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You all right? Nobody see you? | 0:01:10 | 0:01:13 | |
This is stupid! I'd like to know why we're still hiding. | 0:01:13 | 0:01:15 | |
Shh! Keep it down. | 0:01:15 | 0:01:17 | |
Anybody could come along. | 0:01:17 | 0:01:19 | |
You walk on up. I'll wait here a wee while. | 0:01:19 | 0:01:22 | |
For goodness' sake! | 0:01:22 | 0:01:24 | |
BACKGROUND MUSIC: "Could It Be Magic" by Barry Manilow | 0:01:30 | 0:01:34 | |
You should go out there. He must have fell down the hole. | 0:01:40 | 0:01:43 | |
Don't be crude. | 0:01:43 | 0:01:44 | |
-It shouldn't take anybody this long to go to the toilet. -Just give over! | 0:01:44 | 0:01:49 | |
Don't embarrass him any more. | 0:01:49 | 0:01:50 | |
I haven't embarrassed him. | 0:01:50 | 0:01:52 | |
Here he comes at last. | 0:01:52 | 0:01:54 | |
I think I'll go on. See you tomorrow. | 0:02:01 | 0:02:04 | |
-Goodnight, Ann. -Night, John. | 0:02:07 | 0:02:08 | |
Goodnight, love. | 0:02:14 | 0:02:17 | |
SHE LAUGHS | 0:02:21 | 0:02:22 | |
DOOR OPENS AND CLOSES | 0:02:22 | 0:02:23 | |
"Goodnight, love." | 0:02:23 | 0:02:26 | |
This sounds serious. | 0:02:26 | 0:02:28 | |
Give over! | 0:02:28 | 0:02:29 | |
He's changed, you know, John Fletcher. | 0:02:31 | 0:02:33 | |
I never used to like him, | 0:02:33 | 0:02:35 | |
but he's better since our Billy kicked his head in. | 0:02:35 | 0:02:38 | |
That's enough! You keep quiet about that. | 0:02:38 | 0:02:40 | |
-I'll see you tomorrow night, then. -Fine. Goodnight. -Night, Pauline. | 0:02:54 | 0:02:57 | |
AMBULANCE SIREN | 0:03:12 | 0:03:14 | |
SIREN GETS LOUDER | 0:03:20 | 0:03:23 | |
HE SNORES HOARSELY | 0:03:26 | 0:03:28 | |
DRUNK LAUGHTER | 0:03:35 | 0:03:38 | |
-Hey, Billy! -Ian. | 0:03:38 | 0:03:39 | |
Just going to take a wee look up the road before I go in. | 0:03:41 | 0:03:43 | |
Ah, it's dead quiet. Nobody about. | 0:03:43 | 0:03:46 | |
I thought I saw you talking to somebody when I was coming down. | 0:03:46 | 0:03:49 | |
Aye. Fletcher. | 0:03:49 | 0:03:50 | |
HE LAUGHS | 0:03:50 | 0:03:52 | |
The oul tummy's playing him up. Sure, he near had to run home. | 0:03:52 | 0:03:56 | |
Hey, where's Shirley? | 0:03:56 | 0:03:58 | |
Dunno. She'll be still in work. | 0:03:59 | 0:04:03 | |
She's fine, then, or what? | 0:04:03 | 0:04:05 | |
Dunno. | 0:04:05 | 0:04:07 | |
I still see her. Just letting her know she's not married to me yet. | 0:04:07 | 0:04:11 | |
What's this I hear about you and wee Valerie Agnew? | 0:04:11 | 0:04:14 | |
Huh? | 0:04:16 | 0:04:18 | |
-That's nothing. -Not what I heard. | 0:04:18 | 0:04:20 | |
I heard she's blew Shirley out. | 0:04:20 | 0:04:21 | |
Blew Shirley out? | 0:04:25 | 0:04:26 | |
Aye, that'll be the day. | 0:04:27 | 0:04:30 | |
Hi, what about your new girl? | 0:04:30 | 0:04:32 | |
Which one? | 0:04:32 | 0:04:33 | |
Aye, now you're talking. Play the field. Best way, wha? | 0:04:33 | 0:04:38 | |
Depends how big your field is, mate. | 0:04:38 | 0:04:39 | |
What? | 0:04:39 | 0:04:41 | |
I'll see you tomorrow, Billy. | 0:04:43 | 0:04:45 | |
Aye. See you. | 0:04:45 | 0:04:47 | |
Here, put these out, will you? | 0:05:14 | 0:05:17 | |
SHE POURS TEA | 0:05:21 | 0:05:23 | |
You're up late. | 0:05:32 | 0:05:34 | |
Can't sleep if I go to bed early. | 0:05:34 | 0:05:37 | |
Were you out with Pauline? | 0:05:37 | 0:05:38 | |
Yep. Just went for a drive. | 0:05:38 | 0:05:40 | |
Lorna says Uncle Andy's coming here on Tuesday. | 0:05:41 | 0:05:44 | |
Welcome to the elders of the tribe. | 0:05:44 | 0:05:46 | |
It's not a secret. And it's not as if she won't notice him. | 0:05:46 | 0:05:49 | |
-How long will he be here, Billy? -Probably a week or so. | 0:05:49 | 0:05:52 | |
I hope it is only a week. I wasn't even asked before it was arranged. | 0:05:52 | 0:05:56 | |
I've explained that! Come on, now. He's an old man. We're all he has. | 0:05:56 | 0:06:00 | |
He was once nearly all we had, but he never did much for us. | 0:06:00 | 0:06:03 | |
He helped me when Da threw me out. | 0:06:03 | 0:06:04 | |
-He did that because he hates Dad. -Should we not write and ask my da? | 0:06:04 | 0:06:08 | |
-I know what the answer'd be. -My da's away. We run the house now. | 0:06:08 | 0:06:11 | |
My da'd tell him to get stuffed. | 0:06:11 | 0:06:13 | |
He's a filthy oul brute, too. | 0:06:13 | 0:06:15 | |
Always spitting in the fire, turns my stomach. | 0:06:15 | 0:06:18 | |
-It's only a habit. -He's got a dozen habits, and they're all filthy! | 0:06:18 | 0:06:21 | |
We don't get on, and you know that. | 0:06:22 | 0:06:25 | |
The day of Mum's funeral, he sat there moaning I'd only put the skin of the tomatoes in his sandwiches. | 0:06:25 | 0:06:31 | |
I was confronted in front of everyone. | 0:06:31 | 0:06:33 | |
It was only out of respect for Mum I didn't smash the plate over his head. | 0:06:33 | 0:06:37 | |
Remember he got drunk that day? And my da near hit him. | 0:06:37 | 0:06:41 | |
Yeah. | 0:06:41 | 0:06:42 | |
SOFT DRUNKEN SINGING | 0:06:45 | 0:06:50 | |
Are you all right, Dad? | 0:07:00 | 0:07:02 | |
Course I'm all right. | 0:07:02 | 0:07:03 | |
It was for the best, love, wasn't it? | 0:07:11 | 0:07:13 | |
Course, dad. | 0:07:13 | 0:07:15 | |
She's happy now. | 0:07:18 | 0:07:19 | |
No more pain. | 0:07:21 | 0:07:24 | |
Aye. | 0:07:24 | 0:07:25 | |
It's all over for her now. | 0:07:27 | 0:07:28 | |
A good turnout, wasn't it? | 0:07:33 | 0:07:35 | |
It was great, Dad. | 0:07:35 | 0:07:37 | |
DRUNK SINGING RESUMES | 0:07:37 | 0:07:39 | |
Come on. Away out to the fire. | 0:07:40 | 0:07:42 | |
I don't want to go out and sit with that oul shite. | 0:07:42 | 0:07:46 | |
Has he no bloody home to go to? | 0:07:46 | 0:07:49 | |
He sounds drunk. | 0:07:49 | 0:07:51 | |
He must only eat at funerals too. | 0:07:57 | 0:07:59 | |
Ah! The man himself. | 0:08:07 | 0:08:10 | |
Where did you get to? | 0:08:10 | 0:08:13 | |
Thought maybe we'd buried you by mistake. Here, do you want a beer? | 0:08:13 | 0:08:16 | |
No. | 0:08:16 | 0:08:18 | |
No, I'm all right. | 0:08:18 | 0:08:20 | |
You lost a good woman in my sister today. I hope you realise that. | 0:08:29 | 0:08:35 | |
I know she was a good woman! | 0:08:35 | 0:08:36 | |
Doesn't need you to tell me that. | 0:08:39 | 0:08:40 | |
Aye. | 0:08:40 | 0:08:42 | |
Aye, well, mind you... | 0:08:43 | 0:08:46 | |
you'll miss her now. | 0:08:46 | 0:08:49 | |
She was a good girl, our Janet. | 0:08:49 | 0:08:51 | |
One good girl. | 0:08:52 | 0:08:54 | |
Your wee childer there have lost their mother. | 0:08:59 | 0:09:03 | |
See, they're the ones I feel sorry for. | 0:09:03 | 0:09:06 | |
Lorna's looked after them for years. | 0:09:06 | 0:09:10 | |
-They'll be all right. -It's not the same. | 0:09:10 | 0:09:13 | |
A sister's a sister, but your mother's always your mother, | 0:09:13 | 0:09:16 | |
that's what I always say, | 0:09:16 | 0:09:18 | |
and our Janet was a good mother to them youngsters, | 0:09:18 | 0:09:21 | |
now you can't take that away from her. | 0:09:21 | 0:09:23 | |
I'm not trying to take nothing away from her. | 0:09:23 | 0:09:25 | |
She might be dead and gone now, but I'll speak up for her. | 0:09:25 | 0:09:28 | |
I'm saying nothing about her! | 0:09:28 | 0:09:31 | |
I know the sort of things went on here at times. | 0:09:32 | 0:09:35 | |
I'm no oul mug, you know. | 0:09:35 | 0:09:37 | |
What are you talking about? | 0:09:37 | 0:09:39 | |
Uncle Andy, I think you should think about going, before it gets dark. | 0:09:39 | 0:09:42 | |
Dark or no dark, she was a good woman, that's all I'm saying. | 0:09:42 | 0:09:46 | |
Now, listen, you! | 0:09:46 | 0:09:48 | |
If you've something to say to me, you get it off your chest now. | 0:09:49 | 0:09:52 | |
Pure and clear. No beating about the bush. | 0:09:52 | 0:09:55 | |
No point in buying somebody flowers once they're dead. | 0:09:55 | 0:09:59 | |
There was no roses when she was here. | 0:09:59 | 0:10:02 | |
What the hell do you know about here? | 0:10:02 | 0:10:04 | |
When did you ever bother with her? | 0:10:04 | 0:10:05 | |
Me and Janet was always very close. | 0:10:05 | 0:10:07 | |
Very close, my arse! | 0:10:07 | 0:10:09 | |
Come on, this isn't very nice, and Mum just gone. | 0:10:09 | 0:10:12 | |
Just gone, God love her. She's happier now than she ever was here. | 0:10:12 | 0:10:16 | |
-Get up and the hell out of my house! -Jesus, why'd you spill the drink? | 0:10:16 | 0:10:19 | |
If you don't get out of my house, it's your bloody blood I'll spill. | 0:10:19 | 0:10:23 | |
Oh, is that so? Going to beat me the way you beat her? | 0:10:23 | 0:10:26 | |
-What's going on? -Aye, your own son there. | 0:10:26 | 0:10:29 | |
-Don't listen to him, Dad. -Take him away, son. | 0:10:29 | 0:10:32 | |
Take him away or I'll swing for him. | 0:10:32 | 0:10:34 | |
-I'll get his coat. -Houl on a minute, you. | 0:10:34 | 0:10:36 | |
I'll walk with you, Uncle Andy. | 0:10:36 | 0:10:38 | |
Sit down, Dad. I'll make you a cup of tea. | 0:10:38 | 0:10:40 | |
He should save his energy for the building sites of Birmingham! | 0:10:40 | 0:10:43 | |
-Shut up and put this coat on! -Ah, for Jesus... | 0:10:43 | 0:10:46 | |
If my dad finds out, he might come over and kick him out. | 0:10:54 | 0:10:57 | |
It's time you were in bed. Come on. | 0:10:57 | 0:10:58 | |
-I haven't finished my tea. -Hurry up, it's late! Move it. | 0:10:58 | 0:11:02 | |
For goodness' sake! | 0:11:02 | 0:11:04 | |
See the people in this house? | 0:11:04 | 0:11:07 | |
I'll not able to sleep if I get indigestion from rushing. | 0:11:07 | 0:11:11 | |
-Goodnight, Lorna. -Goodnight, love. | 0:11:11 | 0:11:13 | |
Goodnight, Billy! | 0:11:13 | 0:11:14 | |
-Do you want more tea? -Aye. | 0:11:18 | 0:11:21 | |
Not so much sugar this time. | 0:11:21 | 0:11:23 | |
-How's Pauline? -Oh, she's fine. | 0:11:34 | 0:11:36 | |
Are you going to bring her round? | 0:11:41 | 0:11:43 | |
Yeah, some night. | 0:11:43 | 0:11:45 | |
Is she still talking about going away? | 0:11:57 | 0:11:59 | |
Aye. | 0:11:59 | 0:12:00 | |
Well, it's up to her, isn't it? | 0:12:02 | 0:12:05 | |
How many are you going to let walk away, Billy? | 0:12:05 | 0:12:10 | |
I didn't want you to go with June, | 0:12:10 | 0:12:13 | |
but we could manage now, if it's just us. | 0:12:13 | 0:12:16 | |
There's Uncle Andy now. | 0:12:16 | 0:12:18 | |
That's only for a week, isn't it? | 0:12:18 | 0:12:20 | |
