Browse content similar to Too Late to Talk to Billy. Check below for episodes and series from the same categories and more!
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This programme contains some strong language. | 0:00:02 | 0:00:06 | |
CHILDREN SING | 0:00:17 | 0:00:19 | |
Hey, John. All right? | 0:01:01 | 0:01:05 | |
It's "Sergeant" on duty. | 0:01:05 | 0:01:08 | |
-Sorry, Sergeant. -Remember what that stripe means. | 0:01:08 | 0:01:12 | |
You're an example to show. | 0:01:12 | 0:01:14 | |
-Rank means responsibilities. Do you read me? -Yes, Sergeant. -Right. | 0:01:14 | 0:01:19 | |
Let's go. | 0:01:19 | 0:01:21 | |
Hey, get a move on! | 0:01:22 | 0:01:24 | |
'That was Carol Henderson reporting | 0:01:30 | 0:01:32 | |
'on today's European hockey action at Blares. | 0:01:32 | 0:01:35 | |
'The time, 4:51pm. This is Seamus McKee with Sportsound | 0:01:35 | 0:01:39 | |
'and I will tell you today's Ulster Cup soccer news | 0:01:39 | 0:01:42 | |
'is that Coleraine have beaten Crusaders at Seaview | 0:01:42 | 0:01:45 | |
'to go to the top of the table on goal difference from Linfield. | 0:01:45 | 0:01:49 | |
'The goals that counted for them were a long time in coming, though. | 0:01:49 | 0:01:53 | |
'But after 40 minutes they got it right in front of goal at last. | 0:01:53 | 0:01:56 | |
'Terry Mullen, the scorer. | 0:01:56 | 0:01:57 | |
'15 minutes into the second half, Peter Tweed got their second | 0:01:57 | 0:02:00 | |
'to make it 2-0 for Coleraine - a win which preser...' | 0:02:00 | 0:02:03 | |
Oh. | 0:02:04 | 0:02:06 | |
Are you there, Sarah? | 0:02:12 | 0:02:14 | |
Sarah? | 0:02:17 | 0:02:19 | |
Yes. | 0:02:19 | 0:02:21 | |
You always come. | 0:02:22 | 0:02:25 | |
When are you coming home, Mummy? | 0:02:25 | 0:02:28 | |
Norman's girl. | 0:02:30 | 0:02:32 | |
Daddy doesn't allow me out. | 0:02:35 | 0:02:37 | |
GIRL SOBS | 0:02:37 | 0:02:40 | |
I loved Stevie. | 0:02:41 | 0:02:44 | |
Norman couldn't understand that. GIRL SOBS | 0:02:44 | 0:02:48 | |
I loved Stevie. | 0:02:48 | 0:02:52 | |
I did. I loved Stevie. | 0:02:52 | 0:02:55 | |
Norman couldn't understand that. I loved Stevie. | 0:02:56 | 0:03:00 | |
Stevie. | 0:03:04 | 0:03:06 | |
There, Mrs Martin. | 0:03:06 | 0:03:08 | |
NEWS BULLETIN ON RADIO | 0:03:11 | 0:03:14 | |
-Is that shirt near ready? -It'll be ready when you are. | 0:03:14 | 0:03:18 | |
UDA seemed to be at it all over the day. | 0:03:24 | 0:03:26 | |
You need to watch where you're going. | 0:03:26 | 0:03:29 | |
To hell with the UDA. | 0:03:29 | 0:03:31 | |
So, you worry about me now, do you? | 0:03:31 | 0:03:34 | |
Just iron the bloody shirt. | 0:03:36 | 0:03:38 | |
Are you going up to the hospital the night? | 0:03:41 | 0:03:44 | |
-I told you, I've a message to do. -Dad... -Never mind all that! | 0:03:44 | 0:03:48 | |
There's too many people in this house trying to tell me what to do. | 0:03:48 | 0:03:51 | |
-She doesn't even know me half the time anyway. -That's not the point! | 0:03:51 | 0:03:54 | |
Point, my arse. You know what the point is. Just smooth the shirt. | 0:03:54 | 0:03:59 | |
-Are my shoes polished? -Yeah, they're sitting beside your bed. | 0:04:26 | 0:04:30 | |
-Are you going up the night? -No. | 0:04:35 | 0:04:39 | |
-No. -No!? And everything's understood and forgiven | 0:04:39 | 0:04:43 | |
-just because you cry about it? -It's not just that! | 0:04:43 | 0:04:47 | |
I don't like leaving them by themselves at night. | 0:04:49 | 0:04:52 | |
Especially when there's trouble. | 0:04:52 | 0:04:56 | |
I'll go up the 'morrow afternoon. | 0:04:56 | 0:04:59 | |
Billy'll maybe go up the night. | 0:04:59 | 0:05:02 | |
Aye... Well... | 0:05:02 | 0:05:05 | |
Maybe he can get her a few grapes or something. | 0:05:08 | 0:05:11 | |
-She can't eat. -What? | 0:05:11 | 0:05:13 | |
Oh, aye. | 0:05:15 | 0:05:18 | |
Well, lemonade or something. | 0:05:18 | 0:05:20 | |
-Dad... -Look, I have to go out. | 0:05:22 | 0:05:26 | |
-What's it like on the road? -Normal. Roadblocks. | 0:05:49 | 0:05:53 | |
Able-bodied men in hiding, the rest in uniform. | 0:05:53 | 0:05:57 | |
Will you be all right to go up the hospital the night? | 0:05:57 | 0:06:00 | |
-Is he not going up!? -He's a message to do. | 0:06:00 | 0:06:03 | |
Ah, message. What about the rest of us? | 0:06:03 | 0:06:05 | |
I'm supposed to be meeting June at 7:30pm. | 0:06:05 | 0:06:07 | |
I'm sorry, Billy. I'd go up, but... | 0:06:07 | 0:06:09 | |
I'm not asking you to go up. He should be going, him. | 0:06:09 | 0:06:12 | |
-Could you not wait until 7:30pm and take June up with you? -No! | 0:06:20 | 0:06:24 | |
Jeez, it's bad enough without having spectators. | 0:06:24 | 0:06:28 | |
I'll go. Somebody has to be with her. | 0:06:30 | 0:06:33 | |
I'll think of something about June. | 0:06:33 | 0:06:36 | |
-That lying old frigger! -Say nothing. | 0:06:36 | 0:06:40 | |
He left a pound to get her grapes or lemonade something. | 0:06:40 | 0:06:43 | |
Why don't you tell him to stuff his conscience money? | 0:06:43 | 0:06:45 | |
Billy, just drop it! | 0:06:45 | 0:06:47 | |
-What's it like out? -Don't know. I haven't had it out for days. | 0:07:08 | 0:07:13 | |
It's quieter, Dad. | 0:07:13 | 0:07:15 | |
-Is the road still blocked? -Why aren't you going up the night? | 0:07:18 | 0:07:22 | |
-I ask you a question! -Yeah, and I asked you one. | 0:07:22 | 0:07:25 | |
Dad might be going up with me the 'morrow. | 0:07:25 | 0:07:27 | |
-Don't make excuses for me, girl! -Ah, there's no excuse for you, Dad. | 0:07:27 | 0:07:31 | |
Am I accountable to you? Am I!? | 0:07:31 | 0:07:35 | |
Don't you question me, boy. | 0:07:38 | 0:07:41 | |
Don't you question what I do or where I go. | 0:07:41 | 0:07:43 | |
-You're a waste... -Billy! | 0:07:43 | 0:07:45 | |
Maureen, what kept you? | 0:07:51 | 0:07:53 | |
I'm going. | 0:08:01 | 0:08:04 | |
-Where's Ann? -She's down at the corner gossiping. | 0:08:13 | 0:08:17 | |
What kept you? | 0:08:17 | 0:08:18 | |
We were watching soldiers taking back the bus. | 0:08:18 | 0:08:21 | |
How often have I told you two not to stand watching? | 0:08:21 | 0:08:25 | |
When there's trouble, you just get straight home. | 0:08:25 | 0:08:29 | |
-That's how children get hurt. -I didn't get hurt. | 0:08:29 | 0:08:32 | |
Well, don't hang about again. You didn't get hurt this time, | 0:08:32 | 0:08:35 | |
you mightn't be so lucky in future, you hear? | 0:08:35 | 0:08:38 | |
There's no point in getting at the child. It's that Ann one. | 0:08:38 | 0:08:41 | |
CHILDREN LAUGH | 0:08:44 | 0:08:45 | |
< Attention! | 0:08:45 | 0:08:47 | |
< Slow march! | 0:08:47 | 0:08:49 | |
Away you home, girl. | 0:08:51 | 0:08:53 | |
And again. | 0:08:55 | 0:08:57 | |
Attention! | 0:08:58 | 0:09:01 | |
Slow... | 0:09:01 | 0:09:04 | |
-Get off of that! -Shut up! | 0:09:04 | 0:09:07 | |
But then another big soldier come up and he was a cheeky big git | 0:09:08 | 0:09:11 | |
and he knocked the wee man's money all over the road. | 0:09:11 | 0:09:13 | |
But I lifted 10p, eh? | 0:09:13 | 0:09:15 | |
-Are you listening to what I'm saying? -Nobody saw me. | 0:09:15 | 0:09:18 | |
Well, I'm telling you not to hang about when there's trouble. | 0:09:18 | 0:09:21 | |
All right. I heard you. There's no need to write a song about it. | 0:09:21 | 0:09:24 | |
If that drunk man had been my dad, | 0:09:24 | 0:09:26 | |
he'd have wrapped the soldier's rifles round their necks. | 0:09:26 | 0:09:29 | |
Next time, somebody might wrap something round your neck. | 0:09:29 | 0:09:32 | |
And if they don't, I bloody well will. | 0:09:32 | 0:09:34 | |
Billy! | 0:09:34 | 0:09:36 | |
Ann. | 0:09:36 | 0:09:39 | |
-I want you to go to the chippy. -What do you want? | 0:09:39 | 0:09:41 | |
Two fish suppers and a chip and we'll divide them up. | 0:09:41 | 0:09:44 | |
-I don't want any. -Why not? | 0:09:44 | 0:09:46 | |
Sure, you've had no tea. You'll have to eat something. | 0:09:46 | 0:09:50 | |
-No. -Billy! | 0:09:50 | 0:09:53 | |
My mummy kept on calling me Sarah. | 0:09:53 | 0:09:55 | |
She gets confused, Maureen. | 0:10:03 | 0:10:05 | |
She needs injections and they get her all confused. | 0:10:13 | 0:10:17 | |
-She needs it for the pain. -Who's Norman, Lorna? | 0:10:17 | 0:10:20 | |
