Hostage Scúp
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Transcript
| Line | From | To | |
|---|---|---|---|
CHATTER | 0:00:04 | 0:00:08 | |
-Hi. -Hi. | 0:00:08 | 0:00:10 | |
IN IRISH | 0:00:28 | 0:00:31 | |
PHONE RINGS | 0:00:49 | 0:00:51 | |
IN IRISH | 0:00:51 | 0:00:53 | |
MOBILE PHONE RINGS | 0:02:08 | 0:02:11 | |
Yes, and what of it? | 0:02:20 | 0:02:23 | |
Did he? Seriously? | 0:02:26 | 0:02:28 | |
OK. I'm on the way. | 0:02:31 | 0:02:33 | |
CHATTER ON POLICE RADIO | 0:02:52 | 0:02:55 | |
-Mr Cullane? -That's me. -Thanks for coming. Come this way. | 0:03:06 | 0:03:11 | |
Could you...? | 0:03:11 | 0:03:12 | |
He's been identified locally as a Michael Casey. | 0:03:16 | 0:03:19 | |
Turns up on O'Connor's doorstep, holds him at gunpoint. | 0:03:19 | 0:03:22 | |
So far, Casey's only demand is to speak to you. | 0:03:22 | 0:03:26 | |
I do know him. From years back. We met when I first came to Belfast. | 0:03:26 | 0:03:30 | |
We have a hostage negotiator on the way, | 0:03:30 | 0:03:33 | |
but until he arrives, we need to keep him happy, | 0:03:33 | 0:03:36 | |
so if you don't mind... | 0:03:36 | 0:03:38 | |
-Fine, I'll see what I can do. -Just talk to him. | 0:03:40 | 0:03:44 | |
Tell him there's nothing to worry about. | 0:03:44 | 0:03:46 | |
Hello. This is Rob Cullane. | 0:03:46 | 0:03:48 | |
'Well, Rob...' | 0:03:48 | 0:03:51 | |
IN IRISH | 0:03:51 | 0:03:53 | |
-He wants me to go in. -That's out of the question. | 0:04:07 | 0:04:10 | |
He'll only talk face-to-face. And he'll only talk in Irish. | 0:04:11 | 0:04:15 | |
Is your negotiator fluent? | 0:04:15 | 0:04:18 | |
CAMERA SHUTTER CLICKS | 0:04:19 | 0:04:21 | |
MOBILE PHONE RINGS | 0:04:26 | 0:04:28 | |
Rob. | 0:04:30 | 0:04:32 | |
IN IRISH | 0:04:34 | 0:04:35 | |
No. Look, if he's going to shoot me he can just as easily shoot me | 0:04:42 | 0:04:45 | |
-in the head. -I'd still prefer if you wear it. | 0:04:45 | 0:04:47 | |
What's the point? | 0:04:47 | 0:04:49 | |
Mr Cullane, I hope you're not doing this just to get a story. | 0:04:54 | 0:04:57 | |
This is serious. | 0:04:57 | 0:04:59 | |
I know, but as things stand, I'm your only option. | 0:04:59 | 0:05:03 | |
IN IRISH | 0:05:18 | 0:05:20 | |
Mickey, come on. | 0:06:24 | 0:06:26 | |
IN IRISH | 0:06:26 | 0:06:28 | |
Mickey. | 0:07:25 | 0:07:26 | |
IN IRISH | 0:07:26 | 0:07:28 | |
Mickey Casey. | 0:08:27 | 0:08:29 | |
IN IRISH | 0:08:29 | 0:08:31 | |
LINE GOES DEAD | 0:08:51 | 0:08:52 | |
-Hi, Brid Casey? -Aye. | 0:09:26 | 0:09:30 | |
IN IRISH | 0:09:30 | 0:09:33 | |
DOOR OPENS | 0:11:30 | 0:11:31 | |
Antidepressants. | 0:12:27 | 0:12:29 | |
IN IRISH | 0:12:29 | 0:12:31 | |
Excuse me, excuse me. | 0:13:28 | 0:13:29 | |