-Billy! -It'll probably be more than a week. How much more depends on you. | 0:12:21 | 0:12:25 | |
-Why wasn't I even asked? -I'm worried about him after the last attack. | 0:12:25 | 0:12:28 | |
It was just a fluke I went over that night. | 0:12:28 | 0:12:31 | |
He could still be lying there, and he'd have died. | 0:12:31 | 0:12:33 | |
I'll have to mention it to Dad. He'll not be pleased. | 0:12:35 | 0:12:39 | |
Look, he doesn't want to come any more then you want him to. | 0:12:39 | 0:12:42 | |
I mean, just wait and see. | 0:12:42 | 0:12:45 | |
He might be all right. | 0:12:45 | 0:12:47 | |
John and me's going to the pictures on Monday night. | 0:12:53 | 0:12:56 | |
I'm away to my bed. | 0:13:01 | 0:13:02 | |
Billy! | 0:13:02 | 0:13:04 | |
He's all right. You could be a bit friendlier. | 0:13:04 | 0:13:07 | |
Yeah, well, you better get somebody to look after the young ones. | 0:13:07 | 0:13:10 | |
I know! | 0:13:10 | 0:13:12 | |
Good afternoon, Mr Morrison. And how are we today? | 0:13:16 | 0:13:19 | |
I'm bloody awful! You'll have to speak for yourself. | 0:13:19 | 0:13:24 | |
Oh, dear. Old grump again. | 0:13:24 | 0:13:26 | |
Come on, Mr Morrison, you should be happy. | 0:13:26 | 0:13:29 | |
-Sure, you're going home in a couple of days. -I'm not going home! | 0:13:29 | 0:13:33 | |
I'm going into lodgings. | 0:13:33 | 0:13:36 | |
Give us a drop of fresh water to rinse my face. | 0:13:36 | 0:13:38 | |
The trouble you go to for those girls. I hope they appreciate it. | 0:13:38 | 0:13:41 | |
Sister says after the visitors are gone, we've to dress you up | 0:13:44 | 0:13:47 | |
and sit you out in the chair. Later on, we'll walk you up the ward. | 0:13:47 | 0:13:51 | |
-Would you like that? -I can hardly wait(!) | 0:13:51 | 0:13:53 | |
As long as I went down the corridor there. I don't want to be listening | 0:13:55 | 0:13:59 | |
to the yapping and gurning of that lot in there. | 0:13:59 | 0:14:02 | |
-They're a lot of bloody oul women. -They're all very fond of you. | 0:14:02 | 0:14:05 | |
Sammy's upset because you don't play him draughts any more. | 0:14:05 | 0:14:09 | |
It's an oul woman's game. | 0:14:09 | 0:14:11 | |
He thinks it's because he beat you last time. | 0:14:11 | 0:14:13 | |
Beat me? Sure, he cheated like hell! | 0:14:13 | 0:14:16 | |
I went out for a pee | 0:14:16 | 0:14:17 | |
and he gave himself more crowners than the Royal Family has. | 0:14:17 | 0:14:21 | |
What'll you do when you get out? | 0:14:21 | 0:14:24 | |
-Do you play bowls? -No, I do not. | 0:14:24 | 0:14:27 | |
That's a game for randy geriatrics. | 0:14:27 | 0:14:29 | |
I don't know what we're going to do with you. What do you play? | 0:14:29 | 0:14:33 | |
Russian Roulette's my game. | 0:14:33 | 0:14:35 | |
But I've run out of partners for the minute. | 0:14:35 | 0:14:38 | |
HE COUGHS | 0:14:38 | 0:14:42 | |
Is Billy coming up today? | 0:14:44 | 0:14:45 | |
I don't know. | 0:14:45 | 0:14:47 | |
I don't think so. Didn't he say? | 0:14:47 | 0:14:49 | |
He's more liable to tell his plans till you than till me. | 0:14:49 | 0:14:53 | |
He didn't say he'd be up today. | 0:14:53 | 0:14:55 | |
You realise he's just lost his mother? | 0:14:58 | 0:15:01 | |
His mother? | 0:15:01 | 0:15:03 | |
Yes, about a year ago. I know. | 0:15:04 | 0:15:07 | |
Young fella like that gets daft notions after a shock like that. | 0:15:07 | 0:15:13 | |
Mr Morrison, whatever else I am, | 0:15:13 | 0:15:15 | |
I don't see myself as a substitute mother. | 0:15:15 | 0:15:17 | |
Billy and me are just friends. | 0:15:17 | 0:15:20 | |
Friends? Aye. | 0:15:20 | 0:15:23 | |
Just takes a wee while getting over the likes of that, | 0:15:23 | 0:15:26 | |
is all I'm saying. | 0:15:26 | 0:15:27 | |
Oi. | 0:15:27 | 0:15:28 | |
Give us over that paper before you go. | 0:15:30 | 0:15:33 | |
-RADIO: -'It's 10 minutes past 11.' | 0:15:33 | 0:15:35 | |
'Now we'll look at one of the events in this year's festival.' | 0:15:35 | 0:15:38 | |
You two will polish them shoes away before you're done. | 0:15:38 | 0:15:41 | |
-Mine's the cleanest! -No, it's not! Sure it's not, Billy? | 0:15:41 | 0:15:44 | |
They're both great. If you were in the army, you'd win prizes. | 0:15:44 | 0:15:47 | |
Uncle Andy was in the army, wasn't he, Billy? | 0:15:47 | 0:15:49 | |
-Aye, according to him, he was. -He used to be in the jungle. | 0:15:49 | 0:15:53 | |
He says he got medals for killing thousands of Japs. | 0:15:53 | 0:15:56 | |
-He was going to marry a Japanese princess once. -I don't believe that. | 0:15:56 | 0:15:59 | |
What would a Japanese princess be doing in the jungle? Wise it! | 0:15:59 | 0:16:03 | |
-Do you believe that, Billy? -Sometimes he exaggerates a bit. | 0:16:03 | 0:16:06 | |
-What's that mean? -It means he tells lies. | 0:16:06 | 0:16:08 | |
He does not! He showed me her picture. | 0:16:08 | 0:16:10 | |
He probably found it, or took it off a Jap he killed. He's an oul cod! | 0:16:10 | 0:16:15 | |
-I'm going to tell him on you! -I don't care. | 0:16:15 | 0:16:17 | |
-I'll tell him you called him a liar. -He probably knows he is anyway. | 0:16:17 | 0:16:20 | |
Oi! That's enough, you two. | 0:16:20 | 0:16:22 | |
Oh, look. Look at that one, the big cluster. I'd love that. | 0:16:24 | 0:16:28 | |
You'd need a big cluster of money for that. | 0:16:31 | 0:16:33 | |
We don't want to go mad. | 0:16:33 | 0:16:35 | |
That's just bloody typical! Oul skinflint! | 0:16:35 | 0:16:38 | |
I must be mad for getting engaged to the likes of you. | 0:16:38 | 0:16:41 | |
Well, shall we go and see what they have inside? | 0:16:41 | 0:16:44 | |
You mean the cheap ones? It's not bloody Shirley you're marrying. | 0:16:44 | 0:16:47 | |
Why don't we go to a hardware shop | 0:16:47 | 0:16:49 | |
and buy a brass curtain ring and have done with it? | 0:16:49 | 0:16:52 | |
Love, don't be like that about it! | 0:16:52 | 0:16:54 | |
Hey, come here! | 0:16:57 | 0:16:59 | |
THEY GIGGLE | 0:17:15 | 0:17:17 | |
What's so funny? | 0:17:17 | 0:17:18 | |
Are you going out with Pauline, Billy? | 0:17:18 | 0:17:21 | |
No, I'm going into town with Ian. | 0:17:21 | 0:17:23 | |
SHE WHISPERS | 0:17:23 | 0:17:24 | |
THEY LAUGH | 0:17:24 | 0:17:26 | |
Maureen, stop it. | 0:17:26 | 0:17:29 | |
It's her, Billy, she's making me laugh. | 0:17:29 | 0:17:32 | |
CAR DOORS CLOSE | 0:17:32 | 0:17:34 | |
-Hiyas. -Hi. -Hi, Lorna. | 0:17:38 | 0:17:41 | |
What about you, Billy? | 0:17:50 | 0:17:51 | |
That's not a bad oul day. | 0:17:55 | 0:17:57 | |
Aye, it's all right. | 0:17:57 | 0:17:59 | |
Sit down, John. I'm making a cup of tea. | 0:17:59 | 0:18:01 | |
-Ach, no, love. -Sit down for a minute, sure. | 0:18:01 | 0:18:04 | |
Aye. | 0:18:04 | 0:18:05 | |
Well, just for a minute. | 0:18:07 | 0:18:09 | |
-Billy? -No, I don't use them. Thanks. | 0:18:15 | 0:18:17 | |
Wise man. | 0:18:17 | 0:18:19 | |
-Smoking's bad for you, John. -I know, love. | 0:18:19 | 0:18:22 | |
It gives you brown stains on your teeth. | 0:18:22 | 0:18:24 | |
When you kiss our Lorna, your breath'll be bad. | 0:18:24 | 0:18:26 | |
That's enough, you two! Just behave. | 0:18:26 | 0:18:28 | |
IAN WHISTLES | 0:18:31 | 0:18:33 | |
Shirley! | 0:18:42 | 0:18:44 | |
What about ye? | 0:18:44 | 0:18:45 | |
Didn't notice you there. | 0:18:46 | 0:18:48 | |
That's a right day. | 0:18:57 | 0:18:58 | |
Are you talking to me? Cos if you are, I don't hear you. | 0:18:58 | 0:19:02 | |
-Just saying hello. -Shove your hellos up your arse. | 0:19:04 | 0:19:07 | |
And another thing, if you've anything to say to me, | 0:19:07 | 0:19:10 | |
the first thing you've to say is to apologise. | 0:19:10 | 0:19:12 | |
Ah... | 0:19:13 | 0:19:14 | |
Are you... | 0:19:16 | 0:19:18 | |
I suppose you've heard about... me and Valerie? | 0:19:18 | 0:19:22 | |
Sure, she's been with that many, it's probably just your turn. | 0:19:22 | 0:19:25 | |
She must be getting desperate. | 0:19:25 | 0:19:28 | |
I wouldn't be surprised, you'll be getting engaged next. | 0:19:28 | 0:19:32 | |
Ah. Well... | 0:19:32 | 0:19:33 | |
I told you. | 0:19:33 | 0:19:35 | |
When you want to talk to me again, start with apologising. | 0:19:35 | 0:19:38 | |
-Hope youse locked up well after youse. -Course I did. | 0:19:50 | 0:19:53 | |
-I thought you said you left the back door open. -Give over! | 0:19:53 | 0:19:58 | |
Indeed, that wouldn't surprise me. | 0:19:58 | 0:20:01 | |
Coming up to a sick man with a fistful of bills. | 0:20:01 | 0:20:04 | |
You told me to bring the mail. Them's all there was. It's not my fault. | 0:20:04 | 0:20:07 | |
You might have known I didn't mean bills! In the name of Jesus. | 0:20:07 | 0:20:10 | |
You shouldn't swear like that in front of our Maureen. | 0:20:10 | 0:20:13 | |
Aye. | 0:20:13 | 0:20:15 | |
I hope you didn't leave any lights burning. | 0:20:17 | 0:20:20 | |
Oul electricity's dear enough. | 0:20:20 | 0:20:22 | |
Make them fenian gits pay their way. | 0:20:22 | 0:20:25 | |
-Uncle Andy, you're always gurning. -Never mind your cheek, young madam. | 0:20:25 | 0:20:28 | |
Our Lorna goes and cleans your house and all you do is yap. | 0:20:28 | 0:20:31 | |
-Well, I'm a sick man. -You make me sick listening to you! | 0:20:31 | 0:20:35 | |
-My da said you'd have the face gurned off yourself. -Maureen! | 0:20:35 | 0:20:38 | |
-Give us another one, Ann. -That's enough. Them's Uncle Andy's. | 0:20:38 | 0:20:41 | |
Let the childer tear away. Sure, they're only grapes. | 0:20:41 | 0:20:44 | |
You could always carve boats with your penknife, | 0:20:44 | 0:20:47 | |
the way you did when you were a prisoner of war. | 0:20:47 | 0:20:49 | |
-Boutye. -Kept you? | 0:20:59 | 0:21:02 | |
Ah, sure, it's time enough. | 0:21:02 | 0:21:04 | |
-Where's the rest? -Hospital. | 0:21:04 | 0:21:06 | |
-You right? -Could I have a word with you? Private, like. | 0:21:09 | 0:21:12 | |
I'm getting married. | 0:21:15 | 0:21:18 | |
Getting married?! What do you want to get married for? | 0:21:18 | 0:21:22 | |
I have to. Valerie's pregnant. | 0:21:22 | 0:21:24 | |
BILLY LAUGHS | 0:21:27 | 0:21:32 | |
IAN JOINS IN | 0:21:32 | 0:21:34 | |
-Valerie Agnew? -Aye! | 0:21:34 | 0:21:35 | |
Well, how did it happen? | 0:21:36 | 0:21:38 | |
Aye. | 0:21:40 | 0:21:42 | |
Valerie... You know... | 0:21:42 | 0:21:44 | |
We had that...intercoorse thing. | 0:21:44 | 0:21:47 | |
Yeah, well, I didn't think she was the Virgin Mary! | 0:21:47 | 0:21:50 | |
