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-I want to build a zoo. -People like us don't do things like this. | 0:00:02 | 0:00:05 | |
What does a man like him want with a place like this, anyway? | 0:00:05 | 0:00:08 | |
No talk of zoos or wild animals until the villagers get to know us. | 0:00:08 | 0:00:11 | |
A monkey! It attacked me! | 0:00:11 | 0:00:14 | |
What are you people doing here? | 0:00:14 | 0:00:16 | |
Trying to build something for my family. | 0:00:16 | 0:00:18 | |
For everyone's family, if you'd let me. | 0:00:18 | 0:00:20 | |
BIRDS CHIRRUP | 0:00:21 | 0:00:22 | |
Oh... | 0:00:22 | 0:00:23 | |
Where did you say you were from, again? | 0:00:28 | 0:00:30 | |
Chester Zoo. | 0:00:30 | 0:00:31 | |
Never heard of it. | 0:00:31 | 0:00:33 | |
Not yet, you haven't. | 0:00:33 | 0:00:34 | |
This one? | 0:00:43 | 0:00:44 | |
You're not coming? | 0:00:52 | 0:00:54 | |
I'll stay here. Just in case. | 0:00:54 | 0:00:55 | |
Right... | 0:00:58 | 0:00:59 | |
Ooh. | 0:01:01 | 0:01:02 | |
How far do I need to go? | 0:01:04 | 0:01:05 | |
You'll know when you see them. | 0:01:05 | 0:01:06 | |
CREATURE PANTS | 0:01:17 | 0:01:19 | |
Huh...! | 0:01:23 | 0:01:24 | |
GLASS SHATTERS | 0:01:24 | 0:01:26 | |
BEAR ROARS | 0:01:26 | 0:01:28 | |
ROARING AND GROWLING | 0:01:31 | 0:01:34 | |
Well, then...what's wrong with the female? | 0:01:40 | 0:01:44 | |
She's been like it for months. | 0:01:44 | 0:01:45 | |
Look, I've been approached by a circus - | 0:01:47 | 0:01:49 | |
-if you're in two minds... -No, no, no. I'm not. | 0:01:49 | 0:01:51 | |
How much for the pair? | 0:01:52 | 0:01:54 | |
Nothing. If you can get them down, you can have them. | 0:01:54 | 0:01:56 | |
MONKEY SHRIEKS | 0:02:39 | 0:02:41 | |
Shoes, June Mottershead! | 0:02:44 | 0:02:46 | |
And what have I said about primates indoors? | 0:02:46 | 0:02:48 | |
What do you think, hm? They're not finished yet, | 0:02:50 | 0:02:53 | |
but there's plenty more we can do. | 0:02:53 | 0:02:55 | |
Muriel, we're going to be late. | 0:02:56 | 0:02:59 | |
Maybe just...take June this week. | 0:03:03 | 0:03:05 | |
Well, I would, if I could prise her away from that monkey. | 0:03:05 | 0:03:08 | |
It's important to make a good show. | 0:03:08 | 0:03:11 | |
Let people know what kind of family we really are. | 0:03:11 | 0:03:14 | |
Morning, Mother - going somewhere nice? | 0:03:22 | 0:03:25 | |
Church. | 0:03:25 | 0:03:26 | |
It seems I'm the sole representative of this entire family of heathens. | 0:03:26 | 0:03:31 | |
Very good. | 0:03:31 | 0:03:32 | |
-Dad! -Junebug. -Where have you been? | 0:03:32 | 0:03:35 | |
You found something, didn't you? | 0:03:35 | 0:03:36 | |
First things first, where are them signs I ordered? | 0:03:36 | 0:03:39 | |
They're all done. Some of the paint's still wet, though. | 0:03:39 | 0:03:41 | |
That's fine, but I'm going to need one more. | 0:03:41 | 0:03:44 | |
Listen... | 0:03:44 | 0:03:45 | |
HE WHISPERS | 0:03:45 | 0:03:46 | |
Excited? | 0:03:46 | 0:03:48 | |
So what was in Matlock that couldn't wait? | 0:03:49 | 0:03:52 | |
Any breakfast going, love? I'm starving... | 0:03:52 | 0:03:54 | |
ORGANIST PLAYS "ALL THINGS BRIGHT AND BEAUTIFUL" BADLY | 0:03:56 | 0:04:00 | |
Thank you for that, Mrs Radler. | 0:04:08 | 0:04:10 | |
What makes a village? A school? | 0:04:15 | 0:04:17 | |
A public house? A post office? | 0:04:19 | 0:04:22 | |
DOOR OPENING | 0:04:22 | 0:04:23 | |
A surgery, perhaps? | 0:04:23 | 0:04:24 | |
Good morning, Dr Ford. | 0:04:24 | 0:04:26 | |
What if we took away all the buildings | 0:04:26 | 0:04:29 | |
and only the people remained? | 0:04:29 | 0:04:32 | |
Would Upton cease to exist then? | 0:04:32 | 0:04:35 | |
"Be united in the same mind and the same judgment." | 0:04:37 | 0:04:42 | |
1 Corinthians, verse 1, chapter 10. | 0:04:42 | 0:04:45 | |
I put it to you that Upton is our shared history. | 0:04:47 | 0:04:51 | |
Our hopeful future. | 0:04:53 | 0:04:54 | |
It's every one of us. | 0:04:56 | 0:04:57 | |
Mr Pollard. Mr Fowler. | 0:04:59 | 0:05:01 | |
He's the coming man, our Reverend. | 0:05:01 | 0:05:04 | |
-On a short list for the next Bishop of Chester, they say. -Oh. | 0:05:04 | 0:05:08 | |
It's a godsend he came to Upton. | 0:05:08 | 0:05:10 | |
Ever so sorry Barnaby was a late show, Reverend, | 0:05:10 | 0:05:12 | |
he was called out first thing. | 0:05:12 | 0:05:14 | |
Are you touring? | 0:05:14 | 0:05:15 | |
We've just moved in. Oakfield House. | 0:05:15 | 0:05:18 | |
The Mottersheads. | 0:05:18 | 0:05:19 | |
- Nothing serious, I hope. - No, worst luck. | 0:05:19 | 0:05:22 | |
Just Mrs Brenner and a ruptured synovial hinge. | 0:05:22 | 0:05:25 | |
-A sprained ankle. -Mrs Mottershead is here! | 0:05:26 | 0:05:30 | |
Welcome. | 0:05:30 | 0:05:31 | |
I do hope you've settled into Oakfield. | 0:05:31 | 0:05:33 | |
We're getting there, Reverend. | 0:05:33 | 0:05:35 | |
I got a fleeting glimpse of your son. | 0:05:35 | 0:05:37 | |
He was retrieving his monkey from Mrs Radler's shop. | 0:05:37 | 0:05:39 | |
All my customers are curious to know | 0:05:39 | 0:05:42 | |
what it is you intend to do with Oakfield. | 0:05:42 | 0:05:44 | |
It's quite the topic of the day. A farm, perhaps? Or a guesthouse? | 0:05:44 | 0:05:49 | |
Both highly practical suggestions. | 0:05:51 | 0:05:53 | |
Well, if you'll excuse me. | 0:05:55 | 0:05:58 | |
I feel sorry for her - forced to represent that rabble. | 0:06:00 | 0:06:05 | |
KNOCK AT DOOR Knock, knock. | 0:06:05 | 0:06:07 | |
-Light bulbs? -Try the third drawer down. | 0:06:09 | 0:06:12 | |
George? What are these? | 0:06:20 | 0:06:22 | |
I filed those away. | 0:06:22 | 0:06:24 | |
Without reading them first? | 0:06:24 | 0:06:26 | |
They're unpaid bills. | 0:06:26 | 0:06:28 | |
Half of them aren't even for us. | 0:06:28 | 0:06:30 | |
SHE CLEARS HER THROAT | 0:06:30 | 0:06:32 | |
The council always sends hundreds of letters | 0:06:32 | 0:06:34 | |
before they do anything drastic. Now, come here. Look at this. | 0:06:34 | 0:06:37 | |
Come here! | 0:06:37 | 0:06:38 | |
It's wonderful. | 0:06:48 | 0:06:50 | |
You've no idea what it is, have you? | 0:06:50 | 0:06:52 | |
SHE CHUCKLES | 0:06:52 | 0:06:53 | |
Right, get everyone together. We're going to do this properly. | 0:06:53 | 0:06:57 | |
Ouch! I'm fine in bare feet. | 0:06:57 | 0:07:00 | |
Can I go back inside now, please? I'm really not interested. | 0:07:00 | 0:07:03 | |
This is the furthest you've ventured out all week. | 0:07:03 | 0:07:06 | |
This way. | 0:07:06 | 0:07:07 | |
Come on! | 0:07:07 | 0:07:10 | |
Mother. | 0:07:10 | 0:07:12 | |
Now, I want you to imagine | 0:07:12 | 0:07:15 | |