She kept on going on about somebody called Norman. | 0:10:20 | 0:10:23 | |
You know bloody well Norman's my da. | 0:10:23 | 0:10:25 | |
I never heard Mummy call him that before. | 0:10:25 | 0:10:28 | |
Was she asking why he wasn't up? | 0:10:28 | 0:10:29 | |
I don't know what she was mumbling about. He sent her flowers. | 0:10:29 | 0:10:33 | |
-Well, he must be practising for sending the wreath. -Billy! | 0:10:33 | 0:10:36 | |
-What wreath? -Never you mind, Maureen. | 0:10:36 | 0:10:39 | |
She kept on going on about Stevie, Lorna. Who's Stevie? | 0:10:39 | 0:10:42 | |
Hi. How are you? | 0:10:46 | 0:10:48 | |
I'll put the kettle on for the dishes, Ann. | 0:10:59 | 0:11:02 | |
That fish was rotten. It was all batter. | 0:11:02 | 0:11:05 | |
Aye, well, you can have them up for too much assault and battery. | 0:11:05 | 0:11:08 | |
Billy...you just can't talk. | 0:11:08 | 0:11:10 | |
Lorna, can I go round to Sandra's house to see the film? | 0:11:10 | 0:11:14 | |
-What time's it over at? -About 10, I think. | 0:11:14 | 0:11:18 | |
Ann can leave you round and then I'll collect you. | 0:11:18 | 0:11:21 | |
-Am I allowed out? -No. | 0:11:21 | 0:11:23 | |
Stuck in here all the time, I'm sick of it. | 0:11:23 | 0:11:26 | |
Why are the rest allowed out? | 0:11:26 | 0:11:27 | |
You're not and that's final, all right? | 0:11:27 | 0:11:29 | |
-If my mum was here... -Ann! | 0:11:29 | 0:11:32 | |
Mum's not here and you're not going out. | 0:11:32 | 0:11:35 | |
KNOCKING | 0:11:35 | 0:11:36 | |
-Hi, girls. -Hi, Ian. | 0:11:36 | 0:11:39 | |
In the name of Jesus, what are you supposed to be. | 0:11:39 | 0:11:42 | |
Jealousy'll get you nowhere, mate. | 0:11:42 | 0:11:44 | |
Here. Look at that. Huh? | 0:11:44 | 0:11:47 | |
-Has somebody been chalking on you? -Chalk! | 0:11:47 | 0:11:50 | |
What do you mean, "chalk"? | 0:11:50 | 0:11:52 | |
That's a stripe, son. That's sewn on. | 0:11:52 | 0:11:55 | |
-No auld rubbish here. -You a general now, then? | 0:11:55 | 0:11:58 | |
It's close enough, love. Close enough. | 0:11:58 | 0:12:00 | |
Is the alert over or are the Martians still expected? | 0:12:00 | 0:12:03 | |
"Eternal vigilantes." That's what Churchill said | 0:12:03 | 0:12:06 | |
and that's what we are. | 0:12:06 | 0:12:08 | |
The army catch you in that outfit, they'll bounce you to Castlereagh on your head. | 0:12:08 | 0:12:12 | |
-Would you like a cup of tea, Ian? -No thanks, love. Not when I'm on duty. | 0:12:12 | 0:12:16 | |
-What's wrong? Not watching Doctor Who, Maureen? -Telly's broke. | 0:12:18 | 0:12:22 | |
-The man won't come and fix it just cos Da owes him money. -Maureen! | 0:12:22 | 0:12:27 | |
-You don't tell your business to everyone. -I didn't. I just told Ian. | 0:12:27 | 0:12:31 | |
Look at this stripe, Lorna. An officer and a gentleman, now. | 0:12:31 | 0:12:36 | |
-My lips are sealed. -Better be, or I'll take that stripe off and sew it across them. | 0:12:36 | 0:12:40 | |
-How is Shirley, Ian? -She's all right. | 0:12:40 | 0:12:42 | |
Still can't believe her luck at getting me. | 0:12:42 | 0:12:45 | |
-You two'll be getting married any day. -Married? Your head cut? | 0:12:45 | 0:12:49 | |
You wouldn't catch me getting married. | 0:12:49 | 0:12:51 | |
If you start now you could have your own wee army before long. | 0:12:51 | 0:12:54 | |
Aye, I'd rather fight the next war on my own | 0:12:54 | 0:12:57 | |
than get an army that way, mate. | 0:12:57 | 0:12:59 | |
What was it you wanted me for? | 0:12:59 | 0:13:01 | |
I'm supposed to be meeting June at 7:30pm. | 0:13:01 | 0:13:04 | |
But my da can make it, | 0:13:04 | 0:13:05 | |
so now I've got to go to hospital and see the auld woman. | 0:13:05 | 0:13:08 | |
You want me to stand in for you, do you? | 0:13:08 | 0:13:11 | |
Let her have a real man for one night? | 0:13:11 | 0:13:14 | |
Like that. You go and meet her and explain. Tell her I'm sorry. | 0:13:14 | 0:13:19 | |
It's just my da had this important message to do, otherwise he... | 0:13:19 | 0:13:23 | |
Well, you tell her I'll call up to her house later. You'll do that? | 0:13:23 | 0:13:27 | |
-Aye. Where? -Corner of Tates Avenue. | 0:13:27 | 0:13:29 | |
Well, I'll just have to go and see Sergeant first. | 0:13:29 | 0:13:32 | |
It'll be all right, like, no problems, | 0:13:32 | 0:13:34 | |
but I just have to let him know. | 0:13:34 | 0:13:36 | |
He's a bit of a mouth, you know? I'll have to change, too. | 0:13:36 | 0:13:39 | |
You're joking. You don't want her to see you looking lovely in your new uniform(?) | 0:13:39 | 0:13:44 | |
-The name's Ian, not Insane. -Are you not seeing Shirley tonight? | 0:13:44 | 0:13:48 | |
I'm supposed to see her at 7:30pm. That's the time I'm off duty. | 0:13:48 | 0:13:52 | |
I'll just tell her I'll see her later. | 0:13:52 | 0:13:54 | |
I don't believe in giving woman long explanations. | 0:13:54 | 0:13:57 | |
I'll see you if you're hanging about the corner when I get home. | 0:13:57 | 0:14:00 | |
Aye, all right. | 0:14:00 | 0:14:02 | |
So... You're going out after all? | 0:14:17 | 0:14:20 | |
I can't just stand Billy up. | 0:14:20 | 0:14:22 | |
You realise that there's been trouble all over the town today? | 0:14:22 | 0:14:27 | |
-I'll be careful. -Careful is not enough in a place like this. | 0:14:27 | 0:14:31 | |
You have to be lucky as well. | 0:14:31 | 0:14:34 | |
And you can't be lucky ALL the time. | 0:14:34 | 0:14:36 | |
I thought we could have had a nice quiet evening here, the two of us. | 0:14:42 | 0:14:47 | |
I'm sorry, Mum. But we'll have lots of nights together. | 0:14:47 | 0:14:51 | |
Will we? | 0:14:51 | 0:14:52 | |
In just over a month, you'll be away all together. | 0:14:52 | 0:14:57 | |
I skimp and save and struggle to get you to university. | 0:14:57 | 0:15:01 | |
But you can't go to the one just down the road. Oh, no, not you! | 0:15:01 | 0:15:06 | |
It has to be half way across the world to suit you. | 0:15:06 | 0:15:09 | |
Half way across the world!? York! | 0:15:09 | 0:15:11 | |
What is wrong with Queen's, I'd like to know. | 0:15:11 | 0:15:14 | |
There is nothing wrong with Queen's! I just want to get away. | 0:15:14 | 0:15:18 | |
And now you're off out tonight. In all this trouble. | 0:15:20 | 0:15:23 | |
Anything could happen. | 0:15:25 | 0:15:27 | |
You could be killed. And then what would I do? | 0:15:27 | 0:15:31 | |
-I'm sure Mrs Cooper will come and sit with you. -And then I'd have to | 0:15:31 | 0:15:34 | |
sit and listen to the history of all her aches and pains. | 0:15:34 | 0:15:37 | |
Oh, no, thank you. | 0:15:37 | 0:15:39 | |
If you were never ill, that woman would make you think you were dying. | 0:15:39 | 0:15:43 | |
-Billy this and Billy that. -SHE TUTS | 0:15:48 | 0:15:53 | |
You go and see Billy. | 0:15:53 | 0:15:57 | |
I'll watch television or I'll read. | 0:15:57 | 0:16:00 | |
It'll be good practice for when you're not here at all. | 0:16:00 | 0:16:03 | |
What do you think of this lipstick? | 0:16:03 | 0:16:05 | |
It's all right. | 0:16:07 | 0:16:08 | |
Let's hope it's still on your lips when you get back. | 0:16:10 | 0:16:14 | |
Hey! I thought you didn't come off till 7:30pm? | 0:16:22 | 0:16:27 | |
I had to get off a wee bit early. I've...got a message to do. | 0:16:27 | 0:16:33 | |
What sort of message? | 0:16:33 | 0:16:36 | |
It's...just a message. | 0:16:36 | 0:16:39 | |
-For a mate. -What about me? You're supposed to see me at 7:30pm. | 0:16:39 | 0:16:44 | |
Well, I'll be a wee bit late. Not much, mind. | 0:16:44 | 0:16:47 | |
-See you at 8:30pm. -8:30pm!? That's a bloody hour! | 0:16:47 | 0:16:51 | |
-Between 8:30 and 8:45pm. -Oh, aye, keep it up. | 0:16:51 | 0:16:54 | |
Soon it'll be between 11:30 and 11:45pm. | 0:16:54 | 0:16:57 | |
It's Saturday night, you know. | 0:16:57 | 0:16:59 | |
I'm not going to hang about all night waiting for you. | 0:16:59 | 0:17:02 | |
-What's this message, anyway? -It's nothing, love! | 0:17:02 | 0:17:05 | |
Very hush-hush. | 0:17:07 | 0:17:09 | |
Look, I promise I'll be here by 8:30pm. All right? | 0:17:11 | 0:17:13 | |
You be here by 8:15Pm or forget it. | 0:17:13 | 0:17:16 | |
-Och, love... -Never mind the "Och, love" bit. I've heard it all before. | 0:17:16 | 0:17:21 | |
You be here or they'll be trouble. | 0:17:21 | 0:17:24 | |
