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(Buddy Greco's "Around The World" playing) | 0:00:06 | 0:00:09 | |
(Engines Roaring) | 0:00:09 | 0:00:11 | |
# Around the world # | 0:00:11 | 0:00:12 | |
# I've searched for you # | 0:00:14 | 0:00:16 | |
# I travelled on # | 0:00:16 | 0:00:17 | |
# When hope was gone # | 0:00:17 | 0:00:18 | |
# To keep a rendezvous # | 0:00:18 | 0:00:20 | |
# Well, I knew # | 0:00:21 | 0:00:22 | |
# Somewhere # | 0:00:22 | 0:00:23 | |
# Sometime # | 0:00:23 | 0:00:25 | |
# Somehow # | 0:00:25 | 0:00:26 | |
# You'd look at me # | 0:00:26 | 0:00:27 | |
# And I would see # | 0:00:27 | 0:00:28 | |
# That smile you're smiling now # | 0:00:28 | 0:00:31 | |
# Well, it might # | 0:00:31 | 0:00:32 | |
# Have been # | 0:00:32 | 0:00:34 | |
# In County Down # | 0:00:34 | 0:00:36 | |
# In New York... # | 0:00:36 | 0:00:37 | |
There you are. Enjoy your flight. | 0:00:37 | 0:00:38 | |
# Or even # | 0:00:38 | 0:00:39 | |
# London town # | 0:00:39 | 0:00:41 | |
# No more # | 0:00:41 | 0:00:42 | |
# Will I go all around the world # | 0:00:42 | 0:00:46 | |
# For I have found # | 0:00:46 | 0:00:47 | |
# My world # | 0:00:47 | 0:00:48 | |
# In you # | 0:00:48 | 0:00:49 | |
# Yes, around and around # | 0:00:51 | 0:00:52 | |
"Jet Clipper service is unique. | 0:00:52 | 0:00:54 | |
" Upon boarding an around-the-world flight, | 0:00:54 | 0:00:56 | |
"passengers are greeted | 0:00:56 | 0:00:57 | |
"by the international beauty and grace | 0:00:57 | 0:00:58 | |
"known as the Pan Am stewardess." | 0:00:58 | 0:01:00 | |
Next. | 0:01:00 | 0:01:01 | |
"All college-educated, | 0:01:01 | 0:01:02 | |
"girls can fly until they are married or turn 32." | 0:01:02 | 0:01:05 | |
Hands. | 0:01:07 | 0:01:08 | |
Excuse me. Can you help me? | 0:01:09 | 0:01:11 | |
That's quite a picture. | 0:01:11 | 0:01:12 | |
Thank you. Uh, I have a bit of a problem, Miss - | 0:01:12 | 0:01:15 | |
Over a million copies sold, and your hat is askew. | 0:01:15 | 0:01:18 | |
Oh, I didn't pose for it. I was only leaving the building. | 0:01:18 | 0:01:20 | |
Are you wearing your girdle? | 0:01:20 | 0:01:21 | |
Yes, ma'am. | 0:01:21 | 0:01:22 | |
(Smacks) | 0:01:22 | 0:01:23 | |
Oh. (Chuckles) Uh... is that... | 0:01:23 | 0:01:26 | |
(Chuckles) is that necessary? | 0:01:26 | 0:01:27 | |
A girdle doesn't stand up and announce itself. | 0:01:27 | 0:01:30 | |
There's a rip in your stocking. | 0:01:30 | 0:01:32 | |
Yes. I know. Can you help me? | 0:01:32 | 0:01:33 | |
My flight leaves in less than an hour. | 0:01:33 | 0:01:35 | |
How long have you been flying? | 0:01:35 | 0:01:36 | |
Three weeks and two days. | 0:01:36 | 0:01:38 | |
(French accent) I have an extra pair. | 0:01:38 | 0:01:39 | |
We're on the same crew. Follow me, beaute. | 0:01:39 | 0:01:42 | |
Not too dark, Miss Valois. This isn't a cabaret. | 0:01:42 | 0:01:45 | |
Yes, Miss Havemeyer. | 0:01:45 | 0:01:47 | |
Next. | 0:01:47 | 0:01:48 | |
She likes the girdle. | 0:01:48 | 0:01:49 | |
(Smacks) (Chuckles) | 0:01:49 | 0:01:51 | |
So... congratulations. | 0:01:51 | 0:01:52 | |
When did they pick you for it? | 0:01:52 | 0:01:54 | |
Just last week. I was on the San Juan leg. | 0:01:54 | 0:01:56 | |
No, no. Not the flight. The magazine. | 0:01:56 | 0:01:59 | |
How did it happen? | 0:01:59 | 0:02:00 | |
I'm not sure exactly. Um... | 0:02:00 | 0:02:02 | |
(Speaks French) | 0:02:02 | 0:02:04 | |
Ah, pas mal. Vous avez etudie a Paris? | 0:02:05 | 0:02:07 | |
A L'universite de Baltimore. | 0:02:07 | 0:02:09 | |
Make way for the face of Pan Am. | 0:02:09 | 0:02:11 | |
No, don't. Don't say that. | 0:02:11 | 0:02:12 | |
Nylon emergency. Don't say that. I'm not. | 0:02:12 | 0:02:14 | |
Don't apologize. You're on the cover of "Life" magazine. | 0:02:14 | 0:02:16 | |
(Chuckles) Yes, with a face like that, | 0:02:16 | 0:02:17 | |
you'll find a husband in a couple of months. | 0:02:17 | 0:02:19 | |
Oh, I'm...I'm not looking for a husband. | 0:02:19 | 0:02:22 | |
I hope not. You're famous now. | 0:02:22 | 0:02:24 | |
No, trust her. She's not. | 0:02:24 | 0:02:25 | |
(Chuckles) looking for a husband, that is. | 0:02:27 | 0:02:30 | |
Kate, I-I tried to telephone last night. | 0:02:30 | 0:02:33 | |
A man just took a picture. I-I didn't ask for it. | 0:02:34 | 0:02:37 | |
Of course you didn't. (Sniffs) | 0:02:37 | 0:02:39 | |
I need gum. Does anyone want anything? | 0:02:39 | 0:02:40 | |
Oh, hi, Kate. | 0:02:40 | 0:02:41 | |
Can you chew gum in uniform? | 0:02:41 | 0:02:43 | |
Clipper 22 cabin crew. Oui? | 0:02:43 | 0:02:45 | |
Have any of you ladies seen your purser - Bridget Pierce? | 0:02:46 | 0:02:50 | |
(Man over P.A.) The departure gate | 0:02:50 | 0:02:51 | |
for Pan Am flight 3-1-0 has been changed. | 0:02:51 | 0:02:54 | |
The new departure gate is... | 0:02:54 | 0:02:55 | |
(Indistinct conversations) | 0:02:56 | 0:03:00 | |
And the magazine? | 0:03:00 | 0:03:01 | |
Oh, no. I'm just looking. | 0:03:01 | 0:03:02 | |
Are you sure? We'll sell out in a couple hours. | 0:03:02 | 0:03:04 | |
I'll take one. | 0:03:04 | 0:03:05 | |
Here. (Sighs) Take mine. | 0:03:05 | 0:03:07 | |
Uh, a pack of Wilmingtons | 0:03:07 | 0:03:09 | |
and the young lady's chewing gum. | 0:03:09 | 0:03:10 | |
(Woman) 68 cents. | 0:03:10 | 0:03:12 | |
Keep the change. | 0:03:12 | 0:03:14 | |
Thank you. | 0:03:14 | 0:03:15 | |
Pretty girl. | 0:03:15 | 0:03:17 | |
Very. (Sighs) | 0:03:17 | 0:03:18 | |
Are you ready for your first assignment? | 0:03:22 | 0:03:23 | |
Now? | 0:03:23 | 0:03:24 | |
Seat 3d. | 0:03:24 | 0:03:25 | |
We need to detain him at Customs in Heathrow. | 0:03:25 | 0:03:28 | |
Replace the British visa in his passport | 0:03:28 | 0:03:29 | |
with this expired one. | 0:03:29 | 0:03:30 | |
Without him knowing? | 0:03:30 | 0:03:32 | |
I'll take that as rhetorical. | 0:03:32 | 0:03:34 | |
You forgot your gum. | 0:03:34 | 0:03:36 | |
(Typewriter keys clacking, telephone ringing) | 0:03:36 | 0:03:40 | |
(Man) # If you love everybody? # | 0:03:40 | 0:03:43 | |
# What more do you find in me? # | 0:03:43 | 0:03:45 | |
Sure. Let me get it. | 0:03:46 | 0:03:48 | |
Oh. Does the Marxist dialectic account for a dual thesis? | 0:03:48 | 0:03:51 | |
That's Hegel, not Marx. Hello. | 0:03:51 | 0:03:53 | |
Maggie? This is Ill from Pan Am scheduling. | 0:03:54 | 0:03:57 | |