What's going on? Has something happened to Mr O'Connor? | 0:13:29 | 0:13:33 | |
-Do you know him? -Yes, I'm his cleaner. | 0:13:33 | 0:13:36 | |
I'm from the local newspaper and we're looking to see | 0:13:36 | 0:13:39 | |
if we can find any of his family. | 0:13:39 | 0:13:40 | |
Does he have a wife, does he have children? | 0:13:40 | 0:13:43 | |
Well there's his daughter, Lisa, she lives in Australia, | 0:13:43 | 0:13:45 | |
but she's been back visiting. | 0:13:45 | 0:13:47 | |
Why? What's happened? | 0:13:47 | 0:13:48 | |
One minute. | 0:13:48 | 0:13:49 | |
Cormac. Cormac. | 0:13:49 | 0:13:51 | |
IN IRISH | 0:13:53 | 0:13:55 | |
CHATTER ON POLICE RADIO | 0:13:57 | 0:14:01 | |
And I'm telling you, move back. | 0:14:01 | 0:14:03 | |
You come any closer and I swear to God... | 0:14:03 | 0:14:05 | |
They want to know if you're OK. | 0:14:15 | 0:14:16 | |
IN IRISH | 0:14:16 | 0:14:18 | |
He's fine. No, you can't speak with him. | 0:14:18 | 0:14:21 | |
IN IRISH | 0:14:31 | 0:14:33 | |
Oh, Jesus! | 0:14:55 | 0:14:59 | |
IN IRISH | 0:14:59 | 0:15:00 | |
KNOCK ON DOOR | 0:15:29 | 0:15:31 | |
I swear I'll shoot. | 0:15:36 | 0:15:37 | |
I'm going to count to three. | 0:15:38 | 0:15:40 | |
One... | 0:15:41 | 0:15:43 | |
..two... | 0:15:45 | 0:15:46 | |
IN IRISH | 0:15:46 | 0:15:49 | |
All right. | 0:16:33 | 0:16:34 | |
OK, OK, OK. | 0:16:34 | 0:16:37 | |
IN IRISH | 0:16:40 | 0:16:41 | |
Aye, spot-on(!) | 0:19:26 | 0:19:29 | |
IN IRISH | 0:19:29 | 0:19:30 | |
The guy with the gun, he used to work with Rob years ago. | 0:20:58 | 0:21:01 | |
He's just lost his job. | 0:21:01 | 0:21:03 | |
He's married with kids but his wife won't come down. | 0:21:03 | 0:21:06 | |
You'd think that at a time like this, no matter what, | 0:21:06 | 0:21:09 | |
your wife would stand by you. | 0:21:09 | 0:21:11 | |
-It's good that you're here. -Of course I'm here. | 0:21:12 | 0:21:15 | |
He'll be OK. | 0:21:18 | 0:21:20 | |
How's it going in there? | 0:21:55 | 0:21:57 | |
It was going fine. | 0:21:57 | 0:21:59 | |
CAMERAS CLICK | 0:22:01 | 0:22:02 | |
IN IRISH | 0:22:10 | 0:22:12 | |
SHE SOBS | 0:22:37 | 0:22:39 | |
No, Mickey. | 0:22:42 | 0:22:43 | |
IN IRISH | 0:22:44 | 0:22:47 | |
Go! | 0:23:52 | 0:23:53 | |
Oh, shit. | 0:23:55 | 0:23:56 | |
IN IRISH | 0:23:56 | 0:23:58 | |
GUNSHOT | 0:23:58 | 0:24:00 | |
IN IRISH | 0:24:21 | 0:24:24 | |
# She holds a phantom | 0:24:29 | 0:24:32 | |
# She kisses and she hugs him | 0:24:32 | 0:24:36 | |
# And I am not averse to how she loves him | 0:24:38 | 0:24:45 | |
# Why must I live and walk | 0:24:46 | 0:24:50 | |
# Unloved as what I am | 0:24:50 | 0:24:55 | |
# A wolf among wolves And not as a man | 0:24:59 | 0:25:07 | |
# Among men? # | 0:25:14 | 0:25:16 |
