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(I bet you can't do it with three.) | 0:00:14 | 0:00:17 | |
HORSE NEIGHS | 0:00:19 | 0:00:21 | |
Aagh! | 0:00:30 | 0:00:32 | |
I'll take that. | 0:00:33 | 0:00:35 | |
Tie him up, then. | 0:00:36 | 0:00:38 | |
It's from Isabella to Prince John. | 0:00:38 | 0:00:40 | |
"My Prince, I understand the urgency of your request. | 0:00:40 | 0:00:44 | |
"Richard returns from the Crusades within the month. | 0:00:44 | 0:00:46 | |
"Troops loyal to him await him in Loughborough. We must be ready." | 0:00:46 | 0:00:49 | |
Richard. King Richard? | 0:00:49 | 0:00:51 | |
The King's coming home. | 0:00:51 | 0:00:53 | |
Read the rest. | 0:00:54 | 0:00:55 | |
"You asked for 300 men, food and supplies. | 0:00:57 | 0:00:59 | |
"I will dispatch them at sunset to join with your northern forces | 0:00:59 | 0:01:02 | |
"in Doncaster." | 0:01:02 | 0:01:03 | |
So, where has Isabella got 300 men from? | 0:01:04 | 0:01:06 | |
"England will soon be yours." | 0:01:06 | 0:01:08 | |
You give the Sheriff this message. | 0:01:09 | 0:01:11 | |
Go on. | 0:01:11 | 0:01:13 | |
England will never be a slave to Prince John, | 0:01:13 | 0:01:15 | |
not while Robin Hood fights for King Richard. | 0:01:15 | 0:01:17 | |
< Robin! | 0:01:17 | 0:01:18 | |
They've taken them! They took them! | 0:01:18 | 0:01:25 | |
Taken who? | 0:01:25 | 0:01:26 | |
I was in Clun. | 0:01:26 | 0:01:28 | |
The Sheriff's soldiers. | 0:01:28 | 0:01:30 | |
-They've taken all the men. -How many? | 0:01:30 | 0:01:32 | |
I don't know. Must have been at least 100. | 0:01:32 | 0:01:35 | |
Robin! | 0:01:35 | 0:01:36 | |
Same in Nettlestone. | 0:01:36 | 0:01:37 | |
The Sheriff's guard came and just carted them off - | 0:01:37 | 0:01:40 | |
crops and livestock too. | 0:01:40 | 0:01:42 | |
100 from Clun, 100 from Nettlestone. | 0:01:42 | 0:01:44 | |
They'll go to Locksley next. | 0:01:45 | 0:01:47 | |
Get to Locksley! | 0:01:47 | 0:01:48 | |
MEN SHOUTING | 0:02:29 | 0:02:32 | |
Hood! | 0:02:36 | 0:02:38 | |
Come on, then! Aaaagh! | 0:02:43 | 0:02:44 | |
MEN SHOUTING | 0:02:52 | 0:02:55 | |
Pull back! Get the supplies to the castle. | 0:02:55 | 0:02:58 | |
Idiots! | 0:03:03 | 0:03:05 | |
Get the prisoners out of there! | 0:03:05 | 0:03:07 | |
John, break the chain! | 0:03:07 | 0:03:09 | |
Aaagh! | 0:03:14 | 0:03:16 | |
They're gone. | 0:03:23 | 0:03:25 | |
Let's get these men to Sherwood. | 0:03:25 | 0:03:28 | |
SHE SIGHS You are an imbecile. | 0:03:47 | 0:03:50 | |
SIGHS | 0:03:51 | 0:03:53 | |
Failure! | 0:03:55 | 0:03:57 | |
Ugh! | 0:03:57 | 0:03:59 | |
Oh! | 0:03:59 | 0:04:01 | |
Blamire. | 0:04:01 | 0:04:03 | |
Tell me, are the men of Locksley secured? | 0:04:03 | 0:04:06 | |
We had a situation - | 0:04:06 | 0:04:07 | |
some unforeseen difficulties. | 0:04:07 | 0:04:10 | |
Robin Hood. | 0:04:10 | 0:04:12 | |
There's a man here to see you. | 0:04:12 | 0:04:14 | |
A man? | 0:04:14 | 0:04:15 | |
Apparently, he has a proposition for you. | 0:04:15 | 0:04:18 | |
Really? | 0:04:18 | 0:04:21 | |
The name's Archer. | 0:04:23 | 0:04:25 | |
Hmm. | 0:04:25 | 0:04:26 | |
Archer? | 0:04:26 | 0:04:28 | |
Archer what? | 0:04:28 | 0:04:30 | |
Just Archer. | 0:04:31 | 0:04:33 | |
Archer. | 0:04:33 | 0:04:34 | |
Weren't you due to hang in York? | 0:04:34 | 0:04:38 | |
Me? Hang? York? Don't know anything about that. | 0:04:38 | 0:04:41 | |
That's right. | 0:04:41 | 0:04:42 | |
He's the one Hood and Gisborne broke out of prison. | 0:04:42 | 0:04:46 | |
Many of my men were injured. | 0:04:46 | 0:04:48 | |
I never asked them to do that. They just turned up. | 0:04:48 | 0:04:51 | |
Arrest him. | 0:04:51 | 0:04:53 | |
Robin Hood's a nut. He feels compelled to go about saving people. | 0:04:53 | 0:04:57 | |
Even so, do you really think | 0:04:57 | 0:05:00 | |
I would fraternise with such a low-life as you? | 0:05:00 | 0:05:03 | |
You would if you knew the truth. | 0:05:06 | 0:05:07 | |
Wait. | 0:05:08 | 0:05:09 | |
The truth? | 0:05:09 | 0:05:10 | |
You and I... | 0:05:14 | 0:05:16 | |
..we're brother and sister. | 0:05:17 | 0:05:19 | |
I'm sorry?! | 0:05:19 | 0:05:21 | |
-Ghislaine is my mother too. -Impossible. | 0:05:21 | 0:05:23 | |
She had me out of wedlock and sent me away. | 0:05:23 | 0:05:24 | |
How dare you stand there and tell me such evil lies? | 0:05:24 | 0:05:28 | |