Can you volunteer for a special flight last-minute? | 0:03:57 | 0:03:59 | |
I think you're working off the wrong list. | 0:03:59 | 0:04:03 | |
We're missing our lead stewardess | 0:04:03 | 0:04:04 | |
on our New York to London. | 0:04:04 | 0:04:06 | |
Can you come and be our purser? | 0:04:06 | 0:04:07 | |
Today? | 0:04:07 | 0:04:08 | |
8:30 departure. | 0:04:08 | 0:04:09 | |
Margaret, this is Paul Gilbert. | 0:04:09 | 0:04:11 | |
Pan Am is launching a new clipper jet... | 0:04:11 | 0:04:13 | |
and I cannot let it fly without a purser. | 0:04:13 | 0:04:15 | |
Did you know I was grounded, Paul Gilbert? | 0:04:15 | 0:04:18 | |
Uniform violation. | 0:04:18 | 0:04:19 | |
Not if you can get here in 35 minutes. | 0:04:19 | 0:04:21 | |
I wish I could. I'm in the city. | 0:04:21 | 0:04:23 | |
Get your fanny to midtown. | 0:04:23 | 0:04:24 | |
I'll have a helicopter waiting for you at headquarters, | 0:04:24 | 0:04:26 | |
and, sweetheart, | 0:04:26 | 0:04:28 | |
wear the girdle. | 0:04:28 | 0:04:29 | |
(Receiver clatters) | 0:04:30 | 0:04:31 | |
Helicopter? | 0:04:31 | 0:04:32 | |
An extraordinary gesture on my part | 0:04:32 | 0:04:34 | |
to get your purser here on time. | 0:04:34 | 0:04:36 | |
What, Bridget's not here yet? | 0:04:36 | 0:04:38 | |
Not your problem. | 0:04:38 | 0:04:39 | |
"Clipper Majestic" departs on schedule. | 0:04:39 | 0:04:42 | |
Write her first chapter, captain. | 0:04:42 | 0:04:45 | |
(Sighs) Yeah. | 0:04:46 | 0:04:49 | |
(Man) your attention, please. | 0:04:53 | 0:04:54 | |
This is the last boarding call for flight 2701... | 0:04:54 | 0:04:57 | |
John? | 0:04:57 | 0:04:58 | |
To Sao Paulo, Brazil. | 0:04:58 | 0:04:59 | |
Hey, John! | 0:04:59 | 0:05:01 | |
Hey, was that your... the one from Rome? | 0:05:05 | 0:05:08 | |
Oui. | 0:05:08 | 0:05:09 | |
Well, he's about to be the one from London, huh? | 0:05:09 | 0:05:11 | |
(Laughs) Did you know he was on this flight? | 0:05:11 | 0:05:14 | |
I love surprises. | 0:05:14 | 0:05:15 | |
Just smile through it, dear. | 0:05:19 | 0:05:22 | |
Listen, you can crash here, | 0:05:25 | 0:05:26 | |
but lock the door when you leave. | 0:05:26 | 0:05:28 | |
Maggie. | 0:05:28 | 0:05:30 | |
You dropped your silly blue hat. | 0:05:30 | 0:05:31 | |
(Sighs) Look, I get to see the world, Sam. | 0:05:31 | 0:05:34 | |
When was the last time you left the Village? | 0:05:34 | 0:05:35 | |
I don't need to see the world to change it. | 0:05:35 | 0:05:37 | |
Well, I do. | 0:05:37 | 0:05:38 | |
Taxi! Taxi! Taxi! | 0:05:39 | 0:05:40 | |
(Brakes squeal) | 0:05:42 | 0:05:43 | |
I'm going to 200 Park Avenue, the Pan Am building. | 0:05:43 | 0:05:46 | |
(Sighs) Wow. It's beautiful. | 0:05:52 | 0:05:54 | |
Brand-new. Never been flown. | 0:05:55 | 0:05:57 | |
What do you think, ladies? | 0:05:57 | 0:05:59 | |
Can we make this work? | 0:05:59 | 0:06:01 | |
Are you our pilot? | 0:06:01 | 0:06:02 | |
One of 'em. | 0:06:02 | 0:06:03 | |
No, he's our co-pilot. | 0:06:03 | 0:06:04 | |
Well, uh, first officer. | 0:06:04 | 0:06:06 | |
First officer. | 0:06:07 | 0:06:08 | |
(Tyres screech) | 0:06:08 | 0:06:10 | |
(Panting) | 0:06:11 | 0:06:14 | |
Are you okay, Miss? | 0:06:14 | 0:06:15 | |
Eyes forward. | 0:06:15 | 0:06:16 | |
(Tyres screech) | 0:06:17 | 0:06:20 | |
Fuel quantity checked. | 0:06:28 | 0:06:30 | |
Flight controls free and correct. | 0:06:30 | 0:06:33 | |
Are we ready, boys? | 0:06:34 | 0:06:35 | |
(Chuckles) Hey. Are you nervous? | 0:06:35 | 0:06:37 | |
Cos I could take that seat, if you're nervous. | 0:06:37 | 0:06:38 | |
(Chuckles) Thanks, Ted, | 0:06:38 | 0:06:40 | |
but Pan Am wants actual pilots in the left seat. | 0:06:41 | 0:06:44 | |
Ha ha. | 0:06:44 | 0:06:46 | |
(Chuckles) | 0:06:46 | 0:06:47 | |
(Engine whirring) | 0:06:55 | 0:06:58 | |
(Indistinct conversations) | 0:06:58 | 0:07:02 | |
Welcome aboard, Mr Sabel. | 0:07:05 | 0:07:07 | |
Right this way. | 0:07:08 | 0:07:10 | |
3D is the aisle. | 0:07:13 | 0:07:14 | |
May I take your coat? | 0:07:16 | 0:07:17 | |
(Russian accent) I wear coat when it's cold. | 0:07:17 | 0:07:20 | |
Your briefcase? | 0:07:21 | 0:07:22 | |
Gin with bitters, please. | 0:07:22 | 0:07:25 | |
(Whirring) | 0:07:28 | 0:07:31 | |
(Indistinct conversations) | 0:07:38 | 0:07:41 | |
Colette. | 0:07:42 | 0:07:44 | |
Bonjour. (Chuckles) Welcome aboard, Monsieur. | 0:07:44 | 0:07:46 | |
May I take your coat? | 0:07:46 | 0:07:47 | |
John, please slow down. Tommy slipped. | 0:07:47 | 0:07:49 | |
Oh. Are you all right, buddy? Uh, Evelyn, coat? | 0:07:49 | 0:07:51 | |
If you don't mind, I'd love to get our son settled in first. | 0:07:51 | 0:07:54 | |
Certainly. Yeah. | 0:07:54 | 0:07:56 | |
(Radio static) | 0:08:04 | 0:08:05 | |
(Man) Clipper 22, tower. | 0:08:05 | 0:08:06 | |
Your special delivery just landed. Over. | 0:08:06 | 0:08:08 | |
Roger that, tower. | 0:08:08 | 0:08:09 | |
(Static) | 0:08:09 | 0:08:10 | |
That's our girl. | 0:08:10 | 0:08:11 | |
(Woman speaking indistinctly over P.A.) | 0:08:13 | 0:08:16 | |
(Kate) The captain will give you a report on our flight plan | 0:08:22 | 0:08:25 | |
just as soon as his duties permits. | 0:08:25 | 0:08:27 | |
We're happy to have you with us this morning. | 0:08:27 | 0:08:29 | |
Well, thanks, Kate. Hey. | 0:08:29 | 0:08:32 | |
Maggie, you're our purser? | 0:08:32 | 0:08:33 | |
Best they could manage on short notice. | 0:08:33 | 0:08:36 | |
Can we roll out, gentlemen? I'm getting tired of waiting. | 0:08:36 | 0:08:38 | |
Maggie? | 0:08:38 | 0:08:39 | |
Dean? | 0:08:39 | 0:08:40 | |
You're a captain now? | 0:08:41 | 0:08:43 | |
Did you just fly in on a helicopter? | 0:08:43 | 0:08:44 | |
Oh, well, I like to make an entrance. (Chuckles) | 0:08:44 | 0:08:47 | |
Uh, where's... where's Bridget? | 0:08:47 | 0:08:49 | |
I don't know. They just called me to fill in. | 0:08:49 | 0:08:52 | |
Yeah? Who's filling in the rest of her? (Laughs) | 0:08:52 | 0:08:55 | |
He won't be doing any actual flying, will he? | 0:08:55 | 0:08:58 | |
Well, welcome aboard, Maggie. | 0:09:01 | 0:09:03 | |
Thanks. (Chuckles) | 0:09:03 | 0:09:04 | |
(Sighs) | 0:09:07 | 0:09:09 | |
So... (Sighs) who else do we have? | 0:09:09 | 0:09:12 | |
A new hire. She's in back. | 0:09:12 | 0:09:14 | |
"Laura... Cameron"? | 0:09:14 | 0:09:15 | |
