23:00 | 0:23:02 | |
The only way we can be beaten is with fear. | 0:23:02 | 0:23:05 | |
So, people like us need to stand up and say we're not afraid. | 0:23:05 | 0:23:08 | |
They can't win. | 0:23:08 | 0:23:10 | |
We win. | 0:23:10 | 0:23:11 | |
Kicki wins. | 0:23:12 | 0:23:14 | |
Do you want to know my best bits about soldiering? | 0:23:16 | 0:23:18 | |
Yes. | 0:23:18 | 0:23:20 | |
Doing security for the Olympics in London, | 0:23:20 | 0:23:25 | |
working on the flood relief in Cumbria... | 0:23:25 | 0:23:29 | |
..and... | 0:23:30 | 0:23:31 | |
And what? | 0:23:34 | 0:23:36 | |
..working here, in the refugee camp with you. | 0:23:36 | 0:23:40 | |
One minute, Georgie. | 0:23:50 | 0:23:52 | |
Someone special? | 0:23:55 | 0:23:56 | |
He thinks he is. | 0:23:57 | 0:23:59 | |
Do you? | 0:24:01 | 0:24:03 | |
No. He was just checking if... | 0:24:05 | 0:24:07 | |
You are OK? Yes. Yes, he was, yeah. | 0:24:07 | 0:24:10 | |
He's handsome, huh? | 0:24:12 | 0:24:13 | |
On the surface, yeah. | 0:24:13 | 0:24:15 | |
Here. | 0:24:22 | 0:24:23 | |
Thank you. | 0:24:36 | 0:24:38 | |
You OK? | 0:24:48 | 0:24:49 | |
I want a beer, man. Listen in, guys! I'm only joking. | 0:25:08 | 0:25:12 | |
The work on Lane's de-brief has now been completed. | 0:25:12 | 0:25:15 | |
CHEERING | 0:25:15 | 0:25:17 | |
Don't touch her weave, man. | 0:25:17 | 0:25:18 | |
It's all my own, thanks, Dangles. | 0:25:18 | 0:25:20 | |
So, after considerable, lengthy and somewhat heated negotiations with | 0:25:20 | 0:25:24 | |
the MoD, we have now been granted 48 hours R R... | 0:25:24 | 0:25:29 | |
with... | 0:25:29 | 0:25:31 | |
beer rations. What? | 0:25:31 | 0:25:32 | |
Now, please, please remember we are visitors in this country and | 0:25:32 | 0:25:37 | |
representing Her Majesty. | 0:25:37 | 0:25:39 | |
CHEERING AND APPLAUSE | 0:25:39 | 0:25:41 | |
UPBEAT BEACH MUSIC PLAYS | 0:25:45 | 0:25:48 | |
I'm thinking of joining the Paras, me. | 0:26:08 | 0:26:10 | |
Ha! Yes, yes! | 0:26:10 | 0:26:13 | |
What? What's occurring here then, you little wankers? | 0:26:13 | 0:26:16 | |
Georgie had a bet with me, | 0:26:16 | 0:26:17 | |
Monk and Brains that you'd bang on about joining the Paras. | 0:26:17 | 0:26:20 | |
Up there for thinking, mate. See, I like Two Section, me. Me, too. | 0:26:20 | 0:26:23 | |
I need to push on from my comfort zone. | 0:26:23 | 0:26:25 | |
You still live with your nan. | 0:26:25 | 0:26:28 | |
I stay with my nan when I'm on home leave cos she needs looking after. | 0:26:28 | 0:26:31 | |
Aw. Does she still take the top off your eggs in the morning, Fingers? | 0:26:31 | 0:26:34 | |
Come on, Brains. Hand it over. | 0:26:34 | 0:26:36 | |
I will not let this change my life, thank you. | 0:26:37 | 0:26:40 | |
Where are you going? Get away from you lot. I don't blame you. | 0:26:41 | 0:26:44 | |
Seriously, though, I might see if there's a way | 0:26:44 | 0:26:46 | |
I can join special forces straight away. | 0:26:46 | 0:26:49 | |
Yeah, you ignore these lot. You go ahead and progress, mate. | 0:26:49 | 0:26:52 | |
