Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
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This programme contains scenes of sexual violence, some scenes which some viewers may find upsetting | 0:00:02 | 0:00:07 | |
and graphic violent scenes. | 0:00:07 | 0:00:09 | |
And I will name you Kizzy. I think I was selfish | 0:00:09 | 0:00:11 | |
to have you born into a world like this. | 0:00:11 | 0:00:12 | |
You trained me well. | 0:00:12 | 0:00:14 | |
Kizzy! | 0:00:14 | 0:00:16 | |
CRYING | 0:00:16 | 0:00:18 | |
Kizzy! | 0:00:18 | 0:00:19 | |
This is my right! | 0:00:19 | 0:00:21 | |
Help me! | 0:00:21 | 0:00:22 | |
I'm going to name you after my daddy... | 0:00:22 | 0:00:24 | |
George Lea II. | 0:00:24 | 0:00:26 | |
CROWD CHANT: Chicken George. | 0:00:26 | 0:00:27 | |
Come on. What you got, boy? | 0:00:27 | 0:00:29 | |
I got to know a time going to come when I can buy me free. | 0:00:31 | 0:00:34 | |
I don't see why not, George. | 0:00:34 | 0:00:36 | |
And I'm going to see you again, my mornin' dove. | 0:00:36 | 0:00:38 | |
ALL CHEERING | 0:00:38 | 0:00:40 | |
A name is who you is. | 0:00:40 | 0:00:42 | |
My daddy took whippings to protect his name. | 0:00:42 | 0:00:46 | |
You get to making babies, | 0:00:46 | 0:00:47 | |
Tom would be a fine name for a boy. | 0:00:47 | 0:00:50 | |
Just bring yourself home safe. | 0:00:50 | 0:00:52 | |
You win this for me, and I'll set you free. | 0:00:54 | 0:00:57 | |
I swear. | 0:00:57 | 0:00:59 | |
That Englishman will call me even if I give you to him... | 0:01:04 | 0:01:06 | |
-take back to England. -England?! | 0:01:06 | 0:01:08 | |
Get this nigger off of me! | 0:01:08 | 0:01:09 | |
Who going to watch my family? | 0:01:09 | 0:01:11 | |
Tom Lea! | 0:01:11 | 0:01:13 | |
HE PANTS AND SCREAMS | 0:01:14 | 0:01:16 | |
£100 on the red. | 0:01:40 | 0:01:42 | |
£200 on the white. | 0:01:42 | 0:01:43 | |
£500 on the white. | 0:01:43 | 0:01:45 | |
I can take some bets. | 0:01:45 | 0:01:47 | |
-ALEX: -'Mandinka say, "Everything that enchants also deceives."' | 0:01:47 | 0:01:52 | |
I'm not sure which is more exotic... | 0:01:52 | 0:01:54 | |
your bird or your nigger. | 0:01:54 | 0:01:55 | |
Now, would another £10,000 clarify the issue? | 0:01:55 | 0:01:58 | |
Done. | 0:01:59 | 0:02:00 | |
Excellent. | 0:02:00 | 0:02:02 | |
All right, there he is. | 0:02:05 | 0:02:08 | |
We're stronger, faster, smarter, prettier. | 0:02:08 | 0:02:12 | |
Insult to be in the same pit with you and me. | 0:02:12 | 0:02:15 | |
Now, what you going to do about it? | 0:02:15 | 0:02:17 | |
CHICKEN CLUCKS | 0:02:17 | 0:02:18 | |
LAUGHTER | 0:02:20 | 0:02:21 | |
Whoo! | 0:02:21 | 0:02:22 | |
Ladies and gentlemen, America is a wild and dangerous land. | 0:02:22 | 0:02:27 | |
One time, I saw a Carolina bobcat | 0:02:27 | 0:02:30 | |
drag a man high up a hickory tree, | 0:02:30 | 0:02:32 | |
and two minutes later, his skeleton fell back down. | 0:02:32 | 0:02:35 | |
Flesh picked clean. | 0:02:35 | 0:02:36 | |
Just raining bones. Clickety-clack. | 0:02:36 | 0:02:38 | |
I've been chased by savages, painted faces... | 0:02:38 | 0:02:39 | |
'After he was sent off to settle a gambling debt, | 0:02:39 | 0:02:42 | |
'Chicken George won nearly every match. | 0:02:42 | 0:02:45 | |
'The English loved him, and he fell | 0:02:45 | 0:02:48 | |
'into his old ways, playing to the crowd.' | 0:02:48 | 0:02:50 | |
Let me tell you now, | 0:02:50 | 0:02:51 | |
I have wrestled mountain men big as bears. | 0:02:51 | 0:02:54 | |
They all naked. They man parts covered only by their beards. | 0:02:54 | 0:02:58 | |
-LAUGHTER -Chicken George! | 0:02:58 | 0:03:00 | |
ALL: Chicken George! | 0:03:00 | 0:03:03 | |
You've served me well, George, | 0:03:03 | 0:03:05 | |
and I want to assure you that when I've earned back | 0:03:05 | 0:03:07 | |
the money Tom Lea lost to me, I will send you home a free man. | 0:03:07 | 0:03:10 | |
Just wanted to know, sir. | 0:03:10 | 0:03:12 | |
When would that be? | 0:03:12 | 0:03:14 | |
Sir, how much longer I got... | 0:03:14 | 0:03:15 | |
I will tell you when the time is right. | 0:03:15 | 0:03:17 | |
'By the time Sir Eric set him free, | 0:03:19 | 0:03:22 | |
'George had been in England for over 20 years... | 0:03:22 | 0:03:25 | |
'no longer enchanted, no longer deceived.' | 0:03:25 | 0:03:28 | |
Stand at the gate. | 0:03:32 | 0:03:33 | |
BABY CRIES | 0:03:33 | 0:03:35 | |
'Travelling homeward, George felt the past surge around him. | 0:03:37 | 0:03:42 | |
'He remembered how Kizzy said Kunta Kinte came to visit her, | 0:03:42 | 0:03:46 | |
'but George was afraid that his vision | 0:03:46 | 0:03:48 | |
'would mean something different... | 0:03:48 | 0:03:50 | |
'that his seven children would think of him | 0:03:50 | 0:03:53 | |
'as little more than another story. | 0:03:53 | 0:03:55 | |
'Or worse, that they had forgotten him altogether.' | 0:03:55 | 0:03:59 | |
WOMAN SINGS INDISTINCTLY | 0:04:01 | 0:04:04 | |
SINGING CONTINUES | 0:04:15 | 0:04:16 | |
Did you fall? | 0:04:19 | 0:04:21 | |
I just sit away from the trees, | 0:04:21 | 0:04:23 | |
feel the light on my face. | 0:04:23 | 0:04:25 | |
SHE RESUMES SINGING Miss Malizy? | 0:04:25 | 0:04:27 | |
It's George. | 0:04:28 | 0:04:30 | |
-George? -Chicken George. | 0:04:30 | 0:04:31 | |
I'm back from England. | 0:04:31 | 0:04:33 | |
George? | 0:04:33 | 0:04:34 | |
Come on now. Let's get you up. | 0:04:36 | 0:04:38 | |
SHE HUMS | 0:04:40 | 0:04:42 | |
CREAKING | 0:04:52 | 0:04:54 | |
SHE CONTINUES HUMMING | 0:04:59 | 0:05:02 | |
Where is my family? | 0:05:02 | 0:05:04 | |
I know where your mama is. | 0:05:05 | 0:05:08 | |
Kizzy got a pain in her side. | 0:05:14 | 0:05:17 | |
She knew she was dying. | 0:05:17 | 0:05:19 | |
Mama. | 0:05:19 | 0:05:21 | |
I'm sorry. | 0:05:25 | 0:05:27 | |
Mama... | 0:05:29 | 0:05:31 | |
HE SNIFFLES | 0:05:40 | 0:05:42 | |
Miss Malizy, I'm going to look around. | 0:05:45 | 0:05:47 | |
Then I'll come back and take you with me. | 0:05:47 | 0:05:50 | |
Oh, no, sir. No, no. | 0:05:50 | 0:05:51 | |
I got a right to be here. | 0:05:51 | 0:05:54 | |
I worked this ground every day of my life. | 0:05:54 | 0:05:57 | |
I got a right to be buried by Kizzy. | 0:05:58 | 0:06:03 | |
Miss Malizy, I got to go look for my family. | 0:06:03 | 0:06:05 | |
You ask Master Tom? | 0:06:05 | 0:06:07 | |
Tom Lea's still alive? | 0:06:08 | 0:06:11 | |
Mm-hmm. | 0:06:11 | 0:06:13 | |
DOOR CREAKS | 0:06:13 | 0:06:14 | |
CHICKENS SQUAWK | 0:06:24 | 0:06:26 | |
GUNSHOT | 0:06:34 | 0:06:35 | |
GUN COCKS | 0:06:35 | 0:06:36 | |
I'll shoot you, nigger, right here. | 0:06:38 | 0:06:41 | |
Let my chickens peck at your cold, black body. | 0:06:41 | 0:06:45 | |
I know you're here to rob me. | 0:06:45 | 0:06:47 | |
But I reckon I could kill you first. | 0:06:47 | 0:06:50 | |
Kill your own baby boy, Massa Tom? | 0:06:50 | 0:06:53 | |
I know you? | 0:06:54 | 0:06:56 | |
Sure you do. | 0:06:57 | 0:06:59 | |
HE GASPS All right. | 0:06:59 | 0:07:01 | |
George? | 0:07:03 | 0:07:04 | |
My George? | 0:07:05 | 0:07:07 | |
You come back for me, George. | 0:07:10 | 0:07:12 | |
HE SOBS | 0:07:16 | 0:07:18 | |
You say his name Benjamin Murray, | 0:07:24 | 0:07:26 | |
Alamance County? | 0:07:26 | 0:07:28 | |
Murray. Benjamin Murray. | 0:07:28 | 0:07:31 | |
That's who bought my children? | 0:07:31 | 0:07:33 | |
He an engineer at the Fayetteville arsenal - that right? | 0:07:33 | 0:07:37 | |
Needed the money, George. | 0:07:38 | 0:07:41 | |
How could you leave me? | 0:07:41 | 0:07:43 | |
Oh, I didn't leave you. | 0:07:43 | 0:07:45 | |
You sold me to pay a gambling debt, | 0:07:45 | 0:07:48 | |
just like you sold my children. | 0:07:48 | 0:07:50 | |
I taught you everything. | 0:07:52 | 0:07:54 | |
It's all right. | 0:07:54 | 0:07:55 | |
Got you a life with fancy folk in England. | 0:07:55 | 0:07:58 | |
What did I get? | 0:07:58 | 0:07:59 | |
Patricia run off. | 0:08:01 | 0:08:03 | |
Whore. | 0:08:03 | 0:08:04 | |
Old niggers can hardly work. | 0:08:05 | 0:08:07 | |
Who's going to look after me, George? | 0:08:11 | 0:08:14 | |
Who's going to cook and clean? | 0:08:14 | 0:08:17 | |
Who's going to obey me? | 0:08:17 | 0:08:19 | |
You said you'd leave papers for my family, | 0:08:19 | 0:08:22 | |
so they free. | 0:08:22 | 0:08:24 | |
You swore that to me as they was dragging me away! | 0:08:25 | 0:08:28 | |
Said you'd set my wife and all my children free. | 0:08:28 | 0:08:32 | |
So did you write them papers for my family? | 0:08:32 | 0:08:34 | |
Where are they? | 0:08:34 | 0:08:36 | |
HE PANTS | 0:08:36 | 0:08:37 | |
You a man without honour, Tom Lea. | 0:08:37 | 0:08:39 | |
You walked your feet out them dirt hills | 0:08:40 | 0:08:43 | |
but not your filthy soul. | 0:08:43 | 0:08:45 | |
You and me have the same blood, boy. | 0:08:45 | 0:08:47 | |
I'm your daddy. | 0:08:49 | 0:08:50 | |
No, the blood in me from Kizzy, not you... | 0:08:50 | 0:08:53 | |
blood that kept me strong all these years away. | 0:08:53 | 0:08:55 | |
What few good things I done, that the blood of my grandaddy. | 0:08:55 | 0:08:58 | |
And every damn bit of foolishness in me, | 0:08:58 | 0:09:01 | |
everything weak, everything selfish... | 0:09:01 | 0:09:03 | |
that's you, Tom Lea, cos that's who you is. | 0:09:03 | 0:09:07 | |
You ain't smart enough to change yourself. | 0:09:07 | 0:09:10 | |
And the truth is, your whole damn life... | 0:09:11 | 0:09:14 | |
..you was a slave too. | 0:09:16 | 0:09:18 | |
You just never knew it. | 0:09:19 | 0:09:21 | |
Goddamn you. | 0:09:30 | 0:09:32 | |
Tom? | 0:09:35 | 0:09:37 | |
Tom! | 0:09:37 | 0:09:38 | |
Oh, Tom! | 0:09:39 | 0:09:41 | |
Mama, what you doing out here? You got to get to work. | 0:09:41 | 0:09:43 | |
I need you to stop at the Barton farm on your way back. | 0:09:43 | 0:09:45 | |
See Old Man Augustus. | 0:09:45 | 0:09:46 | |
He...he sells that special chestnut tea for asthma. | 0:09:46 | 0:09:48 | |
Mama, I'm not passing that way. | 0:09:48 | 0:09:49 | |
Besides, Massa Murray knows how many stops I make. | 0:09:49 | 0:09:52 | |
Son. | 0:09:52 | 0:09:54 | |
I'll work fast, Mama. | 0:09:54 | 0:09:56 | |
Bring some back for you. | 0:09:56 | 0:09:57 | |
Hey, now you got to get to work. | 0:09:57 | 0:09:59 | |
You got a big heart, like your daddy. | 0:09:59 | 0:10:02 | |