Here. | 0:17:45 | 0:17:46 | |
Take this. | 0:17:46 | 0:17:49 | |
-What is it? -Maureen made her a birthday card. | 0:17:49 | 0:17:54 | |
Her birthday's not for over a week. | 0:17:54 | 0:17:56 | |
Yeah...I'd like her to have it. | 0:17:56 | 0:18:00 | |
-I'd like her to know, just in case. -SHE SOBS | 0:18:01 | 0:18:05 | |
What is it? What's wrong? | 0:18:13 | 0:18:16 | |
-Have you all those dishes done? -Yes. | 0:18:18 | 0:18:21 | |
Look, I'm away. Don't forget that wee girl. | 0:18:23 | 0:18:29 | |
You be careful, Billy. | 0:18:29 | 0:18:31 | |
I wish you'd give June a miss for tonight. | 0:18:31 | 0:18:34 | |
I'll be all right. | 0:18:34 | 0:18:36 | |
-I'll see you later. -See you. | 0:18:37 | 0:18:40 | |
SIREN | 0:19:03 | 0:19:04 | |
-Well, thanks for coming up and letting me know. -It's no trouble. | 0:19:04 | 0:19:10 | |
Hey, look, why don't I walk you back up home? | 0:19:10 | 0:19:13 | |
No, it's all right. Really, there's no need to. | 0:19:13 | 0:19:16 | |
With the auld Troubles and all, I think Billy'd expect me to see your home safe. | 0:19:16 | 0:19:20 | |
-It's not far, really. -No, I insist. | 0:19:20 | 0:19:22 | |
Me and Billy's best mates. | 0:19:22 | 0:19:24 | |
-You're all right with me. -I think it's better if we just walk together. | 0:19:28 | 0:19:32 | |
-In case you trip and pull me down with you. -Oh, aye. | 0:19:32 | 0:19:35 | |
Lorna? | 0:20:52 | 0:20:54 | |
What'll happen if Billy marries June and then leaves us? | 0:20:54 | 0:20:58 | |
What'll happen to us? | 0:20:58 | 0:21:01 | |
We'll just have to manage without him. | 0:21:01 | 0:21:03 | |
Would you like him to marry her? | 0:21:03 | 0:21:05 | |
No. | 0:21:09 | 0:21:10 | |
She wants him to go to England with her. Do you hate her? | 0:21:10 | 0:21:14 | |
No, of course not. | 0:21:14 | 0:21:16 | |
Does he love her? | 0:21:18 | 0:21:21 | |
I don't know. | 0:21:22 | 0:21:23 | |
I don't think he knows. | 0:21:25 | 0:21:27 | |
Lorna? Why don't you go out with boys? | 0:21:27 | 0:21:30 | |
How dare he stand up a daughter of mine? | 0:21:34 | 0:21:37 | |
Mother, he did not stand me up. He sent his friend to tell me. | 0:21:37 | 0:21:41 | |
-Sent his friend! -He went to a great deal of trouble to let me know. | 0:21:41 | 0:21:46 | |
He's coming up here later. | 0:21:46 | 0:21:47 | |
Coming up here? Tonight? What for? | 0:21:47 | 0:21:51 | |
To see me. To talk. | 0:21:51 | 0:21:52 | |
Really, June. You know I don't like him up here. | 0:21:52 | 0:21:56 | |
-You're a snob, Mother. -I am not a snob! | 0:21:56 | 0:21:59 | |
It's just that... | 0:21:59 | 0:22:01 | |
he is a boy I find it difficult to talk to. | 0:22:01 | 0:22:05 | |
Your father... | 0:22:05 | 0:22:07 | |
Well, we only wanted the best for you. | 0:22:07 | 0:22:10 | |
-Is telly good tonight? -Stand you up | 0:22:10 | 0:22:14 | |
and then announce as calmly | 0:22:14 | 0:22:15 | |
that he's going to stroll in here at all hours of the night. | 0:22:15 | 0:22:18 | |
-You wouldn't have done that in your father's time. -Mother... -I'm just saying. | 0:22:18 | 0:22:22 | |
Mother, I wasn't old enough for boyfriends in my father's time. | 0:22:22 | 0:22:25 | |
He wanted the best for you. | 0:22:25 | 0:22:27 | |
He wouldn't have approved of Master Billy Martin. | 0:22:27 | 0:22:30 | |
-There is nothing wrong with Billy! -Nothing wrong? | 0:22:30 | 0:22:34 | |
-Well, he wouldn't have been allowed in over that door in your father's day. -Please! | 0:22:34 | 0:22:39 | |
Lorna? Who was Stevie? | 0:23:11 | 0:23:14 | |
-I don't know! -I do. | 0:23:16 | 0:23:19 | |
He was an insurance man who used to call every Friday night, that's all. | 0:23:19 | 0:23:23 | |
Why does she keep on going on about him? | 0:23:23 | 0:23:25 | |
I've told you. She just rambles. | 0:23:25 | 0:23:29 | |
She doesn't know what she's saying. | 0:23:29 | 0:23:31 | |
-It was her boyfriend. -For goodness sake, Ann! | 0:23:31 | 0:23:33 | |
It's true, isn't it? | 0:23:33 | 0:23:35 | |
It was a long time ago. | 0:23:35 | 0:23:37 | |
Maybe they were just messing around. We don't know. | 0:23:37 | 0:23:40 | |
We'll have to stop meeting like this, darling. | 0:23:40 | 0:23:44 | |
We'll have to change our policy! | 0:23:44 | 0:23:46 | |
-Did you do what I told you? -I was at the doctors the day. | 0:23:53 | 0:23:58 | |
Yes? Well? | 0:23:58 | 0:24:01 | |
Well, he says I have to go in and have few tests, you know. | 0:24:03 | 0:24:06 | |
Och, it's probably nothing. But, you know, best to be on the safe side. | 0:24:06 | 0:24:12 | |
There can't be anything wrong with you, darling, | 0:24:13 | 0:24:16 | |
because you grow more beautiful all the time. | 0:24:16 | 0:24:19 | |
I love you. | 0:24:28 | 0:24:29 | |
CHILDREN LAUGH | 0:24:35 | 0:24:38 | |
Lorna! Ann! | 0:24:38 | 0:24:40 | |
If you two aren't asleep in two minutes, I'll be up with the strap. | 0:24:40 | 0:24:45 | |
-Bitches. -Will they tell? -No! | 0:24:45 | 0:24:48 | |
I'll tell them it was only a joke or something. They're only youngsters. | 0:24:48 | 0:24:51 | |
But it might come out. They mightn't realise. | 0:24:51 | 0:24:55 | |
-Good grief! -Och, come on! Stop worrying. | 0:24:55 | 0:24:58 | |
I only sell insurance, love, I don't buy any. | 0:24:58 | 0:25:02 | |
They wouldn't say anything that might cause trouble. | 0:25:05 | 0:25:07 | |
Relax. | 0:25:09 | 0:25:12 | |
I'll ensure we aren't discovered! | 0:25:12 | 0:25:15 | |
DOOR OPENS | 0:25:20 | 0:25:21 | |
'What did Daddy do? | 0:25:27 | 0:25:28 | |
'Put Stevie bloody Warner in hospital for six weeks. | 0:25:28 | 0:25:33 | |
'He deserved it.' | 0:25:33 | 0:25:34 | |
It's all her fault. She used a tart herself up and go out to dances. | 0:25:34 | 0:25:38 | |
That's what all the rows were about. | 0:25:38 | 0:25:40 | |
-What was Stevie like? Was he nice? -I don't remember. | 0:25:40 | 0:25:43 | |
He wasn't when my da finished with him. | 0:25:43 | 0:25:46 | |
It was awful. My da kept pushing his fists against the wall. | 0:25:46 | 0:25:50 | |
Then he turned round and punched Ma one - right in the mouth. | 0:25:50 | 0:25:53 | |
Dad walked out that night. He didn't come back for two weeks. | 0:25:53 | 0:25:57 | |
That's why he doesn't visit her. | 0:25:57 | 0:25:59 | |
I was with him when she said she loved Stevie. | 0:25:59 | 0:26:02 | |
I thought he was going to cry. | 0:26:03 | 0:26:05 | |
Or kill her. | 0:26:05 | 0:26:06 | |
It was a long time ago. | 0:26:09 | 0:26:11 | |
People fall in love. | 0:26:12 | 0:26:14 | |
It doesn't... | 0:26:15 | 0:26:16 | |
It started when Dad when was in England | 0:26:19 | 0:26:21 | |
with his brother Uncle Herbie - the builder. | 0:26:21 | 0:26:24 | |
She started him drinking heavy. | 0:26:24 | 0:26:26 | |
She was always saying stupid things to men | 0:26:26 | 0:26:28 | |
and laughing when they said stupid things to her. | 0:26:28 | 0:26:30 | |
Every time you went out with her she stopped to talk to some man. | 0:26:31 | 0:26:35 | |
The whole street talked about her and then laughed at us and my da. | 0:26:35 | 0:26:38 | |
-Why should we care about the whole street? -Well, I do! | 0:26:38 | 0:26:41 | |
They'd tell you you're just like your ma and then snigger about it. | 0:26:41 | 0:26:44 | |
I'm glad my da gets drunk and knocks the shit out of them. | 0:26:44 | 0:26:47 | |
It's all her fault. She's an auld whore! | 0:26:47 | 0:26:49 | |
That's enough, Ann! Just leave it. | 0:26:49 | 0:26:52 | |
It's over and done with. | 0:26:52 | 0:26:55 | |
It's not as if she'll ever do it again. | 0:26:56 | 0:26:58 | |
Why did he come back at all after those two weeks? | 0:26:58 | 0:27:02 | |
For us, he said. | 0:27:02 | 0:27:04 | |
Then why does he hit us? | 0:27:04 | 0:27:05 | |
It's the drink. | 0:27:07 | 0:27:08 | |
Men think all about the past when they're drunk. | 0:27:08 | 0:27:11 | |
I hate that auld bitch. | 0:27:11 | 0:27:13 | |
You should have seen his face that day she said it. | 0:27:13 | 0:27:16 | |
He looked at me and I knew he hated me for hearing it. | 0:27:16 | 0:27:19 | |
Why couldn't we have a nice ma and da, like Sally Johnson has? | 0:27:22 | 0:27:26 | |
They're stupid. | 0:27:26 | 0:27:28 | |
They walk about holding hands and kiss at the door. | 0:27:28 | 0:27:31 | |