that you are the first-ever visitors to Chester Zoo. | 0:07:15 | 0:07:18 | |
Now, I thought with Mother's years of experience behind a counter... | 0:07:22 | 0:07:26 | |
Work a toll booth? At my age? | 0:07:26 | 0:07:28 | |
Not keen? | 0:07:28 | 0:07:30 | |
Well, we'll find you something else. Plenty to do. | 0:07:30 | 0:07:33 | |
This way! | 0:07:33 | 0:07:34 | |
What exactly are we looking at? | 0:07:40 | 0:07:42 | |
A pond for flamingos and exotic birds. | 0:07:42 | 0:07:46 | |
I've done a sketch of an aviary as well, with a domed roof. | 0:07:46 | 0:07:48 | |
Looks like a little Taj Mahal. | 0:07:48 | 0:07:50 | |
It's a zoological gardens that we're building, | 0:07:57 | 0:07:59 | |
so it's not just about the animals - it's about...creating a nirvana. | 0:07:59 | 0:08:04 | |
She's all yours, Dad. | 0:08:06 | 0:08:09 | |
Thank you. | 0:08:09 | 0:08:10 | |
If we're careful about what we group together, | 0:08:10 | 0:08:13 | |
we can have a different breed in every one of these stables. | 0:08:13 | 0:08:17 | |
Chimps next to monkeys, next to mandrills | 0:08:17 | 0:08:22 | |
and...so on and so forth. | 0:08:22 | 0:08:25 | |
Which brings us...to our star attraction. | 0:08:25 | 0:08:30 | |
Or should I say attractions? | 0:08:30 | 0:08:33 | |
So... | 0:08:33 | 0:08:34 | |
I get a call from a fellow up at Matlock Bath. | 0:08:34 | 0:08:37 | |
Now, he runs the Pleasure Gardens there. | 0:08:37 | 0:08:39 | |
It seems some bright spark was trying to draw in day trippers | 0:08:39 | 0:08:44 | |
so they bought a couple of rare specimens, | 0:08:44 | 0:08:48 | |
only they've outgrown their cages. | 0:08:48 | 0:08:51 | |
How rare are we talking? | 0:08:51 | 0:08:53 | |
Don't worry - they're totally free of charge. | 0:08:53 | 0:08:56 | |
And they're tame. They've been handled since they were cubs. | 0:08:56 | 0:09:00 | |
Cubs? | 0:09:00 | 0:09:02 | |
They're bears. Himalayan black bears. | 0:09:02 | 0:09:04 | |
Isn't that the most wonderful thing you've ever heard? | 0:09:04 | 0:09:07 | |
Oh...uh... | 0:09:08 | 0:09:10 | |
Listen, love, what you're describing is tough enough | 0:09:10 | 0:09:15 | |
without building something capable of holding a couple of black bears. | 0:09:15 | 0:09:18 | |
You're better off knocking the stables down and starting over. | 0:09:18 | 0:09:22 | |
And who's going to do that - you? | 0:09:22 | 0:09:23 | |
-Why not? I'm as strong as an ox. -Listen. | 0:09:23 | 0:09:26 | |
The female - now, she's suffering. | 0:09:26 | 0:09:28 | |
You bring them back here | 0:09:28 | 0:09:30 | |
and there'll be a petition raised in Upton in no time. | 0:09:30 | 0:09:33 | |
Then you can say goodbye to any idea of a zoo. | 0:09:33 | 0:09:36 | |
We need to start small, George. | 0:09:36 | 0:09:38 | |
All those against the idea of bears, say "nay". | 0:09:38 | 0:09:41 | |
-Wait a minute... -Nay. | 0:09:41 | 0:09:43 | |
Nay. | 0:09:45 | 0:09:47 | |
Dad? | 0:09:47 | 0:09:48 | |
Abstention. | 0:09:50 | 0:09:52 | |
I vote in favour of the bears. | 0:09:52 | 0:09:54 | |
So do I. | 0:09:54 | 0:09:55 | |
Tough. Cos the nays have it. | 0:09:55 | 0:09:57 | |
And until such time as England ceases to be a democracy, | 0:09:57 | 0:10:01 | |
the majority rules. | 0:10:01 | 0:10:03 | |
ENGINE RUMBLES | 0:10:19 | 0:10:21 | |
Have you riddled it? | 0:10:35 | 0:10:37 | |
Yes, Lucy, I've riddled it. | 0:10:37 | 0:10:39 | |
Hello! | 0:10:39 | 0:10:40 | |
Sorry, the doorbell was broken. | 0:10:41 | 0:10:43 | |
I'm not interrupting, am I? | 0:10:43 | 0:10:45 | |
George may have mentioned me. | 0:10:46 | 0:10:48 | |
Katherine Longmore. Selborne Hall? | 0:10:48 | 0:10:50 | |
Yes, of course. Come in, your ladyship. | 0:10:50 | 0:10:53 | |
Ladyship? | 0:10:53 | 0:10:54 | |
You must be George's mother. | 0:10:54 | 0:10:57 | |
For my sins. | 0:10:57 | 0:10:58 | |
Um, may I put this down? It's for you. | 0:11:00 | 0:11:02 | |
It's a moving-in gift. | 0:11:02 | 0:11:03 | |
Where are our manners? Lizzie...? | 0:11:03 | 0:11:05 | |
BIRDS CHIRRUP | 0:11:05 | 0:11:08 | |
SQUAWKING | 0:11:13 | 0:11:14 | |
Oh, it's lovely - what is it? | 0:11:14 | 0:11:16 | |
Well, it's portable. | 0:11:17 | 0:11:19 | |
I used to take it abroad with me. | 0:11:23 | 0:11:24 | |
There are some records with it to get you started. | 0:11:24 | 0:11:27 | |
-Well, this all looks very... -Hey, now then! | 0:11:31 | 0:11:33 | |
-George! -HE LAUGHS | 0:11:33 | 0:11:36 | |
Couldn't keep away? | 0:11:36 | 0:11:38 | |
How's the grand design coming along? | 0:11:38 | 0:11:40 | |
Any tigers prowling the grounds yet? | 0:11:40 | 0:11:42 | |
George! | 0:11:42 | 0:11:43 | |
Don't worry, Mother - Katherine's the only one in Upton who knows. | 0:11:43 | 0:11:47 | |
On their way, are they? The more exotic exhibits? | 0:11:47 | 0:11:50 | |
We're taking things slowly, m'lady. | 0:11:50 | 0:11:53 | |
Small animals only. No running before we can walk. | 0:11:53 | 0:11:58 | |
Aye. | 0:11:58 | 0:11:59 | |
BIRD WHISTLES | 0:11:59 | 0:12:01 | |
Well, I ought to let you get on with it. | 0:12:01 | 0:12:03 | |
It's been lovely to meet you, ladies. | 0:12:03 | 0:12:06 | |
I'll see myself out. | 0:12:07 | 0:12:08 | |
Well, she's fun, isn't she(?) | 0:12:13 | 0:12:15 | |
Well at least there's someone | 0:12:15 | 0:12:17 | |
who's excited about the idea of a real zoo. | 0:12:17 | 0:12:19 | |
Hello. | 0:12:24 | 0:12:25 | |
Hello. | 0:12:26 | 0:12:27 | |
TYPEWRITER TAPPING | 0:12:30 | 0:12:31 | |
'Every day at Oakfield, the zoo is growing. | 0:12:38 | 0:12:41 | |
'Our latest additions are Ruby and Lancelot. | 0:12:41 | 0:12:44 | |
'They earn their keep with milk and cheese. | 0:12:44 | 0:12:46 | |
'In fact, Dad says if everyone mucks in, | 0:12:48 | 0:12:50 | |
'there's no reason we can't grow all the food we'll ever need | 0:12:50 | 0:12:53 | |
'once the greenhouse has a lick of paint | 0:12:53 | 0:12:56 | |
'and a few panes of glass replaced.' | 0:12:56 | 0:12:58 | |
-What is all this stuff? -No, June! | 0:13:12 | 0:13:14 | |
-No, I don't want you coming in here. -Why? | 0:13:14 | 0:13:15 | |
I'm going to clear the brambles in the, erm... | 0:13:21 | 0:13:24 | |
Lock that back up, Dad, please. | 0:13:24 | 0:13:25 | |
What's wrong? I don't understand. | 0:13:27 | 0:13:30 | |
Oakfield was a hospital during the war. | 0:13:31 | 0:13:34 | |
For injured servicemen. | 0:13:34 | 0:13:37 | |
Like Dad? | 0:13:37 | 0:13:39 | |
Yeah...just like your dad. | 0:13:39 | 0:13:42 | |
HORN SOUNDS, DOGS BARK | 0:13:48 | 0:13:51 | |
-Dad! -What's going on? | 0:13:58 | 0:13:59 | |
It's the hunt. June's signs are still out! | 0:13:59 | 0:14:02 | |
HORN SOUNDS LOUDLY | 0:14:03 | 0:14:06 | |
Come on - that's it... | 0:14:25 | 0:14:28 | |