Is it a lie that she died in a house fire? | 0:05:29 | 0:05:31 | |
Or that she was married to a leper? | 0:05:33 | 0:05:37 | |
Your father. | 0:05:37 | 0:05:38 | |
Is that a lie? | 0:05:40 | 0:05:42 | |
See, I've travelled far and wide. | 0:05:42 | 0:05:44 | |
I know the most exotic ways to kill a man. | 0:05:45 | 0:05:49 | |
That's why Robin and Gisborne saved me. | 0:05:49 | 0:05:51 | |
They wanted to use me. | 0:05:51 | 0:05:53 | |
Take him away. | 0:05:53 | 0:05:55 | |
If we join forces, think about it - | 0:05:55 | 0:05:57 | |
your power, my skill - | 0:05:57 | 0:06:00 | |
we can be unstoppable. | 0:06:00 | 0:06:02 | |
What I need are men that can offer me | 0:06:03 | 0:06:07 | |
loyalty and protection. | 0:06:07 | 0:06:09 | |
Arrest him! | 0:06:09 | 0:06:11 | |
Sister, don't forsake me. | 0:06:11 | 0:06:14 | |
-Lock him up. -He must never be allowed to leave the castle. | 0:06:16 | 0:06:20 | |
Ever! | 0:06:20 | 0:06:21 | |
GRUNTING AND GROANING | 0:06:26 | 0:06:30 | |
We have to get the rest of our supplies to Locksley. | 0:06:46 | 0:06:49 | |
-That'll keep the women and children alive until we return their crops and livestock. -Robin? | 0:06:49 | 0:06:55 | |
What about the men? | 0:06:55 | 0:06:56 | |
What about them? | 0:06:56 | 0:06:58 | |
Well, when are they gonna fight? | 0:06:58 | 0:06:59 | |
Tuck, these men are farmers. They're not warriors. | 0:06:59 | 0:07:03 | |
The Lord helps those who help themselves, Robin. | 0:07:03 | 0:07:05 | |
Your protection weakens them. | 0:07:05 | 0:07:07 | |
We are failing in our mission. | 0:07:07 | 0:07:09 | |
We're supposed to be inspiring these men | 0:07:09 | 0:07:11 | |
to stand up and fight for themselves, giving them real hope. | 0:07:11 | 0:07:14 | |
These men are terrified for their lives. | 0:07:14 | 0:07:16 | |
They've forgotten how to hope. | 0:07:16 | 0:07:18 | |
Then, my friend, it's time we lit the flame in them again. | 0:07:18 | 0:07:21 | |
If I disappoint the Prince, | 0:07:28 | 0:07:29 | |
I hang like every other noble who's ever failed him. | 0:07:29 | 0:07:32 | |
SIGHS Blamire, I need those men. | 0:07:32 | 0:07:35 | |
Tricky. | 0:07:35 | 0:07:36 | |
Hood's protecting them in the forest. | 0:07:36 | 0:07:38 | |
Then it's Hood I need to destroy. | 0:07:38 | 0:07:40 | |
I need to get to his weakness, | 0:07:40 | 0:07:44 | |
exploit his vulnerabilities. | 0:07:44 | 0:07:46 | |
Which are? | 0:07:46 | 0:07:48 | |
His friends. | 0:07:51 | 0:07:54 | |
That odious little gang. | 0:07:54 | 0:07:56 | |
The idiot cares about them. That's his weakness. | 0:07:56 | 0:07:59 | |
Blamire... | 0:08:01 | 0:08:03 | |
Bring me Kate's mother from Locksley. | 0:08:05 | 0:08:08 | |
GUARD: Hurry up! | 0:08:15 | 0:08:17 | |
Move! | 0:08:19 | 0:08:21 | |
This way. | 0:08:22 | 0:08:23 | |
Good. | 0:08:31 | 0:08:33 | |
Go, please, Blamire. This is delicate. | 0:08:33 | 0:08:35 | |
It's pretty, isn't it? | 0:08:45 | 0:08:46 | |
You know, sometimes the prettiest things | 0:08:46 | 0:08:51 | |
can be the most fragile. | 0:08:51 | 0:08:54 | |
Your daughter is an outlaw. | 0:08:54 | 0:08:56 | |
My daughter is dead to me. | 0:08:58 | 0:09:01 | |
There's no point denying her - trust me on that. | 0:09:01 | 0:09:04 | |
What do you want with me? | 0:09:07 | 0:09:09 | |
I want to help you. | 0:09:09 | 0:09:10 | |
-Help me? -Yes. | 0:09:10 | 0:09:13 | |
A safe passage to Doncaster for you and your family. | 0:09:13 | 0:09:16 | |
It must be awful for you, | 0:09:16 | 0:09:18 | |
having a child living out there in the wild | 0:09:18 | 0:09:21 | |
with those...savages. | 0:09:21 | 0:09:23 | |
-Well, Robin wouldn't hurt her. -Wouldn't he? | 0:09:23 | 0:09:26 | |
SHE STAMPS | 0:09:27 | 0:09:29 | |
He still loves me. | 0:09:30 | 0:09:32 | |
She'll never leave him. She believes in him too much. | 0:09:38 | 0:09:41 | |
Oh, well, then, we must shake her belief to the core. | 0:09:41 | 0:09:44 | |
Plant this on Robin, then persuade Kate that he still loves me, | 0:09:44 | 0:09:48 | |
his own true Isabella. | 0:09:48 | 0:09:51 | |
Then give her this. | 0:09:51 | 0:09:53 | |
When she finds the other half on him, | 0:09:53 | 0:09:55 | |
her faith will be shaken | 0:09:55 | 0:09:57 | |
and she'll realise | 0:09:57 | 0:09:59 | |
that a candles still burns deeply in his heart for me. | 0:09:59 | 0:10:02 | |
I can't. | 0:10:04 | 0:10:07 | |