I ain't like my daddy. | 0:10:02 | 0:10:05 | |
I'll never do nothing foolish to make Massa Murray angry, | 0:10:05 | 0:10:07 | |
get myself sold away. | 0:10:07 | 0:10:09 | |
You just get home safe. | 0:10:14 | 0:10:16 | |
It only takes one crazy redneck, | 0:10:16 | 0:10:17 | |
and Massa's road papers don't mean nothing. | 0:10:17 | 0:10:20 | |
Just look after Irene and that baby in her belly. | 0:10:20 | 0:10:22 | |
Now, get going now. | 0:10:22 | 0:10:24 | |
CLICKS TONGUE | 0:10:24 | 0:10:25 | |
Hyah! | 0:10:25 | 0:10:26 | |
METAL CLANKS | 0:10:26 | 0:10:30 | |
Business used to come to me in bunches. | 0:10:30 | 0:10:32 | |
Now with all this war talk, can't keep my shop open. | 0:10:32 | 0:10:35 | |
It ain't safe to be a coloured free man in Carolina no more. | 0:10:35 | 0:10:38 | |
Ain't never been safe to be a slave. | 0:10:38 | 0:10:40 | |
Mm-hmm. | 0:10:40 | 0:10:42 | |
I hear Mr Murray send a fine blacksmith | 0:10:42 | 0:10:44 | |
like you all over the state, Tom. | 0:10:44 | 0:10:45 | |
He pay you a little? | 0:10:45 | 0:10:47 | |
I need to finish up with you, man. | 0:10:47 | 0:10:48 | |
Come on out here, boy. | 0:10:50 | 0:10:51 | |
This boy a runaway. Stay up here mostly. | 0:10:56 | 0:10:58 | |
I tell folks he's my slave. | 0:10:58 | 0:11:01 | |
Some freemen keep niggers, too. | 0:11:01 | 0:11:02 | |
How long you been hiding? | 0:11:02 | 0:11:04 | |
August be seven whole years. | 0:11:04 | 0:11:06 | |
Seven years? | 0:11:06 | 0:11:08 | |
My brother and me ran away from Chatham County. | 0:11:08 | 0:11:11 | |
He got caught, but they didn't see me. | 0:11:11 | 0:11:13 | |
I hid in the bushes. | 0:11:13 | 0:11:15 | |
Saw them patrol boys hang him. | 0:11:15 | 0:11:17 | |
When I passed by here, Orly let me hide. | 0:11:17 | 0:11:20 | |
I'm leaving the state soon, | 0:11:20 | 0:11:22 | |
and this boy ain't got no papers, Tom. | 0:11:22 | 0:11:23 | |
You got a pass lets you go anywhere. | 0:11:23 | 0:11:25 | |
Name's Winslow. | 0:11:25 | 0:11:26 | |
Just get me by the docks at Elizabeth City. | 0:11:28 | 0:11:31 | |
Going to sneak on a barge going north. | 0:11:31 | 0:11:33 | |
Can't help. | 0:11:35 | 0:11:36 | |
Massa Murray knows how long it takes me to make my rounds. | 0:11:36 | 0:11:39 | |
Got a clock for a heart. | 0:11:39 | 0:11:41 | |
Besides, I need to earn money for my family, buy them free. | 0:11:41 | 0:11:45 | |
Can't I be free? | 0:11:45 | 0:11:46 | |
Whoa, whoa, whoa. | 0:11:52 | 0:11:54 | |
What's this place? | 0:12:03 | 0:12:05 | |
Crossing into Duplin County. | 0:12:05 | 0:12:08 | |
HORSE NEIGHS | 0:12:08 | 0:12:09 | |
Come on, now. | 0:12:09 | 0:12:12 | |
You got no papers, and I ain't got | 0:12:12 | 0:12:15 | |
no way to prove you working with me. | 0:12:15 | 0:12:17 | |
So best take off now. | 0:12:17 | 0:12:18 | |
Can't just leave me out here. | 0:12:18 | 0:12:20 | |
You lucky I took you this far! | 0:12:20 | 0:12:22 | |
HORSE NEIGHS | 0:12:22 | 0:12:24 | |
And if they catch you, | 0:12:24 | 0:12:25 | |
you better not tell nobody my name, understand? | 0:12:25 | 0:12:28 | |
Come on. | 0:12:28 | 0:12:29 | |
Get in them trees now! | 0:12:31 | 0:12:32 | |
Hyah, hyah! | 0:12:34 | 0:12:35 | |
That's far enough! | 0:12:50 | 0:12:52 | |
Just stop there! | 0:12:53 | 0:12:55 | |
If I can just explain. | 0:12:55 | 0:12:56 | |
That's far enough. | 0:12:56 | 0:12:57 | |
I see that pistol in your waist. | 0:12:57 | 0:12:59 | |
You put it down, or I'll swear | 0:12:59 | 0:13:01 | |
I'll take it from your dead body. | 0:13:01 | 0:13:03 | |
Toomey, what's all the fuss? | 0:13:03 | 0:13:06 | |
Nigger has a gun. | 0:13:06 | 0:13:08 | |
I got a reason to be here. | 0:13:10 | 0:13:12 | |
If I can just speak to Mr Murray. | 0:13:12 | 0:13:14 | |
I'm his son. | 0:13:14 | 0:13:16 | |
First, you need to prove to me you ain't here | 0:13:16 | 0:13:19 | |
to cause trouble with our niggers. | 0:13:19 | 0:13:20 | |
Who is it, Frederick? | 0:13:20 | 0:13:22 | |
We got a smart-mouth nigger came strolling on the farm | 0:13:22 | 0:13:25 | |
in his fancy clothes like he's paying a social call. | 0:13:25 | 0:13:29 | |
Got a fancy gun, too. | 0:13:29 | 0:13:31 | |
For all I know, he's here to provoke an insurrection. | 0:13:33 | 0:13:39 | |
-Hey, you know that old boy? -Mnh-mnh. | 0:13:43 | 0:13:45 | |
But he remind me of a man about to die. | 0:13:45 | 0:13:48 | |
Benjamin, is there trouble? | 0:13:48 | 0:13:50 | |
Oh, it's nothing to concern yourself with, Charlotte. | 0:13:50 | 0:13:52 | |
-SHE COUGHS -Matilda, take my wife inside. | 0:13:52 | 0:13:55 | |
Come inside. | 0:13:55 | 0:13:57 | |
You need some nice, hot steam, ma'am. | 0:13:57 | 0:13:58 | |
Mornin' Dove! | 0:13:58 | 0:14:00 | |
George? | 0:14:05 | 0:14:07 | |
-FREDERICK: -Tilda, you know this boy? | 0:14:09 | 0:14:11 | |
That's my George, my husband. | 0:14:11 | 0:14:13 | |
GUN COCKS | 0:14:15 | 0:14:16 | |
Take another step, I'll shoot you right here. | 0:14:16 | 0:14:18 | |
Then you will kill Matilda's husband and a free man. | 0:14:18 | 0:14:22 | |
Check my pocket. | 0:14:22 | 0:14:24 | |
You'll see my paper. | 0:14:24 | 0:14:25 | |
I was manumitted by Sir CE Russell | 0:14:32 | 0:14:35 | |
of Hampshire, England. | 0:14:35 | 0:14:37 | |
That's his family seal. | 0:14:37 | 0:14:39 | |
This is a free nigger. | 0:14:40 | 0:14:42 | |
So return his property and obey the law. | 0:14:42 | 0:14:46 | |
Thank you, sir. | 0:14:46 | 0:14:47 | |
There's your fancy gun, nigger. | 0:14:52 | 0:14:54 | |
Tilda, if this man is your husband, | 0:14:56 | 0:15:00 | |
you will see him after the workday is done. | 0:15:00 | 0:15:04 | |
Until then, | 0:15:04 | 0:15:06 | |
I will allow him to wait on the road. | 0:15:06 | 0:15:09 | |
We've been parted a long time, Tilda. | 0:15:11 | 0:15:14 | |
Few more hours ain't no bother to us. | 0:15:14 | 0:15:16 | |
# Soon I will be done | 0:15:26 | 0:15:32 | |
# Trouble of the world... # | 0:15:32 | 0:15:34 | |
MAN: I want to see a lot less talk and a hell of a lot more work! | 0:15:34 | 0:15:38 | |
# Trouble of the world | 0:15:38 | 0:15:44 | |
# Trouble of the world | 0:15:44 | 0:15:49 | |
# Soon I will be done | 0:15:50 | 0:15:55 | |
# Trouble of the world | 0:15:55 | 0:16:00 | |
HORN BLARES | 0:16:00 | 0:16:02 | |
# Goin' home to live with God | 0:16:02 | 0:16:10 | |
# No more | 0:16:13 | 0:16:19 | |
# Weepin' and wailin' | 0:16:19 | 0:16:24 | |
# No more | 0:16:24 | 0:16:30 | |
# Weepin' and wailin' | 0:16:30 | 0:16:35 | |
# With God. # | 0:16:35 | 0:16:43 | |
All this work, George. | 0:16:51 | 0:16:53 | |
Am I still pretty? | 0:16:53 | 0:16:55 | |
I dreamed of you so many years. | 0:16:57 | 0:17:00 | |
My dreams failed me. | 0:17:00 | 0:17:02 | |
SHE SIGHS | 0:17:02 | 0:17:04 | |
You are so much more beautiful | 0:17:04 | 0:17:06 | |
than I could possibly bring to mind. | 0:17:06 | 0:17:08 | |
Now let me watch you bein' my wife. | 0:17:09 | 0:17:12 | |
SHE LAUGHS | 0:17:12 | 0:17:14 | |
Unless you had enough. | 0:17:14 | 0:17:15 | |
No. | 0:17:15 | 0:17:17 | |
I'm just getting started. | 0:17:17 | 0:17:19 | |
Mm-hmm. | 0:17:19 | 0:17:20 | |
COCK CROWS | 0:17:27 | 0:17:29 | |
GOAT BLEATS | 0:17:30 | 0:17:32 | |
Daddy! I'm Li'l Kizzy. | 0:17:47 | 0:17:50 | |
SHE CRIES | 0:17:50 | 0:17:52 | |
Hi, Li'l Kizzy. | 0:17:55 | 0:17:57 | |
Hi. | 0:17:57 | 0:17:59 | |
That your little scamp? | 0:17:59 | 0:18:00 | |
Yeah, that's...that's Uriah. | 0:18:00 | 0:18:03 | |
I'm... I'm Virgil...sir. | 0:18:03 | 0:18:04 | |
"Sir"? | 0:18:04 | 0:18:05 | |
Boy, you my first-born son. | 0:18:05 | 0:18:07 | |
This is, uh... this is my Lily Su. | 0:18:07 | 0:18:09 | |
-That's me. -Man and wife? | 0:18:09 | 0:18:11 | |
Well, Lily Su's man got killed when his wagon tipped, | 0:18:11 | 0:18:13 | |
but, um, Massa Murray, he promises that... | 0:18:13 | 0:18:15 | |
that we can get married one day. | 0:18:15 | 0:18:17 | |
You just as pretty as the sunrise. | 0:18:19 | 0:18:20 | |
-Almost pretty as me. -LAUGHTER | 0:18:20 | 0:18:24 | |
Ashford's our family cat. | 0:18:24 | 0:18:25 | |
Can't stay home at night. | 0:18:25 | 0:18:27 | |
Well, we'll just have to tie a bell to his paw | 0:18:27 | 0:18:29 | |
so the gals can hear him coming. | 0:18:29 | 0:18:31 | |
LAUGHTER | 0:18:31 | 0:18:32 | |
COUGHING | 0:18:32 | 0:18:34 | |
Oh, you James. | 0:18:34 | 0:18:35 | |
That's right, Daddy. | 0:18:35 | 0:18:36 | |
Boy, you was thin-boned as a sparrow when I left. | 0:18:36 | 0:18:39 | |
Massa let a doctor come by here? | 0:18:39 | 0:18:41 | |
Massa Frederick won't pay for no doctor. | 0:18:41 | 0:18:43 | |
Says we need to use our own ways. | 0:18:43 | 0:18:45 | |
I don't need to see a doctor, Daddy. | 0:18:45 | 0:18:47 | |
I feel stronger every day. | 0:18:47 | 0:18:49 | |
And this is Irene, Tom's first baby. | 0:18:49 | 0:18:53 | |
Got that Cherokee hair. | 0:18:55 | 0:18:57 | |
You don't seem so high-strung like she say. | 0:18:57 | 0:18:59 | |
And you don't seem so foolish | 0:18:59 | 0:19:01 | |
and no-account, like my Tom says. | 0:19:01 | 0:19:05 | |
LAUGHTER | 0:19:05 | 0:19:07 | |
Where's Tom? | 0:19:07 | 0:19:08 | |
Why ain't he standing by you with that big belly? | 0:19:08 | 0:19:10 | |
Massa Murray says Tom is the best blacksmith in Carolina. | 0:19:10 | 0:19:13 | |
Rents him out all over the state. | 0:19:13 | 0:19:15 | |
Helps Massa Murray build his guns. | 0:19:15 | 0:19:17 | |
Gets paid, too. | 0:19:17 | 0:19:19 | |
Saving to buy us free. | 0:19:19 | 0:19:20 | |
A slave never can pay enough. | 0:19:20 | 0:19:22 | |
Never. | 0:19:24 | 0:19:25 | |
Where are my other children? | 0:19:31 | 0:19:33 | |
George Junior, Louis, and Mary got sold off | 0:19:40 | 0:19:45 | |
a few weeks after we came. | 0:19:45 | 0:19:47 | |
Massa Murray said he sorry, but he couldn't keep all of us. | 0:19:47 | 0:19:51 | |
We tried to keep in touch with them, Daddy, but, uh, | 0:19:51 | 0:19:54 | |
ain't none of them in Carolina no more. | 0:19:54 | 0:19:56 | |
It's my fault...all of it. | 0:20:01 | 0:20:04 | |
Now, you listen now. | 0:20:04 | 0:20:06 | |
I put my trust in false things. | 0:20:06 | 0:20:08 | |
Thought I'd put on a show for the massas, they act kindly. | 0:20:08 | 0:20:10 | |
Thought they money and hurrahs mean respect. | 0:20:10 | 0:20:12 | |
I was a damn fool. | 0:20:12 | 0:20:14 | |