June, wait, wait... | 0:14:28 | 0:14:32 | |
Come on... | 0:14:32 | 0:14:33 | |
-That's it. -DOOR CREAKS | 0:14:36 | 0:14:37 | |
HORN BLOWS | 0:14:37 | 0:14:39 | |
That's it... | 0:14:47 | 0:14:48 | |
BARKING GROWS LOUDER | 0:14:48 | 0:14:51 | |
June, June. | 0:14:51 | 0:14:52 | |
Morning. | 0:15:10 | 0:15:12 | |
Morning. | 0:15:12 | 0:15:14 | |
The fox went that way. | 0:15:18 | 0:15:19 | |
Hey, this is private property. | 0:15:23 | 0:15:26 | |
People have been hunting this land for generations. | 0:15:26 | 0:15:29 | |
Well, we don't want your lot here anymore. | 0:15:29 | 0:15:31 | |
-The horses are ruining everything. -Really? Ruining what, exactly? | 0:15:31 | 0:15:36 | |
What business did you say you were in again, Mr Mottershead? | 0:15:36 | 0:15:39 | |
I didn't, Reverend. | 0:15:39 | 0:15:41 | |
-Morning! -SHE GASPS | 0:15:53 | 0:15:55 | |
Rather a rude awakening on a Saturday morning, I'm sure. | 0:15:55 | 0:15:58 | |
Oh... | 0:16:04 | 0:16:05 | |
I know you, don't I? From the auction. | 0:16:21 | 0:16:24 | |
What are you doing hiding in a bush? | 0:16:24 | 0:16:26 | |
Visiting Lady Katherine. We're neighbours. | 0:16:26 | 0:16:28 | |
That still doesn't explain why... | 0:16:28 | 0:16:31 | |
We haven't met yet. I'm picking my moment. | 0:16:31 | 0:16:33 | |
Well, she doesn't normally meet many people. | 0:16:33 | 0:16:36 | |
She keeps herself to herself. | 0:16:36 | 0:16:37 | |
Course, I've seen some things, delivering the post. | 0:16:39 | 0:16:43 | |
Oh, yeah? What sort of things? | 0:16:43 | 0:16:45 | |
That one's her bedroom window. | 0:16:47 | 0:16:48 | |
And on that lawn, a few months back, I saw this racing plane, | 0:16:48 | 0:16:52 | |
a de Havilland Puss Moth, taking off - | 0:16:52 | 0:16:54 | |
-before sunrise, if you get what I mean. -Really? | 0:16:54 | 0:16:58 | |
I happen to know that that plane belonged to Douglas Fairbanks. | 0:16:58 | 0:17:02 | |
It never did! | 0:17:02 | 0:17:03 | |
I wouldn't lie, not in this uniform. | 0:17:03 | 0:17:05 | |
No, he climbed out of her bedroom window, | 0:17:05 | 0:17:07 | |
got in his plane and flew off. | 0:17:07 | 0:17:08 | |
She's got plenty of male admirers. The whole village talks about her - | 0:17:10 | 0:17:13 | |
when they're not talking about your family, that is. | 0:17:13 | 0:17:15 | |
SHE GASPS | 0:17:17 | 0:17:18 | |
CAWING | 0:17:23 | 0:17:25 | |
Oh... | 0:17:25 | 0:17:26 | |
JAZZ MUSIC PLAYS | 0:17:31 | 0:17:34 | |
Most of the house is under dust covers. | 0:17:48 | 0:17:51 | |
I confine myself to a handful of rooms - | 0:17:51 | 0:17:53 | |
it wouldn't do to create too much work for the staff. | 0:17:53 | 0:17:55 | |
Not when there's just me. | 0:17:55 | 0:17:57 | |
-Did you shoot those? -Oh, no! | 0:17:57 | 0:18:00 | |
I despise trophy hunters. I've only ever shot anything once. | 0:18:00 | 0:18:04 | |
A lion. But that was only because it was charging our tent. | 0:18:04 | 0:18:09 | |
-It was either him or me. -Where were you? | 0:18:09 | 0:18:12 | |
Kenya. For three years, give or take. | 0:18:12 | 0:18:14 | |
-Have you travelled much? -I went to Birmingham once. | 0:18:16 | 0:18:19 | |
How old are you, Muriel? | 0:18:21 | 0:18:23 | |
18. On Saturday. | 0:18:23 | 0:18:24 | |
Oh! Well, you must come back and we can celebrate. | 0:18:24 | 0:18:28 | |
Have you ever had a Mimosa? | 0:18:28 | 0:18:31 | |
Just you wait... | 0:18:32 | 0:18:34 | |
Do you think the female bear will die, | 0:18:47 | 0:18:49 | |
trapped in that cave? | 0:18:49 | 0:18:50 | |
I hope not. | 0:18:50 | 0:18:52 | |
But if she's unwell... | 0:18:52 | 0:18:54 | |
Go to sleep, don't think about it. | 0:18:54 | 0:18:57 | |
You can save them, Dad. I know you can. | 0:18:57 | 0:19:00 | |
Well...he's not in the stable block, | 0:19:13 | 0:19:16 | |
and he's not in the study, either. He must have gone. | 0:19:16 | 0:19:18 | |
-Gone? Gone where? -Matlock would be my guess. | 0:19:18 | 0:19:22 | |
After everything I said. | 0:19:22 | 0:19:24 | |
How on earth is he going to manage it? | 0:19:24 | 0:19:26 | |
Never mind that - it's what happens | 0:19:26 | 0:19:28 | |
if he ever brings those bears home you want to worry about. | 0:19:28 | 0:19:30 | |
Albert, I'm going to need you to feed the animals. | 0:19:30 | 0:19:33 | |
Yeah, Mew can give me a hand. | 0:19:33 | 0:19:35 | |
-Pardon me? -Please, love. | 0:19:35 | 0:19:36 | |
I've got to get a grip on that paperwork. | 0:19:36 | 0:19:38 | |
There's a mountain of it sitting in there unopened. | 0:19:38 | 0:19:40 | |
-Leave all that to me. -Lucy, I appreciate that, but... | 0:19:40 | 0:19:43 | |
It's fine. I'll get my pens. | 0:19:43 | 0:19:45 | |
Stand back, the stationery is coming out! | 0:19:45 | 0:19:47 | |
SHE CHUCKLES | 0:19:47 | 0:19:49 | |
Right. | 0:19:49 | 0:19:50 | |
First rule of double-entry book-keeping. | 0:19:53 | 0:19:57 | |
Debit columns on the left, credit on the right... | 0:19:57 | 0:20:00 | |
Lucy, I appreciate you trying to help me, | 0:20:00 | 0:20:02 | |
but this is my house, for the first time in my life. | 0:20:02 | 0:20:05 | |
Oh, I realise that, love. | 0:20:07 | 0:20:08 | |
But you've hardly made it homely, have you? | 0:20:09 | 0:20:12 | |
Well, I'm trying. | 0:20:13 | 0:20:15 | |
I'm sure you are. | 0:20:15 | 0:20:16 | |
It's just hard for me to sit by | 0:20:18 | 0:20:20 | |
and watch you making so many mistakes. | 0:20:20 | 0:20:23 | |
-What mistakes? -With the girls. | 0:20:24 | 0:20:27 | |
Have you even started looking for a school for June yet? | 0:20:27 | 0:20:30 | |
She's running wild. | 0:20:30 | 0:20:32 | |
And Mew's answering back. | 0:20:32 | 0:20:33 | |
Her birthday's coming up, she'll be 16. | 0:20:33 | 0:20:37 | |
Are you even planning on marking that? | 0:20:37 | 0:20:39 | |
Of course I am. | 0:20:39 | 0:20:40 | |
You can't deny that when we lived above my shop, | 0:20:41 | 0:20:44 | |
this family ran like clockwork. | 0:20:44 | 0:20:46 | |
Dare I say, when I was in charge. | 0:20:47 | 0:20:50 | |
Now, George will want us to get everything ready for his perusal | 0:20:52 | 0:20:57 | |
so he can make the decisions when he gets back. | 0:20:57 | 0:21:00 | |
I'm making the decisions in his absence. | 0:21:00 | 0:21:02 | |
Don't be ridiculous. | 0:21:02 | 0:21:04 | |
My house! | 0:21:04 | 0:21:06 | |
My rules. | 0:21:06 | 0:21:07 | |
Right. | 0:21:13 | 0:21:14 | |
Well... | 0:21:16 | 0:21:17 | |
Let's see how well you fare on your own. | 0:21:19 | 0:21:22 | |
It's the taste sensation sweeping America. | 0:21:27 | 0:21:29 | |
Go on, try some. | 0:21:29 | 0:21:31 | |
No? | 0:21:31 | 0:21:33 | |
It's butter, made out of peanuts. Honest to God. | 0:21:33 | 0:21:36 | |