Can't? | 0:10:08 | 0:10:10 | |
I don't think you understand, you ignorant crone. | 0:10:10 | 0:10:14 | |
Every last morsel of food, | 0:10:15 | 0:10:17 | |
every animal, every grain of barley, within a 50-mile radius | 0:10:17 | 0:10:21 | |
is locked up in my courtyard, ready for transportation to the north. | 0:10:21 | 0:10:25 | |
Hell is coming, Rebecca. | 0:10:25 | 0:10:29 | |
(LAUGHS) | 0:10:29 | 0:10:31 | |
I think you should save your family whilst you still can. | 0:10:31 | 0:10:34 | |
This is everything we have. | 0:10:47 | 0:10:49 | |
Love you. | 0:10:50 | 0:10:52 | |
I've got something to show you. | 0:10:52 | 0:10:54 | |
-Where did you get that? -Isabella. | 0:10:58 | 0:11:01 | |
Robin holds the other half. | 0:11:03 | 0:11:05 | |
Close to him. | 0:11:08 | 0:11:09 | |
It seems there's a... | 0:11:11 | 0:11:13 | |
a deep bond between them. | 0:11:13 | 0:11:16 | |
I don't believe that. | 0:11:18 | 0:11:19 | |
He loves her. | 0:11:19 | 0:11:20 | |
I'm sorry. | 0:11:20 | 0:11:22 | |
No. | 0:11:22 | 0:11:23 | |
Isabella's Robin's enemy. | 0:11:25 | 0:11:26 | |
Check his things. | 0:11:26 | 0:11:27 | |
If he holds the other half, then you'll know. | 0:11:27 | 0:11:32 | |
I don't need to check his things. | 0:11:32 | 0:11:34 | |
Kate, don't waste... | 0:11:34 | 0:11:36 | |
-Kate? -...the rest of your life with him. | 0:11:36 | 0:11:38 | |
Kate, you ready? | 0:11:38 | 0:11:39 | |
We have to go. | 0:11:39 | 0:11:41 | |
You belong here with us, | 0:11:41 | 0:11:43 | |
with your family. | 0:11:43 | 0:11:45 | |
Robin? | 0:11:51 | 0:11:53 | |
Take good care of her. | 0:12:04 | 0:12:06 | |
I will. | 0:12:06 | 0:12:08 | |
I will. I promise. | 0:12:08 | 0:12:10 | |
Come on, then. | 0:12:12 | 0:12:14 | |
What's that? | 0:12:19 | 0:12:21 | |
It's Isabella's. | 0:12:25 | 0:12:27 | |
Our mother gave it to her when she was a child. She worshipped her | 0:12:27 | 0:12:31 | |
and she cherished this. | 0:12:31 | 0:12:32 | |
ROBIN SIGHS | 0:12:34 | 0:12:36 | |
Well, she wouldn't give this to just anyone, now, would she? | 0:12:36 | 0:12:39 | |
So, what's it doing here? | 0:12:40 | 0:12:42 | |
-You think this is mine? -Well, she's your sister, Guy. | 0:12:42 | 0:12:46 | |
Yeah, a sister that's betrayed me many times, and tried to kill me. | 0:12:46 | 0:12:49 | |
-If there's any doubt about your loyalty... -Well, there isn't. | 0:12:49 | 0:12:52 | |
Would I have told you it was Isabella's if there was? | 0:12:52 | 0:12:56 | |
Well, if it's not yours, then whose is it? | 0:12:56 | 0:12:58 | |
You haven't moved from that spot in ten years. | 0:13:15 | 0:13:18 | |
They let you out? | 0:13:18 | 0:13:19 | |
Not exactly. | 0:13:19 | 0:13:21 | |
Need a drink? | 0:13:21 | 0:13:22 | |
I need money. | 0:13:22 | 0:13:24 | |
Fast. | 0:13:24 | 0:13:26 | |
I'm a wanted man. | 0:13:30 | 0:13:31 | |
I need safe passage out of England. | 0:13:31 | 0:13:33 | |
I need information I can sell. | 0:13:33 | 0:13:35 | |
What sort of information? | 0:13:35 | 0:13:38 | |
I need to prove my loyalty to the Sheriff, show I can protect her. | 0:13:38 | 0:13:42 | |
We take the castle. | 0:13:44 | 0:13:46 | |
We claim it under King Richard. | 0:13:48 | 0:13:50 | |
We put Isabella under house arrest. | 0:13:52 | 0:13:54 | |
We release the supplies. We release the men. | 0:13:55 | 0:13:59 | |
And we hold that castle till King Richard returns. | 0:13:59 | 0:14:03 | |
If I can penetrate the castle, | 0:14:03 | 0:14:05 | |
I open her eyes to what I'm capable of achieving. | 0:14:05 | 0:14:08 | |
But the castle, it's bursting with men, crops, livestock. | 0:14:08 | 0:14:12 | |
It's defended by an army of guards. | 0:14:12 | 0:14:15 | |
-We can't take a castle. -We can if we go down the tunnel. | 0:14:15 | 0:14:18 | |
I'm tired of looking over my shoulder. | 0:14:20 | 0:14:23 | |
I need enough so I can leave England... | 0:14:24 | 0:14:26 | |
forever. | 0:14:26 | 0:14:28 | |
Well... | 0:14:28 | 0:14:30 | |
there is one way in. | 0:14:30 | 0:14:35 | |
When the old Sheriff returned from his failed mission in the Holy Land, | 0:14:37 | 0:14:40 | |
he became paranoid about repercussions. | 0:14:40 | 0:14:41 | |
So he built himself an escape route - | 0:14:41 | 0:14:44 | |
a tunnel. | 0:14:44 | 0:14:46 | |
Who dug this tunnel? | 0:14:46 | 0:14:47 | |
Their rotting bodies were found underground. | 0:14:47 | 0:14:51 | |