My sister. I can't seem to escape her. | 0:09:17 | 0:09:19 | |
They put you two on the same flight? | 0:09:19 | 0:09:21 | |
Mm. | 0:09:21 | 0:09:22 | |
Well, isn't that something? | 0:09:23 | 0:09:26 | |
(Man) Clipper 22, Idlewild tower. | 0:09:34 | 0:09:35 | |
Cleared for takeoff, runway 3-1-left. | 0:09:35 | 0:09:39 | |
(Button clicks) | 0:09:44 | 0:09:45 | |
Cleared for takeoff, | 0:09:45 | 0:09:46 | |
3-1-left. Clipper 2-2 on the roll. | 0:09:46 | 0:09:48 | |
(Click) | 0:09:48 | 0:09:50 | |
(Engine roaring) | 0:09:51 | 0:09:55 | |
So how new are you, Laura? | 0:10:15 | 0:10:17 | |
Is it that obvious? (Sighs) | 0:10:17 | 0:10:20 | |
(Chuckles) Better buckle up. | 0:10:20 | 0:10:21 | |
Adventure calls. | 0:10:21 | 0:10:23 | |
Oh. (Sighs) | 0:10:23 | 0:10:24 | |
(Clicks) | 0:10:25 | 0:10:26 | |
(Both chuckle) | 0:10:26 | 0:10:28 | |
(Roaring) | 0:10:37 | 0:10:41 | |
(Switch clicks) | 0:10:48 | 0:10:50 | |
(Tones chime) | 0:10:50 | 0:10:51 | |
(Sighs) | 0:10:51 | 0:10:53 | |
(Chuckles) Go ahead. | 0:10:53 | 0:10:54 | |
(Chuckles) | 0:10:54 | 0:10:55 | |
Say it. | 0:10:55 | 0:10:56 | |
Ahem. | 0:10:56 | 0:10:57 | |
(Chuckles) | 0:10:57 | 0:10:58 | |
Welcome, ladies and gentlemen. | 0:10:59 | 0:11:01 | |
This is your... captain speaking. | 0:11:01 | 0:11:04 | |
Today you get to share a bit of history | 0:11:04 | 0:11:05 | |
with us here at Pan American. | 0:11:05 | 0:11:07 | |
This is the maiden voyage of the newest clipper jet | 0:11:07 | 0:11:09 | |
in the Pan Am fleet. | 0:11:09 | 0:11:11 | |
If you've never flown on a jet to Europe before, | 0:11:11 | 0:11:13 | |
you're in for a real treat. | 0:11:13 | 0:11:14 | |
Our flight will only take six and a half hours... | 0:11:14 | 0:11:15 | |
(Clicks) Oh, thank you. | 0:11:15 | 0:11:16 | |
With no vibrations or outside noise | 0:11:16 | 0:11:18 | |
in our air-conditioned cabin. | 0:11:18 | 0:11:21 | |
We're travelling at a speed of 575 miles an hour. | 0:11:21 | 0:11:24 | |
In addition, we'll benefit from a substantial tailwind, | 0:11:24 | 0:11:26 | |
courtesy of the Jet Stream... | 0:11:26 | 0:11:27 | |
Mm. | 0:11:27 | 0:11:28 | |
So our ground speed could reach over 650 miles per hour. | 0:11:28 | 0:11:32 | |
Thirsty? (Chuckles) | 0:11:32 | 0:11:34 | |
An American man would say something, no? | 0:11:35 | 0:11:37 | |
Depends on the subject. | 0:11:37 | 0:11:39 | |
The family in row 5 and 6. | 0:11:39 | 0:11:41 | |
He's married. | 0:11:42 | 0:11:43 | |
Oh. Well, did you ask? | 0:11:43 | 0:11:45 | |
Oh, no. I don't care. I was only surprised. | 0:11:46 | 0:11:49 | |
Oh. Well, good. Okay. (Chuckles) | 0:11:49 | 0:11:52 | |
That's very French of you. | 0:11:52 | 0:11:53 | |
(Both chuckle) | 0:11:53 | 0:11:55 | |
Should we spike his food or his drink? | 0:11:56 | 0:11:58 | |
Both. | 0:11:58 | 0:12:00 | |
...Relax, and enjoy your Clipper jet service to Europe. | 0:12:00 | 0:12:01 | |
(Static) | 0:12:01 | 0:12:03 | |
(Click) | 0:12:03 | 0:12:04 | |
(Receiver clatters) | 0:12:04 | 0:12:05 | |
What? | 0:12:05 | 0:12:07 | |
I don't think I can call you "captain." | 0:12:07 | 0:12:08 | |
You gonna be able to call him "captain," Sanjeev? | 0:12:08 | 0:12:11 | |
35,000 feet, captain. | 0:12:11 | 0:12:12 | |
I don't think I can do it. | 0:12:12 | 0:12:14 | |
Maybe I'll start in Spanish, work my way up to it. | 0:12:14 | 0:12:16 | |
(Switches click) | 0:12:16 | 0:12:17 | |
Boston Centre, clipper 2-2 with you. | 0:12:17 | 0:12:19 | |
Flight level 3-5-0 heading 0-1-niner degrees. | 0:12:19 | 0:12:22 | |
(Man) Roger, Clipper 22. | 0:12:22 | 0:12:24 | |
(Static) | 0:12:24 | 0:12:25 | |
Hey, Boston, uh, could you contact Pan Am operations, | 0:12:25 | 0:12:28 | |
see if they could secure a location on a Bridget Pierce? | 0:12:28 | 0:12:31 | |
Come again, Clipper 22. | 0:12:31 | 0:12:33 | |
Check on our missing stewardess, will ya? | 0:12:33 | 0:12:35 | |
(Undoes seat belt buckle) | 0:12:35 | 0:12:36 | |
Whoa. Bailing out already? | 0:12:36 | 0:12:38 | |
Permission to christen the john, el Capitan? | 0:12:38 | 0:12:40 | |
No. Still sounds weird. Maybe in Italian. | 0:12:40 | 0:12:43 | |
Well, Bridget must have called somebody. | 0:12:44 | 0:12:47 | |
She'll turn up. She always does. | 0:12:47 | 0:12:50 | |
Hey, Maggie. Heard you got grounded. | 0:12:50 | 0:12:52 | |
Somebody caught you out of your girdle? | 0:12:52 | 0:12:53 | |
It won't be the last time. | 0:12:53 | 0:12:54 | |
Let me know if you need help | 0:12:54 | 0:12:55 | |
with that uniform inspection, hmm? | 0:12:55 | 0:12:56 | |
Oh, thanks, | 0:12:56 | 0:12:57 | |
but I think I'll leave that to more experienced hands. | 0:12:57 | 0:12:59 | |
(Laughs) | 0:12:59 | 0:13:00 | |
Ohh. | 0:13:00 | 0:13:03 | |
Mm. | 0:13:16 | 0:13:17 | |
(Indistinct conversations) | 0:13:17 | 0:13:18 | |
E-excuse me. | 0:13:18 | 0:13:19 | |
Mm. Pardon me. | 0:13:21 | 0:13:22 | |
Oh. Oh. Oh. | 0:13:22 | 0:13:23 | |
Lunch menu? | 0:13:23 | 0:13:25 | |
Oh, would you take our picture for us? | 0:13:25 | 0:13:26 | |
Oh. I've never seen one like that. | 0:13:26 | 0:13:27 | |
Yeah, it takes a special film. The photos develop right inside. | 0:13:27 | 0:13:30 | |
It was a wedding present from my parents. | 0:13:30 | 0:13:31 | |
Yeah. It's all set up. Just, uh, press the top there. | 0:13:31 | 0:13:33 | |
Are you on your honeymoon? | 0:13:33 | 0:13:34 | |
Oh, finally. (Chuckles) I knew in the seventh grade. | 0:13:34 | 0:13:37 | |
It just took him ten years to ask. | 0:13:37 | 0:13:39 | |
Excuse me, Miss. Is this you? | 0:13:39 | 0:13:41 | |
Uh... no. | 0:13:41 | 0:13:42 | |
(Woman) We are so excited to be going to London. | 0:13:43 | 0:13:45 | |
We were gonna go to Paris, but my friend Sue Ellen | 0:13:45 | 0:13:47 | |
just went to Paris, and we didn't want to come home | 0:13:47 | 0:13:49 | |
with all the same stories, so... | 0:13:49 | 0:13:51 | |
Ohh! Lovely. Absolutely lovely. | 0:13:51 | 0:13:54 | |
(Camera winds) | 0:13:54 | 0:13:56 | |
Greg is a very lucky man. | 0:13:56 | 0:13:57 | |
Your father saw him eyeing this house on Asher | 0:13:57 | 0:13:59 | |
near the elementary school. | 0:13:59 | 0:14:01 | |
We should really try the other necklace again. | 0:14:01 | 0:14:03 | |
Perhaps just a bit more rouge. | 0:14:03 | 0:14:05 | |
Kate, does it fit? | 0:14:05 | 0:14:06 | |
