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Brave, strong, surrounded by men, saying no to all of them. | 0:00:02 | 0:00:03 | |
-Whose are these? -Came for you, miss. Grateful client, maybe? | 0:00:03 | 0:00:05 | |
All right, Mar? I was passing and I thought, | 0:00:05 | 0:00:07 | |
"What happened to the girl that broke my teenage heart?" | 0:00:07 | 0:00:11 | |
Who was that? Mr Mysterious? | 0:00:11 | 0:00:13 | |
Sean McBride. | 0:00:14 | 0:00:15 | |
You give me what I want and I'll give you what you want. | 0:00:15 | 0:00:19 | |
I'd like to make an official complaint against Billy. | 0:00:19 | 0:00:21 | |
I will not take lectures in chambers politics | 0:00:21 | 0:00:24 | |
from a man who took backhanders from Micky Joy, | 0:00:24 | 0:00:26 | |
the most corrupt solicitor of all time. | 0:00:26 | 0:00:28 | |
Look, come on, Clive. Nobody's listening. | 0:00:28 | 0:00:30 | |
-You don't think I'd be honest with you? -I wouldn't believe you. | 0:00:30 | 0:00:33 | |
-What's he look like, then, flower man? -Tall, dark...Northern. | 0:00:33 | 0:00:36 | |
Ready? | 0:01:18 | 0:01:20 | |
OK. | 0:01:20 | 0:01:21 | |
Sorry, can you...stop? | 0:01:38 | 0:01:40 | |
Please. Hello? Stop it. | 0:01:40 | 0:01:43 | |
Can you stop, please? | 0:01:43 | 0:01:45 | |
GATE CLICKS AND BUZZES | 0:01:46 | 0:01:48 | |
Sorry. | 0:01:48 | 0:01:50 | |
I'm sorry. I'm so... | 0:01:52 | 0:01:54 | |
KEYS JINGLE | 0:02:03 | 0:02:05 | |
BOLT CLICKS | 0:02:06 | 0:02:08 | |
KEYS JINGLE | 0:02:09 | 0:02:11 | |
CLEARS THROAT | 0:02:13 | 0:02:15 | |
HE SIGHS | 0:02:19 | 0:02:20 | |
Hello, Sean. | 0:02:24 | 0:02:26 | |
HE TUTS | 0:02:29 | 0:02:30 | |
Are you OK? | 0:02:32 | 0:02:34 | |
Don't drink it. | 0:02:40 | 0:02:42 | |
Mr Lamb? | 0:02:50 | 0:02:51 | |
Please come with me, sir. | 0:02:57 | 0:02:59 | |
Bastard looked at his watch. At his watch! | 0:03:03 | 0:03:06 | |
It's a flat rate for police station attendance, | 0:03:06 | 0:03:10 | |
so it doesn't matter how long you're there, money's still the same. | 0:03:10 | 0:03:13 | |
So even though you're a really big murder, | 0:03:13 | 0:03:16 | |
there is no incentive for him to stay. | 0:03:16 | 0:03:18 | |
-He said to go no comment. -No comment halves interview time. | 0:03:19 | 0:03:22 | |
Now, did you go no comment? | 0:03:22 | 0:03:24 | |
No. | 0:03:24 | 0:03:26 | |
Bananas are a working-class fruit. | 0:04:28 | 0:04:30 | |
Did you know that? | 0:04:32 | 0:04:33 | |
HE SIGHS | 0:04:37 | 0:04:40 | |
What is all this, Micky? | 0:04:40 | 0:04:41 | |
Empire food, by the boatload, for the masses. | 0:04:41 | 0:04:45 | |
Let 'em eat bananas. | 0:04:45 | 0:04:47 | |
I don't know about you, | 0:04:49 | 0:04:51 | |
but out on my cliff edge, I feel alive for the very first time. | 0:04:51 | 0:04:55 | |
-How do you know about me? -I've been taking an interest. | 0:04:56 | 0:05:00 | |
You read Dickens? | 0:05:00 | 0:05:02 | |
No? Then get a bloody move on. | 0:05:03 | 0:05:06 | |
It amazes me, the complacency of our species. | 0:05:06 | 0:05:10 | |
"We're here for ever," people seem to think. | 0:05:10 | 0:05:12 | |
"I'll just have another quiet pint and a doze." | 0:05:12 | 0:05:15 | |
What are you doing? | 0:05:17 | 0:05:19 | |
What are you all doing?! | 0:05:19 | 0:05:21 | |
Technically, I'm on bail. It's just I can never leave. | 0:05:25 | 0:05:28 | |
So anything I want, I get. | 0:05:28 | 0:05:31 | |
Apart from vitamin D. But then me and sunshine never did get along. | 0:05:31 | 0:05:35 | |
I've even got Blu Tack for sticking up the Virgin Mary. | 0:05:35 | 0:05:38 | |
You're a grass. | 0:05:38 | 0:05:40 | |
A supergrass. | 0:05:43 | 0:05:44 | |
Mm. | 0:05:45 | 0:05:47 | |
All those years defending all those big criminals and now you're grassing 'em up. | 0:05:47 | 0:05:51 | |
It's an interesting career change. | 0:05:51 | 0:05:53 | |
You want an Unclaimed Baby? | 0:05:55 | 0:05:57 | |
That's what they were called before the Great War, then Peace Babies for a bit, | 0:05:58 | 0:06:04 | |
then, finally, Jelly Babies. | 0:06:04 | 0:06:06 | |
Why am I here, Micky? | 0:06:08 | 0:06:10 | |
What, Sean? | 0:06:17 | 0:06:18 | |
I lied. | 0:06:19 | 0:06:20 | |
-What about? -A gun. | 0:06:20 | 0:06:23 | |
People lie for all sorts of reasons. | 0:06:24 | 0:06:26 | |
Doesn't necessarily mean that they're guilty. | 0:06:26 | 0:06:29 | |
I panicked. | 0:06:29 | 0:06:31 | |
I haven't panicked about anything in my entire life, not even in Afghan. | 0:06:31 | 0:06:35 | |
Not even when I fell head over heels in love with Martha Costello. | 0:06:36 | 0:06:40 | |
We have this kind of rule at the Criminal Bar. | 0:06:42 | 0:06:45 | |
Never represent a friend. | 0:06:46 | 0:06:48 | |
And here's me thinking we're more than just friends. | 0:06:48 | 0:06:52 | |
Yeah, and that was all, what, over 20 years ago? | 0:06:52 | 0:06:54 | |
Feels like yesterday. | 0:06:54 | 0:06:56 | |
That kiss. You know the one. | 0:06:58 | 0:07:00 | |
HE CHUCKLES | 0:07:02 | 0:07:03 | |
So bloody amazing. | 0:07:03 | 0:07:04 | |
We stepped off the curb and the night bus missed us by about six inches. | 0:07:04 | 0:07:08 | |
I could have died then and there. | 0:07:09 | 0:07:11 | |
We both could have died. | 0:07:13 | 0:07:14 | |
You whispered in my ear, "I've died and gone to heaven." | 0:07:15 | 0:07:19 | |
Now, you were a piece of work, Sean McBride. | 0:07:19 | 0:07:22 | |
BOTH CHUCKLE | 0:07:22 | 0:07:25 | |
I share a cell with a man who stares at me all day. | 0:07:31 | 0:07:34 | |
Never blinks. Doesn't speak, not a word. Just staring and staring. | 0:07:35 | 0:07:38 | |
Then when he goes to sleep, he shouts. | 0:07:38 | 0:07:41 | |
He... He shouts all night, Martha. | 0:07:41 | 0:07:43 | |
Are all barristers as good as each other, | 0:07:43 | 0:07:45 | |
-or are there some you wouldn't wish on your worst enemy... -Sean... | 0:07:45 | 0:07:48 | |
..and what if I get one of them? | 0:07:48 | 0:07:49 | |
What if they get their first murder and they're hopeless? | 0:07:49 | 0:07:52 | |
Could that happen to me? | 0:07:52 | 0:07:53 | |
I didn't do this, but it looks like I did. | 0:07:53 | 0:07:56 | |
You know the thing about prison? Nobody thinks you're innocent. | 0:07:56 | 0:07:59 | |
And everybody thinks I killed Jimmy Monk, | 0:07:59 | 0:08:01 | |
and the Monk family are like the biggest crime family ever | 0:08:01 | 0:08:03 | |
so every second I'm in there I'm fighting to stay alive. | 0:08:03 | 0:08:06 | |
But if I get 20 years, I can't survive. | 0:08:06 | 0:08:09 | |
If I get a life sentence, I'm dead. | 0:08:09 | 0:08:12 | |
-Sean, I... -I can't even drink a cup of tea | 0:08:12 | 0:08:14 | |
because it might be poisoned. | 0:08:14 | 0:08:16 | |
I need you, Martha. | 0:08:18 | 0:08:21 | |
Con, miss? | 0:08:27 | 0:08:29 | |
Sort of. | 0:08:29 | 0:08:32 | |
You? | 0:08:32 | 0:08:33 | |
Do you believe in heaven and hell? | 0:08:33 | 0:08:35 | |
I believe in a big-bang beginning to the universe. | 0:08:37 | 0:08:41 | |
Before the big bang? | 0:08:43 | 0:08:45 | |
Well, if it WAS God, | 0:08:45 | 0:08:47 | |
then my cross-examination will start with, | 0:08:47 | 0:08:49 | |