Well, how far is she? | 0:21:50 | 0:21:53 | |
Three months or so. | 0:21:53 | 0:21:55 | |
We got engaged this morning. | 0:21:55 | 0:21:57 | |
-You kept quiet long enough! -I wanted to be sure. | 0:21:57 | 0:22:00 | |
Make sure I couldn't say no, before I said yes! | 0:22:01 | 0:22:04 | |
What did her da say? | 0:22:04 | 0:22:05 | |
He got me by the throat. | 0:22:05 | 0:22:08 | |
I'd have dropped the oul get, but, like... | 0:22:10 | 0:22:12 | |
You can't hit your own kid's granda! | 0:22:12 | 0:22:14 | |
What about Shirley? | 0:22:14 | 0:22:16 | |
Doesn't know. | 0:22:16 | 0:22:18 | |
I tried to explain. | 0:22:18 | 0:22:20 | |
She thought I was trying to get going with her again and stormed off. | 0:22:20 | 0:22:23 | |
-You and Shirley's been going since we were at primary school. -I know! | 0:22:23 | 0:22:27 | |
I didn't mean it! | 0:22:27 | 0:22:29 | |
I mean, I like Shirley. | 0:22:29 | 0:22:31 | |
It was just... | 0:22:32 | 0:22:33 | |
Behave yourself, you're almost a married man. Valerie's all right. | 0:22:33 | 0:22:37 | |
She...she's not bad, and... | 0:22:39 | 0:22:41 | |
I wasn't the first, you know. | 0:22:41 | 0:22:44 | |
Well, start worrying if you're not the last. | 0:22:44 | 0:22:46 | |
-When's the big day? -As soon as possible, | 0:22:46 | 0:22:48 | |
before the neighbours start to notice. | 0:22:48 | 0:22:51 | |
Yeah, well, most of them can count to ten. | 0:22:51 | 0:22:53 | |
I'm going down the registry office Monday. | 0:22:53 | 0:22:55 | |
Oh, I thought it'd be a cathedral. | 0:22:55 | 0:22:57 | |
All in white, 100 guests, honeymoon in the Bahamas. | 0:22:57 | 0:23:00 | |
You're close. | 0:23:00 | 0:23:01 | |
City Hall, only mas and das, honeymoon in Bangor. | 0:23:01 | 0:23:05 | |
I was hoping, like... | 0:23:06 | 0:23:09 | |
you'd be best man. | 0:23:09 | 0:23:11 | |
You know me... | 0:23:11 | 0:23:13 | |
..anything for a laugh! | 0:23:14 | 0:23:16 | |
THEY BOTH LAUGH | 0:23:19 | 0:23:20 | |
What? | 0:23:25 | 0:23:26 | |
Who told you that? | 0:23:28 | 0:23:30 | |
I saw it. | 0:23:30 | 0:23:32 | |
I seen him here a while ago. He never said anything. | 0:23:32 | 0:23:36 | |
Swear to God, cross my heart and hope to die. | 0:23:36 | 0:23:39 | |
How do you know? What finger was it on? | 0:23:39 | 0:23:41 | |
That one. They're engaged. | 0:23:41 | 0:23:43 | |
It's gorgeous, a big cluster. | 0:23:43 | 0:23:45 | |
Wait till I see him. | 0:23:45 | 0:23:47 | |
I'll give him a big cluster! Right across the bake! | 0:23:47 | 0:23:51 | |
There's another wee thing. | 0:23:53 | 0:23:55 | |
I'm thinking of going into business, if you're interested. | 0:23:55 | 0:23:58 | |
What as, a stud? | 0:23:58 | 0:23:59 | |
HE LAUGHS | 0:23:59 | 0:24:02 | |
Window cleaning. I'm buying a ladder. | 0:24:02 | 0:24:07 | |
It could be a partnership. | 0:24:07 | 0:24:08 | |
-You mean you want half the money for the ladders. -Nah! | 0:24:08 | 0:24:11 | |
-Valerie's oul fella's looking after that. -I've got a job! | 0:24:11 | 0:24:14 | |
You could work with me weekends. | 0:24:14 | 0:24:16 | |
Or nights. It's a few extra bob. | 0:24:17 | 0:24:21 | |
Are you buying two ladders? | 0:24:21 | 0:24:23 | |
You could use a chair. You'll do the downstairs. | 0:24:23 | 0:24:25 | |
-Catch yourself on! -I'm serious! | 0:24:25 | 0:24:28 | |
An oul chair, up on the windowsills. | 0:24:28 | 0:24:30 | |
I can see me tramping around with a chair. | 0:24:30 | 0:24:32 | |
Look, I'm offering, favour for a mate. | 0:24:32 | 0:24:36 | |
If you're not interested... | 0:24:36 | 0:24:37 | |
-Well, think about it. -I've thought about it! | 0:24:40 | 0:24:43 | |
I could earn more labouring where I am. | 0:24:43 | 0:24:46 | |
Are you going to live in her house? | 0:24:48 | 0:24:51 | |
Wise up. | 0:24:51 | 0:24:52 | |
We got a flat. | 0:24:55 | 0:24:56 | |
Her dad got it. It needs doing up, but it's all right. | 0:24:58 | 0:25:01 | |
Down Botanic Avenue, close to the railway station. | 0:25:01 | 0:25:05 | |
-Handy. -Why, going to wipe the train windows as they pass? | 0:25:05 | 0:25:07 | |
Look, you can laugh, mate, but I'm going to do all right. | 0:25:07 | 0:25:11 | |
Her da's got it all worked out. | 0:25:11 | 0:25:12 | |
He'll probably give you a list of positions for the honeymoon. | 0:25:12 | 0:25:16 | |
I could show him one or two. | 0:25:18 | 0:25:19 | |
Yeah, pity you hadn't known how to reverse. | 0:25:19 | 0:25:22 | |
Hey, uh... | 0:25:24 | 0:25:26 | |
How about this girl of yours? Is this the big one? | 0:25:26 | 0:25:29 | |
Oh, she's about five foot six or seven. | 0:25:29 | 0:25:32 | |
Just cos you caught cold, doesn't mean I have to sneeze in sympathy. | 0:25:33 | 0:25:37 | |
Have you? | 0:25:39 | 0:25:40 | |
You know. Got it yet? | 0:25:42 | 0:25:44 | |
What do you think? | 0:25:45 | 0:25:47 | |
What about Lorna and Fletcher, then? | 0:25:51 | 0:25:54 | |
Hey, no. I didn't mean... | 0:25:58 | 0:25:59 | |
SHE SOBS | 0:26:08 | 0:26:12 | |
Is he going to marry her? | 0:26:12 | 0:26:14 | |
You know as much as I do. | 0:26:14 | 0:26:15 | |
-RADIO: -'Time for a summary of the news.' | 0:26:15 | 0:26:17 | |
Will you hurry up? You're going to be late for school! | 0:26:17 | 0:26:20 | |
'...increase in drug smuggling across the border...' | 0:26:20 | 0:26:23 | |
-I hate school on Mondays. -I hate school every day. | 0:26:23 | 0:26:26 | |
Run on. It'll not be so bad when you get into it. | 0:26:26 | 0:26:29 | |
But I've a sore stomach. | 0:26:29 | 0:26:30 | |
Go on! | 0:26:30 | 0:26:32 | |
And get straight home. I want dinner early, I'm going to the pictures. | 0:26:32 | 0:26:36 | |
-Who's looking after us? -Ian and Valerie. | 0:26:36 | 0:26:39 | |
-What about Shirley? -Never mind that now. | 0:26:39 | 0:26:41 | |
Why do they have to come? We're not babies. | 0:26:41 | 0:26:44 | |
Well, stop acting like it and get ready for school. | 0:26:44 | 0:26:48 | |
Have you got that hair combed yet? | 0:26:48 | 0:26:50 | |
KNOCK ON THE DOOR | 0:26:54 | 0:26:55 | |
Come in. | 0:26:55 | 0:26:57 | |
Ann Martin? | 0:27:00 | 0:27:01 | |
Miss Semple has told me all about your little episode. | 0:27:11 | 0:27:16 | |
What have you to say for yourself, madam? | 0:27:16 | 0:27:18 | |
-(QUIET) -Sorry, sir. I lost my temper. | 0:27:18 | 0:27:21 | |
Indeed. Well, now I'm going to lose mine. | 0:27:21 | 0:27:25 | |
Miss Semple is one of my most conscientious teachers. A lady. | 0:27:25 | 0:27:29 | |
She does not have to take abuse from a guttersnipe like you. | 0:27:29 | 0:27:32 | |
If I had been here on Friday afternoon... | 0:27:32 | 0:27:34 | |
You live with your brother and sister? | 0:27:39 | 0:27:41 | |
-Yes, sir. -Will you stand still! | 0:27:41 | 0:27:43 | |
Father away in England, is that correct? | 0:27:46 | 0:27:48 | |
Yes, sir. | 0:27:51 | 0:27:52 | |
Mother deceased, correct? | 0:27:53 | 0:27:55 | |
Yes, sir. | 0:27:55 | 0:27:57 | |
Have you told your brother and sister about this little escapade? | 0:27:57 | 0:28:01 | |
-No, sir. -Oh, you haven't? Not important, didn't you think? | 0:28:01 | 0:28:05 | |
Maybe you're not being properly controlled at home. | 0:28:05 | 0:28:09 | |
-I am, sir. Honest... -Will you stand still? | 0:28:09 | 0:28:12 | |
It's time some of you young thugs | 0:28:14 | 0:28:16 | |
were taught a short sharp lesson in obedience. My staff should not | 0:28:16 | 0:28:19 | |
and do not have to take abuse from the likes of you. Is that clear? | 0:28:19 | 0:28:22 | |
Yes, sir. It'll never happen again, sir. | 0:28:22 | 0:28:26 | |
I'm going to ensure it won't, Martin. | 0:28:26 | 0:28:29 | |
I'm going to suspend you, starting right away. | 0:28:29 | 0:28:32 | |
You'll go home, and return on Friday morning with your older sister. | 0:28:32 | 0:28:36 | |
I'll decide then whether I want you back at my school. Is that clear? | 0:28:36 | 0:28:41 | |
Is that clear?! | 0:28:41 | 0:28:42 | |
Yes, sir. | 0:28:42 | 0:28:44 | |
Oh, stop crying. Your tears are lost on me. | 0:28:44 | 0:28:47 | |
Go, collect your belongings and be off the school premises immediately, | 0:28:47 | 0:28:51 | |
until half past ten on Friday morning. | 0:28:51 | 0:28:54 | |
-Please, sir... -Go! | 0:28:54 | 0:28:55 | |
Now! Before I expel you on the spot! | 0:28:55 | 0:28:58 | |
Friday at half past ten. | 0:29:09 | 0:29:12 | |
You're lucky. I wish he'd suspend me. My ma'd get me a job. | 0:29:12 | 0:29:15 | |
Our Billy'll kill me if he finds out! | 0:29:15 | 0:29:18 | |
-Lorna near hit the roof. -What for? | 0:29:18 | 0:29:21 | |
Sure, Watson's only an oul pervert. Toucher, the boys call him. | 0:29:21 | 0:29:24 | |
He could get us put away in a home. That's what our Lorna said. | 0:29:24 | 0:29:29 | |
He wouldn't dare. Your Billy'd kick his head in if he did. | 0:29:29 | 0:29:33 | |
Do you want a puff? | 0:29:43 | 0:29:44 | |
No. I'm in trouble enough. | 0:29:44 | 0:29:47 | |
I suppose your Billy doesn't allow you. | 0:29:47 | 0:29:50 | |
Will you be at the corner tonight? | 0:29:50 | 0:29:52 | |
No. Lorna's going out. | 0:29:52 | 0:29:54 | |
-I'm going to lumber Stewartie tonight. -What? | 0:29:54 | 0:29:56 | |
I thought he was dirty. | 0:29:56 | 0:29:58 | |
He kisses like a film star. His hands are everywhere. | 0:29:58 | 0:30:02 | |
Our Billy'd kill me if I lumbered anybody. | 0:30:02 | 0:30:04 | |
Why? What does your Billy do with his girls? | 0:30:04 | 0:30:07 | |
I don't know. | 0:30:07 | 0:30:09 | |
I'll bet he does a lot more than just kiss them. | 0:30:09 | 0:30:11 | |
He's lovely-looking, your Billy. | 0:30:11 | 0:30:13 | |
I'll go down and do the dishes before my ma comes in. Maybe see you later. | 0:30:17 | 0:30:22 | |
See you. | 0:30:22 | 0:30:24 | |
What's going on between you and this... | 0:30:28 | 0:30:31 | |
Nurse McGill one? | 0:30:31 | 0:30:32 | |
Oh, we're just friends. | 0:30:32 | 0:30:34 | |
Friends? Think I'm a bloody fool? | 0:30:34 | 0:30:37 | |
You know she's a mick? | 0:30:40 | 0:30:41 | |
-Don't start! -Them kind of friends can be dangerous. You don't need them. | 0:30:41 | 0:30:45 | |
You care what she is when she looks after you? | 0:30:45 | 0:30:47 | |
Oh, well, I like her making my bed, but I don't want in it beside me. | 0:30:47 | 0:30:52 | |
Ah, come on! Sure, what about all your exploits? | 0:30:52 | 0:30:56 | |
That was different. I was in foreign parts then, | 0:30:56 | 0:30:59 | |