They originally used it to get protein | 0:21:36 | 0:21:38 | |
into old folks without teeth. | 0:21:38 | 0:21:39 | |
But today, anyone can enjoy it, gnashers or not! | 0:21:39 | 0:21:42 | |
Madam? | 0:21:42 | 0:21:44 | |
No? | 0:21:44 | 0:21:45 | |
I'll try some, young man. | 0:21:45 | 0:21:48 | |
Oh, erm...wise move, sir. | 0:21:48 | 0:21:51 | |
Here you go. | 0:21:51 | 0:21:52 | |
HE CLEARS HIS THROAT NERVOUSLY | 0:21:52 | 0:21:53 | |
Mmm, eh? | 0:21:56 | 0:21:57 | |
Ugh...! | 0:21:57 | 0:21:59 | |
Agh... | 0:21:59 | 0:22:00 | |
HE SPLUTTERS | 0:22:00 | 0:22:02 | |
-MUFFLED: -Sorry... | 0:22:04 | 0:22:05 | |
It's like wallpaper paste. | 0:22:05 | 0:22:07 | |
You're telling me, I've got ten cases of it. | 0:22:07 | 0:22:09 | |
What you doing here, anyway? | 0:22:09 | 0:22:10 | |
I'm looking for someone with a sense of adventure. | 0:22:10 | 0:22:12 | |
And a very big van. | 0:22:12 | 0:22:13 | |
KNOCKING | 0:22:17 | 0:22:19 | |
You rang, m'lady? | 0:22:23 | 0:22:25 | |
I hope you realise your own son's treating you like a fool. | 0:22:25 | 0:22:28 | |
That's not true and you know it. | 0:22:28 | 0:22:30 | |
We've grafted our whole lives - for what? | 0:22:32 | 0:22:36 | |
We've given it all up for this place and it isn't even ours. | 0:22:36 | 0:22:40 | |
Lizzie runs this house. | 0:22:40 | 0:22:42 | |
Ah - now we're getting down to brass tacks. | 0:22:42 | 0:22:44 | |
Oh, it's all right for you - you've got that bloody greenhouse! | 0:22:44 | 0:22:49 | |
I was the lynchpin of my community for 45 years. | 0:22:49 | 0:22:54 | |
A shopkeeper, a homeowner. | 0:22:54 | 0:22:57 | |
And it's all gone. | 0:22:57 | 0:22:58 | |
Look, I know everything's been thrown up in the air, | 0:23:04 | 0:23:08 | |
but this is our life now, and there's no going back. | 0:23:08 | 0:23:10 | |
And I, for one, like it here. | 0:23:12 | 0:23:13 | |
-You couldn't possibly! -It's the truth. | 0:23:13 | 0:23:17 | |
I've got the sun on my back. I've got a purpose. | 0:23:17 | 0:23:20 | |
If you want a job, ask Lizzie. | 0:23:21 | 0:23:23 | |
-SCOFFING: -I've already told her. | 0:23:23 | 0:23:25 | |
I said "ask", not "demand". | 0:23:25 | 0:23:27 | |
She desperately needs help about the house. | 0:23:27 | 0:23:30 | |
You could start with that stove. | 0:23:30 | 0:23:33 | |
Only don't expect her to beg you. | 0:23:33 | 0:23:35 | |
I'll be taking my meals in my room from now on. | 0:23:35 | 0:23:38 | |
Well, be careful you don't starve to death, | 0:23:40 | 0:23:43 | |
because I won't be waiting on you hand and foot - I'm too busy. | 0:23:43 | 0:23:46 | |
Where's my thimble? | 0:23:52 | 0:23:53 | |
MONKEY CHIRPS | 0:23:56 | 0:23:58 | |
You little devil...give it back! | 0:24:00 | 0:24:04 | |
BLEATING | 0:24:06 | 0:24:10 | |
Right, ready? | 0:24:10 | 0:24:13 | |
This is Dad's job. | 0:24:14 | 0:24:15 | |
Quickly. Fetch the stool. | 0:24:15 | 0:24:17 | |
Come on. | 0:24:17 | 0:24:18 | |
Come on. | 0:24:19 | 0:24:20 | |
Now, don't worry, Mew - she won't bite. | 0:24:20 | 0:24:25 | |
Actually this one might - hurry up. | 0:24:25 | 0:24:27 | |
Dad wraps his thumb and his forefinger round the bottom part. | 0:24:27 | 0:24:29 | |
-Do you want to come and do it? -Yes, please. -June, stay there. | 0:24:29 | 0:24:33 | |
Now, Mew, try squeezing with your middle finger first. | 0:24:33 | 0:24:36 | |
SHE SIGHS IN EXASPERATION | 0:24:36 | 0:24:38 | |
-Now your little finger... -Nothing's happening. | 0:24:40 | 0:24:43 | |
Smoother motions. | 0:24:43 | 0:24:44 | |
I don't even know what I'm... | 0:24:44 | 0:24:46 | |
Eh! | 0:24:47 | 0:24:49 | |
There you go. | 0:24:49 | 0:24:51 | |
See? You're a natural. | 0:24:51 | 0:24:52 | |
Don't pull too hard, now. | 0:24:53 | 0:24:55 | |
Oh! | 0:24:56 | 0:24:57 | |
GOAT BLEATS | 0:24:57 | 0:24:59 | |
It's a right bugger to find, this place. | 0:25:02 | 0:25:04 | |
George ordered these fellas a week or so back. Is he around? | 0:25:06 | 0:25:09 | |
He's out on business. Can I help? | 0:25:09 | 0:25:12 | |
A guinea for the lot, including carriage. | 0:25:13 | 0:25:17 | |
Payment on delivery, George said. | 0:25:17 | 0:25:19 | |
Did he, now? | 0:25:22 | 0:25:23 | |
BIRDS TWEET | 0:25:23 | 0:25:26 | |
Ta very much. | 0:25:26 | 0:25:27 | |
This will have to do until we sort out an aviary. | 0:25:27 | 0:25:30 | |
PELICAN HONKS | 0:25:40 | 0:25:42 | |
Oh! | 0:25:49 | 0:25:50 | |
He does that a lot. | 0:25:51 | 0:25:53 | |
He's probably hungry. What... What have you been feeding him? | 0:25:53 | 0:25:57 | |
I don't run a bed and breakfast, love. | 0:25:57 | 0:25:58 | |
He's had water and made do. | 0:25:58 | 0:26:00 | |
Urgh! | 0:26:10 | 0:26:11 | |
How could Dad leave us in the lurch like this? | 0:26:11 | 0:26:14 | |
Argh! | 0:26:14 | 0:26:15 | |
-I hate this place! -Oh...Mew! | 0:26:15 | 0:26:18 | |
Oh! | 0:26:20 | 0:26:21 | |
She'll come round. You do what you need to. | 0:26:23 | 0:26:26 | |
I can handle this lot. | 0:26:26 | 0:26:27 | |
-What would I do without you, eh? -Oh, give over. | 0:26:29 | 0:26:32 | |
Oh! Oh... | 0:26:34 | 0:26:36 | |
Which one of you did that? | 0:26:36 | 0:26:39 | |
-Bears? They're meat-eaters, right? -You're telling me. | 0:26:39 | 0:26:43 | |
I've had to feed them out of the cafe catering budget all summer. | 0:26:43 | 0:26:47 | |
We'll have to wait, move them at night. | 0:26:47 | 0:26:49 | |
At night? | 0:26:49 | 0:26:51 | |
We'll break our necks trying to get them down here at night. | 0:26:51 | 0:26:54 | |
I've got paying customers all over the park during the day. | 0:26:54 | 0:26:56 | |
I can't have one of them being mauled. | 0:26:56 | 0:26:58 | |
Oh, and they'll cost £10 each, by the way. | 0:26:58 | 0:27:01 | |
Now, come on, what are you trying to pull? | 0:27:01 | 0:27:03 | |
You said that they were free. | 0:27:03 | 0:27:05 | |
That were a week ago. | 0:27:05 | 0:27:06 | |
Price just went up. | 0:27:06 | 0:27:07 | |
Where are we going to get £20? Come on, George, let's just go. | 0:27:07 | 0:27:11 | |
Oh, no, wait till you see them. | 0:27:11 | 0:27:13 | |
Come on. You won't be saying that then. | 0:27:13 | 0:27:15 | |
Can I help? | 0:27:30 | 0:27:31 | |
Um... | 0:27:31 | 0:27:33 | |
We just moved to Upton | 0:27:34 | 0:27:35 | |
and we haven't kept up the payments for connection to the sewerage. | 0:27:35 | 0:27:40 | |
Business or domestic? | 0:27:40 | 0:27:41 | |
Well, it is domestic, | 0:27:41 | 0:27:43 | |
but we're planning on opening a business. | 0:27:43 | 0:27:46 | |
Then you need the forms for a change of use. | 0:27:46 | 0:27:48 | |
Come with me, let's see if his nibs is in. | 0:27:48 | 0:27:51 | |
No. Erm, yes, yes, Councillor. | 0:27:57 | 0:28:00 | |