That's what you do when you're in love. | 0:27:31 | 0:27:33 | |
But they're old. | 0:27:33 | 0:27:34 | |
Her dad's never hit her and they've never shouted at her. | 0:27:34 | 0:27:37 | |
-He wears an apron on Sundays. -Can you picture our dad in an apron?! | 0:27:37 | 0:27:41 | |
A wee feather duster. | 0:27:41 | 0:27:42 | |
-Brushing the front. -Can picture them here if he did that? | 0:27:42 | 0:27:45 | |
-If anybody said anything... -Or laughed. -..he'd ram the brush up their arses! | 0:27:45 | 0:27:48 | |
THEY LAUGH | 0:27:48 | 0:27:50 | |
LAUGHTER WITHIN | 0:27:52 | 0:27:54 | |
Norman! | 0:27:55 | 0:27:57 | |
Norman! | 0:27:57 | 0:27:58 | |
Come on back. | 0:27:58 | 0:27:59 | |
Norman, please! | 0:27:59 | 0:28:01 | |
Norman, Norman! | 0:28:01 | 0:28:03 | |
Norman! | 0:28:03 | 0:28:04 | |
Ah, you pig! | 0:28:06 | 0:28:07 | |
FOOTSTEPS PASS | 0:28:19 | 0:28:21 | |
-Where is she? -She's at the loo. | 0:28:53 | 0:28:56 | |
She'll have heard the door and not been able to get down quickly enough. | 0:28:56 | 0:29:00 | |
How are you? | 0:29:02 | 0:29:03 | |
Oh, I'm great(!) How about yourself? | 0:29:03 | 0:29:07 | |
Great, too. | 0:29:07 | 0:29:08 | |
You didn't turn up. | 0:29:13 | 0:29:15 | |
And I saw Ian. | 0:29:16 | 0:29:17 | |
How's your mother? | 0:29:21 | 0:29:23 | |
Marvellous, didn't I tell you, she played hockey today(?) | 0:29:23 | 0:29:26 | |
True cancer patients versus the rest(!) | 0:29:26 | 0:29:28 | |
They had their sticks removed. Thought they were malignant. | 0:29:28 | 0:29:31 | |
I only asked. | 0:29:31 | 0:29:33 | |
-There's no need to be like that. -Oh, I'm sick of it! | 0:29:34 | 0:29:38 | |
Every time I walk down the street they ask the same question, | 0:29:38 | 0:29:41 | |
say the same stupid bloody things. | 0:29:41 | 0:29:43 | |
Nobody cared much before. | 0:29:43 | 0:29:45 | |
I told you, we're the joke family, remember? | 0:29:45 | 0:29:47 | |
The drunken da and the Playgirl ma. | 0:29:47 | 0:29:50 | |
Why do you resent sympathy? | 0:29:51 | 0:29:53 | |
That friend of yours tried to pick me up. | 0:30:01 | 0:30:03 | |
Ian? Sure, he couldn't pick up flu in an epidemic. | 0:30:04 | 0:30:08 | |
Oh. So you got here? | 0:30:10 | 0:30:12 | |
I thought I heard the door. | 0:30:12 | 0:30:14 | |
How are you, Mrs Boyd? | 0:30:14 | 0:30:16 | |
I'm the same as usual. Just the same. | 0:30:16 | 0:30:19 | |
I don't suppose you'll be staying long on account of the trouble. | 0:30:20 | 0:30:23 | |
-Well, it's pretty quiet now. -Ha, that's just till the pubs get out. | 0:30:23 | 0:30:28 | |
Does it put a stop to the drinking? | 0:30:28 | 0:30:31 | |
June's father always said it rotted men's minds. | 0:30:31 | 0:30:34 | |
The root of all evil, he called it. | 0:30:34 | 0:30:36 | |
Thought that was what money was supposed to be. | 0:30:36 | 0:30:38 | |
Well, it's a mystery to me how the half of them can afford it. | 0:30:38 | 0:30:42 | |
June's father never let a drop pass his lips. | 0:30:42 | 0:30:46 | |
-I don't drink, either, Mrs Boyd. -Oh? | 0:30:46 | 0:30:49 | |
-Have you stopped? -Well, I never started. | 0:30:49 | 0:30:52 | |
Oh. | 0:30:52 | 0:30:53 | |
Oh, you're a very wise young man. | 0:30:54 | 0:30:57 | |
June's father always used to say | 0:30:58 | 0:31:00 | |
that when the drunk man staggered in through the door, | 0:31:00 | 0:31:03 | |
happiness left by the window. | 0:31:03 | 0:31:05 | |
But, of course, you'd know all about that. | 0:31:05 | 0:31:08 | |
-Dad was a fund of knowledge. -He was a very clever, sober man. | 0:31:08 | 0:31:12 | |
Do you go to church, Billy? | 0:31:14 | 0:31:16 | |
Um, er, no. No, I don't. | 0:31:17 | 0:31:19 | |
You should. It's great in times of trouble. | 0:31:19 | 0:31:23 | |
Yes, it must be. | 0:31:23 | 0:31:24 | |
How is your mother? | 0:31:24 | 0:31:26 | |
Um, she's very, um, she's very weak. | 0:31:28 | 0:31:34 | |
It's a terrible thing. Poor woman. | 0:31:34 | 0:31:36 | |
I had a cousin who died of the same thing. | 0:31:38 | 0:31:41 | |
Yeah, you told me about him before. | 0:31:41 | 0:31:43 | |
Him? | 0:31:43 | 0:31:44 | |
Oh, no, no, no. Myrtle. | 0:31:44 | 0:31:47 | |
Our Myrtle had the same thing as your mother. | 0:31:47 | 0:31:51 | |
-Just 36 and with a young family. -Mother. | 0:31:51 | 0:31:54 | |
-Billy will have to go soon and we'd like to talk. -Yes. Yes. Of course. | 0:31:54 | 0:31:59 | |
Do you know she was just over four stone | 0:31:59 | 0:32:02 | |
when the Lord decided to call her? | 0:32:02 | 0:32:05 | |
-You should pray, Billy. -I am Mrs Boyd, hard. | 0:32:06 | 0:32:09 | |
I pray, son. But she laughs at me. | 0:32:09 | 0:32:12 | |
You're not a Christian, Billy? | 0:32:13 | 0:32:16 | |
Mother, Billy doesn't have time for this now. | 0:32:16 | 0:32:18 | |
Many a time prayer is answered when all the doctors have given up. | 0:32:18 | 0:32:22 | |
I must use your toilet. | 0:32:22 | 0:32:23 | |
-Do you want a cup of tea? -What? | 0:32:25 | 0:32:26 | |
-Pardon? -Toilet! | 0:32:26 | 0:32:28 | |
Mother, will you please go to bed without saying another word to Billy? | 0:32:31 | 0:32:35 | |
-Please. -I was only trying... -I know, I know. | 0:32:35 | 0:32:38 | |
But he's just left his mother's bedside and he's very upset. | 0:32:38 | 0:32:41 | |
-It's the last thing he wants to talk about. -Oh, was I tactless? | 0:32:41 | 0:32:45 | |
He understands, but it's upsetting. | 0:32:45 | 0:32:48 | |
-It's just... -He says he prays. -He's probably doing that right now. | 0:32:49 | 0:32:53 | |
What? In the bathroom? | 0:32:53 | 0:32:56 | |
-Surely he's not praying from there, it's hardly decent. -Come on, Mother. | 0:32:56 | 0:33:00 | |
I'm going to make Billy tea while you boil your milk. | 0:33:00 | 0:33:03 | |
-Has she gone? -Yes. | 0:33:35 | 0:33:37 | |
I've a pot of tea on for you. | 0:33:39 | 0:33:40 | |
I've just got to take up her chocolate | 0:33:40 | 0:33:42 | |
then I'll be in with the tea. | 0:33:42 | 0:33:44 | |
-Shall I use butter or marge on the toast? -Marge. | 0:34:59 | 0:35:02 | |
And don't put too much tea in the pot. | 0:35:02 | 0:35:05 | |
Hurry up. | 0:35:06 | 0:35:08 | |
Don't want still at your supper when Da comes in. | 0:35:08 | 0:35:11 | |
CRASHING | 0:35:11 | 0:35:13 | |
You think you can turn up late to take me anywhere and just get that. | 0:35:15 | 0:35:18 | |
I told you I got back as quick as I could. | 0:35:18 | 0:35:20 | |
Gone to see his bloody girlfriend for him! | 0:35:20 | 0:35:23 | |
If I'd known that's where you were, I wouldn't have waited for you. | 0:35:23 | 0:35:26 | |
I just walked up with her. It was just a nice thing to do. | 0:35:26 | 0:35:29 | |
SHE SCOFFS | 0:35:29 | 0:35:30 | |
-When did you ever do a nice thing for me?! -Come on. | 0:35:30 | 0:35:33 | |
Did I bring you a present from Bangor last week? | 0:35:33 | 0:35:35 | |
What present? A present you call it. | 0:35:35 | 0:35:38 | |
You probably got it cheap because the mirror was cracked. | 0:35:38 | 0:35:40 | |
-Here, look at that! -That cost me money! | 0:35:40 | 0:35:44 | |
You can pay for it for the money you saved not taking me out tonight! | 0:35:44 | 0:35:48 | |
You smashed a wee mirror. | 0:35:49 | 0:35:51 | |
Hey, Shirley! | 0:35:53 | 0:35:54 | |
That's seven years bad luck, you know. | 0:35:59 | 0:36:01 | |
Oh, Jesus! | 0:36:01 | 0:36:03 | |
What did you do that for?! | 0:36:05 | 0:36:07 | |
Shirley! | 0:36:09 | 0:36:10 | |
Ah, away home, then. | 0:36:14 | 0:36:16 | |
Stop that. | 0:36:20 | 0:36:23 | |
HE BREATHES HEAVILY | 0:36:23 | 0:36:25 | |
Oh! | 0:36:27 | 0:36:29 | |
Never been much good with bras. | 0:36:29 | 0:36:32 | |
It's hardly worth the effort. Haven't got much there. | 0:36:32 | 0:36:35 | |
-Come on, June! -I shouldn't. | 0:36:45 | 0:36:47 | |
Please, love. Please, come on. | 0:36:47 | 0:36:50 | |
I love you asking me. | 0:36:50 | 0:36:53 | |
-I love you, Billy. -Come on, June. | 0:36:53 | 0:36:56 | |
I told Billy I'd see him later. | 0:37:01 | 0:37:04 | |
If I go home now, the auld doll will start yapping if I go out again. | 0:37:04 | 0:37:08 | |
Here, look where that bitch kicked me! | 0:37:08 | 0:37:10 | |
Don't look so glum, Ian. This time tomorrow, you'll kiss and make up. | 0:37:13 | 0:37:17 | |
Not this time. That's it. | 0:37:17 | 0:37:20 | |