I wasn't resident in a bloody open-air asylum. | 0:30:59 | 0:31:01 | |
Nobody worries about them things now. | 0:31:01 | 0:31:03 | |
In the name of Jesus, did your da beat you stupid or what? | 0:31:03 | 0:31:07 | |
That's the sort of thing they take your kneecaps off for. | 0:31:07 | 0:31:11 | |
That's if you're lucky. | 0:31:11 | 0:31:14 | |
You don't know what horror her ones is involved in. | 0:31:14 | 0:31:17 | |
I can look after myself! Will you quit fussing? | 0:31:17 | 0:31:20 | |
It's me taking you home to look after you. | 0:31:20 | 0:31:22 | |
Ah, look after, me arse. | 0:31:22 | 0:31:24 | |
If your da knew, he'd swim back across the Irish Sea. | 0:31:26 | 0:31:29 | |
-My da's got nothing to do with me. -Your da is your da. | 0:31:29 | 0:31:32 | |
I feel responsible for youse. | 0:31:35 | 0:31:38 | |
He'd expect me to keep an eye out. | 0:31:38 | 0:31:41 | |
Listen, son, I'm giving you good advice. | 0:31:43 | 0:31:46 | |
Micks is all very well to make your bed in a hospital | 0:31:46 | 0:31:49 | |
-or serve you a drink in a bar... -Look, I'm going. | 0:31:49 | 0:31:52 | |
Jesus, the sooner I get up there the better. | 0:31:53 | 0:31:56 | |
You lot need a bit of fatherly advice. | 0:31:56 | 0:31:59 | |
Aye, that'll be new. | 0:31:59 | 0:32:00 | |
TV: 'Perhaps the ancient Egyptians overreached themselves | 0:32:01 | 0:32:05 | |
'with the unfinished obelisk. | 0:32:05 | 0:32:06 | |
'It would have been the biggest one they made | 0:32:06 | 0:32:09 | |
'but the discovery of flaws in the rock...' | 0:32:09 | 0:32:12 | |
Our Lorna must think it's a midnight movie you're going to, John. | 0:32:12 | 0:32:15 | |
Some of the lads were asking why you weren't at the club again yesterday. | 0:32:16 | 0:32:20 | |
I'm finished with that. | 0:32:20 | 0:32:22 | |
They're expecting you back. | 0:32:22 | 0:32:24 | |
I'm through with the UDA. | 0:32:24 | 0:32:26 | |
Just like that! | 0:32:27 | 0:32:28 | |
My dues are paid up, and I'm stopping that. I'm leaving. | 0:32:28 | 0:32:31 | |
You can't just do that. You know the rules. | 0:32:32 | 0:32:35 | |
You'd floor anyone who tried that in your day. | 0:32:35 | 0:32:38 | |
Times have changed. I got into enough trouble through the UDA. | 0:32:38 | 0:32:41 | |
That had nothing to do with the UDA. | 0:32:41 | 0:32:44 | |
-You got into a row. -It was a row about that. | 0:32:44 | 0:32:46 | |
It had nothing to do with it! You were just shooting your mouth off. | 0:32:46 | 0:32:49 | |
I don't know what you're slabbering for. Your UDA days are over. | 0:32:49 | 0:32:54 | |
Wha? | 0:32:54 | 0:32:55 | |
"Wha? Wha?" You heard me. There'll be no more club on a Sunday for you. | 0:32:55 | 0:32:58 | |
Sure, your da goes! | 0:32:58 | 0:33:00 | |
Aye, and many's the time my ma's had to scrape his dinner into the bin. | 0:33:00 | 0:33:04 | |
It'll not happen with me. | 0:33:04 | 0:33:06 | |
Come on, now, love. I'll have to put my foot down on this one. | 0:33:06 | 0:33:09 | |
You can put down whatever the hell you like. | 0:33:09 | 0:33:11 | |
You're going to be a married man. | 0:33:11 | 0:33:13 | |
John here's got more sense than you. | 0:33:13 | 0:33:15 | |
We'll see. They'll not let him just walk out like that. | 0:33:15 | 0:33:18 | |
I'll have a word with Big Davy. Him and me's mates. | 0:33:18 | 0:33:22 | |
When you're having a word, tell him General Montgomery here's left too. | 0:33:22 | 0:33:26 | |
He'll tell him nothing! | 0:33:26 | 0:33:27 | |
They'll understand, Ian. After all, you're going to have a... | 0:33:27 | 0:33:31 | |
In your circumstances. | 0:33:33 | 0:33:35 | |
Look, never mind that. There's plenty of them lads down that club... | 0:33:35 | 0:33:39 | |
Ow! What the hell'd you do that for? | 0:33:39 | 0:33:41 | |
There's children listening. | 0:33:41 | 0:33:43 | |
Well, anyway, I'm staying. | 0:33:43 | 0:33:45 | |
You're only getting out cos you're yellow! | 0:33:47 | 0:33:49 | |
Who are you calling yellow? | 0:33:49 | 0:33:51 | |
-You are! -Would you like to come outside and say that? | 0:33:51 | 0:33:54 | |
John, what's going on? | 0:33:54 | 0:33:55 | |
-Aye, certainly. -Stop that! | 0:33:55 | 0:33:57 | |
-Come on! -That's enough of that! | 0:33:57 | 0:33:58 | |
-Your street-fighting days are over, John. -Big man! | 0:33:58 | 0:34:01 | |
Sit down and shut your gub! | 0:34:01 | 0:34:03 | |
If it wasn't for Lorna, I'd take you out and wipe that street with you. | 0:34:03 | 0:34:06 | |
-Any time you like, mouth! -Ian! | 0:34:06 | 0:34:09 | |
Are you ready, John? | 0:34:09 | 0:34:10 | |
TV: 'We know that like their descendants today, | 0:34:14 | 0:34:17 | |
'the ancient Egyptians made extensive use of mud brick in their building, | 0:34:17 | 0:34:20 | |
'not only to build their everyday houses...' | 0:34:20 | 0:34:23 | |
OK, see you next week. Bye. | 0:34:23 | 0:34:26 | |
PHONE IS HUNG UP | 0:34:26 | 0:34:28 | |
Well, who was it? Boyfriend? | 0:34:31 | 0:34:34 | |
My mother. Wanting to know why I wasn't over for dinner yesterday. | 0:34:34 | 0:34:38 | |
See? You're even making me neglect my own family. | 0:34:38 | 0:34:41 | |
-Hurry up, put that cigarette out. -I've an interview next Wednesday, | 0:34:41 | 0:34:44 | |
for the job in Toronto! | 0:34:44 | 0:34:46 | |
-Well, I hope you don't get it. -Thanks. | 0:34:48 | 0:34:50 | |
It's in the Europa at 7 o'clock. | 0:34:50 | 0:34:52 | |
And when would you go if you get it? | 0:34:52 | 0:34:54 | |
Dunno. Early in the New Year? | 0:34:54 | 0:34:57 | |
Don't look so gloomy! | 0:34:58 | 0:35:00 | |
Maybe I'll not get it. | 0:35:00 | 0:35:02 | |
Knowing my luck, probably not. | 0:35:02 | 0:35:04 | |
Why bother going for it, then? | 0:35:04 | 0:35:06 | |
I have to, Billy. | 0:35:06 | 0:35:08 | |
It's been a dream of mine for years. | 0:35:08 | 0:35:10 | |
I want to get out of this place. | 0:35:10 | 0:35:12 | |
Away from me? | 0:35:13 | 0:35:14 | |
I don't want to leave you, you know that. | 0:35:16 | 0:35:19 | |
You don't make much sense at times. | 0:35:19 | 0:35:22 | |
I want you to come with me. | 0:35:22 | 0:35:24 | |
I can't, you know that. | 0:35:24 | 0:35:26 | |
Then make me a better offer. | 0:35:28 | 0:35:30 | |
Come on in. | 0:35:33 | 0:35:35 | |
What was your uncle Andy saying about me? | 0:35:35 | 0:35:38 | |
-Never mind him. -I do mind. | 0:35:38 | 0:35:40 | |
-Do you want a cup of coffee? -No, I do not. Will you come on in?! | 0:35:40 | 0:35:44 | |
To your uncle Andy, I'm just a wee fenian. | 0:35:44 | 0:35:47 | |
You just do this, then you're way in a half-hour. | 0:35:47 | 0:35:49 | |
Look, what do you want me to do? | 0:35:49 | 0:35:51 | |
Stay with me! | 0:35:51 | 0:35:54 | |
Come away with me! | 0:35:54 | 0:35:56 | |
Billy... | 0:35:58 | 0:35:59 | |
You used to say you'd never get married, Ian. | 0:36:02 | 0:36:05 | |
-Are you making him, Valerie? -Course. | 0:36:05 | 0:36:07 | |
I'm taking him before anybody else comes along and grabs him. | 0:36:07 | 0:36:10 | |
Don't think anybody else would want him. | 0:36:10 | 0:36:12 | |
Thanks very much. Cheeky bitch. | 0:36:12 | 0:36:15 | |
I thought Shirley was the only girl you ever loved, Ian. | 0:36:15 | 0:36:18 | |
Did she throw you away? | 0:36:18 | 0:36:19 | |
Look, this is my true love. | 0:36:19 | 0:36:22 | |
You're easily pleased. | 0:36:22 | 0:36:23 | |
-Compliments are flying. -Our Billy's going with a nurse out of hospital. | 0:36:23 | 0:36:27 | |
And she's a you-know-what, a fenian. | 0:36:27 | 0:36:29 | |
Uncle Andy says he'd kick him up the arse | 0:36:29 | 0:36:31 | |
if he wasn't afraid of causing brain damage. | 0:36:31 | 0:36:33 | |
Do you like your uncle Andy? | 0:36:33 | 0:36:36 | |
Ian, you always ask me that. | 0:36:36 | 0:36:38 | |
That's a sign you're going mad, when you start repeating yourself. | 0:36:38 | 0:36:42 | |
Are you going to have a big white dress, Valerie? | 0:36:42 | 0:36:44 | |
-Nah, just a suit. -I hate that. | 0:36:44 | 0:36:46 | |
When I get married, I'll have a big white dress with a dead long veil. | 0:36:46 | 0:36:50 | |
I'm never going to get married. | 0:36:50 | 0:36:53 | |
Your da will never approve, will he? | 0:36:57 | 0:36:59 | |
I don't know, John. | 0:36:59 | 0:37:01 | |
SEABIRDS CALL | 0:37:05 | 0:37:08 | |
I love the sea. | 0:37:14 | 0:37:16 | |
I'd like to live beside it. | 0:37:19 | 0:37:22 | |
Down here? | 0:37:22 | 0:37:23 | |
No. | 0:37:23 | 0:37:24 | |
It's too tame here. | 0:37:26 | 0:37:29 | |
Somewhere more remote. | 0:37:31 | 0:37:34 | |
Where it's wilder. | 0:37:34 | 0:37:35 | |
Ian got brave all of a sudden. | 0:37:38 | 0:37:42 | |
I remember the time he was afraid to say boo to me. | 0:37:42 | 0:37:45 | |
I don't want you to leave things and change just for me. | 0:37:54 | 0:37:58 | |
I want you to do just what you want to do. | 0:38:00 | 0:38:02 | |
I know. | 0:38:02 | 0:38:04 | |
Same thing. | 0:38:10 | 0:38:12 | |
BOAT BLOWS ITS HORN | 0:38:18 | 0:38:21 | |
My mother loved the sea. | 0:38:28 | 0:38:30 | |
Used to take us down to Bangor. | 0:38:32 | 0:38:35 | |
I don't really remember it. | 0:38:36 | 0:38:38 | |
Sand, water... | 0:38:39 | 0:38:41 | |
But she used to tell me about it. | 0:38:44 | 0:38:47 | |
Your da was bad to her, wasn't he? | 0:38:47 | 0:38:49 | |
They loved each other. | 0:38:51 | 0:38:53 | |
They just couldn't live together. | 0:38:55 | 0:38:57 | |
There used to be a lot of gossip. | 0:38:59 | 0:39:01 | |
I guess. | 0:39:03 | 0:39:05 | |
There was. | 0:39:05 | 0:39:06 | |
Eat up all that toast, now. There's plenty of good butter on it. | 0:39:12 | 0:39:15 | |
You're not supposed to put butter on toast. | 0:39:15 | 0:39:18 | |
We use marge. The butter's for our Billy's piece. | 0:39:18 | 0:39:20 | |
Sure, it'll not matter just this once. | 0:39:20 | 0:39:23 | |
It's bedtime when you've finished that, girls. | 0:39:23 | 0:39:26 | |
I'm writing a letter to my da. | 0:39:26 | 0:39:28 | |
My da's got a girlfriend. | 0:39:28 | 0:39:29 | |
Maureen! That's private. Our Lorna will kill you. | 0:39:29 | 0:39:32 | |
Eh? | 0:39:32 | 0:39:33 | |
The boul Norman's got a girlfriend? | 0:39:33 | 0:39:36 | |
No, he hasn't! And the last time you called him Norman, | 0:39:36 | 0:39:39 | |
he bounced your head off that wall and had you crying. | 0:39:39 | 0:39:42 | |
Are youse looking forward to having your uncle Andy, girls? | 0:39:42 | 0:39:45 | |
He's good for a laugh. | 0:39:45 | 0:39:47 | |