Of course. Yes, say no more. | 0:28:00 | 0:28:03 | |
Got a problem? | 0:28:03 | 0:28:04 | |
He's talking to you now. | 0:28:04 | 0:28:05 | |
Well...I was just enquiring... | 0:28:05 | 0:28:08 | |
Quick, little lady, I've not got all day. | 0:28:08 | 0:28:10 | |
-Change of use forms. -What kind? | 0:28:10 | 0:28:11 | |
From a private residence to a zoological garden. | 0:28:13 | 0:28:16 | |
-LAUGHING: -That's a bloody ridiculous idea. | 0:28:16 | 0:28:20 | |
Well, I think we need a lunch meeting to discuss it, | 0:28:20 | 0:28:22 | |
don't you? | 0:28:22 | 0:28:24 | |
Change of use, you say? | 0:28:24 | 0:28:26 | |
-It's you again. -Yes. Please. | 0:28:26 | 0:28:29 | |
Frankie can get the forms for you. Get your husband to fill them out and get them back to us sharpish. | 0:28:29 | 0:28:33 | |
Planning committee meets quarterly, so if he doesn't hit the deadline | 0:28:33 | 0:28:36 | |
then he'll have to hold fire for three months. | 0:28:36 | 0:28:39 | |
You can stick that in your pipe and smoke it. | 0:28:39 | 0:28:42 | |
Did you actually say that to him? | 0:28:43 | 0:28:45 | |
HE GUFFAWS | 0:28:45 | 0:28:47 | |
He's a charmer, isn't he? | 0:28:47 | 0:28:48 | |
You'll need this one | 0:28:51 | 0:28:52 | |
and these four. | 0:28:52 | 0:28:55 | |
And this one has to be filled in in triplicate. | 0:28:57 | 0:29:01 | |
Just tell the planning board | 0:29:01 | 0:29:02 | |
exactly what the premises will be used for, | 0:29:02 | 0:29:05 | |
and go into as much detail as you can - they love detail. | 0:29:05 | 0:29:08 | |
I did hear right, didn't I? Zoological gardens? As in animals? | 0:29:08 | 0:29:14 | |
-Yes. -I thought I'd dealt with every business under the sun. | 0:29:14 | 0:29:17 | |
That's it...you ready? | 0:29:24 | 0:29:27 | |
Yep. | 0:29:27 | 0:29:28 | |
Right then, follow me. | 0:29:28 | 0:29:30 | |
BEAR SNORES | 0:29:36 | 0:29:38 | |
BEAR GRUNTS | 0:29:48 | 0:29:50 | |
Tie a loop in the end of that, will you, Bill? | 0:29:50 | 0:29:52 | |
Now, I'm sure that I read somewhere that a tame bear is happy to be led. | 0:29:54 | 0:30:01 | |
-BEAR GROWLS -Here you go. | 0:30:01 | 0:30:04 | |
Don't worry, we're going to take them down one by one. | 0:30:08 | 0:30:11 | |
Like a pair of dogs. | 0:30:11 | 0:30:14 | |
A couple of big dogs. | 0:30:14 | 0:30:16 | |
BEAR GRUNTS | 0:30:19 | 0:30:21 | |
Right. | 0:30:24 | 0:30:26 | |
-You ready? -Yep, yep. -Bring that rope over here. | 0:30:27 | 0:30:30 | |
There we go. OK. | 0:30:35 | 0:30:37 | |
Get it round his neck. | 0:30:39 | 0:30:41 | |
That's it, that's it. Not too tight. | 0:30:41 | 0:30:44 | |
-Yes, OK. -Not too tight, not too tight, that's it, that's it. | 0:30:44 | 0:30:46 | |
Now, just gently, over there. | 0:30:46 | 0:30:49 | |
-BEAR GROWLS -Over that way. | 0:30:49 | 0:30:51 | |
No, no, no. | 0:30:51 | 0:30:54 | |
BEAR GROWLS | 0:30:56 | 0:30:58 | |
Stay there, stay there. | 0:31:07 | 0:31:09 | |
-Just be careful. -BEAR GROWLS | 0:31:12 | 0:31:14 | |
Billy, what are you doing? | 0:31:14 | 0:31:16 | |
-Billy! Get out here. -I'm fine where I am, thank you. | 0:31:16 | 0:31:20 | |
BEAR GRUNTS | 0:31:24 | 0:31:26 | |
I'll be back. | 0:31:30 | 0:31:31 | |
-You're not leaving me? -Billy, I need to come up with a new plan. | 0:31:31 | 0:31:35 | |
I need to find £20 for Lacey, | 0:31:35 | 0:31:37 | |
and something the female fancies eating. | 0:31:37 | 0:31:39 | |
No sudden movements - let him get used to your voice. | 0:31:39 | 0:31:42 | |
Ah... | 0:31:46 | 0:31:48 | |
BEAR GRUNTS | 0:31:48 | 0:31:50 | |
DISCORDANT ORGAN MUSIC | 0:31:58 | 0:32:02 | |
-HE LAUGHS -Mrs Radler... | 0:32:06 | 0:32:08 | |
It's a pity her talent doesn't match her enthusiasm. | 0:32:08 | 0:32:11 | |
I don't know, I can definitely hear Handel in there somewhere. | 0:32:11 | 0:32:15 | |
Ah, a music lover. | 0:32:15 | 0:32:16 | |
I was. | 0:32:16 | 0:32:18 | |
Until my piano fell off the back of a removal van. | 0:32:18 | 0:32:21 | |
Oh, shame. | 0:32:21 | 0:32:23 | |
I remember that study had a wonderful acoustic. | 0:32:23 | 0:32:26 | |
My late wife's family owned Oakfield. | 0:32:26 | 0:32:29 | |
-I had no idea. -Well, her brother inherited it, | 0:32:29 | 0:32:32 | |
lost everything in the crash. | 0:32:32 | 0:32:34 | |
Reverend, I'm so sorry. | 0:32:35 | 0:32:37 | |
Oh, no, don't be. It was never mine. | 0:32:37 | 0:32:39 | |
And after all is said and done, it's just a house. | 0:32:39 | 0:32:41 | |
You know you should feel free to use the organ any time you choose. | 0:32:41 | 0:32:44 | |
The church is always open. | 0:32:44 | 0:32:46 | |
That's kind, but... | 0:32:46 | 0:32:50 | |
Chester Council's keeping me busy at the moment. | 0:32:50 | 0:32:52 | |
-Really? -DISSONANT CHORD | 0:32:52 | 0:32:54 | |
ORGAN MUSIC STOPS ABRUPTLY Oh! | 0:32:54 | 0:32:57 | |
-I should go. -See you soon. | 0:32:57 | 0:32:59 | |
I hope. | 0:32:59 | 0:33:01 | |
DEEP SQUEAKING SOUND | 0:33:09 | 0:33:11 | |
BIRD CAWS DEEPLY | 0:33:15 | 0:33:18 | |
Are you sure I give it the whole fish? | 0:33:18 | 0:33:21 | |
Tail and all? | 0:33:21 | 0:33:22 | |
That's what is says, Grandad. | 0:33:22 | 0:33:24 | |
Was this Lizzie's idea?! | 0:33:28 | 0:33:30 | |
What's up, love? Feeling a bit peckish? | 0:33:30 | 0:33:33 | |
BIRD CAWS | 0:33:38 | 0:33:41 | |
"Describe proposed building works, extensions or modifications..." | 0:33:42 | 0:33:46 | |
-SNORING -# Me and my shadow | 0:34:04 | 0:34:07 | |
# Strolling down the avenue... # | 0:34:07 | 0:34:12 | |
-Hey, where have you been? -Chip shop. | 0:34:12 | 0:34:14 | |
I've sung him every bleedin' song I know! | 0:34:14 | 0:34:17 | |
You hungry? | 0:34:17 | 0:34:19 | |
I had to wake the fella up at the post office - | 0:34:19 | 0:34:23 | |
get Lizzie to wire some money to the bank. | 0:34:23 | 0:34:25 | |
What's wrong with the telephone? | 0:34:25 | 0:34:26 | |
I didn't want to get drawn into a discussion about it. | 0:34:26 | 0:34:30 | |
Avoiding my sister's wrath, eh? | 0:34:30 | 0:34:32 | |
I know the feeling well, my friend. | 0:34:32 | 0:34:34 | |
Lizzie not sold on this, then? | 0:34:35 | 0:34:37 | |
She'll come round. | 0:34:40 | 0:34:41 | |
You know what you want to do, don't you? | 0:34:43 | 0:34:46 | |
You want to make her feel like she's in charge. | 0:34:47 | 0:34:50 | |
Hey, that's brilliant. | 0:34:57 | 0:34:58 | |
Well, what can I say? I know women. | 0:35:01 | 0:35:05 | |
Look at him - he's out of his cage, he's free to escape, | 0:35:07 | 0:35:11 | |
but he's staying put. | 0:35:11 | 0:35:12 | |
Because of her. | 0:35:13 | 0:35:15 | |
So? | 0:35:15 | 0:35:16 | |
If we lead her down, I'm sure he'd follow. | 0:35:17 | 0:35:20 | |