Gisborne locked them in - | 0:14:51 | 0:14:53 | |
the whole force. | 0:14:53 | 0:14:55 | |
The diggers were silenced. I made sure of that. | 0:14:55 | 0:15:00 | |
So, no-one else knows about the tunnel, | 0:15:00 | 0:15:02 | |
especially not Isabella. | 0:15:02 | 0:15:03 | |
It starts here, in a derelict churchyard outside the west gate, | 0:15:03 | 0:15:07 | |
and it leads directly into the heart of the castle. | 0:15:07 | 0:15:11 | |
I say we go down the tunnel, we seize Isabella | 0:15:11 | 0:15:13 | |
and we force her to dismiss her guards. | 0:15:13 | 0:15:15 | |
We take Isabella, we take the castle. | 0:15:15 | 0:15:18 | |
Now, that's everything I have. | 0:15:23 | 0:15:25 | |
The opening is in a derelict churchyard, | 0:15:25 | 0:15:29 | |
under the grave with the fallen cross. | 0:15:29 | 0:15:33 | |
If we time the break-in to coincide with the supply train leaving, | 0:15:40 | 0:15:44 | |
most of the guards will be busy with the convoy anyway. | 0:15:44 | 0:15:48 | |
Count me out. | 0:15:48 | 0:15:50 | |
I don't trust him. | 0:15:50 | 0:15:52 | |
-How do we know that this isn't a trap? -Cos we want the same thing. | 0:15:52 | 0:15:56 | |
Since when have you cared about our people?! | 0:15:56 | 0:15:58 | |
I don't. I just want Isabella. She betrayed me to Prince John. I intend to make her pay. | 0:15:58 | 0:16:02 | |
Now, that sounds more like the Gisborne we all know and loathe. | 0:16:02 | 0:16:05 | |
That's enough! We go through the tunnel. | 0:16:05 | 0:16:08 | |
And that's my final word! | 0:16:08 | 0:16:10 | |
Gisborne is one of us now. | 0:16:11 | 0:16:12 | |
Our fate is his. | 0:16:12 | 0:16:13 | |
Tuck, John, get some forging tools to make weapons. | 0:16:13 | 0:16:17 | |
The rest of you, get whatever money we have | 0:16:17 | 0:16:19 | |
and melt it down to make arrowheads. | 0:16:19 | 0:16:21 | |
Kate, listen. | 0:16:26 | 0:16:29 | |
Gisborne's loyal. I'd stake my life on it. | 0:16:31 | 0:16:34 | |
He killed my brother. | 0:16:34 | 0:16:36 | |
I will never, never trust him. | 0:16:37 | 0:16:39 | |
Well, you can trust me. | 0:16:39 | 0:16:41 | |
-Can I? -What? What do you mean? | 0:16:41 | 0:16:44 | |
I've left my family. | 0:16:44 | 0:16:46 | |
I'm not there with them. | 0:16:46 | 0:16:48 | |
I'm here...with you. | 0:16:48 | 0:16:51 | |
And you're helping, Kate. You're making a difference. | 0:16:51 | 0:16:54 | |
Tell me you need me more than they do. | 0:16:55 | 0:16:57 | |
I have to prepare for the raid. | 0:17:04 | 0:17:07 | |
THUNDER RUMBLES | 0:17:23 | 0:17:25 | |
SHE CRIES | 0:17:48 | 0:17:51 | |
HE GRUNTS | 0:18:00 | 0:18:02 | |
Now, I want you to issue this proclamation | 0:18:31 | 0:18:33 | |
and I want you to make sure | 0:18:33 | 0:18:35 | |
it is spoken about in every corner of Nottingham - | 0:18:35 | 0:18:39 | |
that due to his duties and loyalties to the Sheriff, | 0:18:39 | 0:18:43 | |
the outlaw Allan A Dale is pardoned for all his wrongdoings. | 0:18:43 | 0:18:46 | |
-Allan A Dale has... -Shh! Just do it. | 0:18:46 | 0:18:49 | |
Trust me. | 0:18:55 | 0:18:56 | |
SHE SIGHS | 0:19:03 | 0:19:05 | |
SHE LAUGHS | 0:19:10 | 0:19:12 | |
Something funny, sis? | 0:19:12 | 0:19:14 | |
How on earth did you get in here? | 0:19:16 | 0:19:18 | |
Call the guards, you'll never find out. | 0:19:18 | 0:19:20 | |
Speak. | 0:19:21 | 0:19:22 | |
The tunnel - it was an escape route for the old Sheriff. | 0:19:22 | 0:19:25 | |
But what's far more interesting is this. | 0:19:25 | 0:19:28 | |
It was supervised by one Sir Guy of Gisborne. | 0:19:28 | 0:19:33 | |
He and Hood are together now, | 0:19:33 | 0:19:35 | |
and with all that stuff locked up in your courtyard, | 0:19:35 | 0:19:38 | |
just waiting to be stolen, | 0:19:38 | 0:19:40 | |
how long do you think it'll take | 0:19:40 | 0:19:41 | |
before they come in the same way I did? | 0:19:41 | 0:19:43 | |
I'll get the guards and wait. I could ambush them as soon as they emerge. | 0:19:43 | 0:19:46 | |
Guards are useless. I've seen what they do to guards. | 0:19:46 | 0:19:48 | |
You need something a little more sophisticated than guards. | 0:19:48 | 0:19:52 | |
-Something they're not expecting. -Keep talking. | 0:19:52 | 0:19:55 | |
Well... | 0:19:56 | 0:19:58 | |
for a few pennies, I can trap the tunnel. | 0:19:58 | 0:20:02 | |