"Why wait four billion years | 0:08:49 | 0:08:51 | |
"after creating something so, well, infinitely big, | 0:08:51 | 0:08:54 | |
"to tell a small tribe in the Middle East not to covet each other's oxen?" | 0:08:54 | 0:08:59 | |
Ha-ha! | 0:08:59 | 0:09:00 | |
I'm afraid she won't be available, um...for the next three or four months. | 0:09:00 | 0:09:04 | |
-He's grown into his shoes. -Hmm. | 0:09:04 | 0:09:07 | |
Oi! Get over here! | 0:09:07 | 0:09:10 | |
Sorry, can I call you back, please, sir? Cheers. Bye. | 0:09:10 | 0:09:12 | |
Never walk past Martha Costello, no matter how big you get. | 0:09:12 | 0:09:16 | |
-Hmm. -Never, ever walk past this lady. | 0:09:16 | 0:09:19 | |
Got that? | 0:09:19 | 0:09:20 | |
Hello, miss. | 0:09:21 | 0:09:23 | |
-Jake. -That's better. | 0:09:23 | 0:09:24 | |
Now, on your way. | 0:09:24 | 0:09:26 | |
PHONE RINGS | 0:09:30 | 0:09:33 | |
Normally it would be Billy I'd give this to, but... SHE SIGHS | 0:09:33 | 0:09:37 | |
It's my application to join chambers. | 0:09:37 | 0:09:39 | |
Thank you. | 0:09:39 | 0:09:41 | |
You think I should wait until the business with Billy is over? | 0:09:46 | 0:09:49 | |
No, I didn't say that. | 0:09:49 | 0:09:51 | |
I mean, if I lose, I'm the people who made up allegations of sexual harassment, | 0:09:51 | 0:09:55 | |
and chambers won't want me, | 0:09:55 | 0:09:56 | |
and if I win, I'm the people who did for Billy Lamb | 0:09:56 | 0:10:00 | |
and chambers won't want me. | 0:10:00 | 0:10:02 | |
I might as well apply now, for all the chance I've got. | 0:10:02 | 0:10:05 | |
The pupil with the guts to stand up to the man twice her age, | 0:10:05 | 0:10:08 | |
even if it jeopardises her chances | 0:10:08 | 0:10:10 | |
of having the career she sacrificed everything for. | 0:10:10 | 0:10:13 | |
Principle and justice over self-interest. | 0:10:13 | 0:10:16 | |
I'd want someone like that in chambers. | 0:10:16 | 0:10:19 | |
-He, er... He asked me to represent him. -And you said no? | 0:10:34 | 0:10:38 | |
-Clive. -I'm late for court. | 0:10:44 | 0:10:48 | |
You have history with him. It's a conflict of interest. | 0:10:49 | 0:10:52 | |
DOOR SHUTS | 0:10:55 | 0:10:57 | |
Who's going to be the judge in my sexual harassment hearing? | 0:11:00 | 0:11:03 | |
Alan Cowdrey's Head of Chambers until we elect a new one, but he's a fair man... | 0:11:03 | 0:11:07 | |
-Who's known Billy for 20 years. -Don't crack now, Amy. | 0:11:07 | 0:11:10 | |
You stand up to him. You've got lots of people on your side. | 0:11:10 | 0:11:15 | |
And a witness. | 0:11:16 | 0:11:17 | |
You've been following Martha Costello around for the last week, haven't you? | 0:11:18 | 0:11:22 | |
Come with me. I'll show you the other side. | 0:11:22 | 0:11:24 | |
-Billy? -Harriet? | 0:11:36 | 0:11:38 | |
-I've been thinking, maybe you should take some time off before your hearing. -Why? | 0:11:38 | 0:11:42 | |
-Well, you seem a bit... -What? | 0:11:42 | 0:11:44 | |
I'm just trying to help. | 0:11:44 | 0:11:47 | |
-Are you? -We'd be fine without you. | 0:11:47 | 0:11:50 | |
Wouldn't we, John? | 0:11:50 | 0:11:51 | |
Shall we ask someone what the law is? | 0:11:55 | 0:11:57 | |
Miss? | 0:11:57 | 0:11:58 | |
A quick question. | 0:11:58 | 0:12:00 | |
Is an accused man guilty until proven innocent, or is it the other way round? | 0:12:00 | 0:12:05 | |
No, that's not what I'm talking about. | 0:12:05 | 0:12:06 | |
Is the burden of proof on me to prove that Miss Saigon is making a false allegation? | 0:12:06 | 0:12:10 | |
Maybe you can help the lady from Amnesty International | 0:12:10 | 0:12:13 | |
with a few basic human-rights principles? | 0:12:13 | 0:12:16 | |
You've always bullied your way out of things, haven't you? Bully women. | 0:12:16 | 0:12:21 | |
If they complain, bully them some more. | 0:12:21 | 0:12:24 | |
Well, the things I've seen, the bullies I've known, | 0:12:25 | 0:12:28 | |
you don't even come close to intimidating me. | 0:12:28 | 0:12:31 | |
You have to tell people. | 0:12:38 | 0:12:39 | |
No. | 0:12:39 | 0:12:41 | |
No testosterone, no sex drive. | 0:12:41 | 0:12:43 | |
So what kind of harassment is it when the harasser hasn't got any? | 0:12:43 | 0:12:47 | |
I can't, miss. | 0:12:47 | 0:12:48 | |
Why not? | 0:12:48 | 0:12:51 | |
You told me. | 0:12:51 | 0:12:53 | |
You know, for someone without the male hormone, you're behaving very like a man. | 0:12:54 | 0:12:58 | |
I wasn't harassing her. | 0:12:58 | 0:13:01 | |
Forget about what I've got and no testosterone. | 0:13:01 | 0:13:04 | |
It wasn't sexual. | 0:13:04 | 0:13:06 | |
You were just being a senior clerk. | 0:13:06 | 0:13:08 | |
Yeah, and you're the only one round here who seems to understand that. | 0:13:08 | 0:13:11 | |
-And what does that mean? -You have to represent me. -Ah, no. No, no. | 0:13:11 | 0:13:14 | |
-Well, no-one else can. -Look, I... I know too much. I can't. | 0:13:14 | 0:13:17 | |
You have to, because you understand me like no-one else, | 0:13:17 | 0:13:20 | |
and because if I lose and they kick me out... | 0:13:20 | 0:13:23 | |
..I'm dead. | 0:13:24 | 0:13:25 | |
-How is she? -Terrified. | 0:13:38 | 0:13:40 | |
Four years on a fight, three if he pleads. He's pleading, right? | 0:13:52 | 0:13:55 | |
Hello, Clive. | 0:13:55 | 0:13:56 | |
-So? -We're listed for trial and that's what we're doing. | 0:13:56 | 0:13:59 | |
Why don't you do your job? | 0:13:59 | 0:14:00 | |
-My instructions are... -He sexually abused a 12-year-old girl. The evidence is as strong as it gets. | 0:14:00 | 0:14:05 | |
So go downstairs, be a proper barrister and tell him he's pleading guilty. | 0:14:05 | 0:14:08 | |
-We've just been downstairs... -Sorry, um...I've forgotten your name. | 0:14:08 | 0:14:12 | |
-Nick Pellegrini. -Did you know it was me that was prosecuting when you spoke to him? | 0:14:12 | 0:14:15 | |
-No. -So go and tell your self-pitying paedo | 0:14:15 | 0:14:18 | |
that if he maintains a not-guilty plea and this goes to trial, I'll kill him, | 0:14:18 | 0:14:21 | |
and when I say I'll kill him, I mean I'll kill him. | 0:14:21 | 0:14:25 | |
He will never recover from what I do to him in cross-examination. | 0:14:26 | 0:14:30 | |
-Pleading? -Yes. | 0:14:36 | 0:14:38 | |
But he wants you to leave out the level-four laptop stuff. | 0:14:38 | 0:14:42 | |
Of course. | 0:14:42 | 0:14:43 | |
Of course he does. | 0:14:47 | 0:14:48 | |
People get credit for pleading guilty. | 0:14:50 | 0:14:52 | |
Paedophiles, people who sexually abuse children, | 0:14:52 | 0:14:56 | |
and don't plead guilty until three minutes before a jury is due to be sworn in, | 0:14:56 | 0:15:00 | |
don't deserve credit, | 0:15:00 | 0:15:02 | |
particularly if, over a number of years, they have downloaded | 0:15:02 | 0:15:05 | |
some of the most repellent pornography I have ever seen in any case. | 0:15:05 | 0:15:08 | |
"Level four" barely covers it. | 0:15:08 | 0:15:10 | |
I expressly said he was pleading guilty | 0:15:15 | 0:15:17 | |
on the basis that you left out the level-four downloads. | 0:15:17 | 0:15:19 | |
You told me what he wanted. I chose to ignore it. | 0:15:19 | 0:15:22 | |