Yeah, we'll make it her idea to leave. | 0:35:21 | 0:35:24 | |
We'll wait till first light. | 0:35:28 | 0:35:31 | |
-I thought Lacey said that... -Never mind what Lacey said. | 0:35:31 | 0:35:34 | |
We'll be halfway home by the time he opens up to the public. | 0:35:34 | 0:35:37 | |
So am I right in thinking that's the aquarium? | 0:35:40 | 0:35:43 | |
No. That's the aquarium there. | 0:35:43 | 0:35:46 | |
THAT is the reptile house. | 0:35:46 | 0:35:48 | |
Dad put it by the greenhouse because they both need to be warm. | 0:35:48 | 0:35:51 | |
Mm. He's no fool, is he? | 0:35:51 | 0:35:54 | |
He's put the gate in the wrong place, though. | 0:35:54 | 0:35:57 | |
Do you think? | 0:35:57 | 0:35:59 | |
People should come in from the front to get a better view of the house. | 0:35:59 | 0:36:03 | |
And the aviary - it's much too grand the way he's got it. | 0:36:03 | 0:36:06 | |
We should be using the gazebo somehow. | 0:36:06 | 0:36:10 | |
Don't you think you should just leave it the way Dad drew it? | 0:36:10 | 0:36:13 | |
Not if it can be improved upon. | 0:36:14 | 0:36:17 | |
Anyway, time for bed, go on. | 0:36:17 | 0:36:19 | |
I'll be up in a minute. | 0:36:21 | 0:36:22 | |
Right. | 0:36:25 | 0:36:27 | |
MECHANICAL CLICKING | 0:36:28 | 0:36:31 | |
Careful, Archibald! | 0:36:42 | 0:36:43 | |
If someone was coming in you'd knock them flying. | 0:36:43 | 0:36:45 | |
It's a telegram, Mother. | 0:36:45 | 0:36:47 | |
You've got to get it there fast, that's the whole point. | 0:36:47 | 0:36:49 | |
-Get it where? -Oakfield House. | 0:36:49 | 0:36:51 | |
I can't. I might lose my job. | 0:36:57 | 0:36:59 | |
Show me. | 0:36:59 | 0:37:02 | |
-Right, then. -BEAR MOANS | 0:37:03 | 0:37:05 | |
BEAR GRUNTS | 0:37:08 | 0:37:10 | |
Come on, then. | 0:37:14 | 0:37:17 | |
Time to go. | 0:37:17 | 0:37:19 | |
BEAR GRUNTS | 0:37:19 | 0:37:20 | |
There you go. | 0:37:20 | 0:37:22 | |
BEAR GRUNTS | 0:37:24 | 0:37:28 | |
So it's these you want, is it, Billy? | 0:37:43 | 0:37:45 | |
-BEAR GRUNTS -Billy! | 0:37:45 | 0:37:46 | |
That's it. | 0:37:46 | 0:37:48 | |
Billy... Billy! | 0:37:48 | 0:37:51 | |
BEAR GROWLS | 0:37:51 | 0:37:53 | |
Chips! Put your chips into the corner. | 0:37:54 | 0:37:57 | |
-That's it, that's it. -BEAR GROWLS | 0:37:59 | 0:38:01 | |
Come on, then. | 0:38:01 | 0:38:04 | |
-That's it, there we go. -BEAR MOANS | 0:38:07 | 0:38:10 | |
Here we go. Come on, big fella. | 0:38:10 | 0:38:13 | |
Come on. | 0:38:19 | 0:38:20 | |
That's it, we're on the move. | 0:38:23 | 0:38:25 | |
-Make sure those paths are clear, Bill! -Right. | 0:38:26 | 0:38:29 | |
Come on, then. | 0:38:29 | 0:38:30 | |
That's it, that's it... | 0:38:30 | 0:38:32 | |
Come on. | 0:38:32 | 0:38:34 | |
SLOW JAZZ MUSIC | 0:38:37 | 0:38:40 | |
"Strengthen small stable, stop. Six inch bolts minimum, stop. | 0:38:49 | 0:38:54 | |
"Wire 20 pounds care of..." What...? | 0:38:54 | 0:38:57 | |
MUSIC CONTINUES PLAYING NEARBY | 0:38:57 | 0:38:59 | |
Where am I supposed to find that sort of money? | 0:38:59 | 0:39:02 | |
He's got a nerve! | 0:39:05 | 0:39:07 | |
Mew, I can't hear myself think! | 0:39:07 | 0:39:09 | |
What do you reckon, can we fix the small stable in time? | 0:39:10 | 0:39:13 | |
The roof is as rotten as a pear. | 0:39:13 | 0:39:16 | |
Then we'll have to convert the bigger one. | 0:39:16 | 0:39:18 | |
Erm, he didn't want that one touched, love. | 0:39:18 | 0:39:19 | |
Well, he's not here, is he?! It's my decision, Albert. Blame me. | 0:39:19 | 0:39:23 | |
(Lizzie...) | 0:39:25 | 0:39:27 | |
HE CLEARS HIS THROAT | 0:39:27 | 0:39:29 | |
What do we owe you? | 0:39:29 | 0:39:30 | |
No charge. | 0:39:30 | 0:39:32 | |
Much obliged. | 0:39:32 | 0:39:33 | |
Oh! | 0:39:33 | 0:39:36 | |
Sorry to disturb, but I've been asked to clear this footpath. | 0:39:36 | 0:39:38 | |
It's for scientific reasons... | 0:39:38 | 0:39:41 | |
OK, I'll level with you. It's bears. | 0:39:41 | 0:39:43 | |
Two of them. Bloody huge. | 0:39:43 | 0:39:44 | |
BEAR GROWLS | 0:39:44 | 0:39:46 | |
Hurry, darling. | 0:39:46 | 0:39:47 | |
That's it. Come on. | 0:39:50 | 0:39:52 | |
BEAR GROWLS | 0:39:52 | 0:39:54 | |
(There we go.) | 0:39:56 | 0:39:59 | |
BEAR GROWLS | 0:39:59 | 0:40:00 | |
(Come on.) | 0:40:00 | 0:40:02 | |
Come on, then. | 0:40:07 | 0:40:09 | |
Come on, then. | 0:40:10 | 0:40:12 | |
That's it. Come on, then. Come on, then. | 0:40:12 | 0:40:15 | |
-You ready, Bill? -Yep, yeah. | 0:40:15 | 0:40:18 | |
Come on. | 0:40:20 | 0:40:22 | |
-Come on, girl. -BEAR WHEEZES | 0:40:22 | 0:40:24 | |
Come on. | 0:40:24 | 0:40:26 | |
Come on, girl. There we go. | 0:40:26 | 0:40:28 | |
What's she waiting for? | 0:40:30 | 0:40:31 | |
Well, she's just got out of one cave, | 0:40:31 | 0:40:33 | |
she doesn't want to walk straight into another. | 0:40:33 | 0:40:37 | |
Come on. | 0:40:37 | 0:40:38 | |
I've run out of food. | 0:40:43 | 0:40:44 | |
Come on. | 0:40:50 | 0:40:51 | |
Come on, then. | 0:40:51 | 0:40:53 | |
That's it. Come on. | 0:40:53 | 0:40:56 | |
-That's it, come on. -That's it. | 0:40:56 | 0:40:58 | |
Go on, in there, go on. | 0:40:58 | 0:41:00 | |
Go on, go on. There you go. | 0:41:00 | 0:41:03 | |
That's it. | 0:41:03 | 0:41:04 | |
-There you go. -That's it, come on, fella. | 0:41:04 | 0:41:06 | |
Come on. | 0:41:06 | 0:41:08 | |
It's good for something at least. | 0:41:11 | 0:41:12 | |
Right, quick. Are you ready? Quickly. | 0:41:12 | 0:41:14 | |
-Well done! -That'll be £20...please. | 0:41:22 | 0:41:25 | |
Hold tight. I'll be right back. | 0:41:27 | 0:41:29 | |
MONKEY CHATTERS | 0:41:46 | 0:41:48 | |
SHE GROANS | 0:41:50 | 0:41:51 | |
That bloody monkey's had the butter knife! | 0:41:51 | 0:41:54 | |
Your dad's not going to be happy about this... | 0:41:58 | 0:42:01 | |
No? All right, er... Oh! | 0:42:10 | 0:42:13 | |
Yes... Now these are something a bit special. | 0:42:13 | 0:42:16 | |
American. Hand-painted. | 0:42:16 | 0:42:19 | |
He's done a runner, your mate. | 0:42:19 | 0:42:20 | |
No, no, he'll be back. Look at that. | 0:42:20 | 0:42:23 | |
What does a tie like this say about a man like you? | 0:42:23 | 0:42:26 | |
It says "Yes, sure, I'm a pioneer. Deal with it!" | 0:42:26 | 0:42:31 | |
Feel the fabric on that. Go on, go on... | 0:42:31 | 0:42:34 | |
Oh, here, told you he'd be back. | 0:42:35 | 0:42:37 | |
All right, Georgie, everything OK? | 0:42:37 | 0:42:38 | |
-Hand it over, then, let's get on with it. -Billy... | 0:42:38 | 0:42:41 | |
..Lizzie didn't send the money. | 0:42:44 | 0:42:46 | |
I'm still waiting. | 0:42:46 | 0:42:47 | |
Right, so here's how we're going to play this. | 0:42:50 | 0:42:54 | |
You're going to give me these two bears for free. | 0:42:54 | 0:42:56 | |