I'm going to keep this family together, | 0:20:14 | 0:20:17 | |
just like my mama Kizzy wanted, | 0:20:17 | 0:20:19 | |
just like her daddy, Kunta Kinte, before her. | 0:20:19 | 0:20:22 | |
Now, Daddy been gone a long time. | 0:20:23 | 0:20:25 | |
That ain't never going to happen again. | 0:20:27 | 0:20:29 | |
"Mississippi, Florida, Alabama have done | 0:20:31 | 0:20:34 | |
"their sacred duty to join South Carolina in secession. | 0:20:34 | 0:20:38 | |
"It is time for North Carolina | 0:20:38 | 0:20:40 | |
"to stand up and join her brothers." | 0:20:40 | 0:20:42 | |
They printed your entire letter, darling. | 0:20:42 | 0:20:44 | |
We'll vote war, and sooner than later. | 0:20:44 | 0:20:47 | |
Frederick, so many boys will die. | 0:20:47 | 0:20:48 | |
Lincoln is weak. | 0:20:48 | 0:20:50 | |
He won't dare send his soldiers so far away from home. | 0:20:50 | 0:20:53 | |
And if he does, in two weeks, we'll declare victory. | 0:20:53 | 0:20:56 | |
North Carolina will reward the men that led us to freedom, | 0:20:56 | 0:20:59 | |
turn to them for leadership for a new country. | 0:20:59 | 0:21:01 | |
Secession isn't something everyone wants. | 0:21:01 | 0:21:03 | |
It's too extreme. Common sense can still prevail. | 0:21:03 | 0:21:06 | |
Common sense abandoned this country long ago. | 0:21:06 | 0:21:08 | |
Why should New York and Boston | 0:21:08 | 0:21:10 | |
and Philadelphia tell us how to live? | 0:21:10 | 0:21:12 | |
They don't understand. | 0:21:12 | 0:21:13 | |
There is no South without slavery. | 0:21:13 | 0:21:16 | |
Haven't I found my match, Mother? | 0:21:17 | 0:21:20 | |
Commence firing! | 0:21:20 | 0:21:21 | |
Cannoneers, cease fire! | 0:21:23 | 0:21:25 | |
Service the piece. | 0:21:28 | 0:21:29 | |
Cannoneers, load! | 0:21:29 | 0:21:31 | |
See, Massa Murray runs test for the army. | 0:21:31 | 0:21:34 | |
-Advance the round! -Guns and cannons, bullets, too. | 0:21:34 | 0:21:36 | |
Says if war comes, Southern boys | 0:21:36 | 0:21:38 | |
-going to need to make their own guns. -Mm-hmm. | 0:21:38 | 0:21:40 | |
What's your brother Tom going to do with all this? | 0:21:40 | 0:21:43 | |
See, Massa Murray asks his opinion all the time. | 0:21:43 | 0:21:46 | |
If something gets made by hammer and fire, | 0:21:46 | 0:21:48 | |
Tom's the one massa depends on. | 0:21:48 | 0:21:50 | |
Cannoneers, commence firing. | 0:21:50 | 0:21:52 | |
HORSE WHINNIES | 0:21:54 | 0:21:56 | |
Watch out for Frederick, though, Daddy. | 0:21:56 | 0:21:58 | |
He part cannon hisself. | 0:21:58 | 0:21:59 | |
Never know when he going off. | 0:21:59 | 0:22:01 | |
Cannoneers, load! | 0:22:01 | 0:22:04 | |
Sorry I'm late, massa. | 0:22:04 | 0:22:05 | |
Just got back. | 0:22:05 | 0:22:07 | |
Your father's been anxious to see you. | 0:22:07 | 0:22:09 | |
My father? | 0:22:09 | 0:22:10 | |
Chicken George ain't no cock-and-bull story, boy! | 0:22:10 | 0:22:13 | |
Here's our daddy hisself. | 0:22:13 | 0:22:16 | |
He's got lots of real good stories to tell, too. | 0:22:16 | 0:22:20 | |
Got no time for stories. | 0:22:21 | 0:22:23 | |
Got too much work now. | 0:22:23 | 0:22:26 | |
-FREDERICK: -Daddy. | 0:22:26 | 0:22:27 | |
We're getting quite the collection on the farm. | 0:22:27 | 0:22:30 | |
Every nigger but the Lost Tribe of Israel. | 0:22:30 | 0:22:33 | |
How long you plan on visiting with us, Chicken George? | 0:22:33 | 0:22:36 | |
Oh, I ain't visiting. | 0:22:36 | 0:22:38 | |
I told Mr Murray I'm living here now with my family. | 0:22:38 | 0:22:42 | |
Mrs Murray relies on Matilda. | 0:22:42 | 0:22:44 | |
Having your father here has...has brightened her mood. | 0:22:44 | 0:22:47 | |
That's a great kindness, sir, to be with my children again. | 0:22:47 | 0:22:50 | |
Cannoneers, commence firing! | 0:22:52 | 0:22:55 | |
EXPLOSION | 0:22:55 | 0:22:57 | |
INDISTINCT SHOUTING | 0:22:58 | 0:23:00 | |
-HORSE WHINNIES -Whoa, whoa, whoa. | 0:23:00 | 0:23:02 | |
Ho, ho, ho, ho. | 0:23:02 | 0:23:04 | |
HORSE WHINNIES | 0:23:04 | 0:23:06 | |
Is everyone all right? | 0:23:06 | 0:23:08 | |
Breech exploded. What went wrong? | 0:23:08 | 0:23:10 | |
Need more precision on the ball. | 0:23:10 | 0:23:12 | |
Ain't truly round. | 0:23:12 | 0:23:14 | |
How the hell do you know that? | 0:23:14 | 0:23:15 | |
- By my hands. - Nonsense. | 0:23:15 | 0:23:18 | |
Bamboozle my father. | 0:23:18 | 0:23:20 | |
You lie to me, I'll string you up by your toes. | 0:23:20 | 0:23:22 | |
Collect the pieces. | 0:23:22 | 0:23:24 | |
Ashford, get over here and help clean this up. | 0:23:24 | 0:23:27 | |
Mr Murray think real highly of you, son. | 0:23:27 | 0:23:30 | |
I keep on his good side. | 0:23:30 | 0:23:31 | |
Ain't no good side for no slave. | 0:23:31 | 0:23:33 | |
Any good side dry up faster that rain in a summer field. | 0:23:33 | 0:23:36 | |
Bet on it. | 0:23:36 | 0:23:37 | |
Betting is your game, not mine. | 0:23:37 | 0:23:40 | |
If Massa Murray want to play papa to me, I'm going to let him. | 0:23:41 | 0:23:44 | |
Do anything to make it easier for my family. | 0:23:44 | 0:23:47 | |
Ain't every nigger get made the fool by his white daddy. | 0:23:51 | 0:23:54 | |
WALTZ PLAYS | 0:23:57 | 0:23:59 | |
INDISTINCT CONVERSATIONS | 0:23:59 | 0:24:01 | |
-There we go. -There she is. | 0:24:08 | 0:24:10 | |
WOMAN: Bring another plate out here. | 0:24:14 | 0:24:16 | |
SHE SIGHS You can't slow down? | 0:24:23 | 0:24:26 | |
Miss Nancy's barkin' orders like she runnin' the farm already. | 0:24:26 | 0:24:29 | |
She can bark all she want. | 0:24:29 | 0:24:30 | |
We just got to see if her bite is bad as his. | 0:24:30 | 0:24:33 | |
Her folks here? | 0:24:33 | 0:24:34 | |
Both her folks died and left her a place in Raleigh. | 0:24:34 | 0:24:36 | |
She a book-smart lady. | 0:24:36 | 0:24:39 | |
Frederick fell for her as easy as a slip on a river rock. | 0:24:39 | 0:24:42 | |
What's wrong, son? | 0:24:49 | 0:24:51 | |
Them boys right there... | 0:24:51 | 0:24:52 | |
They Mr Frederick boyhood friends. | 0:24:52 | 0:24:54 | |
They ain't even going to let Abe Lincoln | 0:24:54 | 0:24:56 | |
on a ballot in North Carolina. | 0:24:56 | 0:24:58 | |
APPLAUSE | 0:24:58 | 0:24:59 | |
SLOW WALTZ PLAYS | 0:25:02 | 0:25:04 | |
That's my mama's song. | 0:25:13 | 0:25:15 | |
Every band in the county plays it now. | 0:25:15 | 0:25:18 | |
It's changed some but always the same. | 0:25:18 | 0:25:22 | |
I can hear Mama Kizzy humming it. | 0:25:22 | 0:25:24 | |
These folks don't know where it come from. | 0:25:26 | 0:25:28 | |
Well, we do, Mornin' Dove. | 0:25:28 | 0:25:31 | |
Dance with me. | 0:25:31 | 0:25:32 | |
George, we ain't allowed. | 0:25:32 | 0:25:34 | |
Oh, I'm allowed to dance with my wife. | 0:25:34 | 0:25:37 | |
It's been years, George. | 0:25:38 | 0:25:41 | |
BOTH CHUCKLE | 0:25:44 | 0:25:46 | |
Come on, honey. Let's go back in. | 0:25:54 | 0:25:56 | |
Stop it right now. You shouldn't be around here. | 0:25:59 | 0:26:01 | |
You know Massa Frederick don't like you around here. | 0:26:01 | 0:26:04 | |
Boy, why don't you worry more about | 0:26:04 | 0:26:05 | |
they working your Irene too hard? | 0:26:05 | 0:26:07 | |
Go ahead, ask Massa Murray to let her rest till the baby come, | 0:26:07 | 0:26:10 | |
since he looking out for you now like a father. | 0:26:10 | 0:26:12 | |
Or maybe I'll just buy my Irene free | 0:26:12 | 0:26:14 | |
with all that money you won in England. | 0:26:14 | 0:26:15 | |
Both of you, stop this. | 0:26:15 | 0:26:17 | |
I got to get back inside to Miss Charlotte. | 0:26:18 | 0:26:20 | |
SHE SIGHS | 0:26:20 | 0:26:22 | |
Every penny I saved to come home to my family. | 0:26:26 | 0:26:29 | |
Hallelujah! | 0:26:29 | 0:26:31 | |
Like mama's daddy used to preach. | 0:26:31 | 0:26:33 | |
The old massa sent me to England. | 0:26:33 | 0:26:34 | |
I ain't got no choice. | 0:26:34 | 0:26:36 | |
I was a slave. What else could I do? | 0:26:36 | 0:26:38 | |
All I ever heard was how you wanted to gamble your way to be free. | 0:26:38 | 0:26:41 | |
Ain't the truth, Daddy. | 0:26:41 | 0:26:43 | |
You liked it. | 0:26:43 | 0:26:44 | |
APPLAUSE | 0:26:44 | 0:26:47 | |
Ain't no right way to be a slave. | 0:26:47 | 0:26:50 | |
Only thing they ever going to understand is this right here. | 0:26:50 | 0:26:54 | |
You old fool! | 0:26:54 | 0:26:56 | |
You keep flashing that gun around, | 0:26:56 | 0:26:57 | |
and we'll both be hanged from an oak tree. | 0:26:57 | 0:26:59 | |
Think I don't want to take my hammer | 0:27:10 | 0:27:13 | |
and cave in a man's head who spits at my brothers | 0:27:13 | 0:27:15 | |
or...or insults Mama? | 0:27:15 | 0:27:17 | |
But what happens next? | 0:27:17 | 0:27:20 | |
After they kill me or...or sell me? | 0:27:20 | 0:27:23 | |
Who watches out for the family? | 0:27:23 | 0:27:25 | |
But that was never you, Daddy, cos you... | 0:27:25 | 0:27:30 | |
you had to be Chicken George, | 0:27:30 | 0:27:32 | |
livin' the sportin' life. | 0:27:32 | 0:27:35 | |
Let me hold your hand. | 0:27:43 | 0:27:45 | |
You know who holds hands? | 0:27:45 | 0:27:47 | |
Mandinka warriors from Africa. | 0:27:48 | 0:27:51 | |
They're the strongest, toughest boys in this whole world. | 0:27:51 | 0:27:54 | |
You got to teach my baby, too, Daddy. | 0:27:54 | 0:27:57 | |
Don't you worry. I got lots to teach you about Kunta Kinte. | 0:27:57 | 0:28:01 | |
HORSE WHINNIES | 0:28:01 | 0:28:03 | |
As your lawyer, I'd prefer you | 0:28:03 | 0:28:04 | |
to refrain from shooting Chicken George. | 0:28:04 | 0:28:07 | |
A trial requires my valuable time, even played as a farce. | 0:28:07 | 0:28:10 | |
Here's where you say you have a smarter idea. | 0:28:10 | 0:28:12 | |
-HE CHUCKLES -I have a smarter idea. | 0:28:12 | 0:28:15 | |
North Carolina law's clear. | 0:28:15 | 0:28:18 | |
Now, freedom granted to any slave shall be | 0:28:18 | 0:28:21 | |
upon the expressed condition that he leave the state | 0:28:21 | 0:28:23 | |
within 90 days and never return. | 0:28:23 | 0:28:26 | |
How long has he been on your farm? | 0:28:26 | 0:28:28 | |
Over two months now. | 0:28:28 | 0:28:30 | |
On the 91st day, you can seize him and sell him. | 0:28:30 | 0:28:32 | |
Why quibble over days when you can just take him? | 0:28:32 | 0:28:35 | |
No, no, keep it by the book. | 0:28:35 | 0:28:37 | |
Old Chicken George will find out | 0:28:37 | 0:28:39 | |