It does happen to be one of my specialities. | 0:20:02 | 0:20:04 | |
If you can make sure that they both die a slow and very painful death, | 0:20:04 | 0:20:09 | |
I'll give you more than pennies... | 0:20:09 | 0:20:11 | |
brother. | 0:20:11 | 0:20:12 | |
TRUMPET FANFARE PLAYS | 0:20:21 | 0:20:24 | |
-They've taken everything. -Even the forging tools. | 0:20:24 | 0:20:27 | |
BLAMIRE: This is a proclamation from the Sheriff of Nottingham. | 0:20:27 | 0:20:30 | |
Let it be known that, for services to the Sheriff, | 0:20:30 | 0:20:33 | |
the outlaw Allan A Dale has been given immunity from prosecution. | 0:20:33 | 0:20:38 | |
He is a free man. | 0:20:38 | 0:20:41 | |
John! John! | 0:20:46 | 0:20:48 | |
All of this needs to be made into arrowheads. | 0:20:53 | 0:20:56 | |
Robin? | 0:20:56 | 0:20:57 | |
We're running out of time. | 0:20:57 | 0:20:59 | |
Robin? | 0:20:59 | 0:21:01 | |
Where's Tuck and John with those tools? | 0:21:01 | 0:21:03 | |
She's gone! Kate. | 0:21:03 | 0:21:05 | |
You say something? | 0:21:07 | 0:21:09 | |
-Why is it always my fault? -I'm gonna find her. | 0:21:10 | 0:21:12 | |
Much, Kate can look after herself. | 0:21:12 | 0:21:15 | |
-She's got a family to protect, we've got a castle to take. -I know. | 0:21:15 | 0:21:19 | |
-What? -Traitor! What did you tell them? | 0:21:19 | 0:21:22 | |
-Judas! -It's all over Nottingham. | 0:21:22 | 0:21:25 | |
Allan's been pardoned by the Sheriff for services rendered. | 0:21:25 | 0:21:28 | |
-What?! -John, let him go. | 0:21:28 | 0:21:30 | |
Let me speak! | 0:21:30 | 0:21:31 | |
Oh, yeah, you're good at that, aren't you? Speaking and lying?! | 0:21:31 | 0:21:34 | |
-Twisting us round your little finger! -John! Come on! | 0:21:34 | 0:21:37 | |
-Let him go. -Come on. | 0:21:37 | 0:21:39 | |
Liar! | 0:21:39 | 0:21:41 | |
-All right? -I haven't done anything! | 0:21:42 | 0:21:44 | |
I swear! I haven't betrayed you. | 0:21:46 | 0:21:48 | |
Much! | 0:21:50 | 0:21:51 | |
You believe me, Guy. | 0:21:56 | 0:21:59 | |
Tuck? | 0:22:03 | 0:22:04 | |
Robin? | 0:22:09 | 0:22:11 | |
So, you think I'm a coward? | 0:22:13 | 0:22:15 | |
Is that it? Yeah? | 0:22:16 | 0:22:18 | |
What - that I've sold you out to save myself somehow, yeah? | 0:22:18 | 0:22:21 | |
You've done that before. | 0:22:23 | 0:22:25 | |
I know! | 0:22:25 | 0:22:26 | |
And every day, I wish I could take that back. | 0:22:26 | 0:22:28 | |
You know that! | 0:22:28 | 0:22:30 | |
None of you? | 0:22:34 | 0:22:36 | |
None of you believe me? | 0:22:38 | 0:22:39 | |
I'll be off, then. | 0:22:41 | 0:22:42 | |
No. Did you tell her about the tunnel? | 0:22:42 | 0:22:46 | |
I told you, I haven't said... | 0:22:46 | 0:22:48 | |
-Tie him up! -What? | 0:22:48 | 0:22:50 | |
No, no, no, no. | 0:22:50 | 0:22:51 | |
-I can't take the risk. -Robin! -Once we've secured the castle, | 0:22:51 | 0:22:54 | |
we will come back and we will sort this out. | 0:22:54 | 0:22:56 | |
-John, don't do this. -Get it done! | 0:23:00 | 0:23:04 | |
Don't even look at me! | 0:23:04 | 0:23:06 | |
HE SIGHS | 0:23:06 | 0:23:08 | |
ISABELLA: Stay here. | 0:23:16 | 0:23:18 | |
Specialist, you say? | 0:23:25 | 0:23:27 | |
For your sake, you'd better be. | 0:23:27 | 0:23:29 | |
You'll get your money's worth, sister. | 0:23:29 | 0:23:31 | |
As long as I get mine. | 0:23:31 | 0:23:34 | |
You'll get paid on one condition - that this trap kills Hood. | 0:23:34 | 0:23:37 | |
You're the boss. | 0:23:37 | 0:23:40 | |
We get into the castle, we capture Isabella, release the villagers. | 0:23:47 | 0:23:50 | |
But if the convoy leaves, then we've failed. | 0:23:50 | 0:23:53 | |
And Tuck, John, it's up to you to stop it, no matter what. | 0:23:53 | 0:23:57 | |
This could be the last time we see each other. | 0:24:00 | 0:24:02 | |
MUCH: Best of luck. | 0:24:12 | 0:24:14 | |
It's time. | 0:24:15 | 0:24:17 | |
Put my neck on the block, time and time again, and for what? | 0:24:31 | 0:24:35 | |
Nothing. | 0:24:36 | 0:24:38 | |
Those of you who can fight must help us intercept the supply train. | 0:24:41 | 0:24:45 | |
MUTTERING | 0:24:45 | 0:24:48 | |
Those are your crops inside that castle. | 0:24:48 | 0:24:51 | |
Your livestock. | 0:24:51 | 0:24:53 | |
Your brothers. Damn it, men, it's time to stand up and fight! | 0:24:53 | 0:24:56 | |
-Take back what's rightfully yours! -Brother Tuck? | 0:24:56 | 0:24:59 | |