I remember going over to see him a few times with Billy. | 0:39:47 | 0:39:51 | |
-Wonder will he remember me. -How could he forget? | 0:39:51 | 0:39:54 | |
He used to have a big orange cat, didn't he? | 0:39:56 | 0:39:59 | |
THEY GIGGLE | 0:39:59 | 0:40:01 | |
Is he bringing it here? | 0:40:02 | 0:40:03 | |
No. He says the Chinese restaurants got it, | 0:40:03 | 0:40:05 | |
and made puss-puss-poo out of it! | 0:40:05 | 0:40:07 | |
Billy always used to cadge a few bob off him. | 0:40:10 | 0:40:13 | |
He seemed a right sort. | 0:40:13 | 0:40:15 | |
He didn't like your da. | 0:40:17 | 0:40:18 | |
Ian, you'd better leave my da alone! | 0:40:18 | 0:40:20 | |
At least he wasn't like your da, going to the park | 0:40:20 | 0:40:23 | |
and look up the wee girls' clothes when they were on the swings! | 0:40:23 | 0:40:26 | |
Do you have to go? | 0:40:37 | 0:40:38 | |
Yeah. | 0:40:41 | 0:40:42 | |
Lorna'll set up for me. | 0:40:44 | 0:40:46 | |
You're very close, aren't you? | 0:40:49 | 0:40:50 | |
We've had to be. | 0:40:51 | 0:40:53 | |
Are you jealous of this boyfriend, John Fletcher? | 0:40:55 | 0:40:59 | |
Don't be daft. | 0:40:59 | 0:41:01 | |
Jealous! | 0:41:02 | 0:41:04 | |
She's my sister. | 0:41:04 | 0:41:06 | |
Your sister, your mother, your mistress. | 0:41:06 | 0:41:08 | |
The only woman you've ever loved. | 0:41:09 | 0:41:11 | |
That's rubbish. | 0:41:11 | 0:41:13 | |
I'd love to get you on your knees, Billy. | 0:41:14 | 0:41:17 | |
I'd love to have your strength and you my weakness, I'd love to see what that would do to you. | 0:41:17 | 0:41:21 | |
-Is there anything you're afraid of? -I'm afraid of dying of cancer, like my ma! | 0:41:21 | 0:41:25 | |
I'm afraid of...making all the wrong choices and messing everything up the way my da did. | 0:41:27 | 0:41:32 | |
Why can't we just be friends and not have all this serious stuff? | 0:41:35 | 0:41:39 | |
Sorry, I thought what we just done made it serious. | 0:41:39 | 0:41:41 | |
Yes, we can just be friends, pen pals if I get this job. | 0:41:41 | 0:41:46 | |
-Any more tea, love? -Get lost, you! You weren't even supposed to get that until I came in. | 0:41:54 | 0:41:58 | |
-Sorry, we're late. We stopped to have chips. -That's all right. | 0:42:00 | 0:42:03 | |
What was the picture like? | 0:42:03 | 0:42:05 | |
Don't tell me anything about it. Ian's taking me on Thursday. | 0:42:05 | 0:42:08 | |
-Since when? -Since bloody now! | 0:42:08 | 0:42:11 | |
Yes, all right, love. Don't get excited. | 0:42:11 | 0:42:13 | |
I adore Paul Newman, he's gorgeous. | 0:42:13 | 0:42:16 | |
"Oh, Paul Newman!" Sure, he's as grey as a badger! | 0:42:16 | 0:42:19 | |
Don't you dare say a thing about him! | 0:42:19 | 0:42:21 | |
Being as grey as a badger | 0:42:21 | 0:42:22 | |
-isn't as bad as looking like a drowned rat. -Who looks like a rat? | 0:42:22 | 0:42:25 | |
Actually, we didn't go to the pictures. | 0:42:25 | 0:42:27 | |
-We went to Holywood for a stroll by the sea. -Look, folks, time I was away. Night, all. | 0:42:27 | 0:42:31 | |
-Night, John. -Night, John. | 0:42:31 | 0:42:32 | |
-Did the girls behave themselves, Valerie? -No problem at all. | 0:42:34 | 0:42:37 | |
She put Billy's butter on their toast by accident. | 0:42:37 | 0:42:40 | |
It doesn't matter. | 0:42:40 | 0:42:41 | |
CAR DOOR OPENS | 0:42:41 | 0:42:43 | |
There's a car. Must be our Billy now. | 0:42:43 | 0:42:46 | |
Got a car 'an all. That's all right! | 0:42:46 | 0:42:48 | |
-Er, this is Pauline. Lorna, Valerie, Ian. -Hello. | 0:42:50 | 0:42:55 | |
-What about you, Pauline. -Hello. -Sit down now. -Thanks. | 0:42:55 | 0:42:57 | |
-Hello. -Seen you in the hospital. -Do you like my ring, Billy? -Oh, that's a smasher. | 0:42:57 | 0:43:04 | |
That must have set you back a bob or two. | 0:43:04 | 0:43:06 | |
It's only money. She's going to weighed down with rings and things when I get this business going. | 0:43:06 | 0:43:10 | |
Did you see it, love? | 0:43:10 | 0:43:12 | |
It's beautiful. Congratulations. | 0:43:12 | 0:43:14 | |
That's the sort of thing you want to get out of this character. | 0:43:14 | 0:43:17 | |
Ah, what about a wee cup of tea, folks? | 0:43:17 | 0:43:20 | |
-Are you making it? -Valerie will. Won't you, love? -In her condition. Get away! You do it. | 0:43:20 | 0:43:24 | |
Here, I wish it was you I was marrying. | 0:43:24 | 0:43:27 | |
-Are you serious? -Course I am. | 0:43:27 | 0:43:28 | |
If she's going to have your baby, she needs rest and looking after. | 0:43:28 | 0:43:32 | |
Go on, we're all gasping! | 0:43:32 | 0:43:34 | |
The girls will be raging that they missed you, Pauline. | 0:43:34 | 0:43:37 | |
-You'll have to call round and meet them sometime. -Of course. I'd love to. | 0:43:37 | 0:43:41 | |
I don't know how you can be a nurse, the blood an' all | 0:43:41 | 0:43:44 | |
and washing round dirty old men. | 0:43:44 | 0:43:46 | |
-They're not all like Uncle Andy. -Do you go to operations an' all? -I have done. | 0:43:46 | 0:43:50 | |
-You get used to it. -I'd get sick, I really would. | 0:43:50 | 0:43:53 | |
IAN: What's all this about the boul Norman having a girlfriend? | 0:43:53 | 0:43:56 | |
Who said that? | 0:43:56 | 0:43:57 | |
Er, just one of the kids. It's probably just a wee joke, Billy. | 0:43:59 | 0:44:03 | |
And you can't make tea very well either. | 0:44:04 | 0:44:07 | |
Are you looking forward to it all now, Valerie? | 0:44:08 | 0:44:10 | |
In a way I am and I'm not, you know. | 0:44:10 | 0:44:12 | |
The worst bit was telling my ma and da, specially my da, | 0:44:12 | 0:44:15 | |
-but he's been really great. -I can just imagine my da if it was me. | 0:44:15 | 0:44:18 | |
Could be you soon. | 0:44:18 | 0:44:20 | |
-I mean, getting married. -I'll tell you what it's like before you do it, Lorna. | 0:44:22 | 0:44:25 | |
-Would your da come over if you were getting married? -Of course he would. | 0:44:25 | 0:44:29 | |
The best man. The boul Norman! | 0:44:29 | 0:44:30 | |
What's all this boul Norman stuff about? | 0:44:30 | 0:44:32 | |
-There's no harm in it. it's just an expression. -Well, just drop it! -All right, mate. | 0:44:32 | 0:44:36 | |
Hey, look, we'd better shift. | 0:44:36 | 0:44:39 | |
-You know what they say about pregnant women being out late at night. -No, what do they say? -What? | 0:44:41 | 0:44:47 | |
Forget it. Move. | 0:44:47 | 0:44:48 | |
-Thanks very much. I'll do the same for you sometime. -OK, Lorna. | 0:44:48 | 0:44:51 | |
-See you again, Pauline. -Nice meeting you, Pauline. -See youse. -Cheerio, Billy. -See you, Billy. | 0:44:51 | 0:44:55 | |
-He seems to have knack for putting his foot in it. -Someday I'll put my foot in him. | 0:45:00 | 0:45:03 | |
-You're too quick-tempered. He seems harmless. -Och, he's just a bit of an eejit, Ian. | 0:45:03 | 0:45:08 | |
-What is all this girlfriend nonsense? -I'd better go. | 0:45:08 | 0:45:11 | |
Don't rush off. | 0:45:11 | 0:45:12 | |
I had a letter this morning. | 0:45:13 | 0:45:15 | |
It's up there. | 0:45:15 | 0:45:16 | |
He's going with some English woman. | 0:45:19 | 0:45:21 | |
He says he'd like to bring her over to meet us, | 0:45:21 | 0:45:23 | |
that it might give us notions of a new ma. | 0:45:23 | 0:45:26 | |
Aye, can walk on eggs! | 0:45:26 | 0:45:27 | |
-Are you all ready for Mr Morrison arriving? -As ready as I'll ever be. | 0:45:29 | 0:45:32 | |
I suppose you'll be glad to get rid of him. | 0:45:32 | 0:45:34 | |
He's a character. | 0:45:34 | 0:45:36 | |
If you like, I'll come round now and again, give you a break. | 0:45:36 | 0:45:39 | |
That'd be marvellous. | 0:45:39 | 0:45:40 | |
Sure, you can drop round any time, you don't have to wait on Billy. | 0:45:40 | 0:45:44 | |
Are you thinking of getting married yourself? | 0:45:44 | 0:45:46 | |
I'm not indeed, it's just Valerie! | 0:45:46 | 0:45:49 | |
John's just a friend. | 0:45:49 | 0:45:51 | |
-I hate to break this up, girls, but I have to get up in the morning. -So have I. | 0:45:51 | 0:45:55 | |
It was really lovely to meet you, Lorna. | 0:45:55 | 0:45:57 | |
Maybe we could go out some evening, give you a break from the kids and Mr Morrison. | 0:45:57 | 0:46:01 | |
That'd be really great. | 0:46:01 | 0:46:03 | |
CAR DOOR SHUTS | 0:46:11 | 0:46:12 | |
CAR ENGINE STARTS | 0:46:13 | 0:46:15 | |
What did you think? | 0:46:33 | 0:46:34 | |
She's lovely. | 0:46:34 | 0:46:35 | |
I'd love to go out with her some night. | 0:46:35 | 0:46:38 | |
Maybe you'll be the next one to get married. | 0:46:38 | 0:46:41 | |
What's the boul Norman's girlfriend called? | 0:46:43 | 0:46:45 | |
-Here's the letter. -I don't want to read the letter. | 0:46:49 | 0:46:52 | |
What's her name anyway? | 0:46:52 | 0:46:53 | |
Mavis. | 0:46:55 | 0:46:56 | |
Ha! Save us, Mavis! | 0:46:56 | 0:46:57 | |
What else does he say about her? | 0:46:59 | 0:47:00 | |
Why don't you just read the letter? | 0:47:00 | 0:47:02 | |
Pauline's going away. | 0:47:05 | 0:47:07 | |
Canada. | 0:47:08 | 0:47:09 | |
Have you asked her to stay? | 0:47:14 | 0:47:15 | |
You're so like Dad, you know. | 0:47:23 | 0:47:25 | |
Keeping everything bottled up inside you. | 0:47:26 | 0:47:29 | |
-It doesn't make you any less of a man to let someone know how you feel. -Suppose you don't know? | 0:47:31 | 0:47:35 | |
Marry her or... | 0:47:37 | 0:47:39 | |
..go with her or... | 0:47:40 | 0:47:41 | |
Is that what she said? | 0:47:43 | 0:47:44 | |
More or less. | 0:47:45 | 0:47:46 | |
She might settle for me just living with her. | 0:47:48 | 0:47:50 | |
So why don't you do that? | 0:47:54 | 0:47:56 | |
Cos I'm afraid a week after I'd got her, I'd discover she's not what I want. | 0:47:58 | 0:48:02 | |
I'd love to see you happy, Billy. | 0:48:07 | 0:48:09 | |
Aye. | 0:48:10 | 0:48:11 | |
I'd love to see you seeing me happy. | 0:48:13 | 0:48:15 | |
NEWS COMMENTARY IN BACKGROUND | 0:48:20 | 0:48:22 | |
-Will you be straight home? -Aye, I'll be going up to see Pauline but I'll not be late. | 0:48:22 | 0:48:26 | |
What's for my piece? | 0:48:30 | 0:48:31 | |
-I just gave you bread and butter and two bananas. -Any buns? | 0:48:31 | 0:48:34 | |
Ann got you two of those big blackcurrant squares that you like. | 0:48:34 | 0:48:37 | |
Uncle Andy used to say they were a mixture of dead flies and dried scabs. | 0:48:37 | 0:48:41 | |
-If he starts any of that talk here... -It's all right. | 0:48:41 | 0:48:44 | |
-Billy. -What? | 0:48:48 | 0:48:49 | |