You might have to start eating your spinach tonight then, eh, Fingers? | 0:26:52 | 0:26:54 | |
Here. | 0:27:07 | 0:27:08 | |
Thought we were friends again. | 0:27:12 | 0:27:13 | |
No. What made you think that? | 0:27:13 | 0:27:15 | |
Cos we had a deal. | 0:27:15 | 0:27:17 | |
No. | 0:27:18 | 0:27:20 | |
I got you to the camp, didn't I? | 0:27:22 | 0:27:23 | |
A tin-opener helps me get to my beans. | 0:27:23 | 0:27:26 | |
It's useful. I'm not interested in talking to it, though. | 0:27:26 | 0:27:29 | |
But maybe I need to talk to you. Yeah, well, maybe I'm not listening. | 0:27:29 | 0:27:32 | |
That makes you sound so stupid. You reckon? Yeah. All right. | 0:27:32 | 0:27:35 | |
Yeah, none so deaf as those that will not hear, right? | 0:27:35 | 0:27:37 | |
Just leave me alone, Elvis. | 0:27:37 | 0:27:39 | |
Now's not the time, mate. Anyway, you had your chance. | 0:27:49 | 0:27:52 | |
Meaning? | 0:27:54 | 0:27:55 | |
She's happy and she's settled. Don't screw things up for her. | 0:27:55 | 0:27:59 | |
I just want to explain. She's just been held hostage, Elvis. | 0:28:01 | 0:28:04 | |
Think about where her head's at. | 0:28:04 | 0:28:06 | |
Anyway, you should try and move on. She has. | 0:28:06 | 0:28:09 | |
All right. | 0:28:09 | 0:28:10 | |
Look, the one thing you can't change is the past, | 0:28:10 | 0:28:13 | |
and you blew it, my friend. | 0:28:13 | 0:28:15 | |
And you think I don't know that? | 0:28:15 | 0:28:16 | |
You made a tough choice. | 0:28:16 | 0:28:17 | |
Yeah, was I right to? Well, now you've got to | 0:28:17 | 0:28:21 | |
stick to that decision, haven't you? | 0:28:21 | 0:28:22 | |
It's time to start being a grown-up about it, Elvis. | 0:28:22 | 0:28:25 | |
Say I made the wrong decision. Don't confuse her. | 0:28:27 | 0:28:30 | |
And how am I confusing her? | 0:28:30 | 0:28:32 | |
You've just swept in and rescued her. | 0:28:32 | 0:28:34 | |
Right now she might remember you | 0:28:34 | 0:28:36 | |
as something that's not totally a bad thing. | 0:28:36 | 0:28:38 | |
You keep on digging, she's only ever going to remember you | 0:28:38 | 0:28:40 | |
for what you put her through. | 0:28:40 | 0:28:42 | |
APP RINGS | 0:28:44 | 0:28:46 | |
Hi, how are you? Hey, I've been trying to get you for ages. | 0:29:09 | 0:29:13 | |
Has it not been ringing? | 0:29:13 | 0:29:14 | |
No. You got me now, so... | 0:29:14 | 0:29:17 | |
So, what you been up to? | 0:29:17 | 0:29:19 | |
Nothing. | 0:29:19 | 0:29:20 | |
Looking after yourself? | 0:29:20 | 0:29:22 | |
Mm, yeah. Good stuff. | 0:29:22 | 0:29:23 | |
What's that noise? You're not having a party, are you? | 0:29:23 | 0:29:27 | |
Oh, it's from the beach. | 0:29:27 | 0:29:28 | |
That's the sound of the finest fighting force, | 0:29:28 | 0:29:31 | |
feared across all continents, | 0:29:31 | 0:29:34 | |
getting pissed out of their tiny minds, building a human pyramid. | 0:29:34 | 0:29:38 | |
Go figure. Well, that's exactly where I'd be if I was out there. | 0:29:38 | 0:29:42 | |
Where? On the beach, partying. | 0:29:44 | 0:29:46 | |