Well, that's not how it works, as you bloody well know. | 0:15:22 | 0:15:24 | |
We had a conversation, counsel to counsel... | 0:15:24 | 0:15:26 | |
Do you want to go back in and tell the judge? | 0:15:26 | 0:15:28 | |
Maybe we can have a trial just on the disgusting pornography. | 0:15:28 | 0:15:30 | |
-He has a right... -You do what he did to young children, you surrender every right to everything. | 0:15:30 | 0:15:36 | |
I think there are grounds for appeal. | 0:15:36 | 0:15:38 | |
I agree. | 0:15:38 | 0:15:40 | |
Oh, right. | 0:15:40 | 0:15:42 | |
I'm not sure four years is enough. | 0:15:42 | 0:15:44 | |
Plenty of people come to the Criminal Bar and choose to defend | 0:15:53 | 0:15:56 | |
so that they can fight for the downtrodden and the damaged. | 0:15:56 | 0:15:59 | |
You want damaged? There's damaged. | 0:15:59 | 0:16:02 | |
Thank you. | 0:16:02 | 0:16:04 | |
Who's on the side of the angels today? | 0:16:04 | 0:16:07 | |
Nick Pellegrini? | 0:16:07 | 0:16:09 | |
Martha Costello? | 0:16:10 | 0:16:12 | |
Thank you. | 0:16:14 | 0:16:16 | |
Some barristers get smoothed out by overexposure to bad things. | 0:16:21 | 0:16:25 | |
I mean, they see so much of it, they forget how bad it is and how to feel. | 0:16:25 | 0:16:30 | |
Not me. | 0:16:30 | 0:16:32 | |
-SHE SIGHS -Two things. | 0:16:32 | 0:16:35 | |
Yes? | 0:16:35 | 0:16:36 | |
There are a series of these prosecutions, 19 in all, every one as bad as this. | 0:16:36 | 0:16:40 | |
Right, good. | 0:16:40 | 0:16:42 | |
And the second thing? | 0:16:43 | 0:16:45 | |
Are you free this evening? | 0:16:45 | 0:16:47 | |
I'll call you. | 0:16:49 | 0:16:50 | |
DOOR OPENS | 0:17:02 | 0:17:05 | |
19 white-ribbon briefs for Clive Reader. | 0:17:05 | 0:17:07 | |
You trying to wind me up? | 0:17:07 | 0:17:09 | |
-It's good work. -It's prosecuting. | 0:17:09 | 0:17:11 | |
And Clive's very good at it. | 0:17:11 | 0:17:13 | |
300 years of clerking, sirs have always been sirs. | 0:17:13 | 0:17:16 | |
Misses have always been misses. | 0:17:16 | 0:17:18 | |
You come along, and "sir" turns into a first name all of a sudden. | 0:17:18 | 0:17:22 | |
What do we put that down to? I'll tell you, shall I? | 0:17:23 | 0:17:26 | |
Massive disrespect for history. | 0:17:26 | 0:17:29 | |
If there's one thing I learned from my time working for Amnesty, | 0:17:29 | 0:17:33 | |
it's a massive disrespect for history | 0:17:33 | 0:17:35 | |
and an equally massive disrespect for people with too much respect for history. | 0:17:35 | 0:17:40 | |
Let's have a drink, shall we? | 0:17:43 | 0:17:45 | |
Soon. Just you and me. | 0:17:45 | 0:17:47 | |
OK. | 0:17:47 | 0:17:49 | |
Clive. | 0:17:49 | 0:17:51 | |
Clive asked me to look at something for him. | 0:17:59 | 0:18:01 | |
Did he, now? What did he get yesterday? | 0:18:01 | 0:18:06 | |
Four years. | 0:18:06 | 0:18:08 | |
-About right? -Drug mules get 12 or 13. | 0:18:08 | 0:18:11 | |
-Who was the CPS solicitor? -Nicola. | 0:18:13 | 0:18:16 | |
Why are you smiling? | 0:18:19 | 0:18:20 | |
They were very flirtatious, Nicola and Clive. | 0:18:20 | 0:18:22 | |
Mm, well, he's like that with everyone. If in doubt, flirt. | 0:18:22 | 0:18:27 | |
Yeah, yeah, but... | 0:18:27 | 0:18:29 | |
What? | 0:18:30 | 0:18:31 | |
Are you good at reading sexual signals, Amy? | 0:18:33 | 0:18:36 | |
Look. | 0:18:47 | 0:18:48 | |
Billy isn't himself at the moment. | 0:18:51 | 0:18:54 | |
Now, I know him really well, and he wouldn't do a thing like that, believe me. | 0:18:54 | 0:18:58 | |
But he did. | 0:18:58 | 0:18:59 | |
-Amy... -What am I supposed to do, Martha? | 0:18:59 | 0:19:02 | |
It's the truth. | 0:19:02 | 0:19:04 | |
I thought I could rely on you. | 0:19:04 | 0:19:06 | |
Oh, er...thank you for yesterday. | 0:19:11 | 0:19:14 | |
I learned a lot. | 0:19:14 | 0:19:16 | |
So. | 0:19:21 | 0:19:23 | |
Did he do it? | 0:19:27 | 0:19:29 | |
(NORTHERN ACCENT) Our Sean? | 0:19:29 | 0:19:30 | |
He owns three clubs in Manchester. They're a success. | 0:19:30 | 0:19:34 | |
So he wants to repeat that success in London. | 0:19:34 | 0:19:36 | |
He makes an announcement saying that he's opening a new club in King's Cross | 0:19:36 | 0:19:41 | |
and calling it The Electric, which is the name of his biggest Manchester club. | 0:19:41 | 0:19:45 | |
So it seems a bit like world domination? | 0:19:45 | 0:19:48 | |
Two days later, Jimmy Monk visits him in Manchester | 0:19:48 | 0:19:52 | |
and tells him to keep out of the London club scene. | 0:19:52 | 0:19:54 | |
Jimmy tells him that the Monk family want payment | 0:19:54 | 0:19:57 | |
for allowing him even to exist in the Manchester scene, let alone London. | 0:19:57 | 0:20:01 | |
-Protection money? -By any other name. | 0:20:02 | 0:20:04 | |
The Monk family don't want some Northern upstart treading on their toes | 0:20:04 | 0:20:09 | |
so Jimmy and his goons slap Sean about a bit, because they're like that. | 0:20:09 | 0:20:12 | |
And Sean's left feeling angry and humiliated? | 0:20:12 | 0:20:16 | |
Three months later, he's arrested for the murder of Jimmy Monk | 0:20:16 | 0:20:20 | |
in a Heathrow hotel room. | 0:20:20 | 0:20:22 | |
His prints are in the room and he's on the CCTV entering the hotel. | 0:20:22 | 0:20:27 | |
The timing fits. | 0:20:27 | 0:20:28 | |
-Weapon? -No gun found. | 0:20:28 | 0:20:31 | |
Well, that's the evidence, but you still haven't answered my question. | 0:20:31 | 0:20:35 | |
Did Sean McBride put a gun to Jimmy Monk's head and pull the trigger? Yes or no? | 0:20:35 | 0:20:40 | |
No. | 0:20:40 | 0:20:41 | |
What was he doing when he came to see you that time? | 0:20:42 | 0:20:44 | |
-What do you mean? -Well, it would have been after Jimmy roughed him up | 0:20:44 | 0:20:47 | |
but before the date of the murder. | 0:20:47 | 0:20:49 | |
Why don't you just spit it out, Clive? | 0:20:49 | 0:20:51 | |
-How long had he not seen you for? -I don't know. | 0:20:51 | 0:20:53 | |
Are we talking five years? Ten years? | 0:20:53 | 0:20:54 | |
Then all of a sudden he's down in London schmoozing the only lawyer he knows? | 0:20:54 | 0:20:58 | |
We're old friends. | 0:20:58 | 0:21:00 | |
Hmm. Bit more than that, by the sounds of it. | 0:21:00 | 0:21:03 | |
By the sounds of... Sorry, what do you mean, by the sounds of it? | 0:21:03 | 0:21:05 | |
You'd have said no to an old friend, but you said yes to him, | 0:21:05 | 0:21:08 | |
cos you had a bit of whatever round the back of the Hacienda last century. | 0:21:08 | 0:21:11 | |
You... You're practically a witness and you're representing him. | 0:21:11 | 0:21:14 | |
You're jealous. | 0:21:19 | 0:21:21 | |
HE EXHALES | 0:21:21 | 0:21:23 | |
-I need someone to represent me. -No. | 0:21:33 | 0:21:35 | |
-It's just... -It's Billy. | 0:21:35 | 0:21:37 | |
Yeah, but... | 0:21:37 | 0:21:38 | |
-You wouldn't ask Martha, would you? -I would have, but I can't. | 0:21:38 | 0:21:41 | |
-Why not? -Because she's representing Billy. | 0:21:41 | 0:21:43 | |
Er...miss? It's the CCTV from the hotel, the McBride case. | 0:21:46 | 0:21:51 | |
-Wow, that was quick. -Well, we've got both briefs in chambers. | 0:21:51 | 0:21:54 | |
What? Who? | 0:21:54 | 0:21:57 | |
