Episode 3 Paula
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Transcript
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|---|---|---|---|
This programme contains strong language | 0:00:02 | 0:00:05 | |
and scenes which some viewers may find upsetting. | 0:00:05 | 0:00:08 | |
-'Oh, my God!' -He said he'd get rid of the rats? | 0:00:08 | 0:00:11 | |
-I slept with him, OK? -The builder? -It was a stupid thing to do. | 0:00:11 | 0:00:14 | |
You could be some psycho, for all I know. | 0:00:14 | 0:00:16 | |
You could be a psycho. | 0:00:16 | 0:00:17 | |
I don't want to go to Mum and Dad's, I want to go to my place! | 0:00:17 | 0:00:20 | |
-It's a garage. -Bring me home! | 0:00:20 | 0:00:22 | |
FLAMES ROAR | 0:00:23 | 0:00:25 | |
'Paula says yous have an idea who did this to Callum. | 0:00:25 | 0:00:29 | |
'We're looking for someone.' | 0:00:29 | 0:00:31 | |
HE BREATHES ERRATICALLY | 0:00:31 | 0:00:33 | |
James Morecroft. Did you arrest him? | 0:00:35 | 0:00:37 | |
We didn't, no. | 0:00:37 | 0:00:39 | |
BANGING | 0:00:39 | 0:00:41 | |
-What's in here?! -Stay away from there, do you hear me?! | 0:00:44 | 0:00:46 | |
MUFFLED CRIES | 0:00:46 | 0:00:49 | |
You're all right. | 0:00:49 | 0:00:51 | |
SHE SOBS | 0:00:51 | 0:00:52 | |
Can I tell you the weird part? I don't have feelings, Mac. | 0:00:54 | 0:00:57 | |
-'Not proper ones. -Right.' | 0:00:58 | 0:01:00 | |
It gets me into trouble, Mac. | 0:01:00 | 0:01:02 | |
-Yargh! -Argh! | 0:01:03 | 0:01:05 | |
HORN BLARES | 0:01:08 | 0:01:10 | |
MAC GROANS | 0:01:11 | 0:01:13 | |
She's done it to you, too, hasn't she? | 0:01:13 | 0:01:15 | |
She's shown you the steps up out of Hell | 0:01:15 | 0:01:18 | |
and into the light. | 0:01:18 | 0:01:20 | |
-SIRENS WAIL -A-A-A-A-Argh! Oh! | 0:01:20 | 0:01:23 | |
HAUNTING MUSIC | 0:01:27 | 0:01:29 | |
SIRENS WAIL | 0:02:38 | 0:02:39 | |
You didn't discharge your weapon at all? | 0:02:43 | 0:02:46 | |
-No. -Who discharged your firearm? | 0:02:46 | 0:02:48 | |
Paula Denny. | 0:02:48 | 0:02:50 | |
Eight bullets pulled out of the wall, | 0:02:50 | 0:02:52 | |
two in the toilets and six out in the bar. | 0:02:52 | 0:02:54 | |
-We'd be dead if she hadn't. -Bar staff right behind those doors. | 0:02:54 | 0:02:58 | |
When are we going to start talking about the man | 0:02:58 | 0:02:59 | |
-who tried to strangle her? -Yeah, we'll get to that, Mac. -All right. | 0:02:59 | 0:03:03 | |
GSOC are running the show, Inspector McGlynn takes the case. | 0:03:03 | 0:03:07 | |
We'll work with them in tandem. Until then... | 0:03:07 | 0:03:09 | |
-You're suspended! -..you are on sick leave. | 0:03:09 | 0:03:11 | |
Well, that's... | 0:03:12 | 0:03:13 | |
-You're suspending me? -No. | 0:03:13 | 0:03:15 | |
You're on sick leave. Look at you! | 0:03:15 | 0:03:18 | |
Well...I've got a tonne of paperwork. | 0:03:18 | 0:03:20 | |
I'm not too sick for that. | 0:03:20 | 0:03:22 | |
-Not this case, Mac. -You can do it from home. | 0:03:22 | 0:03:25 | |
Paperwork, and that's it. You hear me? | 0:03:25 | 0:03:27 | |
MAC STRAINS | 0:03:29 | 0:03:31 | |
-TV: -'But it was here, at this hotel, on Saturday night, | 0:03:31 | 0:03:34 | |
'things took a turn we can only describe as terrifying. | 0:03:34 | 0:03:38 | |
'Multiple gunshots were heard and the police chase...' | 0:03:38 | 0:03:41 | |
Your mother's in the car. We're sitting outside. | 0:03:41 | 0:03:44 | |
Paula? The doctor said she has 20 minutes at 9.00. | 0:03:45 | 0:03:49 | |
I don't know what you want to keep looking at that for. | 0:03:51 | 0:03:53 | |
Are you right? | 0:03:57 | 0:03:58 | |
Dad... | 0:04:00 | 0:04:02 | |
OK? | 0:04:17 | 0:04:19 | |
We're going to be late. | 0:04:20 | 0:04:22 | |
Callum is in real difficulty. | 0:04:25 | 0:04:28 | |
We turned off sedation for 36 hours. | 0:04:28 | 0:04:30 | |
He is breathing, with the support of the ventilator, | 0:04:31 | 0:04:34 | |
but there's been no response on any level. | 0:04:34 | 0:04:36 | |
So, will he...? | 0:04:36 | 0:04:38 | |
Will he wake up? | 0:04:39 | 0:04:41 | |
Callum has suffered severe hypoxia, | 0:04:41 | 0:04:43 | |