Ah, come on, Ian. You two are always at it. | 0:37:20 | 0:37:24 | |
Nah, this is serious. | 0:37:24 | 0:37:26 | |
She took that wee compact thing I bought her, | 0:37:26 | 0:37:29 | |
smashed it against the wall! | 0:37:29 | 0:37:32 | |
Imagine doing a thing like that? | 0:37:32 | 0:37:34 | |
-It's seven years bad luck breaking a mirror. -I told her that. | 0:37:34 | 0:37:38 | |
She stuck her boot in my leg | 0:37:38 | 0:37:40 | |
and said she'd had the seven years bad luck going with me. | 0:37:40 | 0:37:43 | |
THEY GIGGLE | 0:37:43 | 0:37:45 | |
How did you get on with June? | 0:37:45 | 0:37:47 | |
Oh, great. Great. | 0:37:47 | 0:37:50 | |
She was mad about me, of course. | 0:37:50 | 0:37:52 | |
But like, Billy's a mate, didn't want to take her off him. | 0:37:52 | 0:37:55 | |
You're so generous, Ian(!) | 0:37:55 | 0:37:58 | |
Was he back down after the hospital? | 0:38:01 | 0:38:03 | |
No, he was just going on up to see June. | 0:38:03 | 0:38:06 | |
I'm sorry about your auld woman. | 0:38:07 | 0:38:10 | |
I mean, I always liked her and that, you know. | 0:38:11 | 0:38:14 | |
I know her and my ma used to be always at it, like. | 0:38:16 | 0:38:20 | |
BOTTLE SMASHES | 0:38:22 | 0:38:24 | |
MAN SHOUTS DRUNKENLY | 0:38:24 | 0:38:26 | |
Where is he? | 0:38:28 | 0:38:30 | |
It's all right, now, Norman. | 0:38:30 | 0:38:33 | |
You're home now. | 0:38:35 | 0:38:36 | |
Who are you looking for? | 0:38:36 | 0:38:38 | |
Don't you "Norman" me! | 0:38:38 | 0:38:42 | |
Respect, that's what I want, respect. | 0:38:42 | 0:38:46 | |
What are you doing in my house? | 0:38:46 | 0:38:48 | |
-I'm just waiting for Billy, like, you know. -Where is he? | 0:38:48 | 0:38:51 | |
-He's not here, he's not in yet. -Not here! Not in yet. | 0:38:51 | 0:38:54 | |
Never here, never bloody anywhere! | 0:38:54 | 0:38:56 | |
Up seeing her, isn't he? And out with girls. | 0:38:56 | 0:38:59 | |
It doesn't matter about me, no time for me. | 0:38:59 | 0:39:03 | |
-I suppose you think I'm a fool, eh, son? -Nah. | 0:39:03 | 0:39:06 | |
Auld, drunk Norman. | 0:39:06 | 0:39:09 | |
Don't you bloody "Norman" me or I'll put your head through that wall. | 0:39:09 | 0:39:14 | |
You and your bloody da! | 0:39:14 | 0:39:16 | |
Mr Martin you call me, son, Mr Martin, do you hear? | 0:39:16 | 0:39:20 | |
Da, Ian will have to go home. His ma will be waiting on him. | 0:39:20 | 0:39:24 | |
His mother! His mother! | 0:39:24 | 0:39:27 | |
Never mind his mother, his bloody old ma. | 0:39:27 | 0:39:31 | |
You know your ma can't talk about nobody. | 0:39:31 | 0:39:33 | |
She serviced half the American fleet in her day. | 0:39:33 | 0:39:36 | |
I suppose that's where you got your yellow streak from, eh? | 0:39:36 | 0:39:39 | |
You tell her if she ever talks about my wife again | 0:39:39 | 0:39:43 | |
I'll smash her brains all over the nearest wall. | 0:39:43 | 0:39:46 | |
You tell her my wife's a lady compared with her. | 0:39:46 | 0:39:49 | |
You tell her my wife's near dead and she's still better looking than her. | 0:39:49 | 0:39:53 | |
You tell the auld bitch that! | 0:39:53 | 0:39:56 | |
Come on, to bed, quickly! | 0:39:56 | 0:39:59 | |
That's right, the big bad wolf's here. | 0:40:03 | 0:40:06 | |
You chase the kiddies off to bed, you're just like your ma. | 0:40:06 | 0:40:10 | |
It's late, Dad. | 0:40:10 | 0:40:12 | |
"It's late, Dad." Damn the late! | 0:40:12 | 0:40:15 | |
I'm their father. | 0:40:15 | 0:40:17 | |
I know you might wish I wasn't, but I am, | 0:40:17 | 0:40:20 | |
they're mine, my kids! | 0:40:20 | 0:40:22 | |
Ann, Maureen! Come down here. | 0:40:23 | 0:40:27 | |
-Dad, please! -Shut up. | 0:40:27 | 0:40:30 | |
I want my children to kiss me night-night. | 0:40:30 | 0:40:33 | |
All men's' children kiss them. | 0:40:33 | 0:40:35 | |
I know what you and him's trying to do. | 0:40:35 | 0:40:37 | |
Don't think I don't know. | 0:40:37 | 0:40:40 | |
Daddy wants a good night kiss. | 0:40:44 | 0:40:46 | |
Never mind her. | 0:40:47 | 0:40:49 | |
Never mind your big, bloody sister. Kiss me. | 0:40:49 | 0:40:53 | |
SOBBING | 0:40:53 | 0:40:55 | |
-What the hell are you crying for? -Dad, please let them... -It's you! | 0:40:55 | 0:40:59 | |
You're turning them against their own father. | 0:40:59 | 0:41:02 | |
This is my house, do you hear? | 0:41:02 | 0:41:05 | |
I've a right to be kissed by my own kids in my own house. | 0:41:05 | 0:41:08 | |
-Stop bloody crying! -Leave them alone and let them go to bed! | 0:41:08 | 0:41:12 | |
Don't you tell me what to do. I'm sick of you telling me what to! | 0:41:12 | 0:41:16 | |
SOBBING | 0:41:16 | 0:41:18 | |
Good night, Daddy. | 0:41:27 | 0:41:29 | |
Sit down, Dad. | 0:41:53 | 0:41:55 | |
It's too late, Lorna. | 0:42:15 | 0:42:18 | |
She's dying. I can't... | 0:42:20 | 0:42:23 | |
Can't... | 0:42:25 | 0:42:27 | |
Can't talk to her. | 0:42:29 | 0:42:31 | |
She doesn't know me. | 0:42:31 | 0:42:34 | |
Doesn't understand what I'm saying. | 0:42:35 | 0:42:38 | |
It's too late, love. | 0:42:40 | 0:42:41 | |
It's... | 0:42:44 | 0:42:47 | |
Talk to Billy. | 0:42:47 | 0:42:49 | |
Talk to him. | 0:42:49 | 0:42:53 | |
It's not too late for that. | 0:42:53 | 0:42:55 | |
You're sorry you did it, aren't you? | 0:43:06 | 0:43:09 | |
It's all right. | 0:43:10 | 0:43:12 | |
That's it, isn't it? | 0:43:18 | 0:43:20 | |
June, I'm sorry... | 0:43:23 | 0:43:25 | |
Thanks for bugger all. What does that make me? | 0:43:25 | 0:43:28 | |
Pity your mother if she expects sympathy from you. | 0:43:30 | 0:43:33 | |
-You leave my ma out of this! -You do what you like and say nothing. | 0:43:33 | 0:43:37 | |
-Why don't you hit me, Billy? Go on, hit me! -Don't be stupid. | 0:43:37 | 0:43:40 | |
Isn't that the Martin answer to everything? | 0:43:40 | 0:43:43 | |
I'm stupid. And I proved that. | 0:43:47 | 0:43:51 | |
I've said I'm sorry, what else can I say? | 0:43:55 | 0:43:57 | |
Don't say anything, Billy. | 0:43:57 | 0:43:59 | |
Just show me you're human. | 0:44:04 | 0:44:06 | |
I don't know if I am human any more. | 0:44:08 | 0:44:10 | |
I can't go away with you, June. | 0:44:14 | 0:44:15 | |
Not now. | 0:44:19 | 0:44:20 | |
Not yet. | 0:44:22 | 0:44:24 | |
That was the payoff? | 0:44:26 | 0:44:28 | |
The big finale. | 0:44:29 | 0:44:30 | |
You could go to Queen's, give me time to sort things out. | 0:44:30 | 0:44:34 | |
I could. | 0:44:38 | 0:44:40 | |
Will you? | 0:44:40 | 0:44:42 | |
You better go, Billy. | 0:44:46 | 0:44:48 | |
Billy? | 0:44:59 | 0:45:00 | |
For goodness' sake be careful going home. | 0:45:03 | 0:45:06 | |
DOOR SLAMS | 0:45:15 | 0:45:18 | |
# And all the flowers are dying | 0:45:18 | 0:45:26 | |
# 'Tis you, 'tis you | 0:45:26 | 0:45:31 | |
# Must go and I... # | 0:45:31 | 0:45:35 | |
All, right, Joe? What about you? | 0:45:48 | 0:45:51 | |
Where's your great mate Martin? | 0:45:55 | 0:45:58 | |
Billy? I don't know, I'm waiting to see if he came up the road. | 0:46:00 | 0:46:05 | |
I had a row with his auld fella. | 0:46:07 | 0:46:10 | |
He was in bad form tonight, wasn't he? | 0:46:11 | 0:46:14 | |
The auld bollocks is always in bad form. | 0:46:16 | 0:46:19 | |
He hit me a dig in the gub. | 0:46:19 | 0:46:21 | |
He hit me, too. | 0:46:23 | 0:46:25 | |
Hit you? What for? | 0:46:25 | 0:46:27 | |
He was drunk, you know. | 0:46:30 | 0:46:32 | |
I just ran into a sucker-punch. | 0:46:35 | 0:46:39 | |
Otherwise I'd have give him a good go. | 0:46:40 | 0:46:43 | |
He's tough, isn't he? | 0:46:44 | 0:46:47 | |
So am I. | 0:46:47 | 0:46:49 | |
-Are you saying I'm not? -No, No. | 0:46:49 | 0:46:53 | |
You are, John, you're one of the hardest men around here, I know that. | 0:46:53 | 0:46:57 | |
I did your da one night. | 0:46:57 | 0:46:59 | |
I said, I did your da. | 0:47:01 | 0:47:05 | |
I know, I remember. | 0:47:06 | 0:47:09 | |
Are you going to get me for it, eh? | 0:47:09 | 0:47:11 | |
You want to have a go? | 0:47:11 | 0:47:13 | |
No, John, you gave him a fair go. | 0:47:14 | 0:47:16 | |
Yeah, your auld fella was easy and so are you. | 0:47:24 | 0:47:28 | |
I didn't say anything, John. | 0:47:28 | 0:47:30 | |
You reckon I could take Billy? | 0:47:32 | 0:47:34 | |
I don't know, Billy can go some. | 0:47:35 | 0:47:38 | |