-Miss Warwick. -CW's prosecuting Sean? | 0:21:57 | 0:22:00 | |
HE MOUTHS | 0:22:02 | 0:22:05 | |
-What do you think? -I think I'm better-looking. | 0:22:10 | 0:22:13 | |
BOTH CHUCKLE | 0:22:13 | 0:22:15 | |
-It's definitely him. -Well, we're not saying it's not. | 0:22:16 | 0:22:20 | |
Well, the fingerprints in the room kind of make your mind up for you on that one. | 0:22:20 | 0:22:23 | |
Yeah, but why would he talk to her if he's about to murder somebody? | 0:22:23 | 0:22:27 | |
-I mean, why would he do that? -You could read it as cold-blooded. | 0:22:27 | 0:22:29 | |
He's not cold-blooded. | 0:22:29 | 0:22:31 | |
DOOR OPENS | 0:22:31 | 0:22:33 | |
Sean McBride. Solicitor's had a bail app listed. | 0:22:33 | 0:22:37 | |
-When? -He forgot to tell us. | 0:22:37 | 0:22:39 | |
-When, John? -Two o'clock. | 0:22:39 | 0:22:42 | |
-I'm across the road at two. -Yes, miss. Sorry, miss. | 0:22:42 | 0:22:44 | |
-Well, I'm free. I'll do it. -It's half 12 now, sir. | 0:22:44 | 0:22:47 | |
It's fine. Miss Costello's got me up to speed. | 0:22:47 | 0:22:51 | |
Thank you. | 0:22:55 | 0:22:56 | |
-I'm just popping down to Woolwich. -Why? | 0:22:57 | 0:23:00 | |
McBride bail-out. | 0:23:00 | 0:23:02 | |
-Defending, Clive? -Helping chambers out. | 0:23:02 | 0:23:05 | |
SHE SIGHS | 0:23:05 | 0:23:07 | |
McBride. | 0:23:09 | 0:23:10 | |
-You want to be careful, sir. -Why's that? We... | 0:23:10 | 0:23:13 | |
I wouldn't be in a room with a psycho like McBride. | 0:23:13 | 0:23:16 | |
By the way, are you for real? | 0:23:18 | 0:23:21 | |
Sorry? | 0:23:21 | 0:23:22 | |
Bailing a gangland murder? | 0:23:22 | 0:23:25 | |
-Gangland? -Well, what would you like me to call it? | 0:23:25 | 0:23:28 | |
Psycho nightclub owner with strong interest in guns and killing people | 0:23:28 | 0:23:31 | |
murders youngest brother in biggest criminal outfit in North London? Is that better? | 0:23:31 | 0:23:34 | |
Killing PEOPLE? | 0:23:34 | 0:23:36 | |
Two tours in Afghanistan. | 0:23:36 | 0:23:38 | |
-Where's Martha? -Busy. | 0:23:46 | 0:23:48 | |
She can't just drop everything for a bail-out. | 0:23:48 | 0:23:50 | |
-What's she doing? -Let's talk about you. | 0:23:50 | 0:23:52 | |
-Now, were you at the hotel? -Can we get rid of him? | 0:23:52 | 0:23:54 | |
-What? -I don't trust him. | 0:23:54 | 0:23:56 | |
-He's fine. -He's not fine. He's overdoing it. | 0:23:56 | 0:23:59 | |
-He's just coming down. -He's not coming down from anything. He's here to listen to what I say to you. | 0:23:59 | 0:24:03 | |
-Aren't you? Aren't you?! -Hey! Hey! | 0:24:03 | 0:24:05 | |
Hey, look! Look! He's the real thing! | 0:24:05 | 0:24:08 | |
Take your shirt off. | 0:24:08 | 0:24:10 | |
-Where's the wire, Sean? -I don't trust him. | 0:24:11 | 0:24:14 | |
HE SIGHS | 0:24:14 | 0:24:16 | |
Hello? I need time alone with my client. | 0:24:20 | 0:24:24 | |
-I was at the hotel. Turned over the first protection money payment. -How much? -Three grand. | 0:24:25 | 0:24:29 | |
Right, so you flew to Heathrow to hand over £3,000. | 0:24:29 | 0:24:31 | |
I... I didn't fly. I drove. | 0:24:31 | 0:24:34 | |
Right, I waited in the hotel at the agreed time. Jimmy didn't show up, so I left. It's simple. | 0:24:34 | 0:24:38 | |
Can you get me bail? | 0:24:38 | 0:24:40 | |
People on a murder charge don't get bail. | 0:24:40 | 0:24:43 | |
Martha said it was worth a shot. | 0:24:45 | 0:24:47 | |
-Yeah, well, she's a big hit with the clients. -What does that mean? | 0:24:47 | 0:24:50 | |
Well, Martha's one of the world's great optimists. | 0:24:50 | 0:24:52 | |
Clients like to be told they're going to win. | 0:24:52 | 0:24:54 | |
It would be a miracle if I got you bail under these circumstances. | 0:24:54 | 0:24:58 | |
TANNOY: All parties for the Lakin case... | 0:25:04 | 0:25:07 | |
So, here's the equation. | 0:25:12 | 0:25:14 | |
If I'm gonna represent you against Billy, it has to be worth it. | 0:25:14 | 0:25:17 | |
-Sorry? I don't understand. -Are you any good? Can you cut it at the Criminal Bar? | 0:25:17 | 0:25:20 | |
Right. | 0:25:20 | 0:25:22 | |
So, are you gonna tell me what you're here for? | 0:25:22 | 0:25:25 | |
Erm...yes, yeah. | 0:25:25 | 0:25:28 | |
A... A pit bull tied up outside a shop on Kentish Town High Street, | 0:25:28 | 0:25:31 | |
and a Spinone goes past. | 0:25:31 | 0:25:32 | |
-Spinone? -Italian hunting dog. She's called Lottie. | 0:25:32 | 0:25:35 | |
She's got like a...a beard and huge feet and just... | 0:25:35 | 0:25:39 | |
Anyway, er...the pit bull, he goes mad, he breaks free, | 0:25:39 | 0:25:42 | |
and he clamps his jaw onto Lottie's back end. | 0:25:42 | 0:25:44 | |
Now, all of this is incredibly shocking. There's blood everywhere. | 0:25:44 | 0:25:47 | |
Lottie doesn't utter a sound. | 0:25:47 | 0:25:49 | |
She just stands there, bleeding and...and hopeless, | 0:25:49 | 0:25:52 | |
waiting to die and... | 0:25:52 | 0:25:54 | |
-Miss Lang? -Hang on. | 0:25:54 | 0:25:56 | |
-What next? Who are you representing? -Er...sorry. I have to go. | 0:25:56 | 0:25:59 | |
Mr Reader? | 0:25:59 | 0:26:00 | |
I'll come in and see you! | 0:26:00 | 0:26:02 | |
The defendant lied. | 0:26:07 | 0:26:09 | |
-About? -His gun. | 0:26:09 | 0:26:11 | |
He said he didn't own one. We have evidence that he did. | 0:26:11 | 0:26:16 | |
Mr Reader? | 0:26:19 | 0:26:21 | |
No gun was found. | 0:26:25 | 0:26:27 | |
There is no murder weapon. | 0:26:27 | 0:26:29 | |
Detective Chief Inspector Fitzpatrick chooses to call the defendant, | 0:26:29 | 0:26:33 | |
and I quote, "a psycho". | 0:26:33 | 0:26:36 | |
I'm going to give him the contact details of one or two mental-health charities, | 0:26:36 | 0:26:40 | |
who would like to have a word with him about this kind of casual stigmatising. | 0:26:40 | 0:26:44 | |
This is a man who served his country in Afghanistan with distinction, | 0:26:45 | 0:26:48 | |
and vehemently denies this allegation. | 0:26:48 | 0:26:51 | |
He wouldn't want to skip bail | 0:26:51 | 0:26:53 | |
because he's desperate to stand trial so that he can clear his name. | 0:26:53 | 0:26:56 | |
And just in case you were thinking of deciding | 0:26:56 | 0:26:58 | |
that the defendant needed to be remanded in custody for his own safety, | 0:26:58 | 0:27:03 | |
you and I both know, although the world likes to pretend that it isn't true, | 0:27:03 | 0:27:07 | |
that prison is the least safe place he could be. | 0:27:07 | 0:27:10 | |
I'm going to retire to consider my decision. | 0:27:14 | 0:27:17 | |
All rise. | 0:27:17 | 0:27:18 | |
-What the hell do you call that? -What? | 0:27:23 | 0:27:26 | |
-The "psycho" business. -He said it. Ask him. | 0:27:26 | 0:27:29 | |
He's entitled to think that he can say things in private that remain private. | 0:27:29 | 0:27:33 | |
-It was a casual remark. -Betraying the real man underneath. | 0:27:33 | 0:27:35 | |
What gave you the right to say that? | 0:27:35 | 0:27:37 | |
You've known him for two minutes and you've seen into his soul? | 0:27:37 | 0:27:40 | |
-You're really angry with me? -Yes, of course I'm really angry with you! | 0:27:40 | 0:27:43 | |
-Yeah, but deeper than that, you're frightened. -Frightened? -Bail in a murder? | 0:27:43 | 0:27:47 | |