We considered basting the hem, but - | 0:14:07 | 0:14:08 | |
(Woman) Don't concern yourself, sweetheart. | 0:14:08 | 0:14:10 | |
If your sister cared how her dress looked, | 0:14:10 | 0:14:12 | |
she would have flown in for the fitting. | 0:14:12 | 0:14:13 | |
Oh, I'm sure you guessed perfectly, Mother. | 0:14:13 | 0:14:15 | |
Well, I had to, didn't i? You're still not changed? | 0:14:15 | 0:14:18 | |
I had to mend the veil. | 0:14:18 | 0:14:19 | |
What? What did you do to it? | 0:14:19 | 0:14:21 | |
I didn't do anything to it. It just tore a little bit. | 0:14:21 | 0:14:23 | |
Kate, stop. Just stop. Get dressed. | 0:14:23 | 0:14:27 | |
I'll tell Greg we need a few more minutes. | 0:14:27 | 0:14:28 | |
Whew. | 0:14:28 | 0:14:30 | |
Are you all right? | 0:14:30 | 0:14:31 | |
Yeah. | 0:14:31 | 0:14:33 | |
it's just nerves, I guess. I can't seem to stop shaking. | 0:14:33 | 0:14:36 | |
Well, you look beautiful, so just enjoy it. | 0:14:36 | 0:14:38 | |
Can I get you anything? | 0:14:38 | 0:14:39 | |
Could you get me some water? | 0:14:39 | 0:14:41 | |
Yeah. Of course. I'll be right back. | 0:14:41 | 0:14:44 | |
(Indistinct conversations in distance) | 0:14:44 | 0:14:45 | |
(Door opens and closes) | 0:14:45 | 0:14:48 | |
(Water sloshes) | 0:15:00 | 0:15:01 | |
(Indistinct conversations) | 0:15:12 | 0:15:15 | |
(Sighs) | 0:15:23 | 0:15:27 | |
(Orchestral music playing) | 0:15:27 | 0:15:28 | |
(Man) Congratulations. | 0:15:28 | 0:15:30 | |
(Laura) I travelled for 36 hours straight, | 0:15:30 | 0:15:31 | |
but I got here. | 0:15:31 | 0:15:32 | |
And still you couldn't manage the time | 0:15:32 | 0:15:34 | |
to change out of that costume. | 0:15:34 | 0:15:35 | |
(Sighs) I am proud of my uniform. | 0:15:35 | 0:15:37 | |
Do you know what we get to do? | 0:15:37 | 0:15:39 | |
You made it clear you don't care what I think of what you do. | 0:15:39 | 0:15:41 | |
Go ahead. Gallivant around the world if you like, | 0:15:41 | 0:15:43 | |
but don't use your sister's special day... | 0:15:43 | 0:15:45 | |
Oh, this isn't Laura's special day. This is yours, | 0:15:45 | 0:15:47 | |
because Laura hasn't made a decision for herself | 0:15:47 | 0:15:49 | |
her whole life. | 0:15:49 | 0:15:50 | |
(Sighs) | 0:15:50 | 0:15:51 | |
Laura? Laura, what happened? Did you faint? | 0:15:51 | 0:15:55 | |
(Sniffles) I can't... I can't... | 0:15:55 | 0:15:57 | |
Has she eaten this morning? I can't... | 0:15:56 | 0:15:57 | |
Shh. it's nerves. | 0:15:57 | 0:15:59 | |
Just smile through it, dear. Mother. | 0:15:59 | 0:16:00 | |
I can't... Shh. I'll get a sedative. | 0:16:00 | 0:16:02 | |
I don't think that's... I can't go through it. | 0:16:02 | 0:16:03 | |
Kate, not now. I-I don't want... | 0:16:03 | 0:16:04 | |
I don't want to get... | 0:16:04 | 0:16:05 | |
Do you want me to open the window? | 0:16:05 | 0:16:06 | |
I don't want to do this. | 0:16:06 | 0:16:07 | |
Okay, sweetheart, | 0:16:07 | 0:16:08 | |
just breathe. | 0:16:08 | 0:16:08 | |
I don't want to do this. | 0:16:08 | 0:16:09 | |
Just breathe. You're all right. | 0:16:09 | 0:16:11 | |
(Voice breaking) I don't want to do this. | 0:16:11 | 0:16:12 | |
Okay, do what? Marry Greg? | 0:16:12 | 0:16:14 | |
It's too...it's too late. | 0:16:14 | 0:16:15 | |
No, no, no. No, it's not too late. | 0:16:15 | 0:16:17 | |
I don't want to do... I don't want to do any of it, | 0:16:17 | 0:16:19 | |
but everyone's already here. | 0:16:19 | 0:16:21 | |
Then we'll leave. They can all have a party without us. | 0:16:21 | 0:16:23 | |
But... mother... | 0:16:23 | 0:16:24 | |
Laura, listen to me. | 0:16:24 | 0:16:25 | |
You need to decide right now, | 0:16:25 | 0:16:28 | |
because this is your life. | 0:16:28 | 0:16:29 | |
What do you want to do with it? | 0:16:29 | 0:16:31 | |
(Breathing heavily) | 0:16:31 | 0:16:32 | |
(Little Richard's "Keep a Knockin'" playing) | 0:16:35 | 0:16:37 | |
# Keep a knockin', but you can't come in # | 0:16:37 | 0:16:38 | |
Does Daddy still keep his keys in the visor? | 0:16:38 | 0:16:41 | |
Oh! | 0:16:41 | 0:16:42 | |
I can't believe we're doing this. | 0:16:42 | 0:16:43 | |
Laura. | 0:16:43 | 0:16:44 | |
Oh, you look beautiful. Congratulations. | 0:16:44 | 0:16:46 | |
Thank you. Thank you. | 0:16:46 | 0:16:47 | |
I-I-I have to go. | 0:16:47 | 0:16:49 | |
- Laura! - I have to go! | 0:16:49 | 0:16:51 | |
# Whoo, you said you love me # | 0:16:51 | 0:16:52 | |
# And you can't come in # | 0:16:52 | 0:16:53 | |
(Panting) Where are we going? | 0:16:53 | 0:16:55 | |
I have a week. I'll take you anywhere you want to go, | 0:16:55 | 0:16:57 | |
anything you want to see. | 0:16:57 | 0:16:58 | |
I want to see the world. | 0:16:58 | 0:16:59 | |
I love that plan. | 0:16:59 | 0:17:01 | |
Yeah, you can show it to me. I'll become a Pan Am stewardess. | 0:17:01 | 0:17:03 | |
(Tyres screech) | 0:17:03 | 0:17:05 | |
Girls, what do you think you're doing? | 0:17:12 | 0:17:15 | |
Go. Go, go, go! | 0:17:15 | 0:17:16 | |
Get back in the house! We are lining up! | 0:17:16 | 0:17:20 | |
Aah! | 0:17:20 | 0:17:21 | |
No! The prelude is starting! | 0:17:22 | 0:17:26 | |
(Dean) Ladies and gentlemen, | 0:17:26 | 0:17:27 | |
for those of you on the left side of the airplane, | 0:17:27 | 0:17:28 | |
as promised, | 0:17:28 | 0:17:30 | |
you can see the Southern coast of Greenland. | 0:17:30 | 0:17:32 | |
Colette. | 0:17:32 | 0:17:33 | |
I'm sorry. | 0:17:35 | 0:17:36 | |
Uh, I didn't know you would be on this flight. | 0:17:37 | 0:17:38 | |
What a coincidence. | 0:17:40 | 0:17:41 | |
I didn't know you were married. | 0:17:41 | 0:17:43 | |
I thought you understood. | 0:17:43 | 0:17:45 | |
Understood what? I'm your mistress? | 0:17:45 | 0:17:47 | |
No... (Sighs) | 0:17:47 | 0:17:50 | |
Colette. | 0:17:56 | 0:17:57 | |
I just need a little time. I-I didn't plan for this. | 0:17:58 | 0:18:02 | |
What was your plan, Mr Stanton? | 0:18:02 | 0:18:04 | |
Believe me, when we met, I didn't expect... | 0:18:04 | 0:18:06 | |
Now, Daddy? | 0:18:06 | 0:18:07 | |
It's a long flight, buddy. | 0:18:07 | 0:18:09 | |
Um, he wants to see the cockpit. | 0:18:09 | 0:18:11 | |
Well, we can do that right now, okay? | 0:18:13 | 0:18:16 | |
Come on. | 0:18:17 | 0:18:19 | |
(Julie London's "Love must be catching" playing) | 0:18:24 | 0:18:28 | |