Free? Why would I do that? | 0:42:56 | 0:42:58 | |
Because if you don't, I'm going to open up | 0:42:58 | 0:43:00 | |
the back of my colleague's van here | 0:43:00 | 0:43:01 | |
and let two wild animals chew up half your clientele. | 0:43:01 | 0:43:04 | |
How does that sound? | 0:43:04 | 0:43:06 | |
You wouldn't dare. | 0:43:06 | 0:43:08 | |
He would. | 0:43:13 | 0:43:14 | |
DOOR CLATTERS | 0:43:14 | 0:43:17 | |
Fine, keep 'em! | 0:43:17 | 0:43:19 | |
Archie, go on. What else? | 0:43:19 | 0:43:21 | |
He also asked them to wire him £20. | 0:43:23 | 0:43:27 | |
Reinforcing stables, getting money sent at short notice... | 0:43:27 | 0:43:31 | |
I thought you said this was urgent. | 0:43:31 | 0:43:33 | |
It is! Mrs Mottershead ripped the telegram up. | 0:43:33 | 0:43:36 | |
Don't you see? Even his own family are against whatever he's planning. | 0:43:38 | 0:43:41 | |
And he means to charge admission. | 0:43:41 | 0:43:43 | |
Admission? You mean to the public? | 0:43:43 | 0:43:45 | |
I saw a sign on their land marking an entrance for a pay gate. | 0:43:45 | 0:43:49 | |
Sorry! Mrs Emerson's sciatica. | 0:43:49 | 0:43:52 | |
Did I miss anything? | 0:43:54 | 0:43:55 | |
Reverend, what are we going to do? | 0:43:55 | 0:43:57 | |
-Nothing. -Nothing?! | 0:43:59 | 0:44:01 | |
Until there's concrete proof he's acting irresponsibly, | 0:44:01 | 0:44:04 | |
there is nothing to be done. | 0:44:04 | 0:44:06 | |
But he'll make a mistake. | 0:44:06 | 0:44:08 | |
Men like him always do. | 0:44:08 | 0:44:10 | |
-What are you doing? -Well, it's good as new, son. | 0:44:19 | 0:44:22 | |
I told you, Dad, not to go in there! | 0:44:22 | 0:44:24 | |
It was too much work to fix the small one up in the time we had. | 0:44:24 | 0:44:27 | |
Well, this was all your idea, I suppose, is it? | 0:44:27 | 0:44:29 | |
-Excuse me? -Eh? | 0:44:29 | 0:44:30 | |
As well as ignoring my telegram. | 0:44:30 | 0:44:32 | |
I didn't ignore it, I ripped the bloody thing up, if you must know. | 0:44:32 | 0:44:35 | |
Who do you think you are, sending telegrams | 0:44:35 | 0:44:37 | |
with demands for money that we haven't got? | 0:44:37 | 0:44:40 | |
-Come on. That's it. -BEAR GROWLS | 0:44:40 | 0:44:42 | |
I might have known he'd be involved. | 0:44:48 | 0:44:50 | |
What are you doing? Don't get him out! | 0:44:54 | 0:44:56 | |
We have to, love, all right? | 0:44:56 | 0:44:58 | |
He'll hurt himself otherwise. Keep June back. | 0:44:58 | 0:45:01 | |
Back! Back! Back. | 0:45:03 | 0:45:05 | |
Billy, after three. | 0:45:06 | 0:45:08 | |
One, two, three... | 0:45:08 | 0:45:09 | |
-Dad. -Stay there! You ready? | 0:45:11 | 0:45:14 | |
Come on, then. Come on. | 0:45:17 | 0:45:20 | |
BEAR GROWLS | 0:45:20 | 0:45:21 | |
That's it, come on. Come on. | 0:45:21 | 0:45:24 | |
HE WHISTLES | 0:45:24 | 0:45:25 | |
That's it, come on, then. Come on. | 0:45:25 | 0:45:28 | |
Here we go... Ah-ah-ah-ah. | 0:45:28 | 0:45:31 | |
There we go. Eh-eh-eh-eh-eh. | 0:45:35 | 0:45:38 | |
Sh, sh. | 0:45:38 | 0:45:39 | |
That's it. Dad. | 0:45:44 | 0:45:46 | |
BEAR WHEEZES | 0:45:52 | 0:45:54 | |
She needs a vet. | 0:45:57 | 0:46:00 | |
No. | 0:46:00 | 0:46:01 | |
No, she'll be fine once we feed her up. | 0:46:01 | 0:46:03 | |
Well, you got them all the way here, you don't want to lose them now. | 0:46:03 | 0:46:06 | |
I know what I'm doing, Lizzie. | 0:46:06 | 0:46:08 | |
She's... She's safe now. | 0:46:09 | 0:46:12 | |
Mew, have you had my compact again? | 0:46:13 | 0:46:16 | |
Sip it. I don't want to get into trouble with your father. | 0:46:32 | 0:46:36 | |
He'd hardly notice. He only cares about his zoo. | 0:46:36 | 0:46:38 | |
It's no small feat, you know, | 0:46:39 | 0:46:41 | |
attempting to build something like that. | 0:46:41 | 0:46:44 | |
Here we are... | 0:46:45 | 0:46:47 | |
-I'm third from the left. -What is it? | 0:46:47 | 0:46:50 | |
The Countess of Ellesmere's debutantes ball. | 0:46:50 | 0:46:53 | |
I was your age. | 0:46:53 | 0:46:55 | |
Every eligible bachelor in London was there. | 0:46:55 | 0:46:58 | |
You look stunning. | 0:46:58 | 0:46:59 | |
I remember it like it was yesterday. | 0:46:59 | 0:47:02 | |
Life beginning. | 0:47:02 | 0:47:04 | |
-Oh, that shouldn't be here. -Who's that? -No-one. | 0:47:04 | 0:47:07 | |
DOOR OPENS | 0:47:19 | 0:47:21 | |
I, erm... | 0:47:26 | 0:47:27 | |
HE CLEARS HIS THROAT | 0:47:27 | 0:47:29 | |
I'm sorry for upping and leaving. | 0:47:29 | 0:47:31 | |
Right? | 0:47:33 | 0:47:35 | |
I've been trying to sort things out without you here, | 0:47:36 | 0:47:38 | |
but nothing's ever good enough for you, is it? | 0:47:38 | 0:47:40 | |
No, no, that... That is not true. | 0:47:40 | 0:47:44 | |
It's just I've got this place in my head so clearly. | 0:47:44 | 0:47:47 | |
What is all this? | 0:47:50 | 0:47:52 | |
There's a deadline. | 0:47:52 | 0:47:54 | |
We need to register for change of use. | 0:47:54 | 0:47:56 | |
I'm outlining how the zoo is going to work as a business. | 0:47:56 | 0:48:00 | |
It's got my name on that. | 0:48:00 | 0:48:02 | |
Apparently it's got to come from you. | 0:48:02 | 0:48:04 | |
God forbid a woman could fill in a form(!) | 0:48:04 | 0:48:06 | |
What do you mean, outline it? You can't do this without me. | 0:48:06 | 0:48:09 | |
They're based on your ideas... | 0:48:09 | 0:48:12 | |
the ones I could decipher. | 0:48:12 | 0:48:14 | |
-Give it to me. -I'm not finished. | 0:48:14 | 0:48:17 | |
Lizzie! I want to read it now. | 0:48:17 | 0:48:19 | |
Well, you'll have to wait. | 0:48:22 | 0:48:23 | |
DOOR SLAMS | 0:48:30 | 0:48:31 | |
ENGINE RUMBLES | 0:48:39 | 0:48:41 | |
CAR DOOR CLOSES | 0:48:47 | 0:48:49 | |
GIGGLING | 0:48:50 | 0:48:52 | |
What's happened to her? | 0:48:53 | 0:48:54 | |
Entirely my fault. Too much champagne. | 0:48:54 | 0:48:57 | |
Champagne? She's just a child for pity's sake. | 0:48:57 | 0:49:01 | |
She said she was 18 today. | 0:49:01 | 0:49:03 | |
She's 16 tomorrow. | 0:49:03 | 0:49:06 | |
Oh, dear. | 0:49:06 | 0:49:07 | |
Well, she seemed so mature. | 0:49:07 | 0:49:10 | |
I am mature... | 0:49:10 | 0:49:11 | |
Whatever will her parents say? | 0:49:11 | 0:49:13 | |
Never mind about that, but next time she comes calling, m'lady, | 0:49:13 | 0:49:17 | |
kindly send her away. | 0:49:17 | 0:49:18 | |
She's not used to the antics of the civilised classes. | 0:49:18 | 0:49:22 | |
Thank you very much, I can manage now. | 0:49:25 | 0:49:27 | |
Are you going to tell Mum? | 0:49:29 | 0:49:30 | |
I won't if you won't. | 0:49:31 | 0:49:33 | |
I don't belong here. | 0:49:36 | 0:49:38 | |
I think we've got to make the best of it, my girl... | 0:49:38 | 0:49:41 | |
..whether we like it or not. | 0:49:43 | 0:49:45 | |