They're being trodden on, John, and they're taking it. | 0:24:59 | 0:25:02 | |
If they would only stand together, they can defeat the Sheriff. | 0:25:02 | 0:25:04 | |
Defeating the Sheriff is our job, Tuck... | 0:25:04 | 0:25:07 | |
even if it is the last thing | 0:25:07 | 0:25:10 | |
we ever do. | 0:25:10 | 0:25:13 | |
Robin? | 0:25:18 | 0:25:20 | |
This is it. | 0:25:20 | 0:25:22 | |
HE GROANS | 0:25:28 | 0:25:30 | |
You shouldn't mess with graves. | 0:25:38 | 0:25:40 | |
Hood and his men have entered the tunnel. | 0:26:01 | 0:26:04 | |
Good. | 0:26:05 | 0:26:06 | |
Thank you. | 0:26:08 | 0:26:10 | |
This should buy your disappearance. | 0:26:15 | 0:26:17 | |
-Is this everything I asked for? -Count it. | 0:26:17 | 0:26:20 | |
-I believe you. -Good. | 0:26:21 | 0:26:23 | |
Then you can believe this. | 0:26:23 | 0:26:24 | |
If I ever smell your fetid odour anywhere near Nottingham again, | 0:26:24 | 0:26:29 | |
I will have you dipped in blood and torn apart by starving dogs. | 0:26:29 | 0:26:34 | |
My mother was a saint. | 0:26:34 | 0:26:36 | |
The fact that she could have had a child out of wedlock is bad enough. | 0:26:36 | 0:26:40 | |
But some nasty little hustler like you... | 0:26:40 | 0:26:43 | |
Be assured, | 0:26:46 | 0:26:48 | |
I will kill a thousand times to keep my mother's sacred memory pure. | 0:26:48 | 0:26:54 | |
Don't worry. | 0:26:55 | 0:26:57 | |
I've got plans far away from here. | 0:26:57 | 0:26:59 | |
You'll never see me again. | 0:27:02 | 0:27:04 | |
Kate! | 0:27:09 | 0:27:10 | |
What's happened? | 0:27:12 | 0:27:14 | |
I found the locket. | 0:27:14 | 0:27:16 | |
You were right. He loves Isabella. | 0:27:16 | 0:27:19 | |
He must do, otherwise why would he have it? | 0:27:19 | 0:27:21 | |
I'll gather everyone together. | 0:27:21 | 0:27:24 | |
KATE SIGHS Come on, Kate. Come on. | 0:27:28 | 0:27:30 | |
This is the right thing to do. | 0:27:34 | 0:27:36 | |
I know. | 0:27:38 | 0:27:39 | |
Your brother was stupid enough | 0:27:39 | 0:27:40 | |
to get himself killed for Robin's ridiculous cause. | 0:27:40 | 0:27:43 | |
At least you have the good sense to run away while you... | 0:27:43 | 0:27:45 | |
I'm not running away. | 0:27:45 | 0:27:47 | |
But if he is in league with her, | 0:27:47 | 0:27:50 | |
then I don't understand anything any more. | 0:27:50 | 0:27:52 | |
I thought I loved him. SHE SNIFFS | 0:27:53 | 0:27:56 | |
Oh, Kate. | 0:27:59 | 0:28:01 | |
I didn't know I could love someone like that. | 0:28:03 | 0:28:06 | |
Kate, I'm so sorry. | 0:28:06 | 0:28:08 | |
It's not your fault. | 0:28:09 | 0:28:11 | |
No, no, you don't understand. | 0:28:11 | 0:28:13 | |
I was trying to protect you. | 0:28:13 | 0:28:16 | |
I had to do it. | 0:28:17 | 0:28:19 | |
Had to do what? | 0:28:19 | 0:28:20 | |
Tell me! | 0:28:21 | 0:28:23 | |
Robin doesn't love Isabella. | 0:28:23 | 0:28:26 | |
It was me. I put the locket into his bag for you to find. | 0:28:26 | 0:28:29 | |
You were supposed to leave him | 0:28:29 | 0:28:31 | |
and then we could get away from here to have a new life. | 0:28:31 | 0:28:34 | |
(We're under the castle.) | 0:28:55 | 0:28:58 | |
Much, keep moving. Come on! | 0:28:58 | 0:29:00 | |
CREAKING | 0:29:03 | 0:29:04 | |
Oh, no! | 0:29:04 | 0:29:06 | |
THEY ALL SHOUT | 0:29:06 | 0:29:08 | |
CREAKING | 0:29:10 | 0:29:12 | |
No! | 0:29:12 | 0:29:14 | |
I knew it would be a trap! | 0:29:22 | 0:29:23 | |
Much...let me think. | 0:29:24 | 0:29:27 | |
You give 'em the best years of your life, | 0:29:27 | 0:29:30 | |
and for what?! | 0:29:30 | 0:29:31 | |
HORSE NEIGHS | 0:29:31 | 0:29:33 | |
No. | 0:29:38 | 0:29:39 | |
It can't be. | 0:29:42 | 0:29:44 | |
Heyah! Heyah! | 0:29:47 | 0:29:50 | |
Aaagh! | 0:29:56 | 0:29:58 | |
I've got to get to Robin. | 0:30:06 | 0:30:07 | |
Nearly time. | 0:30:17 | 0:30:18 | |
It's quiet, isn't it? | 0:30:18 | 0:30:21 | |
Calm. | 0:30:22 | 0:30:23 | |
It's like when you're hunting. | 0:30:23 | 0:30:26 | |
The moment you spot your prey, your stag, there's a... | 0:30:26 | 0:30:29 | |
..stillness. | 0:30:30 | 0:30:31 | |
Just for a moment, you wonder whether you can go through with it, | 0:30:31 | 0:30:35 | |
whether you can slaughter this beast | 0:30:35 | 0:30:38 | |
with...so much... | 0:30:38 | 0:30:40 | |
Dignity? | 0:30:41 | 0:30:42 | |
Yeah. Dignity. | 0:30:44 | 0:30:47 | |