# Must be catching # | 0:18:28 | 0:18:29 | |
# I got it # | 0:18:32 | 0:18:33 | |
# You've got it # | 0:18:35 | 0:18:36 | |
# Everybody's got it # | 0:18:38 | 0:18:40 | |
# Must be catching # | 0:18:42 | 0:18:43 | |
# Ooh, it's love # | 0:18:44 | 0:18:46 | |
# Birds in the tree # | 0:18:48 | 0:18:50 | |
# Man, they got it # | 0:18:52 | 0:18:53 | |
# Fish in the sea # | 0:18:55 | 0:18:56 | |
# They got it # | 0:18:59 | 0:19:00 | |
# Must be catching # | 0:19:01 | 0:19:03 | |
# Ooh, it's love # | 0:19:05 | 0:19:06 | |
# No need to worry # | 0:19:09 | 0:19:10 | |
# It started with Adam # | 0:19:12 | 0:19:13 | |
# He looked at Eve # | 0:19:15 | 0:19:16 | |
# Man, she had him # | 0:19:19 | 0:19:20 | |
# Must be catching # | 0:19:22 | 0:19:23 | |
# Ooh, it's love # | 0:19:25 | 0:19:26 | |
# Fish in the sea # | 0:19:28 | 0:19:30 | |
# They got it # | 0:19:32 | 0:19:33 | |
# Must be catching # | 0:19:35 | 0:19:36 | |
# Ooh, it's love # | 0:19:38 | 0:19:39 | |
A long flight? | 0:19:40 | 0:19:41 | |
(Speaks French) | 0:19:43 | 0:19:44 | |
# Ooh, it's love # | 0:19:45 | 0:19:46 | |
# Ooh, it's love # | 0:19:48 | 0:19:49 | |
# Ah, it's love # | 0:19:51 | 0:19:52 | |
(Chuckles) | 0:19:53 | 0:19:55 | |
# Ooh, it's love # | 0:19:55 | 0:19:56 | |
# Ah, it's love # | 0:19:58 | 0:20:01 | |
(Engine stops) | 0:20:04 | 0:20:06 | |
Bridget! | 0:20:06 | 0:20:08 | |
(Man speaks in Italian) | 0:20:10 | 0:20:12 | |
(British accent) It's a motorbike now? | 0:20:15 | 0:20:16 | |
I talked the salesman into letting me take her out | 0:20:16 | 0:20:18 | |
for the day. | 0:20:18 | 0:20:19 | |
With your stellar Italian? | 0:20:19 | 0:20:20 | |
That and the Americano dollar. Who's that? | 0:20:20 | 0:20:22 | |
Lost tourist in need of direction. | 0:20:22 | 0:20:26 | |
Good. | 0:20:29 | 0:20:30 | |
(Pats seat) | 0:20:30 | 0:20:31 | |
I need directions to Tivoli. | 0:20:31 | 0:20:32 | |
Oh, I-I can't. | 0:20:32 | 0:20:34 | |
I-I promised Kate I'd meet her for lunch. | 0:20:34 | 0:20:36 | |
(Scoffs) So tell her you got rerouted. | 0:20:36 | 0:20:38 | |
Well, can you wait? | 0:20:38 | 0:20:39 | |
Not my specialty. | 0:20:39 | 0:20:41 | |
I'll, uh, save room for dessert. | 0:20:41 | 0:20:44 | |
Come and find me. | 0:20:45 | 0:20:47 | |
See you soon. | 0:20:50 | 0:20:53 | |
Taxi! | 0:20:59 | 0:21:00 | |
(Horns honking) | 0:21:00 | 0:21:01 | |
(Men shouting in Italian) | 0:21:01 | 0:21:03 | |
(Horn honks) | 0:21:09 | 0:21:10 | |
Guardi dove va! | 0:21:10 | 0:21:12 | |
(Kate chuckles) No. Community service. | 0:21:23 | 0:21:25 | |
The 4-H club. | 0:21:25 | 0:21:27 | |
My sister was the beauty queen. | 0:21:27 | 0:21:28 | |
Well, then somebody got something backwards. | 0:21:28 | 0:21:30 | |
(Chuckles) You'd really have to see her. | 0:21:30 | 0:21:32 | |
Oh, I don't need to. | 0:21:32 | 0:21:33 | |
You found the place? | 0:21:33 | 0:21:35 | |
Oh, yes. They had a table waiting for us. | 0:21:35 | 0:21:37 | |
And your friend? | 0:21:37 | 0:21:38 | |
Oh, um, this is... I'm sorry. | 0:21:38 | 0:21:40 | |
I didn't catch your name. | 0:21:40 | 0:21:41 | |
Richard. Richard Parks. | 0:21:41 | 0:21:43 | |
Bridget Pierce. | 0:21:44 | 0:21:46 | |
She came to my rescue. | 0:21:46 | 0:21:48 | |
My translation book was failing me. | 0:21:48 | 0:21:49 | |
A Yank? | 0:21:49 | 0:21:51 | |
He's, uh, hopelessly lost, I'm afraid. | 0:21:51 | 0:21:53 | |
Sit down. | 0:21:53 | 0:21:54 | |
I can't. I'm sorry. | 0:21:54 | 0:21:55 | |
I just didn't want you to be waiting. | 0:21:55 | 0:21:57 | |
They need a purser on the evening flight to Berlin. | 0:21:57 | 0:21:59 | |
Ma rimani. Lui e carino. | 0:21:59 | 0:22:00 | |
Uh... forse un pochino. | 0:22:00 | 0:22:02 | |
Ci vediamo a New York. | 0:22:02 | 0:22:03 | |
Okay. | 0:22:03 | 0:22:04 | |
Ciao, Bridget. | 0:22:04 | 0:22:05 | |
(Door opens, bell jingles) | 0:22:05 | 0:22:06 | |
I take it that wasn't your sister. | 0:22:06 | 0:22:08 | |
Oh. No, no. We fly together. I'm a Pan Am stewardess. | 0:22:08 | 0:22:11 | |
Oh, well, that's my favourite kind of stewardess. | 0:22:11 | 0:22:13 | |
(Chuckles) So what do you do for a living, Mr Parks? | 0:22:13 | 0:22:16 | |
I work for the US Government. | 0:22:16 | 0:22:18 | |
Intelligence. | 0:22:18 | 0:22:18 | |
Hard to believe? | 0:22:18 | 0:22:20 | |
No trench coat? | 0:22:20 | 0:22:22 | |
Mm. I didn't say I was any good at it. | 0:22:22 | 0:22:24 | |
You, on the other hand, fit the profile perfectly... | 0:22:24 | 0:22:27 | |
beautiful, well-educated, trilingual. | 0:22:27 | 0:22:30 | |
And I have the perfect cover. | 0:22:30 | 0:22:31 | |
Exactly. | 0:22:31 | 0:22:33 | |
A Pan Am stewardess can travel all around the world | 0:22:33 | 0:22:34 | |
without suspicion. | 0:22:34 | 0:22:36 | |
Wait. How did you know I was trilingual? | 0:22:38 | 0:22:41 | |
No, thank you. | 0:22:41 | 0:22:42 | |
(Man speaking in Russian) | 0:22:44 | 0:22:47 | |
Can I get you anything else? | 0:22:49 | 0:22:52 | |
Uh, yes. Some peace. | 0:22:52 | 0:22:56 | |
Maggie. | 0:23:05 | 0:23:06 | |
Sir, would you like some caviar? | 0:23:07 | 0:23:10 | |
From where? | 0:23:11 | 0:23:12 | |
(Maggie) Flown in daily from the Caspian Sea. | 0:23:12 | 0:23:15 | |
Perhaps later. | 0:23:15 | 0:23:16 | |
Wait. Wait! | 0:23:17 | 0:23:19 | |
That is my "Life" magazine. | 0:23:23 | 0:23:25 | |
No, I believe yours is in your briefcase. | 0:23:27 | 0:23:30 | |
Can I steal a cup? | 0:23:42 | 0:23:43 | |
Help yourself. | 0:23:43 | 0:23:44 | |
Hi. I'm Ted. | 0:23:44 | 0:23:46 | |
The first officer. | 0:23:46 | 0:23:47 | |
That's right. What's your name? | 0:23:47 | 0:23:48 | |
Laura. | 0:23:48 | 0:23:49 | |
Laura. | 0:23:49 | 0:23:50 | |
Is this, uh, your first, uh, intercontinental? | 0:23:50 | 0:23:53 | |
It is. | 0:23:53 | 0:23:54 | |
Nope. Not this one. | 0:23:54 | 0:23:55 | |
I'm just being hospitable. | 0:23:55 | 0:23:56 | |
Consider her restricted airspace. | 0:23:56 | 0:23:57 | |
I'm just helping you girls out, pouring myself some coffee. | 0:23:57 | 0:24:00 | |
You know, for a co-pilot, you spend a lot of time | 0:24:00 | 0:24:02 | |
out of the cockpit. | 0:24:02 | 0:24:03 | |
Great. (Sighs) | 0:24:03 | 0:24:05 | |
If you need anything, Laura, you let me know. | 0:24:06 | 0:24:09 | |
I almost called home last night. | 0:24:18 | 0:24:20 | |