Hm. Can't be arsed. | 0:29:46 | 0:29:48 | |
Come on. Get out and try and relax. | 0:29:48 | 0:29:51 | |
No. I'm tired. | 0:29:51 | 0:29:53 | |
I'll look after you when you get home. | 0:29:54 | 0:29:56 | |
Oh, look, there she is. Oh, there's our girl. | 0:29:57 | 0:30:02 | |
How are you, Georgie, eh? | 0:30:02 | 0:30:03 | |
Oh, don't come too close! You'll bloody scare me to death! | 0:30:03 | 0:30:07 | |
Oh. We've been in a right state, haven't we, Max? | 0:30:07 | 0:30:09 | |
Been worried sick, love. | 0:30:09 | 0:30:12 | |
Yeah. Thank God we've had Jamie here, keeping us calm. | 0:30:12 | 0:30:14 | |
He's been above and beyond, this lad. | 0:30:14 | 0:30:17 | |
That's true. THEY LAUGH | 0:30:17 | 0:30:19 | |
Oh, love you. | 0:30:19 | 0:30:21 | |
THEY CHEER OK, here we go. Hey! Oh! | 0:31:02 | 0:31:07 | |
Ah! Hey, someone! | 0:31:08 | 0:31:10 | |
Hello, mate. Hi. Come on, babe. Come and get the ball. | 0:31:10 | 0:31:13 | |
No, you guys carry on. Come on, show us your mad skills. | 0:31:13 | 0:31:16 | |
THEY CHEER Here we go, here we go. | 0:31:18 | 0:31:21 | |
Not a bad kick. | 0:31:21 | 0:31:23 | |
Oh! OK. OK. | 0:31:23 | 0:31:25 | |
What's that, a handstand? What? Perfect form! | 0:31:27 | 0:31:30 | |
Perfect form! Ten points! | 0:31:30 | 0:31:33 | |
DISTORTED MUSIC | 0:31:43 | 0:31:45 | |
GUNSHOT | 0:32:00 | 0:32:02 | |
Do you want a bevvy? No, ta. | 0:32:21 | 0:32:24 | |
You not a beer drinker? | 0:32:24 | 0:32:26 | |
I'm sophisticated. I drink gin and tonic, thanks! | 0:32:26 | 0:32:28 | |
Is that sophisticated, is it? | 0:32:28 | 0:32:30 | |
My nan drinks gin and she's got a face tattoo. | 0:32:30 | 0:32:33 | |
Shame we can't get in the sea. Health and safety. Yeah, maybe. | 0:32:34 | 0:32:39 | |
Can't imagine one of these boys jumping in to save a drowning Brit. No. | 0:32:39 | 0:32:42 | |
You all right? Yeah. | 0:32:44 | 0:32:46 | |
Right, guys. Truck's just cleared through security. | 0:33:00 | 0:33:04 | |
Nairobi calling, boys. | 0:33:04 | 0:33:06 | |
I'll catch you up. | 0:33:12 | 0:33:14 | |
Georgie! | 0:33:33 | 0:33:36 | |
I'm sorry. | 0:33:57 | 0:33:59 | |
WOMAN SCREAMS: Stop him! | 0:34:16 | 0:34:18 | |
Somebody stop him! | 0:34:18 | 0:34:20 | |
No, please help! Someone stop him! | 0:34:20 | 0:34:23 | |
HE SPEAKS OWN LANGUAGE | 0:34:23 | 0:34:26 | |
GUNFIRE | 0:34:27 | 0:34:29 | |
Georgie, get down! | 0:34:31 | 0:34:33 | |
Get to cover. Take cover! | 0:34:33 | 0:34:36 | |
Get to cover! Get to... Argh! | 0:34:36 | 0:34:38 | |
GUNFIRE CONTINUES Sh... Georgie! | 0:34:38 | 0:34:41 | |
Man down! Man down! | 0:34:41 | 0:34:43 | |
Shit! Georgie! | 0:35:02 | 0:35:05 | |
Elvis! What are you doing? Take cover! | 0:35:08 | 0:35:12 | |
ELVIS! Argh! | 0:35:12 | 0:35:14 | |
Elvis! Target's down. | 0:35:23 | 0:35:26 | |
Brains! Fingers, shout for medevac now! | 0:35:26 | 0:35:29 | |
How is it? How is it? | 0:35:30 | 0:35:33 | |
OK, I need you to keep really still for me, OK? OK. | 0:35:33 | 0:35:35 | |
King, I need a spinal board and neck braces. Is anyone shot? | 0:35:37 | 0:35:39 | |