John! | 0:30:53 | 0:30:54 | |
They're brave, but they can't fight. Look at them. It'll be a massacre. | 0:31:07 | 0:31:11 | |
-They're not going to fight, John. -What? | 0:31:11 | 0:31:14 | |
Gentlemen, these gates will open soon. | 0:31:16 | 0:31:20 | |
Now, it is our task to stop the supply train in its tracks. | 0:31:20 | 0:31:25 | |
And that is exactly what we're going to do. | 0:31:25 | 0:31:29 | |
As an army, as a militia, | 0:31:30 | 0:31:33 | |
we would be crushed. | 0:31:33 | 0:31:35 | |
The Sheriff's men would hack us down like weeds. | 0:31:35 | 0:31:39 | |
But it's harder to cut the spirit with a blade. | 0:31:40 | 0:31:43 | |
When these gates open and the supply train pulls out, | 0:31:45 | 0:31:48 | |
we are going to sit down. | 0:31:48 | 0:31:51 | |
Just sit...in silence. | 0:31:51 | 0:31:54 | |
My friends, we are going to turn the other cheek. | 0:31:54 | 0:31:58 | |
They will be...we will be crushed. | 0:31:58 | 0:32:00 | |
Dignity, John. Dignity! | 0:32:00 | 0:32:02 | |
-Even when everything has been taken from us, we still have that. -Tuck! | 0:32:02 | 0:32:06 | |
And the Sheriff's men will be faced with a choice - | 0:32:06 | 0:32:09 | |
-stand aside or carry out a massacre. -Yeah, these are the Sheriff's men. | 0:32:09 | 0:32:14 | |
I think we know what choice they're gonna make. | 0:32:14 | 0:32:16 | |
They may be soldiers, John, but they are still men. Just men. | 0:32:16 | 0:32:19 | |
And faced with the power of truth, a man can change. | 0:32:19 | 0:32:23 | |
If we all stand together, we can have that power. | 0:32:23 | 0:32:25 | |
We can be unstoppable. | 0:32:27 | 0:32:29 | |
MUCH: So, Allan's told her. | 0:32:32 | 0:32:33 | |
Or him. I knew we shouldn't have trusted you. | 0:32:33 | 0:32:36 | |
If I knew this was a trap, do you think I'd be stuck in here as well? | 0:32:36 | 0:32:39 | |
-That's enough, the both of you. -RUMBLING | 0:32:39 | 0:32:43 | |
What is that? | 0:32:43 | 0:32:45 | |
(There's no way out.) | 0:32:52 | 0:32:53 | |
There's always a way out, Much. | 0:32:54 | 0:32:56 | |
So, this is how it ends. | 0:32:58 | 0:33:00 | |
This is how we die. | 0:33:00 | 0:33:02 | |
Buried in limestone. | 0:33:02 | 0:33:04 | |
Hardly fair, is it? | 0:33:04 | 0:33:06 | |
If one of us can reach the top, we can hold out longer. | 0:33:06 | 0:33:09 | |
Much, come here. Gisborne, get on our shoulders. | 0:33:09 | 0:33:12 | |
No! It's gotta be you, Robin. | 0:33:12 | 0:33:14 | |
You're the one who has to live. | 0:33:14 | 0:33:16 | |
It has to be you. | 0:33:16 | 0:33:18 | |
-All right, come on. Let's do this. -ALL GROAN | 0:33:18 | 0:33:22 | |
Ready, go! | 0:33:22 | 0:33:24 | |
THEY STRAIN | 0:33:30 | 0:33:32 | |
ARROWS WHISTLE | 0:33:36 | 0:33:39 | |
Aaagh! | 0:33:39 | 0:33:40 | |
-ECHOING: -Allan? | 0:33:42 | 0:33:44 | |
Aaaagh! | 0:33:46 | 0:33:47 | |
-ECHOING: -Ohh! | 0:33:47 | 0:33:51 | |
You. | 0:33:57 | 0:34:00 | |
Raise the portcullis! | 0:34:00 | 0:34:02 | |
Move out! | 0:34:02 | 0:34:04 | |
BLAMIRE: Open the gates! | 0:34:07 | 0:34:10 | |
FOOTSTEPS APPROACHING | 0:34:10 | 0:34:13 | |
You, there, move out of the road! | 0:34:39 | 0:34:42 | |
Move out of the road, I said, | 0:34:50 | 0:34:53 | |
or prepare to die where you sit. | 0:34:53 | 0:34:56 | |
Men, draw your swords. | 0:35:03 | 0:35:07 | |
I said draw your swords. | 0:35:10 | 0:35:13 | |
Now! | 0:35:13 | 0:35:15 | |
Don't worry. I won't let you die! | 0:35:20 | 0:35:22 | |
MUCH: I'm sinking! | 0:35:22 | 0:35:24 | |
-GISBORNE: -I'm going under! | 0:35:29 | 0:35:30 | |
Give me your... | 0:35:30 | 0:35:31 | |
Aaaagh! Robin! | 0:35:31 | 0:35:34 | |
Much! | 0:35:35 | 0:35:37 | |
Stay together. | 0:35:37 | 0:35:39 | |
Much, if you stay together, you can breathe for a little while longer. | 0:35:39 | 0:35:42 | |
And keep your hands moving, so I know. | 0:35:42 | 0:35:46 | |
Much! | 0:35:47 | 0:35:50 | |
Much! | 0:35:52 | 0:35:54 | |
Much! | 0:35:58 | 0:36:00 | |
HE GROWLS | 0:36:13 | 0:36:15 | |
ISABELLA: Get out of the way! | 0:36:31 | 0:36:32 | |
ALL GASP | 0:36:38 | 0:36:40 | |
Cut them down! | 0:36:42 | 0:36:44 | |
Start with me, then! | 0:36:49 | 0:36:51 | |
HE SIGHS | 0:36:55 | 0:36:57 | |
Go on. | 0:37:00 | 0:37:02 | |
Be a man! Start with me! | 0:37:02 | 0:37:04 | |
Do it or die. | 0:37:04 | 0:37:06 | |
And kill an innocent girl. | 0:37:06 | 0:37:08 | |