Imagine how embarrassed you'd be. You'd need a big drink. | 0:27:47 | 0:27:49 | |
HE GASPS | 0:27:51 | 0:27:52 | |
How many? | 0:28:00 | 0:28:02 | |
What? | 0:28:02 | 0:28:04 | |
-You were a sniper? -Yeah. | 0:28:05 | 0:28:07 | |
How many Taliban? | 0:28:07 | 0:28:10 | |
-Nine hits. -Maybe don't use that word in court. | 0:28:10 | 0:28:12 | |
USHER: All rise. | 0:28:12 | 0:28:14 | |
Whatever happens, thanks. That was done properly. | 0:28:14 | 0:28:17 | |
I have considered the arguments of Mr Reader. | 0:28:24 | 0:28:27 | |
In my judgment, the defendant should remain in custody. | 0:28:27 | 0:28:32 | |
Bail is refused. | 0:28:32 | 0:28:34 | |
What would Shoe Lane look like, a week after Billy Lamb leaves this life? | 0:28:38 | 0:28:43 | |
Like a clerks' room full of clerks. | 0:28:43 | 0:28:45 | |
I'm after something more than legacy. | 0:28:47 | 0:28:49 | |
-What's that? -Atonement. | 0:28:49 | 0:28:52 | |
Also known as grassing people up. | 0:28:52 | 0:28:55 | |
Atonement means a lot more | 0:28:55 | 0:28:56 | |
than the codes of honour that bad people make for themselves. | 0:28:56 | 0:29:00 | |
Grassing up bad people is good. | 0:29:00 | 0:29:03 | |
Not grassing up bad people is lawyering. | 0:29:03 | 0:29:06 | |
Huh! | 0:29:06 | 0:29:08 | |
There are no grasses in hell, Billy. | 0:29:09 | 0:29:12 | |
So what do you want from me, then? | 0:29:13 | 0:29:14 | |
Martha Costello. | 0:29:18 | 0:29:19 | |
Why? | 0:29:21 | 0:29:22 | |
-She thinks I'm the devil. -So? | 0:29:24 | 0:29:26 | |
I want to show her who I really am. | 0:29:26 | 0:29:28 | |
Why? | 0:29:28 | 0:29:31 | |
I love that girl. You know that. | 0:29:33 | 0:29:35 | |
I know you do. | 0:29:35 | 0:29:37 | |
And you want to look after her. | 0:29:37 | 0:29:39 | |
Trust me. | 0:29:41 | 0:29:43 | |
I've got all her best interests right next to my heart. | 0:29:43 | 0:29:46 | |
My client was sitting in the window of a cafe, | 0:29:49 | 0:29:52 | |
working on his laptop, when he saw what was happening. | 0:29:52 | 0:29:55 | |
He knew what he had to do. | 0:29:55 | 0:29:56 | |
He ran into the kitchen, he grabbed what he needed, | 0:29:56 | 0:29:59 | |
he sprinted across the road and he stuck a kitchen knife into the pit bull's side. | 0:29:59 | 0:30:04 | |
He told me it was the hardest thing he's ever done. | 0:30:04 | 0:30:07 | |
Now Lottie was free, but she collapsed in the road. | 0:30:08 | 0:30:11 | |
Two police cars and four police officers arrived, and what did they do? | 0:30:11 | 0:30:15 | |
They refused to take Lottie to the vet, basically because they didn't want her blood in their car. | 0:30:15 | 0:30:20 | |
At which point my client got upset. | 0:30:20 | 0:30:22 | |
He forgot that he still had the knife, and that he was covered in the blood of two dogs, | 0:30:22 | 0:30:26 | |
and he shouted at them, that they would be responsible for her death if she died. | 0:30:26 | 0:30:31 | |
They arrested him under the Public Order Act. | 0:30:31 | 0:30:34 | |
My client wants me to say that he's not sorry for what he's done, | 0:30:36 | 0:30:39 | |
he'd do the same again tomorrow, | 0:30:39 | 0:30:40 | |
and that he used to respect and trust the police force, but he doesn't any more. | 0:30:40 | 0:30:44 | |
He wonders why back-seat upholstery is considered more important | 0:30:44 | 0:30:48 | |
than the life of an Italian Spinone. | 0:30:48 | 0:30:50 | |
Thank you, Miss Lang. | 0:30:51 | 0:30:53 | |
Stand up, please. | 0:30:57 | 0:30:58 | |
I'm going to deal with this by way of a conditional discharge. | 0:30:59 | 0:31:03 | |
Stay away from big knives and it'll be the last you hear of this. | 0:31:03 | 0:31:06 | |
Thank you. | 0:31:06 | 0:31:08 | |
How is Lottie? | 0:31:10 | 0:31:11 | |
Er...she's alive and well and walking around happily on three legs. | 0:31:12 | 0:31:16 | |
SHE EXHALES | 0:31:22 | 0:31:23 | |
Clive, the election. | 0:31:26 | 0:31:28 | |
Head of Chambers. | 0:31:28 | 0:31:30 | |
It's a three-way tie, my polling tells me. 15 votes each. | 0:31:30 | 0:31:33 | |
AMY AND JOHN SPEAK OUTSIDE | 0:31:33 | 0:31:37 | |
-When are we deciding on Amy? -Next week. | 0:31:38 | 0:31:41 | |
-Before the election? -And before Billy's harassment hearing. | 0:31:41 | 0:31:44 | |
-So she'll have a vote? -Yeah. | 0:31:45 | 0:31:48 | |
I thought you were brilliant in court today. | 0:31:50 | 0:31:52 | |
Listen, I've been thinking, | 0:31:52 | 0:31:55 | |
it's only fair that, if Billy has a silk representing him, so do you. | 0:31:55 | 0:31:59 | |
DOOR OPENS | 0:32:09 | 0:32:12 | |
-You didn't tell me about the gun. -How was he? | 0:32:13 | 0:32:16 | |
-He likes me better than his blonde brief. -Hmm, very funny. -He's good at killing people, though. | 0:32:16 | 0:32:20 | |
Nine dead men, Mar. | 0:32:20 | 0:32:22 | |
-That's different. -Well, yes and no. | 0:32:22 | 0:32:25 | |
Shooting someone isn't easy, but the more you do it, the easier it becomes. | 0:32:25 | 0:32:29 | |
Like it or not, call it what you want, he's a professional killer. | 0:32:29 | 0:32:32 | |
Hmm. I've got work to do. | 0:32:32 | 0:32:34 | |
-CLIVE SCOFFS -Jumpy as hell. | 0:32:40 | 0:32:43 | |
-It's an insult! -Look, as you so rightly pointed out, | 0:32:49 | 0:32:51 | |
you are innocent until proven guilty. | 0:32:51 | 0:32:53 | |
You're entitled to carry on your life as normal until the hearing and so is Amy. | 0:32:53 | 0:32:56 | |
Part of that life is chambers deciding | 0:32:56 | 0:32:58 | |
whether or not she should become a member for ever. | 0:32:58 | 0:33:01 | |
Agreed? | 0:33:01 | 0:33:03 | |
Good. | 0:33:03 | 0:33:05 | |
You're trying to take Clive Reader away from me. | 0:33:05 | 0:33:08 | |
You won't do it, and sleeping with him won't get him either! | 0:33:08 | 0:33:12 | |
-What did you say? -You heard! | 0:33:12 | 0:33:13 | |
I've seen you fiddling with your hair when you talk to him, | 0:33:13 | 0:33:16 | |
giving it the old Diana doe eyes. | 0:33:16 | 0:33:18 | |
And what about qualities like being hard-working and intelligent? | 0:33:18 | 0:33:21 | |
Can women have those, Billy? | 0:33:21 | 0:33:23 | |
And what about you? Let's do your so-called good parts. What are they? | 0:33:23 | 0:33:26 | |
Sentiment. Loyalty. | 0:33:26 | 0:33:29 | |
The two most overrated human qualities, | 0:33:29 | 0:33:31 | |
and the big thing about both, always male! | 0:33:31 | 0:33:34 | |
I'm not... | 0:33:34 | 0:33:36 | |
a man! | 0:33:36 | 0:33:37 | |
I'm a senior clerk. | 0:33:50 | 0:33:52 | |
SHE SIGHS | 0:33:57 | 0:33:58 | |
SHAKY SIGH | 0:34:02 | 0:34:05 | |
Yeah, it's Lamb. | 0:34:06 | 0:34:09 | |
William Lamb, I'm ringing for my test results. | 0:34:09 | 0:34:12 | |
-Yeah. -FOOTSTEPS APPROACHING | 0:34:13 | 0:34:16 | |
-CLEARS THROAT -Sorry. | 0:34:18 | 0:34:21 | |
No, no. | 0:34:21 | 0:34:23 | |
Do you like boxing, sir? | 0:34:23 | 0:34:25 | |
CROWD CALLING OUT | 0:34:27 | 0:34:30 | |
That's Jake. | 0:34:45 | 0:34:46 | |
CROWD CALLING OUT | 0:34:46 | 0:34:48 | |
What's he doing? | 0:34:48 | 0:34:50 | |
He can't... Can he? | 0:34:50 | 0:34:53 | |
Yes, he can. | 0:34:53 | 0:34:54 | |
HE LAUGHS | 0:34:56 | 0:34:58 | |