Could he take me? | 0:47:40 | 0:47:41 | |
I don't know, John. Please, John, don't hit me. | 0:47:45 | 0:47:48 | |
I'm going to kick your shite in. | 0:47:48 | 0:47:50 | |
Come on! | 0:47:50 | 0:47:52 | |
You're his mate! | 0:47:55 | 0:47:57 | |
What's going on? | 0:47:57 | 0:47:59 | |
It's the boy wonder himself. | 0:48:01 | 0:48:04 | |
Your great mate here fancies his chances. | 0:48:05 | 0:48:09 | |
I don't. I didn't say a word, Billy. | 0:48:09 | 0:48:12 | |
I was just standing here, waiting for you. | 0:48:12 | 0:48:15 | |
I never said a thing. | 0:48:15 | 0:48:16 | |
You leave him alone. | 0:48:16 | 0:48:19 | |
Is that an order? | 0:48:19 | 0:48:21 | |
It's good advice. | 0:48:21 | 0:48:23 | |
I had a row with your auld fella. | 0:48:24 | 0:48:27 | |
He must have took pity on you if you're still be able to stand. | 0:48:27 | 0:48:30 | |
He hit made a lucky blow before I was ready. | 0:48:30 | 0:48:33 | |
My da could beat you with his cap. | 0:48:33 | 0:48:35 | |
-You Martins all think you're hard men, don't you? -That's right. | 0:48:35 | 0:48:40 | |
We don't have to dress up to prove it. | 0:48:40 | 0:48:43 | |
Well, some day, you'll push your luck too far. | 0:48:43 | 0:48:48 | |
Any time you like. | 0:48:48 | 0:48:50 | |
Like right now. | 0:48:50 | 0:48:53 | |
Look, Billy, auld son... | 0:48:59 | 0:49:00 | |
..I'm a bit too much, eh? | 0:49:03 | 0:49:06 | |
Trust me, Billy. | 0:49:08 | 0:49:10 | |
Trust me. | 0:49:10 | 0:49:12 | |
Here. | 0:49:12 | 0:49:13 | |
-A wee drink, eh? -I don't. | 0:49:15 | 0:49:18 | |
Come on, a wee slug won't hurt you. | 0:49:19 | 0:49:22 | |
Look, it was your auld fella I was mad at. | 0:49:22 | 0:49:25 | |
He got me a good 'un, fair and square, he laid me out. | 0:49:25 | 0:49:29 | |
I've told you, I don't. | 0:49:29 | 0:49:30 | |
It's an insult to refuse a drink. | 0:49:30 | 0:49:33 | |
All right, just one swig. | 0:49:33 | 0:49:37 | |
I think that rotten bastard's broke my nose! | 0:49:51 | 0:49:54 | |
You don't get anything trying to reason with the likes of him. | 0:49:54 | 0:49:57 | |
You're better just lashing out and taking your chances. | 0:49:57 | 0:50:00 | |
I'm away up. | 0:50:00 | 0:50:01 | |
Hey, are you just going to leave him there? | 0:50:01 | 0:50:04 | |
What for, you don't think I'm taking him home with me, do you? | 0:50:04 | 0:50:07 | |
Could we not drag him up the entry, out of the way? | 0:50:07 | 0:50:09 | |
You do it if you like, he's your sergeant. | 0:50:09 | 0:50:13 | |
Bastard! | 0:50:48 | 0:50:49 | |
You bastard! | 0:50:55 | 0:50:56 | |
Billy, where on earth have you been? It's after 2:30am. | 0:51:17 | 0:51:22 | |
I got held up. | 0:51:22 | 0:51:23 | |
There's no trouble, is there? | 0:51:23 | 0:51:26 | |
No, not a thing. All quiet in West Belfast. | 0:51:26 | 0:51:29 | |
How's Mum? | 0:51:33 | 0:51:35 | |
I couldn't get away. | 0:51:40 | 0:51:42 | |
You'll have to write to your agent, | 0:51:42 | 0:51:44 | |
see if we can book you for the funeral. | 0:51:44 | 0:51:46 | |
Would you like something to eat? | 0:51:46 | 0:51:48 | |
I'm going to bed, I'll make myself a cup of tea. | 0:51:48 | 0:51:51 | |
No, I'll do it. | 0:51:51 | 0:51:52 | |
I'm away to bed. | 0:51:54 | 0:51:56 | |
Would you like some tea, Dad? | 0:51:56 | 0:51:58 | |
No, I don't want any of your tea. | 0:51:58 | 0:52:00 | |
I was going up to see her tonight. | 0:52:12 | 0:52:14 | |
I did... | 0:52:15 | 0:52:17 | |
I had to see a man. | 0:52:20 | 0:52:22 | |
Hurry up with that tea, Lorna? | 0:52:22 | 0:52:24 | |
Are you listening to me? | 0:52:24 | 0:52:26 | |
Give me a round of bread and jam. | 0:52:26 | 0:52:29 | |
I'm talking to you. | 0:52:29 | 0:52:30 | |
Why don't you go to the hospital and talk to your wife? | 0:52:30 | 0:52:33 | |
Look, I'm trying to tell you, I'm trying to explain. | 0:52:33 | 0:52:36 | |
Don't you tell me, I don't want your explanations. | 0:52:36 | 0:52:39 | |
You go up and tell her. | 0:52:39 | 0:52:40 | |
-Billy! -Tell him to listen to me. | 0:52:40 | 0:52:42 | |
Why don't you tell me when you're sober, if I live that long. | 0:52:42 | 0:52:45 | |
I don't want any of your bloody lip, boy. | 0:52:45 | 0:52:47 | |
You might frighten those kids upstairs, you don't frighten me. | 0:52:47 | 0:52:50 | |
I'm not trying to frighten anybody. | 0:52:50 | 0:52:52 | |
For Christ's sake, tell him to listen to me. | 0:52:52 | 0:52:55 | |
I'm trying to talk to him. | 0:52:55 | 0:52:57 | |
Well, you're about 16 years too late. | 0:52:57 | 0:52:59 | |
-Billy, let him speak. -I don't want to hear him. | 0:52:59 | 0:53:02 | |
You go to bed, auld man, go to bed and rest up for your wife's funeral. | 0:53:02 | 0:53:05 | |
I'll bloody kill you. | 0:53:05 | 0:53:07 | |
Billy, the kids have had enough for one night. | 0:53:07 | 0:53:10 | |
Come on, Dad, leave it for the night. | 0:53:13 | 0:53:16 | |
You go on up to bed and I'll bring you up some tea. | 0:53:19 | 0:53:22 | |
Shove your tea up your arse! You're always on his side. | 0:53:22 | 0:53:26 | |
He's in the wrong, but you won't admit it. | 0:53:26 | 0:53:28 | |
No, it's always my fault. | 0:53:28 | 0:53:30 | |
Tell him, why don't you tell him he's in the wrong! | 0:53:30 | 0:53:32 | |
Me in the wrong! What are you mouthing about, you drunken eejit! | 0:53:32 | 0:53:36 | |
-You haven't been to see my ma for over a week. -Your ma? | 0:53:36 | 0:53:39 | |
You and her and your ma? | 0:53:39 | 0:53:41 | |
I wish the whole bloody lot of you had cancer. | 0:53:41 | 0:53:43 | |
I wish you were all bloody dying. | 0:53:43 | 0:53:45 | |
I go out to work every day, | 0:53:45 | 0:53:46 | |
your ma never knew what it was like to have a broken pay. | 0:53:46 | 0:53:49 | |
She knew what it was like to have a broken jaw and a broken nose. | 0:53:49 | 0:53:52 | |
I'm warning you, I'm bloody warning you. | 0:53:52 | 0:53:55 | |
Why didn't you let her run off with the insurance man? | 0:53:55 | 0:53:58 | |
For goodness' sake, Billy. | 0:53:58 | 0:54:00 | |
He was a better bloody man than you. | 0:54:00 | 0:54:01 | |
At least he appreciated her, but you couldn't take that. | 0:54:01 | 0:54:04 | |
Well, she loved him, she despised you but she loved him. | 0:54:04 | 0:54:08 | |
Daddy! | 0:54:08 | 0:54:09 | |
I'll kill you! | 0:54:27 | 0:54:31 | |
Bastard! | 0:54:31 | 0:54:33 | |
If you ever lift your hand to me again, | 0:54:36 | 0:54:38 | |
I'll break your bloody neck. | 0:54:38 | 0:54:40 | |
CHILDREN CRYING | 0:54:40 | 0:54:42 | |
Get up! | 0:54:42 | 0:54:44 | |
If you ever come in this house again, I'll bloody kill you. | 0:54:44 | 0:54:47 | |
-Shut up, up there, you hear me? Shut bloody up! -> | 0:54:51 | 0:54:54 | |
-RADIO: -'A look at our morning papers now with Walter Love. | 0:55:42 | 0:55:45 | |
'The Irish News devotes its integral space this morning | 0:55:45 | 0:55:48 | |
'to Northern Ireland's unemployment problem. | 0:55:48 | 0:55:51 | |
'The paper's main story focuses on the situation | 0:55:51 | 0:55:54 | |
'in Belfast's Ardoyne area | 0:55:54 | 0:55:55 | |
'and in a call by Father Miles, rector of Holy Cross monastery...' | 0:55:55 | 0:55:59 | |
What day is it? Tuesday, isn't it? | 0:56:00 | 0:56:03 | |
Yeah. | 0:56:03 | 0:56:05 | |
Any word of that Billy fella? | 0:56:07 | 0:56:09 | |
-RADIO: -'..a very terrifying level of unemployment.' | 0:56:09 | 0:56:11 | |
He called in yesterday. | 0:56:11 | 0:56:13 | |
Sneaked in when I was out? | 0:56:13 | 0:56:15 | |
He shouldn't have to sneak in. It's his home. | 0:56:15 | 0:56:18 | |
If he's bringing in a wage to pay his rent, it'll be his home. | 0:56:18 | 0:56:22 | |
-He gives all he can. -The dole won't keep a home. | 0:56:22 | 0:56:26 | |
He does his best, Dad, and you know that. | 0:56:26 | 0:56:28 | |
I writ to my brother Herbie a while ago. | 0:56:33 | 0:56:37 | |
That letter yesterday? | 0:56:37 | 0:56:39 | |
-It was from him. -I saw the Birmingham postmark. -Aye. | 0:56:40 | 0:56:44 | |
Well, he has a job for me. As soon as I want to go. | 0:56:46 | 0:56:50 | |
-And are you going to? -Why not? Damn all for me here. | 0:56:51 | 0:56:55 | |
I'll be away as soon as we see your ma off. | 0:56:56 | 0:56:58 | |
I won't be back. | 0:57:01 | 0:57:02 | |
We shouldn't give up hope. Mother might recover. God's good. | 0:57:10 | 0:57:14 | |