I'm a bag of nails compared to my father. | 0:28:39 | 0:28:41 | |
You leaving here tonight. | 0:28:41 | 0:28:42 | |
I'm right where I should be. | 0:28:42 | 0:28:44 | |
Is this all the bread you could find? | 0:28:46 | 0:28:48 | |
Frederick and his friends ate through the pantry like a plague of locusts. | 0:28:48 | 0:28:51 | |
-Matilda, hold on. -James will drive you to the Durham road. | 0:28:51 | 0:28:53 | |
And don't go waving these papers talking about you free. | 0:28:53 | 0:28:56 | |
Might as well throw a stone at a wasp nest. | 0:28:56 | 0:28:58 | |
Get the small cart ready. | 0:28:58 | 0:29:00 | |
We won't tell your brothers or your sisters until your daddy is far away. | 0:29:00 | 0:29:04 | |
I ain't leaving. | 0:29:06 | 0:29:08 | |
Hey. | 0:29:08 | 0:29:10 | |
Mr Murray ain't that bad, and as for Frederick... | 0:29:10 | 0:29:13 | |
And I'm telling you Massa Murray grows older every day. | 0:29:13 | 0:29:15 | |
Can't control Frederick. | 0:29:15 | 0:29:17 | |
He is as bad as they come. | 0:29:17 | 0:29:19 | |
He'll make your life a torment, | 0:29:19 | 0:29:21 | |
then sell you Mississippi way or kill you. | 0:29:21 | 0:29:23 | |
I ain't scared of that boy. | 0:29:23 | 0:29:24 | |
I can't leave you again. | 0:29:26 | 0:29:28 | |
And I won't. | 0:29:28 | 0:29:30 | |
No. | 0:29:30 | 0:29:31 | |
I prayed so hard that you would come back, | 0:29:38 | 0:29:42 | |
and we'd be free together, | 0:29:42 | 0:29:44 | |
even after Massa Murray sold the children. | 0:29:44 | 0:29:47 | |
But if we can't be free together, | 0:29:47 | 0:29:50 | |
at least you'll be free. | 0:29:50 | 0:29:52 | |
I know what Mama Kizzy would say. | 0:29:52 | 0:29:56 | |
Do what your grandfather would do. | 0:29:56 | 0:29:58 | |
Keep moving north, and don't ever look back. | 0:29:59 | 0:30:02 | |
Promise me. | 0:30:06 | 0:30:07 | |
I promise. | 0:30:09 | 0:30:11 | |
For now, I'll go. | 0:30:13 | 0:30:14 | |
I don't know how... | 0:30:20 | 0:30:22 | |
..and I don't know when... | 0:30:24 | 0:30:26 | |
..but I know I will be back for this. | 0:30:28 | 0:30:31 | |
And next time, I ain't wavin' no papers to be free. | 0:30:38 | 0:30:42 | |
Ain't asking no permission from nobody. | 0:30:42 | 0:30:44 | |
Next time, my Mornin' Dove, I'm coming to take you. | 0:30:45 | 0:30:50 | |
DOOR CREAKS | 0:30:58 | 0:30:59 | |
Take it, son. | 0:31:19 | 0:31:21 | |
I'll make sure he does, Daddy. | 0:31:29 | 0:31:31 | |
Hyah. | 0:31:37 | 0:31:39 | |
HORSE NEIGHS | 0:31:39 | 0:31:40 | |
Maria wants her daddy 'fore he goes to work. | 0:31:49 | 0:31:52 | |
Oh, my hands are rough as tree bark. | 0:31:52 | 0:31:54 | |
Talk to her. | 0:31:54 | 0:31:55 | |
Tell her 'bout Kunta Kinte. | 0:31:55 | 0:31:57 | |
Where'd you hear that name? | 0:31:58 | 0:32:00 | |
Chicken George said Kunta Kinte made these for Mama Kizzy. | 0:32:00 | 0:32:04 | |
Your grandaddy from Africa. | 0:32:04 | 0:32:06 | |
The one they stole on a ship, | 0:32:06 | 0:32:08 | |
then cut his foot off so he wouldn't run off. | 0:32:08 | 0:32:11 | |
Ain't got no time for stories now, Irene. Come on. | 0:32:11 | 0:32:13 | |
Chicken George said the Africans say special words for a new baby. | 0:32:13 | 0:32:16 | |
Say stories bigger than Bible stories. | 0:32:16 | 0:32:18 | |
Irene, when my daddy gets to talking, | 0:32:18 | 0:32:21 | |
telling stories, it's best stop listening now. | 0:32:21 | 0:32:24 | |
So, here. Here. | 0:32:24 | 0:32:25 | |
Right here, sir. Got these special England papers. | 0:32:27 | 0:32:29 | |
-All right, I got room for two niggers up on top. -I got money. -Show me money and papers. | 0:32:29 | 0:32:32 | |
-The rest can turn around. -Right here. -Hey, hey, hey, say, boss. | 0:32:32 | 0:32:35 | |
Say, boss. We free men. We ought to be riding inside this cab. | 0:32:35 | 0:32:38 | |
No niggers inside. | 0:32:38 | 0:32:40 | |
Easy, now, son, or ain't none of us gettin' on. | 0:32:40 | 0:32:42 | |
There's a war startin', old man, sooner than later. | 0:32:42 | 0:32:45 | |
I need to put some miles between me and here. | 0:32:45 | 0:32:48 | |
You know there ain't going to be no safe place | 0:32:48 | 0:32:49 | |
once these crackers start shootin'. | 0:32:49 | 0:32:51 | |
Hey, watch...watch out, watch out. | 0:32:51 | 0:32:53 | |
Hey, hey, hey, here, here, here. | 0:32:53 | 0:32:55 | |
What the hell is this, boy? | 0:32:55 | 0:32:56 | |
-That says I'm supposed to be inside that carriage. -It's just a slip of old newsprint. | 0:32:56 | 0:33:00 | |
You. You, up top. | 0:33:00 | 0:33:02 | |
-We could ride on the back. -That's it. No more room. | 0:33:02 | 0:33:05 | |
The rest of you have to wait for the next one. | 0:33:05 | 0:33:07 | |
Well, you handled that real good, didn't you, son? | 0:33:07 | 0:33:09 | |
Well, joke's on that cracker. | 0:33:09 | 0:33:12 | |
I can't read a word. | 0:33:12 | 0:33:14 | |
WHIP CRACKS | 0:33:14 | 0:33:15 | |
Get on it. Come on. | 0:33:15 | 0:33:16 | |
HORSE WHINNIES | 0:33:16 | 0:33:18 | |
Ah, Cyrus. | 0:33:18 | 0:33:19 | |
Owned by the Brickle farm. | 0:33:19 | 0:33:21 | |
Virginia. | 0:33:21 | 0:33:22 | |
Caught me runnin' off into Pennsylvania, | 0:33:22 | 0:33:24 | |
sent me down to Tennessee. | 0:33:24 | 0:33:26 | |
I run off twice more. | 0:33:26 | 0:33:27 | |
George. Chicken George. | 0:33:27 | 0:33:30 | |
Free man for true. | 0:33:30 | 0:33:31 | |
It don't seem to be helpin' me much. | 0:33:31 | 0:33:33 | |
Hmm, well, I tell you what, Chicken George, | 0:33:33 | 0:33:36 | |
let's say we start walkin' 'fore | 0:33:36 | 0:33:38 | |
some Johnny Reb try and put us back in chains. | 0:33:38 | 0:33:40 | |
They say a nigger make his way up to a Union fort, | 0:33:40 | 0:33:42 | |
he can get a gun and fight. | 0:33:42 | 0:33:45 | |
So, uh, what you waitin' on, Chicken George? | 0:33:45 | 0:33:48 | |
If you're moving in with us once we're married, why fuss with this? | 0:33:58 | 0:34:02 | |
Ostentatious, don't you think, darling? | 0:34:02 | 0:34:04 | |
I think I agree with whatever you say. | 0:34:04 | 0:34:07 | |
Too ordinary. | 0:34:09 | 0:34:11 | |
I can forge anything you want, Miss Nancy. | 0:34:11 | 0:34:13 | |
Uh, I got all kinds in my wagon. | 0:34:13 | 0:34:15 | |
Would you like to come choose with me, Frederick? | 0:34:15 | 0:34:18 | |
I defer to your superior judgment. | 0:34:18 | 0:34:20 | |
That the right answer? | 0:34:20 | 0:34:22 | |
Always. | 0:34:22 | 0:34:23 | |
Signal me if Frederick comes. | 0:34:26 | 0:34:28 | |
I thought he couldn't hear anything. | 0:34:32 | 0:34:34 | |
Jerusalem is deaf and mute, but if you face him, he can read lips. | 0:34:34 | 0:34:37 | |
South Carolina is calling a convention to vote on secession. | 0:34:40 | 0:34:43 | |
Once they leave the Union, states like North Carolina | 0:34:43 | 0:34:46 | |
are just going to fall in line like trees in a hurricane. | 0:34:46 | 0:34:48 | |
-Don't know nothing about that, ma'am. -Yes, you do. You read the newspapers. | 0:34:48 | 0:34:51 | |
Matilda sneaks them from the kindling. I've seen her. | 0:34:51 | 0:34:54 | |
Most of your family reads. That is a marvel. | 0:34:54 | 0:34:55 | |
Ma'am, don't say nothin' more, ma'am. | 0:34:55 | 0:34:57 | |
Tom... | 0:34:57 | 0:34:59 | |
I'm a spy for the North. | 0:34:59 | 0:35:01 | |
I'm here to gather information for Mr Pinkerton in Washington. | 0:35:01 | 0:35:05 | |
Intelligence, he calls it. | 0:35:05 | 0:35:07 | |
Mr Murray is aware of the Confederacy's | 0:35:10 | 0:35:13 | |
plans for weapons and explosives. | 0:35:13 | 0:35:16 | |
You have a road pass, and he trusts you, Tom. | 0:35:17 | 0:35:20 | |
Will you help me? | 0:35:20 | 0:35:21 | |
Nobody going to hurt a fancy lady like you. | 0:35:21 | 0:35:24 | |
We slaves. | 0:35:24 | 0:35:27 | |
They'll cut us down like wheat in a field and won't think twice. | 0:35:27 | 0:35:30 | |
I-I can't. I won't. | 0:35:30 | 0:35:32 | |
JERUSALEM CLEARS HIS THROAT | 0:35:33 | 0:35:35 | |
What's taking so long? | 0:35:37 | 0:35:39 | |
This nigger trying to get money out of you? | 0:35:39 | 0:35:41 | |
They're like children, always begging for more. | 0:35:41 | 0:35:44 | |
No, darling. | 0:35:44 | 0:35:45 | |
But you know us women. | 0:35:45 | 0:35:47 | |
Beautiful things dazzle us. | 0:35:47 | 0:35:48 | |
I just need time to decide. | 0:35:48 | 0:35:50 | |
MAN: Company, attention! | 0:35:54 | 0:35:56 | |
INDISTINCT CONVERSATIONS | 0:36:08 | 0:36:11 | |
There. Much better. | 0:36:15 | 0:36:17 | |
A major has to impress his men. | 0:36:18 | 0:36:20 | |
As long as I impress you. | 0:36:20 | 0:36:22 | |
Let's be careful, Daddy. | 0:36:26 | 0:36:28 | |
Gentlemen, uh, this boy Tom's the king of hooves. | 0:36:28 | 0:36:30 | |
He knows more about a horse's feet than the horse himself. | 0:36:30 | 0:36:34 | |
I expect you to look after every shoe | 0:36:34 | 0:36:37 | |
on every horse in our company every night. | 0:36:37 | 0:36:40 | |
Yes, sir...uh, Major. | 0:36:40 | 0:36:41 | |
Good shoes make good horses, and good horses win wars. | 0:36:41 | 0:36:45 | |
Who's really in command of this company, Frederick? | 0:36:45 | 0:36:47 | |
I report to one commander, boys. | 0:36:47 | 0:36:49 | |
Now, let's get this company ready for battle. | 0:36:52 | 0:36:54 | |
GUNFIRE | 0:37:01 | 0:37:02 | |
You reckon, uh, them Johnny Rebs gave up huntin' us? | 0:37:10 | 0:37:14 | |
Sure, Chicken George. | 0:37:14 | 0:37:15 | |
I reckon they changed their mind all about | 0:37:15 | 0:37:18 | |
niggers going to fight for Abe Lincoln. | 0:37:18 | 0:37:20 | |
You reckon you're too old for this, Chicken George? | 0:37:23 | 0:37:26 | |
What's new, boy? | 0:37:27 | 0:37:29 | |
Man gave me this. | 0:37:31 | 0:37:33 | |
You ain't got to unfold it. Just give it here. | 0:37:34 | 0:37:36 | |
I ain't much good with words. | 0:37:36 | 0:37:38 | |
Well, you know, I got a notion to read, but... | 0:37:38 | 0:37:41 | |
"Memphis Battery D, | 0:37:41 | 0:37:43 | |
"2nd United States Light Artillery | 0:37:43 | 0:37:47 | |
"seeks volunteers of African descent." | 0:37:47 | 0:37:49 | |
Oh, that's us. | 0:37:49 | 0:37:51 | |
"Pay...13 a month." | 0:37:51 | 0:37:53 | |
13 a month? | 0:37:53 | 0:37:54 | |
I'll fight two wars for 13 a month. | 0:37:54 | 0:37:57 | |
Man said there was a recruiting office on Knoxville Turnpike. | 0:37:57 | 0:38:00 | |