Our Ann's in a bit of trouble at school. | 0:48:50 | 0:48:52 | |
She's been suspended. | 0:48:52 | 0:48:54 | |
She swore at a teacher and threw things at her. | 0:48:56 | 0:48:58 | |
It's that new headmaster trying to make a name for himself. | 0:48:58 | 0:49:01 | |
When did this happen? | 0:49:01 | 0:49:03 | |
On Friday... | 0:49:03 | 0:49:05 | |
but she wasn't suspended until yesterday. | 0:49:05 | 0:49:08 | |
-I have to go up and see Mr Watson on Friday morning. -Stupid wee... | 0:49:08 | 0:49:11 | |
Can she never stay out of trouble? | 0:49:11 | 0:49:13 | |
-Is there a fire on up here? -Course there is. | 0:49:24 | 0:49:27 | |
I'm a sick man, you know. I need looking after. | 0:49:27 | 0:49:30 | |
There you are, Andy. | 0:49:33 | 0:49:34 | |
I'll sit in the front. | 0:49:36 | 0:49:37 | |
And it's "Mr Morrison" to you. | 0:49:40 | 0:49:42 | |
NEWS ON TV | 0:49:50 | 0:49:51 | |
Do you want some more tea, Uncle Andy? | 0:50:00 | 0:50:02 | |
The light's out under the pot, I'm putting the dinner on. | 0:50:02 | 0:50:05 | |
A wee cup would have been lovely. | 0:50:05 | 0:50:07 | |
-Sure I can boil a wee jug for you. -Nice fresh drop now cos stewed tea's bad for my chest. | 0:50:07 | 0:50:13 | |
Are you going to die, Uncle Andy? | 0:50:13 | 0:50:16 | |
Who's to know that, child, eh? | 0:50:20 | 0:50:22 | |
My mummy died and she wasn't nearly as old as you. | 0:50:22 | 0:50:25 | |
Aye, poor Janet. I've lost both my sisters now - | 0:50:26 | 0:50:31 | |
your Auntie Sarah, well, she would have been your Auntie Sarah. | 0:50:31 | 0:50:35 | |
See, she died long before you were born. | 0:50:35 | 0:50:38 | |
When I used to go up to the hospital, Mummy called me Sarah. | 0:50:38 | 0:50:42 | |
Aye. | 0:50:42 | 0:50:43 | |
Poor Janet and poor Sarah. | 0:50:43 | 0:50:45 | |
Only me now. | 0:50:46 | 0:50:47 | |
Last of the lot of 'em. | 0:50:47 | 0:50:49 | |
CLATTER OF PLATES | 0:50:49 | 0:50:51 | |
It would suit you better to help me that dance attendance on him! | 0:50:51 | 0:50:54 | |
Now I've dinner to get. Will you hurry up? | 0:50:54 | 0:50:57 | |
Billy, wouldn't we be better just saying goodbye? | 0:51:03 | 0:51:06 | |
Would we? | 0:51:06 | 0:51:08 | |
-I think so. -Well, you're the nurse, you know the treatment. | 0:51:08 | 0:51:11 | |
What is wrong with you, Billy? | 0:51:11 | 0:51:14 | |
You don't know what you want and you're suspicious of what I want. | 0:51:14 | 0:51:17 | |
Stay. | 0:51:19 | 0:51:20 | |
I'll play some music. | 0:51:21 | 0:51:23 | |
I'd better go. | 0:51:23 | 0:51:25 | |
It's Uncle Andy's first night home an' all. | 0:51:25 | 0:51:28 | |
To hell with Uncle Andy! | 0:51:28 | 0:51:29 | |
-I suppose he wouldn't approve of you being with me right enough. -Look, I decide who I see. | 0:51:29 | 0:51:33 | |
Shall I run you up? | 0:51:38 | 0:51:40 | |
No. | 0:51:42 | 0:51:43 | |
I can walk. | 0:51:44 | 0:51:45 | |
Pauline... | 0:51:47 | 0:51:48 | |
-Ach, I'll see you again. -Yes, I know you will, Billy. | 0:51:51 | 0:51:55 | |
DOOR OPENS | 0:52:01 | 0:52:02 | |
DOOR SLAMS | 0:52:04 | 0:52:05 | |
CAN SCRAPES | 0:52:09 | 0:52:10 | |
Billy. What about you? | 0:52:12 | 0:52:15 | |
Ian. | 0:52:15 | 0:52:17 | |
Where's Valerie? | 0:52:17 | 0:52:19 | |
Watching some old dull thing about having babies on the telly. | 0:52:21 | 0:52:25 | |
Jesus, I was near sick. | 0:52:27 | 0:52:28 | |
Come out for a mouthful of air. | 0:52:30 | 0:52:31 | |
You not out with a girl tonight? | 0:52:33 | 0:52:36 | |
I saw her for a while. | 0:52:36 | 0:52:37 | |
Gone for a few pints. | 0:52:38 | 0:52:40 | |
IAN LAUGHS | 0:52:42 | 0:52:44 | |
Bloody woman's desperate, eh? | 0:52:48 | 0:52:50 | |
IAN LAUGHS HYSTERICALLY | 0:52:50 | 0:52:51 | |
Here's Romeo. | 0:52:57 | 0:52:58 | |
Billy. Ian. | 0:53:01 | 0:53:02 | |
You know Ian's getting married, Fletcher? | 0:53:04 | 0:53:06 | |
Yes. | 0:53:08 | 0:53:09 | |
Congratulations, Ian. | 0:53:20 | 0:53:21 | |
"Congratulations"? | 0:53:25 | 0:53:27 | |
Shit, Fletcher. | 0:53:29 | 0:53:31 | |
IAN LAUGHS | 0:53:33 | 0:53:34 | |
"Congratulations, Ian." BILLY LAUGHS | 0:53:37 | 0:53:39 | |
IAN LAUGHS HYSTERICALLY | 0:53:39 | 0:53:41 | |
I'll tell you something, Fletcher. | 0:53:41 | 0:53:43 | |
If you ever do anything like that to my sister, I'll kill you. | 0:53:43 | 0:53:46 | |
You just lay one finger on her and you're dead. | 0:53:46 | 0:53:49 | |
Here, Billy, let me take him. | 0:53:49 | 0:53:51 | |
Look, lads... | 0:53:51 | 0:53:52 | |
..I don't want trouble. No fighting. | 0:53:54 | 0:53:57 | |
You used to be a hard man, Fletcher. | 0:53:57 | 0:54:00 | |
I don't fight now, Billy. | 0:54:01 | 0:54:03 | |
You don't fight, you don't drink, you've become a bloody saint! | 0:54:03 | 0:54:07 | |
Are you backing down, Fletcher, huh? Are you scared? | 0:54:07 | 0:54:10 | |
Just leave it, Ian. | 0:54:10 | 0:54:11 | |
Please, mate. | 0:54:11 | 0:54:12 | |
I'm not your mate. | 0:54:15 | 0:54:17 | |
Now, listen, son, don't push it. | 0:54:17 | 0:54:20 | |
Come on, you, and say that. | 0:54:22 | 0:54:24 | |
Come on... | 0:54:25 | 0:54:26 | |
you yellow shite! | 0:54:26 | 0:54:28 | |
Come on, I'll kick your frigging pan in! Come on! | 0:54:29 | 0:54:32 | |
Right, you've asked for it. | 0:54:33 | 0:54:35 | |
-John, Ian, that's enough, drop it. -It's him I'm going to drop! | 0:54:35 | 0:54:37 | |
Come here! | 0:54:39 | 0:54:40 | |
-He just called me, Billy, you heard him! -Where do you think you are? Dodge City? | 0:54:42 | 0:54:47 | |
Go home, John. | 0:54:47 | 0:54:49 | |
I... | 0:54:52 | 0:54:53 | |
..spoke out of turn. | 0:54:55 | 0:54:57 | |
No hard feelings. | 0:55:00 | 0:55:01 | |
Good night, Billy. | 0:55:05 | 0:55:06 | |
I could have taken him, Billy. | 0:55:16 | 0:55:18 | |
Look, I'll tell you something I learnt from my da. | 0:55:18 | 0:55:20 | |
Half a hard man is harder than no hard man at all. | 0:55:20 | 0:55:24 | |
Fletcher will still wreck you, son! | 0:55:25 | 0:55:27 | |
Wreck you. | 0:55:29 | 0:55:30 | |
I'm going for a walk. | 0:55:42 | 0:55:44 | |
-I'll just put this jar in your bed. -Aye. | 0:56:03 | 0:56:05 | |
There's a nice welcome on my first night here(!) | 0:56:05 | 0:56:08 | |
Him never in yet. | 0:56:08 | 0:56:10 | |
HE COUGHS | 0:56:10 | 0:56:12 | |
HE SPITS | 0:56:12 | 0:56:14 | |
I'll go up in a minute. | 0:56:14 | 0:56:16 | |
Have you got the chamber pot? | 0:56:16 | 0:56:20 | |
A what? | 0:56:20 | 0:56:21 | |
A po'. | 0:56:21 | 0:56:22 | |
We haven't had one of those for years. | 0:56:23 | 0:56:25 | |
What happens if I have to go in the night? | 0:56:25 | 0:56:27 | |
You don't expect me to go out into the yard, do you? | 0:56:27 | 0:56:30 | |
We haven't got one. | 0:56:30 | 0:56:33 | |
I never thought of it. | 0:56:33 | 0:56:34 | |
Have you not got a bucket? | 0:56:34 | 0:56:36 | |
Ach, I'm...I'm going to have to have something! | 0:56:38 | 0:56:41 | |
DOOR SHUTS | 0:56:41 | 0:56:42 | |
You never wrote. What was I supposed to think? | 0:56:47 | 0:56:50 | |
Well, you could have called round when you were home. | 0:56:50 | 0:56:53 | |
I ran after you before, Billy. What good did it do me? | 0:56:53 | 0:56:58 | |
I was never a letter writer. | 0:56:58 | 0:57:00 | |
-When do you go back? -Next Friday. | 0:57:01 | 0:57:04 | |
I should have been back a week ago but Mum got a bad flu. | 0:57:04 | 0:57:08 | |
-Is it good, then? -It was hell at first. | 0:57:09 | 0:57:13 | |
I was homesick. | 0:57:13 | 0:57:14 | |
I missed you. | 0:57:16 | 0:57:17 | |
But I'm well settled now. | 0:57:19 | 0:57:21 | |
-Got a boyfriend over there? -Yes, we're doing the same course so we've a lot in common. | 0:57:22 | 0:57:26 | |
More your type, then. Not common and ignorant like me. | 0:57:28 | 0:57:32 | |
He's coming over in the new year to meet Mum. | 0:57:32 | 0:57:35 | |
Then we're getting engaged. | 0:57:35 | 0:57:36 | |
That should keep her happy. | 0:57:40 | 0:57:42 | |
Cold out here. | 0:57:54 | 0:57:56 | |
I've never had to stand down here before. | 0:57:58 | 0:58:00 | |
I didn't want Mum to have a relapse. | 0:58:00 | 0:58:03 | |
-Better go in, in case she wakens up. -Mm-hm. | 0:58:21 | 0:58:23 | |
Right. | 0:58:26 | 0:58:27 | |
I'll run along. | 0:58:31 | 0:58:33 | |
Be seeing you. | 0:58:38 | 0:58:39 | |
I really like Pauline. She's a great laugh. | 0:59:01 | 0:59:04 | |
We had a good time yesterday. | 0:59:04 | 0:59:06 | |
Who was your letter from? | 0:59:10 | 0:59:12 | |
June. Well, you know what educated people are like - | 0:59:12 | 0:59:16 | |
talking's not good enough for them, they've got to write everything down. | 0:59:16 | 0:59:20 | |
Did you really want back with her? | 0:59:20 | 0:59:23 | |
I don't know. | 0:59:23 | 0:59:24 | |
Maybe I was just being greedy. | 0:59:25 | 0:59:27 | |
I'd rather have Pauline. | 0:59:31 | 0:59:32 | |
Aye. | 0:59:35 | 0:59:36 | |
It's time I wasn't here. | 0:59:39 | 0:59:40 | |
-Hope Uncle Andy gives that Watson a good telling off. -I'd rather go on my own. | 0:59:41 | 0:59:44 | |
-God knows what he'll come out with. -You just look out for Ann. Don't let them make a fool of her. | 0:59:44 | 0:59:49 | |
DOOR SHUTS | 0:59:54 | 0:59:55 | |
There's no point in starting a job like this in the middle of the day. | 0:59:58 | 1:00:01 | |
Maybe I'll get Billy to give me a hand with it. | 1:00:01 | 1:00:04 | |
I'm sure you'll not. That's one old game's not going to start - | 1:00:04 | 1:00:07 | |
people running all the time. | 1:00:07 | 1:00:09 | |
You'll do it yourself. | 1:00:09 | 1:00:10 | |
What? The whole lot? | 1:00:10 | 1:00:12 | |
I really thought you'd leave it half done. | 1:00:12 | 1:00:15 | |
Well, I've never papered before. | 1:00:15 | 1:00:17 | |
My da told you how to do it. | 1:00:17 | 1:00:19 | |
I'll maybe get Lorna to give me a wee hand to sew up the curtains. | 1:00:21 | 1:00:24 | |
-She's a great sewer, Lorna. -Aye. | 1:00:24 | 1:00:26 | |
-You going to help me out, pet? -Ah, shut up gurning. | 1:00:26 | 1:00:29 | |
KNOCK ON DOOR | 1:00:33 | 1:00:35 | |
Come in. | 1:00:36 | 1:00:37 | |
Sit down, please. | 1:00:42 | 1:00:44 | |
Are you...Mr Martin? | 1:00:49 | 1:00:51 | |
Huh? | 1:00:51 | 1:00:52 | |
Not at all, I'm Mr Morrison. | 1:00:52 | 1:00:55 | |
I'm her Uncle Andy. I live with them, | 1:00:55 | 1:00:58 | |
keep an eye on them, keep them in order. | 1:00:58 | 1:01:02 | |
Quite. | 1:01:02 | 1:01:03 | |