-God's a bollocks. -Dad, God forgive you. | 0:57:14 | 0:57:18 | |
"God's good, God forgive you, God bless you, God is love." | 0:57:18 | 0:57:23 | |
Whoever he loves, it isn't this family. | 0:57:23 | 0:57:25 | |
Never done nothing for us. | 0:57:25 | 0:57:26 | |
-You have to have faith. -Faith, my arse. | 0:57:26 | 0:57:29 | |
All your praying and churchgoing hasn't done her much good. | 0:57:29 | 0:57:33 | |
When I was young, I was dragged out to church three times every Sunday. | 0:57:35 | 0:57:39 | |
My mother was the nearest thing to a saint you'll ever see. | 0:57:39 | 0:57:43 | |
My da was a drunken waster. | 0:57:43 | 0:57:45 | |
Before she could get out to church of a Sunday, | 0:57:45 | 0:57:47 | |
she'd have the wash the spew up and put him to his bed. | 0:57:47 | 0:57:50 | |
He died in his sleep on a Tuesday night with a smile on his face. | 0:57:51 | 0:57:55 | |
-Do you know what happened to her? -You've told me. | 0:57:55 | 0:57:58 | |
Aye, well, I'll tell you again. She lay for months, in agony. | 0:57:58 | 0:58:03 | |
I heard her praying. For relief. I heard her praying to die. | 0:58:04 | 0:58:10 | |
For the last week of her life, she screamed at God to help her. | 0:58:10 | 0:58:14 | |
There was no smile on her face when she died. | 0:58:15 | 0:58:18 | |
Her face was twisted up in agony. Don't you tell me God's good, girl. | 0:58:18 | 0:58:23 | |
-Maybe the reason's not for us to know. -Oh, aye. | 0:58:24 | 0:58:29 | |
He's a great one for keeping secrets, is God. | 0:58:31 | 0:58:33 | |
Do you know what they told me? | 0:58:36 | 0:58:38 | |
They said God was trying to spare me. | 0:58:38 | 0:58:40 | |
He didn't want me to mourn my mother so he made it that awful | 0:58:42 | 0:58:45 | |
I'd be glad to see her going. | 0:58:45 | 0:58:47 | |
Did you ever hear such a load of auld bollocks in your life? | 0:58:47 | 0:58:51 | |
I wish you wouldn't talk like that. | 0:58:51 | 0:58:53 | |
You never know what might happen to you when you step outside that door. | 0:58:53 | 0:58:57 | |
-Would you like some more tea? -Aye, a half a cup. | 0:59:01 | 0:59:05 | |
-Dad... -I said a half a cup. That's three quarters. | 0:59:22 | 0:59:27 | |
What? | 0:59:27 | 0:59:29 | |
Can Billy come back? | 0:59:29 | 0:59:31 | |
I've told you. I'm going. After that, you and him's in charge. | 0:59:32 | 0:59:36 | |
He'll have to come back to collect some clothes, but Id like him back. | 0:59:37 | 0:59:40 | |
-Where's he staying anyway? -He's with Uncle Andy. -Huh! | 0:59:42 | 0:59:45 | |
I wouldn't wish that dirty auld frigger even on him. | 0:59:45 | 0:59:50 | |
Does he still fart and blame it on the cat? | 0:59:52 | 0:59:55 | |
Tell him he can come back. | 1:00:02 | 1:00:04 | |
-But I'll be going away soon. -Thanks, Dad. | 1:00:04 | 1:00:08 | |
-What's in 'em? -Chicken paste. | 1:00:23 | 1:00:26 | |
-Is there a bun for my tea break? -There's a couple of custards. | 1:00:26 | 1:00:30 | |
Time you found yourself a boyfriend, you know. | 1:00:33 | 1:00:36 | |
You can't waste your own life on the others. | 1:00:37 | 1:00:39 | |
Don't tell them two young ones I'm going. | 1:00:43 | 1:00:45 | |
Not till nearer the time. | 1:00:45 | 1:00:48 | |
Take care of yourself, Dad. | 1:00:51 | 1:00:54 | |
I'm only going to the bloody shipyard. | 1:00:54 | 1:00:57 | |
Not the Western front. | 1:00:58 | 1:00:59 | |
Ian's gone. No-one knows where he is, just disappeared. | 1:01:39 | 1:01:44 | |
John Fletcher has a fractured skull, police are at his bedside. | 1:01:46 | 1:01:50 | |
Do they know what happened to him? | 1:01:50 | 1:01:52 | |
They know he was hit with a bottle, but he was kicked as well. | 1:01:52 | 1:01:56 | |
Apparently he could be barely recognised, | 1:01:56 | 1:01:58 | |
his face was kicked to a pulp. | 1:01:58 | 1:02:01 | |
-Will he live? -Nobody knows. | 1:02:01 | 1:02:04 | |
It happened on Saturday, this is Tuesday and he's still unconscious. | 1:02:05 | 1:02:10 | |
It could've been you walking over to Uncle Andy's at that time of night. | 1:02:11 | 1:02:15 | |
I was all right. I'm not involved in anything. | 1:02:15 | 1:02:18 | |
What does that matter? | 1:02:18 | 1:02:20 | |
-What did he say? -The usual. | 1:02:21 | 1:02:24 | |
About his poor sister and the bad man she married. | 1:02:24 | 1:02:27 | |
You could laugh at him and his poor sister a bit. | 1:02:27 | 1:02:30 | |
He never had much time for her. | 1:02:30 | 1:02:32 | |
-And my da said I could come back? -Yeah. | 1:02:49 | 1:02:52 | |
It was terrible after he went to bed on Saturday night. | 1:02:54 | 1:02:57 | |
I could hear him arguing with himself and then he started crying. | 1:02:58 | 1:03:02 | |
He must have got all the draws and forgot to post the coupon. | 1:03:02 | 1:03:06 | |
He's like a bear with a thorn in his paw | 1:03:06 | 1:03:07 | |
and he doesn't know how to get it out. | 1:03:07 | 1:03:09 | |
We should be drilling through from the top of his head. | 1:03:09 | 1:03:13 | |
He really did want to talk to you the other night. | 1:03:13 | 1:03:16 | |
I wish you'd listened. | 1:03:16 | 1:03:18 | |
We can't talk, Lorna. | 1:03:18 | 1:03:19 | |
Maybe we should phone each other or something. | 1:03:19 | 1:03:22 | |
Maybe he'll add a few lines to the bottom of his letters | 1:03:22 | 1:03:25 | |
-when he goes away. -Aye, maybe. When he hands over to me. | 1:03:25 | 1:03:28 | |
Billy? Do you believe in God? | 1:03:46 | 1:03:49 | |
No. | 1:03:50 | 1:03:51 | |
What do you think of people who do? | 1:03:55 | 1:03:57 | |
They're lucky. | 1:04:01 | 1:04:02 | |
-Hello, girls. -Hiya, Billy. -Hi, Billy. -All right? | 1:04:28 | 1:04:31 | |
-Billy, have you moved back in? -Yep. | 1:04:31 | 1:04:33 | |
-How is life with Uncle Andy? -Great way to slim. Time he's finished | 1:04:33 | 1:04:36 | |
spitting up his lungs, taking his teeth out, | 1:04:36 | 1:04:39 | |
leaving them beside his plate, the appetite leaves you. | 1:04:39 | 1:04:41 | |
-Oh, Billy! -I'm away out again. | 1:04:41 | 1:04:43 | |
-You watch where you're going. And be in for your tea. -I will. | 1:04:43 | 1:04:46 | |
How's school, Ann? | 1:04:46 | 1:04:48 | |
Concorde said I had to get my da to sign all the homework. | 1:04:48 | 1:04:51 | |
-Who's a Concorde? -Mr Williamson. | 1:04:51 | 1:04:53 | |
You should see his hooter. When he's turned sideways, | 1:04:53 | 1:04:56 | |
he just looks like a Concorde. | 1:04:56 | 1:04:58 | |
I told my da I wouldn't do it, | 1:04:58 | 1:04:59 | |
but he said it has to be him or my ma and nobody else. | 1:04:59 | 1:05:02 | |
I'll sign Dad's name. He'll never know the difference. | 1:05:02 | 1:05:05 | |
Snout like his. He'd smell a rat at 20,000 feet, Laura. | 1:05:05 | 1:05:08 | |
You should have asked them round to meet my da. | 1:05:08 | 1:05:10 | |
Being a teacher, he probably thinks most das are human. | 1:05:10 | 1:05:13 | |
I'd love to. My da would probably get him by his big snout | 1:05:13 | 1:05:16 | |
and swing him around his head. | 1:05:16 | 1:05:17 | |
Why does he want your homework signed all of a sudden? | 1:05:17 | 1:05:20 | |
There's only about ten of us. | 1:05:20 | 1:05:22 | |
He said our attitude was... Now, what was it now? | 1:05:22 | 1:05:26 | |
Subversive or something daft like that. | 1:05:26 | 1:05:28 | |
Do you not think we've enough to worry about | 1:05:28 | 1:05:31 | |
-without any trouble from the school? -It's not my fault. | 1:05:31 | 1:05:34 | |
You keep out of trouble. | 1:05:34 | 1:05:36 | |
If he sends a note home to dad, you're dead. | 1:05:36 | 1:05:38 | |
-Is he new? -Aye. He's a drip. Thinks he's lovely. | 1:05:38 | 1:05:42 | |
Keeps chatting up Miss Baker. It was a laugh. | 1:05:42 | 1:05:46 | |
You see the other day, Sandra Marshall said to Miss Baker, | 1:05:46 | 1:05:49 | |
"Excuse me, Miss, have you ever had a ride by Concorde?" | 1:05:49 | 1:05:52 | |
We were killing ourselves laughing, but she didn't catch on. | 1:05:52 | 1:05:56 | |
Here she is, "As a matter of fact, | 1:05:56 | 1:05:58 | |
"I was thinking of trying it next summer." | 1:05:58 | 1:06:01 | |
I'm warning you, Ann. | 1:06:01 | 1:06:03 | |
Don't be getting in any trouble. | 1:06:03 | 1:06:05 | |
-Are you going up again, Billy? -Aye, I better. | 1:06:07 | 1:06:10 | |