so brain cells will die very quickly | 0:04:43 | 0:04:47 | |
without a constant supply of oxygen. | 0:04:47 | 0:04:50 | |
-And in Callum's case... -He was lying there with no oxygen. | 0:04:50 | 0:04:52 | |
For, I would imagine, a considerable length of time. | 0:04:55 | 0:04:58 | |
It's extremely unlikely that he will wake up. | 0:04:59 | 0:05:01 | |
FAINT BARKING | 0:05:18 | 0:05:20 | |
BANGING | 0:05:34 | 0:05:36 | |
CLANG! | 0:05:46 | 0:05:49 | |
SHE BREATHES HARD | 0:05:49 | 0:05:51 | |
BANG! | 0:05:54 | 0:05:56 | |
FAINT YELLING | 0:05:59 | 0:06:01 | |
Give it back, I swear to fuck! | 0:06:02 | 0:06:04 | |
-Hey! Hey! -Fucking bitch! | 0:06:04 | 0:06:06 | |
-You want some, yeah? -Go. Go! -Yeah?! | 0:06:06 | 0:06:10 | |
You fucking bullies! | 0:06:10 | 0:06:11 | |
I'll smash your fucking head in! | 0:06:11 | 0:06:13 | |
Fuck off, you crazy bitch! | 0:06:13 | 0:06:15 | |
Jesus! Are you OK?! | 0:06:15 | 0:06:17 | |
Are you all right? Can you hear me? Can you get up? | 0:06:17 | 0:06:20 | |
That's it. OK? Come with me. | 0:06:23 | 0:06:26 | |
You're going to need stitches. | 0:06:30 | 0:06:32 | |
Have you got a name? | 0:06:35 | 0:06:37 | |
Do you want me to call someone, like your mum, your dad? | 0:06:37 | 0:06:41 | |
Are you hungry? | 0:06:45 | 0:06:47 | |
Here, hold this. | 0:06:47 | 0:06:51 | |
Let me get you something. | 0:06:51 | 0:06:52 | |
What do I have? | 0:06:56 | 0:06:58 | |
Oh. What about some spaghetti hoop...? | 0:06:58 | 0:07:01 | |
Oh! | 0:07:26 | 0:07:27 | |
Oh, my God! What are you doing in there?! | 0:07:37 | 0:07:39 | |
Oh! Goodness! | 0:07:41 | 0:07:43 | |
Oh, my goodness! | 0:07:43 | 0:07:47 | |
Aw! | 0:07:47 | 0:07:49 | |
MESSAGE ALERT | 0:07:52 | 0:07:54 | |
DOORBELL | 0:08:01 | 0:08:03 | |
Who's there? | 0:08:05 | 0:08:08 | |
-Morning. -Oh, hi. | 0:08:08 | 0:08:09 | |
Jaysus! You have been in the wars, haven't you? | 0:08:09 | 0:08:12 | |
-Yeah, a bit. -I saw it on the news. | 0:08:12 | 0:08:15 | |
I said to the wife, "I'm working in that woman's basement." | 0:08:15 | 0:08:19 | |
-You got a dog! -Yeah. -Good idea. | 0:08:19 | 0:08:21 | |
It's not exactly a guard dog. | 0:08:21 | 0:08:24 | |
Oh, I don't know. He has a mean look about him. | 0:08:24 | 0:08:26 | |
Now... | 0:08:53 | 0:08:55 | |
BUZZER | 0:09:11 | 0:09:13 | |
Three more sleeps, OK? | 0:09:24 | 0:09:25 | |
Three more sleeps. I'll see you on Saturday. | 0:09:25 | 0:09:27 | |
OK? See you later. | 0:09:30 | 0:09:32 | |
'They only let me see the kids two afternoons a week. | 0:09:41 | 0:09:44 | |
'They have a woman, always has to be there.' | 0:09:44 | 0:09:46 | |
It's a fucking nightmare! | 0:09:46 | 0:09:48 | |
What's going to happen? | 0:09:51 | 0:09:53 | |
My solicitor says I'll get bail. | 0:09:53 | 0:09:55 | |
When? | 0:09:55 | 0:09:57 | |
He said it's only matter of time. | 0:09:57 | 0:10:00 | |
The garda can't do nothing to stop it. | 0:10:00 | 0:10:02 | |
What did you have to chase her around for? | 0:10:08 | 0:10:10 | |
Who? | 0:10:11 | 0:10:13 | |
That Paula one. | 0:10:15 | 0:10:17 | |
I knew it from the minute you saw her. I knew it. | 0:10:21 | 0:10:24 | |
MACHINES BEEP | 0:10:40 | 0:10:42 | |
BUZZER | 0:11:55 | 0:11:56 | |
When are they going to let you back? | 0:12:05 | 0:12:06 | |
No idea. | 0:12:08 | 0:12:09 | |
Doesn't mean I can't dig around, though. | 0:12:11 | 0:12:13 | |
I mean, strictly speaking, it's still my case. | 0:12:13 | 0:12:15 | |
A characteristically esoteric definition of "strictly". | 0:12:15 | 0:12:19 | |
-What? -Start with old addresses? | 0:12:19 | 0:12:21 | |
The mother still owns the house. | 0:12:24 | 0:12:25 | |
She hasn't lived in it for a few years. | 0:12:27 | 0:12:29 | |
What? | 0:12:33 | 0:12:35 | |
It gives me the willies. | 0:12:35 | 0:12:36 | |
Huh! | 0:12:37 | 0:12:39 | |
HE RATTLES DOOR HANDLE | 0:12:42 | 0:12:45 | |
Let's knock at the neighbour's. | 0:12:53 | 0:12:55 | |
-I'll just take a look around the back. -Yeah? | 0:12:55 | 0:12:57 | |
Just a look. | 0:12:57 | 0:12:59 | |
-I'll knock in here. Text me. -Yeah. | 0:12:59 | 0:13:01 | |
HE RATTLES BOLT | 0:13:07 | 0:13:09 | |