Well, I'm sure this young lady has told you what happened. | 1:01:03 | 1:01:08 | |
She used abusive language to Miss Semple. | 1:01:08 | 1:01:11 | |
She also threw a book, striking Miss Semple on the shoulder. | 1:01:11 | 1:01:15 | |
And to make matters worse, the book that she threw was the Bible. | 1:01:15 | 1:01:19 | |
Such conduct cannot be tolerated. | 1:01:20 | 1:01:23 | |
I was actually off on Friday afternoon when it happened, | 1:01:23 | 1:01:26 | |
otherwise she'd have a pair of sore hands to go with her suspension. | 1:01:26 | 1:01:29 | |
Well, before I'm prepared to readmit her... | 1:01:29 | 1:01:32 | |
Did you know that your Miss Semple insulted the child's father? | 1:01:32 | 1:01:37 | |
Well, I wouldn't have considered what Miss Semple said to be offensive. | 1:01:37 | 1:01:41 | |
But she didn't say it about YOUR da. | 1:01:41 | 1:01:43 | |
Mr Morrison, please will you let me get on and conclude this matter? | 1:01:43 | 1:01:47 | |
Now, readmission depends on the assurances of all three of you that it will never happen again. | 1:01:47 | 1:01:53 | |
Also I shall expect this young lady to make a full and acceptable apology to Miss Semple. | 1:01:53 | 1:01:59 | |
Of course, Mr Watson. She's sorry and it'll never happen again. | 1:01:59 | 1:02:03 | |
Well, young lady, | 1:02:04 | 1:02:05 | |
well, what have you to say for yourself? | 1:02:05 | 1:02:09 | |
-(Sorry.) -Speak up! | 1:02:09 | 1:02:10 | |
-You had no difficulty making yourself heard last Friday. -She said she's sorry! | 1:02:10 | 1:02:14 | |
She can speak for herself. | 1:02:14 | 1:02:16 | |
-Right, I'll have Miss Semple round and we can all bear witness to this apology. -In the name of Jesus! | 1:02:18 | 1:02:23 | |
-Uncle Andy, for goodness' sake! -Ach, away, he's heard language before. | 1:02:23 | 1:02:26 | |
Wh-what is it you want from this child, huh? | 1:02:26 | 1:02:29 | |
Or are we going to have to call in the United Nations peacekeeping force | 1:02:29 | 1:02:32 | |
to stand between her and this Semple woman? | 1:02:32 | 1:02:35 | |
Mr Morrison, you're not making matters any better for her. | 1:02:35 | 1:02:38 | |
Is a child not going to be allowed to defend her own father? | 1:02:38 | 1:02:41 | |
-Should it not be your Miss Semple apologising to her for provoking her? -Uncle Andy! -Oh. | 1:02:41 | 1:02:46 | |
Look, Mr Watson, she says she's sorry and you can see she means it. | 1:02:46 | 1:02:52 | |
She doesn't have to say it again. Now, I'd like her back at school again immediately. | 1:02:52 | 1:02:57 | |
Maybe we should take her down to your bosses down there in Academy Street | 1:02:57 | 1:03:00 | |
and place her in a school where her da's good name will not be dragged through the mud. | 1:03:00 | 1:03:06 | |
I'm telling you, your Miss Semple's one lucky woman he wasn't here himself. | 1:03:06 | 1:03:09 | |
Mr Watson, will you please take Ann back to school. | 1:03:09 | 1:03:12 | |
All right, I'll pass on Ann's apology to Miss Semple | 1:03:14 | 1:03:17 | |
and we'll say no more about it. | 1:03:17 | 1:03:19 | |
She can return to school on Monday morning. | 1:03:19 | 1:03:22 | |
Thank you, Mr Watson. | 1:03:22 | 1:03:23 | |
Mind you, good teachers aren't what they were in my day. | 1:03:23 | 1:03:28 | |
-In my day, a teacher was liked and respected. -Come on. | 1:03:28 | 1:03:32 | |
Huh? Oh. | 1:03:32 | 1:03:35 | |
Eh? | 1:03:35 | 1:03:36 | |
I must be mad, absolutely insane. | 1:03:51 | 1:03:54 | |
Do you want to go for a drink? | 1:03:54 | 1:03:56 | |
No, let's just go for a stroll round the block. | 1:03:56 | 1:03:59 | |
I'm going away tonight. | 1:04:12 | 1:04:13 | |
Mum's leaving for the boat. | 1:04:13 | 1:04:15 | |
What about the English boyfriend? | 1:04:18 | 1:04:20 | |
I don't know right now. | 1:04:22 | 1:04:23 | |
Will you write to me this time, Billy? | 1:04:27 | 1:04:29 | |
I was never a great letter writer. | 1:04:29 | 1:04:31 | |
I don't want literature, just contact. | 1:04:31 | 1:04:34 | |
All right. | 1:04:34 | 1:04:36 | |
Hello, Billy. | 1:04:42 | 1:04:43 | |
Er... | 1:04:46 | 1:04:47 | |
..this is June. | 1:04:48 | 1:04:49 | |
June, this is Pauline. | 1:04:50 | 1:04:52 | |
Pauline's a nurse. | 1:04:52 | 1:04:54 | |
She looked after Uncle Andy. | 1:04:55 | 1:04:57 | |
You should collect butterflies, Billy. | 1:04:57 | 1:05:00 | |
Now that Lorna's found a boyfriend, it's nice to see you've found someone else to nurse you. | 1:05:09 | 1:05:13 | |
You cheeky bitch! Don't you think your fancy university education | 1:05:13 | 1:05:17 | |
gives you the right to talk down to me. | 1:05:17 | 1:05:19 | |
I'll never beat you, Billy, even with my education. | 1:05:19 | 1:05:22 | |
CAR WON'T START | 1:05:22 | 1:05:23 | |
I'll be damned if I stop trying to defend myself. | 1:05:23 | 1:05:26 | |
CAR STILL WON'T START | 1:05:26 | 1:05:28 | |
I think your nurse needs a push. | 1:05:28 | 1:05:30 | |
Ah, go back to your pansy English boyfriend! | 1:05:31 | 1:05:34 | |
Somebody your snobbish old ma's stupid enough to appreciate. | 1:05:34 | 1:05:38 | |
CAR STILL WON'T START | 1:05:38 | 1:05:39 | |
Look, do you want a push? | 1:05:42 | 1:05:44 | |
-Push off, Billy! -Pauline, she's just an old friend. | 1:05:47 | 1:05:49 | |
And I'm just your Uncle Andy's old nurse. | 1:05:49 | 1:05:52 | |
HUBBUB OF CONVERSATION | 1:06:07 | 1:06:09 | |
So, what did they say? | 1:06:14 | 1:06:15 | |
Emphysema with complications, they call it. | 1:06:15 | 1:06:18 | |
Sounds like a bad bet in the Grand National. | 1:06:18 | 1:06:23 | |
-Didn't you ask them? -As far as I'm concerned, | 1:06:23 | 1:06:26 | |
it's only another fancy word they're using for to get me back in. | 1:06:26 | 1:06:31 | |
-Uncle Andy, you can't... -Look, I didn't come here to talk about the mumbo-jumbo of bloody witchdoctors. | 1:06:35 | 1:06:42 | |
It's taken the flavour off my drink. | 1:06:42 | 1:06:44 | |
What about you, Billy? > | 1:06:44 | 1:06:47 | |
My God, the silver chamois. | 1:06:49 | 1:06:52 | |
Are you having one? | 1:06:52 | 1:06:53 | |
No, I'm just on my way home... | 1:06:53 | 1:06:55 | |
..the windies. | 1:06:56 | 1:06:58 | |
I finish here the day. Not see the ladders outside? | 1:07:00 | 1:07:03 | |
Oh, aye, here. I see a fella walking off with a pair of ladders just as we were coming in there. | 1:07:03 | 1:07:08 | |
-Walking off? -Aye. | 1:07:08 | 1:07:11 | |
Oh, Christ alive! | 1:07:11 | 1:07:13 | |
ANDY CHUCKLES | 1:07:13 | 1:07:16 | |
Oh, look. What an eejit, eh? | 1:07:16 | 1:07:19 | |
Oh! | 1:07:19 | 1:07:20 | |
The like of those bringing children into the world! Jeez, I don't know. | 1:07:20 | 1:07:25 | |
How about you and your nurse, then? | 1:07:29 | 1:07:32 | |
Oh, you'll be pleased to hear we fell out... | 1:07:32 | 1:07:34 | |
about a fortnight ago. | 1:07:34 | 1:07:36 | |
Oh. | 1:07:36 | 1:07:37 | |
She still drops up, though, | 1:07:39 | 1:07:41 | |
to see Lorna, like. | 1:07:41 | 1:07:42 | |
You know, I reckon you could do worse. | 1:07:44 | 1:07:47 | |
Hmm... | 1:07:50 | 1:07:51 | |
Yeah, well, I'll hang on till I can do better. | 1:07:53 | 1:07:56 | |
Do you want another one? | 1:07:56 | 1:07:58 | |
Huh? | 1:07:58 | 1:07:59 | |
Nah. Nah, it's got no taste tonight. | 1:08:00 | 1:08:03 | |
Better go on home to bed. | 1:08:05 | 1:08:07 | |
Look, I've just to go a wee message. Can you get back all right? | 1:08:10 | 1:08:13 | |
Aye. | 1:08:13 | 1:08:15 | |
Listen, son, er, I know the score, all right? | 1:08:17 | 1:08:21 | |
Huh? I'll put my house in the hands of an agent. | 1:08:21 | 1:08:25 | |
And anything I have and whatever the house gets... | 1:08:25 | 1:08:27 | |
..you're the one, right? | 1:08:28 | 1:08:30 | |
Here... | 1:08:45 | 1:08:46 | |
This is for you. | 1:08:50 | 1:08:51 | |
A wee surprise, like. | 1:08:53 | 1:08:54 | |
An engagement ring? | 1:09:10 | 1:09:11 | |
If it doesn't fit, we can get it changed. | 1:09:11 | 1:09:13 | |
John, I can't take this. | 1:09:17 | 1:09:18 | |
What? | 1:09:19 | 1:09:20 | |
Why not? | 1:09:21 | 1:09:23 | |
I mean, we don't have to decide on anything else, not yet. | 1:09:23 | 1:09:27 | |
Why did you do that? | 1:09:28 | 1:09:30 | |
Why didn't you ask me? | 1:09:31 | 1:09:33 | |
I wanted it to be a surprise. | 1:09:33 | 1:09:35 | |
John... | 1:09:37 | 1:09:39 | |
John... | 1:09:42 | 1:09:43 | |
I like you. | 1:09:45 | 1:09:47 | |
I enjoy going out in the car and all that. | 1:09:48 | 1:09:51 | |
I'm all right for driving the car, but... | 1:09:54 | 1:09:57 | |
-not good enough to marry. -Marry?! | 1:09:57 | 1:09:59 | |
We never even mentioned marriage. | 1:10:02 | 1:10:04 | |
I never even thought about marrying you. | 1:10:06 | 1:10:08 | |
It's him, isn't it? | 1:10:11 | 1:10:12 | |
Big brother bloody Billy! | 1:10:15 | 1:10:17 | |
He doesn't think I'm good enough for you. | 1:10:20 | 1:10:22 | |
I'm as good as bloody him! | 1:10:23 | 1:10:25 | |
It's got nothing to do with Billy! | 1:10:25 | 1:10:28 | |
It's me! | 1:10:28 | 1:10:29 | |
I don't love you, John. | 1:10:31 | 1:10:33 | |
It's never been like that. | 1:10:36 | 1:10:37 | |
I'm sorry. | 1:10:40 | 1:10:41 | |
You've made a fool out of me. | 1:10:42 | 1:10:44 | |
-Bloody stupid fool! -No! -Yes, you bloody have! | 1:10:46 | 1:10:50 | |
You're just another bloody Martin! | 1:10:50 | 1:10:52 | |
Lorna, why's he shouting? | 1:10:54 | 1:10:55 | |
Are you all right? | 1:10:55 | 1:10:58 | |
SHE SOBS I'm fine. | 1:10:58 | 1:11:00 | |
Go back to bed, love. I'm fine. | 1:11:00 | 1:11:02 | |
You was crying, Lorna. | 1:11:02 | 1:11:04 | |
Oh, don't you cry. | 1:11:06 | 1:11:08 | |
In the name of Jesus! | 1:11:15 | 1:11:16 | |
I'll make a cup of tea. | 1:11:18 | 1:11:19 | |
I've got to like him, like having him around. | 1:11:21 | 1:11:24 | |
Is that all you came round for, to consult me? | 1:11:24 | 1:11:27 | |
Do you want me stay away? | 1:11:28 | 1:11:29 | |
I know I'm a fool, Billy, but don't rub my nose in it. | 1:11:29 | 1:11:32 | |
I'm sorry, Pauline. | 1:11:34 | 1:11:36 | |
I mean that. | 1:11:38 | 1:11:39 | |
What is it you mean, Billy? | 1:11:39 | 1:11:41 | |
I'm never totally certain with you. | 1:11:41 | 1:11:43 | |
You're like a pet dog that gets so excited it bites instead of licking. | 1:11:43 | 1:11:48 | |
Wouldn't be so bad if you were a small, gentle dog. | 1:11:49 | 1:11:51 | |
I got a letter today. | 1:11:55 | 1:11:56 | |