Yeah, one of the Paras took an entry and exit gunshot wound to the thigh, through and through. | 0:35:39 | 0:35:43 | |
But don't worry about it, the guys are on it. | 0:35:43 | 0:35:47 | |
No. No. No. Leave him. Oi! We must take him away and arrest him. No, no, no. | 0:35:47 | 0:35:49 | |
At the moment he's in my charge and you're not taking him anywhere, do you understand? | 0:35:49 | 0:35:53 | |
Kingy, please. Look, you heard the medic. Not now you don't. | 0:35:53 | 0:35:56 | |
Reckon I'll be all right? | 0:35:56 | 0:35:58 | |
You weren't all right before you fell so that's unlikely. | 0:35:58 | 0:36:00 | |
Just keep really still for me, OK? I weren't going to let him shoot you, Georgie. | 0:36:00 | 0:36:04 | |
He's got a pulse and his airway's clear. | 0:36:06 | 0:36:08 | |
Kingy, just take over for me, OK? Yeah. | 0:36:08 | 0:36:11 | |
Keep his...keep his head still. Sure. There you go. Got him. OK. OK. | 0:36:11 | 0:36:16 | |
Suspected spinal and internal injuries. Yeah. | 0:36:16 | 0:36:20 | |
We've got a compound fracture to the left tib and fib. Yeah. | 0:36:20 | 0:36:23 | |
He's stable at the moment but we need to make him a priority. Give me a collar. | 0:36:23 | 0:36:27 | |
Boss, we need the medevac now. Fingers is already on it. OK. | 0:36:27 | 0:36:30 | |
How's Elvis? He fell on top of this guy. This guy landed on the rocks. | 0:36:30 | 0:36:34 | |
BRACE! NOW! ASAP! | 0:36:36 | 0:36:39 | |
Come on! | 0:36:41 | 0:36:42 | |
Are you sure Elvis is all right to travel by road? Yeah, I'll go with him. | 0:36:45 | 0:36:48 | |
To drop him off at the hospital. For crying out loud, I'm fine. It's just a rib injury. | 0:36:48 | 0:36:52 | |
Yeah, and potential punctured lung. | 0:36:52 | 0:36:55 | |
Other than that, he'll live on to twat another day. | 0:36:55 | 0:36:59 | |
Let's get him on. We ready? | 0:36:59 | 0:37:01 | |
Georgie. | 0:37:03 | 0:37:05 | |
SIREN BLARES | 0:37:16 | 0:37:18 | |
Well, he's a very lucky man. | 0:37:22 | 0:37:24 | |
Is he? A fall like that could have killed you. | 0:37:25 | 0:37:28 | |
Well, here I am, alive and kicking. | 0:37:28 | 0:37:30 | |
Only you could have took a fall like that and ended up with sore ribs and bruises. | 0:37:30 | 0:37:35 | |
X-rays show no fractures then? Hairline fracture to seventh rib. | 0:37:35 | 0:37:39 | |
We can give you some pain relief. | 0:37:39 | 0:37:41 | |
Other than that, rest up, young man. | 0:37:41 | 0:37:43 | |
You so nearly died, Elvis. | 0:37:46 | 0:37:48 | |
Thank you. | 0:37:51 | 0:37:52 | |
What for? | 0:37:54 | 0:37:56 | |
Being concerned. | 0:37:56 | 0:37:58 | |
How is he, Doc? It will be very painful for a few weeks. | 0:38:02 | 0:38:05 | |
Good. | 0:38:05 | 0:38:07 | |
Pardon? | 0:38:07 | 0:38:09 | |
That's what comes of being a mad bastard, eh, Elvis? | 0:38:09 | 0:38:12 | |
Just trying to save a life, Captain. | 0:38:12 | 0:38:14 | |
As there's nothing wrong with you, Elvis, you can get your own pudding. Yeah, right, you can jog on, mate. | 0:38:29 | 0:38:33 | |