SHE KNOCKS | 0:13:13 | 0:13:14 | |
Sorry to bother you. | 0:13:23 | 0:13:25 | |
Could I ask you a few quick questions about next door? | 0:13:25 | 0:13:27 | |
HE GROANS | 0:13:33 | 0:13:34 | |
'It was never a good house.' | 0:13:35 | 0:13:37 | |
I think the mother tried. | 0:13:38 | 0:13:40 | |
I don't think she was very well. | 0:13:40 | 0:13:41 | |
What do you mean, it wasn't a GOOD house? | 0:13:41 | 0:13:43 | |
'Maybe it was the husband. Maybe it was the two of them. | 0:13:44 | 0:13:47 | |
'But, sure, what can you do? | 0:13:47 | 0:13:48 | |
'It's not your house, it's not your business. | 0:13:48 | 0:13:51 | |
'Did something happen? | 0:13:53 | 0:13:55 | |
'I heard someone say the husband went off to England. | 0:13:55 | 0:13:58 | |
'Took the little boy with him. | 0:13:59 | 0:14:00 | |
'I don't know. | 0:14:02 | 0:14:03 | |
'You just don't know, do you, when people disappear?' | 0:14:03 | 0:14:06 | |
HE BREATHES HARD | 0:14:08 | 0:14:09 | |
'Who disappeared? | 0:14:09 | 0:14:11 | |
'Is that not why you're here?' | 0:14:11 | 0:14:13 | |
The little girl. | 0:14:14 | 0:14:16 | |
FAINT BANGING | 0:14:47 | 0:14:49 | |
BANGING GROWS LOUDER | 0:14:50 | 0:14:52 | |
BANG! | 0:15:08 | 0:15:09 | |
BANGING | 0:15:16 | 0:15:17 | |
RATTLING | 0:15:19 | 0:15:21 | |
HE STRAINS | 0:15:41 | 0:15:42 | |
-MECHANICAL TOY: -'Mummy? Kiss me goodnight.' | 0:15:45 | 0:15:47 | |
HE STRAINS | 0:15:55 | 0:15:57 | |
Oh! What the fuck?! | 0:15:57 | 0:15:59 | |
What is the matter with you?! | 0:15:59 | 0:16:01 | |
-I was calling you! -Well, don't fucking sneak up on me! | 0:16:01 | 0:16:04 | |
Maybe you need to calm down, Mac! | 0:16:04 | 0:16:07 | |
Yeah, well, maybe I do. | 0:16:07 | 0:16:09 | |
Maybe you do, too. | 0:16:09 | 0:16:10 | |
ANIMATED CHATTER | 0:16:10 | 0:16:12 | |
-All right? -Yeah. | 0:16:30 | 0:16:31 | |
Is that a dog in your car? | 0:16:33 | 0:16:35 | |
Oh, fuck! I forgot about the dog! | 0:16:35 | 0:16:37 | |
CENTRAL-LOCKING BEEPS | 0:16:40 | 0:16:41 | |
Oh! Oh! Pff-pff-pff! | 0:16:44 | 0:16:47 | |
Aw! | 0:16:49 | 0:16:51 | |
Here we go. Aw! | 0:16:51 | 0:16:54 | |
Here. | 0:16:54 | 0:16:56 | |
-You doing all right? -Yeah. You know... | 0:16:57 | 0:16:59 | |
How's your brother? | 0:16:59 | 0:17:01 | |
Yeah. | 0:17:03 | 0:17:04 | |
-Paula, you look terrible. -Jesus! Thanks(!) | 0:17:07 | 0:17:10 | |
I don't mean it like that, I... | 0:17:10 | 0:17:12 | |
What, do you mean it the other way? The good way(?) | 0:17:12 | 0:17:15 | |
Don't throw me on the compost heap yet, Mr Henshaw. | 0:17:17 | 0:17:19 | |
Paula, it's in the newspapers. | 0:17:19 | 0:17:21 | |
We've lost a teacher, we've had this with you, | 0:17:23 | 0:17:25 | |
with this lunatic. It's just... | 0:17:25 | 0:17:27 | |
So, you're just going to let me go? | 0:17:28 | 0:17:30 | |
Paula, it's...it's the parents, it's...it's the board. | 0:17:33 | 0:17:36 | |
Yeah, right. | 0:17:36 | 0:17:38 | |
Paula, you're... | 0:17:38 | 0:17:39 | |
Judge, obviously, if we can conclude the matter of bail today, | 0:17:47 | 0:17:50 | |
that would be most expedient. | 0:17:50 | 0:17:52 | |
My client has been deprived of his civil liberty for over a week now. | 0:17:54 | 0:17:58 | |
He has young dependents. It can't continue. | 0:17:58 | 0:18:01 | |
The court has been made aware of my client's contention, | 0:18:01 | 0:18:04 | |
that motives of jealousy and vengeance | 0:18:04 | 0:18:06 | |
on the part of a serving garda | 0:18:06 | 0:18:08 | |
have created a situation of grave injustice here. | 0:18:08 | 0:18:11 | |
We also have a socially privileged, economically advantaged woman | 0:18:12 | 0:18:16 | |
exploiting a poorer man | 0:18:16 | 0:18:17 | |
who's already suffered a litany of mistreatment! | 0:18:17 | 0:18:20 | |
It's prejudicial to suggest that he is the aggressor here. | 0:18:21 | 0:18:24 | |
A fight broke out in a hotel between Paula Denny and James Morecroft. | 0:18:25 | 0:18:30 | |
She was there with a man who was armed. | 0:18:30 | 0:18:33 | |
James Morecroft was not. | 0:18:33 | 0:18:35 | |
We can only thank God that no-one was killed. | 0:18:35 | 0:18:37 | |