Come on, my son! | 0:35:10 | 0:35:12 | |
Go on! | 0:35:16 | 0:35:17 | |
BELL RINGS | 0:35:19 | 0:35:22 | |
Sean McBride wonders whether you will work alongside Miss Costello. | 0:35:27 | 0:35:29 | |
Seems he liked your bail application. | 0:35:29 | 0:35:32 | |
I told the solicitor, two silks, it just wouldn't happen. | 0:35:32 | 0:35:35 | |
No. | 0:35:35 | 0:35:36 | |
Be like Federer and Nadal playing doubles. Just wouldn't happen. | 0:35:36 | 0:35:40 | |
-No. -No. | 0:35:40 | 0:35:41 | |
Not even if one of the silk needs protecting from her dangerous client, | 0:35:41 | 0:35:44 | |
and our senior clerk is happy for it to happen, | 0:35:44 | 0:35:47 | |
so happy that he might forgive the other silk | 0:35:47 | 0:35:50 | |
for arguing that he's a sexual predator. | 0:35:50 | 0:35:53 | |
Which one of us is Federer? | 0:35:56 | 0:35:58 | |
Well, guile and grace, no sweat, no grunts? I'd say you were Roger, sir. | 0:35:58 | 0:36:03 | |
HE CHUCKLES | 0:36:03 | 0:36:05 | |
-BELL RINGS -Ready, guys? | 0:36:09 | 0:36:11 | |
-Come on, Jake! -Go on, Jake! | 0:36:11 | 0:36:13 | |
That's it, into him! | 0:36:18 | 0:36:19 | |
Go on! | 0:36:21 | 0:36:22 | |
Ooh, yes! Ooh! | 0:36:22 | 0:36:25 | |
-Yes! -CHEERING | 0:36:25 | 0:36:26 | |
Go on! Go on, son! | 0:36:26 | 0:36:28 | |
Yes, Jake! Good boy! | 0:36:29 | 0:36:31 | |
-PHONE RINGS -Come on! He's done it. | 0:36:32 | 0:36:34 | |
-Hello? -He's done it! Well done! | 0:36:34 | 0:36:36 | |
Yes! | 0:36:38 | 0:36:39 | |
Whoo-hoo! | 0:36:39 | 0:36:41 | |
Fantastic. | 0:36:41 | 0:36:43 | |
Yes, my son. | 0:36:43 | 0:36:45 | |
(LAUGHING) Go on! | 0:36:45 | 0:36:47 | |
Yes! | 0:36:54 | 0:36:56 | |
Go on, my son. | 0:36:56 | 0:36:59 | |
'Yeah, erm...Billy Lamb.' | 0:37:00 | 0:37:02 | |
Yeah. | 0:37:02 | 0:37:03 | |
Yeah, sure. 2nd June, 1969. | 0:37:05 | 0:37:08 | |
Right. | 0:37:12 | 0:37:13 | |
Right. | 0:37:15 | 0:37:17 | |
Thank you. | 0:37:17 | 0:37:18 | |
Sure. | 0:37:19 | 0:37:21 | |
No, I'll be fine. Er...yes. | 0:37:21 | 0:37:23 | |
I'm with someone. | 0:37:23 | 0:37:24 | |
Bloody hell. | 0:37:33 | 0:37:34 | |
Why would you do that? | 0:37:44 | 0:37:46 | |
You and she up against each other for Head of Chambers | 0:37:46 | 0:37:49 | |
and you're being her junior. | 0:37:49 | 0:37:51 | |
-I'm not her junior. -Course you are. | 0:37:51 | 0:37:54 | |
Do you know what I think? | 0:37:56 | 0:37:58 | |
I think you've been half in love with since you met. | 0:37:58 | 0:38:01 | |
You're wrong. | 0:38:01 | 0:38:03 | |
It's my job to know everything about you. | 0:38:04 | 0:38:06 | |
-Everything? -Everything. | 0:38:06 | 0:38:10 | |
The closer I get, the more I know, the better I can look after you. | 0:38:11 | 0:38:16 | |
How much closer? | 0:38:20 | 0:38:21 | |
PHONE VIBRATES HE LAUGHS | 0:38:23 | 0:38:26 | |
You're working. | 0:38:26 | 0:38:28 | |
-What? -You just looked at your phone. | 0:38:28 | 0:38:30 | |
Me, your phone... | 0:38:30 | 0:38:32 | |
it's all in a day's work. | 0:38:32 | 0:38:36 | |
I don't think so. | 0:38:36 | 0:38:37 | |
PHONE RINGS | 0:38:37 | 0:38:40 | |
PHONES RING AND VIBRATE | 0:38:42 | 0:38:45 | |
Hello? | 0:38:49 | 0:38:51 | |
John? | 0:38:51 | 0:38:52 | |
What is it? | 0:38:57 | 0:38:59 | |
Er... | 0:38:59 | 0:39:01 | |
there's, um... | 0:39:01 | 0:39:03 | |
..a clash | 0:39:06 | 0:39:08 | |
in the diary. | 0:39:08 | 0:39:09 | |
Is that why you got me back from the pub? | 0:39:11 | 0:39:13 | |
The pub? | 0:39:14 | 0:39:16 | |
You're turning into a real clerk. | 0:39:16 | 0:39:18 | |
Was he your first? | 0:39:20 | 0:39:22 | |
-What? -Toxic cocktail. | 0:39:22 | 0:39:24 | |
First love revisited. | 0:39:24 | 0:39:27 | |
What are you saying? | 0:39:27 | 0:39:28 | |
If you get him off, will you be getting off with him? | 0:39:28 | 0:39:31 | |
The word from all the coppers is that he did it. | 0:39:33 | 0:39:37 | |
Not the case, not the evidence, the actual word. | 0:39:37 | 0:39:42 | |
Just so you know. | 0:39:42 | 0:39:44 | |
HE EXHALES | 0:39:50 | 0:39:52 | |
Afghanistan. | 0:39:54 | 0:39:55 | |
Eight shots. 300 metres. 350, maybe. | 0:40:00 | 0:40:03 | |
That range, you have to aim a tiny bit high, | 0:40:03 | 0:40:05 | |
because the trajectory of the bullet has a small downward curve in it | 0:40:05 | 0:40:08 | |
so the focus is all on the execution of a shot. | 0:40:08 | 0:40:10 | |
It's not about another human being. | 0:40:10 | 0:40:12 | |
There were nine, weren't there? | 0:40:13 | 0:40:15 | |
The ninth was a firefight. | 0:40:17 | 0:40:19 | |
Usual mayhem. I found myself in a drainage ditch and there he was. | 0:40:19 | 0:40:23 | |
15 feet away. Him or me. | 0:40:23 | 0:40:25 | |
What was it like? | 0:40:27 | 0:40:28 | |
His weapon jammed, so he ran at me. | 0:40:29 | 0:40:31 | |
He nearly got to me, but... | 0:40:32 | 0:40:34 | |
Not like sniping? | 0:40:37 | 0:40:39 | |
Blew his face off. | 0:40:40 | 0:40:42 | |
At that range, you know... | 0:40:42 | 0:40:44 | |
I try not to think about it. | 0:40:46 | 0:40:48 | |
I'll see you upstairs. | 0:40:51 | 0:40:52 | |
Martha? | 0:40:54 | 0:40:55 | |
I didn't do this. | 0:40:56 | 0:40:58 | |
A planned killing in cold blood. | 0:41:06 | 0:41:08 | |
A single gunshot through the back of the head, just behind the left ear. | 0:41:08 | 0:41:13 | |
We say this man was forced to kneel down on the carpet | 0:41:14 | 0:41:19 | |
and was shot from behind by a trained killer | 0:41:19 | 0:41:23 | |
who knows about the science of killing people. | 0:41:23 | 0:41:27 | |
That killer, the evidence will show... | 0:41:28 | 0:41:31 | |
..is Sean McBride. | 0:41:33 | 0:41:35 | |
Well, Jimmy Monk came into the club with these three big fellas. | 0:41:38 | 0:41:42 | |
Erm...Sean, he was out the back, but then he came through. | 0:41:42 | 0:41:45 | |
What happened? | 0:41:45 | 0:41:47 | |
Jimmy said he liked the club, but he should stay away from London. | 0:41:47 | 0:41:50 | |
-Did Sean respond? -He laughed. | 0:41:50 | 0:41:54 | |
One of them got a hold of Sean round the neck, | 0:41:54 | 0:41:56 | |
and the other two gave him some slaps. | 0:41:56 | 0:41:59 | |
Slaps? | 0:41:59 | 0:42:01 | |
Actual slaps with the palm of the hand. | 0:42:01 | 0:42:03 | |
I... I think they just wanted to make him feel stupid. | 0:42:03 | 0:42:06 | |
What was Jimmy Monk doing? | 0:42:08 | 0:42:10 | |
He was smiling, | 0:42:10 | 0:42:12 | |
and he said he wanted money in return for allowing the Manchester clubs to carry on. | 0:42:12 | 0:42:16 | |
Was there any further contact between Sean and Jimmy? | 0:42:16 | 0:42:21 | |
Yes. | 0:42:21 | 0:42:22 | |
Er...Sean gave him a call. | 0:42:22 | 0:42:25 | |
Did you hear what Sean said? | 0:42:25 | 0:42:28 | |
He was arranging to meet Jimmy. | 0:42:28 | 0:42:30 | |
-Where? -A Heathrow hotel. | 0:42:30 | 0:42:32 | |
Just Jimmy? | 0:42:32 | 0:42:34 | |
He was very insistent that it be just Jimmy. | 0:42:34 | 0:42:38 | |
They agreed the date and the location for the meeting and ended the call. | 0:42:38 | 0:42:42 | |
-HE SIGHS -How did he seem after the call? | 0:42:44 | 0:42:47 | |
Er...he was pumped up. You know, excited. | 0:42:49 | 0:42:52 | |