Did you finally tell Mom and Dad | 0:24:20 | 0:24:22 | |
that you followed me into the uniform? | 0:24:22 | 0:24:23 | |
I wrote a letter. | 0:24:23 | 0:24:25 | |
(Sighs) You better hope it gets there before "Life" magazine. | 0:24:25 | 0:24:27 | |
Miss? Um, excuse me. | 0:24:27 | 0:24:29 | |
Can you help me? | 0:24:30 | 0:24:32 | |
Have you seen my glasses? I think I left them in my coat. | 0:24:36 | 0:24:39 | |
Yes, I'll take a look. | 0:24:42 | 0:24:43 | |
(Dean) Ladies and gentlemen, we're hitting a patch | 0:24:43 | 0:24:45 | |
of rough air, so for your safety, | 0:24:45 | 0:24:46 | |
I'm gonna ask you to please return to your seat. | 0:24:46 | 0:24:49 | |
(Panting) I've got it. I've got it. | 0:24:51 | 0:24:53 | |
I'm sorry. I couldn't... | 0:24:53 | 0:24:54 | |
I thought you trained for this. | 0:24:54 | 0:24:55 | |
Kate, I just started. This is hard for me. | 0:24:55 | 0:24:57 | |
Hard for you, Laura? Nothing is hard for you. | 0:24:57 | 0:24:59 | |
You're perfect. | 0:24:59 | 0:25:00 | |
Is that what you think? | 0:25:00 | 0:25:01 | |
Just get out of my way. I do not need a lost puppy. | 0:25:01 | 0:25:04 | |
(Sighs) | 0:25:06 | 0:25:07 | |
(Rumbles) | 0:25:07 | 0:25:08 | |
(Breathing heavily) | 0:25:14 | 0:25:16 | |
(Rumbles) | 0:25:16 | 0:25:18 | |
Excuse me, Miss? | 0:25:39 | 0:25:41 | |
Yes? | 0:25:41 | 0:25:42 | |
I'm sorry. I didn't catch your name. | 0:25:42 | 0:25:45 | |
Colette. | 0:25:45 | 0:25:46 | |
Colette. Thank you so much for taking Tommy up to the cockpit. | 0:25:46 | 0:25:49 | |
Oh, it was our pleasure. He's a very sweet boy. | 0:25:49 | 0:25:52 | |
Could you sit for a moment? | 0:25:55 | 0:25:57 | |
Is that allowed, visiting with the passengers? | 0:25:57 | 0:25:59 | |
Yes. | 0:26:02 | 0:26:03 | |
I can't imagine what it's like to be on your feet for so long. | 0:26:04 | 0:26:08 | |
You get accustomed to it. | 0:26:08 | 0:26:09 | |
I wanted to ask you where you get your eyelashes. | 0:26:09 | 0:26:11 | |
They look so natural. | 0:26:11 | 0:26:13 | |
No. No, they are natural. | 0:26:13 | 0:26:15 | |
They're mine. | 0:26:15 | 0:26:17 | |
Darn. | 0:26:17 | 0:26:18 | |
I was hoping they were Parisian, and I could pick up a pair. | 0:26:18 | 0:26:21 | |
You're blessed. | 0:26:21 | 0:26:22 | |
I'm jealous. | 0:26:23 | 0:26:25 | |
What are you drawing, Tommy? | 0:26:28 | 0:26:29 | |
Oh, last month it was space rockets. | 0:26:29 | 0:26:31 | |
This month it's airplanes. | 0:26:31 | 0:26:33 | |
Lovely. You're an artist. | 0:26:36 | 0:26:38 | |
Miss, could I have another martini, please? | 0:26:40 | 0:26:43 | |
John, don't drive her off. | 0:26:43 | 0:26:44 | |
No, not at all. | 0:26:44 | 0:26:45 | |
(Whispers) Thank you. | 0:26:45 | 0:26:47 | |
My pleasure. | 0:26:48 | 0:26:49 | |
(Man) Clipper 22, Gander Oceanic. | 0:26:54 | 0:26:57 | |
Gander Oceanic, Clipper 2-2. Go ahead. | 0:26:57 | 0:26:59 | |
Pan Am Operations asked us to relay a response. | 0:26:59 | 0:27:02 | |
Your missing stewardess resigned from the London office. | 0:27:02 | 0:27:05 | |
They don't mean Bridget, do they? | 0:27:05 | 0:27:06 | |
Do you copy, Clipper 22? | 0:27:06 | 0:27:08 | |
(Static) | 0:27:08 | 0:27:09 | |
Uh, roger, Gander Oceanic. Clipper 2-2. | 0:27:10 | 0:27:13 | |
Thanks for passing that along. Over. | 0:27:13 | 0:27:15 | |
Bridget loves Pan Am. She wouldn't quit. | 0:27:15 | 0:27:17 | |
Never trust a radio. | 0:27:17 | 0:27:18 | |
They once lost track of me for three weeks in Brazil. | 0:27:18 | 0:27:20 | |
Unless... | 0:27:22 | 0:27:23 | |
What? | 0:27:23 | 0:27:24 | |
She'd have to quit if she got married. | 0:27:24 | 0:27:27 | |
Uh, who? What, Bridget? | 0:27:27 | 0:27:29 | |
Oh, Dean. The whole company knows about you two. | 0:27:29 | 0:27:31 | |
I didn't know. | 0:27:31 | 0:27:32 | |
Everybody but Sanjeev knows about you two. | 0:27:32 | 0:27:36 | |
Did you get engaged? | 0:27:36 | 0:27:37 | |
Ahh! You son of a bitch! | 0:27:39 | 0:27:40 | |
Congratulations. | 0:27:40 | 0:27:42 | |
If you're engaged, why is she in London? | 0:27:43 | 0:27:45 | |
Oh, who knows where that woman ever is? | 0:27:45 | 0:27:46 | |
She barely made it on the plane in Cuba. | 0:27:46 | 0:27:48 | |
She was in Cuba? | 0:27:48 | 0:27:49 | |
We all were. Flew out the last DC-6 | 0:27:49 | 0:27:50 | |
full of released Bay of Pigs prisoners | 0:27:50 | 0:27:52 | |
for Uncle Sam. | 0:27:52 | 0:27:53 | |
Plane with a mutiny? | 0:27:53 | 0:27:55 | |
Ah, it wasn't a mutiny. | 0:27:55 | 0:27:57 | |
(Alarm wailing) | 0:27:57 | 0:27:58 | |
(Men shouting in Spanish) | 0:28:00 | 0:28:03 | |
Esta bien? | 0:28:14 | 0:28:15 | |
Rapido, rapido. | 0:28:15 | 0:28:18 | |
Is this the last of 'em? | 0:28:20 | 0:28:21 | |
You're asking me? | 0:28:21 | 0:28:22 | |
I thought Pan Am was just flying out some freed prisoners. | 0:28:22 | 0:28:26 | |
You didn't say we'd have to leave the plane. | 0:28:26 | 0:28:27 | |
Let's get off the ground before someone changes their mind. | 0:28:27 | 0:28:30 | |
Por favor, sigan moviendose. | 0:28:30 | 0:28:31 | |
Hey, get on! We're wheels up in ten! | 0:28:31 | 0:28:34 | |
At least they don't have any luggage, huh? | 0:28:34 | 0:28:36 | |
Where's the State Department? | 0:28:36 | 0:28:37 | |
I thought they were supposed to be organizing this. | 0:28:37 | 0:28:39 | |
Organized the Bay of Pigs. | 0:28:39 | 0:28:40 | |
I'd rather they just pay Castro his ransom. Come on! | 0:28:40 | 0:28:43 | |
We did try to invade his country. | 0:28:43 | 0:28:44 | |
His country? | 0:28:44 | 0:28:45 | |
Whose country is it? | 0:28:45 | 0:28:45 | |
Castro's never gonna be able to hold on to it. Come on! | 0:28:45 | 0:28:48 | |
Vamonos, Maggie. | 0:28:48 | 0:28:50 | |
Let's get outta here. | 0:28:52 | 0:28:53 | |
Where's Bridget? | 0:28:56 | 0:28:57 | |
(Engine sputtering) | 0:28:57 | 0:28:59 | |
(Rumbling) | 0:28:59 | 0:29:02 | |
Number four fuel boost pump off. | 0:29:02 | 0:29:05 | |
(Switches click) | 0:29:05 | 0:29:06 | |
Check. Pump off. | 0:29:06 | 0:29:07 | |
All engines stabilized at 1,000 rpm. | 0:29:07 | 0:29:09 | |
Let's get the hell outta here. | 0:29:09 | 0:29:11 | |
Cabin secured? | 0:29:11 | 0:29:12 | |
We don't have Bridget. | 0:29:12 | 0:29:13 | |
Well, where is she? | 0:29:13 | 0:29:15 | |
She's not on the plane. I didn't see her outside. | 0:29:15 | 0:29:17 | |