TWIGS CRACK | 0:38:00 | 0:38:01 | |
Shh, shh. | 0:38:01 | 0:38:02 | |
-Oh! -Go! | 0:38:03 | 0:38:05 | |
GUNFIRE, BULLETS RICOCHET | 0:38:05 | 0:38:07 | |
Run, run! | 0:38:07 | 0:38:08 | |
INDISTINCT SHOUTING | 0:38:08 | 0:38:09 | |
Go, George. | 0:38:16 | 0:38:17 | |
GUNFIRE CONTINUES | 0:38:20 | 0:38:23 | |
HORSE WHINNIES | 0:38:30 | 0:38:32 | |
-How? -Move! | 0:38:33 | 0:38:35 | |
Come back here, boy! | 0:38:37 | 0:38:39 | |
HE GROANS | 0:38:42 | 0:38:44 | |
HORSE WHINNIES | 0:38:44 | 0:38:46 | |
Whew. | 0:38:53 | 0:38:54 | |
HE PANTS | 0:38:54 | 0:38:56 | |
You going the wrong way, George. | 0:38:58 | 0:39:01 | |
Chicken George, you going the wrong way. | 0:39:01 | 0:39:03 | |
What are you doing? | 0:39:03 | 0:39:04 | |
You ride much, Cyrus? | 0:39:04 | 0:39:06 | |
Don't trust these tough buggers one bit myself. | 0:39:06 | 0:39:09 | |
But let's go. Come on. | 0:39:09 | 0:39:10 | |
-Come on. -Let's find us Memphis Battery. | 0:39:10 | 0:39:12 | |
CYRUS CLICKS TONGUE | 0:39:12 | 0:39:15 | |
CRICKETS CHIRP | 0:39:15 | 0:39:17 | |
MAN: Shut up and keep still! | 0:39:25 | 0:39:26 | |
CRYING | 0:39:30 | 0:39:31 | |
-Shut up! WOMAN: -Please, no! | 0:39:31 | 0:39:34 | |
No! No! | 0:39:34 | 0:39:35 | |
Get out of here. Now, Tom... | 0:39:35 | 0:39:37 | |
-Shut up, I said! -Tom... | 0:39:37 | 0:39:40 | |
-Come on, now. -Help! | 0:39:40 | 0:39:42 | |
-Irene! -No! | 0:39:43 | 0:39:44 | |
-That's my wife. Get off me. -No! | 0:39:44 | 0:39:46 | |
Come on, now. Break his wrists if you have to! | 0:39:46 | 0:39:49 | |
-No, please! -Hold him down! | 0:39:49 | 0:39:50 | |
SCREAMING | 0:39:50 | 0:39:52 | |
I'm not going to hurt her unless you make me. | 0:39:52 | 0:39:54 | |
-Irene! -Tom! | 0:39:54 | 0:39:55 | |
You going to wait there and let me and my boys get through with it. | 0:39:55 | 0:39:59 | |
SCREAMING | 0:39:59 | 0:40:00 | |
TOM WHIMPERING | 0:40:02 | 0:40:04 | |
Tom. | 0:40:04 | 0:40:06 | |
GUN CLICKS | 0:40:08 | 0:40:10 | |
Just tell me what you want me to do. | 0:40:16 | 0:40:18 | |
Confederate officer Major John Marrett | 0:40:22 | 0:40:24 | |
has arrived here on his way to Augusta. | 0:40:24 | 0:40:27 | |
The South's rushing to build a new arsenal, | 0:40:27 | 0:40:28 | |
and it must be stopped. | 0:40:28 | 0:40:30 | |
Nigger doing his job, ma'am? | 0:40:30 | 0:40:33 | |
Fine, thanks. | 0:40:33 | 0:40:34 | |
Well, hurry it up, boy. | 0:40:34 | 0:40:36 | |
The dispatchers he carries have the designs and supply routes. | 0:40:42 | 0:40:46 | |
What do I do? | 0:40:47 | 0:40:49 | |
Help us kill him on his way south, | 0:40:49 | 0:40:51 | |
then we'll take the plans north. | 0:40:51 | 0:40:53 | |
You're talking. You're a fake? | 0:40:53 | 0:40:55 | |
Don't get all boiled into a jelly. | 0:40:55 | 0:40:57 | |
Charles Montpelier. | 0:40:57 | 0:40:59 | |
Mr Pinkerton asked Charles | 0:40:59 | 0:41:00 | |
to cross into slave territory to guide me. | 0:41:00 | 0:41:03 | |
He's putting his life at risk. | 0:41:03 | 0:41:05 | |
Kill that major...my whole family be at risk, too. | 0:41:05 | 0:41:07 | |
Only ain't their choice. | 0:41:07 | 0:41:09 | |
I have a family, too, Tom. | 0:41:09 | 0:41:11 | |
Wife, four children. | 0:41:11 | 0:41:13 | |
I miss them every day. | 0:41:13 | 0:41:14 | |
But the truth is I couldn't live in safety any longer, | 0:41:14 | 0:41:18 | |
not knowing how my people suffered as slaves. | 0:41:18 | 0:41:22 | |
How do we stop three riders, Tom? | 0:41:22 | 0:41:24 | |
Frederick and his troops will be gone, | 0:41:24 | 0:41:26 | |
and Marrett only has an escort of two men. | 0:41:26 | 0:41:30 | |
Massa Murray built hand charges | 0:41:30 | 0:41:32 | |
he copied from a Northern grenade. | 0:41:32 | 0:41:34 | |
Toss 'em like a rock. | 0:41:34 | 0:41:36 | |
Stop 'em for sure. | 0:41:36 | 0:41:38 | |
Can you get them? | 0:41:38 | 0:41:40 | |
He stores them away from the house. | 0:41:40 | 0:41:41 | |
All right. | 0:41:41 | 0:41:43 | |
Once we have the intelligence, | 0:41:43 | 0:41:45 | |
Nancy will head for Philadelphia, | 0:41:45 | 0:41:46 | |
and I'm for the Union lines. | 0:41:46 | 0:41:48 | |
They'll blame us, not you. | 0:41:49 | 0:41:52 | |
Well, not if they catch me. | 0:41:52 | 0:41:54 | |
Tom, what you doing? | 0:42:04 | 0:42:06 | |
Oh, shh. | 0:42:06 | 0:42:08 | |
Go back to sleep now. | 0:42:09 | 0:42:11 | |
Why are you up so early? | 0:42:11 | 0:42:13 | |
Irene, the way to help me... don't ask me anything. | 0:42:13 | 0:42:16 | |
Chicken George used to say his mama | 0:42:23 | 0:42:26 | |
used to talk to Kunta Kinte all the time. | 0:42:26 | 0:42:29 | |
Said the African used to come to her when she was scared. | 0:42:29 | 0:42:33 | |
Don't know if it's for true, but maybe ain't no difference. | 0:42:33 | 0:42:36 | |
It's the askin' him to help us makes the difference. | 0:42:37 | 0:42:40 | |
Throw the grenade and try to kill all of them, | 0:42:51 | 0:42:53 | |
then we can take the plans off the major's body. | 0:42:53 | 0:42:55 | |
After that, you double back to the farm. | 0:42:55 | 0:42:58 | |
Frederick and the Rangers are away, | 0:42:58 | 0:43:00 | |
so nobody's going to miss you. | 0:43:00 | 0:43:02 | |
Hey. | 0:43:04 | 0:43:06 | |
Kneel with me, Tom. | 0:43:06 | 0:43:08 | |
Come on. | 0:43:08 | 0:43:10 | |
TOM SIGHS | 0:43:10 | 0:43:11 | |
When it comes to standing up for a cause, help me, Lord, | 0:43:14 | 0:43:17 | |
that I remain a candle in the storm, | 0:43:17 | 0:43:21 | |
and let no evil smother my low, but powerful glow. | 0:43:21 | 0:43:28 | |
Amen. | 0:43:28 | 0:43:29 | |
All right. | 0:43:29 | 0:43:30 | |
Go on. Go on. | 0:43:30 | 0:43:32 | |
HE SIGHS | 0:43:49 | 0:43:50 | |
HORSE WHINNIES | 0:43:55 | 0:43:57 | |
They sent me back with new dispatches for Major Marrett. | 0:44:00 | 0:44:04 | |
Well, you just missed him, Frederick. | 0:44:04 | 0:44:05 | |
He's already left for Augusta. | 0:44:05 | 0:44:07 | |
Well, tell Tilda to fry me up a dozen eggs. | 0:44:08 | 0:44:12 | |
I'll be back 'fore they're cold. | 0:44:12 | 0:44:13 | |
We'll catch up to him. | 0:44:13 | 0:44:15 | |
Be safe. | 0:44:15 | 0:44:16 | |
HORSE WHINNIES | 0:44:29 | 0:44:30 | |
GUN COCKS | 0:44:33 | 0:44:35 | |
HORSES NEIGHING | 0:44:51 | 0:44:52 | |
HE GRUNTS | 0:45:06 | 0:45:08 | |
Come on, come on. | 0:45:16 | 0:45:18 | |
HE GRUNTS | 0:45:20 | 0:45:22 | |
Go. Go. | 0:45:25 | 0:45:27 | |
HORSE SNORTS | 0:45:27 | 0:45:28 | |
-FREDERICK: -It can't be much further. It was over here. This way. Come on. | 0:45:30 | 0:45:33 | |
Whoa. | 0:45:42 | 0:45:43 | |
-BRANCH SNAPS -Whoa. | 0:45:47 | 0:45:49 | |
HE PANTS | 0:46:07 | 0:46:08 | |
We caught one of the assassins, but there were two. | 0:46:17 | 0:46:22 | |
The other escaped in the forest. | 0:46:22 | 0:46:24 | |
I'm sure you'll find the other criminal. | 0:46:24 | 0:46:28 | |
Yes, we will. | 0:46:28 | 0:46:30 | |
I'm just thankful that you weren't hurt. | 0:46:30 | 0:46:33 | |
So am I, my love. | 0:46:33 | 0:46:35 | |
You're always so thoughtful | 0:46:35 | 0:46:37 | |
and concerned for me and my family. | 0:46:37 | 0:46:39 | |
SHE GASPS | 0:46:39 | 0:46:41 | |
Oh, did I... | 0:46:43 | 0:46:45 | |
did I mention that you know the one we caught? | 0:46:45 | 0:46:48 | |
How could that be possible? | 0:46:48 | 0:46:50 | |
Jerusalem. | 0:46:52 | 0:46:53 | |
Get up. | 0:46:54 | 0:46:56 | |
HE GRUNTS | 0:46:56 | 0:46:57 | |
Get up. | 0:46:57 | 0:46:59 | |
Did you know he speaks? | 0:47:00 | 0:47:02 | |
Of course, with a little bit of prompting. | 0:47:02 | 0:47:05 | |
Perhaps you'll have more success | 0:47:05 | 0:47:07 | |
encouraging him to reveal his secrets. | 0:47:07 | 0:47:10 | |
This is unseemly. I'm going back to the house. | 0:47:13 | 0:47:15 | |
Darling! | 0:47:15 | 0:47:17 | |
Ask your nigger who is he, | 0:47:17 | 0:47:20 | |
besides a spy and a murderer? | 0:47:20 | 0:47:22 | |
Why was he working for you? | 0:47:24 | 0:47:27 | |
And ask him the names of all of his conspirators, | 0:47:27 | 0:47:29 | |
everyone who intrigued with him? | 0:47:29 | 0:47:31 | |
Do this, and I will spare his life. | 0:47:31 | 0:47:33 | |
Of course... | 0:47:36 | 0:47:37 | |
we already know you were involved. | 0:47:37 | 0:47:40 | |
Do you? | 0:47:40 | 0:47:41 | |
We searched your house, | 0:47:43 | 0:47:46 | |
found your letters to Mr Pinkerton, | 0:47:46 | 0:47:49 | |
notes on our troop movements. | 0:47:49 | 0:47:51 | |
String him up, boys. | 0:47:53 | 0:47:55 | |
HE GRUNTS | 0:47:55 | 0:47:56 | |
Wait! | 0:47:56 | 0:47:57 | |
Wait, wait. | 0:47:57 | 0:47:59 | |
If I tell you what you want, will you spare him? | 0:47:59 | 0:48:02 | |
What choice do you have but to try me? | 0:48:06 | 0:48:09 | |
His name's Charles Montpelier. | 0:48:15 | 0:48:17 | |
He's a minister, an editor, | 0:48:17 | 0:48:19 | |
a teacher from Philadelphia... | 0:48:19 | 0:48:21 | |
..and a dear friend. | 0:48:23 | 0:48:25 | |
HE SCOFFS | 0:48:25 | 0:48:26 | |
SHE GASPS | 0:48:30 | 0:48:31 | |
Why would you do this to me? | 0:48:31 | 0:48:34 | |
I believe men and women can't be owned like cattle. | 0:48:34 | 0:48:38 | |
I believe slavery is evil. | 0:48:38 | 0:48:40 | |
You pray in a church to a loving God, | 0:48:40 | 0:48:43 | |
but you defend this sin | 0:48:43 | 0:48:45 | |
against men and women created in His image? | 0:48:45 | 0:48:47 | |
This is a chance to save your soul. | 0:48:47 | 0:48:50 | |
-SHE GROANS -Frederick! | 0:48:50 | 0:48:51 | |
Frederick! | 0:48:51 | 0:48:52 | |
Frederick, listen to me! Listen to me. | 0:48:52 | 0:48:54 | |
You send Nancy... you send her to Richmond | 0:48:54 | 0:48:56 | |
and let the authorities handle this matter. | 0:48:56 | 0:48:58 | |
The war has confused many honourable people, son. | 0:48:58 | 0:49:01 | |
Daddy, she is a liar and a traitor. | 0:49:01 | 0:49:02 | |
Take him. Take him away. | 0:49:02 | 0:49:04 | |
-Unhand me. -Get up, get up. | 0:49:04 | 0:49:06 | |
Listen to me, Frederick. | 0:49:06 | 0:49:08 | |
You do not disobey me, son! | 0:49:08 | 0:49:10 | |
Enough, Daddy. | 0:49:10 | 0:49:12 | |
You give me one name... | 0:49:12 | 0:49:14 | |
just one, and I'll send you to Richmond. | 0:49:14 | 0:49:17 | |
Who else was involved? | 0:49:17 | 0:49:19 | |
The intrigue was my own. | 0:49:24 | 0:49:26 | |