Did he say anything to you? | 0:42:52 | 0:42:55 | |
He said it would be like going out on patrol. | 0:42:55 | 0:42:58 | |
What did he mean? | 0:42:58 | 0:43:00 | |
Afghanistan. | 0:43:00 | 0:43:02 | |
Did Sean McBride own a gun? | 0:43:04 | 0:43:06 | |
-Yes. -Can you describe it? | 0:43:09 | 0:43:12 | |
Er...a pistol. | 0:43:12 | 0:43:13 | |
With a...like a red stripe on the handle. | 0:43:13 | 0:43:16 | |
-Where did he keep it? -A drawer in the office. | 0:43:16 | 0:43:19 | |
Where is the gun now? | 0:43:19 | 0:43:20 | |
-I don't know. -Did you look for it? | 0:43:20 | 0:43:23 | |
-Yes. -When? | 0:43:23 | 0:43:25 | |
When he was down in London for the Jimmy Monk meeting. | 0:43:25 | 0:43:28 | |
You checked on the gun? | 0:43:28 | 0:43:31 | |
It was gone. | 0:43:31 | 0:43:33 | |
What did you do when Jimmy and his heavies were slapping your best friend around? | 0:43:40 | 0:43:45 | |
Nothing. | 0:43:45 | 0:43:47 | |
-Why not? -I couldn't. | 0:43:47 | 0:43:50 | |
-Were you restrained? -No. | 0:43:50 | 0:43:53 | |
-Were you scared? -Yes. | 0:43:53 | 0:43:56 | |
-And what were you scared of? -Jimmy and his heavies. | 0:43:56 | 0:44:00 | |
-Why? -They're hard men. | 0:44:00 | 0:44:02 | |
Did you offer to go with Sean to the meeting at Heathrow? | 0:44:02 | 0:44:07 | |
No. | 0:44:07 | 0:44:08 | |
-Why not? -Same reason. | 0:44:08 | 0:44:09 | |
Fear? | 0:44:09 | 0:44:11 | |
Sorry, could you speak up? | 0:44:13 | 0:44:15 | |
-HE SIGHS -Yes. | 0:44:15 | 0:44:17 | |
Sean went to Heathrow to make a protection money payment to Jimmy Monk? | 0:44:17 | 0:44:22 | |
I don't know. | 0:44:22 | 0:44:24 | |
And Sean being nervous the night before, well, that's hardly surprising, is it? | 0:44:24 | 0:44:28 | |
I mean, you'd have felt the same, | 0:44:28 | 0:44:30 | |
if you had to make that payment to a man like Jimmy Monk? | 0:44:30 | 0:44:35 | |
Possibly. | 0:44:35 | 0:44:36 | |
Sorry? Possibly? | 0:44:36 | 0:44:37 | |
Well, yes, I would have been. But then Sean had a gun. | 0:44:37 | 0:44:41 | |
Sorry, did you see Sean take it with him? | 0:44:41 | 0:44:44 | |
No. | 0:44:44 | 0:44:45 | |
Did you see him remove it from the drawer? | 0:44:45 | 0:44:47 | |
No. | 0:44:47 | 0:44:48 | |
Did he talk to you about taking it with him? | 0:44:48 | 0:44:51 | |
No. | 0:44:51 | 0:44:52 | |
Then you can't say that he had a gun, can you, Mr Brannigan? | 0:44:52 | 0:44:56 | |
Why are you smiling? | 0:44:57 | 0:44:59 | |
Well, er...call me old-fashioned, but it's common sense. | 0:44:59 | 0:45:03 | |
Nobody else had access to that drawer and knew what was in it. | 0:45:03 | 0:45:07 | |
Apart from you. | 0:45:07 | 0:45:09 | |
I don't know what you mean. | 0:45:09 | 0:45:12 | |
Sorry, when...when did you decide to become a witness for the prosecution? | 0:45:12 | 0:45:15 | |
-What are... What are you saying? -Who runs The Electric now? | 0:45:17 | 0:45:21 | |
I do. | 0:45:22 | 0:45:23 | |
Thank you. | 0:45:24 | 0:45:25 | |
FILE THUMPS | 0:45:27 | 0:45:29 | |
So Jake is boxing? | 0:45:36 | 0:45:38 | |
Yeah. | 0:45:38 | 0:45:39 | |
-Not the same without him. -Nah. | 0:45:41 | 0:45:44 | |
-HE LAUGHS -Do you remember when he...? | 0:45:44 | 0:45:46 | |
Don't, John. | 0:45:46 | 0:45:48 | |
Please. | 0:45:48 | 0:45:50 | |
-I've done something big. -Oh, yeah? What's that? | 0:45:53 | 0:45:56 | |
-Given up hockey. -Ah, about time. Girls' game. | 0:45:56 | 0:45:59 | |
-Ha-ha. -Why? | 0:45:59 | 0:46:01 | |
Before the game last week, | 0:46:01 | 0:46:03 | |
we were running through a short corner routine. | 0:46:03 | 0:46:05 | |
-Mm-hmm? -Bent down to tie my shoelace up, | 0:46:05 | 0:46:07 | |
and one of my team-mates hit the ball. | 0:46:07 | 0:46:10 | |
Missed my head by an inch. Thwuh! | 0:46:10 | 0:46:12 | |
HE SIGHS | 0:46:12 | 0:46:14 | |
-I think if it had... -You wouldn't be here today. | 0:46:14 | 0:46:18 | |
Nah. | 0:46:18 | 0:46:19 | |
Doesn't bear thinking about. | 0:46:19 | 0:46:21 | |
Except it does. | 0:46:23 | 0:46:24 | |
-What? -Makes you think. | 0:46:24 | 0:46:27 | |
That...life is short. | 0:46:28 | 0:46:29 | |
And precious. | 0:46:32 | 0:46:33 | |
JOHN WRITING | 0:46:33 | 0:46:36 | |
Mm-hm. | 0:46:36 | 0:46:37 | |
I didn't know why he was angry. | 0:46:44 | 0:46:47 | |
He wouldn't say. | 0:46:47 | 0:46:49 | |
Just kept pacing around and punching things. | 0:46:49 | 0:46:51 | |
What was he punching? | 0:46:51 | 0:46:54 | |
A cupboard. A wall. | 0:46:54 | 0:46:56 | |
Me. | 0:46:56 | 0:46:57 | |
He hit you? | 0:46:59 | 0:47:00 | |
-Where? -My stomach. | 0:47:04 | 0:47:07 | |
No, I meant where were you? | 0:47:07 | 0:47:09 | |
My flat. | 0:47:10 | 0:47:11 | |
Had he told you why he was angry before he hit you? | 0:47:11 | 0:47:16 | |
No. | 0:47:16 | 0:47:18 | |
Did he tell you afterwards? | 0:47:18 | 0:47:21 | |
He said it was that bastard Monk, who'd threatened him at the club. | 0:47:21 | 0:47:24 | |
Thank you so much, Miss Philpott. | 0:47:26 | 0:47:28 | |
You were his girlfriend? | 0:47:34 | 0:47:35 | |
-Yes. -But not now? | 0:47:37 | 0:47:39 | |
No. | 0:47:39 | 0:47:40 | |
Who finished the relationship? | 0:47:40 | 0:47:42 | |
-He did. -When? | 0:47:45 | 0:47:47 | |
The week before he came round and hit me. | 0:47:47 | 0:47:50 | |
What were your feelings for Sean before he finished the relationship? | 0:47:50 | 0:47:53 | |
He was my boyfriend. | 0:47:54 | 0:47:55 | |
Sorry, does that cover your feelings for Sean McBride? | 0:47:55 | 0:48:00 | |
What? | 0:48:00 | 0:48:01 | |
Does what you've just told this court | 0:48:01 | 0:48:04 | |
adequately describe your feelings for this man? | 0:48:04 | 0:48:09 | |
MARTHA CLEARS HER THROAT | 0:48:12 | 0:48:14 | |
"I love you with all my body and soul, | 0:48:14 | 0:48:17 | |
"especially my body, | 0:48:17 | 0:48:20 | |
"but my soul, too. | 0:48:20 | 0:48:22 | |
"I want to be with you for ever. | 0:48:22 | 0:48:25 | |
"Will you do that secret thing you do to me tonight?" Who said that? | 0:48:25 | 0:48:30 | |
-SHE CLEARS THROAT -Me. | 0:48:31 | 0:48:33 | |
This is a text message you sent Sean the day before he split up with you. | 0:48:34 | 0:48:39 | |
Now, is that a better description of your emotions | 0:48:39 | 0:48:42 | |
than the one you've just given this court? | 0:48:42 | 0:48:45 | |
Yes. | 0:48:46 | 0:48:47 | |
So, you were crazy about him. You were madly in love with him. | 0:48:47 | 0:48:50 | |
You couldn't get enough of Sean McBride. | 0:48:50 | 0:48:54 | |
You were devastated when he finished with you and you were angry... | 0:48:54 | 0:48:57 | |
-No. -..and this is your revenge. | 0:48:57 | 0:48:59 | |
This is you lying about the man who broke your heart. | 0:48:59 | 0:49:02 | |
I'm telling the truth. He hit me. | 0:49:02 | 0:49:04 | |
-He wouldn't do that. -How the hell would you know? | 0:49:04 | 0:49:08 | |
Miss Costello is doing her job, Miss Philpott. Just answer her questions. | 0:49:08 | 0:49:12 | |
That wasn't a question, | 0:49:12 | 0:49:14 | |
-"He wouldn't do that." -Milady. | 0:49:14 | 0:49:17 | |
The witness is absolutely right. | 0:49:17 | 0:49:18 | |
My learned friend is giving evidence. | 0:49:18 | 0:49:22 | |