I'll adjourn to consider the bail application | 0:18:39 | 0:18:42 | |
and we'll list it for mention next Monday. | 0:18:42 | 0:18:45 | |
-No chance you might let us have that today? -We're adjourned. | 0:18:45 | 0:18:49 | |
-Thank you, Your Honour. -All rise. | 0:18:49 | 0:18:51 | |
-Jesus, Mac, what are you doing? -I want to talk to James Morecroft. | 0:18:57 | 0:19:00 | |
-You're off the case! -Yeah, it's a different case! | 0:19:00 | 0:19:02 | |
-What case? -Missing child. | 0:19:02 | 0:19:04 | |
Mary Morecroft. Disappeared 1995. | 0:19:04 | 0:19:07 | |
Never heard of it. | 0:19:07 | 0:19:08 | |
No-one has. It was never reported. | 0:19:08 | 0:19:10 | |
No report, no missing person, Mac. | 0:19:10 | 0:19:13 | |
You're hardly in the job three weeks, McGlynn, | 0:19:13 | 0:19:16 | |
don't be a hard-arse, will ya?! | 0:19:16 | 0:19:17 | |
People get hurt, kidnapped, | 0:19:18 | 0:19:20 | |
go missing around this fucker, going right back. | 0:19:20 | 0:19:22 | |
I mean, RIGHT BACK! | 0:19:22 | 0:19:24 | |
His own sister, nobody's seen her | 0:19:24 | 0:19:26 | |
since the father moved him to Southport 22 years ago. | 0:19:26 | 0:19:28 | |
Ruth's been onto Social Services over there, no record of the girl. | 0:19:28 | 0:19:32 | |
No record of her here. Poof! Gone! | 0:19:32 | 0:19:34 | |
What do you want me to do, start digging up back gardens, | 0:19:34 | 0:19:36 | |
looking for a girl nobody said is missing? | 0:19:36 | 0:19:38 | |
That kind of thing's bitten me in the arse before. | 0:19:38 | 0:19:40 | |
Philip Byrden, Callum Denny, Paula Denny, | 0:19:40 | 0:19:42 | |
it all keeps going back to the same place! | 0:19:42 | 0:19:44 | |
Mac! Use your noodle, will ya? | 0:19:44 | 0:19:47 | |
The Super has GSOC up his arse morning, noon and night, | 0:19:47 | 0:19:49 | |
and the Assistant Commissioner texting him all the time. | 0:19:49 | 0:19:52 | |
Do you know who keeps getting stuck in the...?! | 0:19:52 | 0:19:54 | |
I don't give a fuck about the Assistant Commissioner | 0:19:54 | 0:19:56 | |
-and the Superintendant! Who gives a shit?! -I GIVE A SHIT! | 0:19:56 | 0:20:00 | |
And who do you think you are... | 0:20:00 | 0:20:02 | |
MUFFLED: ..fucking about with witnesses, losing your gun, | 0:20:02 | 0:20:04 | |
getting on everyone's wick?! | 0:20:04 | 0:20:06 | |
CLEAR SOUND: You used to be something, Mac! | 0:20:06 | 0:20:09 | |
Don't take it personally, Mac. | 0:20:30 | 0:20:32 | |
What are you always fucking hanging around me for? | 0:20:37 | 0:20:40 | |
What? | 0:20:40 | 0:20:42 | |
You're always looking in my fucking pockets all the time. | 0:20:42 | 0:20:45 | |
And always on at me about every little fucking thing I say or do! | 0:20:45 | 0:20:49 | |
-Mac... -Like, I never asked you. I never asked you anything! | 0:20:49 | 0:20:52 | |
-Why are you following me? -I'm not following you. | 0:20:52 | 0:20:54 | |
What are you doing in here, then? | 0:20:54 | 0:20:56 | |
-What? -I'm sorry, Mac... -What?! | 0:20:58 | 0:21:00 | |
-I'm sorry. -Yeah. | 0:21:10 | 0:21:13 | |
DOG WHIMPERS Ssh-ssh-ssh-ssh-ssh-ssh-ssh! | 0:21:29 | 0:21:31 | |
There's an analgesic in this, | 0:21:31 | 0:21:33 | |
so he shouldn't be in too much pain when he wakes up. | 0:21:33 | 0:21:36 | |
Hold him for me. | 0:21:48 | 0:21:49 | |
DOORBELL Holy fuck! | 0:22:07 | 0:22:10 | |
-Sorry! Sorry! -Jesus! | 0:22:10 | 0:22:11 | |
Could you not just text me, or something? No-one does this | 0:22:11 | 0:22:13 | |
-knocking-on-your-door stuff any more! -Sorry, I WAS texting. | 0:22:13 | 0:22:17 | |
Mm! | 0:22:19 | 0:22:21 | |
So, are you in big trouble? | 0:22:21 | 0:22:22 | |
Yeah. Huge. | 0:22:23 | 0:22:25 | |
SHE CHUCKLES | 0:22:25 | 0:22:27 | |
Is it funny, or...? | 0:22:27 | 0:22:29 | |
Sorry. | 0:22:29 | 0:22:31 | |
Be a few months to the trial. | 0:22:36 | 0:22:38 | |
No-one would blame you if, afterwards... | 0:22:38 | 0:22:40 | |
..you wanted to go away or something. | 0:22:41 | 0:22:43 | |
Go away where? | 0:22:45 | 0:22:47 | |
I don't know. Somewhere. | 0:22:47 | 0:22:49 | |
You mean, with you? Is that what this is...? | 0:22:51 | 0:22:53 | |