MAN SNORING | 0:49:57 | 0:50:00 | |
Dad. | 0:50:01 | 0:50:04 | |
Dad, look. | 0:50:04 | 0:50:06 | |
Thank you. They're perfect. | 0:50:38 | 0:50:40 | |
Happy Birthday. I made it, and Mortimer filled it with gifts. | 0:50:44 | 0:50:48 | |
What sort of gifts? | 0:50:48 | 0:50:50 | |
My compact! I've been looking for that. | 0:51:00 | 0:51:04 | |
JUNE GIGGLES | 0:51:04 | 0:51:06 | |
Oh, look. | 0:51:07 | 0:51:08 | |
I wondered where that had got to. | 0:51:10 | 0:51:12 | |
Look at that. | 0:51:12 | 0:51:14 | |
Where's he been keeping these things, June? | 0:51:14 | 0:51:16 | |
JUNE GIGGLES | 0:51:16 | 0:51:17 | |
It's wild, I found it in the back paddock. | 0:51:17 | 0:51:20 | |
Many happy returns, love. | 0:51:21 | 0:51:23 | |
They were my mother's. | 0:51:34 | 0:51:36 | |
She gave them to me when I was 16. | 0:51:37 | 0:51:39 | |
I thought it was about time you had them. | 0:51:40 | 0:51:43 | |
Thank you. | 0:51:43 | 0:51:44 | |
You feeling all right, love? You look a bit pale. | 0:51:48 | 0:51:51 | |
She looks fine to me. | 0:51:51 | 0:51:52 | |
Perhaps you'd like to go to church with your grandmother this morning. | 0:51:57 | 0:52:01 | |
And you, June. | 0:52:02 | 0:52:03 | |
How is she? | 0:52:08 | 0:52:10 | |
Out of the van at least. | 0:52:10 | 0:52:12 | |
I still think she needs attention but George won't hear of it. | 0:52:12 | 0:52:16 | |
I've finished. | 0:52:22 | 0:52:23 | |
Wipe your hands first, please. | 0:52:27 | 0:52:29 | |
It might not be what you had in mind, | 0:52:34 | 0:52:36 | |
but it means we can open as a business | 0:52:36 | 0:52:38 | |
and stand a chance of making a good go of things. | 0:52:38 | 0:52:41 | |
BEAR WHEEZES | 0:52:41 | 0:52:42 | |
BELLS CHIME | 0:52:45 | 0:52:47 | |
Go on, June, you'll be all right. | 0:53:00 | 0:53:02 | |
Excuse me, Dr Ford? | 0:53:10 | 0:53:13 | |
Yes. | 0:53:13 | 0:53:15 | |
I need to talk to you about a member of our family. | 0:53:15 | 0:53:17 | |
What do you think? | 0:53:26 | 0:53:27 | |
You don't mind it then? | 0:53:32 | 0:53:34 | |
When I got to the part about the aviary... | 0:53:34 | 0:53:37 | |
how we can convert the gazebo, add netting, save money | 0:53:37 | 0:53:40 | |
and still have the space that the birds need to fly around, | 0:53:40 | 0:53:43 | |
I realised then... | 0:53:43 | 0:53:45 | |
-..that I'm a bloody idiot. -You're not. -Oh, I am. | 0:53:46 | 0:53:49 | |
You're my wife, love. | 0:53:49 | 0:53:51 | |
I should know that you understand what's in my head. | 0:53:52 | 0:53:55 | |
You made order out of chaos. | 0:53:55 | 0:53:58 | |
And...you were right about the stables too. | 0:53:58 | 0:54:01 | |
You see, they were full of medical equipment, | 0:54:03 | 0:54:06 | |
you know, beds, crutches. It just took me back. | 0:54:06 | 0:54:09 | |
Albert cleared it. It's all right now, George. | 0:54:10 | 0:54:13 | |
Not quite, but I'm getting there. | 0:54:16 | 0:54:18 | |
Dad, what are you doing? | 0:54:23 | 0:54:25 | |
It's all right, son. | 0:54:25 | 0:54:27 | |
You can trust me, Mr Mottershead. Hippocratic oath and all that. | 0:54:27 | 0:54:30 | |
Your father tells me the patient is a family relation? | 0:54:30 | 0:54:33 | |
Not exactly... | 0:54:33 | 0:54:34 | |
But you keep her out here? | 0:54:36 | 0:54:37 | |
Poor woman. | 0:54:39 | 0:54:40 | |
BEAR WHEEZES | 0:54:47 | 0:54:49 | |
Good Lord. | 0:54:49 | 0:54:50 | |
Well, tell me about their diet. | 0:54:53 | 0:54:55 | |
Em...roots and berries, | 0:54:57 | 0:54:59 | |
but I'm not sure how much of that stuff they've been getting. | 0:54:59 | 0:55:02 | |
I wonder if it's possible for a bear to get scurvy. | 0:55:02 | 0:55:05 | |
That would certainly explain the listlessness. | 0:55:05 | 0:55:08 | |
What's that? | 0:55:08 | 0:55:09 | |
Ascorbic acid. | 0:55:09 | 0:55:11 | |
Any ideas how one administers Vitamin C to a bear? | 0:55:12 | 0:55:15 | |
Morning, class. | 0:55:22 | 0:55:24 | |
ALL: Good morning, Reverend Webb. | 0:55:24 | 0:55:26 | |
Now, we have a new member. | 0:55:26 | 0:55:30 | |
June Mottershead. | 0:55:30 | 0:55:32 | |
June, why don't you stand up and tell us all about yourself? | 0:55:32 | 0:55:35 | |
You could start with where you live. | 0:55:38 | 0:55:40 | |
Oakfield House, isn't it? | 0:55:40 | 0:55:43 | |
With your father and your mother... | 0:55:43 | 0:55:45 | |
And Mew, Gran and Grandad. | 0:55:46 | 0:55:49 | |
And Mortimer. | 0:55:49 | 0:55:51 | |
Who's Mortimer? | 0:55:51 | 0:55:53 | |
My monkey. GIGGLING | 0:55:53 | 0:55:56 | |
Now, children, that's enough. | 0:55:56 | 0:55:58 | |
We remember our manners, especially in front of new friends. | 0:55:58 | 0:56:02 | |
A monkey. | 0:56:02 | 0:56:04 | |
How splendid. | 0:56:04 | 0:56:06 | |
He's my favourite. | 0:56:06 | 0:56:07 | |
Your favourite? So there are others? | 0:56:07 | 0:56:10 | |
Why don't you tell us about all of them? | 0:56:11 | 0:56:13 | |
We've only just begun. | 0:56:13 | 0:56:15 | |
We've got Ruby and Lancelot, they're goats, | 0:56:15 | 0:56:18 | |
and Sidney, he's a camel. | 0:56:18 | 0:56:19 | |
And the bears. | 0:56:19 | 0:56:21 | |
Did you...? Did you say bears? | 0:56:22 | 0:56:24 | |
Yeah? | 0:56:48 | 0:56:50 | |
Slowly. | 0:56:50 | 0:56:51 | |
What do we owe you, Dr Ford? | 0:56:57 | 0:56:59 | |
I'd actually appreciate if we kept this off the books. | 0:56:59 | 0:57:02 | |
People in Upton might not like to know I treat man and beast. | 0:57:02 | 0:57:06 | |
Though it certainly beats dealing | 0:57:06 | 0:57:07 | |
with yet another case of onychocryptosis. | 0:57:07 | 0:57:10 | |
Ingrown toenail. | 0:57:10 | 0:57:12 | |
Thank you. | 0:57:13 | 0:57:14 | |
They're remarkable, George. | 0:57:26 | 0:57:28 | |
They've already moved a couple of man-eaters in there. | 0:57:30 | 0:57:33 | |
You know, this sort of thing can end a career, Ronald. | 0:57:36 | 0:57:39 | |
What do you mean? | 0:57:41 | 0:57:42 | |
Well, if anyone were to get hurt | 0:57:42 | 0:57:44 | |
and it came out that you'd done nothing about an unlicensed zoo... | 0:57:44 | 0:57:47 | |
Best kill off the whole venture now before it gets started. | 0:57:54 | 0:57:59 | |
Well...if you think it's for the best. | 0:57:59 | 0:58:02 | |
You and all these animals, June, honestly. | 0:58:10 | 0:58:13 | |
This zoo, it's an enormous undertaking, but it brings with it | 0:58:14 | 0:58:16 | |
rich rewards, it'll be like nothing you've seen... | 0:58:16 | 0:58:19 | |
We don't want your suburban safari! | 0:58:19 | 0:58:21 | |
'I'll make this place so impressive, | 0:58:21 | 0:58:22 | |
'they'll have no choice but to like it.' | 0:58:22 | 0:58:24 | |
What's in the van? | 0:58:24 | 0:58:26 | |
Dad! | 0:58:26 | 0:58:27 |