Are you not seeing June? | 1:06:12 | 1:06:14 | |
No, not tonight. | 1:06:14 | 1:06:16 | |
Billy, why do you never bring her down now? | 1:06:16 | 1:06:19 | |
Well, she's going away soon. | 1:06:20 | 1:06:22 | |
-Are you going with her? -Never mind all the questions... -No. | 1:06:23 | 1:06:27 | |
No, I'm staying here. | 1:06:28 | 1:06:30 | |
Is she dead? | 1:07:08 | 1:07:09 | |
Not quite. | 1:07:11 | 1:07:12 | |
Billy's away up. | 1:07:14 | 1:07:15 | |
I saw him. | 1:07:17 | 1:07:19 | |
But he wouldn't say. | 1:07:19 | 1:07:21 | |
Where's my da? | 1:07:25 | 1:07:27 | |
He's not home yet. | 1:07:27 | 1:07:29 | |
I've sent for him. | 1:07:29 | 1:07:30 | |
Is he still going? | 1:07:32 | 1:07:34 | |
Yes. | 1:07:34 | 1:07:36 | |
I don't want him to go. | 1:07:54 | 1:07:55 | |
Who'll look after him over there? | 1:07:58 | 1:08:00 | |
Shush, love. | 1:08:14 | 1:08:16 | |
Let's get this bit over first. | 1:08:17 | 1:08:20 | |
-Are we going up? -Billy says no. | 1:08:21 | 1:08:23 | |
I'd rather not anyway. | 1:08:25 | 1:08:27 | |
Do you think it would be all right? | 1:09:00 | 1:09:02 | |
I'll be all right. | 1:09:04 | 1:09:06 | |
He'll be glad of someone. | 1:09:07 | 1:09:09 | |
I can't. | 1:09:11 | 1:09:13 | |
Thank you. | 1:09:21 | 1:09:23 | |
You mistimed it again. | 1:09:49 | 1:09:51 | |
Too late to talk to her, too early for the funeral. | 1:09:53 | 1:09:57 | |
Suppose you had difficulty finding your way. | 1:09:59 | 1:10:02 | |
I'd like to talk to her. | 1:10:03 | 1:10:05 | |
She's dead. You're too late. | 1:10:06 | 1:10:09 | |
Please, son. Give me a minute with her. | 1:10:09 | 1:10:12 | |
HE WHIMPERS | 1:10:30 | 1:10:33 | |
You're all right now, love. | 1:10:42 | 1:10:44 | |
Oh, God! | 1:10:46 | 1:10:48 | |
I've never saw a corpse before. | 1:11:10 | 1:11:13 | |
She looks sort of surprised. | 1:11:15 | 1:11:18 | |
A strange sort of look on her face. | 1:11:18 | 1:11:21 | |
She must have been dead nearly half an hour before I realised. | 1:11:23 | 1:11:27 | |
She wants Lorna to have these. | 1:11:31 | 1:11:33 | |
I called at the house. Lorna told me. | 1:11:37 | 1:11:40 | |
I hope you don't mind. | 1:11:42 | 1:11:44 | |
He turned up late, stinking of drink. | 1:11:45 | 1:11:48 | |
Funny, the last thing I heard her saying was, | 1:11:50 | 1:11:53 | |
"His bloody dinner will be cold again." | 1:11:53 | 1:11:55 | |
That was nice. She was thinking about him at the end. | 1:11:55 | 1:11:59 | |
He's in there now. | 1:12:00 | 1:12:02 | |
All this time and he waits until she's dead | 1:12:02 | 1:12:05 | |
before he tries to talk to her. | 1:12:05 | 1:12:07 | |
If I were married to someone all those years, | 1:12:07 | 1:12:09 | |
I wouldn't want to come up here | 1:12:09 | 1:12:11 | |
and watch them dying for an hour every night. | 1:12:11 | 1:12:13 | |
What was your da like? | 1:12:15 | 1:12:17 | |
He was an old man. | 1:12:17 | 1:12:19 | |
Never knew him as anything else. | 1:12:20 | 1:12:23 | |
I should have been his granddaughter. | 1:12:23 | 1:12:25 | |
So we never really got anything going. | 1:12:25 | 1:12:28 | |
The loneliest places in the world, these hospitals. | 1:12:29 | 1:12:32 | |
Listen. | 1:12:34 | 1:12:35 | |
RATTLING | 1:12:35 | 1:12:37 | |
I've made up my mind, Billy. | 1:12:46 | 1:12:47 | |
I called at the house to tell you. | 1:12:49 | 1:12:51 | |
I am going to York. | 1:12:54 | 1:12:56 | |
They need me. | 1:13:00 | 1:13:02 | |
I could stay and never be certain. | 1:13:05 | 1:13:08 | |
Four years with my mother as well as the Troubles. | 1:13:08 | 1:13:12 | |
Maybe all for nothing. | 1:13:12 | 1:13:13 | |
My da's going back to England. His brother's a builder there. | 1:13:15 | 1:13:19 | |
He's going back to work with him. | 1:13:23 | 1:13:26 | |
My mother told me I wouldn't find many | 1:13:28 | 1:13:31 | |
young Christian men like you in England. | 1:13:31 | 1:13:33 | |
She'll be fine. | 1:13:36 | 1:13:38 | |
Make sure you come back for the holidays. | 1:13:39 | 1:13:42 | |
Yes, and we can write. | 1:13:42 | 1:13:44 | |
-I'll walk you home. -No. | 1:13:56 | 1:13:59 | |
I'll send my address. | 1:14:00 | 1:14:02 | |
Thanks for coming. | 1:14:42 | 1:14:43 | |
I liked your ma. | 1:14:45 | 1:14:47 | |
I should have given myself up. | 1:14:53 | 1:14:55 | |
What for? Fletcher's getting better. | 1:14:55 | 1:14:59 | |
He doesn't know it was you and he said nothing. | 1:14:59 | 1:15:02 | |
Yeah, but he's going to think it was all you if he remembers. | 1:15:03 | 1:15:07 | |
That's right. He'll be afraid | 1:15:07 | 1:15:08 | |
to walk down the same side of the street as me. | 1:15:08 | 1:15:11 | |
-I'll see you later. -Aye. | 1:15:13 | 1:15:16 | |
Right. | 1:15:43 | 1:15:45 | |
That's it then. | 1:15:48 | 1:15:50 | |
-All set? -I've made you a few sandwiches. | 1:15:53 | 1:15:56 | |
-Will you write to me, Da? -And me? | 1:16:01 | 1:16:03 | |
Name of Jesus! I'm going over there to work, not to write letters. | 1:16:04 | 1:16:08 | |
-I'll write to Lorna. -Have you a clean hanky? | 1:16:09 | 1:16:13 | |
Aye. | 1:16:13 | 1:16:15 | |
You two young ones now. Be good. | 1:16:18 | 1:16:22 | |
I don't want any bad reports about your school and all. | 1:16:24 | 1:16:28 | |
-Right. -Will you be careful, Da? -Oh, aye, I'll be fine. | 1:16:36 | 1:16:40 | |
I know you're going to a building site. | 1:16:41 | 1:16:43 | |
There's no need to take your own bricks! | 1:16:43 | 1:16:45 | |
-Here, try this one, it's not so bad. -Nah, it's all right. | 1:16:45 | 1:16:49 | |
Oh, wait a minute. | 1:16:52 | 1:16:53 | |
It'll not be worth eating by the time you've done with it. | 1:16:56 | 1:16:59 | |
-What's in them? -Some chicken paste and some cheese. | 1:17:00 | 1:17:03 | |
There's a couple of buns there too. | 1:17:03 | 1:17:05 | |
Just say the boats sinks going over, Daddy. | 1:17:05 | 1:17:08 | |
I'll thumb a lift on a submarine. | 1:17:09 | 1:17:11 | |
You ready? | 1:17:12 | 1:17:13 | |
Scribble a wee note when you get there | 1:17:19 | 1:17:21 | |
-and let us know if you're safe, won't you? -Aye. | 1:17:21 | 1:17:24 | |
Aye. | 1:17:26 | 1:17:27 | |
INDISTINCT DRUNKEN MUMBLING | 1:18:43 | 1:18:47 | |
No harm done. | 1:18:48 | 1:18:50 | |
Oh, Jesus. | 1:18:50 | 1:18:52 | |
-TANNOY: -'This is the final call | 1:18:55 | 1:18:56 | |
'for all passengers travelling on tonight's steamer to Liverpool.' | 1:18:56 | 1:19:00 | |
You'd better go. That was the last call. | 1:19:07 | 1:19:11 | |
You know yesterday under that coffin's the first time | 1:19:17 | 1:19:20 | |
me and you's had our arms around each other | 1:19:20 | 1:19:22 | |
since you were two or three. | 1:19:22 | 1:19:25 | |
Stay off the drink, Da. | 1:19:25 | 1:19:26 | |
We made a right pig's arse of it, me and your mother. | 1:19:30 | 1:19:33 | |
Take care of them for me, son. | 1:19:37 | 1:19:39 | |
This is the best way. | 1:19:42 | 1:19:43 | |
That's the only way. | 1:19:43 | 1:19:45 | |
Good luck, Da. | 1:20:03 | 1:20:04 | |
TV PLAYS IN BACKGROUND | 1:20:25 | 1:20:26 | |
FOGHORN BLARES | 1:20:51 | 1:20:53 | |
-Night-night. -Night-night, love. | 1:21:08 | 1:21:11 | |
FOOTSTEPS ASCEND STAIRS | 1:21:11 | 1:21:13 | |
Are you going to leave it there? | 1:22:19 | 1:22:22 | |
Well, it's where it belongs. | 1:22:22 | 1:22:24 | |
It's the only way we can all be together in this house. | 1:22:25 | 1:22:28 | |
Maureen'll wonder who they are. | 1:22:30 | 1:22:32 | |
He gave me some money, | 1:22:36 | 1:22:38 | |
and he said he'd send some. | 1:22:38 | 1:22:40 | |
That day in the hospital, | 1:22:42 | 1:22:45 | |
when she died... | 1:22:45 | 1:22:48 | |
..he took her hand. | 1:22:49 | 1:22:51 | |
I thought he was singing to her, | 1:22:52 | 1:22:55 | |
but he was crying, | 1:22:55 | 1:22:59 | |
and he was like a dog whining. | 1:22:59 | 1:23:01 | |
He used to sing to her. | 1:23:04 | 1:23:06 | |
Do you remember? | 1:23:06 | 1:23:07 | |
She always used to sing. | 1:23:12 | 1:23:14 | |
Whenever she was cooking anything, she'd always be singing. | 1:23:15 | 1:23:19 | |
And then she stopped. | 1:23:21 | 1:23:24 | |
VOICES OF CHILDREN PLAYING | 1:23:40 | 1:23:44 | |
Subtitles by Red Bee Media Ltd | 1:24:42 | 1:24:45 | |
E-mail [email protected] | 1:24:45 | 1:24:48 |