I've been offered the Canadian job. | 1:11:59 | 1:12:01 | |
I start at the beginning of February. | 1:12:01 | 1:12:03 | |
-Have you accepted? -They assume that unless I let them know otherwise. | 1:12:06 | 1:12:10 | |
I'd better go. | 1:12:17 | 1:12:18 | |
I hope it works out. | 1:12:26 | 1:12:28 | |
I'll make sure it does, Billy, | 1:12:30 | 1:12:32 | |
and I'll find a boyfriend who makes me smile and lets me laugh. | 1:12:32 | 1:12:37 | |
WHISTLES HAPPILY | 1:12:41 | 1:12:42 | |
You! | 1:12:48 | 1:12:49 | |
Couldn't be better. | 1:12:49 | 1:12:51 | |
John, what about you? | 1:12:54 | 1:12:56 | |
It's third time lucky for you. | 1:12:56 | 1:12:59 | |
You wanted a go twice... | 1:13:01 | 1:13:02 | |
..and now's your chance. | 1:13:04 | 1:13:06 | |
I'm, er... I'm in a wee bit of a hurry, John. | 1:13:07 | 1:13:10 | |
Wife's not well, you know. | 1:13:10 | 1:13:12 | |
BOTTLES FALL | 1:13:14 | 1:13:15 | |
Oh, Jesus! | 1:13:15 | 1:13:16 | |
Agh! | 1:13:18 | 1:13:19 | |
Look, John, don't do it. | 1:13:19 | 1:13:22 | |
THUMP! Agh! | 1:13:22 | 1:13:24 | |
Agh! | 1:13:26 | 1:13:27 | |
IAN COUGHS | 1:13:28 | 1:13:29 | |
Agh! Agh! | 1:13:32 | 1:13:34 | |
IAN WHIMPERS | 1:13:34 | 1:13:35 | |
DOG BARKS | 1:13:46 | 1:13:47 | |
-How is he? -He's all right. | 1:14:03 | 1:14:05 | |
They're keeping him in overnight. | 1:14:06 | 1:14:09 | |
Valerie's away up to stay at her ma's. | 1:14:09 | 1:14:11 | |
You're not to get involved now. | 1:14:11 | 1:14:13 | |
-It's none of your business. -I'm not bothering. | 1:14:13 | 1:14:16 | |
Ian's been wanting a go at John for a long time now. I warned him. | 1:14:16 | 1:14:20 | |
Hope he's learnt his lesson. | 1:14:20 | 1:14:22 | |
I'd a long chat with Uncle Andy this evening. | 1:14:25 | 1:14:28 | |
-He'll have to go back into the hospital. -He's frightened, think he feels he'll die in there this time. | 1:14:29 | 1:14:34 | |
He was very upset. | 1:14:37 | 1:14:38 | |
I promised him that if he goes in for a couple of weeks, I'll bring him back out here and look after. | 1:14:41 | 1:14:46 | |
And what did he say? | 1:14:46 | 1:14:47 | |
He's agreed. | 1:14:47 | 1:14:48 | |
I even got a goodnight kiss tonight. | 1:14:48 | 1:14:50 | |
-Oh, if Fletcher's not ready to do you, it's somebody else! -I don't want that mentioned. | 1:14:50 | 1:14:54 | |
What about you? | 1:15:01 | 1:15:02 | |
Ah, I'm away to my bed. | 1:15:03 | 1:15:05 | |
-Are you going to let Pauline go to Canada? -Why not? | 1:15:07 | 1:15:11 | |
-It's what SHE wants to do. -For goodness' sake, Billy, it's a matter of choice for you! | 1:15:11 | 1:15:16 | |
-Just cos you and her are mates now. -It's not just that. | 1:15:16 | 1:15:19 | |
She loves you and you love her. | 1:15:21 | 1:15:24 | |
It's not going to make you any less of a man to admit that. | 1:15:27 | 1:15:30 | |
You're so like Dad. | 1:15:33 | 1:15:34 | |
But even he seems to have learnt sense at last. | 1:15:37 | 1:15:39 | |
Look, I can manage here. | 1:15:43 | 1:15:44 | |
It's not as if you're going to be a million miles away. | 1:15:47 | 1:15:50 | |
We have to break sometime, Billy. | 1:15:54 | 1:15:56 | |
Will you quit that constant running in and out? | 1:16:08 | 1:16:11 | |
-Oh, it's you. -I live here too. | 1:16:11 | 1:16:14 | |
-Aye, I thought it was that other one. -I'm away out. | 1:16:14 | 1:16:16 | |
See what I mean? In and out, in and out, like a bloody jack-in-a-box! | 1:16:16 | 1:16:21 | |
-Will you give over gurning? Do you want a cup of tea? -Huh? | 1:16:21 | 1:16:24 | |
Aye, aye, I'll take a wee cup, just to keep you happy, mind. | 1:16:24 | 1:16:27 | |
HE COUGHS | 1:16:27 | 1:16:28 | |
HE SPITS | 1:16:31 | 1:16:32 | |
-Will you cut that out? It's disgusting! -Sure, I have to get rid of it. | 1:16:32 | 1:16:36 | |
Well, you can do it without being so disgusting. | 1:16:36 | 1:16:38 | |
Huh! And you're the one wants to be a nurse. | 1:16:38 | 1:16:41 | |
Oh, Jeez. | 1:16:41 | 1:16:43 | |
BILLY CHUCKLES | 1:16:47 | 1:16:48 | |
Have you never finished that homework yet? | 1:16:51 | 1:16:53 | |
-I can't think of anything to write. -What have you to do? | 1:16:53 | 1:16:56 | |
An essay. "I am a Postage Stamp." | 1:16:56 | 1:16:58 | |
-Who gave you that? -Miss Simple Semple! Stupid old bat! | 1:16:58 | 1:17:02 | |
Isn't she the one you got trouble over? | 1:17:02 | 1:17:04 | |
Are you getting on all right with her now? | 1:17:04 | 1:17:06 | |
-Aye, but I won't be if I don't write something quick. -Ach, it's easy. | 1:17:06 | 1:17:09 | |
What would you write? | 1:17:09 | 1:17:11 | |
Er, "I am a postage stamp. I've just been licked, stuck and sent." | 1:17:11 | 1:17:14 | |
Brilliant(!) Can you write that on an elastic band so I can make it stretch over two pages? | 1:17:14 | 1:17:21 | |
Lorna, what would you do if you were a postage stamp? | 1:17:21 | 1:17:24 | |
-Get someone to send me to the Bahamas. -Lorna, that's it! You're brilliant. | 1:17:25 | 1:17:29 | |
-What's she going on about? -Oh, just some silly essay she's got. | 1:17:29 | 1:17:32 | |
CAR HORN BEEPS | 1:17:32 | 1:17:33 | |
Oh, there she is. | 1:17:33 | 1:17:36 | |
I'm away. Not be late. | 1:17:36 | 1:17:37 | |
See youse. | 1:17:37 | 1:17:39 | |
MUSIC PLAYS: "I Can't Stop Loving You" | 1:17:46 | 1:17:48 | |
-Finished. -What did you say? | 1:17:48 | 1:17:50 | |
"Dear sir... Thank you for your kind offer of a job, | 1:17:50 | 1:17:54 | |
"but I'd prefer to live in sin rather than Toronto." | 1:17:54 | 1:17:57 | |
-Will you come away from that window? -Do you think they'll be all right? | 1:17:57 | 1:18:01 | |
Of course they will and looking out there doesn't help. | 1:18:01 | 1:18:04 | |
-How long do you reckon Uncle Andy will be in this time? -Will you stop it? | 1:18:04 | 1:18:07 | |
That's four times you've asked me that. | 1:18:07 | 1:18:09 | |
They live a mile or so away. You'll see them every day. | 1:18:09 | 1:18:12 | |
Bet Andy's sitting spitting, putting out the last of the fire. | 1:18:12 | 1:18:15 | |
If you keep this up, I'm going to chase you. | 1:18:15 | 1:18:17 | |
Should we look for a bigger flat? | 1:18:19 | 1:18:21 | |
-Not tonight. -Fool! -SHE CHUCKLES | 1:18:21 | 1:18:22 | |
THEY KISS | 1:18:22 | 1:18:24 | |
-Do you think your dad will like me? -I hope not! We've never agreed about anything. | 1:18:24 | 1:18:29 | |
-I love you, Billy. -Nought out ten for intelligence. | 1:18:29 | 1:18:32 | |
Hey, it's a pity Uncle Andy's not in your hospital this time. | 1:18:32 | 1:18:35 | |
-He might even have been on your ward again. -I think I'll survive without that, especially now. | 1:18:35 | 1:18:40 | |
He'll say you're a scheming wee fenian who seduced his nephew. What do you say to that? | 1:18:40 | 1:18:44 | |
It was your own choice. | 1:18:44 | 1:18:46 | |
I'm going to bed. | 1:18:49 | 1:18:51 | |
Agh! | 1:18:52 | 1:18:54 | |
-Taking anybody with you? -Just my nurse, in case I take bad during the night. | 1:18:55 | 1:18:59 | |
They say every home should have one. | 1:18:59 | 1:19:01 | |
I'll just fetch a glass for my false teeth. | 1:19:01 | 1:19:04 | |
-You should see your face. Relax, they're all real. -What? | 1:19:06 | 1:19:09 | |
BILLY CHUCKLES | 1:19:09 | 1:19:10 | |
BOTTLES CLINK | 1:19:10 | 1:19:12 | |
DOOR SHUTS | 1:19:12 | 1:19:13 | |
At least we can get locked up early now that he's not here. | 1:19:13 | 1:19:16 | |
Hope he know what he's doing. | 1:19:19 | 1:19:21 | |
Course he does. | 1:19:21 | 1:19:22 | |
Oh, you young ones, nowadays. | 1:19:22 | 1:19:24 | |
Youse wouldn't have done it in my day, I'm telling you. | 1:19:24 | 1:19:28 | |
I'm not a prude, I don't care what you say. | 1:19:28 | 1:19:30 | |
-Are you all ready for the morrow? -Oh, Jeez, don't remind me. | 1:19:33 | 1:19:37 | |
You promised now it's only for the two weeks. | 1:19:37 | 1:19:41 | |
-Two or three. -Jeez, it's up to three already! -It's up to the doctor, I can't say. | 1:19:41 | 1:19:45 | |
Aye. | 1:19:47 | 1:19:48 | |
You know, I'll miss this wee house. | 1:19:51 | 1:19:53 | |
Very cosy wee place. | 1:19:55 | 1:19:56 | |
Sure now you'll be able to manage all on your own? | 1:19:57 | 1:20:00 | |
Course I will. | 1:20:00 | 1:20:01 | |
Are you ready for bed? | 1:20:04 | 1:20:06 | |
Mmm. | 1:20:06 | 1:20:07 | |
Seems a shame to leave a nice fire like that. | 1:20:09 | 1:20:12 | |
Mmm. | 1:20:12 | 1:20:13 | |
You know... You know what I'd really fancy? | 1:20:14 | 1:20:18 | |
-What? -Nice, quiet, wee game of draughts. | 1:20:18 | 1:20:21 | |
-Can you play draughts? -Yeah. | 1:20:22 | 1:20:24 | |
Right. | 1:20:24 | 1:20:26 | |
-Black or white? -Er, I'll be white. | 1:20:34 | 1:20:36 | |
You know, last time I was in the hospital, | 1:20:39 | 1:20:43 | |
I was a champion at this. | 1:20:43 | 1:20:45 | |
-Aye, aye, aye. -Right, black goes first. | 1:20:48 | 1:20:50 | |
Aye, aye, aye, all right, fire ahead, fire ahead. | 1:20:50 | 1:20:52 | |
See that picture in your da's letter? | 1:20:56 | 1:20:59 | |
That one's a fine-looking woman. | 1:21:00 | 1:21:02 | |
Yeah. | 1:21:02 | 1:21:03 | |
It's your move. | 1:21:05 | 1:21:07 | |
Aye, aye, I know. I'm studying the board. | 1:21:07 | 1:21:10 | |
Doesn't do to rush in a game like this, that's the whole secret. | 1:21:10 | 1:21:13 | |
Got to study the board, you know... | 1:21:15 | 1:21:18 | |
make the right choice. | 1:21:18 | 1:21:20 | |
You know, I mind playing this game in the Far East once. | 1:21:26 | 1:21:31 | |
A week it lasted, a whole week. | 1:21:31 | 1:21:34 | |
It doesn't do to rush things, you know. | 1:21:35 | 1:21:37 | |
That fire isn't going to last a week. | 1:21:37 | 1:21:40 | |
And you have a hospital to go to in the morning. | 1:21:40 | 1:21:43 | |
Aye. | 1:21:43 | 1:21:44 | |
Aye. | 1:21:47 | 1:21:48 | |
ANDY CHUCKLES | 1:21:51 | 1:21:52 | |
RAIN FALLS | 1:21:57 | 1:21:58 | |
Are you asleep, Billy? | 1:22:00 | 1:22:02 | |
Yeah. | 1:22:02 | 1:22:04 | |
Then what are you talking? | 1:22:04 | 1:22:06 | |
I talk in my sleep. | 1:22:06 | 1:22:07 | |
It's wet and cold outside. | 1:22:10 | 1:22:12 | |
I'm so warm and contented. | 1:22:12 | 1:22:15 | |
Better than Toronto? | 1:22:15 | 1:22:17 | |
Much. | 1:22:17 | 1:22:18 | |
Are you happy, Billy? | 1:22:18 | 1:22:20 | |
Yeah. | 1:22:23 | 1:22:24 | |
Please, nurse, can I have a sleep now? | 1:22:25 | 1:22:27 | |
THEY KISS | 1:22:29 | 1:22:31 | |
Subtitles by Red Bee Media Ltd | 1:23:03 | 1:23:05 |