I'm in a bad way, I've got bruised ribs. Ask the medic, she'll tell you. | 0:38:33 | 0:38:36 | |
You made that poor kid break your fall. To stop him shooting at you! | 0:38:36 | 0:38:40 | |
Bit of appreciation wouldn't go amiss, would it? Jesus! | 0:38:40 | 0:38:44 | |
Right, guys, I'd like us to show our appreciation to our | 0:38:44 | 0:38:46 | |
Kenyan hosts for their magnificent - nay - veritable feast. | 0:38:46 | 0:38:50 | |
I'd like you to remember just how tasty this meal was because | 0:38:50 | 0:38:53 | |
tomorrow you'll be back in Blighty, queuing up at some miserable | 0:38:53 | 0:38:57 | |
godforsaken chicken joint waiting for a takeaway in the rain. | 0:38:57 | 0:39:00 | |
So, to our chefs! THEY CLAP | 0:39:00 | 0:39:03 | |
Elvis, seeing as you're guest of honour, and to celebrate the fact | 0:39:08 | 0:39:11 | |
you're actually still alive, you get to pick our first song. | 0:39:11 | 0:39:14 | |
Oh, pressure now! | 0:39:14 | 0:39:16 | |
Please, if you get him to play Oasis I will chuck you off that cliff myself! | 0:39:16 | 0:39:19 | |
Not leaving me much choice there, Charlie. What's it going to be? | 0:39:19 | 0:39:22 | |
Oh, go for, erm... | 0:39:22 | 0:39:24 | |
Do She Moves in Her Own Way. | 0:39:26 | 0:39:28 | |
# So at my show on Monday I was told that some day... # | 0:39:33 | 0:39:36 | |
THEY GROAN | 0:39:36 | 0:39:37 | |
# You'd be on your way to better things | 0:39:37 | 0:39:40 | |
# It's not about your make-up Or how you try to shape up | 0:39:40 | 0:39:43 | |
# To these tiresome paper dreams | 0:39:43 | 0:39:47 | |
# Paper dreams, honey Hey | 0:39:49 | 0:39:52 | |
# So won't you go far Tell me you're a keeper | 0:39:52 | 0:39:55 | |
# You're not about to lie down for your cause | 0:39:55 | 0:39:58 | |
# Cos you don't pull my strings | 0:39:58 | 0:40:00 | |
# Cos I'm a better man Moving on to better things | 0:40:00 | 0:40:04 | |
# Well, uh-oh, I love her because | 0:40:04 | 0:40:07 | |
# She moves in her own way | 0:40:07 | 0:40:09 | |
# Well, uh-oh, she came to my show just to hear about my day... # | 0:40:09 | 0:40:14 | |
I'm going to go and chill in my room for a bit, OK? Yeah, of course. | 0:40:14 | 0:40:18 | |
Get some rest. And good work today. | 0:40:18 | 0:40:20 | |
# Looks are deceiving Makes me believe it | 0:40:20 | 0:40:23 | |
# And these tiresome paper dreams | 0:40:23 | 0:40:26 | |
# Paper dreams, honey, yeah | 0:40:28 | 0:40:31 | |
# So now you pour your heart out You're telling me you're far out | 0:40:31 | 0:40:34 | |
# You're not about to lie down for your cause | 0:40:34 | 0:40:36 | |
# But you don't pull my strings | 0:40:36 | 0:40:38 | |
# Cos I'm a better man Moving on to better things | 0:40:38 | 0:40:42 | |
# Well, uh-oh, I love her because She moves in her own way | 0:40:42 | 0:40:48 | |
# Well, uh-oh, she came to my show just to hear about my day... # | 0:40:49 | 0:40:54 | |
DISTANT MUSIC AND LAUGHTER | 0:40:54 | 0:40:56 | |
Don't turn around. Just listen. | 0:42:30 | 0:42:32 | |