Did you tell the police? | 0:49:26 | 0:49:27 | |
No. | 0:49:28 | 0:49:29 | |
Did you tell your flatmate when she came home an hour later? | 0:49:29 | 0:49:34 | |
No. | 0:49:34 | 0:49:36 | |
You waited until Sean was arrested for this murder | 0:49:36 | 0:49:40 | |
and then you gave your statement to the police. | 0:49:40 | 0:49:43 | |
What secret thing? | 0:49:47 | 0:49:48 | |
I'm not saying. | 0:49:50 | 0:49:51 | |
-Is it something sexual? -Not really. | 0:49:51 | 0:49:53 | |
What, then? | 0:49:53 | 0:49:54 | |
He used to whisper in my ear. | 0:49:56 | 0:49:59 | |
What did he whisper? | 0:50:00 | 0:50:02 | |
SHE SNORTS | 0:50:02 | 0:50:04 | |
After a kiss. | 0:50:04 | 0:50:06 | |
"I've died and gone to heaven." | 0:50:06 | 0:50:08 | |
Miss Costello? | 0:50:11 | 0:50:13 | |
If I were a more cynical, hard-nosed-bitch type of barrister, | 0:50:24 | 0:50:28 | |
I would say that my learned opponent still has the hots for the killer in the dock. | 0:50:28 | 0:50:32 | |
But then I tell myself, "That can't be right," | 0:50:32 | 0:50:35 | |
and her esteemed junior would make sure that it wasn't right. | 0:50:35 | 0:50:38 | |
-I'm not her junior. -Of course you're not, darling. | 0:50:38 | 0:50:42 | |
We need to get back for the vote. | 0:50:42 | 0:50:45 | |
On? | 0:50:45 | 0:50:46 | |
Whether to make Amy Lang a member of chambers. | 0:50:46 | 0:50:48 | |
LOW CHATTER | 0:50:51 | 0:50:54 | |
LOW CHATTER | 0:51:01 | 0:51:04 | |
-JOHN: -OK. | 0:51:14 | 0:51:15 | |
We have a decision. Head of Chambers has to make the call. | 0:51:16 | 0:51:20 | |
He's not here, obviously, so, um... who's going to inform Miss Lang? | 0:51:20 | 0:51:24 | |
HE SIGHS | 0:51:45 | 0:51:47 | |
You're in. | 0:51:50 | 0:51:51 | |
SHE LAUGHS | 0:52:03 | 0:52:05 | |
46th voter. | 0:52:09 | 0:52:11 | |
Ha-ha! | 0:52:15 | 0:52:17 | |
Oh! Yes! | 0:52:17 | 0:52:20 | |
There were people in the room across the corridor, 1045. | 0:52:23 | 0:52:26 | |
Are you sure? | 0:52:26 | 0:52:28 | |
Yeah. | 0:52:28 | 0:52:29 | |
OK. | 0:52:29 | 0:52:32 | |
Good. | 0:52:32 | 0:52:33 | |
KNOCK AT DOOR | 0:52:33 | 0:52:35 | |
You're on. | 0:52:36 | 0:52:37 | |
Were you the duty manager at the hotel on the night of the murder? | 0:52:39 | 0:52:43 | |
Yes. | 0:52:43 | 0:52:44 | |
-Did you notice an arrival? -The defendant. | 0:52:44 | 0:52:46 | |
-Had he made a booking? -Yes. | 0:52:46 | 0:52:49 | |
Room 1044. | 0:52:49 | 0:52:51 | |
In what name? | 0:52:51 | 0:52:52 | |
Costello. | 0:52:52 | 0:52:54 | |
-First name? -Just an initial. | 0:52:57 | 0:53:00 | |
E. | 0:53:00 | 0:53:01 | |
As in Elvis Costello? | 0:53:03 | 0:53:05 | |
A singer, Your Ladyship. | 0:53:06 | 0:53:09 | |
It's been A Good Year For The Roses, wouldn't you say, Mr Reader? | 0:53:09 | 0:53:13 | |
But not so good for Shipbuilding. | 0:53:13 | 0:53:15 | |
The rooms, er...next to and opposite 1044, were they also booked? | 0:53:15 | 0:53:19 | |
Yes. | 0:53:19 | 0:53:20 | |
And on the day of the murder, did the guests for those rooms turn up? | 0:53:20 | 0:53:24 | |
Nobody turned up. | 0:53:24 | 0:53:26 | |
What were the names used? | 0:53:26 | 0:53:28 | |
Nick Westlake, | 0:53:30 | 0:53:32 | |
Martin Land, | 0:53:32 | 0:53:34 | |
Steve Keane and Robin Page. | 0:53:34 | 0:53:37 | |
JUDGE: Lunch? | 0:53:39 | 0:53:40 | |
Martha? | 0:54:03 | 0:54:05 | |
Nick Westlake, Martin Land, | 0:54:05 | 0:54:07 | |
Steve Keane, Robin Page. | 0:54:07 | 0:54:10 | |
All boys in our class at school. | 0:54:12 | 0:54:13 | |
-Yours and Sean's? -Yes. | 0:54:13 | 0:54:15 | |
Jesus Christ. Well, so that's it. | 0:54:15 | 0:54:19 | |
He keeps the rooms around 1044 empty so nobody hears or sees anything. | 0:54:19 | 0:54:22 | |
Get a bloody cigarette out for me. | 0:54:22 | 0:54:23 | |
Look, they don't know. | 0:54:24 | 0:54:27 | |
CW doesn't get it. The police don't know. | 0:54:28 | 0:54:31 | |
-And it is not our job as defence counsels. -Martha. | 0:54:31 | 0:54:34 | |
You take the witness. | 0:54:37 | 0:54:39 | |
I don't think you can carry on with this. | 0:54:39 | 0:54:41 | |
I've looked into his eyes. | 0:54:42 | 0:54:44 | |
I know the answer when I look into a client's eyes. | 0:54:45 | 0:54:48 | |
I get it right. | 0:54:49 | 0:54:50 | |
When you say that the rooms were not occupied, | 0:55:13 | 0:55:16 | |
-you mean that the people who booked them didn't show up? -That's right. | 0:55:16 | 0:55:20 | |
-But you didn't go up there yourself, to the tenth floor? -No. | 0:55:20 | 0:55:23 | |
So you can't actually say that there was nobody in those rooms? | 0:55:23 | 0:55:28 | |
Nobody booked in. | 0:55:28 | 0:55:30 | |
Yes, but you didn't see for yourself that those rooms were empty? | 0:55:30 | 0:55:33 | |
Strictly speaking, no. | 0:55:35 | 0:55:36 | |
If I suggested to you that room 1045, the room opposite room 1044, | 0:55:36 | 0:55:41 | |
was actually occupied at the same time | 0:55:41 | 0:55:43 | |
as when the defendant was waiting in room 1044, | 0:55:43 | 0:55:46 | |
you can't tell me that that isn't true? | 0:55:46 | 0:55:49 | |
There are rumours the hotel is haunted. | 0:55:51 | 0:55:53 | |
RIPPLE OF LAUGHTER | 0:55:53 | 0:55:56 | |
JUDGE: Tomorrow at ten? | 0:55:56 | 0:55:57 | |
MUSIC PLAYS | 0:56:11 | 0:56:12 | |
MUSIC: "Love Will Tear Us Apart" by Joy Division | 0:56:17 | 0:56:20 | |
# Love | 0:56:24 | 0:56:26 | |
# Love will tear us apart | 0:56:26 | 0:56:29 | |
# Again | 0:56:29 | 0:56:30 | |
# Love | 0:56:30 | 0:56:32 | |
# Love will tear us apart | 0:56:32 | 0:56:35 | |
# Again... # | 0:56:35 | 0:56:36 | |
-HE SIGHS -Where's Martha? | 0:56:47 | 0:56:50 | |
I don't know, Sean. | 0:56:50 | 0:56:52 | |
Maybe she's thinking about what a liar you turned out to be. | 0:56:54 | 0:56:57 | |
-I'm not a liar. -You lied about the gun. | 0:56:57 | 0:57:00 | |
I think you're lying about everything. | 0:57:00 | 0:57:02 | |
Who was it? Who apart from you made fake hotel reservations | 0:57:04 | 0:57:07 | |
in the name of your classmates? | 0:57:07 | 0:57:10 | |
I've prosecuted lots of men like you. | 0:57:11 | 0:57:14 | |
You're a manipulator and a fraud, and Martha... | 0:57:15 | 0:57:18 | |
HE GRUNTS | 0:57:18 | 0:57:19 | |
-..she's vulnerable. -Yeah, I get it. | 0:57:19 | 0:57:21 | |
Get what? | 0:57:21 | 0:57:23 | |
You're in love with her, aren't you? Hmm? | 0:57:23 | 0:57:26 | |
Am I right? | 0:57:28 | 0:57:30 | |
Am I? | 0:57:30 | 0:57:31 | |
You're going down. | 0:57:33 | 0:57:36 | |
GRUNTING AND GROANING | 0:57:43 | 0:57:46 | |
Stop it! | 0:57:50 | 0:57:52 | |
ALARM BEEPING Help! | 0:57:52 | 0:57:54 | |
-Aaah! -Get back! | 0:57:54 | 0:57:56 | |
Shit! | 0:57:58 | 0:58:00 | |
Don't touch him! | 0:58:00 | 0:58:02 | |
Look at me. Did you do this? | 0:58:06 | 0:58:09 | |
He put his hand on my knee. | 0:58:09 | 0:58:11 | |
The cancer is moving. | 0:58:11 | 0:58:12 | |
-That's... -Let me finish! | 0:58:12 | 0:58:14 | |
If I were to catch you coaching a witness, I'd finish you. | 0:58:14 | 0:58:18 | |
Is that your killer point? | 0:58:18 | 0:58:20 | |
-What are you afraid of? -SHE SNIGGERS | 0:58:20 | 0:58:23 | |
Trust me. | 0:58:23 | 0:58:25 | |
Square peg, round hole! | 0:58:25 | 0:58:28 |