Captain, you're gonna have to kill the engines. | 0:29:17 | 0:29:18 | |
No, no, no. I have a mission | 0:29:18 | 0:29:20 | |
and a plane full of people I'm responsible for. | 0:29:20 | 0:29:21 | |
You can't leave without your crew. | 0:29:21 | 0:29:23 | |
We finally have clearance now. We're leaving. | 0:29:23 | 0:29:24 | |
Yeah, not without her, you're not. | 0:29:24 | 0:29:26 | |
I'm not gonna get stuck in Cuba. Dean! | 0:29:26 | 0:29:28 | |
I swear to god, I will take off without you! | 0:29:28 | 0:29:31 | |
Hey! Move! Move! | 0:29:31 | 0:29:32 | |
Maggie, tell these people we're taking off in one minute. | 0:29:33 | 0:29:35 | |
We're getting outta here, and do not let him close this door! | 0:29:35 | 0:29:38 | |
No pasa nada. | 0:29:38 | 0:29:39 | |
No, no, no, no, no. (Speaks Spanish) | 0:29:39 | 0:29:43 | |
Go, go, go, go. | 0:29:48 | 0:29:49 | |
What are you doing out here? | 0:29:49 | 0:29:50 | |
Looking for you. | 0:29:50 | 0:29:50 | |
We forgot one. | 0:29:50 | 0:29:51 | |
We almost forgot you! | 0:29:51 | 0:29:52 | |
You're always disappearing on me. | 0:29:52 | 0:29:53 | |
I always come back. | 0:29:53 | 0:29:55 | |
Then good. Promise. Marry me. | 0:29:55 | 0:29:57 | |
What?! | 0:29:57 | 0:29:58 | |
You heard me! | 0:29:58 | 0:29:59 | |
You're asking me now? | 0:29:59 | 0:30:01 | |
Well, I just decided now! | 0:30:01 | 0:30:03 | |
On a tarmac in Cuba with a plane full of exiles? | 0:30:03 | 0:30:06 | |
Are you mad? | 0:30:06 | 0:30:07 | |
Say "yes" now! | 0:30:10 | 0:30:12 | |
It'll make a great story! | 0:30:13 | 0:30:16 | |
Dean, I... | 0:30:16 | 0:30:17 | |
I-I can't say "yes" now. | 0:30:19 | 0:30:21 | |
(Man speaking indistinctly) | 0:30:28 | 0:30:31 | |
Then say "yes" later. | 0:30:33 | 0:30:35 | |
(Shouts in Spanish) | 0:30:35 | 0:30:36 | |
(Cheering) | 0:30:36 | 0:30:39 | |
(Man) arriba! | 0:30:44 | 0:30:45 | |
(Men shouting in Spanish) | 0:30:47 | 0:30:49 | |
(Dean) ladies and gentlemen, | 0:31:01 | 0:31:02 | |
we're beginning our descent into London Heathrow airport, | 0:31:02 | 0:31:04 | |
where the local time is approximately 8:05. | 0:31:04 | 0:31:07 | |
My newlyweds want a bottle of champagne to take with them. | 0:31:07 | 0:31:10 | |
Do we do that? | 0:31:10 | 0:31:12 | |
Uh, sometimes, if they're nice. | 0:31:12 | 0:31:13 | |
They're certainly nice to each other. | 0:31:13 | 0:31:15 | |
Thanks. | 0:31:18 | 0:31:19 | |
Kate, I never wanted to be a burden to you. | 0:31:22 | 0:31:24 | |
I will ask to get reassigned. | 0:31:24 | 0:31:26 | |
Laura, I'm sorry. It's not that I don't want you here. | 0:31:26 | 0:31:27 | |
But you ran away from home for a reason. | 0:31:27 | 0:31:29 | |
I liked knowing you were there to come home to. | 0:31:29 | 0:31:33 | |
(Woman) Oh, this is fine. I'll take that from you. | 0:31:33 | 0:31:35 | |
Wait. Hold on. | 0:31:35 | 0:31:37 | |
(Amplified voice) Ladies and gentlemen, | 0:31:41 | 0:31:42 | |
in honour of this jet clipper's inaugural flight, | 0:31:42 | 0:31:44 | |
by a random selection, | 0:31:44 | 0:31:45 | |
we'd like to offer the passenger in 3D | 0:31:45 | 0:31:47 | |
a bottle of champagne. | 0:31:47 | 0:31:48 | |
Please, give him a round of applause. | 0:31:48 | 0:31:50 | |
Here you are, sir. Compliments of Pan Am. | 0:31:52 | 0:31:54 | |
No, thank you. | 0:31:54 | 0:31:55 | |
Oh. All right. | 0:31:57 | 0:31:58 | |
Wait. | 0:31:59 | 0:32:01 | |
Is this you? | 0:32:01 | 0:32:02 | |
Yes. | 0:32:02 | 0:32:04 | |
I thought these were models, no? | 0:32:06 | 0:32:07 | |
Well, I just graduated from stewardess school, | 0:32:07 | 0:32:10 | |
and I was crossing the street to go call my sister. | 0:32:10 | 0:32:13 | |
I hardly remember the photographer. | 0:32:13 | 0:32:16 | |
I was just... happy. | 0:32:16 | 0:32:19 | |
I guess it made a good picture. | 0:32:20 | 0:32:22 | |
Have a good evening. | 0:32:46 | 0:32:47 | |
Welcome to London. | 0:32:47 | 0:32:48 | |
Thank you. | 0:32:48 | 0:32:49 | |
Stay dry. | 0:32:49 | 0:32:51 | |
Have a good evening. | 0:32:51 | 0:32:52 | |
Thanks. | 0:32:52 | 0:32:53 | |
Welcome to London. | 0:32:53 | 0:32:55 | |
Thank you, ladies. | 0:32:56 | 0:32:58 | |
Welcome to London. | 0:32:58 | 0:32:59 | |
Welcome to London. | 0:32:59 | 0:33:00 | |
Thank you again. | 0:33:02 | 0:33:03 | |
Thank you. | 0:33:03 | 0:33:04 | |
Have a wonderful trip. | 0:33:04 | 0:33:06 | |
You still love surprises? | 0:33:06 | 0:33:08 | |
Only the good ones. | 0:33:09 | 0:33:11 | |
Oh, so sorry. I forgot my purse. | 0:33:11 | 0:33:13 | |
I'll get it for you. | 0:33:13 | 0:33:15 | |
Thank you for flying with Pan Am. | 0:33:16 | 0:33:18 | |
Here it is. | 0:33:20 | 0:33:21 | |
Thank you. | 0:33:22 | 0:33:23 | |
Tommy's drawing. | 0:33:24 | 0:33:25 | |
No, keep that. I want you to have it. | 0:33:25 | 0:33:28 | |
Put it on your refrigerator to help remind you | 0:33:28 | 0:33:30 | |
not to sleep with other women's husbands. | 0:33:30 | 0:33:33 | |
(Bobby Darin) # There are so many # | 0:33:46 | 0:33:47 | |
# Fabulous faraway places to see # | 0:33:47 | 0:33:51 | |
# Such as Mexico # | 0:33:52 | 0:33:53 | |
# Sweden, Hawaii, Japan, and Capri # | 0:33:53 | 0:33:57 | |
# There are so many exciting and wonderful places # | 0:33:58 | 0:34:01 | |
# Mountains and jungles and desert oases # | 0:34:01 | 0:34:04 | |
# Pleasant as home is # | 0:34:04 | 0:34:06 | |
# It wasn't what Rome is, so why stay there? # | 0:34:06 | 0:34:09 | |
# When there are so many fabulous faraway places to see # | 0:34:10 | 0:34:14 | |
You're going to be great at this. | 0:34:14 | 0:34:16 | |
# Why should Spain and Tahiti and Rio # | 0:34:16 | 0:34:18 | |
# Just be only names to you and me? # | 0:34:18 | 0:34:21 | |
# I feel certain # | 0:34:22 | 0:34:23 | |
# There are people we'd be glad to know there # | 0:34:23 | 0:34:25 | |
# So tell me... # | 0:34:25 | 0:34:26 | |
Excuse me. | 0:34:26 | 0:34:27 | |
Would you, uh, would you place a local call for me? | 0:34:27 | 0:34:30 | |
Bridget Pierce. | 0:34:30 | 0:34:32 | |
Bridget Pierce. Certainly, sir. | 0:34:32 | 0:34:33 | |
I'll patch it through to the house phone. | 0:34:33 | 0:34:34 | |
Great. Thank you. | 0:34:34 | 0:34:36 | |
# We're longin' to see # | 0:34:36 | 0:34:37 | |
(Ring) | 0:34:39 | 0:34:42 | |
Very dramatic. | 0:34:42 | 0:34:44 | |