There's no-one else. | 0:49:26 | 0:49:28 | |
Ride! | 0:49:33 | 0:49:34 | |
Ride! | 0:49:34 | 0:49:36 | |
HE GAGS | 0:49:36 | 0:49:37 | |
No higher. No higher. | 0:49:37 | 0:49:40 | |
Let this boy take his time. | 0:49:40 | 0:49:42 | |
You...you love this nigger more than me! | 0:49:54 | 0:49:57 | |
Frederick, you stop this! You stop this! | 0:49:57 | 0:49:59 | |
-Get off me! Let her go! Toomey, grab him. -Let her go! -Frederick. | 0:49:59 | 0:50:02 | |
-Give me that rope. -Listen to your father, Frederick. | 0:50:02 | 0:50:04 | |
Ballard. | 0:50:04 | 0:50:06 | |
Anderson, give me another rope. | 0:50:06 | 0:50:07 | |
That is a direct order. | 0:50:07 | 0:50:09 | |
No, Frederick, I forbid this! | 0:50:09 | 0:50:11 | |
Not on my farm! | 0:50:11 | 0:50:12 | |
Not on my farm! | 0:50:12 | 0:50:13 | |
Don't you do this, Frederick! | 0:50:13 | 0:50:15 | |
Don't you do this! | 0:50:15 | 0:50:17 | |
FIFE AND DRUM MARCH PLAYS | 0:50:43 | 0:50:45 | |
Keep moving. | 0:50:46 | 0:50:48 | |
Pick it up in the back. | 0:50:48 | 0:50:50 | |
Can't hardly feel my feet. | 0:50:53 | 0:50:54 | |
Think the Major ever going to give his horse a rest? | 0:50:54 | 0:50:57 | |
Not unless it stands up and beg. | 0:50:57 | 0:51:00 | |
Captain said Fort Pillow's on real high ground. | 0:51:00 | 0:51:03 | |
Hard to get at. | 0:51:03 | 0:51:04 | |
-Should be plenty safe. -Mm-hmm. | 0:51:04 | 0:51:06 | |
Don't you be no fool, boy. | 0:51:06 | 0:51:08 | |
Not one of us safe. | 0:51:08 | 0:51:11 | |
No, not from that nigger-hating Reb Nathan Forrest. | 0:51:11 | 0:51:14 | |
Heard his head turns full round | 0:51:14 | 0:51:16 | |
when he sees a nigger in a blue uniform. | 0:51:16 | 0:51:18 | |
And they say this war about over. | 0:51:18 | 0:51:19 | |
That's for true. The South's just about broken in two. | 0:51:19 | 0:51:22 | |
Keep moving. Keep moving, men. | 0:51:22 | 0:51:24 | |
-Boy, don't you do nothing foolish now. -Stay together. | 0:51:24 | 0:51:27 | |
Sometimes you got to keep what's in your head quiet, right? | 0:51:27 | 0:51:29 | |
Yeah, uh-huh. Don't you worry. | 0:51:29 | 0:51:31 | |
I ain't going to do nothing... nothing foolish at all. | 0:51:31 | 0:51:33 | |
Whoa. | 0:51:33 | 0:51:35 | |
Hey, say, when we going to get our side arms | 0:51:35 | 0:51:37 | |
and rifles so we can fight, Major? | 0:51:37 | 0:51:38 | |
You have a job, boy, at your battery. | 0:51:38 | 0:51:40 | |
Keep those cannons barking. | 0:51:40 | 0:51:42 | |
Do that and make me proud. | 0:51:42 | 0:51:44 | |
Make you proud. Get me killed by a Reb. | 0:51:44 | 0:51:46 | |
I decide myself I want to get shot. | 0:51:46 | 0:51:48 | |
You give me a rifle, and I fight for my own damn freedom. | 0:51:48 | 0:51:50 | |
-All right, Private. -Hyah! | 0:51:50 | 0:51:51 | |
Don't mean nothing by it, sir. Just too much sun. | 0:51:51 | 0:51:54 | |
Makes him loopy. | 0:51:54 | 0:51:56 | |
Boy, you ever keep your goddamn mouth shut? | 0:51:56 | 0:51:58 | |
I'm just tryin' to help these white boys win this war is all. | 0:51:58 | 0:52:01 | |
Get your ass back in line. | 0:52:01 | 0:52:03 | |
Ah. | 0:52:03 | 0:52:04 | |
GUNFIRE, INDISTINCT SHOUTING | 0:52:11 | 0:52:14 | |
Battery, fire! | 0:52:14 | 0:52:16 | |
Double canister. Load, load! | 0:52:26 | 0:52:28 | |
SOLDIERS SHOUTING | 0:52:33 | 0:52:34 | |
Come on! | 0:52:36 | 0:52:37 | |
Advance the round! | 0:52:42 | 0:52:44 | |
Move that punch. Them Rebs ain't waiting on you! | 0:52:47 | 0:52:50 | |
Can't hold them off! | 0:52:50 | 0:52:51 | |
Battery! | 0:52:53 | 0:52:55 | |
Can't get an angle on these sons of bitches. | 0:52:58 | 0:53:00 | |
-It won't go down. -We got to move this gun down! | 0:53:00 | 0:53:03 | |
That's two degrees! We got to do better! | 0:53:05 | 0:53:07 | |
Ready! Fire! | 0:53:07 | 0:53:10 | |
-MAN: -The cannons are overshooting! Advance! Go! | 0:53:11 | 0:53:15 | |
It's not going to happen! Get down! | 0:53:19 | 0:53:21 | |
Get down, boys! Come on! | 0:53:21 | 0:53:22 | |
Get in here! Come on! | 0:53:26 | 0:53:28 | |
How'd I end up here? | 0:53:28 | 0:53:29 | |
Man said if I joined the Union boys, | 0:53:29 | 0:53:31 | |
they'd take me back up North with them. | 0:53:31 | 0:53:32 | |
When we leave here, you going to be just fine. | 0:53:32 | 0:53:34 | |
Go wherever you want. | 0:53:34 | 0:53:36 | |
You leave here, you going to be a free man. You hear me? | 0:53:36 | 0:53:38 | |
I'm going to blow your brains out, boy! | 0:53:38 | 0:53:40 | |
Chain you to my mule, nigger! | 0:53:40 | 0:53:42 | |
Nathan Forrest don't take nigger prisoners! | 0:53:42 | 0:53:44 | |
-Hear that? -That ain't good news. | 0:53:44 | 0:53:47 | |
Why aren't you manning your battery? | 0:53:47 | 0:53:49 | |
No good, sir! Barrel won't suppress enough. | 0:53:49 | 0:53:51 | |
-We shooting straight over their heads! -Major Booth going to surrender the fort, sir? | 0:53:51 | 0:53:54 | |
Major Booth's dead, but I'm sure Major Bradford will make the honourable choice. | 0:53:54 | 0:53:57 | |
The honourable choice would have been to give us rifles. | 0:53:57 | 0:54:00 | |
We could have ran them Rebs back over that hill. | 0:54:00 | 0:54:02 | |
Move! Move! Move! We're not safe here! | 0:54:07 | 0:54:09 | |
-Go! -Get that side arm, George. | 0:54:09 | 0:54:12 | |
Get down, get down. | 0:54:21 | 0:54:22 | |
-MAN: -We surrender now. We surrender. | 0:54:33 | 0:54:35 | |
SOLDIERS SHOUTING | 0:54:35 | 0:54:36 | |
We surrender. | 0:54:39 | 0:54:41 | |
Don't shoot. | 0:54:43 | 0:54:44 | |
INDISTINCT SHOUTING | 0:54:44 | 0:54:46 | |
We going to surrender now, too? | 0:54:50 | 0:54:52 | |
INDISTINCT SHOUTING | 0:54:52 | 0:54:53 | |
You hang on now. | 0:55:01 | 0:55:03 | |
-Not so sure. -Them white boys giving up. | 0:55:03 | 0:55:05 | |
-Why can't we, George? -Stay right here. | 0:55:05 | 0:55:07 | |
-Wait, wait. -I got to go. | 0:55:07 | 0:55:10 | |
Fool. | 0:55:10 | 0:55:11 | |
I surrender! I surrender! | 0:55:11 | 0:55:12 | |
Don't shoot. | 0:55:12 | 0:55:14 | |
-MAN: -I don't want no more. | 0:55:14 | 0:55:15 | |
I don't want no more. | 0:55:15 | 0:55:17 | |
GUNS COCK | 0:55:22 | 0:55:25 | |
GUNFIRE | 0:55:27 | 0:55:29 | |
-MAN: -Come on, kill those nigger bastards... | 0:55:36 | 0:55:40 | |
every last one of them. | 0:55:40 | 0:55:42 | |
-I'm going to kill them. -You won't get two steps! Move! | 0:55:42 | 0:55:44 | |
# Oh, how long, how long... # | 0:55:46 | 0:55:49 | |
George! | 0:55:49 | 0:55:51 | |
# Before the sun goes down? | 0:55:51 | 0:55:54 | |
# Oh, how long, how long... # | 0:55:54 | 0:55:57 | |
No! No! No! | 0:55:57 | 0:55:59 | |
# Before the sun goes down... # | 0:55:59 | 0:56:01 | |
Stop! Stop! Stop! | 0:56:01 | 0:56:03 | |
# I wish I had a title when I was young | 0:56:03 | 0:56:08 | |
# Before the sun goes down | 0:56:08 | 0:56:12 | |
# I never woulda had-a this race to run | 0:56:12 | 0:56:17 | |
# Before the sun goes down | 0:56:17 | 0:56:21 | |
# Oh, how long, how long | 0:56:21 | 0:56:25 | |
# Before the sun goes down? | 0:56:25 | 0:56:30 | |
# Oh, how long, how long | 0:56:30 | 0:56:34 | |
# Before the sun goes down? # | 0:56:34 | 0:56:38 | |
They shot them. | 0:56:51 | 0:56:53 | |
They shot them all... all the coloured boys. | 0:56:53 | 0:56:55 | |
They was just trying to surrender. | 0:56:55 | 0:56:57 | |
How you do something like that? | 0:56:57 | 0:56:59 | |
What kind of men are they? | 0:56:59 | 0:57:00 | |
Maybe they ain't men. | 0:57:00 | 0:57:02 | |
Maybe something else. | 0:57:02 | 0:57:04 | |
Something come out in war. | 0:57:04 | 0:57:06 | |
You know what you doing, George? | 0:57:09 | 0:57:11 | |
I got a rough idea. | 0:57:11 | 0:57:13 | |
No! | 0:57:13 | 0:57:14 | |
You know, you's a good, old man, Chicken George. | 0:57:15 | 0:57:18 | |
HE GROANS | 0:57:18 | 0:57:20 | |
Aah. | 0:57:23 | 0:57:25 | |
Tell me a story, George, about the African. | 0:57:25 | 0:57:29 | |
My grandaddy is Kunta Kinte. | 0:57:30 | 0:57:33 | |
He a Mandinka warrior they stole away | 0:57:33 | 0:57:35 | |
across the ocean on the Kamby Bolongo. | 0:57:35 | 0:57:38 | |
Ka-Kamby... Kamby Bolongo. | 0:57:38 | 0:57:40 | |
That's...that's a big river, like the Mississippi? | 0:57:40 | 0:57:42 | |
That's right. | 0:57:42 | 0:57:44 | |
Kunta Kinte could ride and swim. | 0:57:44 | 0:57:46 | |
Couldn't no man break him. | 0:57:46 | 0:57:48 | |
I figure I got some new stories now. | 0:57:53 | 0:57:56 | |
This young boy named Cyrus... can't nobody tell him nothing. | 0:57:56 | 0:58:00 | |
But the way I see it, that boy saved | 0:58:00 | 0:58:03 | |
an old man like me in a hard, hard place. | 0:58:03 | 0:58:07 | |
Wait a minute. Wait. Wait a minute, George. | 0:58:07 | 0:58:10 | |
Listen, my mama had a prayer | 0:58:10 | 0:58:12 | |
she used to say to me back when I was sick. | 0:58:12 | 0:58:15 | |
You know, before they sold me off. | 0:58:15 | 0:58:18 | |
Now would be the time. | 0:58:18 | 0:58:19 | |
I know. | 0:58:19 | 0:58:21 | |
I know, oh, Lord, my flesh may fail, | 0:58:21 | 0:58:25 | |
but God is the strength of my heart. | 0:58:25 | 0:58:29 | |
Hey, come see this. | 0:58:44 | 0:58:46 | |
Get your ass out here and come and see this! | 0:58:46 | 0:58:50 | |
COWS LOWING | 0:58:50 | 0:58:51 | |
You know this herd, James? | 0:58:55 | 0:58:56 | |
Look like Massa Anson's cows, but that's four miles from here. | 0:58:56 | 0:58:59 | |
Well, why his slaves ain't stop them from wandering? | 0:58:59 | 0:59:02 | |
I've been up by the big house. Everybody gone. | 0:59:02 | 0:59:04 | |
-Gone? -All of them. | 0:59:04 | 0:59:06 | |
Where they gone? | 0:59:06 | 0:59:07 | |
INDISTINCT CONVERSATIONS | 0:59:12 | 0:59:14 | |
BOY: Mom! | 0:59:17 | 0:59:19 | |
Hey, hey. | 0:59:19 | 0:59:21 | |
Hey. | 0:59:21 | 0:59:22 | |
-General Lee's gone home. -What? | 0:59:22 | 0:59:24 | |
The war's over for good. | 0:59:24 | 0:59:26 | |
Overseer can blow his work horn all he wants, | 0:59:26 | 0:59:29 | |
but we ain't slaves no more. | 0:59:29 | 0:59:30 | |
-Whoa, whoa, whoa, ain't no more secesh? -Not one more day. | 0:59:30 | 0:59:34 | |
ALL MURMURING | 0:59:34 | 0:59:35 | |
I heard it from a white man down at the courthouse. | 0:59:35 | 0:59:38 | |
He say Robert Lee... he know he done for. | 0:59:38 | 0:59:40 | |
And so he gave him his horse and his sword, | 0:59:40 | 0:59:43 | |