Aaagh! | 0:37:11 | 0:37:12 | |
Aaagh! | 0:37:14 | 0:37:15 | |
Aaagh! | 0:37:20 | 0:37:23 | |
SHOUTING, SWORDS CLASH | 0:37:26 | 0:37:29 | |
Tuck, come on! | 0:37:45 | 0:37:47 | |
TUCK: Let's go! | 0:37:48 | 0:37:49 | |
We need to save Robin. | 0:38:02 | 0:38:04 | |
-What? -Come on! | 0:38:04 | 0:38:06 | |
-We've got to get that rope, Kate. -What's in there? | 0:38:15 | 0:38:18 | |
KATE PANTS | 0:38:18 | 0:38:19 | |
-I've got it! I've got it! -Then pull! -I'm pulling! | 0:38:19 | 0:38:22 | |
DOOR CREAKS | 0:38:24 | 0:38:26 | |
KATE SCREAMS | 0:38:28 | 0:38:30 | |
Oh, Robin! No, no, no, no, no. Come on. | 0:38:33 | 0:38:36 | |
Come on, come on, come on. | 0:38:36 | 0:38:38 | |
-COUGHING -Come on, come on! | 0:38:38 | 0:38:40 | |
I need you! Breathe! | 0:38:40 | 0:38:42 | |
HE GASPS | 0:38:49 | 0:38:50 | |
-I thought I'd lost you. -I thought I'd lost you. | 0:38:53 | 0:38:56 | |
My mother planted that locket. I should never have doubted you. | 0:38:57 | 0:39:01 | |
Isabella was trying to rip us apart. | 0:39:01 | 0:39:03 | |
-Well, that means Allan's innocent. -Allan? | 0:39:03 | 0:39:06 | |
She's been playing with us all along. | 0:39:06 | 0:39:09 | |
MUCH COUGHS | 0:39:09 | 0:39:12 | |
We need to find Isabella. | 0:39:14 | 0:39:16 | |
Now! | 0:39:16 | 0:39:17 | |
The entrance to the castle's blocked. Follow me. | 0:39:17 | 0:39:20 | |
SHOUTING | 0:39:24 | 0:39:25 | |
The peasants are trying to get into the castle. | 0:39:25 | 0:39:27 | |
You have to protect me. | 0:39:27 | 0:39:29 | |
Can't help. | 0:39:29 | 0:39:30 | |
Sorry. | 0:39:31 | 0:39:33 | |
They're going to tear me to pieces. | 0:39:33 | 0:39:36 | |
Not my problem. | 0:39:36 | 0:39:37 | |
-I've got to be somewhere else. -I just gave you an order! | 0:39:37 | 0:39:40 | |
You have no idea what's happening here, do you? | 0:39:40 | 0:39:44 | |
What? | 0:39:44 | 0:39:46 | |
You can't just leave me here to be massacred by this rabble. | 0:39:46 | 0:39:49 | |
VILLAGERS SHOUT | 0:39:49 | 0:39:51 | |
Please! For pity's sake, help me. | 0:39:51 | 0:39:55 | |
If you want to save yourself, hear this. | 0:39:55 | 0:39:58 | |
Deliver Gisborne to the tunnel. | 0:39:58 | 0:40:00 | |
That doesn't make any sense. Gisborne is dead. | 0:40:00 | 0:40:02 | |
Goodbye, Sheriff, and good luck. | 0:40:05 | 0:40:08 | |
Blamire! | 0:40:11 | 0:40:12 | |
You forced my mother to lie to me. | 0:40:15 | 0:40:17 | |
You tried to poison me against Robin. | 0:40:17 | 0:40:19 | |
So, what of it? You don't belong together. | 0:40:19 | 0:40:22 | |
An ill-raised peasant? | 0:40:22 | 0:40:25 | |
Hardly a worthy companion for a man of noble birth. | 0:40:25 | 0:40:28 | |
Aagh! | 0:40:28 | 0:40:29 | |
Aaagh! | 0:40:29 | 0:40:32 | |
Don't come any closer. | 0:40:43 | 0:40:46 | |
I believe this is yours. | 0:40:51 | 0:40:53 | |
It's over, Isabella. | 0:40:53 | 0:40:57 | |
In the name of King Richard, | 0:41:01 | 0:41:04 | |
I charge Isabella of Gisborne with high treason | 0:41:04 | 0:41:07 | |
and crimes against the people of Nottingham. | 0:41:07 | 0:41:10 | |
The castle and everything in it | 0:41:10 | 0:41:13 | |
belongs to the people! | 0:41:13 | 0:41:15 | |
CHEERING | 0:41:15 | 0:41:18 | |
Robin! | 0:41:25 | 0:41:27 | |
Move. Move! | 0:41:31 | 0:41:34 | |
Close the gates. | 0:42:23 | 0:42:26 | |
HORSES NEIGH | 0:42:26 | 0:42:28 | |
Man the battlements! | 0:42:33 | 0:42:35 | |
Move! | 0:42:39 | 0:42:41 | |
-GISBORNE: -Come on! | 0:42:47 | 0:42:50 | |
My lord. | 0:42:51 | 0:42:53 | |
Blamire, you old tomcat. How the devil are you? | 0:42:53 | 0:42:57 | |
The plan is in place. | 0:42:57 | 0:42:59 | |
Good. | 0:42:59 | 0:43:00 | |
Oh, this will be so much fun. | 0:43:04 | 0:43:06 | |
-GISBORNE: -Come on! | 0:43:08 | 0:43:10 | |
Robin! | 0:43:10 | 0:43:12 | |
Robin! | 0:43:12 | 0:43:14 | |
We will have our reckoning. Right now, I want my town back! | 0:43:23 | 0:43:27 | |
I want every able-bodied man armed and ready. | 0:43:27 | 0:43:31 | |
All Nottingham, for the King! | 0:43:31 | 0:43:34 | |
You so want to kill me, don't you? | 0:43:35 | 0:43:38 | |
We attack immediately! | 0:43:39 | 0:43:41 | |
Abandon the battlements! | 0:43:41 | 0:43:44 | |
Destroy everything! | 0:43:44 | 0:43:46 | |
Together, for England! | 0:43:48 | 0:43:51 | |
Subtitles by Red Bee Media Ltd | 0:44:00 | 0:44:03 | |
E-mail: [email protected] | 0:44:03 | 0:44:05 |