I loved you from the very first moment I saw you and I'll love you till my very last. | 0:42:37 | 0:42:41 | |
I wanted to marry you. I did. I wanted to turn up. | 0:42:44 | 0:42:47 | |
But on the morning of our wedding... | 0:42:49 | 0:42:51 | |
..suddenly this little girl walks into my life. | 0:42:53 | 0:42:55 | |
This little girl I didn't even know existed. | 0:42:55 | 0:42:58 | |
Debbie and I had been out a few times, which was fine... | 0:43:02 | 0:43:05 | |
Then I went on tour and met you and I texted her | 0:43:08 | 0:43:11 | |
and told her that her and I were over. | 0:43:11 | 0:43:13 | |
And I promise you, the first time I knew anything about the baby | 0:43:15 | 0:43:18 | |
was a knock at the door before our wedding. | 0:43:18 | 0:43:20 | |
I felt like that one moment my entire life had just flipped upside down. | 0:43:22 | 0:43:26 | |
All I wanted to do was run to you. | 0:43:27 | 0:43:30 | |
And there I am with this baby in my arms and I felt like I had to | 0:43:30 | 0:43:34 | |
step up to the plate and take responsibility. | 0:43:34 | 0:43:36 | |
And shit on me? I was shitting on myself too, George. | 0:43:38 | 0:43:42 | |
I had to sacrifice you, didn't I? | 0:43:43 | 0:43:45 | |
I sacrificed the one thing I wanted more than anything in this world. | 0:43:47 | 0:43:50 | |
Throwing you away to give this baby some sort of a life. | 0:43:50 | 0:43:54 | |
I thought I was doing my duty. | 0:43:54 | 0:43:56 | |
I was in agony, George. And I've been in agony ever since. | 0:43:58 | 0:44:01 | |
Why didn't she tell you she was pregnant? | 0:44:04 | 0:44:07 | |
Because she knew I loved you. | 0:44:08 | 0:44:10 | |
And you texted her and told her, did you? Yes. | 0:44:12 | 0:44:15 | |
I'm so much happier without you, Elvis. | 0:44:18 | 0:44:20 | |
Yeah, well, I'm happy for you... | 0:44:23 | 0:44:25 | |
..and your new boyfriend, your new life. | 0:44:26 | 0:44:29 | |
I just needed you to know that I never meant to hurt you. | 0:44:32 | 0:44:35 | |
Let you down. | 0:44:36 | 0:44:38 | |
Are you and Debbie together? No. | 0:44:39 | 0:44:41 | |
I have Laura whenever I can. | 0:44:44 | 0:44:46 | |
She's my life now. | 0:44:47 | 0:44:49 | |
I wanted to tell you, Georgie. | 0:44:52 | 0:44:54 | |
I did, I tried to tell you. I just didn't know what to do. | 0:44:54 | 0:44:56 | |
I was... Weak. Was weak. | 0:44:56 | 0:44:59 | |
I was going to say lost. | 0:44:59 | 0:45:01 | |
I just... | 0:45:03 | 0:45:05 | |
I just wish that I could stop loving you. | 0:45:07 | 0:45:10 | |
You need to sit up, take the pressure off your chest. | 0:45:46 | 0:45:49 | |
Come on. | 0:45:50 | 0:45:52 | |
Careful. You done there, Marie? Nearly. | 0:47:32 | 0:47:35 | |
Oh, it looks brilliant. | 0:47:35 | 0:47:37 | |
Where's Jamie? Oh, he's inside, I think. Is that high enough? | 0:47:38 | 0:47:41 | |
Jamie, come on. Let me see. Is it tight enough? | 0:47:41 | 0:47:44 | |
Yeah, that looks fine. Just tie it in a double knot. | 0:47:44 | 0:47:47 | |
Have you finished? Yeah. Let's have a look. | 0:47:47 | 0:47:50 | |
Perfect. If a tad American. | 0:47:55 | 0:47:58 | |