No. Not necessarily that, but... | 0:22:53 | 0:22:56 | |
Not necessarily? Are you serious? | 0:22:56 | 0:22:57 | |
I'm just saying people would understand...if you went away. | 0:22:57 | 0:23:01 | |
Right. | 0:23:01 | 0:23:02 | |
-What are you doing? -When? | 0:23:07 | 0:23:10 | |
With the house. | 0:23:10 | 0:23:12 | |
I'm having the basement fixed up. | 0:23:12 | 0:23:14 | |
Right. | 0:23:16 | 0:23:17 | |
Look, do you want to do something? | 0:23:30 | 0:23:31 | |
Like what? | 0:23:33 | 0:23:34 | |
What are you doing tomorrow? | 0:23:34 | 0:23:36 | |
-What day is tomorrow? -Sunday. | 0:23:36 | 0:23:38 | |
Why? What are you doing? | 0:23:38 | 0:23:41 | |
Do you know what else he eats when he finds them in the garden? | 0:23:44 | 0:23:47 | |
-What? -Snails. | 0:23:47 | 0:23:48 | |
Snails?! | 0:23:48 | 0:23:50 | |
How does he get them out of their shell? | 0:23:50 | 0:23:52 | |
-He crunches their shell. -Eurgh! | 0:23:52 | 0:23:54 | |
He goes like, "Scranch-scranch-scranch". | 0:23:54 | 0:23:57 | |
and then he snuffles them all up and then he chews the snail, | 0:23:57 | 0:24:00 | |
like, "Agn-agn-agn-agn", then spits out all the shells. | 0:24:00 | 0:24:02 | |
-He does not. -He does! They're delicious! | 0:24:02 | 0:24:05 | |
He's so cute! | 0:24:05 | 0:24:06 | |
Do you have a dog? | 0:24:06 | 0:24:08 | |
Mum won't let us. | 0:24:08 | 0:24:10 | |
Dad said he would let us. | 0:24:10 | 0:24:12 | |
Oh, nice one! | 0:24:12 | 0:24:13 | |
MUSIC BLARES | 0:24:16 | 0:24:18 | |
ANIMATED CHATTER | 0:24:22 | 0:24:24 | |
Bring back loads of sweets, girls! | 0:24:24 | 0:24:26 | |
So, they're pushing hard for James Morecroft to get bail. | 0:24:28 | 0:24:31 | |
The judge is going to decide at his next hearing. | 0:24:31 | 0:24:34 | |
How long before they let him back out? | 0:24:39 | 0:24:41 | |
The water where they found Philip's body polluted any DNA to speak of. | 0:24:41 | 0:24:44 | |
The fire in Callum's garage took care of it there. | 0:24:44 | 0:24:46 | |
So, what, what are they going to get him on? | 0:24:46 | 0:24:48 | |
Assault causing harm. | 0:24:48 | 0:24:50 | |
-Assault?! -Look, they took me off the case, Paula. | 0:24:50 | 0:24:53 | |
There's stuff about this whole mess | 0:24:54 | 0:24:56 | |
I'm not even going to tell you about, | 0:24:56 | 0:24:58 | |
and they're not letting me do a thing about it. | 0:24:58 | 0:25:00 | |
-What stuff? -Just other stuff! | 0:25:00 | 0:25:01 | |
-Like other things he's done? -Yeah. | 0:25:01 | 0:25:03 | |
-Like what? -Like just bad stuff! | 0:25:03 | 0:25:05 | |
You know what he said to me...that night? | 0:25:09 | 0:25:12 | |
He said you could show him the steps up from Hell. | 0:25:13 | 0:25:16 | |
-He is not crazy. -Yeah. | 0:25:18 | 0:25:20 | |
Well, they can't let him off! | 0:25:20 | 0:25:21 | |
But, look, Paula, I'm not giving up on you. | 0:25:24 | 0:25:26 | |
Paula? Paula! | 0:25:28 | 0:25:29 | |
Dad, look! Look at this! | 0:25:31 | 0:25:33 | |
Wow, girls, those are massive! | 0:25:33 | 0:25:35 | |
Almost as big as your heads, which is saying something. | 0:25:35 | 0:25:37 | |
-The woman gave us extra! -Come on. | 0:25:37 | 0:25:39 | |
PHONE RINGS | 0:25:39 | 0:25:41 | |
Keep an eye on them, will ya? | 0:25:41 | 0:25:42 | |
Inspector. Thanks for getting back to me. | 0:25:44 | 0:25:46 | |
-Right, where to now, girls? -Hall of mirrors. -OK. | 0:25:46 | 0:25:49 | |
I'll tell you what it is. | 0:25:49 | 0:25:51 | |
I'm looking into the case of a missing girl from the early '90s. | 0:25:51 | 0:25:54 | |
You look so tiny! | 0:25:54 | 0:25:57 | |
Ohhhhhhhhhh! | 0:25:57 | 0:25:59 | |
Wh-oa-oa-oa-oa-oa! | 0:25:59 | 0:26:02 | |
THEY LAUGH | 0:26:02 | 0:26:04 | |
Madeleine, where's Orla? | 0:26:41 | 0:26:43 | |
I thought she was with you. | 0:26:43 | 0:26:45 | |
What?! | 0:26:45 | 0:26:46 | |
Orla?! | 0:26:46 | 0:26:48 | |
-Orla?! -Orla?! | 0:26:48 | 0:26:50 | |
-Why weren't you watching her?! -What?! | 0:26:50 | 0:26:51 | |
-What were you doing?! -I was looking in the mirrors! | 0:26:51 | 0:26:53 | |
-Great(!) -I'm sorry! | 0:26:53 | 0:26:55 | |
Orla! | 0:26:55 | 0:26:56 | |