but old Ulysses wouldn't take it. | 0:59:43 | 0:59:45 | |
He just said, "You go on home now. | 0:59:45 | 0:59:47 | |
"Stop this foolishness." | 0:59:47 | 0:59:49 | |
So I tell you this war is over, and we ain't slaves! | 0:59:50 | 0:59:54 | |
CHEERING | 0:59:54 | 0:59:57 | |
Tom, right now, right here, we free. | 0:59:57 | 1:00:00 | |
CHEERING CONTINUES | 1:00:00 | 1:00:02 | |
Mama. Is it true? | 1:00:02 | 1:00:05 | |
Blessed is this earth cos my people lie beneath it. | 1:00:41 | 1:00:46 | |
Blessed is the rain because it moistens their faces. | 1:00:48 | 1:00:51 | |
Blessed is the wind because it carries their names back to us. | 1:00:53 | 1:00:59 | |
Kunta Kinte. | 1:01:00 | 1:01:01 | |
Belle. | 1:01:04 | 1:01:06 | |
Mama Kizzy. | 1:01:07 | 1:01:09 | |
Miss Malizy. | 1:01:10 | 1:01:12 | |
Sarah. | 1:01:13 | 1:01:15 | |
My children, Louis, Mary, and George Junior. | 1:01:15 | 1:01:21 | |
My daddy, Benjamin Lyon. | 1:01:21 | 1:01:25 | |
And my husband, George. | 1:01:28 | 1:01:30 | |
I'm so thankful this war is done. | 1:01:39 | 1:01:41 | |
Just don't ask me to heft up my skirt and dance. | 1:01:43 | 1:01:46 | |
I can't measure these days in flags and armies, | 1:01:48 | 1:01:54 | |
only in the ones that I'm missing. | 1:01:54 | 1:01:57 | |
Out here working just as hard as before. | 1:02:08 | 1:02:12 | |
Not a bad idea if you want to eat. | 1:02:12 | 1:02:14 | |
Didn't know "free" meant hungry. | 1:02:14 | 1:02:16 | |
We'd like to know where we stand, sir. | 1:02:19 | 1:02:20 | |
What we supposed to do about food? | 1:02:20 | 1:02:22 | |
You done locked all the sheds. You moved all the hogs. | 1:02:22 | 1:02:25 | |
We don't even know where the... where the grain got taken. | 1:02:25 | 1:02:28 | |
Well, I'm happy to announce that for | 1:02:28 | 1:02:30 | |
every three acres of my land that you clear and plant, | 1:02:30 | 1:02:33 | |
I'll pay you one chicken and one hog. | 1:02:33 | 1:02:35 | |
And you can rent back, uh, farmland | 1:02:35 | 1:02:38 | |
and your cabins at a fair price. | 1:02:38 | 1:02:40 | |
A fair price? | 1:02:40 | 1:02:41 | |
For the massa or the nigger? | 1:02:41 | 1:02:43 | |
We'll think on it a while. | 1:02:43 | 1:02:45 | |
Well, be of good cheer. | 1:02:45 | 1:02:47 | |
Things will improve. | 1:02:47 | 1:02:49 | |
I thought we won that damn war. | 1:02:51 | 1:02:53 | |
Who is this coming? | 1:03:04 | 1:03:06 | |
This the...this the Murray farm? | 1:03:08 | 1:03:11 | |
Yes, sir. | 1:03:11 | 1:03:12 | |
Can we help you, friend? | 1:03:12 | 1:03:14 | |
Can you help me? Maybe you can. Maybe you can't. | 1:03:14 | 1:03:15 | |
-Well, you need to state your business. -No. | 1:03:15 | 1:03:18 | |
First, I need you to answer my question. | 1:03:18 | 1:03:22 | |
And you best get it right. | 1:03:24 | 1:03:25 | |
Who is Kunta Kinte? | 1:03:25 | 1:03:28 | |
No more than 20 of us coloured boys | 1:03:33 | 1:03:35 | |
make it out of Fort Pillow alive. | 1:03:35 | 1:03:36 | |
Oh, no. | 1:03:36 | 1:03:38 | |
Ol' Nathan Forrest couldn't kill us fast enough. | 1:03:38 | 1:03:41 | |
After I got shot, me and George, | 1:03:41 | 1:03:45 | |
we took to the woods, then to the river. | 1:03:45 | 1:03:49 | |
Mm-hmm. | 1:03:49 | 1:03:50 | |
Yeah, you must be Tom. | 1:03:56 | 1:03:59 | |
He said you had arms as big as cannonballs. | 1:03:59 | 1:04:02 | |
HE CHUCKLES | 1:04:02 | 1:04:05 | |
Say you were smarter than Jeff Davis' own engineers. | 1:04:05 | 1:04:08 | |
He said you were the hunger in his heart. | 1:04:08 | 1:04:11 | |
He did. | 1:04:11 | 1:04:12 | |
Mm-hmm. | 1:04:13 | 1:04:15 | |
HE CHUCKLES | 1:04:15 | 1:04:17 | |
Yeah. | 1:04:18 | 1:04:20 | |
Mighty fine food here. | 1:04:20 | 1:04:22 | |
What happened to my husband? | 1:04:22 | 1:04:24 | |
Old George, he carried me to the hospital. | 1:04:24 | 1:04:27 | |
That was long after he cut off my arm here. | 1:04:27 | 1:04:29 | |
-Grandpa cut off his arm? -Son. | 1:04:29 | 1:04:31 | |
Yes. | 1:04:31 | 1:04:33 | |
Yes, he did. | 1:04:33 | 1:04:35 | |
It's OK. | 1:04:35 | 1:04:36 | |
Only reason I'm alive now. | 1:04:36 | 1:04:38 | |
Old George say he was going to walk home. | 1:04:38 | 1:04:40 | |
Say that's what a Mandinka warrior would do. | 1:04:40 | 1:04:43 | |
And then a man showed up. | 1:04:43 | 1:04:45 | |
Reverend Garland, was it? Yeah. | 1:04:45 | 1:04:48 | |
Reverend Garland said he had a church outside of Sewanee | 1:04:48 | 1:04:51 | |
kept getting shot at by old, no-good white boys... | 1:04:51 | 1:04:54 | |
uh, the Bushwhackers. | 1:04:54 | 1:04:56 | |
Say they was stealin' and killin' niggers left and right. | 1:04:56 | 1:04:59 | |
Stealin' from white folks, too. | 1:04:59 | 1:05:00 | |
They was looking for coloured soldiers | 1:05:00 | 1:05:02 | |
to help them fight back. | 1:05:02 | 1:05:05 | |
Old George, he was the first to volunteer. | 1:05:05 | 1:05:09 | |
Ha. | 1:05:09 | 1:05:11 | |
You sure this boy ain't round the bend? | 1:05:12 | 1:05:15 | |
I reckoned you'd say that. Reckon I would, too. | 1:05:15 | 1:05:17 | |
Old George told me to bring this back | 1:05:19 | 1:05:22 | |
in case he ain't make it. | 1:05:22 | 1:05:23 | |
There. | 1:05:25 | 1:05:26 | |
I miss old Chicken George, his Africa stories. | 1:05:32 | 1:05:36 | |
Yeah. | 1:05:36 | 1:05:38 | |
Bring him back to me. | 1:05:45 | 1:05:47 | |
-I'm coming with you, Tom, to find Daddy. -Can't, James. | 1:05:50 | 1:05:53 | |
You watch over Mama. | 1:05:53 | 1:05:55 | |
Hey, boy. Hey. | 1:06:31 | 1:06:33 | |
You know Reverend Garland in Sewanee? | 1:06:33 | 1:06:35 | |
My daddy called Chicken George. | 1:06:37 | 1:06:39 | |
Chicken George. | 1:06:39 | 1:06:40 | |
Did you ever hear of him? | 1:06:40 | 1:06:42 | |
H-hey. | 1:06:45 | 1:06:46 | |
Hey. | 1:06:50 | 1:06:52 | |
Hey! | 1:06:52 | 1:06:53 | |
Hey, hold up now. | 1:06:53 | 1:06:54 | |
HORSE WHINNIES | 1:07:06 | 1:07:07 | |
INDISTINCT CONVERSATIONS | 1:07:09 | 1:07:12 | |
-MAN: -As soon as you load up, move out. Don't wait. | 1:07:20 | 1:07:22 | |
Them Bushwhackers gone for now. They going to come back. | 1:07:22 | 1:07:25 | |
Quickly. Let's go. | 1:07:25 | 1:07:27 | |
Do not stop until we get to Henning, Tennessee. | 1:07:27 | 1:07:30 | |
I'll meet you all there. | 1:07:33 | 1:07:35 | |
Godspeed. | 1:07:35 | 1:07:37 | |
Let's load it up. | 1:07:39 | 1:07:41 | |
Daddy? | 1:07:49 | 1:07:50 | |
Daddy, it's Tom. | 1:07:57 | 1:07:59 | |
It really is you. | 1:08:07 | 1:08:09 | |
Thought I was having another dream. | 1:08:09 | 1:08:11 | |
Cyrus said you had a rough go. | 1:08:11 | 1:08:13 | |
It's time to come home now. | 1:08:16 | 1:08:17 | |
You need to get on your feet, move out. | 1:08:17 | 1:08:19 | |
Not safe here. | 1:08:19 | 1:08:21 | |
I'm not coming with you. | 1:08:21 | 1:08:23 | |
I'm going home... Carolina...with my son. | 1:08:23 | 1:08:27 | |
I understand. | 1:08:27 | 1:08:29 | |
You've done more than enough for us, George, | 1:08:29 | 1:08:32 | |
chasing off those Bushwhackers. | 1:08:32 | 1:08:34 | |
You saved our lives. | 1:08:34 | 1:08:35 | |
The war might be over, | 1:08:37 | 1:08:38 | |
but some white men ain't never going to let it go... | 1:08:38 | 1:08:40 | |
ain't never going to accept us being free. | 1:08:40 | 1:08:44 | |
I do know one thing... | 1:08:44 | 1:08:46 | |
the Lord don't take no steps backwards. | 1:08:46 | 1:08:49 | |
And we ain't giving up our freedom. | 1:08:49 | 1:08:51 | |
Henning...own some land there. | 1:08:51 | 1:08:54 | |
Going to make it safe for our people. | 1:08:54 | 1:08:56 | |
God's watching over you. | 1:08:56 | 1:08:58 | |
-Let's move out. -Get a move on, Daddy. | 1:08:58 | 1:09:00 | |
Come on, now, boys. We going home. | 1:09:00 | 1:09:02 | |
How'd you find me, boy? | 1:09:05 | 1:09:07 | |
A boy brought me to you. | 1:09:07 | 1:09:10 | |
Dressed in this blue cloth on his body and his head. | 1:09:10 | 1:09:13 | |
Brought me straight to you. | 1:09:13 | 1:09:15 | |
-Blue cloth on his head. -Mm-hmm? | 1:09:15 | 1:09:17 | |
Ain't got no boy like that here. | 1:09:17 | 1:09:19 | |
Well, hey. | 1:09:21 | 1:09:23 | |
I thought you might be needing this. | 1:09:23 | 1:09:26 | |
You're a good boy. | 1:09:32 | 1:09:34 | |
-GUNSHOT -Come on, Daddy. | 1:09:41 | 1:09:44 | |
Come on, let's go. | 1:09:44 | 1:09:45 | |
Hurry up. Come on. | 1:09:45 | 1:09:47 | |
This way, this way. | 1:09:47 | 1:09:49 | |
-Come on. -Get over there. | 1:09:49 | 1:09:50 | |
INDISTINCT SHOUTS | 1:09:50 | 1:09:52 | |
SUSTAINED GUNFIRE | 1:09:54 | 1:09:57 | |
-MAN: -Move up, move up! | 1:10:03 | 1:10:05 | |
Come on, Daddy, let's go! | 1:10:07 | 1:10:09 | |
Come on. Keep it moving, Daddy. | 1:10:09 | 1:10:10 | |
GUNFIRE CONTINUES | 1:10:10 | 1:10:13 | |
Go, go. Get up. | 1:10:13 | 1:10:15 | |
GROANING | 1:10:15 | 1:10:17 | |
We make that Union line, them Bushwhackers won't follow us. | 1:10:24 | 1:10:27 | |
We almost there. | 1:10:27 | 1:10:28 | |
Just keep moving. | 1:10:28 | 1:10:30 | |
Run, boy. | 1:10:30 | 1:10:31 | |
Got Bushwhackers up on the ridge. | 1:10:38 | 1:10:41 | |
Turn right back. You ain't welcome here. | 1:10:41 | 1:10:43 | |
What? Y'all heard them shots. | 1:10:43 | 1:10:45 | |
Got Bushwhackers behind us. Killed some of us already. | 1:10:45 | 1:10:48 | |
-Come on. -That's not our trouble. | 1:10:48 | 1:10:49 | |
-Not since President Lincoln got shot dead. -What? | 1:10:49 | 1:10:52 | |
Some Southern traitor put a bullet in poor old Abe's head. | 1:10:52 | 1:10:55 | |
Now I'm tired of you people. | 1:10:55 | 1:10:56 | |
Ain't enough we already fought for you. | 1:10:56 | 1:10:58 | |
Now, we truly sorry about Mr Lincoln, sir, | 1:10:58 | 1:10:59 | |
-but we got Bushwhackers... -This is a military camp. | 1:10:59 | 1:11:02 | |
We don't have stuff for niggers. | 1:11:02 | 1:11:03 | |
-Get out of here! -Stop. | 1:11:03 | 1:11:05 | |
This man is Memphis Battery! | 1:11:05 | 1:11:06 | |
Fought at Fort Pillow! | 1:11:06 | 1:11:08 | |
Look at his damn uniform! | 1:11:08 | 1:11:10 | |
A uniform don't make a soldier. | 1:11:10 | 1:11:11 | |
Not to me. | 1:11:11 | 1:11:13 | |
We've given our blood for you people. | 1:11:13 | 1:11:15 | |
Oh, what about our blood? | 1:11:15 | 1:11:16 | |
What about the blood we gave for this country? | 1:11:16 | 1:11:19 | |
-For years! -Easy now. | 1:11:19 | 1:11:21 | |
He got every right to be here! | 1:11:23 | 1:11:25 | |