Oi! Don't be so cheeky, you! | 0:47:58 | 0:48:00 | |
I'm joking, it's great. I love it. | 0:48:00 | 0:48:02 | |
You looking forward to being at home, Kingy? | 0:48:15 | 0:48:17 | |
Yeah, there's a couple of people in need of a good visit. Yeah. | 0:48:17 | 0:48:21 | |
Yeah. Long time, boys. Long time. | 0:48:25 | 0:48:27 | |
Right, square these away and get them on the bus. | 0:48:28 | 0:48:31 | |
Right, guys. Grab your bags and let's go. | 0:48:31 | 0:48:33 | |
Don't think you're always getting a car back to Manchester, Lane! | 0:48:33 | 0:48:36 | |
Boss. Your humanitarian tour. | 0:48:36 | 0:48:39 | |
Something to tell the grandkids... Oh, yes. | 0:48:40 | 0:48:43 | |
You OK? Yeah, I'm just a bit knackered that's all. | 0:48:48 | 0:48:52 | |
We're off to Syria in five weeks' time. | 0:48:52 | 0:48:54 | |
I'd like you with us as our medic. | 0:48:54 | 0:48:56 | |
Does that give you enough time to sort yourself out? Boss, man. Sorry. | 0:48:56 | 0:49:00 | |
Don't want to like push it or anything, but to save me | 0:49:00 | 0:49:03 | |
heading back to the barracks and farting about for a day, | 0:49:03 | 0:49:05 | |
why don't I escort Lane back to Manchester? | 0:49:05 | 0:49:07 | |
Because, Fingers, you're not on leave for another 24 hours. | 0:49:07 | 0:49:10 | |
Well, I will kind of be on duty, be looking after Lane and she's dead vulnerable, aren't you? | 0:49:10 | 0:49:14 | |
Oh, yeah. Very. Look, fall in line and leave her alone. | 0:49:14 | 0:49:17 | |
No, to be fair, I don't... Honestly, I don't mind. | 0:49:17 | 0:49:19 | |
It's nice to have a bit of company. Get in! | 0:49:19 | 0:49:22 | |
Are you mad? I'll meet you out front. All right, see you. | 0:49:22 | 0:49:25 | |
Take care of yourself, Lane. | 0:49:31 | 0:49:33 | |
Give me a ring in a couple of days' time. | 0:49:33 | 0:49:35 | |
In fact, you can ring me any time you like. 24/7. | 0:49:35 | 0:49:37 | |
You know that, don't you? | 0:49:37 | 0:49:39 | |
Yeah, thanks, boss. You'll be all right. | 0:49:39 | 0:49:41 | |
What did she say? Just going past the shops, she said. | 0:49:49 | 0:49:52 | |
Is that her? We don't know what car she's in, do we? | 0:49:58 | 0:50:01 | |
I think it is. It is! | 0:50:03 | 0:50:06 | |
Come on. Family hug, eh? | 0:50:14 | 0:50:16 | |
Oh! Oh! Welcome home, kid. Where have you been? | 0:50:16 | 0:50:20 | |
Hiya. I'll give you a hand with that. | 0:50:22 | 0:50:25 | |
I missed you. | 0:50:39 | 0:50:41 | |
You still here, Fingers? I know when I'm not wanted. Sorry. | 0:50:50 | 0:50:54 | |
Erm, Jamie, this is Fingers. He's a fellow Manc from the platoon. | 0:50:54 | 0:50:57 | |
How you doing, mate? Nice to meet you. | 0:50:57 | 0:50:59 | |
Erm, cup of tea first? Yeah, yeah. I won't say no to a brew, me. | 0:50:59 | 0:51:02 | |
All right. Mum, is the kettle on? Course it is. Come on then, love. | 0:51:02 | 0:51:06 | |
Why ain't you asleep? Hm? | 0:51:46 | 0:51:48 | |
No, I'm too happy. | 0:51:48 | 0:51:50 | |
You OK? Why shouldn't I be? | 0:51:51 | 0:51:55 | |