Is that my "yes"? | 0:34:44 | 0:34:45 | |
Hello? | 0:34:46 | 0:34:47 | |
Bridget. | 0:34:47 | 0:34:49 | |
(Woman) This is the operator, sir. | 0:34:49 | 0:34:50 | |
I'm sorry. This number for this residence has been disconnected. | 0:34:50 | 0:34:54 | |
(Clank) | 0:35:12 | 0:35:13 | |
(British accent) Eventful flight? | 0:35:17 | 0:35:18 | |
(Gasps) | 0:35:18 | 0:35:19 | |
You're late. | 0:35:19 | 0:35:20 | |
(Gasps) You're... British. | 0:35:21 | 0:35:23 | |
Keen powers of perception. | 0:35:24 | 0:35:27 | |
Give it a moment. You'll catch up. | 0:35:29 | 0:35:31 | |
I take it you weren't detained at Customs. | 0:35:31 | 0:35:35 | |
Roger Anderson, MI6. | 0:35:38 | 0:35:39 | |
(Gasps) | 0:35:39 | 0:35:41 | |
I'll be one of your London contacts. | 0:35:41 | 0:35:42 | |
(Exhales deeply) The passport? | 0:35:42 | 0:35:44 | |
One of many. | 0:35:45 | 0:35:47 | |
You didn't think we'd throw you into the field | 0:35:47 | 0:35:49 | |
without a test, now, did you? | 0:35:49 | 0:35:51 | |
(Thunder rumbles) | 0:35:51 | 0:35:52 | |
You passed, by the way... | 0:35:52 | 0:35:54 | |
barely. | 0:35:55 | 0:35:56 | |
You walked out with it, didn't you? | 0:35:56 | 0:35:59 | |
No matter. We were testing mind-set. | 0:35:59 | 0:36:00 | |
We were testing will. | 0:36:00 | 0:36:02 | |
Your real assignments might, in fact, be easier. | 0:36:02 | 0:36:06 | |
Almost all foreign diplomats and businessmen, | 0:36:21 | 0:36:22 | |
persons posing as such fly Pan Am. | 0:36:22 | 0:36:24 | |
You'll be expected to keep your eyes and ears open | 0:36:24 | 0:36:27 | |
and communicate back to us. | 0:36:27 | 0:36:30 | |
Sometimes you'll function as a courier. | 0:36:30 | 0:36:32 | |
Bridget? | 0:36:34 | 0:36:36 | |
Bridget? | 0:36:38 | 0:36:39 | |
(Jangle) | 0:36:40 | 0:36:41 | |
But you must use discretion at all times. | 0:36:43 | 0:36:45 | |
Make no mistake. We call it a Cold War for a reason. | 0:36:45 | 0:36:48 | |
I understand. | 0:36:48 | 0:36:50 | |
I certainly hope that you do. | 0:36:52 | 0:36:54 | |
Mr Anderson, | 0:36:54 | 0:36:55 | |
people have underestimated me my entire life, | 0:36:55 | 0:36:58 | |
and they've been wrong. | 0:36:58 | 0:37:00 | |
Yes, well, we'll see if you... | 0:37:00 | 0:37:02 | |
live up to your recommendation. | 0:37:04 | 0:37:07 | |
Wait. It was Bridget, wasn't it? | 0:37:36 | 0:37:40 | |
Bridget arranged that meeting with Richard in Rome. | 0:37:41 | 0:37:46 | |
She had an eye for talent. | 0:37:46 | 0:37:47 | |
"Had"? | 0:37:47 | 0:37:50 | |
Am I her replacement? | 0:38:09 | 0:38:11 | |
(Sighs) | 0:38:13 | 0:38:15 | |
I have great hopes for you, Kate. | 0:38:18 | 0:38:21 | |
(Sighs) | 0:38:31 | 0:38:32 | |
(Bobby Darin) # Oh, the shark, babe # | 0:38:37 | 0:38:40 | |
# Has such teeth, dear # | 0:38:40 | 0:38:42 | |
(Laughs) | 0:38:42 | 0:38:43 | |
I think I like debriefing. | 0:38:43 | 0:38:45 | |
It's unofficial, but mandatory. | 0:38:45 | 0:38:47 | |
Yep. Yep. | 0:38:47 | 0:38:48 | |
Tomorrow another plane takes off to someplace new. | 0:38:48 | 0:38:52 | |
Vanished - today's mistakes. | 0:38:52 | 0:38:54 | |
Their only trace - a touch more wisdom. | 0:38:54 | 0:38:57 | |
I think I understand you better in French. | 0:38:57 | 0:38:59 | |
(All laugh) | 0:38:59 | 0:39:01 | |
Is that the British edition? | 0:39:01 | 0:39:02 | |
Oh, no. | 0:39:02 | 0:39:04 | |
Well, I had to get my own copy. | 0:39:04 | 0:39:05 | |
Another continent? I can't get away from it. | 0:39:05 | 0:39:09 | |
Why would you want to? | 0:39:09 | 0:39:10 | |
Hmm. I'm not that picture. I... | 0:39:10 | 0:39:13 | |
I could never live up to that. | 0:39:13 | 0:39:15 | |
Because it's not you. | 0:39:15 | 0:39:17 | |
It is the promise of you. | 0:39:17 | 0:39:18 | |
This is all of us. | 0:39:18 | 0:39:21 | |
Face it. If Bridget were predictable, | 0:39:22 | 0:39:25 | |
you would eventually lose interest. | 0:39:25 | 0:39:27 | |
I've hit on enough of these girls to know | 0:39:27 | 0:39:29 | |
that they're not like normal women. | 0:39:29 | 0:39:30 | |
They're... blah. I don't know. | 0:39:30 | 0:39:31 | |
They're... mutations. | 0:39:31 | 0:39:33 | |
I think I know where you're going wrong there, ace. | 0:39:33 | 0:39:36 | |
Well, I mean that as a compliment. | 0:39:36 | 0:39:37 | |
You think the first man to crawl out of the primordial ooze | 0:39:37 | 0:39:39 | |
knew he was different? No. | 0:39:39 | 0:39:41 | |
He just had an impulse that there was more to life | 0:39:41 | 0:39:44 | |
than primordial ooze. | 0:39:44 | 0:39:46 | |
Is this you trying to make me feel better? | 0:39:46 | 0:39:49 | |
(Chuckles) Uh... | 0:39:49 | 0:39:50 | |
See...you see that table over there? | 0:39:50 | 0:39:53 | |
That is natural selection at work, my friend. | 0:39:53 | 0:39:56 | |
(Chuckles) They don't know | 0:39:58 | 0:39:59 | |
that they're a new breed of woman. | 0:39:59 | 0:40:00 | |
They just had an impulse to... take flight. | 0:40:00 | 0:40:05 | |
# After drawin' out all his hard-earned cash # | 0:40:05 | 0:40:09 | |
So don't try and ground 'em. | 0:40:10 | 0:40:12 | |
# And now MacHeath spends just like a sailor # | 0:40:12 | 0:40:16 | |
That was a tricky approach tonight. | 0:40:16 | 0:40:17 | |
# Could it be... # | 0:40:17 | 0:40:19 | |
Hell of a landing... | 0:40:19 | 0:40:20 | |
(Clink) | 0:40:20 | 0:40:22 | |
Captain. | 0:40:22 | 0:40:22 | |
Appreciate that. | 0:40:22 | 0:40:24 | |
It's the only time you're ever gonna hear it. | 0:40:24 | 0:40:26 | |
Mm? | 0:40:26 | 0:40:27 | |
you got it. | 0:40:27 | 0:40:28 | |
Take two more, please. | 0:40:28 | 0:40:29 | |
Yeah, I heard Mickey down at baggage... | 0:40:29 | 0:40:31 | |
# And Lucy Brown # | 0:40:31 | 0:40:32 | |
# Oh, the line forms # | 0:40:34 | 0:40:35 | |
# On the right, babe # | 0:40:36 | 0:40:38 | |
# Now that Macky's # | 0:40:39 | 0:40:41 | |
# Back in town # | 0:40:42 | 0:40:43 | |
# Ah, I said Jenny Diver # | 0:40:44 | 0:40:46 | |
# Whoa, Sukey Tawdry # | 0:40:48 | 0:40:49 | |
# Look out to Miss Lotte Lenya # | 0:40:50 | 0:40:52 | |
# And old Lucy Brown # | 0:40:53 | 0:40:55 | |
# Yes, that line forms # | 0:40:56 | 0:40:58 | |
# On the right, babe # | 0:40:59 | 0:41:01 | |
# Now that Macky's # | 0:41:02 | 0:41:03 | |
# Back in town # | 0:41:08 | 0:41:09 | |
# Look out, old Macky is back. # | 0:41:17 | 0:41:19 |