INDISTINCT SHOUTING | 1:11:25 | 1:11:27 | |
Hey, hold on. | 1:11:28 | 1:11:30 | |
Hold on just one cotton-picking second. | 1:11:30 | 1:11:32 | |
SHOUTING STOPS | 1:11:32 | 1:11:34 | |
Y'all...y'all don't know who you got there. | 1:11:34 | 1:11:36 | |
That right there... | 1:11:36 | 1:11:38 | |
it's best damn blacksmith in the whole damn Union. | 1:11:38 | 1:11:41 | |
That's who he is. | 1:11:41 | 1:11:43 | |
Let me tell you now, that boy...he got rare, | 1:11:43 | 1:11:46 | |
mystical skills, passed down by Mandinka craftsmen. | 1:11:46 | 1:11:51 | |
That's on the Kamby Bolongo in Africa. | 1:11:51 | 1:11:54 | |
One time, I saw him patch a cannon by sitting | 1:11:54 | 1:11:56 | |
on the muzzle and hammering it as it fired! | 1:11:56 | 1:11:59 | |
When that hammer broke, | 1:11:59 | 1:12:01 | |
he just carried on pounding it with his fists! | 1:12:01 | 1:12:03 | |
Look at him...arms like cannonballs! | 1:12:03 | 1:12:05 | |
Yes, sir, he can fix a rifle, | 1:12:05 | 1:12:08 | |
mend a saddle, patch pots and pans. | 1:12:08 | 1:12:11 | |
That boy can smooth a knot from a twisted axle | 1:12:11 | 1:12:15 | |
like a pretty girl pull tangles from her hair. | 1:12:15 | 1:12:17 | |
And y'all want to chase him off? Come on, now. | 1:12:17 | 1:12:20 | |
You'll be the first soldier boys home sitting up in your own bed, | 1:12:20 | 1:12:23 | |
eating on your mama's home cooking. | 1:12:23 | 1:12:24 | |
Who wants to smell Mama's gravy right now? Amen?! | 1:12:24 | 1:12:27 | |
Amen! | 1:12:27 | 1:12:28 | |
If that boy can shoe horses, we can use him. | 1:12:28 | 1:12:33 | |
Let them all in. | 1:12:33 | 1:12:34 | |
Everybody fall out. Back to work. | 1:12:37 | 1:12:39 | |
Come on, now. | 1:12:39 | 1:12:40 | |
Y'all get a little something to eat. | 1:12:40 | 1:12:43 | |
# I fear, I fear, my mother, dear | 1:12:43 | 1:12:48 | |
# I fear I've come to harm | 1:12:48 | 1:12:53 | |
# No more to see her lovely face... # | 1:12:55 | 1:12:58 | |
Now, I-I could be wrong. | 1:12:58 | 1:13:02 | |
I got a notion about that boy who brought you to me. | 1:13:02 | 1:13:04 | |
Suppose you going to tell me he was a Mandinka spirit? | 1:13:06 | 1:13:12 | |
Nope. | 1:13:12 | 1:13:14 | |
Going to tell you he was Kunta Kinte hisself, | 1:13:14 | 1:13:16 | |
same as came to my mama. | 1:13:16 | 1:13:19 | |
# By the old barn gate | 1:13:19 | 1:13:22 | |
# My soul will pass you by... # | 1:13:22 | 1:13:26 | |
I know you ain't over there thinking | 1:13:38 | 1:13:40 | |
I can't do this by myself, is you? | 1:13:40 | 1:13:42 | |
No, sir. I think that'd be kind of risky. | 1:13:42 | 1:13:44 | |
Yes, sir. | 1:13:44 | 1:13:45 | |
Yes, sir. | 1:13:45 | 1:13:47 | |
-"A"? -Mm-hmm. | 1:13:47 | 1:13:49 | |
-"B"? -Yeah. | 1:13:49 | 1:13:51 | |
"C"? | 1:13:51 | 1:13:53 | |
Oh. | 1:14:14 | 1:14:15 | |
Jesus. | 1:14:20 | 1:14:22 | |
George. | 1:14:26 | 1:14:28 | |
George! | 1:14:28 | 1:14:29 | |
George. | 1:14:34 | 1:14:35 | |
Hey, Tom. | 1:14:35 | 1:14:37 | |
How you doing? | 1:14:40 | 1:14:42 | |
George. | 1:14:42 | 1:14:44 | |
Oh. | 1:14:44 | 1:14:46 | |
You're a sight for sore eyes. | 1:14:46 | 1:14:48 | |
Old Chicken George. | 1:14:53 | 1:14:55 | |
About goddamn time you made it here, old man. | 1:14:55 | 1:14:57 | |
I'm giving you a chance to learn how to work a field. | 1:14:57 | 1:15:00 | |
Oh, were you now? | 1:15:00 | 1:15:02 | |
Stand him. Stand him up right. | 1:15:02 | 1:15:04 | |
Oh, hang on. | 1:15:04 | 1:15:06 | |
Ah. | 1:15:06 | 1:15:08 | |
Oh, that... that was nothing. | 1:15:08 | 1:15:10 | |
Took out 20 men. | 1:15:10 | 1:15:11 | |
Neither one of us got a scratch on us. | 1:15:11 | 1:15:13 | |
LAUGHTER | 1:15:13 | 1:15:15 | |
Mr Murray, we all leaving. | 1:15:17 | 1:15:19 | |
Well, surely, we can work out something, Tom. | 1:15:19 | 1:15:21 | |
A-an extra chicken or two, if...if that helps. | 1:15:21 | 1:15:24 | |
Thank you, sir, but Henning, Tennessee, | 1:15:24 | 1:15:26 | |
is going to have shops run by our own people. | 1:15:26 | 1:15:28 | |
Not that we won't take money from the white folks. | 1:15:28 | 1:15:31 | |
Money ain't got no colour. | 1:15:31 | 1:15:33 | |
Tom, I don't know if you'll take my words to heart, | 1:15:33 | 1:15:36 | |
but I wish you and your family good fortune. | 1:15:36 | 1:15:39 | |
There was a time when we were working together, I felt... | 1:15:39 | 1:15:44 | |
Well... Godspeed. | 1:15:47 | 1:15:50 | |
You niggers ain't going nowhere. | 1:15:54 | 1:15:57 | |
-Frederick. -You got to pay 'fore you leave. | 1:15:57 | 1:15:59 | |
Don't have to ask you, Frederick. | 1:15:59 | 1:16:02 | |
-Talking to your daddy. -I told you I would handle this, Frederick. | 1:16:02 | 1:16:04 | |
-My daddy's a fool. -Son. | 1:16:04 | 1:16:06 | |
I want every penny you earned on this farm as a blacksmith. | 1:16:06 | 1:16:09 | |
Made a lot more money for this farm. | 1:16:09 | 1:16:11 | |
Goodbye, sir. | 1:16:11 | 1:16:13 | |
Son, son! | 1:16:13 | 1:16:14 | |
You think anything's changed | 1:16:14 | 1:16:16 | |
-cos the war's over? -Frederick, please. | 1:16:16 | 1:16:18 | |
Them Union boys going to be home soon enough, | 1:16:18 | 1:16:20 | |
but I'll still be right here, and plenty of men just like me. | 1:16:20 | 1:16:24 | |
We will redeem this country | 1:16:24 | 1:16:26 | |
and put you people back where you belong. | 1:16:26 | 1:16:28 | |
It's just natural law. | 1:16:28 | 1:16:29 | |
I won't never see a nigger be my equal. | 1:16:30 | 1:16:34 | |
Don't have no interest in being your equal, Frederick. | 1:16:34 | 1:16:38 | |
No, no! | 1:16:40 | 1:16:43 | |
F-Frederick! | 1:16:43 | 1:16:44 | |
Oh, my God. | 1:16:44 | 1:16:46 | |
CRYING | 1:16:48 | 1:16:50 | |
PANTING | 1:16:50 | 1:16:52 | |
First thing good my daddy ever did for me. | 1:16:54 | 1:16:57 | |
-Yeah, we're ready. -All right, baby. | 1:17:00 | 1:17:02 | |
Are you guys ready? | 1:17:02 | 1:17:03 | |
INDISTINCT CONVERSATIONS | 1:17:07 | 1:17:09 | |
BABY COOS | 1:17:44 | 1:17:45 | |
Well, Chicken George, I reckon it's time I be moving on. | 1:17:49 | 1:17:54 | |
I thank you kindly for everything, | 1:17:55 | 1:17:57 | |
and you... you're all nice folks. | 1:17:57 | 1:17:59 | |
But after all, you... you's all family. | 1:17:59 | 1:18:01 | |
And you're not my family. | 1:18:03 | 1:18:04 | |
We are now, if you want us to be. | 1:18:07 | 1:18:11 | |
Hmm. | 1:18:14 | 1:18:15 | |
Well, that doesn't sound so bad, now does it? | 1:18:17 | 1:18:20 | |
Not bad at all. | 1:18:20 | 1:18:22 | |
-Can I come in? -Mm-hmm. | 1:18:24 | 1:18:26 | |
Hey, hey, hey, hey. | 1:18:29 | 1:18:31 | |
Hey, hey, hey, hey. | 1:18:31 | 1:18:33 | |
Yeah, she going to be a strong one, just like my mama. | 1:18:33 | 1:18:36 | |
Mm-hmm. | 1:18:36 | 1:18:38 | |
You are so beautiful. | 1:18:38 | 1:18:40 | |
Irene, give me the baby? | 1:18:41 | 1:18:44 | |
Tom, what's wrong? | 1:18:44 | 1:18:45 | |
-MATILDA: -It's all right. | 1:18:45 | 1:18:47 | |
Tom. | 1:18:58 | 1:19:00 | |
Get back. | 1:19:00 | 1:19:01 | |
HE BREATHES HEAVILY | 1:19:05 | 1:19:07 | |
W-what do I do, Daddy? | 1:19:13 | 1:19:15 | |
Tell me now. What... | 1:19:18 | 1:19:19 | |
How do they...? How do I... | 1:19:21 | 1:19:25 | |
give her her name the right way? | 1:19:25 | 1:19:27 | |
Son, I can't... | 1:19:28 | 1:19:30 | |
I can't say I know for sure. | 1:19:32 | 1:19:34 | |
Just talk to her. | 1:19:35 | 1:19:38 | |
I don't know any Africa words. | 1:19:40 | 1:19:42 | |
I don't know if this is the right time, | 1:19:44 | 1:19:47 | |
or I don't know if the sky looks the way it's supposed to be, | 1:19:47 | 1:19:50 | |
but... | 1:19:50 | 1:19:52 | |
..I know you my first baby not born a slave. | 1:19:54 | 1:19:59 | |
First baby nobody can own. | 1:20:01 | 1:20:04 | |
But that don't mean you don't have to be a warrior. | 1:20:05 | 1:20:08 | |
Still going to have to fight to stay free. | 1:20:08 | 1:20:10 | |
Every day. | 1:20:11 | 1:20:13 | |
Always going to be someone wants to take away your freedom. | 1:20:15 | 1:20:18 | |
And I can't keep this family together | 1:20:20 | 1:20:23 | |
if I don't teach you where we come from, | 1:20:23 | 1:20:27 | |
who we are... | 1:20:27 | 1:20:29 | |
..if I don't remember who I am. | 1:20:32 | 1:20:35 | |
So that's why I got to tell you this story... | 1:20:39 | 1:20:42 | |
so I can be the father I want to be. | 1:20:42 | 1:20:45 | |
-ALEX: -'His name was Kunta Kinte, | 1:20:58 | 1:21:02 | |
'son of Omoro and Binta Kinte from Juffure | 1:21:02 | 1:21:06 | |
'in the Kingdom of Niumi on the Kamby Bolongo. | 1:21:06 | 1:21:10 | |
'Flying home from The Gambia, | 1:21:10 | 1:21:12 | |
'I knew I had to write a book about him. | 1:21:12 | 1:21:16 | |
'My ancestors would be a symbol for millions of slaves, | 1:21:16 | 1:21:19 | |
'all of them seeds of American families living today, | 1:21:19 | 1:21:23 | |
'captured, chained, sailed across the same ocean | 1:21:23 | 1:21:27 | |
'in ships where untold numbers died. | 1:21:27 | 1:21:30 | |
'Sold to thousands of plantations, | 1:21:30 | 1:21:33 | |
'millions of men and women who struggled to survive | 1:21:33 | 1:21:37 | |
'and fought to be free every day.' | 1:21:37 | 1:21:40 | |
'The truth can never be known. | 1:23:10 | 1:23:13 | |
'It can only be told in a story. | 1:23:13 | 1:23:15 | |
'There once was a boy who was taken from his family | 1:23:15 | 1:23:19 | |
'and carried halfway around the world. | 1:23:19 | 1:23:21 | |
'He lived to start a new family. | 1:23:21 | 1:23:24 | |
'And in his journey, he became a hero for a new nation. | 1:23:24 | 1:23:27 | |
'I hope my story honours him, | 1:23:27 | 1:23:30 | |
'brings peace and pride to us all.' | 1:23:30 | 1:23:34 | |
# Ah-ah-ah ahh ah-ah | 1:23:50 | 1:23:56 | |
# Ah-ah-ah ah-ah | 1:23:56 | 1:23:58 | |
# And when the door closes | 1:24:00 | 1:24:03 | |
# Another one opens | 1:24:03 | 1:24:06 | |
# I walk through it | 1:24:06 | 1:24:07 | |
# With my head up | 1:24:07 | 1:24:11 | |
# At the end of a desert | 1:24:11 | 1:24:14 | |
# There's always an ocean | 1:24:14 | 1:24:17 | |
# And when the night fades away | 1:24:17 | 1:24:20 | |
# The sun comes up | 1:24:20 | 1:24:22 | |
# New beginning | 1:24:22 | 1:24:25 | |
# Oh, it's just a new beginning | 1:24:25 | 1:24:30 | |
# Oh... # | 1:24:30 | 1:24:32 |