It must take some adjusting. | 0:51:57 | 0:51:59 | |
Even for a colossus like you. | 0:52:01 | 0:52:03 | |
You calling me fat? | 0:52:04 | 0:52:06 | |
Strong. Fuck off! | 0:52:06 | 0:52:08 | |
You're safe now. | 0:52:13 | 0:52:15 | |
Am I? Of course. | 0:52:17 | 0:52:20 | |
You don't think you are? | 0:52:22 | 0:52:24 | |
Ignore me. | 0:52:28 | 0:52:30 | |
I didn't mean to... | 0:52:36 | 0:52:38 | |
I didn't mean to rush tonight. | 0:52:38 | 0:52:40 | |
Why would you say that? | 0:52:42 | 0:52:44 | |
I just, I just want you with me. | 0:52:48 | 0:52:50 | |
I am with you. | 0:52:51 | 0:52:54 | |
I know it's going to take some time. | 0:52:54 | 0:52:56 | |
That's that one done. | 0:53:21 | 0:53:23 | |
So it was the Addis Ababa flight, was it, sir? Yes. | 0:53:23 | 0:53:26 | |
Business or pleasure? | 0:53:28 | 0:53:30 | |
I've been working for a charity. Visiting some outreach projects. | 0:53:30 | 0:53:34 | |
Very nice. Thank you, sir. | 0:53:34 | 0:53:36 | |
Ah, yeah. | 0:53:59 | 0:54:01 | |
So good. You fill your boots, love. | 0:54:03 | 0:54:05 | |
We could come here for the wedding breakfast. | 0:54:05 | 0:54:08 | |
Oh, God. Don't give your dad any ideas. | 0:54:08 | 0:54:10 | |
I shouldn't even be eating this. I'm going to be so bloated! | 0:54:10 | 0:54:13 | |
And I intend to pull at your wedding. Oh, don't worry. | 0:54:13 | 0:54:15 | |
Men aren't fussy at weddings. Oh, bloody charming(!) | 0:54:15 | 0:54:18 | |
THEY LAUGH No. I didn't mean that! | 0:54:18 | 0:54:21 | |
I just meant, you know, with a free bar and that... | 0:54:21 | 0:54:23 | |
Mum, when you're in a hole, stop digging. | 0:54:23 | 0:54:26 | |
Hold on, there's going to be a free bar? That doesn't sound very Dad! | 0:54:26 | 0:54:30 | |
No, because my Jamie's paying, that's why. | 0:54:30 | 0:54:32 | |
Right. See you back at base camp, yeah? | 0:54:37 | 0:54:39 | |
Yeah, give Jamie our love. Will do. | 0:54:39 | 0:54:41 | |
You not staying at his tonight? Probably. | 0:54:41 | 0:54:44 | |
Dirty mare. Oi. Bye, Mama. Shotgun. Bye, Baba. Love you. | 0:54:44 | 0:54:49 | |
Love you. See you later. See you! | 0:54:49 | 0:54:50 | |
PHONE RINGS | 0:55:10 | 0:55:12 | |
Elvis, you can't... | 0:55:19 | 0:55:22 | |
Hi. Hey. | 0:55:33 | 0:55:34 | |
Everything all right? Yes, massively! | 0:55:36 | 0:55:39 | |
Just had a big fry-up with the family so all is well in the world. | 0:55:39 | 0:55:42 | |
SHE GASPS | 0:56:06 | 0:56:08 | |
Georgie shouldn't be contemplating going on tour. | 0:56:08 | 0:56:10 | |
She needs complete rest. I'm seeing people that aren't there. | 0:56:10 | 0:56:13 | |
Raynott re-entered the country on August 28th. | 0:56:15 | 0:56:18 | |
Do they think he's planning something on home soil? | 0:56:18 | 0:56:20 | |
Did anything happen between you and Elvis out there? | 0:56:20 | 0:56:23 | |
Jamie, no. I do love you, you know. | 0:56:23 | 0:56:26 | |
Terror threat is now escalated to critical. | 0:56:26 | 0:56:29 | |
Attack expected imminently. | 0:56:29 | 0:56:31 | |
'I want him to live, | 0:57:28 | 0:57:29 |