-Orla! -Orla! | 0:26:58 | 0:27:00 | |
-Orla! -Orla! -Orla! | 0:27:02 | 0:27:04 | |
-Orla! -Orla! -Orla! | 0:27:04 | 0:27:07 | |
-Orla! -Orla! -Orla! -Orla! | 0:27:08 | 0:27:11 | |
Jesus Christ! | 0:27:11 | 0:27:13 | |
Orla! | 0:27:13 | 0:27:15 | |
-There she is! -Where?! | 0:27:15 | 0:27:17 | |
-Orla! -Orla! | 0:27:20 | 0:27:22 | |
Orla! | 0:27:23 | 0:27:26 | |
Orla! What the hell are you running off like that for? | 0:27:26 | 0:27:28 | |
You can't just run off! Do you not understand that?! Do you not know that?! | 0:27:28 | 0:27:31 | |
-Paula?! -Jesus Christ! -What's wrong?! -She just pissed off! | 0:27:31 | 0:27:34 | |
-ORLA CRIES -Yeah, OK. You all right? | 0:27:34 | 0:27:37 | |
-Mac, I saw him! -Who? | 0:27:38 | 0:27:40 | |
-James Morecroft! -What?! Where?! | 0:27:40 | 0:27:42 | |
-Here! -He's locked up! | 0:27:42 | 0:27:44 | |
-Who's he, Daddy? -No-one. Paula, he can't be here! | 0:27:44 | 0:27:48 | |
-You need to check that again! -I've just been talking to someone! | 0:27:49 | 0:27:52 | |
Look, can we talk about this later? Please?! | 0:27:52 | 0:27:55 | |
-What is wrong with you? -Assault! Bloody assault! | 0:27:55 | 0:27:59 | |
PAULA BREATHES HARD | 0:27:59 | 0:28:01 | |
Paula! | 0:28:04 | 0:28:06 | |
PAULA! | 0:28:06 | 0:28:08 | |
GULLS CRY | 0:28:10 | 0:28:11 | |
WAVES CRASH | 0:28:11 | 0:28:13 | |
HE SIGHS | 0:29:18 | 0:29:20 | |
DOORBELL | 0:29:55 | 0:29:57 | |
DOORBELL | 0:30:02 | 0:30:04 | |
BUZZER | 0:30:20 | 0:30:22 | |
KNOCK AT DOOR | 0:30:25 | 0:30:26 | |
KNOCKING CONTINUES | 0:30:30 | 0:30:31 | |
Oh. | 0:30:41 | 0:30:42 | |
Hello. | 0:30:42 | 0:30:44 | |
Can I come in? | 0:30:44 | 0:30:45 | |
Sure. | 0:30:47 | 0:30:48 | |
I never thanked you for saving me. | 0:30:56 | 0:30:58 | |
No, that's, er...fine. | 0:31:01 | 0:31:02 | |
You...you don't have to. | 0:31:05 | 0:31:06 | |
BUZZER | 0:31:10 | 0:31:12 | |
BUZZER | 0:31:22 | 0:31:24 | |
Hello? | 0:31:27 | 0:31:29 | |
I'm looking for Sergeant McArthur? | 0:31:29 | 0:31:30 | |
Yeah, just a minute. | 0:31:33 | 0:31:34 | |
HE BREATHES HARD | 0:31:36 | 0:31:37 | |
How's the baby? | 0:31:50 | 0:31:52 | |
She's fine. | 0:31:52 | 0:31:53 | |
And the flat where they have you? | 0:31:57 | 0:31:59 | |
Yeah, it's... | 0:31:59 | 0:32:00 | |
I heard you didn't want to press charges. | 0:32:05 | 0:32:06 | |
It was my fault. | 0:32:06 | 0:32:08 | |
How was it your fault? | 0:32:09 | 0:32:11 | |
I was mad to think it could've worked. | 0:32:11 | 0:32:13 | |
James thought it would work, too, but...it was crazy. | 0:32:15 | 0:32:18 | |
Regardless. You might have died in there, Morgan. | 0:32:18 | 0:32:22 | |
Did James ever talk to you about Paula Denny? | 0:32:38 | 0:32:40 | |
Her brother Callum? | 0:32:42 | 0:32:44 | |
Her friend...Philip Byrden? | 0:32:44 | 0:32:47 | |
Did he ever mention his sister to you? | 0:32:52 | 0:32:55 | |
A little girl called Mary. | 0:32:55 | 0:32:56 | |
I'd love to know where she is. | 0:33:01 | 0:33:03 | |
She's gone. | 0:33:05 | 0:33:07 | |
Gone where? | 0:33:07 | 0:33:09 | |
I don't know. He just...told me one time. | 0:33:11 | 0:33:13 | |
Told you what? | 0:33:13 | 0:33:15 | |
I know he never meant it to happen. | 0:33:17 | 0:33:19 | |
-Never meant what to happen? -I can't tell you that, all right? | 0:33:19 | 0:33:21 | |
But he's not a bad person, no matter what he's done. | 0:33:21 | 0:33:25 | |
Do you believe me? | 0:33:28 | 0:33:30 | |
-SHE SOBS WHISPERS: -Yeah. | 0:33:31 | 0:33:33 | |
It's all right. | 0:33:37 | 0:33:39 | |
It's OK. | 0:33:40 | 0:33:42 | |
Thanks. | 0:33:44 | 0:33:45 | |
HE SIGHS | 0:33:47 | 0:33:49 | |
BUZZER | 0:35:10 | 0:35:12 | |
I need to recheck a few details | 0:35:14 | 0:35:15 | |
in James Morecroft's statement before tomorrow. | 0:35:15 | 0:35:17 | |
-Yeah. All right, Mac. -Thanks. | 0:35:17 | 0:35:19 | |
BUZZER | 0:35:19 | 0:35:20 | |
LOW CHATTER | 0:35:25 | 0:35:27 | |
Thank you. | 0:35:34 | 0:35:35 | |
How are ya, Mac? | 0:35:39 | 0:35:41 | |
Sore. | 0:35:42 | 0:35:44 | |
How's Paula? | 0:35:50 | 0:35:52 | |
She's a tough nut. | 0:35:53 | 0:35:55 | |
You not, er...you not afraid, coming in like this? | 0:35:55 | 0:35:59 | |
What do you mean? | 0:36:00 | 0:36:02 | |
Afraid of you? | 0:36:02 | 0:36:03 | |
If I tell my solicitor you came in here, | 0:36:06 | 0:36:07 | |
this whole trial could get thrown out. | 0:36:07 | 0:36:09 | |
I don't really care about the whole trial, James. | 0:36:09 | 0:36:12 | |
The way I see it, we have an opportunity here. | 0:36:12 | 0:36:15 | |
Your kids need to be with their mothers. | 0:36:16 | 0:36:18 | |
You could do that? | 0:36:19 | 0:36:21 | |
We'll get Crystal set up somewhere. Somewhere nice, you know. | 0:36:21 | 0:36:24 | |
Make sure Morgan's all right, too. | 0:36:24 | 0:36:25 | |
You just tell me... | 0:36:25 | 0:36:27 | |
..what happened your sister. | 0:36:29 | 0:36:30 | |
Mary. | 0:36:33 | 0:36:34 | |
That's all you have to do. | 0:36:36 | 0:36:37 | |
I just, er... | 0:36:42 | 0:36:43 | |
I just tell you what happened? | 0:36:50 | 0:36:52 | |
I give you my word on it. | 0:36:52 | 0:36:53 | |
She always wanted me to play with her. | 0:36:57 | 0:36:59 | |
I always did. | 0:37:01 | 0:37:03 | |
Me ma...me ma was in a...hospital. | 0:37:03 | 0:37:07 | |
-What age were you, James? -I was nine. | 0:37:08 | 0:37:10 | |
My dad was home from the boats, but he was mostly drinking, | 0:37:10 | 0:37:13 | |
so I was looking after Mary. | 0:37:13 | 0:37:16 | |
Middle of the night, me dad comes home, says we'd done something. | 0:37:16 | 0:37:21 | |
I can't remember what. | 0:37:21 | 0:37:23 | |
Me and Mary were messing about. | 0:37:23 | 0:37:25 | |
He locked us... | 0:37:27 | 0:37:28 | |
He locked us under the stairs. | 0:37:30 | 0:37:33 | |
And he didn't come back. | 0:37:38 | 0:37:40 | |
And it was very dark, OK? | 0:37:43 | 0:37:45 | |
And I-I just... | 0:37:46 | 0:37:48 | |
I just could not get that door open. | 0:37:50 | 0:37:53 | |
And you panic. | 0:37:55 | 0:37:57 | |
And then you calm down, but then you panic and you freak out. | 0:37:59 | 0:38:02 | |
And you don't know how much time is going by. | 0:38:02 | 0:38:06 | |
You see a crack of daylight and then you cannot fucking believe | 0:38:07 | 0:38:10 | |
it's getting dark again, and no-one's coming. | 0:38:10 | 0:38:13 | |
How long were you down there? | 0:38:13 | 0:38:14 | |
A... A week? | 0:38:17 | 0:38:19 | |
She just stopped moving, Mac. | 0:38:29 | 0:38:31 | |
I was still holding her when he opened the door. | 0:38:36 | 0:38:38 | |
-Who opened the door? -The old man. | 0:38:38 | 0:38:40 | |
He carried her out, put me in the car. | 0:38:40 | 0:38:43 | |
I just passed out and then I woke up on the ferry. | 0:38:43 | 0:38:46 | |
He took me to Liverpool, | 0:38:48 | 0:38:50 | |
told me Mary was at home...with Mum. | 0:38:50 | 0:38:54 | |
A part of me really wanted to believe the old fucker. | 0:38:59 | 0:39:02 | |
When he died, I... | 0:39:04 | 0:39:06 | |
I looked everywhere, you know? | 0:39:11 | 0:39:14 | |
Of course, I never saw her. | 0:39:18 | 0:39:20 | |
Of course, I never saw her. | 0:39:22 | 0:39:24 | |
I never saw her... | 0:39:27 | 0:39:29 | |
Until I met Paula. | 0:39:35 | 0:39:37 | |
That's when she came back. | 0:39:41 | 0:39:43 | |
Isn't that strange? | 0:39:48 | 0:39:49 | |
She's back. | 0:39:53 | 0:39:55 | |
Oh! | 0:40:03 | 0:40:04 | |
Oh! | 0:40:06 | 0:40:07 | |
Oh! | 0:40:17 | 0:40:18 | |
Argh! | 0:40:25 | 0:40:27 | |
SHE RETCHES | 0:40:27 | 0:40:29 | |
SHE BREATHES HARD | 0:40:32 | 0:40:34 | |
SOBS: I'm so sorry! | 0:42:03 | 0:42:05 | |
RAPID BEEPING | 0:42:09 | 0:42:11 | |
SHE SOBS QUIETLY | 0:42:12 | 0:42:15 | |
Nurse! | 0:43:02 | 0:43:03 | |
Nurse! | 0:43:07 | 0:43:08 | |
NURSE! | 0:43:11 | 0:43:13 | |
DOOR SLAMS SHUT | 0:43:42 | 0:43:44 | |
Dog? | 0:44:24 | 0:44:26 | |
PHONE RINGS | 0:44:29 | 0:44:31 | |
Yeah? | 0:44:31 | 0:44:33 | |
-'Hey, Mac, it's Aengus.' -Hey, Aengus. -'James Morecroft got bail.' | 0:44:33 | 0:44:36 | |
-What? -'Some woman came, put up a surety.' | 0:44:36 | 0:44:39 | |
-When? -'Last thing today.' | 0:44:39 | 0:44:40 | |
Did the boys at Kevin Street send a car around to Paula Denny's house? | 0:44:42 | 0:44:45 | |
'I'm waiting on McGlynn to call me back.' | 0:44:45 | 0:44:47 | |
Fuck McGlynn! | 0:44:47 | 0:44:49 | |
Dog? | 0:44:49 | 0:44:50 | |
Dog? | 0:44:57 | 0:44:59 | |
Dog? | 0:45:17 | 0:45:18 | |
CLICKS LIGHT SWITCH Dog? | 0:45:31 | 0:45:33 | |
PHONE RINGS | 0:45:35 | 0:45:36 | |
SHE SOBS | 0:45:53 | 0:45:54 | |
SHE SOBS | 0:46:45 | 0:46:47 | |
-WHISPERS: -Ssssh. | 0:46:57 | 0:46:59 | |
DOORBELL | 0:47:03 | 0:47:05 | |
SHE SOBS | 0:47:06 | 0:47:08 | |
BANGING | 0:47:20 | 0:47:22 | |
-Are you all right? -What are you doing? | 0:48:18 | 0:48:21 | |
Paula, James Morecroft got bail. | 0:48:21 | 0:48:23 | |
PHONE RINGS | 0:48:23 | 0:48:25 | |
Sorry. One sec. | 0:48:25 | 0:48:27 | |
-Aengus. -'That car should be there in the next...' | 0:48:29 | 0:48:32 | |
OK. Yeah. | 0:48:32 | 0:48:33 | |
I have two men outside. | 0:48:36 | 0:48:38 | |
I'm sorry about the... | 0:48:38 | 0:48:39 | |
Who bailed him? | 0:48:39 | 0:48:41 | |
I don't know. | 0:48:41 | 0:48:42 | |
Paula? | 0:48:42 | 0:48:44 | |
Callum died tonight, Mac. | 0:48:44 | 0:48:47 | |
Oh, Paula. I'm sorry. | 0:48:47 | 0:48:49 | |
-I'm sorry about the door... -It doesn't matter. | 0:48:52 | 0:48:54 | |
I'll... We'll get that... | 0:48:54 | 0:48:56 | |
I... I've two men outside. | 0:48:58 | 0:49:00 | |
All right. | 0:49:01 | 0:49:02 | |
Do you need me to...? | 0:49:04 | 0:49:06 | |
Or...? | 0:49:06 | 0:49:07 | |
OK. | 0:49:13 | 0:49:14 | |
Mac? | 0:49:16 | 0:49:17 | |
I'm sorry I shouted at your kids. | 0:49:19 | 0:49:21 | |
They've been shouted at plenty of times. | 0:49:23 | 0:49:26 | |
FAINT BIRDSONG | 0:49:52 | 0:49:54 | |
DOORBELL | 0:50:02 | 0:50:03 | |
-Morning. -All right, Sean? | 0:50:14 | 0:50:16 | |
James? | 0:51:46 | 0:51:47 | |
James? | 0:51:50 | 0:51:51 | |
There's a torch by your head. | 0:51:53 | 0:51:55 | |
PANICKED GRUNTS | 0:52:08 | 0:52:10 | |
HE GASPS | 0:52:21 | 0:52:23 | |
CLANGING | 0:52:24 | 0:52:26 | |
Don't kick around so much. | 0:52:28 | 0:52:30 | |
That tube up your nose is keeping you alive. | 0:52:36 | 0:52:38 | |
The box will drain your waste into the ground underneath you. | 0:52:40 | 0:52:43 | |
No! No! N-o-o-o-o! | 0:52:46 | 0:52:49 | |
You can decide what you want to do. | 0:52:50 | 0:52:52 | |
You can live, if you want. | 0:52:53 | 0:52:55 | |
I'll keep you alive. | 0:52:56 | 0:52:58 | |
No! No! | 0:52:58 | 0:53:00 | |
N-o-o-o-o-o! | 0:53:00 | 0:53:01 | |
N-o-o-o-o-o! | 0:53:03 | 0:53:04 | |
Or you can die in there and it won't matter. | 0:53:04 | 0:53:07 | |
N-o-o-o-o-o-o! | 0:53:07 | 0:53:10 | |
No! No! | 0:53:10 | 0:53:11 | |
No! | 0:53:11 | 0:53:13 | |
No! | 0:53:19 | 0:53:20 | |
HE GASPS FOR BREATH | 0:53:20 | 0:53:22 | |
N-o-o-o-o-o-o-o! | 0:53:22 | 0:53:23 | |
DOORBELL | 0:53:46 | 0:53:48 | |
-Hi. -Hi. | 0:53:56 | 0:53:58 | |
I'm not going to bother you, | 0:53:58 | 0:54:00 | |
-I just wasn't sure if you were getting my messages. -Come in. | 0:54:00 | 0:54:03 | |
I won't take up your time. Um... | 0:54:12 | 0:54:14 | |
I was talking to a colleague of mine | 0:54:15 | 0:54:18 | |
and his hunch is that James Morecroft | 0:54:18 | 0:54:20 | |
may have fled the jurisdiction. | 0:54:20 | 0:54:22 | |
Now, obviously, this isn't what anyone wants to hear, but... | 0:54:24 | 0:54:27 | |
I just wanted to tell you that, given the circumstances, | 0:54:29 | 0:54:32 | |
-to tell you the truth, it's... -Do you want to get something to eat? | 0:54:32 | 0:54:35 | |
Sure. | 0:54:38 | 0:54:40 | |
Give me a minute. | 0:54:41 | 0:54:43 | |
You all right? | 0:55:07 | 0:55:08 | |
Yeah. | 0:55:10 | 0:55:11 | |
MUSIC: Merry Christmas Everyone by Shakin' Stevens | 0:55:26 | 0:55:29 | |
How have you been? | 0:55:38 | 0:55:39 | |
Yeah. | 0:55:39 | 0:55:40 | |
I'm pregnant. | 0:55:43 | 0:55:45 | |
What? | 0:55:45 | 0:55:47 | |
I'm pregnant. | 0:55:47 | 0:55:48 | |
Whose is it? | 0:55:50 | 0:55:52 | |
It's mine. | 0:55:54 | 0:55:55 | |
Right. | 0:55:58 | 0:55:59 | |
OK. | 0:56:03 | 0:56:04 | |
-Hi. -Hi. Do you have a table for two? -Sure. Come on. | 0:56:09 | 0:56:12 | |
'No!' | 0:56:23 | 0:56:25 | |
N-o-o-o-o-o-o-o-o! | 0:56:29 | 0:56:31 | |
HE BREATHES DEEPLY | 0:57:07 | 0:57:08 |